Simon Steen-Andersen Chambered Music (2007) for 12 instruments and sampler Dur. 11’
Written for Ensemble Modern in 2006-07
SCORE
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Instrumentation: Flute (without mouthpiece and extension) Clarinet in Bb Piccolo trumpet in Bb (with a �Yamaha Silent Brass� practice mute) Horn in F Trombone (off-stage with live video-feed of the conductor) Percussion 1: Vibraphone, long guiro, thin needle, piece of sandpaper, small piece of paper, large piece of cardboard, suitcase/briefcase (with old fashioned locks), 2 different slim jam glasses, soundproof box with removable cover containing 3 metronomes (making clicks, not beeps), soft plectrum and a straw. Percussion 2: Large bass drum, piece of sandpaper, A4 sheet of normal paper, small piece of normal paper, large piece of cardboard, unpitched metallic object, pitched metal instrument (sounding F# 1,5 oct. above middle C), 1 crotali (F# 1,5 oct. above middle C, sounding 2 octaves higher), 2 different slim jam glasses, soundproof box with removable cover containing 1 metronome producing a tuning tone, thin/light stick and an extremely soft bass drum stick. Keyboard/sampler (5 octaves) Violin 1 (with a metal practice mute) Violin 2 (with a metal practice mute) Viola (with a metal practice mute) Cello (with a metal practice mute) Double bass (with a heavy practice mute)
The samples trigged by the keyboard are played through a large speaker on stage and a small speaker placed inside a closed piano also on stage.
Score notated in the relevant transpositions
Staging: Off-stage, ”locked up” Trb. Screen showing cond.
Percussion 1
ide s n i p. ano s ud d pi o L se cl o
Percussion 2
Keyb./samper
Cl. Trp.
rn Ho
Vl.2
Conductor
Audience
Db.
Camera sending cond. Image to trb. screen
Vlc.
Vl.1
Fl .
Vl a.
Loudsp.
Notation and performance: Concerning all instruments: Dynamics: Resulting / mutual dynamics are written without parenthesis, action dynamics are written in parenthesis and indicate the effort or the amount of energy to put into the action although the resulting sound is either much softer or louder. Crescendo and diminuendo should be performed very ”exponential” (late, exploding crescendo (”zoom”) and early, ”reverberating” diminuendo (”reverse zoom”)). The piece is extremely soft. If played in a very large or noisy hall general amplification might be considered, although it will destroy certain spatial ideas.
Tenuto+legato possibile: All notes are to be held steadily their complete value making a virtual legato (no gap) to the following instrument playing on the next beat. When a sound is not tied to a ”point” it should be ended – where possible – with a cut right on the following beat: winds with tounge stop, strings by damping with left hand, etc.
Staccato is always as short /dry as possible no matter the note length. Tremolo is always as dense as possible and unmeasured. n: niente or ”quasi niente”. Glissandos shoud start immediately and be distributed evenly.
Flute: Preparation: The piece is played without mouthpiece and extension. ”Pan flute”: The flute is mainly played ”like a pan flute”. The flute is held ”up side down”, so that one Can blow into the key holes in an optimal angle between key and hole (lips 1-2 cm. from instrument). The notated ”tone” indicates the key/hole – the low D being the rightmost hole and the high C (fundamental) being the leftmost. (When doing a glissando the head should keep still and the flute moved from side to side.) Signs: air sound / blow. In combination with a trill: blow while trilling the single key. Above the system: blow into the tube (from the left end). Up-bow: breath in. (single) key sound (no air) or if notated above the system: hit the left tube end with the palm of the hand. whistle tone by blowing on the tube edge – below the system indicates the right end, above indicates the left end.
Clarinet: Dynamics: playing the ”normal” tones and scales in ppp should always have the sub-tone sound where the scales are not really heard as tones but more as some kind of directional mumble … Signs: air sound. A dotted arrow between a squared and a regular notehead indicates a gradual transition between noise and pitch. Up-bow: breath in. Tremolo: hyperventilation (either with mouth or lounges). +
slap tounge. blow INTO the key holes with the lips very close to the hole/key (1-2 cm. - ”like a pan flute”). In combination with a trill: blow while trilling the single key/hole. (When doing a glissando the head should be still and the instrument should be moved from side to side.) (single) key sound (no air) whistle tone. (Above system: blowing at the point of the reed. Below the system: blowing on the edge of the bell.) The last diamant shaped Bb indicates to whistle with the mouth into the bell (sound Ab) which should produce a soft and nice but unstable multiphonic sounding approx. the minor 3rd Ab-Cb. sticky sound removing the full underlip from the reed. (Always done with the bell pointing forward – undramatiacally).
Piccolo trumpet (in Bb): Mute:
The piece is played with Yamaha Silent Brass practice mute.
Signs: air sound by blowing 1-2 cm. away from the mouthpiece. the high E played as soft as possible does not have to be 100% stable. When slurred into the air sound it is an attempt to notate the sound of the air pressure that has to be let out anyway (notated or not). It should be audible but not exagerated in any way. Later this sound should be imitated without the preceding tone by producing a similar pressure without a tone. remove mute with a little twist to produce a high pitched ”squeak” sounding approx. a high F# 3,5 octaves above the middle C.
Horn (in F): Mute:
no mute except as an alternative to stopping the glissando to the high C#. In that case choose the mute easiest to change quickly and often (not necessarily imitating the sound of a stopped tone, but imitating the level of damping).
Signs: air sound – blowing through the instrument. glissando by gradually stopping the tone ”completely” – without changing the fingering. (The stopped tone is not supposed to be nice – rather it should be hampered or ”stuffed”.) Make a very late crescendo in order to make the stopped tone clearly the loudest. The last part of the piece is played only with the mouthpiece: hand pressed rather hard against the opening of mouthpiece well in advance lifted suddenly. The other end of the mouthpiece should be closed – for example by supporting it on the leg. whistle tone by blowing a focused air stream on the sharp edge of the tube of the mouthpiece.
Trombone:
it
The trombone is placed off-stage, several walls or doors away from the hall, so that when the trombone is playing as loud as physically possible only sounds aproximately pp-mp in the hall. A live video-feed of the conducter is needed for the trombone player to be able to follow. It probably would be helpfull if the player can hear the sound from the hall as well.
Percussion 1: Instuments: vibraphone
(played with a knuckle, a straw or air, the deepest unused 9th and the sharps could be used as a stand). straw used to make a soft guiro-like glissando on the vibraphone and to touch the spinning fan between the keys (when the motor is on). long guiro / vacuum cleaner pipe – on a stand or in another way fixed. soft plectrum / soft plastic / small piece of cardboard for the guiro. thin needle for dropping on a hard surface (“so silent that you can hear a needle drop”). piece of sandpaper (with or without handle) large piece of cardboard to slide the sandpaper on. small piece of paper used for blowing a whistle tone on the edge. suitcase/briefcase with “old fashioned locks” used for the recognisable sound of opening and closing the lock – the suitcase shouldn’t be too visible, though, to avoid making it too obvious. 2 different slim jam glasses (different from the ones used by the other percussion player) chosen for their ability to make a “swooping” sound or tone, when you lift your hand suddenly after pressing the palm rather hard against the opening (covering it). The glasses should both be semifixed (stable) and yet movable – for example by placing them in fitting holes in a fixed piece of foam. sound-proof box containing 3 metronomes (making clicks, not beeps). The box should have an easy removable cover and when closed the clicking metronomes should be 100% inaudible. The metronomes should be started before the audience enters the hall or before bringing the box on stage and should be set to 140, 160 and 180 bpm.
Signs:
finger snap the jam glass (hitting it with a finger nail).
hit the two glasses against eachother.
rub the two glasses against eachother (evenly, in circles).
Percussion 2: Instuments: large bass drum (played with hand or an extremely soft stick). piece of sandpaper (with or without handle) small piece of normal paper large piece of cardboard to slide the sandpaper and paper on. sheet of A4 paper to be rattled or shaken while held in one corner. 2 different slim jam glasses (different from the ones used by the other percussion player) chosen for their ability to make a “swooping� sound or tone, when you lift your hand suddenly after pressing the palm rather hard against the opening (covering it). The glasses should both be semifixed (stable) and yet movable – for example by placing them in fitting holes in a fixed piece of foam. sound-proof box containing 1 metronome (making a tuning A). The box should have an easy removable cover and when closed the tone of the metronome should be 100% inaudible. The metronome should be started before the audience enters the hall or before bringing the box on stage. unpitched metallic object (sharp metallic sound without a well defined pitch). pitched metal instrument sounding F# 1,5 oct. above middle C (like a crotales of extended range (tuned disk?) or any other object that fits the description). The instrument shall be able to be gradually dampened until dampened completely (no recognisable pitch, only a percussive sound) with one hand while hitting it with the stick held in the other hand. thin, light stick (for the metal and the pitched metal). 1 crotali F# 1,5 oct. above middle C (sounding 2 oct. higher). extremely soft bass drum stick for hitting the crotali!
Signs:
finger snap the jam glass (hitting it with a finger nail).
hit the two glasses against eachother.
rub the two glasses against eachother (evenly, in circles).
gradually damp the pitched metal.
Keyboard/sampler: The keyboard should have a range of five octaves. The keyboard should be set to ”not touch sensitive”. A sample with a predefined dynamic will be appointed to each key (exept some keys used for the sound of lifting the keys). The samples triggered by the highst 3,5 octave are panned to the right and will be played through a small speaker placed inside a closed piano. These sounds are mainly sounds recorded inside the piano and there are also some sounds of heavily filtered speech. The lowest half octave triggers samples panned to the left played through a speaker at the left stage front. These sounds are all recorded and produced inside a wooden loudspeaker. Signs: guiro effect by sliding a small piece of cardboard (like a buisness card) over the black keys without pressing down the keys. The exact range and position of the glissando is unimportant – the direction is important. lift previously pressed down keys (without samples) suddenly.
Strings: Mutes:
a metal practice mute is used through the whole piece (double bass: heavy plastic practice mute)
Scordatura: Viola: 2nd string down ½ a tone. Cello: 2nd string down ¾ of a tone, 4th string down about 1 octave. Double bass: 4th string down about 1 octave. Signs: noise sound. Above system: bow on body (treble side). Below system: bow on body (bass side). percussive sound as indicated – col legno battuto. +
left hand pizz. tremolo along the string (in piano: close to the point, in forte: not too close to the frog). vlc+db: bend 4th string outside fingerboard close to the head (producing a rattling, percussive sound when bowed). vl1+vlc+db: one continous glissando movement while reattacking in different (indicated) ways. arpeggio while doing a glissando (one string at the time, evenly filling out the complete note length). arpeggio (while doing a glissando) as if on a six-stringed instrument (treating the body as string 1 and 6). (If no rythm is notated: fill out the complete note length.)
arpeggio while doing a glissando, moving the left hand in a more or less fixed chord, starting the arpeggio on the large note and changing string in the indicated rythm (the string being represented by the glissando line going back to the initial chord). vl1: the same tilting technique as when changing legato back and forth between two strings.
n
+
(tap/hit d, e and f key only)
cl.(Bb)
(slap tounge)
2 &4 j bœ p
œ
2 &4 Œ
‰
Cor.
& 42 Œ
‰
(VIBRAPHONE: MOTOR OFF) SANDPAPER, back and forth on cardboard
Perc.1
(F) ≥ ≤ 5 2 – – – – – Œ & 4 ¿. ≈ ‰ Œ ( ƒ ) > (fast short scratch on GUIRO with plectrum) PITCHED dampened METAL (no pitch)
Perc. 2
m ¿ >¿ 2 &4 ≈ (F)
≈
≈
œ (f)
n
PRACTICE MUTE
Picc. trp.(Bb)
5 8
keep same fingering
85 j
œ (∏)
85 ‰
Œ
85
? 42 ‰
85 Œ
(dynamics defined in the samples)
‰
mœ
[3 groups (m.1-15 and onwards when this material appears): fl., vl.1, perc.1, keyb. right hand cl., trp., vl.2, vla. horn, perc.2, keyb. left hand, vlc., db.]
¿ (F)
œ mœ œ
œ
& 42 Œ
85 ‰
Vla.
B 42 ‰
n
..... ...... ...... ... JETÉ
mœ (ƒ)
METAL PRACTICE MUTE 4th string tuned down ~1 oct. (tremolo along string) col legno battuto (not too close to the frog)
Vlc.
