Simon Løffler: C (2013)

Simon Løffler C (2013) for 3 glockenspiels to be heard through the teeth Dur. c. 10′

SCORE

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+

7.'$,8+'($"9$:2");'-(+*'2$1('&$*-$,.*($+*')'$%#'$<,1&*"$=>$%2,"6$$ ./%)0"(*12"/+ $ 7.'$,8+'($"9$:2");'-(+*'2$1('&$*-$,.*($+*')'$%#'$<,1&*"$=>$%2,"6$$

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Simon Løffler C (2013)

34(2(5$

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for 3 glockenspiels to be heard through the teeth Dur. c. 10′

!/'62(5+-")7(284"*+

PEERFORMANCE NOTES For a description on how to build the set-up, please refer to the appendix.

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mall round noteheads indicate to strike the note with the flesh of the $$ $ $ $ $ D$$ <@%22$#"1-&$-",'$.'%&($@'%-$,"$(,#*;'$,.'$-",'$/*,.$,.'$92'(.$"9$9 $ $ $ $ F,$(."12&$0'$%$A'#8$("9,$01,$)2'%#$+*,).$/*,.$"-28$%$("9,$%,,%);6 $$ $$ $ $ fingertip. $ $ It should $$ be aF,$(."12&$0'$%$A'#8$("9,$01,$)2'%#$+*,).$/*,.$"-28$%$("9,$%,,%);6 very soft but clear pitch with a soft attack. $ $ $ $ D$$ <@%22$#"1-&$-",'$.'%&($@'%-$,"$(,#*;'$,.'$-",'$/*,.$,.'$92'(.$"9$9*$ $ $ $ $ $ F,$(."12&$0'$%$A'#8$("9,$01,$)2'%#$+*,).$/*,.$"-28$%$("9,$%,,%);6 F-&*)%,'$9"#$,.'$/.*,'$(B1%#'$-",'($,"$."2&$&"/-$,.'$9*-:'#($92%,$"TheD$$white square notes indicate that the fingers should D$ F-&*)%,'$9"#$,.'$/.*,'$(B1%#'$-",'($,"$."2&$&"/-$,.'$9*-:'#($92%,$" -",'($,"$2*9,$A'#8$B1*);286$7.*($#'(12,($*-$%$A'#8$("9,$#*-:*-:$("1-&$/ be held down flat on the keys without releasing them, $ -",'($,"$2*9,$A'#8$B1*);286$7.*($#'(12,($*-$%$A'#8$("9,$#*-:*-:$("1-& 7"$*-(1#'$%$(2*:.,$(,*);*-'((4$%++28$%$A'#8$,.*-$2%8'#$"9$.%*#$/%5$"-$ and the black square notes that they are to be lifted very D$ F-&*)%,'$9"#$,.'$/.*,'$(B1%#'$-",'($,"$."2&$&"/-$,.'$9*-:'#($92%,$"7"$*-(1#'$%$(2*:.,$(,*);*-'((4$%++28$%$A'#8$,.*-$2%8'#$"9$.%*#$/%5$"$ -",'($,"$2*9,$A'#8$B1*);286$7.*($#'(12,($*-$%$A'#8$("9,$#*-:*-:$("1-&$/ $ quickly.

This results in a very soft ringing sound without any attack. To ensure a slight $ 7"$*-(1#'$%$(2*:.,$(,*);*-'((4$%++28$%$A'#8$,.*-$2%8'#$"9$.%*#$/%5$"-$ $stickiness, apply a very thin layer of hair D$$ of the <%@'$,').-*B1'$%($&'()#*0'&$%0"A'4$01,$" wax to the middle keys. $ D$$ <%@'$,').-*B1'$%($&'()#*0'&$%0"A'4$01, 7.'$#'(12,$*($%$A'#8$("9,$:2*((%-&"$2*;'$("1 $ 7.'$#'(12,$*($%$A'#8$("9,$:2*((%-&"$2*;'$(" $ $ F,G($*@+"#,%-,$,"$'@+.%(*H'$,.'$,"+$-",'$ <%@'$,').-*B1'$%($&'()#*0'&$%0"A'4$01,$" The as described above, $ sameD$$$technique F,G($*@+"#,%-,$,"$'@+.%(*H'$,.'$,"+$-",' 7.'$#'(12,$*($%$A'#8$("9,$:2*((%-&"$2*;'$("1 but the notes are damped one by one $ $ F,G($*@+"#,%-,$,"$'@+.%(*H'$,.'$,"+$-",'$

!"#$%#&'()"*+,%-"*+

!"#$%#&'()"*+,%-"*+ +

!"#$%$&'()#*+,*"-$"-$."/$,"$01*2&$,.'$(',31+4$+2'%('$(''$,.'$%++'-&*56$$ GLOCKENSPIEL !"#$%$&'()#*+,*"-$"-$."/$,"$01*2&$,.'$(',31+4$+2'%('$(''$,.'$%++'-&*56$$ $

+

The $Glockenspiels used in this piece are the STUDIO 49 AGd 2000 alto.

./%)0"(*12"/+ ./%)0"(*12"/+

+ + Tuning 7.'$,8+'($"9$:2");'-(+*'2$1('&$*-$,.*($+*')'$%#'$<,1&*"$=>$%2,"6$$ 7.'$,8+'($"9$:2");'-(+*'2$1('&$*-$,.*($+*')'$%#'$<,1&*"$=>$%2,"6$$ A number underneath a pitch indicates the derivation in cents from equal $ $

34(2(5$ temperament: 34(2(5$

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Glock. 1 Glock. 2

immediately after releasing them. The result is a very soft glissando-like sound. It is important to empahasize the top note to ensure a clear directional sound downwards.

Glock. 3

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! !

!/'62(5+-")7(284"*+

$ $ $ $ $ $ $ $

$ !/'62(5+-")7(284"*+ Playing techniques $ $ $ $ $ $ $ $ $ $

$ $

!

! ! !! $ $ $ D$$ E"#@%2$-",'$.'%&($*-&*)%,'$,"$(,#*;'$,.'$-",'$/*,.$,.'$,*+$"9$,.'$-%*26$$ ! $ Normal $ note-heads $ $indicate F,G($*@+"#,%-,$,.%,$,.'$%,,%);$*($B1*);$%-&$2*:.,4$,"$@%5*@*H'$,.'$#'("-%-)'$&1#%,*"-6$ to strike the note with the tip of the nail.

$ $ D$$ E"#@%2$-",'$.'%&($*-&*)%,'$,"$(,#*;'$,.'$-",'$/*,.$,.'$,*+$"9$,.'$-%*26$$ !

It’s important attack is quick and light, to maximize the $ $ that$ the F,G($*@+"#,%-,$,.%,$,.'$%,,%);$*($B1*);$%-&$2*:.,4$,"$@%5*@*H'$,.'$#'("-%-)'$&1#%,*"-6$ $ $ $ $ !! resonance duration. $ $

$ $ $

$ $

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<@%22$#"1-&$-",'$.'%&($@'%-$,"$(,#*;'$,.'$-",'$/*,.$,.'$92'(.$"9$9*-:'#,*+6$$ !

F,$(."12&$0'$%$A'#8$("9,$01,$)2'%#$+*,).$/*,.$"-28$%$("9,$%,,%);6 !"#$%&%'()%*+,

The same technique as above, but one plays "! #$%&!'&()*+,-&!$.!$/01&2!/-'!0*&!34$5.!')&!6+7. the first notes with the fingernails before :4+..$*90!%0'+0*<! "! #$%&!'&()*+,-&!$.!$/01&2!/-'!0*&!34$5.!')&!6+7.'!*0'&.!8+')! damping in a downwards glissando motion. :4+..$*90!%0'+0*<! "!

=*!$44!(4-.'&7.2!8)&')&7!34$5&9!/5!')&!*$+4.2!6+*:

In all clusters,"!whether played by the nails, fingertips, *0'&!.)0-49!/&!&%3)$.+>&9!'0!/7+*:!0-'!')&!%& =*!$44!(4-.'&7.2!8)&')&7!34$5&9!/5!')&!*$+4.2!6+*:&7'+3.2!07!/5! or by placing fingers*0'&!.)0-49!/&!&%3)$.+>&9!'0!/7+*:!0-'!')&!%&409+(!(0*'0-7 silently and releasing, the top note should be emphasized to bring out the melodic contour.

!"#$%&%'()%*+, <@%22$#"1-&$-",'$.'%&($@'%-$,"$(,#*;'$,.'$-",'$/*,.$,.'$92'(.$"9$9*-:'#,*+6$$ ?)&!:40(@&*.3+&4.!$7&!$%34+6+&9!8+')!A!B3$!CDEF!%+(703)0*&.!&$()<!?)&.&!$7&!34$(&9!+*.+9&!')&!+*.'7-%&* F,$(."12&$0'$%$A'#8$("9,$01,$)2'%#$+*,).$/*,.$"-28$%$("9,$%,,%);6?)&!:40(@&*.3+&4.!$7&!$%34+6+&9!8+')!A!B3$!CDEF!%+(703)0*&.!&$()<!?)&.&!$7&!34$(&9!+*.+9&!')&!+*.'7-%&*'.G!0*&!*&$7!

