Simon Steen-Andersen Asthma (2017) for accordion and video Dur. 22′
Written for Andreas Borregaard with support from the Danish Arts Foundation (Statens Kunstfond), premiered at Klang Festival in Copenhagen, May 2017.
SCORE
T/ (+45) 3313 5445 · E/ sales@edition-s.dk · W/ www.edition-s.dk
Edition·S publications are supported by the Danish Arts Foundation / Edition·S udgivelser er støttet af Statens Kunstfond
Simon Steen-Andersen Asthma (2017) for accordion and video Dur. 22′
NOTES Rider • Laptop running Ableton Live • Interface with 6 channels • 2 DPA 4099 microphones (or similar - but for better results make sure they’re supercardioid) • 1 SM58 microphone on a stand (or similar) • Projector (front projection) • Screen (ideally around 5 x 3 meters, reaching the floor or a riser with the player) • iPad for the score (on a low and flat stand) • Stereo PA with subwoofer
Staging The pieces uses front projection and a large bright surface or 16:9 screen (almost) reaching the floor. The screen (ideally about 5 x 3 meters?) should reach down to the level at which the accordion player is seated – i.e. either almost reaching the floor or the level of a riser with the player. The player should be positioned on the right side (seen from the FOH) 0,5–1 meter in front of the screen, so that it looks as if the lips of the woman on the video touches the player at 5:58:50 in the video OR at the locater that will be jumped to when pressing “0” (zero) in the Ableton set. The player should use an iPad with minimal brightness or inverted colours for reading the score to avoid a stand light. And the stand for the iPad should leave the instrument fully visible for the audience (keep low and flat). A microphone stand (for the SM58 or sim.) should be positioned on the players left side. The laptop running the playback should be positioned on the floor in front of the player’s right side, reachable from the player’s position to start the playback and visible to the player as a monitor (video window set to full screen, playing head at the beginning, starting playback by pushing the space bar). Cover the light of the (Apple) logo, turn down brightness. N.B: Deviations from this setup should be discussed with the composer Video The video with click and live sound processing is run on Ableton Live (a free trial version available for download) on a laptop next to the player on stage. Set the display to “mirror” so the play will see the video on the screen. The Ableton set is available for download on the Edition·S website: http://www.edition-s.dk/assets/asthma-live-set Tech and sound A 6 channel soundcard is needed for stereo playback, processed sound output and the click track for the in ear monitor. If the sound card has a headphone output that can output the click track exclusively, the headphone can be plugged directly into the soundcard on stage. The accordion should be amplified and processed with two DPA4099 microphones going directly into the interface. The microphone on the left hand side should be placed on the sound hole to pick up as much as possible of the air sound as possible (without popping). The air sound is EQ’ed differently for each video and the sound is run through a limiter in order bring the notes closer to the level of the air sound. Adjust gain and limiter to obtain this and balance playback, processed sound and speech at the mixer. Score The four different positions of the squared note heads indicate a graduation of pressure applied to the air button, the lowest position being fully pressed and the highest line barely pressed down. Studying The button pressure markings and the sustained notes are just rough proposals. When studying the score the player should study the video and adjust the dynamic curves of the notes to fit the pictures as well as possible. A video file with sound on the speech parts is available in order to better learn how to perform them. Try to mimic the “tone” of the speech on the recordings, but don’t change your own voice or overact.
Œ=70
4 &4
18
∑
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≤ ¬-
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38
∑
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25
(Amplified projector noise)
31
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114
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121
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135
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151
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159
Rescue breathing 2 (purple shirt)
3 & 8 –.
163
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169
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Respirator 3 (pedal, 50s)
≥ ≤ > – . 5 ‰ –R Œ & 16
208
- & 43 – . – . 44 ¬-
219
Resp. bellows 2
let's talk about the
&Œ
226
Resp. bellows 3
¬-
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this is what breathes
life into the en-
≤ 3 & 4 ¬.
237
Accordion
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74 ¬
(accordion)
¬.
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of the accordion in
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2 4Œ
Body builder
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my opinion
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(spoken:)
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233
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229
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Respirator 4 (handle, 50s)
38 ‰
bellows
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‰
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Œ=80
≥– ≤– 3 2 &4 4 ¬.
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249
Paper bag (soap opera)
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¬
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3 –. –.
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4
44 – – – – 43
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Birthday candles
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3 48 >–J >–J >–J >–J 38 –. –. –. –. 48 – – – – – – .... ..