? 42 ‰
>¿´
(F)
≈
HEAVY PRACTICE MUTE 4th string tuned down ~1 oct. hit/tap 4th string for percussive sound
Db.
t 42 ‰ ? 42
¿ fl (F)
≈
Ͼ
(f)
(∏) ∑
(f)
≈
≈
(F)
n
pitch
j
j œ p
I
(F)
pitch
j mœ (p)
‰
≤ 58 œj µœ 85 ‰ 85
(unison because of scordatura)
‰
∑
(F)
≈ œ mœ
3
3
œ
. +
(arco)
´ +
(cl batt.)
´
—+
(highest possition)
‰
œ. (ƒ)
n
œ fl (Ï)
(p)
≈
≈
1
(Ï) ≈
‰
Œ
3
≈
œ
42 œ b œ œ œ œ Œ 5
42 ‰
28
24
‰
mœ
(in this material both hands activates samples played through the speaker inside the piano)
œ
(as if a mechanical repetition of the preceding 9/8 figure) (along string)
(f) o œ ‰
‰
42 – – ( >f )
∑
≤ œ n
n
(as if a mechanical repetition of the preceding 7/8 figure)
42 ‰
∑
∑
+ . 24 ≈ bœ
(P) III
(as if a mechanical repetition of the preceding 11/8 figure) (c.l.b.)
3
¿´
( p ) (∏) + —.
¿´
(Bartok pizz., l.h. pizz., arco, one continous l.h. (highest movement)
28
bœ 42 (f)
∑ "parlando" ... rK rK œœ B œ. k œ µ œ
≈
(Ï)
5
n œ.
42
mœ (p)
˘ m IIœ. . . . . . + œo œ ≈ R (p) 6 (ƒ) (Ï)
≤ 42  œœ
(f)
‰
mœ (ƒ)
(Bartok pizz., l.h. pizz., arco, one continous l.h. movement)
28
28
∑
mœ œ n œ ≈ œ
(as if a mechanical repetition of the preceding 7/8 figure)
‰
+
≈
m œ >¿ ≈ 42 – ≈ fl (F) (as5 if a mechanical repetition (f)
28
‰
bœ (∏) + m œ.
˘œ
PITCHED METAL pitch, damp gradually
≤j m œœ
(P)
(as if a mechanical repetition of the preceding 7/8 figure)
‡ (F) (∏) (as if a mechanical repetition (F) of the preceding 9/8 figure) ≥ ≤ 5 SANDPAPER 2 – – – – – Œ 4 ¿. ≈ ‰ Œ ( ƒ )>
∑
n
>
42
28
(press string outside fingerboard to make the detuned 4th string rattle even in soft dynamics)
(ƒ) œ. œ. . + bœ . ˘ œ œ. ≈ bœ ≈ œ (π) 5 F n (f)
(deepest possible tone)
‰
r œ
bœ π
2 4 ‰
∑
28
π
‰
of the preceding 11/8 figure)
28
noise
≈
28
8
‰
œ
2 8
‰ 2 œ
mœ
n
(stopped "as much as possible")
Œ ¿ æ
n
42
∑ ∑
(F)
(ƒ)
≈
(as if a mechanical repetition of the preceding 7/8 figure)
∑
Ÿ~~~~~~~~~~~~~~~~ 2 8 – (f) n
–
– fl (f)
28
>+ –.
–.
2 > 4 ¿¿¿
∑
2 8
SANDPAPER (on cardboard)
‰
≈
2 8
air sound (any fingering)
> m µœ.œ ≈ j œ (ƒ)
¤ IV ( œ)
π
‰
√m IIœ. . . . (left hand pizz.) . . j Œ 85 +œo (p) 6 (ƒ)
n
(gradually increase finger pressure) pz
OFF-STAGE ("LOCKED UP") fffff=~pp-p
Trb. (off-stage)
‰
O ˘œ
+œ
(lh pz)
˘ œ ≈ R (Ï)
≤ m œœ
– (flf )
‰
Vl.2
METAL PRACTICE MUTE
≈
3
85 m œ ≈ fl (Ï)
‰
≈
≈
GUIRO with plectrum Starting with single"clicks", accelerating fast
legato+tenuto possibile METAL PRACTICE MUTE (f) noise by bowing along string o ≤ 2 ‰ œ œ &4 – ‰ – > n (f) n METAL PRACTICE MUTE
+
58
SAMPLES played through speaker next to the double bass
Vl.1
‰
METAL OBJECT (undefined pitch)
2 & 4 œ bœ œ œ œ Œ
¿¿æ¿
AIR NOISE, blow 1-2 cm. away from mouthpiece
(F) ≈ Œ 5 8 ‰ m œ. ¿ æ n
5
24 q =~60
‰
bœ fl (f)
VIBRAPHONE, with knuckle
SAMPLES played through speaker inside the closed piano
œ
‰
(ƒ) œ. œ. . air noise bœ . 58 œ œ. ≈ j bœ b– fl 5 (F) (π) F
(THIN, LIGHT STICK)
Keyb.
≈
˘ 5 œ ≈ 8 (Ï)
bœ (∏) o
¿´
(as if a mechanical repetition of the preceding 9/8 figure)
..... ..
(ƒ)
–.
(hit left tube opening whith palm)
..... .
Fl.
2 > & 4 ¿¿¿
>+ (tounge stop) –. ≈ ‰ (ƒ)
("treble end")
.....
Flute (without mouthpiece and extension) (blow through instrument)
≈
possition)
(p)
‰
∑
¿´
>¿´
(F) ¿ fl (F)
≈
≈
&
b– (F)
5
P.trp.(Bb)
Cor.
&
– (flf )
œ p
≈ ‰
Œ
o
&‰
œ (∏)
+
(F) ≈ ‰ & ‰ m œ. ¿ æ
Œ ¿ æ
&Œ
‰
5
GUIRO n (sim. acc.)
bœ fl (f)
METAL OBJECT
3
5
‰
Vl.2
Vla.
&
– fl (f)
3
Œ
≈ ‰
Œ
n
Vlc.
Db.
(f)
t
O ˘œ
?
n
pz
(∏)
5
Trb.(o-s)
‰
≤ œ µœ
(f)
≈ ‰
∑
(along string)
j –– π ( >f )
j mœ (ƒ) ˘r
‰
(Ï)
(p)
‰
mœ (p)
> µœ.œ ≈ (ƒ)
¤IV ( œ) (p)
m œ
n
>
œ. (ƒ) œ fl (Ï)
6
(ƒ)
≈ ‰
≈ ‰
‰
(ƒ)
(F)
œ p
≈ ‰
VIBRAPHONE
‰ Œ
≈
≈
œ (f)
≈
bœ (∏)
(Ï) o 58 j œ (∏)
Π(F)
‰
3
œ ‰
≤ œ J
mœ fl (Ï)
n
≈
Œ
œ mœ œ œ
‰
n
+ . ´ ´ ≈ ¿ ¿ bœ (∏) (f) 3 (p) . + — bœ ≈ ‰ (p) (f) III
∑
(F)
mœ (ƒ)
˘ œ ≈ R (Ï)
¿´ >¿´ ≈ œæ (F) (f) ˘ ≈ ¿
(F)
3
œ
+ ´ + ´ —
O
pz
(∏)
85
85 85
j mœ (p)
mIIœ. . . . . . + œo J (p) 6 (ƒ)
85 ‰ ˘œ (f)
∏
1 4
≈ ‰
‰
≈ ‰
Ÿ~~~~~~~~ 1 4 j – π (f)
≈ ‰
≤j œ µœ n
≈ ‰
1 4 41
œ bœ œ œ œ ‰
41
Œ
41
j œ
j – π – > (f)
85 ‰
41
j œ p
5
mœ
58 85
j
‰
¿ METAL OBJECT (F)
85 Œ
mœ
≈ ≈ +œ . +
∑ 2
≈ 85 œ mœ 3
I
‰ ≤ m œœ
≈
(ƒ)
1 4
≈
bœ fl (f) (F) ≥ ≤ 5 SANDPAPER – – – – – ‰ ¿. ≈ ‰ ‰ ( ƒ )>
Œ 85 ‰
5
– (flf ) +
j
5 Œ 8¿ æ
Œ m œ. ¿ æ n
PITCHED METAL mœ >¿ ≈ ‰
(F)
œ. œ. . bœ . 58 œ œ. ≈ j bœ b– fl 5 (π) F (F) ˘ 5 œ ≈ ‰ 8
GUIRO
(f) o œ
‰
n
‰
mœ
– fl (f)
n
+
>+ –.
> –. ¿¿¿ (ƒ) n
5 8 ¿¿æ¿
≈ Œ
Œ + m œ.
n
m IIœ. . . . . . + œo œ ≈
≤ m œœ
≈
Œ
œ
¿´
j
5
œ œ mœ
´ —+
– fl (f)
≈
œ bœ œ œ œ ‰
3
(F)
BΠ? Ͼ
–
‰
+ +œ . + ´
˘ & mœ ‰ (Ï)
SANDPAPER
n
I
5
Vl.1
≈ mœ œ 3
‰
.. .
? mœ
¿ (F)
– (flf )
Ÿ~~~~~~~~~~~~~~~ + j – ‡ (f) n (∏) (F) SANDPAPER ≥ ≤ 5 ‰ – – – – – ‰ ¿. ≈ Œ ¿ æ > (ƒ) ‰
. .. ..
Keyb.
œ mœ œ
œ
≈
≈
œ ≈ ‰ fl (Ï)
.. .. .
&
≈
. .. ..
Perc. 2
bœ (∏)
(as if a mechanical repetition of the preceding 11/8 figure)
VIBRAPHONE
Perc.1
(ƒ) (ƒ) n œ. œ. . + bœ . œ œ. ≈ bœ ≈ b– œ fl 5 (π) F (F) n (f)
n
>+ –.
...
cl.(Bb)
¿¿¿ æ
–
.....
≈ Œ & (ƒ)
> – ¿¿¿
.....
Fl.
j ¿¿æ¿
.....
¿´
5
(along string)
– fl (f)
‰
14
(f) o j œ
41
n
≈ ‰
≤j m œœ
Œ
n
m > µœ.œ ≈ j œ (ƒ) n
¤IV ( œ)
>
œ. (ƒ) œ fl (Ï)
(p)
∑
41
‰
r œ
(F)
41
≈
41
≈
41 41
played "like a pan-flute": blowing INTO to the notated keyholes
Fl.
cl.(Bb)
1 &4
∑
Cor.
42 bœ ∏
1 œ &4 ppppp possibile
2 4 ‰
& 41
42
9
P.trp.(Bb)
∑
– π
WHISTLE TONE ON PAPER EDGE 1 O 2 ‰ &4 4 Œ pppppp (as if background noise)
1 & 4 Ͼ pppppp
(as if background noise)
Keyb.
42 ‰
? 41
∑
42 Œ
tremolo on body (bass side)
1 &4 æ – ∏
9
Vl.2
& 41
Vla.
B 41
Vlc.
Db.
n
∑
14
Vl.1
42 –
1 &4
9
? 41 t 41 ? 41
9
œ
n (f)
≤ 42 œJ n
∑
42 ‰
∑
42  œœ
∑
(F)
42 ‰ 42 ‰
œ pppppp
∑
Œ
≈
œ. œ. . bœ . ˘ œ œ. bœ
42
(π)
bœ (∏)
(Ï) + m œ.
‡ (F) (∏) VIBR. (F) GUIRO ≈ Œ m œ. ¿ æ n
n
≈
≈
‰
≈
‰
b– (F) – fl (f)
‰
≈
œ (∏) (F) SANDPAPER ≥ ≤ 5 – – – – – ¿. ≈ ‰ ( ƒ )>
Œ ¿ æ
PITCHED METAL
– fl (f)
(F)
œ mœ œ
mœ fl (Ï) . mœ . . (ƒ)
≈
≈
≈ œ mœ
+œ I
(F)
.... ..... ‰ . . . . ....