H%34+6+($'+0*!+.!70-'&9!'0!')&!'7$*.9-(&7.!1+$!*07%$4!)+;6+!$%34+6+&7.<!I&%&%/&7!'0!()&(@!')$'!')&!$%3.!($

H%34+6+($'+0*!+.!70-'&9!'0!')&!'7$*.9-(&7.!1+$!*07%$4!)+;6+!$%34+6+&7.<!I&%&%/&7!'0!()&(@!')$'!')&!$%3.!($*!)$*94&!')& F-&*)%,'$9"#$,.'$/.*,'$(B1%#'$-",'($,"$."2&$&"/-$,.'$9*-:'#($92%,$"-$,.'$;'8($/*,."1,$#'2'%(*-:4$%-&$9"#$,.'$02%);$(B1%#'$

"! ! ! !

#$%&!'&()*+,-&!$.!$/01&2!/-'!0*&!34$5.!')&!6+7.'!*0'&.!8+')!')&!*$+4.2!/&607&!9$%3&*+*:!+*!$!908*8$79.; :4+..$*90!%0'+0*<!

!

Amplification Place teeth – remove teeth The glockenspiels are amplified with 2 DPA 4061 microphones each.

These are placed 3 times during the piece the musicians and the audience remove their teeth from the "! =*!$44!(4-.'&7.2!8)&')&7!34$5&9!/5!')&!*$+4.2!6+*:&7'+3.2!07!/5!34$(+*:!6+*:&7.!.+4&*'45!$*9!7&4&$.+*:2!')&!'03! inside the instruments, one near the to register and one near the*0'&!.)0-49!/&!&%3)$.+>&9!'0!/7+*:!0-'!')&!%&409+(!(0*'0-7<! bottom. Amplification stick to watch the music in silence (and rest the jaw a bit), indicated in the score by “place teeth” and “remove teeth.” ! is routed to the transducers via normal hi-fi amplifiers. Remember to check that the ! amps can handle the impedence of the transducers.

Further information in the appendix !"#$%&%'()%*+, How this piece is heard Please see the appendix for a description on how to build the set-up, general ?)&!:40(@&*.3+&4.!$7&!$%34+6+&9!8+')!A!B3$!CDEF!%+(703)0*&.!&$()<!?)&.&!$7&!34$(&9!+*.+9&!')&!+*.'7-%&*'.G!0*&!*&$7!')&!'03!7&:+.'&7!$*9!0*&!*&$7!')&!/0''0%<!

The music of this piece is heard through the teeth.

The amplification of the information about presenting the piece, and a few other details.

H%34+6+($'+0*!+.!70-'&9!'0!')&!'7$*.9-(&7.!1+$!*07%$4!)+;6+!$%34+6+&7.<!I&%&%/&7!'0!()&(@!')$'!')&!$%3.!($*!)$*94&!')&!+%3&9$*(&!06!')&!'7$*.9-(&7.<! glockenspiels is sent out through a total of 8 transducers, 7 of which are attached to a long wooden stick, comprised of several smaller ones, arranged to form a square For a video describing the playing techniques see the Edition·S website: formation (see picture below.) The last transducer is attached to a stick that forms http://www.edition-s.dk/assets/c-instructions ! the final side of the square, the musicians side. This side can either be attached to the ! other sides to make a whole conjoined square, but it can also stand alone to save one ?)&!%-.+(!06!')+.!3+&(&!+.!)&$79!')70-:)!')&!'&&')<!?)&!$%34+6+($'+0*!06!')&!:40(@&*.3+&4.!+.!.&*'!0-'!')70-:)!$!'0'$4!06!J!'7$*.9-(&7.2!K!06!8)+()!$7&!$''$()&9!0*'0!$! piece of wood, as in the picture below.

, -*.,)/%0,#%1'1,%0,/1(23

40*:!8009&*!.'+(@2!(0%37+.&9!06!.&1&7$4!.%$44!0*&.2!$77$*:&9!'0!607%!L!.+9&.!06!$!.,-$7&!607%$'+0*!M.&&!3+('-7&!/&408N<!?)&!4$.'!'7$*.9-(&7!+.!$''$()&9!'0!$!.'+(@! ')$'!607%.!')&!6+*$4!.+9&!06!')&!.,-$7&2!')&!%-.+(+$*O.!.+9&<!?)+.!.+9&!($*!&+')&7!/&!$''$()&9!'0!')&!0')&7!.+9&.!'0!%$@&!$!8)04&!(0*P0+*&9!.,-$7&2!/-'!+'!($*!$4.0!.'$*9!

The audience and musicicans wear ear protection (not ear plugs), and place their $40*&!'0!.$1&!0*&!3+&(&!06!80092!$.!+*!')&!3+('-7&!/&408<!!! teeth on the wood, whereby the music is heard though the vibrations in the skull. ?)&!$-9+&*(&!$*9!%-.+(+$*.!8&$7!&$7!370'&('+0*!M*0'!&$7!34-:.N2!$*9!34$(&!')&+7!'&&')!0*!')&!80092!8)&7&/5!')&!%-.+(!+.!)&$79!')70-:)!')&!1+/7$'+0*.!+*!')&!.@-44<! !

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Glockenspiel 1

Glockenspiel 2

Glockenspiel 3

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2

!!!!! !!

¯ ‰ ˜

¯˜

.̃ .̃ .̃ .̃ .̃ .̃ ¯˜ ––––– ! !! !!! !!!! !!!!! !!!!! !!!!! " ‰ ® ® ! !!

–– 7

¯˜

¯˜

3:2

.̃ .̃ .̃ 3 3:2

‰

.̃ .̃ .̃ 3

‰

.̃ .̃ .̃

19

1.

2.

3.

k d & d

&

d

e ++ +

2.

3.

k d & d

&

d

e + + +

2.

3.

¯˜

¯˜

k d & d

&

d

e ++ +

.̃ .̃ .̃

Œ

3

Œ

¯˜

Œ

.̃ .̃ .̃

k Œ

3 3:2

.̃ .̃ .̃ 3 3:2

3

!!!!!

.̃ .̃ .̃ 3

3:2

‰ Œ

3

¯˜

‰

‰

.̃ .̃ .̃

5

––––! !! !!! !!!! !!!!

– !

5

˘˜

‰

3

3:2

¯˜

¯˜

" .̃

Œ

3:2

˘˜

!!!!!

5

¯˜

–––––– ! !! !!! !!!! !!!!! !!!!!! !!!!!!

– !

!!!!!! !

7

––––– ! !! !!! !!!! !!!!!

"

5

5

5

–––– ! !! !!! !!!! !!!!

– !

!!!!!

––––! !! !!! !!!! !!!!

– !

––––– ! !! !!! !!!! !!!!! " 5

˘˜

5

–––– ! !! !!! !!!! !!!!

– !

!!!!!! !

7

3

œ.

!!!! !

‰

3

3:2

!!!! !!!!!

"

5

–––– ! !! !!! !!!! !!!! !!!!

– ! !

5

–––– ! !! !!! !!!! !!!!

– !

––––– ! !! !!! !!!! !!!!!

"

–––– ! !! !!! !!!!

–

œ.

!!!!!

5

¯˜ ˘˜

3:2

¯˜

3:2

¯ ˜

3:2

3

.̃ .̃ .̃

‰

!!!!! ––––– ! !! !!!

6

–––––– ! !! !!! !!!! !!!!! !!!!!! !!!!!! !!!!!

– ! "

Œ

.̃ .̃ .̃

5

‰

–––––– ! !! !!! !!!! !!!!! !!!!!! !!!!!!

– !

‰ Œ

3

¯ ˜

‰

˘˜ 3:2

! –

œ

¯˜

¯˜

3

3

7

¯˜

¯˜ 3:2

¯˜ ! – ! – ¯˜

˘˜

Ø

3:2

¯˜

Œ

3

‰

œ

Œ

¯ ˜

3:2

!!!!!! !

6

œ

.̃ .̃ .̃

3:2

˘˜

¯˜

¯˜

3:2

œ

! –

‰

5

3:2

Œ

––––– ! !! !!! !!!! !!!!! "

d de –– ! !! !! !! !! b + ––– ! !! !!! " & k

"

œ .̃ .̃ .̃

.̃ .̃ .̃ .̃

˘ ! – ! ! ! ! ! ‰ ˜ !!!! –––– ! !! !!! !!!! " ‰ 3

5

k !!!!!

3

6

>œ

Œ

" .̃

––––– ! !! !!! !!!! !!!!! ! – Œ

–––––– ! !! !!! !!!! !!!!! !!!!!!