Telephone
& 43 – . – . – . – . – . – . – . – .
257
44 ¬
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85 – – – – 4:5
Breath of fire 1
4:3
Breath of fire 4
8:6 –––– –––– –. –. –. –. –. –. –. –. 3 . . . . . . . . 7 – – – – – – – – –––– &–––– 16 8 – – – – – – – – – – – – – – – – – – – – – – – – 85
263
Breath of fire 3
Labor breathing
Winter diver
Dogs panting!
8:7
8:6
8:6
16:10 5 7 – – – – – – – – – – – – – – – – 38 & 8 – – – – – – – – – – – – – – – – 48 ––– ––– – –––– ––––– 16
270
16:14
(+techno)
& 38 – – – – – – – – – – – – – – – – 28 – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – – 38 16:12
273
12:8
12:8
12:8
(+techno)
Dogs sniffing (irregular?)
3 7 – – – – – – – – – – – – – – – – 3 ¬æ. & 8 –––––––––––––––– –––––––––––––––– 16 4 16:14 π 16:12
277
Œ=70 BRASS BREATHING MASTERCLASS (spoken:)
& 42 ‰ . so
282
>œ 286 &R
16:12
let ask me you
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have many times have you
found yourself in a
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38
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≈Œ 5
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didn't think there was any
42 Œ
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place breath to
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because it's cheaper than the alternative
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310
Œ
right
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we're gon' and we're gonna en- joy it
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right
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we're dizzy gonna when we do this excercise get
MASTERCLASS 297
>
Inhalator/EX
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293
54 ≥¬
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44
ø. ≈‰ 42
(MASTERCLASS)
as you get
& 42 Œ
314
& 42
319
Œ
‰
dizzy
em-Brace the horror of the
∑
into the dizzyness and
go few a more cycles
dizzyness, if you will
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‰
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>-– ˘– ≤ . 2 3 2 – ≈ ≈ ≈ ≈ ≈ ≈ &8 16 R 8 -– – fl
325
Candle
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Burst
28
Œ
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Snap air
‰ 6
≈ ‰
stay relaxed
38
∑
mentally
∑
42
Inhalator
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85
38
3 – ø 28 16
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BATHTUB DIVING (spoken:)
∑
42
ladies gentlemen he's alright and
& 42 ‰
331
‰
‰
not breathing air right now
2 &4Œ
335
camera
‰
‰
‰
average
& 28 ‰
human
‰
minute and twenty
∑
363
&
& 38 ‰
Œ
Œ
‰
‰
I that got one just
≈ ‰
48 Œ
38 ‰
‰
right I have a
‰
∑
3‰ 8
here O. -
‰
I apologise for
38 Œ
≈ ‰.
it's not very
28 ‰ .
≈ ‰.
long
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‰
K. not he's doing well
28 ‰ ‰
just that good at
thirty seconds
≈ 38
28 ‰
‰
fifty - nine
‰
‰
‰
28 ≈ ≈ ≈ ≈
I'm
38 ‰ ‰ ‰ ‰
little uncomfortable right
∑
∑
if he can fifty make it minute al-right we're seconds to a then
Œ
‰
‰
six-ty that's a minute
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≥ 24 >–
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7
38 ‰
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this here what the right is
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person would be the average gettin a
≈ ≈ ≈ ≈ 43 Œ
if you were
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28 ‰
∑
2 ≈ ‰. 8
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3 8 28
dict that gonna he's gonna I'm preget a
got faith in length
I
‰
not a pro- fessional
ladies and gentlemen
28
‰
≈ 38 ‰
that
∑
3 ∑ 16
3‰ 8
‰
stop watch I'm not
‰
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∑
‰
28 ‰ .
∑
‰
that he is
sure good you're shot this fully merged gettin' a of on I'm sub-
≈ ‰.