+ . ≈ bœ III
mœ (p)
(f) bœ
(f)
3
(p) + —. (p)
¿´
(∏) ≈
¿´
‰
œ
œ
. +
˘ mIIœ. . . . . . + œo œ ≈ R (p) 6 (ƒ) (Ï)
3
3
‰
mœ
≈
‰
≈
Œ
5
3
œ
>¿
Πo
n
mœ
´ +
– fl (f)
≈
´
‰
—+
>¿´
(F) ˘ ¿
(F)
≈
Ͼ
(f)
‰ n
Œ
≤ œ µœ
‰
O ˘œ
n
pz
≈
(∏)
∑
(f) ∑
3
METAL
¿ (F)
≈
‰
≈
2 4
Œ
‰
42
(f) o 85 œ‰
SANDPAPER
–
2 4 42 2 4
j œ
3
œ mœ œ
n
..... 58 j .......... ‰ ... m œ .. (ƒ)
mœ fl (Ï)
≈
j mœ (p)
n
¤IVœ () 85 (p) 85
>
œ. (ƒ) œ fl (Ï)
≈
mœ
≈ 42 42
≈
≈
∑
+œI
. +
≈
‰
(F) – fl (f)
˘ mIIœ. . . . . . + œo 58 œ ≈ J R 6 ( p ) ( ƒ ) (Ï) m > 58 µœœ ≈ j . œ (ƒ)
3
Œ
j œ
≤ œ J
≈
42
≈
– fl (f)
n
58
n
¿´
85
85 Œ
π –– ( >f )
(ƒ)
≈
n
Œ
(along string)
¿´
˘œ 5 ≈ ‰ ≈ ‰ 8 j – bœ (∏) (Ï) (flf ) + Ÿ~~~~~~~~~~~~~~~~~ + 58 ≈ ‰ j – bœ ‡ (f) fl n (∏) (f) VIBR. (F) GUIRO Œ Œ ≈ 5 8 Œ m œ ¿ . ‰ æ
85 Œ
≤ m œœ
Œ
+
œ bœ œ œ œ 5
mœ
‰
œ. œ. . bœ . œ œ. ≈ ≈ bœ b– œ fl 5 (π) F (F) n (f) 85
œ p
Œ
≈ mœ
>+ –. 5 ≈ 8 (ƒ)
> –. ¿¿¿ (ƒ) n
¿¿æ¿
F
5
˘œ
24
(as if background noise)
Trb.(o-s)
+
SANDPAPER
BASS DRUM
Perc. 2
(ƒ)
≈
Ÿ~~~~~~~~ +
9
Perc.1
¿´
Ÿ~~~~~~~~~~~~~~~~~~~~ 1 2 &4 – 4 ‰ ∏
9
24 42 42
Œ
42
‰
+ . 42 bœ
‰
III
(f) bœ
(f)
3
(p) +
42 42
œ. œ. . bœ . œ œ. 43 ≈ bœ ≈ b – œ fl (π) 5 (F) F n (f)
bœ p
2 &4 Œ
n
œ ≈ fl (Ï)
13
P.trp.(Bb)
Cor.
& 42
+ m œ. (F)
bœ (∏) ≈ ‰
2 Œ &4 ¿ æ
2 &4 œ
Keyb.
? 42
24
Vl.1
Vl.2
Vla.
œ
œ
—+
& 42 Œ
mœ (ƒ) ˘r
≤ B 42 m œœ
Db.
t 42 ? 42
13
Trb.(o-s)
—.
(p)
n
.... .....
œ
? 42 ≈ ¿´ ¿´ (∏) ≈ ‰
+
‰
¿´
(Ï)
.... ..... ‰
(p)
æ ≈ œ (F) (f)
(F) ∑
mœ (p)
mIIœ. . . . . . + 3 œo ≈ 4
>¿´
˘ ¿
43
O
pz
≈
(∏)
(ƒ)
6
43 ‰ 43 43
˘œ (f)
Ÿ~~~~~~~~ 3 8– – – (P) ∏
bœ (∏)
(f)
Ÿ~~~~~~~~~~~~~~~~
≈ ‰
– (f)
n
Œ ¿ æ
n
¿ (F)
≈ ‰
œ mœ œ
Œ
≤ œ n
– fl (f) ‰ ≤ œ µœ
n
≈ ‰
mœ fl (Ï)
3
3
‰
. + ‰ +œ π (F) ‰ ≤ m œœ n
m > µœ.œ ≈ œ (ƒ) n
¤IVœ ()
>
œ. (ƒ) œ fl (Ï)
(p)
4
∑
‰ ¿ æJ (P)
mœ (ƒ)
˘ œ ≈ R (Ï) ≈ ‰
≈ ‰
– fl (f)
3 œ 8
∑
≈ mœ
38
∑
‰
– mO 38 m O O æ O ∏
O m OO O
38 38 38 38
3
j æ –
≈
‰ + m œ.
∑
5
+ . ≈ bœ
(p) + —. (p)
42
24 42
‰ n
j mœ (p)
III
(f)
42
‰
‰
j –– ( >f )
∑
bœ
2 4
5
(along string)
3
≈
2 œ bœ œ œ œ 4
mIIœ. . . . . . + œo J (p) 6 (ƒ)
(f)
42
≈ m œ 42 (F) 5
j mœ
‰
– (flf )
2 4
– – – – – 2 4 ¿. ≈ Œ ( ƒ> )
‰
∑
≈
(F) (F) ≥ ≤
∑
38 œ. pppppp 38
∑
+ j ‡ (∏)
BASS DRUM
I
≈ Œ
‰
≈ mœ œ
œ
‰
38
(Ï)
38 Ͼ. (F) pppppp
–
≈
˘œ
3 œ. 8 ppppp sim.
3 O. 8 ( P ) pppppp
SANDPAPER
3
∑
Ÿ~~~~~~ > –. j j æ ¿¿ ¿ ¿ ¿ – ¿ (P) (ƒ) n œ. œ. . bœ . œ œ. ≈ j bœ b– fl 5 (π) F (F)
(whistle tone on paper)
n
œ
38
≈
GUIRO
34
(f) o 43 œ‰
œ
n (f)
≈ Œ
METAL
43 Œ
‰
– π >– (f)
n
Vlc.
(along string)
+
(F) ≈ ‰ m œ ¿ . ‰ æ
43 Œ
mœ
n
œ p
5
‰
æ ¿¿¿
‰
VIBR.
3 œ bœ œ œ œ 4 Œ
mœ
´ ´ +
(ƒ)
≈ ‰
~~~~~~~~~~
2 &4
13
mœ
3
¿´
bœ fl (f)
(F) ≥ ≤ 5 – – – – – 3 Œ 4 Œ ¿. ≈ ‰ ( ƒ )>
2 m œ >¿ ≈ ‰ &4 (F) 5 13
o
– (flf )
SANDPAPER
PITCHED METAL
Perc. 2
3 4 ‰ 43 œ (∏)
Œ
13
Perc.1
(ƒ)
≈ ‰
~~~~~~~~~~
cl.(Bb)
3 4
(by 1/4 tone raised F is just meant the hole just to the right of the G hole)
..... ..... ..... ...
(ƒ) +
n
2 &4
–.
> ¿¿¿
2 & 4 ¿¿æ¿
13
Fl.
>+ –.
– fl (f)
≈
42
‰ ¿´
¿´
≈
‰
(∏)
∑
42
¿´
42 42 42
2 &4
17
Fl.
cl.(Bb)
>+ –.
(ƒ)
≈
2 &4 j
‰
Cor.
2 &4 Œ
Perc. 2
œ
(F) ≈ ‰ m œ ¿ . ‰ æ GUIRO
2 &4 Π? 42
24
Vl.1
(f) 17 o 2 & 4 œ‰
Vl.2
& 42 Œ
Vla.
B 42 ‰
≤ œ n
≤ m œœ
Vlc.
Db.
(F)
t 42 ˘ ¿
(F)
? 42
17
Trb.(o-s)
≈
Ͼ
(f)
(∏)
58 I
‰
+œ
(F)
˘ œ ≈ R (Ï) ≤ œ µœ
‰
∑
. 58
+
‰
n
≈
‰
85
SANDPAPER
–
3
œ
> 58 µœœ ≈ . (ƒ)
85
m j œ n
+
´
– fl (f)
≈
– fl (f)
—+
‰
œ. (ƒ) œ fl (Ï)
≈
≈
n
≤j m œœ
bœ
‰
(f)
(p) +
43 43
∑ 5
(p)
F
≈
‰
≈
mœ fl (Ï)
n
mœ . . (ƒ)
¿´
(∏) ≈
.
‰
>¿´
(F) ˘ ¿
(F)
r Bœ
(F) (P)
I
‰
œ+
(F) mœ (p)
≈
Ͼ
(f)
≈ œ mœ 3
(∏)
≈
∑
2 œ 4
‰
42
π
42
‰
42 ≤ œ µœ
‰
(f)
2 4
24
n
pz
≈
3
Œ
O ˘œ
42
42
. +
– fl (f)
42
42
Œ
mœ
... ..... ‰ . . . . ....
¿´
+
Œ
≈
2 4
2 4
‰
Œ ¿ æ
‰
˘ mIIœ. . . . . . + œo œ ≈ R (p) 6 (ƒ) (Ï) ¿´
≈
œ (∏)
œ mœ œ
œ
≤ œ
p
GUIRO
œ ‰
r œ
– (flf ) o
Œ
(P)
n
b– (F)
3
mœ
—.
≈
n
43
3
‰
m œ >¿ 43 5 (F)
+ . 43 ≈ bœ
(f)
(Ï)
PITCHED METAL
III
‰
bœ. . ˘ œ œ. bœ 5
æ ¿¿¿
‰
(F) ≈ ‰ m œ ¿ . ‰ æ
43 ‰
Œ
(π)
‰
VIBR.
(f) o 43 œ‰
‰
(ƒ) œ. œ.
≈
˘œ
bœ (∏)
34
‰
≈
œ
3 Œ 4 Œ
43
(along string)
≈
n (f)
(F)
Œ
n
>
43
43 Œ
j –– π > (f) ≈
+
œ
+ m œ.
¿´
‰
≈
(ƒ)
œ bœ œ œ œ 5
mœ
>+ –.
3 4 ‰
Œ
n
mIIœ. . . . . . + œo J (p) 6 (ƒ)
¤IV ( œ) 85 (p)
≈
Ÿ~~~~~~~~~~~~~~~~~ + j – ‡ (f) n (∏) (F) SANDPAPER ≥ ≤ 5 ‰ – – – – – ¿. ≈ ‰ ( ƒ )>
‰
j mœ (p)
43
j œ p
– (flf )
‰
´
3 4
b– (F)
j œ
... ..... 5 ‰ . . . . 8 ..... mœ .. (ƒ)
(f)
bœ fl F
≈
85 Œ
pz
≈
n
3
Œ
O ˘œ
¿¿æ¿
85 ≈ mœ ≈ œ œ mœ œ
‰
n
> ? 42 ¿´
bœ fl (f)
≈ 85 ¿ (F)
Œ
mœ fl (Ï)
≈
METAL
œ mœ
≈
(Ï) +
3
œ
5
> –. ¿¿¿ (ƒ) n
5 Œ 8 ¿. æ
n
‰
œ. œ. . bœ . œ œ.
(π)
85
VIBR.
≈
85
˘ 5 œ 8
bœ (∏)
17
Keyb.
≈
œ (∏)
2 Œ &4 Œ 2 m >¿ &4
‰
n (f)
o
& 42 Œ
5 8‰
+
‰
17
Perc.1
(ƒ)
≈
bœ p
17
P.trp.(Bb)
¿´
≈
‰
r2 œ 4
(F)
42 42
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 3 2 3 æj &4 – 8 ¿¿¿ ¿ – ∏ (P)
> ¿¿¿ (ƒ)
20
Fl.
cl.(Bb)
2 &4
38
∑
2 ˙ &4 ppppp
Cor.
& 42 2 O &4 pppppp
20
Perc. 2
2 BASS DRUM & 4 ˙æ pppppp
38
Vla.
+
≈
bœ fl (f)
¿ (F)
‰
Db.
‰
j –
SANDPAPER
42 Œ
& 42 B 42
æ –
O
∑
∑
38 ‰
j œ
j ........ .... mœ .. (ƒ)
‰
˘ œ ≈ R (Ï)
38 ≤ m œœ
? 42
∑
m j œ
>
œ. (ƒ)
n
¤IVœ 38 ( ) (p)
t 42
˙ pppppp
? 42
≤> 38 µœœ ≈ . (ƒ)
∑
38
(f) o 42 œ‰
n
œ fl (Ï) ∑
≈
≈
. .....