¯˜ ˜

‰

¯˜ ˜

.̃ .̃ .̃

3:2

˘˜

!!!!!

˘˜

3

¯˜

5

3:2

.̃ .̃ .̃ ˘˜ ‰ ‰

¯˜

‰

!!!!!!

¯˜

Œ

3:2

3

3:2

¯˜

¯˜

.̃ .̃ .̃

‰

3:2

Œ

3:2

˘˜

¯˜

Œ

3:2

¯˜ d de b & +k 25

1.

k

‰

¯˜

3:2

¯˜ d de b+ & k 22

1.

3

¯˜

˘˜ Œ

.̃ .̃ .̃ 3 3:2

‰ Œ

¯˜ ¯˜

3:2

3:2

¯˜ ˜

3:2

.̃ .̃ .̃ 3

¯˜

¯˜

‰

Œ Œ

¯˜

Œ

Œ

¯˜ ˜

Œ

3:2

.̃ .̃ .̃ 3

‰

3:2

.̃ .̃ .̃ 3

¯˜ ‰ ˜

¯˜

¯˜ 3:2

¯˜

¯˜ 3:2

.̃ .̃ .̃ 3

‰

3:2

.̃ .̃ .̃ 3

‰

¯˜

28

1.

2.

3.

k d & d

&

d

.̃ .̃ .̃ 3:2

e ++ +

Œ

¯˜

Œ

k

3

‰

¯˜

3

3:2

1.

2.

3.

d

Ó

e ++ +

˘˜ ˜

k d & d

&

k

3:2

Œ

¯˜

¯˜

Œ

2.

3.

¯˜

.. Œ

3:2

e + + +

.. Œ

Œ

k

¯˜

dde b + .. Π& k

¯˜ ¯˜

3:2

3

¯˜ ˜

‰

¯˜

3:2

Œ

˘˜ ˜

¯˜

Œ

3:2

¯˜ x2 ..

¯˜

¯˜

¯˜

Ó

¯ .. ˜ ..

!!!!!! !

Œ

Œ

3:2

Œ

˘˜ ˜

¯˜

¯˜

¯˜

¯˜

Œ

3:2

Ó

¯˜

3:2

¯˜

¯˜

3:2

Œ

3:2

¯˜

¯˜

¯˜

Œ

¯˜ 3:2

¯˜

¯˜

¯ ˜

¯˜ #

4

Œ

3:2

¯˜

¯˜ 3:2

3:2

#

¯˜

–––––– ! !! !!! !!!! !!!!! !!!!!! !!!!!!

–

œ ¯˜

Œ

3:2

¯˜

¯˜

¯˜

¯˜

¯˜

¯˜

.. Œ

3:2

¯˜

.. Œ

Œ

¯˜ ¯˜

Œ

3:2

¯˜

¯˜

3:2

¯˜ 3:2

¯˜

3:2

Œ

Ó

¯˜ ¯˜

¯˜

3:2

¯˜

Œ

3

Œ

¯˜

Œ

3:2

¯˜ x3 ..

¯˜

¯˜

¯˜

..

3:2

¯˜

Œ

3:2

..

Ó

Place teeth

¯˜

.. Œ

3:2

.. Œ

Œ

..

!!!!! !!

3:2

3:2

.. Œ

¯˜

.. Œ

7

.. Œ

Ó

‰

–––––– ! !! !!! !!!! !!!!! !!!!!!

–

.. Œ

¯˜

.̃ .̃ .̃ ¯˜ ‰ 3:2

!!!!!! !

‰

3:2

3:2

Ó ¯ ˜

Œ

3:2

Œ

3:2

# ¯˜

7

!!!!!! !

7

–––––– ! !! !!! !!!! !!!!! !!!!!! !!!!!!

– !

¯˜

3:2

‰

5

3:2

˘˜ ˜

>œ

œ

Œ

.̃ .̃ .̃ " .̃ Œ

Œ

3:2

3:2

3:2

Œ

‰

¯˜

¯˜

¯ ˜

3:2

¯˜

Œ

.̃ .̃ .̃

˘˜

¯˜

3:2

Ó

¯˜

3:2

¯˜

¯˜

Ó

3:2

kd & dd

&

3 3:2

3:2

Remove teeth

1.

Œ

¯˜

¯˜ ˜

.̃ .̃ .̃

¯˜

Œ

3:2

3:2

¯˜ d de b & +k 35

‰ ˘˜ ˜

¯˜ Œ

Œ

¯˜

Œ

.̃ .̃ .̃

Œ

¯˜ 3:2

3:2

d de b+ Π& k 31

¯˜ ˜

¯˜

¯˜ ¯˜

3:2

¯˜

¯˜

3:2

¯˜ 3:2

¯˜

Œ

3:2

¯˜

Ó

¯˜ ¯˜

.. .. ..

x3

40

1.

2.

kd & d

œœœ>œœœ d œ

¯ ¯ !!!!!! ˜ Œ Œ ˜ !

3

3

(let e ring) ¯ e++ ˜ > œ + œœœœ !!!! Œ & k œœ !!

Œ

3

3.

dde œ>œ & b + œœœœœ 45

1.

k d & dd

œœœ>œœœ œ

!!!!!! Œ

(let e ring)

3

3

œœœ>œœœ !!!!!! œ !

2.

3.

&

1.

2.

3.

œœ œœ k " œœœœœ " " œœœœœ ‰ > >

& &

d

e ++ + d de

‰

k

‰

> b + œœœœœœœ

>

!!!!!! ! !!!!!! ! !!!!!!

(let e ring)

œœœ>œœœ œ

Œ

¯˜

Π3

3

œœœ>œœœ œ œœœœœ œœ >

!!!! œœ>œœœ !!! œœ

!!!! !!

7

!!!!!!

(let e ring)

!!!!! !!

œœœ>œœœ œ œœœœœ œœ > œœœœœ œœ >

h œœœ>œœœ !!!!!! œ !

œœœ>œœœ œ

!!!!!!

(let e ring)

!!!!! !!

œœœ>œœœ œ

œœ>œœœ œœ

!!!!!!

(let e ring)

3

œœœœœ " " œœœœœœ " ‰ !!!!!! œ ! œœ > > 5

!!!!! !

œœœ>œœœ ! !! !!! !!!! !!!!! !!!!!! !!!!!! " ‰ œ ! œœœ>œœœ ! !! !!! !!!! !!!!! !!!!!! !!!!!! " ‰ œ !

7

3

œœœ>œœœ !!!!!! œ ! œœœ>œœœ !!!!!! œ ! (let e ring) œœœ>œœœ !!!!! œ !

5

3

h

!!!!!!

œœœ>œœœ !!!!!! œ !

!!!!! !!

œœœ>œœœ !!!!!! œ !

(let e ring)

3

3

h

3

5

" œœœœœœ " " œœœœœœœ ‰ !!!!!!! œ > >

œœœ>œœœ (let!!!!!a ring) ¯˜ œ !

h !!!!!! !

>(let e ring) " " œœœœœœœ " " œœœœœœœ !!!!!! œœœœœœœ > >

(let a ring)

7

!!!!! !!

œœ>œœœ œœ

h

5

(let b ring)

!!!!! œœœ>œœœœ ! !! !!! !!!! !!!!! !!!!!! !!!!!!! " ‰ !! !!!!!! !

œœœ>œœœ œ

3

¯˜

œœ>œœœ !!!!! œœ !!

Œ

7

5

>

kd & d

¯˜

> > (let e ring) > " " œœœœœœœ " " œœœœœœœ !!!!!! œœœœœœœ ! !! !!! !!!! !!!!! !!!!!! !!!!!!! " ‰

5 d de b + œœœœœ " " œœœœœ " ‰ & œœ œœ

48

3

h œœœ>œœœ !!!!!! œ !

3

Œ

5

e ++ +

Œ

3

3

¯ !!!!! Œ Œ ˜ Œ !!

Œ

¯˜

3

!!!!! !!

œœœ>œœœ œ

7

œœœœœ œœ >

!!!!! !!

œœœœœ œœ >

!!!!! !!

œœœ>œœœ ! !! !!! !!!! !!!!! !!!!!! œ

Π3

Œ Œ

¯˜

Œ

3

¯˜

Œ

–––––– –

!!!!!! ! ¯˜

3

!!!!! !!

–––––– –

!!!!!! !

–––––– –

!!!!!! !

˜˜¯˜˜˜ ˜˜

!!!!! !!

––––– ––

!!!!!!

(let e ring)

" " œœœœœœœ " " œœœœœœœ

!!!!! " ‰ !!

> > " œœœœœœœ " " œœœœœœœ " ‰ !!!!!!!