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accurate
does
48 ‰
‰
≈ ≈ ≈ ≈ 42
test
‰
seems he to be
he would average twice good average be person double as as an
mazing feat
&Œ
382
‰
let's seconds see that's forty seconds
& 38 ‰ ‰ ‰ eh and
370
‰
2 ‰. 8
‰
why I was wondering so
357
376
Œ
eeeeh
‰
& 38 Œ
351
Œ
twenty seconds in
&‰
344
‰
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sefifteenseconds up cond first missed in I we're mark ten the
&Œ
339
38 ≈ ≈ ‰ un-der
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≈ 38
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now
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that would just be an a-
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≈ ≈ ≈ ≈ ≈ 28 ‰
‰
38
>– J
38
an' we gotta go fifty - eight
5
28 >– J
>– J
3 8
>– J
>– . >– . >– . >– . 4 3 &8 4
388
the normal
& 28
∑
395
>
√
38 Œ
∑
instinct
human
tendency will be to tighten up when we feel that
& 42 Œ
√œ 408 ≤ ≥ 4 & 4 – ––
Oxygen mask + heart monitor
‰
28 ‰ ‰
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38 Œ
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≤ ≥ ≈ ‰ ‰ .. – . – – . Œ
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417
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ø 44
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44
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‰.
bracing the horror
3 – ø 44 16
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42
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so it's
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have to go the
Inhalator
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38 ‰
>œ ‰ ≈ 42 R
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that's heart monitor excer- overthe bracing r œ training, the purpose cise we're we're em- horror of this
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over-training, we're em-
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414
ignore that we
ø. ≈‰ 28
thinks of dizzyness as danger
44 Œ
‰
lax into it
excercise, we're
≈ ≈ Œ
54 ≥¬
and the body
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that and that's the purpose of this
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tect istelf
re-
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train
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R ²
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401
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429
435
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441
&
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447 (Strauss)
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(Strauss)
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472
to
∑
∑
overbreathe or...
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how You tought that I me was to
&‰ ≈ ≈ Œ
475
œ
j œœ J
"WUU!"
‰
œ
∑
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hyperventilate
Œ
At that time
‰ ≈ ≈ ‰.
Œ
Œ
slow down my
breathing paper and breath bag in to a
Œ
Œ
Œ
Œ
I had ...
≤ ≈≈≈≈‰ ‰ Œ 9
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–– –
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28
j œJ œœ
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44
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≈‰ ‰ Œ
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thought I could con-
and I
√œ
–
I'd
bothered it me
œœ ..
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>––
38
œœ œ
≈
HYPER-INTERVIEW, spoken (southern accent?):
4 &4 ∑
466
>
√ œ >œ
>––
"WU-HUU!"
–– –
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–
¿ œ. œ œ
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457
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trol it
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MASTERCLASS but at stress that time and the problems so great AND the that I couldn't were
Œ
Œ
Œ
Œ
‰.
≈ 48
purpose of this
that's the
& 48 ‰
478
‰
here we go so
& 28 ‰
481
2 &8
486
excer-
‰
one ‰ 48
≤
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Stove sucktion
& 48 ¬
493
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≤
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Vacuum
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≤
Vacuum
– ¿
¿
&
oh yeah!
– ¿
≤
¬ ¿
≥
Smoke
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MASTERCLASS follow acc. without click
∑
3
≤
¬ ¿
¿
Smoke machine 1
¿
≤
COME ON!
¿
¿
≥
Vacuum
Smoke
– ¿
– ¿
&≈ ≈ ≈ ≈ ≥ 2 &4–
528
≤
–
≥ –
Œ ≤
–
38 ≥– .
≤
–.
¿
≤
Vacuum
– ¿
¿
¿
≥
Smoke
¿
– ¿
¿ ¬ ¿
¿
44 ≥¬
∑ em-brace it, em- brace it, it
34 ≥¬ 10
Œ
¿
stay relaxed down below as well
≥
¬. ¿ ¿
≤ ‰ ‰ 42 ¬
one more!
¿
48
≥
ONES!
¿
¿
Smoke alarm
¬
¿
28
∑
go-o feels great, slow it down here we
Œ
4 8
¿
∑ Œ
28
smooth change of direction!
Big bad wolf
– ¿
‰.
Steam iron
Vick's
≤
28
¿
don't lock you knees!
≥ LOUDER! ≤ ¬ ¿
‰
again!
¿
¬.
Lung test
¬ ¿
6 ¬. 8 ≤
¬. ¿ ¿
≤
¿
Nose spray
Blue velvet
≈≈≈≈Œ
(count-in)
¿
key snap (quasi finger snap)
¬ ¿
≥
¿
≥ ¬
‰
≥
¿
‰
right so
monitoring is
Nosebag
68 ¬ . ¿ ¿
¿
‰
horror
Candle draft
¬ ¿
∑
J Ó
≈ ‰
Smelling flower
∑
œ. œ œ
just follow me
48 ‰ .