– (flf ) + m œ.
(F)
42 ‰
≈
‰
38
∑
85
VIBRAPHONE "guiro" gliss. with straw
– fl (f)
42 ‰ 42 6
38 ‰ œ mœ œ
(f) bœ
(f)
38
‰
‰
≈
I
+œ
(F)
3
(p) + —. (p) ∑
rK œ
38
38 ‰ 38 ‰
‰
38 ‰
Œ
III + . ≈ bœ
œ J π
rK œ‰
– J π
‰
PAPER large movement from right to left on the cardboard
"GUIRO" (fx with a "buisness card or a similar piece of cardboard across the black keys without pressing them down (direction important, exact range or location unimportant)
mœ fl (Ï)
m œ. . . . . . + œo 24 (p) 6 (ƒ) 42 ‰
5
mœ
II
85 5 8
œ
mœ (p)
‰
Kr —
∑
3
n
j — π
5 8
3 8
(F)
≤ œ
(blow INTO the key holes)
rK‰ –
‰
PITCHED METAL
– fl (f)
– J π
≈
VIBRAPHONE
24
‰
j –– ( >f )
p
38 ‰
‰
38 ‰
‰
œ
≈ mœ ¿
38 ‰
2 &4 æ – ∏
≈
b– (F)
42 –
∑
5
(along string)
F
3 ‰ r 8
≈ mœ ‰ . (F)
? 42
æ3
≈
3 ‰ 8
‰
3 ‰ 8
42 Œ
(trem. along string, close to the point)
(ƒ)
bœ. . ˘ œ œ. bœ 5
≈
2 4 Œ
œ bœ œ œ œ
38
¿´
‰
Ÿ~~~~~~~~~~~~~~~~~~~~~~ + 42 j – – ‡ (f) n (∏)
n
3
≈
(Ï)
38 ≈ mœ
20
Trb.(o-s)
˘ 2 œ 4
(F) ≥ ≤ 5 – – – – – ¿. ≈ ‰ > (ƒ)
n
Vlc.
(π)
j bœ (∏)
SANDPAPER
≈
≈
(ƒ) œ. œ.
∑
20
Vl.2
‰
42
>+ –.
2 &4
24
Vl.1
œ
METAL
20
Keyb.
+
n (f)
GUIRO 3 ‰ 8¿ æJ (P)
O
PAPER
Perc.1
38
∑
2 4
n
bœ p
3 ‰ 8
20
P.trp.(Bb)
–.
¿´
¿´
≈
‰
(∏)
¿´
(P)
38 ‰ 38 ‰ 38
b¿ J π
– π – π –
‰
r b¿
85 85
∑
58
Oœ mOœ ‰ mOœ bOœ –
85
6
Oœ m Oœ ‰ m Oœ b Oœ – Oœ mOœ
‰ Oœ bOœ –
6
O– mœO œ ‰ O bO œ –œ π
π
85
85
6
π
–
5 8
85
6
O mOœ œ m O œ Oœ
–
‰
85 85
6
∑
85
5 &8 ‰
Fl.
cl.(Bb)
5 &8
n
bœ p
5 &8 Œ
24
P.trp.(Bb)
Cor.
> –. ¿¿¿ (ƒ) n œ. œ. . + bœ . œ œ. ≈ bœ ≈ œ fl 5 n (f) (π) F
¿¿æ¿
24
& 85 Œ
(Ï)
œ (∏)
5 Œ & 8 ¿. æ
‰
5 m >¿ ≈ &8 (F)
PITCHED METAL
‰
Œ
>+ –.
(ƒ)
– fl (f)
42 ‰
(F) ≥ ≤ 5 – – – – – ¿. ≈ ‰ > (ƒ)
2 4 Œ
METAL
¿ (F)
≈
≈
¿´
‰
(ƒ)
b– (F)
≈
bœ fl (f)
n
Perc. 2
+
42 2 4
‰
≈
SANDPAPER
GUIRO
24
Perc.1
˘œ
j bœ (∏) o
2 4
≈
‰
œ p ≈
‰
Œ r œ
(P)
VIBRAPHONE
≈ mœ ‰ . (F)
≈
SANDPAPER
–
–
n
Ÿ~~~~~~~~ 2 3 8 – – 8
∑
28
∑
2 œ 8 ppppp
∑
28
∑
2 O 8 pppppp
3 8
28 Ͼ pppppp
38
∏
∑
38
n
Ÿ~~~~~~~~~~~~~~~ + j – ‡ (f) n (∏)
42 ‰
∑
– fl (f)
3 8 ∑
PAPER
∑
BASS DRUM
‰ mœ œ nœ ≈ œ mœ œ œ ≈ ≈ ‰
38
3
5 & 8 ≈ mœ ≈ œ 3
24
Keyb.
? 85
58
Vl.2
Vla.
mœ
œ. +
5 &8 (P)
24
Vl.1
œ
´ +
Db.
≤ B 85m œœ æ ≈ Jœ (f) (F)
> ? 85 ¿´
¿ fl (F)
? 85
24
Trb.(o-s)
2 œ bœ œ œ œ 4 Œ
mœ ‰
´
—+
(along strings)
j –– π > (f)
≤j œ µœ
‰
O ˘œ
(∏)
n
j mœ (p)
˘ mIIœ. . . . . . + œo œ ≈ J R 6 ( p ) ( ƒ ) (Ï)
n
pz
≈
24
‰
(f)
≈
∑
‰
> µœ.œ ≈ (ƒ)
¤IVœ () J (p)
– fl (f)
≤ œ
mœ fl (Ï)
n
≈
‰
m œ
n
42 42
≈
‰
r œ
(f)
n
œ. (ƒ) œ fl (Ï)
≈
≈
III
‰
bœ
(f) bœ
‰
(f)
∑
+ . 3
(p) + (P) ≈
7
3
rK œœ
(Ï)
B œ. 5
rK
kœ
28
∑
38
28
∑
38
28
˜
˜– I
38
O ˜ 28 m O ˜ ˜ ˜ ˜ O æ
38
∑
28
∑
38
∑
28
∑
38
∑
28
∑
38
∑
28 œ pppppp
II II I II III IV III
∑
≤ m œœ >
mœ
Œ
42 Π42
œ
Œ
œ
(f) o 42 œ‰ 42
œ mœ œ
œ
42 ‰
Œ
j . ... ... ‰ .. .. mœ . . (ƒ)
& 85 Œ
t 85
œ
3
5
. . ...
n
Vlc.
3
µ œ n œ. B œ
O
≈
rK Bœ nœ
mœ mœ µœ. µ œ 5
28
∏
38
∑
38
& 38
28
∑
3 O. &8 ø (f) J
28
≈.
‰
lock! SUITCASE LOCK (OLD FASHION)
Perc. 2
∑
38 ≈ ≈ mœ œ
? 38
∑
28
∑
38 j mœ
∑
& 38
Vla.
B 38 ? 38 t 38 ? 38
28
Trb.(o-s)
–.
28 æ ∏
∑
28
∑
28
∑
28
œ. ∑
28
O m OO O
∑
∑
28
3
~~~~~~~~~~
3 &8
Vl.2
Db.
PITCHED METAL 38 m œ >¿ ≈ (F) 5
28
28
Vlc.
n
∑
28
∑
∑
3
j œ
—+ œ´ + ´
38 ‰
‰
j mœ (p)
n
+
œ (∏)
¿ fl (F)
bœ ( flf )
∑
≈ 43 ‰
3 ≈ 4 ‰
VIBR.
METAL
¿ (F)
≈ 43 ‰
42
43 ‰
24
(along string)
– fl (f)
‰
Œ
‰
(f) o œ ‰
n
≈ ‰
æ 42 œ (f)
‰
O ˘œ
42
(f)
43 œ ≈
mIIœ. . . . . . + œo
n
≈ ‰
mœ (ƒ) ˘r
(Ï)
m > µœ.œ ≈ 43 œ (ƒ) n
¤IV ( œ) (p)
43 43
3
3
œ œ mœ mœ
mœ (p)
(p) >
œ. (ƒ) œ fl (Ï)
6
(ƒ)
≈ ‰
≈ ‰
– fl (f) ‰
∑
42
42
‰
24
42 n
42 ≤ m œœ n
r œ
(F)
+ . ≈ ¿´ ¿´ ¿´ bœ (∏) ( P ) (f) 3 (p) + —. bœ ≈ ‰ (f) (p) III
2 4
3
≈ Œ
‰
42
2 œbœ œ 4
+ + ´ — (along ´ + string) +œ . j –– π > (F) (f)
≤ m œœ ≤ œ µœ
2 4
≈ Œ
I
(Ï)
43
3
Œ
œ
‰
∑ 8
œ
≈
Œ
pz
42 (∏)
≈ œ m œ œ mœ œ 3
˘ 43 mœ ‰
n
– (flf )
42 j œ p ∏
+ Ÿ~~~~~~~~~~~~ + m œ. ≈ ‰ j – (F) (f) n ‡ (∏) (F) ≥ ≤3 (F) SANDPAPER Œ ‰ ‰ – – – m œ. ¿ ¿. ¿. ≈ æ æ > n GUIRO (ƒ) SANDPAPER PITCHED METAL ≈ mœ ¿ – – – fl (F) 5 (f) n
34 ≤ œ
n
œ ≈ ‰ fl (Ï)
2 4
¿¿ ≈ >¿ (ƒ)
¿¿æ¿
œ. œ. . bœ . œ œ. ≈ ≈ bœ b– œ fl 5 ( f ) ( π ) F (F)
43
mœ
≈ Œ
+
bœ (∏)
n
≈
(ƒ)
42 œ b œ œ œ œ Œ
42 Œ
> 38 ≈ ¿´ ¿´ ¿´ ¿´ ≈ (∏) (F) —. ≈ ‰
‰
¿´
3 4
Œ
o
42 Œ
42
mIIœ. . . . . . + ˘≤ œo 38 œ ≈ J R 6 ( p ) ( ƒ ) (Ï)
38
≈ ‰
(F) ≥ ≤ 5 2 – – – – – Œ 4 ¿. ≈ ‰ Œ ( ƒ )>
42 – π – ( >f )
p
38 j mœ (ƒ)
(p)
œ p
5
œ mœ
‰
38
38
œ
– fl (f)
43
SANDPAPER
3 æ 8 ¿.
28 Ͼ
b– (F)
42 ‰
GUIRO
3 &8
38
Vl.1
2 O ˜ 8
42 2 4
open!
3 & 8 Ͼ.
28
Keyb.
∑
.
Perc.1
˘œ 3 ≈ ‰ 8 j bœ (∏) (Ï) + m œ. 38 ≈ ‰ ‰ (F)
2 œ 8
.....
Cor.
∑
œ. œ. . bœ . œ œ. ≈ ≈ bœ œ fl 5 (f) (π) F +
(ƒ)
n
3 4
.
3 œ. &8
28
P.trp.(Bb)
38
(ƒ)
≈ ‰
.....
∑
28
n
.....
cl.(Bb)
3 &8
¿¿æ¿
>+ –.
–. 2 > 4 ¿¿¿
.....
∑
3 ‰ 8
..... .
Fl.
Ÿ~~~~~~~~~~~~ 2 . 8 – – ∏
.....
3 &8
28
42 42 42 42
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 2 &4 – ¿ ¿ ¿ – ∏
33
≤ 2 & 4 –. ≈ ‰ ppppp
Œ
2 &4 Œ
œ
(breath in through the instrument)
33
P.trp.(Bb)
∑
˙
ppppp
≤. & 42 – ≈ ‰ ppppp
(breath in through the instrument)
Cor.
PAPER (breath in)
≤. 2 – ≈ ‰ &4 pppppp
33
Perc.1
O
O
2 & 4 ˙æ pppppp
BASS DRUM
∑
42 b œ œ Œ
? 42
∑
∑
28
∑
42
–≤.
O
œ
–
æ
Vlc.
Db.