> > " œœœœœœœ " " œœœœœœœ "

3

3

3

3

3

3

3

3

!!!!! " ‰ œœœœœ " œœœœœ " œœ>œœœ !!!! œœœœœ " œœœœœ " !! œœ œœ œœ !! œœ œœ (let e ring)

7

(let c ring)

œœœœœ !!!! œœ !! >

œœœ>œœœ ! !! !!! !!!! !!!!! !!!!!! !!!!!! " ‰ œœœ>œœœ ! !! !!! !!!! !!!!! !!!!!! !!!!!! " ‰ œ ! œ !

7

7

œœœœœ œœ >

!!!!! !!

œœœ>œœœ œ

œœœœœ œœ >

œœœœœ œœ >

!!!!! !!

œœœ>œœœ ! !! !!! !!!! !!!!! !!!!!! !!!!!! " ‰ œœœ>œœœ œ ! œ

!!!!! !!

––––– ––

" " œœœœœœœ " " œœœœœœœ ‰ !!!!!!!

œœœœœ !!!! œœ !! >

(let d ring)

!!!!!!

(let e ring)

!!!!! !

(let b ring)

(let e ring) œœ>œœœ !!!! œœ>œœœ ! !! !!! !!!! !!!!! !!!!! œœ !! œœ !

Œ

!!!!!! !

!!!!! !

(let b ring)

7

œœœ>œœœ ! !! !!! !!!! !!!!! !!!!!! œ

!!!!! " ‰ !!

7

!!!!! !

¯˜

(let a ring)

œœœ>œœœ œ

51

1.

2.

3.

k d & d

&

d

e ++ +

k

d de b+ & k

1.

2.

3.

k d & d

&

d

k

d de b+ & k

!!!!! !!

œœœœœ œœ >

¯ ˜

‰ ˜¯

‰

‰

Œ

‰

¯ 3 " " ˜˜˜˜ " "

57

1.

œœ>œœœ œœ

œœ>œœœ œœ

!!!!! !!

!!!!!! ! !!!!!! ! !!!!!!

(let e ring)

œœœœœ œœ >

3

d

!!!!! !!

œœœœœ !!!! œœ !! >

œœœœœ œœ >

œœœœœ œœ >

œœœœœ œœ >

(let a ring)

!!!!! !!

!!!!! œœœ>œœœœ !!!!!!! œœœ>œœœœ !!

2.

3.

&

k

¯ d de b + ˜˜˜˜ & k

¯

3

¯ ˜˜˜˜

!!!!! œœœ>œœœœ !!!!!! œœœ>œœœœ ! !! !!! !!!! !!!!! !!!!!! !!!!!!! " ‰ !! (let e ring)

3

¯ ˜˜˜˜

¯ ˜˜˜˜

3

3

3

3

3

¯ >œ ! ! ! ! ! ! ! ¯ ˜˜˜˜ œœœœœœ ! !! !!! !!!! !!!!! !!!!!! " ‰ ‰ ˜ !!!!!!

(let e ring)

¯˜ ‰

œœœ>œœœ ! !! !!! !!!! !!!!! !!!!!! !!!!!! " ‰ Œ œ !

7

¯ ˜˜˜˜

3

3

3

3

œœ>œœœ ! !! !!! !!!! !!!!! !!!!! !!!!! " ‰ œœ ! !!

7

¯ 3¯ ‰ œœ " " ˜˜˜˜˜˜ " " ˜˜˜˜˜˜ œœœœœœ ˜ ˜œ > 3

¯ ¯ ¯ ¯ " " ˜˜˜˜ " " ˜˜˜˜ " " ˜˜˜˜ " " ˜˜˜˜

Ó

3

7

> ¯ ˜˜˜˜ " œœœœœœœ ! !! !!! !!!! !!!!! !!!!!!

3

œœœ>œœœ œ

!!!!! " ‰ !!

‰ ˜¯ ‰

!!!!!!

¯˜

7

(let e ring)

!!!! œœœœ !! œœœ>œœœ !!! œœœ !!! œ >

!!!!! !

(let c-a ring)

(let b ring)

Œ

7

œœœœœ œœ >

!!!!! œœœœœ !!!!! œœœ>œœœœ ! !! !!! !!!! !!!!! !!!!!! !!!!!!! " ‰ Œ !! œœ !! > 6

7

3

3

¯ ‰ ˜˜˜˜

3

3

3

˜˜¯˜˜

3

˜˜¯˜˜

¯˜ ‰ ‰ œœ "" ˜˜˜˜˜˜ " " ˜˜˜˜˜˜ " " ˜˜˜˜˜˜ " " ˜˜˜˜˜˜ œœœœœœ ˜ ˜ ˜< ˜ œ < < <>

(let c-a ring)

¯ ˜˜˜˜˜ ˜˜

3

¯ ¯ ¯ " ˜˜˜˜ " " ˜˜˜˜ " " ˜˜˜˜ " " ˜˜¯˜˜ "

¯˜

¯ ‰ ˜

3 3 > ¯˜ ‰ " ˜˜˜˜˜˜ " " ˜˜˜˜˜˜ " œœœœœœ !!!! œœœœœœ !!!!!! œœœœœœœ ! !! !!! !!!! !!!!! !!!!!! !!!!!!! " ‰ ‰ œœ Œ ˜ ˜ œ ! œ ! < < > >

¯ ˜˜˜˜˜ ˜˜

!!!!! " ‰ !!

7

7

¯ ¯ " ˜˜˜ " " ˜˜˜˜ " " ˜˜˜˜ " " ˜˜¯˜˜ " " ˜˜˜˜ " " ˜˜˜˜ " " ˜˜˜ " " ˜˜˜˜ " " ˜< ˜ < < < < 3 3 3 ¯ ¯ ¯ ¯ ¯ ¯ ˜˜˜˜ ˜˜˜˜ ˜˜¯˜˜ ˜˜¯˜˜ ˜˜˜˜ ˜˜¯˜˜ ˜˜˜˜ ˜˜˜˜ ˜˜˜˜ 3

3

> ¯ " ˜˜˜˜ " " ˜˜˜˜ " " ˜˜¯˜˜ " " ˜˜˜˜ " œœœœœœœ ! !! !!! !!!! !!!!! !!!!!! < <

¯˜

3

3

¯ ˜˜˜˜

3

3 ¯ 3 ¯ ¯ 3¯ ¯˜ ¯˜˜ ¯ ¯ > " " ˜˜˜ " " ˜˜˜˜ " " ˜˜˜˜ " " ˜˜˜ " " ˜˜ " " ˜˜˜˜ " " ˜˜˜ " " ˜˜˜˜ " " ˜˜˜˜ œœœœœœœ ! !! !!! !!!! !!!!! !!!!!! !!!!!!! " ‰ ˜ ˜ 3

> " ˜˜˜˜ " " ˜˜˜˜ " œœœœœœœ < < 3

!!!!! !

(let b ring)

!!!!!!

(let e ring)

3

7

7

e ++ +

¯ 3 ¯ ¯ > " " ˜˜˜˜ " " ˜˜˜˜ " " ˜˜¯˜˜ " " ˜˜˜˜ œœœœœœœ

œœœœœ !!!! œœœ>œœœœ !!!!!!! œœœ>œœœœ ! !! !!! !!!! !!!!! !!!!!! !!!!!!! " ‰ œœ !! > (let c ring)

3

e ++ +

k d & d

(let b ring)

(let e ring) œœœ>œœœ !!!!! œœœ !!! œœœ>œœœ œ ! œœœœ !!!! œ >

¯˜

54

> œœœœœ !!!! œœœœœœœ œœ !! >

!!!!!! !

3

3

3

3

˜˜¯˜˜ !!!! !!!

œœœœ œœœ >

!!!! !!!

(let c-a-e ring)

" ˜˜˜˜˜˜ " " ˜˜˜˜˜˜ " " ˜˜˜˜˜˜ " " ˜˜˜˜˜˜ " œœœœœœ !!! œœœœœœ !!!!!! ˜ ˜ ˜ ˜ œ ! œ ! > < < < < >

¯ œœ ‰ ˜˜˜˜ ˜˜˜

3

3

¯ ˜˜˜˜˜ ˜˜

3

¯ ˜˜˜˜˜ ˜˜

3

¯ ˜˜˜˜˜ ˜˜

(let c-a-e ring)

œœœœœ !!!!! œœœœœ !!! œœ !! œœ ! > >

61

1.

2.

3.

kd & d

& &

(let c-a-e ring)

e ++ + dde

œœœœœ œœ >

d

œœœœœ œœ >

k

b+

œœ k œœœœœ >

!!! !

œœœœœ œœ >

!!!!! !!

œœœ>œœœ ! !! !!! !!!! !!!!! !!!!!! !!!!!! " ‰ œ !

˜¯˜ ‰ !! –– Œ

Œ

7

!!!!! œœœœœ !!! œœœ>œœœœ ! !! !!! !!!! !!!!! !!!!!! !!!!!!! " ‰ !! œœ ! >

‰ œœ Œ

(let c-a-e ring)

7

!!!!! œœœœœ !!!!! œœœ>œœœœ !! œœ !! >

œœ !!