‰
(count-in) "WU-HUU!" 525
48 ‰
ones
≤
¬ ¿
bracing the
‰
Joint
Cocain
¬ ¿
¿
509
519
¿
¿
Lucky luke
Twos!
& 48 ¬
¬ ¿
¿
Amfetamin 501
‰
Gas chamber
≥
‰
twice (?) twos threes
four in nice and three even
two
¿
28 ‰
‰
4 - in 4 - out
still o. k.
¿
cise, we're
≈ ≈ ≈ ≈ 38 ‰
‰
overtraining we're em-
Ó
42
≥ 34 >¬ .
44
beautiful, re- laxed
& 44 Œ
535
>–– –
–– –
–– –
–– –
SPLATTER!
Œ=80
& 42
539
Ï
& ‰.
547
Œ
≥– – ≤–
≥– . ≈ Œ &
553
constant
Œ
flow, con-gratulations
42 ‰ . ≈ Œ
Œ
even
Asthma attack
–≤ ≥– –≤ ‰
Œ
‰.
≥– –≤
∑ ≥–
to em-
welcome
bracing the horror
38 ‰ ‰ ‰ 44 ‰ . ≈ Œ
42
Ó
≥ ≤ ≥ ≤ ≥ ≤ ≥≤ ≥ ‰ . – ≈– ‰ – ≈– ‰ – ≈– ‰ – – . ≈– . Œ .
≤ ≥ ≤ ‰ – – ‰ –.
≤ ≥ ≤ ≥ ‰ – ‰ – ‰ ≈– ≈– ‰ Œ
≤– ≥–
≥–
‰.
–≤ ‰ ≤– ≥– ‰
Œ
≤ ≥ ≤ ≥ ‰ – ≈– ‰ ≈– – Œ
≤ ≥ ≤ ≈– – ‰ – ≥ ≈–
≤ ≥ ≤ ≈ –. –. – –
–≤ . ≥– . ‰ &
≥– . –≤ ≥– –≤ . ≥– –≤ ≥– – –≤ ≥– –≤ – . ≥– –≤ . ≈ ‰ ≈ ≈ ≈ ≈
567
≤ ≥ ≤ ≥ ≤ ≈ –. –. – – –. –.
≥– . –≤ ≥– –≤ . ≥– . ≈ ‰ &
574
–≤ ‰ ≥– ‰ –≤ .
Œ
–≤ ≥–
≤–
≤– ≥– –≤ ≥– –≤ – ≥– Œ . ‰ ≈ ‰ ≈ ‰ &
560
≥ ‰ –
≤– J
J
≥– . –≤ – ≥– . –≤ . ≥– – –≤ . ≥– .
–≤ .
–≤ ≥–
≥– . –≤
≥– . –≤ . ≥– –≤ . ≥– . –≤ . ≥– . –≤ ≥– . –≤ . ≥– – . –≤ . ≥– –≤ . ≥– –≤ . ≥– . ≈ –≤ – ≥– . –≤ . ≈ ≈ ≈ ≈ ‰ &
581
589
&
≥–
≤ ≥ ≤ ≥ ≤ ≥ ≤ ‰ – ‰ ≈ –. – ‰ – – ‰ – –
≥– . –≤ 11
≥ ≤ ≥ ≤ ‰ – – ‰ – – Œ
≥– –≤
Œ
∑
596
&
38 ∑
∑
5 &4
4 4
∑
603
& 44
∑
611
& 38 ‰
now
∑
& 38 ‰
625
‰
‰
what's
volume
‰
42 Œ
& 38 ≈ ≈ Œ
Œ
48 ‰ .
≈ ‰.
motion of
& 42 ˙˙ π̇ much more vigor
is that as you
really cool
∑
∑
74 ww .. w. ƒ
∑
∑
push pull and the
28 ‰
‰
∑
38 ‰
≈ Œ
‰
small bellow pull
Œ
48 ‰
‰
Œ
œœ ≈ ‰ œ
2 4 4 ∑ 4
∑
∑
so for ex-
‰
–
‰
‰
ample
‰
‰
‰
38
42
Œ
versus one with
‰
‰
œœ œ 12
38
depen- how much push pull change ding you the you or on
instrument
a very
43
45
∑
∑
∑
instrument
sound coming the from the
Œ=70
44
∑
∑
44
43 ˙˙˙
629
632
43
42
∑
∑
∑
and the e-
‰
∑
∑
ACCORDION SCHOOL! 620
44
38