≈ ‰ & 42 ppppp
O nm OO O
–
∑
28
∑
∑
28
? 42
∑
∑
28
t 42 ? 42
˙
28
˙ ∑
∑
m Oæ J
28 æJ
B 42
33
Trb.(o-s)
Œ
m OO O mO – æ
~~~~~~~~~
2 &4 æ – ∏
O m OO O O
(bow on the body of the instrument (treble side))
Vla.
PITCHED METAL
28
æ
24 œ
mœ
‰ 42 ‰
(f) o œ ‰
∑
42 ‰
∑
≤ 42  œœ
∑
>¿´ æ ≈ œ 42 (F) (f)
(F)
˘ ≈ 42 ¿
œ
(F)
28
∑ 9
42
– fl (f) +
(Ï) o
œ (∏)
∑
33
Vl.2
42 Œ
bœ (∏)
m >¿ ≈ ‰ 42 (F)
28
Œ
˘œ ≈ ‰
SANDPAPER
28 Ͼ
(ƒ)
≈
2 4 ‰
≤ 2 – ≥– ‰ 4 (F)
2 O 8
¿´
œ. œ. . bœ . ˘ œ œ. ≈ ≈ bœ b– œ 5 n (f) (F) (π) F +
∑
24
Vl.1
O
∑
≈ ‰
42 bœ ∏
2 &4
33
Keyb.
28
˙æ
~~~~~~~~~~
Perc. 2
∑
2 œ 8 ∑
Œ
(ƒ)
n
28
~~~~~~~~~~
cl.(Bb)
>+ –.
Ÿ~~~~~~~~~~~~~~~~~ – j 2 j 2 ¿ 8 – 4
‰
mœ (ƒ)
bœ fl (f)
‰
¿ (F)
O ˘œ
mœ fl (Ï) mœ (p)
≤ œ µœ
n
pz
(∏)
(f) ∑
≈ ‰
n
Œ Ÿ~~~~~~~~~~~~~~~
≈ ‰
– (f)
n
¿æ
≈ ‰
≈ ‰
–
n
≈
≈ œ m œ œ mœ œ 3
Œ
˘ mIIœ. . . . . . + œo œ ≈ R 6 (Ï) (p) (ƒ) ‰
œ p
METAL
Œ
n
n
≈ m œ ¿æ . (F) n
j œ
≤ œ J
¿¿æ¿
VIBRAPHONE GUIRO
Œ
...... ...... ......
Fl.
Ÿ~~~~~~~~~~~~~~~ Ÿ~~~~~~ – – – –
≈
3
œ
3
œ mœ ‰
+ + ´ — ´ + + . ≈ œ I
π
(F)
– fl (f)
≈ ‰
≤ m œœ
Œ
n
m > µœ.œ ≈ œ (ƒ) n
¤ IVœ () (p)
Œ
>
œ. (ƒ) œ fl (Ï) ∑
≈ ‰
≈ ‰
Ÿ~~~~~~~ 3 ¿j ‰ 8 ∏
cl.(Bb)
38
P.trp.(Bb)
Cor.
Perc.1
& bœ (∏) + &
œ ≈ ‰ fl (Ï) + m œ. ≈ Œ (F)
– (flf )
38 (P) ≈
m œ >¿ ≈ &– ≈ 5 fl ( f ) (F)
38 Ͼ. pppppp
‰ 43 ˙ . æ
& œ bœ œ œ œ Œ
38 ‰
Keyb.
?‰
Vl.2
Vla.
&– – ( >f )
‰ n
... ..... & ......... ‰ mœ mœ . (p) (ƒ) ˘r mIIœ. . . . . . + œo Bœ ≈
(Ï)
(p)
6
(ƒ)
Db.
?
38
Trb.(o-s)
– fl (f)
≈
‰
+ . > ? ≈ ¿´ ¿´ ¿´ ¿´ ≈ bœ (F) ( f ) 3 ( p ) (∏) . — + b œ t ≈ ≈ ‰ ¿ fl (p) (f) (F) III
Vlc.
æ 38m JO ∏
∑
38
85
œ
2 ˙ 4
Œ
42
∑
85
O
2 O 4
O
5 8
Œ
42 ˙æ
∑
œ
–≤.
≈ ‰
O
ppppp –. ≈ Œ
5 8
∑
‰
∑
∑
42
∑
85
43
∑
42
∑
85
34
‰
85
43
mO 43 OO mO – æ
~~~~~~~~~~~
Vl.1
œ
38
o œ (f)
42
PAPER ON CARDBOARD
BASS DRUM
38
œ
Œ
43 ‰
O – nm OO O æ
–≤. ppppp
m æO
≈ Œ
œ
O O n OO O
~~~~~~~~~
(along strings)
38
‰
mœ
≈ ‰
≤ –. ≈ Œ ppppp
43 ‰
∑
PAPER
5
∏ ( –)
3 œ 4
3 œ. 8 ppppp
3 O 4
38
≤ –. ≈ Œ ppppp
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 3 2 5 4 ¿ ¿ ¿ – 8
Let out air "naturally" (don't try to match written dynamic or length)
3 O. 8 pppppp
PITCHED METAL
Perc. 2
Ÿ~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 3 ¿ ¿ ¿ – 4 – – – – 43 ‰
∑
38
‡ (∏) (F) SANDPAPER ≥ ≤ 5 38 – – – – – Œ & ¿. ≈ ‰ Œ ( ƒ )>
‰
24 42
æ
O
œ
O
58
O mOO O O 85
~~~~~~~~~~~
Fl.
~~~~~~~~~
>+ –. > –. ≈ ‰ &¿¿¿ (ƒ) (ƒ) n œ. œ. . + bœ . œ œ. ≈ & bœ ≈ b– œ fl (F) (f) (π) 5 F
38
œ 3
Œ
42
∑
85
Œ
42
∑
85
Œ
42
∑
85
(bow on the body of the instrument (treble side))
38 38
∑
∑
38 œ. pppppp 38
43 ‰ 43 ‰
–≤.
ppppp
≈ Œ
(bow on the body of the instrument (bass side))
≤
≈ Œ
–. ppppp
43 . ˙ ∑
42
43
∑ 10
42
85
˙ ∑
85
Fl.
‰
cl.(Bb)
5 &8
Cor.
5 &8 Œ & 85 ‰
œ (f) n
œ (∏)
(F) ≈ ‰ 5 & 8 ‰ m œ. ¿ æ n
bœ fl (f)
Œ
¿ æ
GUIRO
5 &8 Œ
58
Vl.1
Vl.2
& 85 Œ
Vla.
B 85 ‰
‰
3
‰
Vlc.
Db.
t 85 ? 85
42
Trb.(o-s)
– fl (f)
SANDPAPER
–
3
œ mœ
‰
+ + ´ — (along ´ + + . strings) j ≈ œ ‰ –– π > (F) (f) n ‰
‰
O ˘œ (f)
‰
j mœ (p)
˘ mIIœ. . . . . . + œo œ ≈ J R 6 ( p ) ( ƒ) (Ï)
≤ m œœ
m > µœ.œ ≈ j (ƒ) œ
≤j œ µœ n
n
¤IVœ ()
≈ ‰
(p)
∑
(ƒ)
42 Œ
>
œ. (ƒ) œ fl (Ï)
– fl (f) ‰
(f) o œ ‰
≤ œ J
n
≈ ‰
‰
PAPER
BASS DRUM
‰
mœ fl (Ï)
‰
(f)
+ . ≈ ¿´ ¿´ ¿´ bœ (∏) ( P ) (f) 3 (p) + —. bœ ≈ ‰ (p) (f) III
11
PAPER ppppp –. ≈
∑
5 8‰
5 8‰ 85 œæ
85 Œ
∏
mO
OO O mO – æ ‰
42 Œ
‰
42 Œ
‰
42 ˙ pppppp
O nm OO O
–≤. ppppp –≤.
ppppp ≤
˙
58
O J
O.
Ͼ.
‰ Œ
j œ
85
∑
≈
85
∑
≈
85
∑
≈
85
∑
–. ppppp
85
∑
œ. ∑
∑
–
œ J
85
42
42
∑
‰
≈
85
85
42
r œ
≤ –. ≈ ppppp
∑
∑
42 Œ ≤ m œœ
≈
5 8
42
24 ≈
≤ –. ≈ ppppp
–≤.
2 O. 4 pppppp
≈ Œ.
n
≈ ‰
42 Œ
j œ
–
(–)
2 œ. 4 ppppp
PITCHED METAL
j mœ
– – ‰
Œ ≈ m œ ¿ 42 ˙ – fl (F) 5 æ pppppp (f)
‰
Ÿ~~~~~~~
n
≈ Œ.
5
j œ
j mœ (ƒ)
2 4 – – ∏
≈
œ p
œ bœ œ œ œ Œ
I
pz
(∏)
‰
n
Œ
n
æ ? 85 œ J (f)
bœ ≈ b– fl F (F)
¿´
~~~~~~~~~
5 &8 ‰
42
≈ œ m œ œ mœ œ 3
≈ ‰
..
? 85 j mœ
¿ (F)
(ƒ)
≈ ‰
+. Ÿ~~~~~~~~~~~~~~ + m œ ≈ ‰ ≈ ‰ j – ‡ (F) (f) n( ∏ ) (F) VIBR. SANDPAPER ≥ ≤ 5 ‰ Œ ≈ – – – – – ¿. ≈ ‰ Œ ‰ m œ. (F) ( >ƒ )
. . . ..
Keyb.
≈
METAL
(Ï)
. . . ..
5 &8 j œ
42
‰
5
˘œ ≈
. . .. .
Perc. 2
(π)
j bœ (∏) +
o
VIBR.
œ. œ. . bœ . œ œ. ≈
+
‰
42
Perc.1
n
j œ œ p
b–. (P)
42
P.trp.(Bb)
¿¿æ¿
>+ –.
> –. ¿¿¿ (ƒ) n
~~~~~~~~~~
¿´ 5 ≈ ‰ &8 (ƒ)
42
85
œ
œ. ∑
Ÿ~~~~~~~~~~~~ventilation Ÿ~~~~~~~~~~~~~~ 3 &¿ – 8 – æ ¿ – –
Ÿ~~~~~~
hyper
46
Fl.
cl.(Bb)
Cor.
‰
œ.
œ J
& Œ.
‰
O.
O J
–≤.
‰ œ æ
–. ≈ 3 8 œæ.
&
46
Perc.1
Perc. 2
≤ 3 –. ≈ 8 ppppp
& Œ.
46
P.trp.(Bb)
–
&
Œ. & œ. æ
(–)
–
∑
œ
≈ 38 ‰
≤ –. ≈ 38 ppppp
∑ O
≈ 38 ‰
5 8
2 4 Œ
∑
85 Œ
Œ
5 œ 8
œ
85 Œ
Œ
5 O 8
O
Œ 85 œ æ
Œ œ. æ
≤ –. ≈ ppppp ( –)
≈
≤ –. ≈ ppppp –≤.
≈
–. ≈
42
1 4
∑
2 4
œ. œ. . bœ . œ œ. ≈ ≈ 41 b œ b – œ fl ( f ) ( π ) 5 F (F) ( P )
∑
42
1 4
∑
2 4
41
∑
42
1 4
∑
2 4
41
∑
42
¿¿æ¿
(f)
n
+
œ ≈ ‰ fl (Ï)
2 4
bœ (∏)
– (flf )
o
42 Œ
œ (∏)
2 4 ¿æ
¿æ
m >¿ ≈ ‰ 42 (F)
Œ
GUIRO
n
PITCHED METAL
≈ +
r Bœ
(F) (f)
‰ mœ œ nœ ≈ œ œ ≈ 42 41 3
46
Vl.1
Vl.2
Vla.
Vlc.
Db.
&
æ
vibr. extremo, senza arco
OO~~~~~~~ æ O mO –
& Œ.
‰
B Œ.
‰
? Œ. t
?
46
Trb.(o-s)
m Oæ
–
∑
38
‰
œ.
œ ∑
38
æ
O
38 m OO ˜ ˜ –O
O –≤.
85
∑
85
– ˜ ˜˜
œ.
œ
58 ˜O j æ –
85
42
–≤.
≈ 38 ppppp ≈ 38
–. ppppp
∑
85 Œ
∑
85 Œ
∑
38 œ.
85
∑
∑
42
42
41
∑
42
41
∑
42
41
∑
42
41
∑
42
38
85
∑
≈ ppppp –≤.