–– ‰ œœ ‰ !! –– Œ

˜¯˜ ‰ !! –– " ˜˜˜˜˜ " " ˜˜˜˜˜ " " ˜˜˜˜˜ " " ˜˜˜˜˜ " ‰ ¯˜˜ Œ ˜˜ ˜˜ ˜˜ ˜˜ < < < < 3

¯˜ !! –– ‰ Œ

!!!!! !

(let b ring)

¯ 3¯ 3¯ 3¯ " " ˜˜˜˜˜˜ " " ˜˜˜˜˜˜ " " ˜˜˜˜˜˜ " " ˜˜˜˜˜˜ Œ ˜ ˜ ˜ ˜ 3

¯ ¯˜˜ ‰ ˜˜˜˜˜˜ ˜

3

¯ ˜˜˜˜˜ ˜˜

3

¯ ˜˜˜˜˜ ˜˜

3

¯ ˜˜˜˜˜ ˜˜

œœ ‰ ‰ ¯˜˜

‰ œœ Œ

Œ

¯ 3¯ 3¯ 3¯ " " ˜˜˜˜˜˜ " " ˜˜˜˜˜˜ " " ˜˜˜˜ " " ˜ Œ ˜ ˜ ˜˜ 3

3 3 ˜¯˜ ‰ " ˜˜˜˜˜ " " ˜˜˜˜˜ " " ˜˜˜ " " " ‰ ¯˜˜ ‰ ¯˜˜ ˜˜ ˜˜ ˜ ˜˜˜ < < < < 3

¯ !! –– ‰ !! –– ‰ !! –– ˜˜˜˜ ˜˜˜

3

¯ ˜˜˜˜˜ ˜˜

Remove teeth

66

1.

k d & d

.. ‰ œœ ‰ !! –– ‰ Œ

d

x3 x3 .. .. ‰ œœ ‰ !! –– ‰ Œ .. ‰ œœ ‰ !! –– ‰ Œ

œœ ‰

¯ ˜˜˜˜

¯ ˜˜˜

œœ ‰ Œ

Place teeth

‰ œœ ‰ !! –– ‰ Œ

œœ ‰ ‰ œœ !! –– Œ

.. œœ ‰ œœ œœ !! –– Œ

x3 x3 .. .. œœ ‰ œœ œœ !! –– Œ ..

As soft as possible

2.

3.

&

e ++ +

k

.. ‰ !! –– ‰ Œ

!! –– .. .. ‰ !! –– ‰ Œ

!! –– .. Œ

œœ ‰ Œ

!! –– Œ

‰ œœ Œ

!! –– ‰ œœ œœ ‰ Œ

!! –– .. œœ œœ œœ ‰ Œ

!! –– .. .. œœ œœ œœ ‰ Œ

!! –– ..

As soft as possible

dde b+ & k

.. œœ ‰ !! –– ‰ ˜¯˜ Œ

.. .. œœ ‰ !! –– ‰ ˜¯˜ Œ

.. œœ ‰ !! –– ‰ ˜¯˜ Œ

œœ ‰ œœ ‰ !! –– Œ

œœ ‰ œœ !! –– ‰ Œ

.. œœ ‰ ‰ œœ œœ ‰ Œ

.. .. œœ ‰ ‰ œœ œœ ‰ Œ

..

As soft as possible 73

1.

kd & d

d

e ++ +

2.

&

3.

dde b+ & k

k

œœ œœ œœ œœ !! –– Œ

œœ œœ œœ œœ œœ ‰ Œ

œœ œœ œœ œœ œœ œœ œœ ‰

œœ œœ œœ œœ œœ œœ œœ ‰

x8 œœ œœ œœ œœ œœ œœ œœ œœ .. œœ œœ œœ œœ œœ œœ œœ œœ ..

œœ œœ œœ ‰ Œ

œœ œœ œœ ‰ Œ

œœ œœ œœ œœ œœ ‰ !! ––

œœ œœ œœ œœ œœ œœ ‰ œœ

œœ œœ œœ œœ œœ œœ œœ œœ .. œœ œœ œœ œœ œœ œœ œœ œœ ..

œœ œœ œœ œœ œœ œœ œœ ‰

œœ œœ œœ œœ œœ œœ œœ ‰

œœ œœ œœ œœ œœ œœ œœ ‰

!! ––

œœ œœ ‰ œœ œœ ‰ Œ

!! ––

œœ œœ œœ œœ œœ œœ Œ

7

.. œœ œœ œœ œœ œœ œœ œœ œœ ..

79

1.

2.

3.

& &

k d d

œœ œœ œœ œœ œœ œœ œœ ¯˜˜ œœ œœ œœ œœ œœ œœ œœ ¯˜˜ œœ œœ œœ œœ œœ œœ œœ ¯˜˜ œœ ¯˜˜ œœ œœ œœ œœ œœ ¯˜˜ œœ ¯˜˜ ¯˜˜ ¯˜˜ œœ œœ œœ ¯˜˜ œœ ¯˜˜ ¯˜˜ ¯˜˜ ¯˜˜ œœ œœ ¯˜˜ œœ ¯˜˜ ¯˜˜ ¯˜˜ ¯˜˜ ¯˜˜ œœ ¯˜˜ œœ ¯˜˜ ¯˜˜ ¯˜˜ ¯˜˜ ¯˜˜ ¯˜˜ ‰ ¯˜˜ ¯˜˜ ¯˜˜ ¯˜˜ ¯˜˜ ¯˜˜ ¯˜˜ ¯˜

d

e + + +

œœ œœ œœ œœ œœ œœ œœ œœ ¯˜˜ œœ œœ œœ œœ œœ œœ œœ ¯˜˜ œœ œœ œœ œœ œœ œœ œœ ¯˜˜ ¯˜˜ ¯˜˜ œœ œœ œœ œœ œœ ¯˜˜ ¯˜˜ ¯˜˜ ¯˜˜ ¯˜˜ œœ œœ œœ ¯˜˜ ¯˜˜ ¯˜˜ ¯˜˜ ¯˜˜ ¯˜˜ œœ œœ ¯˜˜ ¯˜˜ ¯˜˜ ¯˜˜ ¯˜˜ ¯˜˜ ¯˜˜ œœ ¯˜˜ ¯˜˜ ¯˜˜ ¯˜˜ ¯˜˜ ¯˜˜ ¯˜˜ ¯˜˜ ‰̄ ¯˜˜ ¯˜˜ ¯˜˜ ¯˜˜ ¯˜˜ ¯˜˜ ¯˜˜ k

d de ¯ ¯ ¯¯ ¯¯ ¯ ¯¯ ¯¯ ¯¯ ¯¯¯ ¯¯ ¯ ¯ ¯ ¯ ¯¯¯¯¯¯¯¯ b + œœ œœ œœ œœ œœ œœ œœ ˜˜ œœ œœ œœ œœ œœ œœ œœ ˜˜ œœ œœ œœ œœ œœ œœ ˜˜ ˜˜ œœ œœ œœ œœ œœ œœ ˜˜ ˜˜ œœ œœ ˜˜ œœ œœ œœ ˜˜ ˜˜ œœ œœ ˜˜ ˜˜ œœ œœ ˜˜ ˜˜ œœ œœ ˜˜ ˜˜ ˜˜ œœ ˜˜ ˜˜ œœ œœ ˜˜ ˜˜ ˜˜ ‰ ˜˜ ‰ ˜˜ ˜˜ ˜˜ ˜˜ ˜˜ ˜˜ ˜˜ ˜˜ & k 3 ˘> ¯˜ ¯˜ ¯˜ ¯˜ ¯˜ ¯˜ ¯˜ ¯˜ ¯˜ ¯˜ ¯˜ ¯˜ ¯˜ ¯˜ ¯˜ ¯˜ ¯˜ ¯˜ ¯˜ ¯˜ ¯˜ ¯˜ ¯˜ ¯˜ ¯˜ ¯˜ ¯˜ ¯˜ ¯˜ ¯˜ ¯˜ ¯˜ ¯˜ ¯˜ ¯˜ ¯˜ ¯˜ ¯˜ ¯˜ ¯˜ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ œ > .̃ .̃ .̃ ˜˜˜˜˜˜˜˜ ˜˜ ˜ ˜ ˜˜ ˜˜ ˜ ˜ ˜ ˜ ˜˜ ˜ ˜ ˜ ˜ ˜ ˜ ˜ ˜ ˜ ˜ ˜˜˜˜˜˜˜˜ ® ® !!!!! !!!!! !!!!! ––––– ‰ œœ .̃ .̃ ® .̃ .̃ .̃ ® .̃ .̃ ˜ œ > !! !! !! ––

88

1.

2.

3.

k d & d

&

d

e ++ +

¯¯¯¯¯¯¯¯ ¯¯¯¯¯¯¯ k ˜ ˜ ˜ ˜ ˜ ˜ ˜ ˜ ˜ ˜ ˜ ˜ ˜ ˜ ˜ ‰

#

d de ¯¯¯¯¯¯¯¯ ¯¯¯¯¯¯¯¯ ¯¯¯¯¯¯¯¯ ¯ b + ˜˜ ˜˜ ˜˜ ˜˜ ˜˜ ˜˜ ˜˜ ˜˜ ˜˜ ˜ ˜ ˜ ˜ ˜ ˜ ˜ ˜ ˜ ˜ ˜ ˜ ˜ ˜ ˜ ˜ ‰ Œ & k Don't forget to emphasize the top note in all clusters.

95

1.

#

k d & d

d

e + + +

Ó

!!!!! !!

––––– ‰ !!!!!!! ––––––– ‰ œœ ––

!!!!! !!

!!!!! !!

!!!!! !!

!!!!! ––––– ‰ !!!!!!! ––––––– ‰ œœ ‰ !! ––

!!!!! !!

!!!!! ––––– ‰ !!!!!!! ––––––– ‰ !!!!!! –––––– ‰ ! – !! ––

!!!!! !!

––––– !!!!!!!

––

2.

&

3.

d d e b + !!!! & k !!!

k

#

!!!!! !!

!!!!! !!

3

3

––––– !!!!!!!

––

3

3

––––– ‰ ––

Œ

!!!!! !!

3

––––– ––

!!!!! !!

!!!!! !!

3

‰ œœ !!!!!! !

!!!!! !!

3

œœ ‰ !!!! !!!

––––– !!!!!!!

––

3

3

3

3

!!!!! !!

–––––– –

‰

¯˜ ˜

#

––––– ‰ !!!!!!! ––––––– ‰ !!!!! ––––– Œ –– !! –– 3

3 .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ œ !!!!! !!!!! ––––– ‰ Œ !! !! –– > 5 5

8

!!!!! !!

––––– ‰ ––

––––– ‰ ––

!!!!! !!

!!!!! !!

3

˜¯˜

3

––––– ‰ ––

>œ .̃ .̃ .̃ .̃ .̃ .̃ >œ œ ‰ ‰ 3

!!!!! !!

!!!!! !!

––––– ––

!!!! !!!

!!!! !!!

––––– ‰ !!!

–– !!!!

!!!!! !!

‰ œœ !!!!!! !

!!!!! !!

––––– ––

5

!!!!! !!

!!!!! !!

––––– !!!!!! !!!!!! –––––– !!!! –––– !!!!!!

–– ! ! – !!! ––– !

!!!!! !!

––––– ––

!!!!! !!

!!!!! !!

––––– ––

!!!!! !!

––––– ‰ ‰ ‰ !!!!!!!

––

––––– ––

Œ

!!!!! !!

5

5

–––– –––

3

––––– œœ ‰ !!!!!!!

––

––––– ‰ –– 3

.̃ .̃ .̃ œ !!! ––– ‰ > !!!! ––––

.̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ .̃ ˜ fl >œ 5 5

!!!!! !!

!!!!! !!

5

5

!!!!! !!

5

––––– ––

!!!!! !!

100

1.

2.

3.

k d & d

&

2.

3.

e ++ +

& &

k d d

3

3

––––– !!! !!! ––– Œ !!!!! ––––– k –– !!!! !!!! –––– 3

3

3

!!!!! ––––– !!!!! !! ––

–––––

3.

d

e + + +

k

d d e b+ & k

.. !!!!! !!!!! ––––– ‰ Œ .. !!!!! ––––– ‰

Ó

¯ ¯˜ ¯ ¯˜ ¯ Œ !!!!! !!!!! ––––– ‰ ˜ ‰ Œ ˜ ˜ 3

¯˜

Ó

Œ Œ ¯ !!!!! ––––– ‰ Œ ˜

3 ¯ ¯ ‰ Œ ¯˜ Œ Œ Œ ˜ .. Œ ˜ Œ Ó 3 3

‰ Œ

ΠΠ3

¯˜

Ó

¯˜ ¯ ¯ 3 .. ˜ Œ Œ ˜ Œ 3

––––– ‰Œ

¯˜

Œ

¯

‰ ˜ Ø

!!!!! !!

!!!!! !!

!!!!! !!

!!!!! !!

––––– Œ ––

!!!!! !!

!!!!! !!

!!!!! !!

––––– ‰ Œ ––

!!!!! !!

!!!!! !!

––––– ‰ ––

3

3

¯˜

Phrase in pairs (2+2+2) al fine.

(Seufzer gesture) 3 ¯ Œ Œ ˜

Ó

cantabile

¯˜ ¯ ¯˜ ˜ Ó

Ø3

3

3

¯˜ ¯ ˜ Œ̄ 3

cantabile

x3 3 ¯ ¯˜ Œ Œ ¯ ˜ Œ .. ˜

3

¯˜ Œ Œ .. !!!!! !!!!! ––––– ‰ Œ 3

cantabile

‰ Ó

¯˜ ¯˜ ¯ ! ! ! – Œ Œ ˜ Œ .. !!!! !!!! !!!! –––– Ó ¯ 3 ¯˜ Ó ˜ Œ

Ó

3

3

3

3

¯˜

‰ Œ

Œ

3

˜ ‰Ó Ø

#

3

3

¯˜3 ¯˜ ¯ ¯ ¯˜ Œ Œ Œ .. Œ Œ ˜ Œ Œ ˜ 3 3

3

Œ

¯

Œ !!!!! ––––– ‰ Œ

!! !!!!! ––––– ‰ Œ !!! !! ––

!!!!! !!!!! !!!!! ––––– Ó

x3

.. !!!!! !!!!! !!!!! ––––– Ó

! – Œ !!!! –––– ‰ Œ

!!!!! ––––– ‰ ‰ ‰ !!!!! !!!!! !! !!

¯ ¯ 3 !!!!! ––––– !!!!! !!!!! ––––– Œ ˜ ¯˜ ˜ ¯ Œ Œ Ó ˜ !! ––

3

k d d &

Ó

3

¯˜ Œ Œ ¯ !!!!!! !!!!!! –––––– !!!!! !!!!! ––––– ‰ ‰ Ó ˜ ! ! –

k

!!!!! ––––– ‰

5

3

d d e b+ Ó & k

&

!!!!!

3

115

2.

5

3

Remove teeth

1.

––––– !!!!! !!!!! ––––– ‰

––––– !!!!! ––––– !!!!!

3

––––– ! – ‰ Œ !!!! –––– ‰

5

!!!!!

Œ

!!!

––––– Œ !!

¯˜ ¯ Œ !!! !!! ˜ !!!! !!!!

d

e + + +

–––– !!!!!

–––

!!!! !!!

dde b+ & k 107

1.

!!!!! !!

d

5 ¯ !! !! !!!!! ––––– !!! !!! !!! ––– !! !! !! –– ‰ ‰ ‰ ‰ ‰ ˜ ‰ !!! !!!

!

––––– ‰ Œ ¯ !!!! ˜ ––

3

¯˜

3

¯˜ ¯˜ ¯ ¯˜ ¯˜ ¯˜ !

– ¯ !

– . !

– ‰ ˜ ˜ Œ Œ Œ Œ Œ Œ ‰Œ . !! –– ‰ 3 3 3

3 ¯ ‰ Œ ¯˜ Œ Œ Œ ˜ ..

3

Œ Œ

¯˜

3

3

..

Ó

Place teeth

¯ ¯˜ ˜ Œ

Ó

3

¯˜ ¯˜ ¯˜ Œ Œ Œ 3

3

ΠΠ3

9

¯˜

Ó

ΠΠ3

Ó

¯˜

Œ ¯˜

¯˜ 3

Œ

ΠΠ3

3 ¯˜ ¯ ¯˜ Œ Œ Œ ˜ 3

¯ ¯ ¯ x2 ¯ ¯ ¯ x3 .. ˜ Œ ˜ Œ ˜ Œ .. .. ˜ Œ ˜ Œ ˜ Œ ..

3

3

¯˜

.. Ó

3

3

¯˜

Œ Œ .. .. Ó 3

ΠΠ..

3

¯ ¯ ¯ ¯ .. Œ ˜ Œ Œ Œ ˜ .. .. Œ ˜ Œ Œ Œ ˜ ..

3

3

3

3

¯˜ ¯ ¯˜ Ó ˜

122

1.

2.

3.

k d d & d

&

e + + +

3

d d e b+ & k

k d d & d e + + +

Ó

&

3.

d d e b + –––– & k –––

2.

3.

!!!!! !!

!!!!! !!

––––– ‰ !!!!! ––––– ‰ ––

!!!!! !!