≈ ppppp ≤
≈
–. ppppp
‰
42 œ ≈
mIIœ. . . . . . + œo
mœ (ƒ) ˘r
(Ï)
(F)
∑
(p)
>¿´ æ ≈ œ 42 (F) ( f ) ˘ ≈ 42 ¿
œ.
Œ
mœ
42
14
24
I
–≤.
Œ
12
24 œ
41
œ
+ + ´ — ´ + +œ . 42 ≈ 41 π (F)
Œ
œ
œ mœ
∑
Œ
85 Œ
≈ ≈ œ m œ œ mœ œ
42
10
≈ 38 ppppp
≤
∑
3
.
?
38
... ..
Keyb.
∑
3
42
mœ (p)
.... .
&
3
.. ...
46
6
(ƒ) ‰
O ˘œ
– fl (f) ‰ ≤ œ µœ
n
pz
(∏)
(f) ∑
≈
≈ ‰
r œ
(f)
41
≈
rK œœ
(Ï)
rK
B œ. k œ µ œ n œ. 5
42
2 &4
b–. (P)
œ. p
2 &4 Œ
P.trp.(Bb)
Cor.
Perc.1
& 42
+
œ
2 &4
¿ (F)
≈ ‰
bœ (∏)
(f)
SANDPAPER
–
n
Vl.1
Vl.2
& 42 Œ
Vla.
B 42 ‰
‰ n
(f) o œ ‰ ‰
≤ m œœ n
Vlc.
m >≤ ? 42 µœœ ≈ . œ (Ï) n
Db.
¤IVœ t 42 ( ) (p) ? 42
51
Trb.(o-s)
>
œ. (ƒ) œ fl (Ï) ∑
≤ œ
r mœ
∑ ‰
(f)
n
38
mœ (ƒ)
38
˘ œ ≈ R (Ï)
38
∑ (square=body (bass/treble side), arpeggio played as if a 6 stringed instrument)
– O m OO ‰ ‰ ∏ O– (square=body J (bass/treble side), – arpeggio played as if a 6 stringed O instrument) mO ‰ ‰ O ∏ O– J (square=body (bass/treble side), – arpeggio played as if a 6 stringed O instrument) mO ‰ ‰ O O– J ∏
≈ ‰
38
≈ ‰
38 œ. pppppp 38
5
42
∑
‰
œ
42
∑
‰
2 O 4
O
O ‰ ˙ æ
42
∑
42
∑
24 O mO O 42 O
– ∏
– – – mO O O ˜
O ˜ ˜ O mO ˜
5
˜ ˜ ˜˜
3 8
≤ –. ≈ Œ ppppp
28
∑
38
10
∑
‰
42
∑
‰
∑
˙
( –)
‰
≈ ‰
–≤.
38
2 O 8 ø J (f)
‰
3 8
28
∑
38
28
∑
38
∑
28
∑
38
≈ Œ
28
∑
38
≈ Œ
28
∑
38
≈ Œ
28
∑
38
≈ ‰
∑
ppppp –≤.
ppppp ≤
–. ppppp
∑ 13
3 8 ∑
PAPER ppppp –. ≈ Œ
–≤.
2 œ 8 28
O
SUITCASE LOCK
28 Ͼ
28
28
˙
42
œ
≤ –. ≈ Œ ppppp
O
42
∑
∑
˙
42
42
2 8
10
42 ˙æ
38 ..
2 &4 – – ( >f )
51
pppppp
38 œ
‰
.....
(along strings)
O
PAPER
38 Ͼ. (F) pppppp
.....
24
œ
∑
38
œ
r b–
∑
– – – – – – –
2 ˙ 4
BASS DRUM
5
? 42 Œ
– ∏
œ ppppp
8‰
3‰ 8
.....
Keyb.
‰
Ÿ~~~~~~~~~~~~~~ 3 8 – (f) n
2 & 4 œ bœ œ œ œ Œ
51
F major scale, air to tone to air
r œ 3
bœ ( flf ) (F) SANDPAPER ≥ ≤ 5 51 2 – – – – – Œ & 4 ¿. ≈. ‰ Œ > GUIRO (ƒ) METAL
Perc. 2
≈ ‰
38 ‰
≈
n (f)
‰
51
+
∏
~~~~~~~~~~~~~~~~~~
cl.(Bb)
(ƒ)
n
2 4 –
∑
~~~~~~~~~~~~~~~~~~
(ƒ)
3 8
≈ ‰
~~~~~~~~~~~~~~~~~~
Fl.
~~~~~~~~~~~~~~~~~~
>+ –.
–. 2 > & 4 ¿¿¿
51
∑
28
38
38
38
œ ∑
38
3 &8 ‰
56
Fl.
cl.(Bb)
3 &8 ‰
– J π
rK‰ –
(blow INTO the key holes)
j — π
‰
3 &8
∑
Cor.
& 38
∑
56
œ. ppppp
3 &8 ‰
56
œ J π
Perc.1
Perc. 2
3 &8 ‰
3 &8 ‰
56
Keyb.
? 38
38
3 &8 ‰
56
Vl.1
Vl.2
Vla.
Vlc.
Db.
& 38 ‰ B 38 ‰ ? 38 ‰ t 38 ‰ ? 38
56
Trb.(o-s)
rK œ‰
PAPER large movement from right to left
– J π
b¿ J
GUIRO
π – π –
Oœ mOœ mOœ
bOœ
–
œ
bend tone with leg
(Ï)
∑
28
∑
28
∑
28
≤ –. ≈ ppppp
j bœ (Î)
–≤.
O J
RATTLE PIECE OF A4 PAPER (held in one corner)
28 Ͼ
∑
?
(Î) j –æ
‰
œ
28
Oœ m Oœ m Oœ b Oœ
–
‰
∑
28
Oœ mOœ
∑
28
‰ Oœ bOœ –
6
O mOœ œ m O œ Oœ 6
∑
–
‰
28
œ. pppppp ∑
∑
42
œ
38 3‰ 8
2 4 ∑
O
2 4
38 Ͼ.
38
j œ
42
42
∑
42
∑
∑
38
∑
42
≈
38
∑
42
≈
38
∑
42
≈
38
∑
42
∑
‰
‰
ppppp
m j œ (Î)
m j œ (Î)
œ ∑
–≤.
ppppp
bend string outside finger board
42
38
–≤.
bend string outside finger board
14
38
38 œ.
∑
28
2 4
∑
∑
28
∑
∑
6
∑
≈
‰
œ æ
3 8
3‰ 8
‰
6
O– mœO œ ‰ O bO œ –œ π
π
(f)
≤ ≈ –. ppppp
œ J
2 O ˜ ® 8
SUITCASE LOCK
Ͼ. pppppp
‰
∑
6
π
–
≈
BASS DRUM
∑
j –
let out air while producing tone
28
PAPER
‰
π
–
‰
O. ‰ ‰ pppppp
∑
2 œ 8 ∑
VIBRAPHONE gliss. with straw
∑
28
∑
Kr —
P.trp.(Bb)
2 8
∑
≤
–. ppppp
j œ pppppp
38 œ.
∑
38
24
42
∑
42
trem.= air in and out (hypervent. or with mouth)
cl.(Bb)
3 4
∑
2 ≥≤ &4 æ – ∏
3
œ
œ
œ–
2 ˙ &4
Cor.
? 42
∑
2 O &4
O
61
Perc.1
≈ Œ
(ƒ) œ. œ.
&
n
˘ 3 œ ≈ ‰ ≈ ‰ 4 – (Ï) (flf ) + + m œ. ≈ Œ 43 ‡ (F) (∏) VIBR.(F) Œ ‰ 3 ≈ 4 ‰ m œ. ¿ ¿ æ æ n
Œ
2 &4
∑
43
? 42
∑
43 ‰
24
& 42
Vla.
Vlc.
Db.
B 42 æ – ∏ ?2 4 æ – ∏ t2 4 ?2 4
61
Trb.(o-s)
O m OO O æ
~~~~~~~~~~
& 42 æ – ∏
–
O m OO O
~~~~~~~~~~
Vl.2
– O m OO O æ O mO O O
˙ ∑
œ mœ œ
œ
≈
–.
‰
43
(ƒ)
≈ ‰
2 œ 8 ppppp
2 ˙ 4
3 4
42 ˙æ
43
2 œ bœ œ 8
∑
42
43
28
∑
42
O – m OO O æ
28
28 Ͼ pppppp
BASS DRUM
3
œ œ mœ
3
‰
mœ
n
r œ
(f)
15
3 4
42
∑
43
∑
42
∑
43
28
∑
42
∑
43
28
∑
42
∑
43
28 O O – – – ∏
28 œ pppppp 28
∑
43
43
5
n
˙
?
∑
28
Œ
III + . > 34 ≈ ¿´ ¿´ ¿´ ¿´ ≈ œæ ‰ bœ (f) (F) ( f ) 3 ( p ) (∏) pz + —. O ˘œ b œ ≈ ≈ ≈ ‰ 43 ¿ fl (p) (f) (∏) (F) (f)
43
43
O
≤ m œœ
Œ
∑
2 O 4
j –– π > (f)
– fl (f)
42
∑
∑
(F) mœ (p)
6
œ
3
3 4
42
+ + ´ — ´ + +œ .
mIIœ. . . . . . + œo
(p)
≈ mœ œ 3
∑
2 ∑ r 8 œ bœ (∏) ( P ) (F) SANDPAPER ≥ ≤3 PAPER ‰ – – – 2 O ¿. ≈ 8 pppppp > (ƒ)
I
(Ï)
43 ‰
≈ ‰
mœ
˘ 43 mœ ‰
~~~~~~~~~~
Vl.1
3
34
∑
61
~~~~~~~~~~
Keyb.
+o
o
‰
SANDPAPER PITCHED METAL
Ÿ~~~~ 2 – 4
n
m œ >¿ ≈ Œ 43 – ≈ fl (F) 5 (f)
2 & 4 ˙æ
61
28
œ p
GUIRO
Perc. 2
5 2 8––––– – ∏
¿¿ ≈ >¿ (ƒ)
¿¿æ¿
bœ. . ˘ œ œ. bœ ≈ b– (F) (π) 5 F
43
‰
61
P.trp.(Bb)
¿´
~~~~~~~~~~
2 &4
61
Fl.
24
42
∑
42
34
43
˙ ∑
43
3 &4 3 –. &4  œ. (Ï)
sim.
cl.(Bb)
P.trp.(Bb)
3 &4
Cor.
? 43
65
( –)
‰
≈ ‰
bœ. (Î)
≤. 3 – &4 ≈ ‰
Perc. 2
(Î) –æ
3 & 4 ˙. æ
RATTLE PIECE OF A4 PAPER
‰
3 &4 Œ
65
Keyb.
Œ
Œ
‰
∑
Vla.
B 43 ≈ ‰ ppppp
Œ
?3 m 4 œ. (Î) t3 m 4 . œ (Î) ?3 Œ 4
65
Trb.(o-s)
‰
‰
‰
‰
3
œ œ
38 j –æ ∏
key trill (no air) on one key
æ b¿
bœ ( fffff )
œ
38
∑
‰
28 ‰
38 Ͼ.
28 ‰ œ æ
∑
sim. ≤ ≈ –. æ b¿ ppppp ∏
(–)
≈
‰
≤ –. ≈ ppppp –≤.
≈
PAPER ppppp –. ≈
‰
7 8 78 Π.
Œ
œ J
7 œ. 8
œ
∑
78 Π.
Œ
O J
7 O. 8 ø J (f)
–æ
. 78 Œ œ. æ
Œ
SUITCASE LOCK
Ͼ
3 4
∑ ≤ –. ≈ ‰ ppppp ( –)
43
≈ ‰
3 4
≤ –. ≈ ‰ ppppp
43
O Œ
≤ –. ≈ ‰ 3 ‰ ≈ ®˜ 4
Œ œ æ
–. ≈ ‰ œ æ
43
38
∑
28
∑
∑
78
∑
43
38
∑
28
∑
∑
78
∑
43
38
∑
28 m OœOœ ∏
78
∑
43
38 æ
O
38 j –æ ∏
æ O
38 j æ – ∏
æ O
(trem. along string, close to the point)
j3 38 œ œ œ. pppppp Œ
28 ‰
2 OJ 8
(trem. along string, close to the point)
‰
O ∏
3 O. 8
38 j æ – ∏
3
2 8
whistle tone on tube edge
2 œ 8 J
(trem. along string, close to the point)
Œ
‰
bend string outside finger board
Db.