––––– ‰ !!!!! ––––– Œ ––

d d e b + & k

3

Œ ¯˜

Œ ¯˜ Œ 3

¯˜

Œ ¯˜

3

Œ Œ

¯ ˜

Œ

¯˜

3

3

Ó

3

¯˜

Œ

Œ

3

3

Œ Œ Œ Œ

¯˜

Ó

¯ 3 ¯ ¯3 Œ ˜ Œ Œ ˜ ˜

3 ¯ !! Œ Œ ˜ !!!!!

!!!!!! !

¯3 Œ ˜ Œ

¯3 Œ ˜ Œ !!!!!!!

!!!!!! !

¯ ˜

ΠΠ!!!!! !!

!!!!! !!

Œ

¯ ˜

¯ ˜

Ó

¯ ˜

Œ

Œ

3 3 ¯ ¯ Œ Œ ˜ Œ Œ ˜

3

3

––––– !!

–– !!!!!

––––– ––

!!!!! !!

––––– ‰ ––

!!!!! !!

––––– ––

!!!!! !!

––––– ––

!!!!! !!

––––– !!!!!! –––––– !!!!!!

–– ! – !

––––– ––

!!!!! !!

––––– ‰ ––

!!!!! !!

––––– ––

–––––– !!!!!!! ––––––– !!!!!!! ––––––– !!!!!!!

–

––––– ––

!!!!! !!

––––– !!!!!!!

––

–––––– !!!!! ––––– !!!!!

– !! –– !!

––––– !! –– –– !!!!! –––––

!!!!! !!

––––– ‰ ––

!!!!! !!

––––– !!!! –––– –– !!! –––

––––– !!!!!! –––––– –– ! –

¯ ¯˜ Œ Œ ˜ Œ Œ

Ó

¯3 ¯˜ Œ ˜ Œ Œ Œ

¯ ˜

Œ

Œ

¯3 ˜

3

k

¯˜

Œ Œ

–––––– !!!!!! –––––– !!!!!!

– ! – !

3

k d d & d

&

!!!!! !!

––––– ‰ !!!!! ––––– ––

–––––– !!!!!! –––––– !!!!!!

– ! – !

––––– ––

!!!!! !!

!!!!! !!

One melodic line divided between the instruments.

Sempre cantabile. Phrase in pairs (seufzer).

132

e + + +

3

–––––– !!!!!!! ––––––– !!! k – !!!!

2.

1.

¯˜ ¯˜ ¯ ˜

–––––– – !!!!! !!

128

1.

#

k

!!!!! !!

One melodic line divided between the instruments.

Sempre cantabile. Phrase in pairs (seufzer).

3

¯ 3 ¯ ˜ Œ Œ ˜ Œ Œ 3

Π3

¯˜ Œ

¯˜

3

Œ

¯3 Œ Ó ˜

¯ ¯ Œ Œ ˜ ˜ Œ 3

¯˜ ¯ Œ ˜ Ó

Ó ¯˜

Œ

!!!!! !!

¯ ¯˜ ¯ ˜ Œ Œ Œ ˜

3

Π3

¯˜

Ó

3

3

¯ ¯˜ ¯ ˜ ˜ 3

10

Ó

3

¯ Œ ˜ Œ 3

Œ

!!!!! !!

!!!!! !!

––––– !!

–– !!!!!

––––– ––

!!!!! !!

––––– ––

!!!!! –––– ‰ !! ––

––––– ––

––––– ––

!!!!! !!

––––– ––

!!!!! –––– ‰ !! ––

––––– !! –– –– !!!!! –––––

!!!!! !!

––––– !!! –– ‰ –– !!!! ––––

!!!!! !!

¯ ¯˜ ¯ ˜ ˜

Ó

¯˜

3

¯˜ ¯ ¯˜ ˜ Ó 3

#

3

Π3

¯ Œ ˜

Ó

Œ

Œ

¯ Œ ˜

Œ

Œ Œ

¯˜

3

3

¯ Œ ˜

3

¯˜

3

Remove teeth

!!!!!!!

!!!!!!!

!!!!!!!

!!!!!!!

––––––– !! !!!!!

2.

&

!!! k !!!!

!!!!!! !

!!!!!! !

!!!!!! !

–––––– –

!!!!!! !

–––––– – !!!!! ––––– !!!!!!! !! ––

–––––– –

!!!!!! !

3.

d de b + !!!! & k !!!

!!!!! !!

!!!!! !!

!!!!! !!

––––– ––

!!!!! !!

–––––– –

––––––– !! !!!!!

––––– ––

!!!!! !!

138

1.

k d & d

143

1.

&

2.

&

3.

& 147

d

e ++ +

–––– –––

!!!!! !!

!!!!!!!

–––––– –

!!!!!!!

––––––– !! !!!!!

!!!!! !!

!!!!!! !

!!!!!! !

–––––– !!!!!!

– !

–––––– –

!!!!!! !

–––––– –

!!!!!! !

–––––– –

!!!!!! !

!!!!!! !

––––– !! –– !!!!

–– !!!!! ––––– !!!

––––– ––

!!!! !!!

–––– –––

!!!!! !!

–––––– – !!!!! !!

!!!!! !!

!!!!! !!

––––– ––

!!!!! !!

––––– ––

!!!!! !!

––––– ––

!!!!! !!

–––––– –

!!!!!! !

!!!!!! !

––––– ––

––––– ––

!!!!! !!

––––– ––

!!!!! !!

––––– ––

!!!!! !!

––––––– !!!!!!!

!!!!! !!

–––––– –

!!!!!! !

–––––– –

!!!!!! !

–––––– –

!!!!!! !

!!!!!! !

––––– ––

!!!!! !!

––––– ––

!!!!! !!

––––– ––

!!!!! !!

––––– ––

!!!!! !!

!!!!! !!

––––– ––

!!!!! !!

!!!!! !!

––––– ––

!!!!!!

!!!!! !!

!!!!! !!

––––– ––

!!!!! !!

!!!!! !!

––––– ––

!!!!!!

––––––– !!!!!!!

!!!!!!!

–––––––

!!!!!!!

!!!!!!!

–––––––

!!!!!!

–––– –––

! !

–––––– !!!!!! !!!!!!

–

!!!!!!!

–––––– –

!!!!!! !

!!!!!! !

!!!!!! !

!!!!!! !

––––– !!!! –––– –– !!! –––

!!!!! !!

––––– !!!!!! –––––– !!!!

–– ! – !!!

–––––– –

!!!!!! !

!!!!!! !

!!!!!! !

!!!!!! !

–––––––

!!!!! !!

––––– ––

!!!!! !!

––––– ––

!!!!! !!

––––– ––

!!!!! !!

––––– !!!!!!! ––––––– ––

!!!!! !!

––––– ––

d de b+ k

––––––– !!!!!!!

!!!!!!!

!!!!!!!

!!!!!!!

–––– !!!

––– !!!!

–––––––

!!!!! !!

––––– !!!!!!

–– !

–––––––

!!!!! !!

––––– ––

!!!! !!!

!!!!! !!

––––– !!!!!!!

––

k d d

–––––– !!!!!!!

–––––––

!!!! !!!

–––– !!!

––– !!!

–––––– !!!!!

––––– !!!!

k d d

d

e + + +

k

1.

&

2.

&

––––––

!!!!! !!

––––– ––

!!!!! !!

––––– !!!!

–– !!

–––––– !!!!!

––––– !!!!

–––– !!!

3.

d de b + ––– & k –––

!!!!!!!

–––––––

!!!!! !!

––––– !!!!

–– !!

–––––– !!!!!

––––– !!!!

–––– !!!

d

e + + +

k

–––– !!!

––– !!

––– !!

––– !!

–––––––

–– !!!

–– !!!

–– !!!

11

!!!!! !!

––––– !!

–– !!!!!

–––– –––

––––––– !!!!!!! ––––––– !!!!!!! !!!!! !!

––––– ––

––– !! –– !! –– !

––– !! –– !! –– !

––– !! –– !! –– !

– – –

!! !! !!

–– !! !!

–– !! !!

–– !! !!

!! !! !!

U

!!

U

!!

U

!!

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! ! "#$!2,&*1/)0$,1!&,$!2#$*!?8&0$/!G10,$9$/;!-,!&22&0#$/!1-%$!-2#$,!9&=!/$?$*/(*6!-*!2#$!2,&*1/)0$,H!-*!2#$!9--/!+8-0<!)*/$,*$&2#J! !

! ! "#$!9#-8$!12,)02),$!(1!2#$*!?8&0$/!-*!K!%(0,-?#-*$1!12&*/1;!&2!&!#$(6#2!2#&2!$*&+8$1!+-2#!1#-,2!&*/!2&88!?$-?8$!2-!1(2!+=!2#$!12(0<!&*/!?8&0$!2#$(,!2$$2#!-*!(2!%-,$!-,!