‰
Œ
Œ
bend string outside finger board
Vlc.
œ
3
& 43
–≤.
3
–æ ‰
∑
& 43 ≈ ‰ ppppp
‰
O
65
Vl.2
‰
∑
3 œ. 8
? 43
–≤.
œ
3
O
34
Vl.1
–
˙ ‰
65
Perc.1
3 8
∑
65
Fl.
38
28 28 ‰ 28 ‰ 28 ‰ 28
∑
28
∑ –≤.
78
æ ≈ j O ppppp ∏
j æ –
78 Π.
æ ≈ j O ∏ ppppp
j æ–
78 Π.
Œ
j æ –
78 Π.
Œ
78 œ.
œ
–≤.
≤
–. ppppp
œ
≈
æj O ∏ œ
∑ 16
∑
78
34 –≤.
Œ
≈ ‰ ppppp
43
≈ ‰ ppppp
43
–≤.
≤
≈ ‰
–. ppppp œ ∑
43 43 43
(F major scale)
cl.(Bb)
3 &4
œ ∏
rK œ–
æ
–æ œ
3
œ –æ œ
≤ ( –. )
3 ˙ &4
70
P.trp.(Bb)
Cor.
? 43 Œ
Œ
3 O &4
O
3 Œ & 4 ˙. æ
Œ
70
Perc.1
Perc. 2
≈ ‰
O O O
– O m OO æ O
~~~~~~~~~~
O–
O ˜˜ ˜ ? 3 m OO ˜ ˜ ˜ 4 æ
– O m OO æ O
~~~~~~~~~~
O–
O ˜˜ ˜ mO ˜ ˜ ˜ 3 B4 O æ
~~~~~~~~~~
O ˜˜ ˜ 3 mO ˜ ˜ ˜ &4 O æ
– O m OO æ O
– æ – æ – æ
t3 4 . ˙ ?3 4
24 42 æ
O
æ O æ O
r‰ œ
r œ
r œ
‰
≈ ‰
bœ fl (f) ‰
‰ ≈ ‰
METAL
¿ (F) œ
(Ï)
‰
(f) o œ ‰
≤ œ J
n
≤ 24 œ µœ
n
42
6
∑ 3
≈
– (flf ) Ÿ~~~~~~~
– (f)
(p)
(ƒ)
m > µœ.œ ≈ œ (ƒ) n
¤ IV ( œ)
n
mœ fl (Ï) – fl (f)
∑ 17
≈
≈
œ. (ƒ)
≈
≈
‰
38 Ͼ. ( P ) pppppp
‰ œ. æ
PAPER
BASS DRUM
38
∑
38
∑
38 æ 38 j œ ∏ æ j 38 œ ∏
‰ >
∑
38
œ
œ J
38
SANDPAPER
–
‰
O J
≈ mœ . (F)
œ fl (Ï)
(p)
3 œ. 8 ppppp
j – ∏
3 O. 8 pppppp
VIBRAPHONE
j œ
Œ
(p)
(ƒ)
3 8
≈
œ– 38 æ æ b ¿æ œ æJ bœ ≈ b– b¿ b¿ fl œ (F) ( P ) ∏ F
.. ... ... 42 .......... ‰ mœ mœ (p) (ƒ) ˘r m IIœ. . . . . . + œo 24 œ ≈
42 ‰
∑
+
42 ‰
∑
O–
5
¿´
æ j 38 œ ∏
∑ O – m OO æ O O J
– O mO O O– J ∏ ‰
O – m OO æ O O J
‰
O – m OO æ O O J
‰
38 œ. pppppp 38
‰
~~~~~~~~~~~~~~~~~~
& 43
70
Trb.(o-s)
≈ ‰
42 Œ
∏
Db.
–.
(π)
bœ. . œ œ.
œ ≈ ‰ fl (Ï)
≥ ≤ 2 – – 4 (F)
∑
∏
Vlc.
PAPER
(ƒ) œ. œ.
SANDPAPER
? 43
∏
Vla.
–≤.
&
≈
2 4 bœ (∏) +o 24 bœ (P)
42 b œ
70
Vl.2
≤ –. ≈ ‰ ppppp
œ (f)
∑
34
Vl.1
≈ ‰
+
3 &4
70
Keyb.
42
Œ
n
≈ ‰
~~~~~~~~~
∑
>+ –.
–
~~~~~~~~~~~
Fl.
2 4
~~~~~~~~~~
3 &4
70
‰
3 4
‰
43
≈
‰
3 4
≤ –. ≈ ppppp
‰
rK ‰ –
≤ –. ≈ ppppp ≤ ( –. )
–≤.
≈
PAPER ppppp –. ≈
œ
‰
3 4
‰
43
43
∑
–≤. ppppp –≤.
ppppp
34 ‰
43
≈
‰
43
≈
‰
43
≈
‰
43
–. ppppp
43
œ. ∑
43
43
‰
≤
?
∑
43
3 &4
∑
74
Fl.
cl.(Bb)
3 –. &4 Â˙. (Ï)
≤ ( –. )
3 œ &4
74
P.trp.(Bb)
Cor.
? 43
œ
b˙. (Î) –≤.
3 O &4
74
Perc.1
≈ ‰
≈ ‰
O
RATTLE A4 PAPER
Perc. 2
(Î) –æ 3 & 4 ˙. æ
–æ
–æ
2 4
∑
3 8
42
∑
38 ‰
2 4
∑
3œ 8J
42
∑
2 4
∑
∑ ≤ –. ≈ ‰ ppppp ≤ ( –. )
38 ‰
≤ –. ≈ ‰ ppppp
44 Ó
3 OJ 8
–≤.
4 O 4 ø
ppppp ‰ –. ≈ ‰ 38 œ. æ
∑
3 &4
∑
‰ m œœ n œ ≈ œ mœ œ œ ≈ ≈‰ 42
? 43
∑
42
& 43
∑
42
≤ –. ≈ ‰ ppppp
44 Ó 4 ˙ 4
≈ ‰
5 16
∑
≈ ‰
PAPER
42
4 4
(f)
44 Œ w æ
Œ
5 16
≈ ‰
œ
5 16
≤ –. ≈ ‰ ppppp
Œ
5 16
O Œ
≤ –. ≈ ‰ Œ
O ‰
5 ≈ . ˜ 16
Œ
–. ≈ ‰
Œ
( –)
‰
SUITCASE LOCK
5 8
∑ –.
‰
85
œ. J
œ J
5 8
j bœ . (Î)
‰
85
O. J
O J
5 8
j –æ œ æJ
85
Âœ. (Ï)
(sim.)
RATTLE A4 PAPER
(Î) j –æ . 5 16 œ . æJ
3
74
Keyb.
34
74
Vl.1
Vl.2
& 43 Œ
Vla.
B 43 Œ
–≤.
∑
44
∑
5 16
∑
38
∑
44
∑
5 16
∑
85
38
∑
–≤.
44
?3 m 4 ˙. (Î)
42
∑
38 ‰
t3 m 4 . ˙ (Î)
42
∑
38 œ. pppppp
44
38 ( fffff )
44
?3 4
∑
Œ
38
∑
≈ ‰ ppppp
42
5 16
38 ‰
–≤.
Œ
∑
42
74
Trb.(o-s)
24
3
44
38 ‰
bend string outside finger board
Db.
mœ
∑
∑
≈ ‰ ppppp
bend string outside finger board
Vlc.
œ
38
42
≈
rK œœ
(Ï)
rK
B œ. k œ µ œ n œ. B œ 5
rK B œ nœ
≈
mœ mœ µœ. µ œ 5
≈ ‰ ppppp
44 Ó
≈ ‰ ppppp
44 Ó
–≤.
≤
≈ ‰
–. ppppp
bœ.
18
44 Ó
‰.
5 16
–≤.
œ
85 5 œ 8
58
≈ ‰ ppppp
Œ
5 16
∑
85
≈ ‰ ppppp
Œ
5 16
∑
85
–≤.
≤
≈ ‰
–. ppppp
w ∑
Œ
(sim.) m 5 16 j œ. (Î)
‰
(sim.) m 5 16 j . œ (Î)
5 16
85
j 85 œ pppppp ∑
85
5 &8
∑
79
Fl.
–æ 58 œ & œ 3
cl.(Bb)
œ ∏
5 œ &8 J
79
P.trp.(Bb)
Cor.
Perc. 2
( –)
j j æ b ¿ œ æ –
5 O &8 J
–≤.
Œ. ∑
& 85 Œ
? 5 m OO 8 O mO – æ ∏ t5 8 ?5 8
79
Trb.(o-s)
~~~~~~~~~~
m Oæ J
O – nm OO æ O J
~~~~~~~~~~
m Oæ J
O – nm OO æ O J
m Oæ J
~~~~~~~~~~
mO & 85 OO mO – æ ∏ mO B 85 OO mO – æ ∏
vibr. estremo, senza arco
∑
œ
‰ ≈ 45 ø (f)
SUITCASE LOCK
–. ≈ 5 Œ 4 w æ
‰ œ æ 3
bœ œ œ
m OO . . ∏
O ‰
˙. Œ
Œ
O Œ
O Œ
O Œ
Œ
Œ
Œ
≈ 45 Œ ‰ ppppp
Œ
–≤.
‰
∑
≈ 45 Œ
Œ
–. ppppp j œ
˙
PITCHED
45
Œ
Œ
Œ
Œ
Œ
Œ
w
‰
‰
‰
œ
45
∑ 19
≈ ≈ œ m œ œ mœ œ
38
∑
~~~~~~ OO Œ. O O J
≤
SANDPAPER –. ≈ 3 mMETAL œ œ 8 –j – ≈ (F) ( P ) ( ffl)
38 ‰
Œ
~~~~~~ j OO Œ. O O
‰ œ æ
∑
Š45 Πppppp
n
+ Ÿ~~~~ + m œ. ≤. – ≈& 38 j ≈ ‰ j – ppppp ( P ) n ‡ (F) (∏) ≤ GUIRO O –. ≈ 3 ‰ 8 ¿æ ˜ . ‰ ≈ (F) n
45
–≤.
œ. p ∑
38
45
(P)
n
≈ 38
∑
‰
vibr. estr., senza arco
( –)
j ¿¿æ¿
‰
≤ 3 –. ≈ 8 b–. ppppp ( P )
45
54 Œ
vibr. estr., senza arco
œ
Œ
~~~~~~ j OO Œ. O O
j œ
˙
–≤.
O J
∑
Œ. O – mn OO O æJ
≈ 45 ‰
‰
≤ –. ≈ 45 Œ ppppp
O.
Œ.
~~~~~~~~~~
Db.
O
3‰ 8
∑
≤ 5 –. ≈ 4 ∑ ppppp ( –)
Ó
5 &8 Π? 85
‰
˙
5 ‰ &8 œ æ
~~~~~~~~~~
Vlc.
Œ.
Œ. œ. æ
~~~~~~~~~~
Vla.
O. ∏
PAPER ppppp –. ≈ Œ . œ. æ
79
Vl.2
j æ ¿
‰
≈ ‰
58
Vl.1
scratch the bell's "assembly crack"
œ
≈ ‰
79
Keyb.
œ
≤ ? 85 ‰ –. ≈ Œ ppppp 79
Perc.1
œ
3
5 4
Œ
whistle tone on tube edge
–≤. ppppp –≤.
ppppp ≤
–. ppppp
3
3
‰
3
œ
j mœ
´ + +œI . + 38 ≈ p (F)
≈ 38 ≈ 38 ‰ ≈ 38 ‰ 38 ‰ 38
œ
∑ ≤ m œœ
r œ
(f)
n
+ . ¿´ ≈ bœ (∏) (f) 3 (p) + —. bœ ≈ (f) (p) III
∑
(blow INTO the key holes)
j — π
‰
Kr —
1 4
5 16
∑
41
∑
5 16
‰
whistle tone on tube edge
P.trp.(Bb)
&
∑
1 4 ‰
œ
5 16
Cor.
&
∑
41
∑
5 16
O
5 16
O J
5 16
j Ͼ
83
VIBRAPHONE gliss. with straw
&‰
83
Perc.1
Perc. 2
&‰
&‰
83
Keyb.