8$11!0-%.-,2&+8=!G1$$!?(02),$!(*!2#$!?$,.-,%&*0$!*-2$1H5! "#$!C!12(0<!-.!2#$!%)1(0(&*1!*$$/!-*8=!#&7$!C!2,&*1/)0$,!&2!-*$!$*/5! !

!"#$%&'()(*+'$+##,$*$-*./#$-0$'(-$.12$!"#$3('(.(/(-1$04$-"#$4(+5#6$*)-(0+$'"0&/,$.#$)/#*6$-0$*//$*&,(#+)#'7$*'$-"#$+&*+)#'$04$-0&)"(+5$-"#$(+'-6&%#+-'$3#61$/(5"-/1$(+$ '#3#6*/$8*1'$*6#$*+$(+-#56*/$9*6-$04$-"#$%&'()*/$#:9#6(#+)#2$ $ $

!"#$%&%' $ ;4-#6$#*)"$9#6406%*+)#7$-"#$'-()<$'"0&/,$.#$'8(9#,$8(-"$*$'&(-*./#$,#-#65#+-7$-0$<(//$*+1$90''(./#$.*)-#6(*2$ $ '

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

!""#$%&'( APPENDIX Set-up Hygiene (!""#$%&'( The maximum number of audience members at a time is 30. The dimensions given After each performance the stick should be wiped down with a suitable detergent to ( )#*+,"! below are based on this number. In the case of a smaller audience the length of the kill any posssible bacteria. !)#*+,"! wooden sticks given below can be modified. Lengths can be adjusted should the "#$!%&'(%)%!*)%+$,!-.!&)/($*0$1!&2!&!2(%$!(1!345!!"#$!/(%$*1(-*1!6(7$*!+$8-9!&,$!+&1$/!-*!2#(1!*)%+$,5! ! chairs on which the audience is seated be either very wide or very narrow. The wood Introducing the audience to the piece :*!0&1$!-.!&!1%&88$,!*)%+$,!-.!&)/($*0$1;!2#$!8$*62#!-.!2#$!9--/$*!12(0<1!6(7$*!+$8-9!0&*!+$!%-/(.($/5! "#$!%&'(%)%!*)%+$,!-.!&)/($*0$1!&2!&!2(%$!(1!345!!"#$!/(%$*1(-*1!6(7$*!+$8-9!&,$!+&1$/!-*!2#(1!*)%+$,5! used so far has been either pine or oak.

There are most likely also other tree materials Before each performance it is important to communicate a few details to the audience. :*!0&1$!2#$!0#&(,1!-.!2#$!&)/($*0$!&,$!$(2#$,!7$,=!9(/$!-,!7$,=!*&,,-9;!8$*62#1!0&*!+$!&/>)12$/! :*!0&1$!-.!&!1%&88$,!*)%+$,!-.!&)/($*0$1;!2#$!8$*62#!-.!2#$!9--/$*!12(0<1!6(7$*!+$8-9!0&*!+$!%-/(.($/5! that vibrations can travel through.

To avoid any queations or jokes this should be done in a short and precise manner. "#$!9--/!%&2$,(&8!)1$/!1-!.&,!#&1!+$$*!?(*$!&*/!-&<5!@2#$,!2,$$!%&2$,(&81!2#&2!7(+,&2(-*1!0&*!2,&7$8!2#,-)6#!&,$!8(<$8=!(%&6(*&+8$5! :*!0&1$!2#$!0#&(,1!-.!2#$!&)/($*0$!&,$!$(2#$,!7$,=!9(/$!-,!7$,=!*&,,-9;!8$*62#1!0&*!+$!&/>)12$/! !"#$!9--/!%&2$,(&8!)1$/!1-!.&,!#&1!+$$*!?(*$!&*/!-&<5!@2#$,!2,$$!%&2$,(&81!2#&2!7(+,&2(-*1!0&*!2,&7$8!2#,-)6#!&,$!8(<$8=!(%&6(*&+8$5!

-.$/*0,1*&.$( Construction For example: ! !6 pieces of round and thin wooden sticks, measuring 3,5 meters in length and 11–12 -.$/*0,1*&.$( A!?($0$1!-.!,-)*/!&*/!2#(*!?($0$1!-.!9--/$*!12(0<1;!%$&1),(*6!3;B!%$2$,1!(*!8$*62#!&*/!CCDCE!%(88(%$2,$1!(*!/(&%$2$,!$&0#;!&,$!0-**$02$/!2-6$2#$,!2-!.-,%!3!1(/$1! mm in diameter each, are connected together to form 3 sides of a square (2 pieces of “We are going to play a piece of music for you that is heard though the teeth.” !

-.!&!1F)&,$!GE!?($0$1!-.!9--/!.-,!$&0#!1(/$H5!B!&)/($*0$!%$%+$,1!&,$!$12(%&2$/!2-!+$!&+8$!2-!1(2!9(2#(*!$&0#!8$*62#!-.!3;B!%$2$,15!

A!?($0$1!-.!,-)*/!&*/!2#(*!?($0$1!-.!9--/$*!12(0<1;!%$&1),(*6!3;B!%$2$,1!(*!8$*62#!&*/!CCDCE!%(88(%$2,$1!(*!/(&%$2$,!$&0#;!&,$!0-**$02$/!2-6$2#$,!2-!.-,%!3!1(/$1! wood for each side.) 5 audience members are estimated to be able to sit within each “So we will put on these ear protection devices and place our teeth lightly on the !-.!&!1F)&,$!GE!?($0$1!-.!9--/!.-,!$&0#!1(/$H5!B!&)/($*0$!%$%+$,1!&,$!$12(%&2$/!2-!+$!&+8$!2-!1(2!9(2#(*!$&0#!8$*62#!-.!3;B!%$2$,15! length of 3,5 meters. wood. You don’t have to bite hard at all – this will be self evident once we begin.”

I&(8(*6!2#$!$*/1!-*2-!&!1#-,2!+)2!2#(0<$,!9--/+8-0<!0-**$021!2#$!12(0<1J! !

“The wood has been cleaned with a detergent – you will not get sick.” !I&(8(*6!2#$!$*/1!-*2-!&!1#-,2!+)2!2#(0<$,!9--/+8-0<!0-**$021!2#$!12(0<1J! Nailing the ends onto a short but thicker woodblock connects the sticks: “3 times during the music, we remove our teeth from the wood and watch the music !

The transducers are then placed (screwed, in silence. Please follow the musicians! So when they remove their teeth, you do the or attached some other way depending on same, and when they place their teeth again, you do the same.” the transducer) on the wood block underneath: ! ! ! "#$!2,&*1/)0$,1!&,$!2#$*!?8&0$/!G10,$9$/;!-,!&22&0#$/!1-%$!-2#$,!9&=!/$?$*/(*6!-*!2#$!2,&*1/)0$,H!-*!2#$!9--/!+8-0<!)*/$,*$&2#J! ! !"#$!2,&*1/)0$,1!&,$!2#$*!?8&0$/!G10,$9$/;!-,!&22&0#$/!1-%$!-2#$,!9&=!/$?$*/(*6!-*!2#$!2,&*1/)0$,H!-*!2#$!9--/!+8-0<!)*/$,*$&2#J! The whole structure is then placed on 7 microphone ! stands at a height that enables both short and tall people to sit by the stick and place their teeth on it more or less comfortably (see picture in the performance notes.) The 1 stick used by the musicians needs only have a single transducer at one end. ! ! ! "#$!9#-8$!12,)02),$!(1!2#$*!?8&0$/!-*!K!%(0,-?#-*$1!12&*/1;!&2!&!#$(6#2!2#&2!$*&+8$1!+-2#!1#-,2!&*/!2&88!?$-?8$!2-!1(2!+=!2#$!12(0<!&*/!?8&0$!2#$(,!2$$2#!-*!(2!%-,$!-,!

The musicians need a table to sit at. The visibility of the finger action should be clear !

8$11!0-%.-,2&+8=!G1$$!?(02),$!(*!2#$!?$,.-,%&*0$!*-2$1H5! to all in the audience, as the nuances of touching the instruments very lightly in several "#$!9#-8$!12,)02),$!(1!2#$*!?8&0$/!-*!K!%(0,-?#-*$1!12&*/1;!&2!&!#$(6#2!2#&2!$*&+8$1!+-2#!1#-,2!&*/!2&88!?$-?8$!2-!1(2!+=!2#$!12(0<!&*/!?8&0$!2#$(,!2$$2#!-*!(2!%-,$!-,! "#$!C!12(0<!-.!2#$!%)1(0(&*1!*$$/!-*8=!#&7$!C!2,&*1/)0$,!&2!-*$!$*/5!

8$11!0-%.-,2&+8=!G1$$!?(02),$!(*!2#$!?$,.-,%&*0$!*-2$1H5! ways are an integral part of the the musical experience. !"#$!C!12(0<!-.!2#$!%)1(0(&*1!*$$/!-*8=!#&7$!C!2,&*1/)0$,!&2!-*$!$*/5! !