?
Vl.1
Db.
?‰ t‰
41 Ͼ pppppp
b¿ J π
‰
41
GUIRO
– π – π – π
?
83
14 bOœ
–
‰
5 16
∑ 5
œ
41
œ
œ
∑
œ
5 16
bœ
5 16
5 16
Oœ m Oœ m Oœ b Oœ
–
‰
41
∑
38 œ
œ. J
3 œ. 8
∑
‰
6
5 16
O. J
œ
Oœ mOœ
‰ Oœ bOœ –
6
41
∑
5 16
mOœ OmOœ –œ 6
∑
Oœ
–
‰
∑
41 œ pppppp 41
5 16 5 16
∑
5 16
j œ
∑
38 m OO O mO
∑ 20
œ ‰ œ
?
∏ mO 38 O O mO ∏
38 m OO O mO
∏
1 œ 4
6 4
41 bœ (Î)
46
1 O 4
6 4
46
41
∑
46
41
∑
46
‰
41
∑
46
O nm OO O
‰
41
∑
46
O nm OO O
‰
∑
‰
– æ – æ
46
∑
≈
O nm OO O
38 œ. 38
46
41
‰
– æ
6 4
– 41 Âœ (Ï)
(Î) –æ 41 œ æ
38
38 ‰
j œ.
3
∑
RATTLE A4 PAPER
38
m OO . . J ∏
∑
œ
1 4
≈
3 O. 8
38 ‰
∑
–
∑
‰. ∑
æ œ–
38
38 Ͼ.
6
41
œ ∏
j Ͼ .
6
O– mœO œ ‰ O bO œ –œ π
π Trb.(o-s)
Oœ mOœ mOœ
BASS DRUM
41 œ
∑
pppppp
∑
~~~~~~~~~~~
Vlc.
B‰
‰
PAPER
3
~~~~~~~~~~~
Vla.
&‰
– J π
PAPER large movement from right to left
1 4 ‰
‰
~~~~~~~~~~
Vl.2
rK œ‰
œ J
3 ‰ 8
O mO O O
~~~~~~~~~~
&‰
83
œ J π
j O. ∏
~~~~~~~~~
&‰
rK‰ –
~~~~~~~~~~
cl.(Bb)
– J π
~~~~~~~~~~
&‰
83
Fl.
∑
œ
14 ≈
64
m 41 œ (Î)
46
m 41 œ (Î)
46
41
∑
46
6 &4
cl.(Bb)
≤ –. ≈ ‰ Œ ppppp
6 &4 Œ
( –)
6 œ &4
88
P.trp.(Bb)
Cor.
? 46 Œ
Perc. 2
≤ –. ≈ ‰ Œ ppppp
≤ –. ≈ ‰ O 6 O &4 ø ‰ Œ Œ (f) SUITCASE LOCK ppppp PAPER Œ –. ≈ ‰ Œ 6 & 4 w. æ
–. 43 Â˙. (Ï) 3 4
Œ O Œ Œ
( –)
74 Œ
≈‰ ˙
7 œ 4
43 . b˙ (Î)
Œ
O Œ
≤. O 3 –≈‰ O 4 ‰ ≈. ˜
O
Œ
–æ
–æ
RATTLE A4 PAPER
Œ
(Î) –æ 43 ˙ . æ
Œ
≤ –. ≈ ‰ Œ
( –)
œ
( –)
≈‰ œ
≤ –. ≈ ‰ Ó ppppp
74 Œ
Œ
≤ –. ≈ ‰ Œ ppppp
≤ –. ≈ ‰ O 7 O 4 ø ‰ Ó ( f ) ppppp 74 Œ ˙. æ
–. ≈ ‰ Œ
PAPER
≤ – ‰ – ≈ 42 . Âœ (Ï) ( –)
≈ ‰ œ.
≤ –. ≈ ‰ Ó O Ó
≤ –. ≈ ‰ O . Œ
Œ ˙ æ
–. ≈ ‰ Œ ˙ æ
≤ ‰ – ≈ 43 . ppppp ( –)
≈ 42 ‰ œ 42 bœ (Î)
≤ –. ≈ 2 O ‰ 4 ˜ . ‰ ≈
RATTLE A4 PAPER
(Î) ‰ –. ≈ 2 –æ 4 ˙ æ
3 4
∑
≈ 43
≤ ‰ –. ≈ 43 ppppp –≤.
≈ 43
PAPER ppppp ‰ –. ≈
43
43
∑
74
∑
42
∑
43
? 46
∑
43
∑
74
∑
42
∑
43
& 46
∑
43
∑
74
∑
42
∑
43
88
Vl.2
& 46 Œ
Vla.
B 46 Œ
Vlc.
?6 Π4
Db.
–≤.
≈‰ Œ ppppp –≤.
≈‰ Œ ppppp ≤
Œ
34 Œ
Œ
Œ
Œ
Œ
Œ
Œ
Œ
–≤.
43 ≈ ‰ Œ ppppp –≤. 34 ≈ ‰ Œ ppppp
74 Œ
74 Œ
Œ
74 Œ
–≤.
≈‰ Œ ppppp –≤.
≈‰ Œ ppppp ≤
24
–≤.
Œ
–≤.
Œ
≤
≈‰ Œ
‰
≈‰ Œ
‰
≈‰ Œ
Œ
–≤. –≤.
≈ 42 Œ ≈ 42 Œ m 42 œ (Î)
m 43 ˙. (Î)
74 Œ
t6 4 . w pppppp
m 43 . ˙ (Î)
74 w .. pppppp
m 42 œ (Î)
?6 4
43
74
42 Œ
88
Trb.(o-s)
Œ
2 4
∑
∑
64
Vl.1
Œ
7 4
∑
6 &4
88
Keyb.
Œ
≈‰ w
88
Perc.1
3 4
∑
88
Fl.
≈‰ Œ
–. ppppp
∑
∑
21
≈‰ Œ
–. ppppp
Œ
–.
∑
‰
‰
‰
34
–≤. –≤.
≤
≈ 43 ≈ 43 ≈ 43
–. ppppp œ pppppp bœ ( fffff )
43 43
Fl.
3 &4
∑
4 4
cl.(Bb)
3 &4
∑
44 Œ
3 &4
∑
4 ‰ 4
? 43
∑
44 Œ
92
92
P.trp.(Bb)
Cor.
3 &4
92
Perc.1
Perc. 2
3 &4
∑
4 ‰ 4 ø
∑
44 Œ w æ
‰ ≈ œ 3 œ mœ nœ ≈ œ m œ œ ≈ ‰ &4 3
92
Keyb.
? 43
œ
m˙
34
3
44 44
& 43
Vla.
B 43
∑
44 Œ
Vlc.
?3 4
∑
44 Œ
Db.
t3 4
∑
44
Trb.(o-s)
?3 4
≈
(Ï)
B œ. 5
rK
kœ
µ œ n œ. B œ
O ‰
≈
∑
44 Œ
rK B œ nœ
mœ mœ µœ. µ œ 5
≈
rK rK . . mœ B œ m œ µ œ
® 5
B œ. nœ µœ
Œ
≤ –. ≈ ‰
≈ ‰
œ
( –)
≤ –. ≈ ‰ ppppp
Œ
≤ –. ≈ ‰ ppppp
( –)
≤ –. Œ
≈ ‰
–.
≈ ‰
O Ó Œ
≈ ‰
≤ –. ≈ ‰ –. ≈ ‰
–≤. –≤.
≤
–.
≈ ‰
+
œ (f)
(π) ˘œ
2 8 j bœ (∏)
4 4
≈
(Ï)
28
F
5
∑
44
(F) ≥ ≤3 – – – ¿. ≈
4 4
SANDPAPER
2 ‰ 8 ¿ æJ (P)
GUIRO
> (ƒ) 28 m œ >¿ ≈ (F) 3 PITCHED METAL
44
44
∑
28 ‰
44
Œ
≈ ‰
Œ
≈ ‰
Œ
∑ 22
4 4 ¿¿¿ ≈ > (ƒ) œ. œ. . bœ . œ œ. 44 ≈
∑
w
44
28
j ¿¿æ¿ (P)
28 ≈ mœ ≈ œ bœ œ 3
3
28
28
∑
Vl.2
rK œœ
œ
≈ ‰
44
∑
& 43
92
≤ –.
44
92
Vl.1
®
œ mœ
œ mœ
2 8
∑
–≤. –≤.
≤
–.
≈ ‰
≈ ‰
≈ ‰
ϫ
j œ
—+
44
44
(along strings)
j p π –– > (f)
n
.... 28 j .......... ‰ .... mœ (ƒ)
44
˘ mIIœ. . . . . . 4 28 4 œ ≈ R 6 (p) (f) (Ï) > 28 ¿´ ¿´ ¿´ (π) (F)
≈
44
28 ‰
≈
44
28
¿ fl (F) ∑
44
4 &4
cl.(Bb)
4 &4 Œ
‰
Cor.
? 44 Π4 O &4 pppppp PAPER
95
Perc.1
4 Œ &4 w æ pppppp
BASS DRUM
Perc. 2
≤ –. ≈ Ó ppppp
‰ O
–≤.
≈‰
œ J
9 ˙ 4
38 –≤. ≈ ‰
‰
49 Œ
≤ 3 –. ≈ ‰ 8˜ ‰ J (f)
j O ‰
SUITCASE LOCK
( –)
≈ 38 –. ‰ œ. æ
‰
9 O 4 ø Œ 49 w æ
≤ –. ≈ ‰
Œ
( –)
≈‰
˙.
Œ
≤ –. ≈ ‰
Œ
O Œ
≤ –. ≈ ‰ Œ
O Œ
Œ
–. ≈ ‰
Œ
Œ
‰
∑
3 8
41
∑
38
≤ –. ≈ ‰
Œ
( –)
≈‰
˙
Œ
≤ –. ≈ ‰
Œ
Œ
41
∑
38
O Œ
O Œ
≤ –. ≈ ‰ Œ
O Œ
O Œ
1 O 4 ˜
‰
3 8
Œ w æ
Œ
–. ≈ ‰
Œ
Œ œ æ
Œ 41 œ æ
Œ
Œ
Œ
Œ
1 œ 4
3 8
38
∑
38
∑
49
∑
41
∑
38
? 44
∑
38
∑
49
∑
41
∑
38
≈Ó ppppp
38
≈Ó ppppp
38
≈Ó ppppp
38
& 44 Œ
95
‰
Vl.2
& 44 Œ
Vla.
B 44 Œ
‰
Vlc.
?4 Π4
‰
Db.
t4 4 ?4 4
95
Trb.(o-s)
49 Œ
1 4
4 &4
44
Vl.1
O
PAPER ppppp ‰ –. ≈ Ó
95
Keyb.
≈
∑
‰
3 8
≤ –. ≈ Ó ppppp
9 4
∑
≤ 38 ≈ ‰ –.
( –) ˙ ≈
4 œ. &4 ppppp
95
P.trp.(Bb)
3 8
∑
95
Fl.
‰
–≤.
–≤.
–≤.
≤
≈Ó
–. ppppp
w pppppp ∑
38
38
–≤.
–≤. –≤.
≤
–.
≈‰
94 ‰
49 Œ
Œ
‰
49 Œ
≈‰
‰
49 Œ
Œ
≈‰
‰
49 Œ
Œ
≈‰
38 œ.
49
bœ. 38 ( fffff )
49
Œ
–≤. –≤. –≤.
≤
–.
≈‰
≈‰
Œ
Œ
Œ
Œ
Œ
Œ
≈‰
Œ
Œ
Œ
≈‰
Œ
Œ
Œ
W
–≤. –≤. –≤.
≤
–.
14 ≈‰
Œ
Œ
41
∑
38
≈‰
Œ
Œ
41
∑
38
≈‰
Œ
Œ
41
∑
38
≈‰
Œ
Œ
41
∑
38
œ ∑ 23
38
41
œ
bœ 14 ( fffff )
38 38
Fl.
3 &8 ‰
– J π (blow INTO the key holes)
cl.(Bb)
3 &8 ‰
99
j — π
rK‰ –
10 4
‰
10 4
Kr —
(keep pressure)
P.trp.(Bb)
3 &8
∑
10 4
Cor.
? 38
∑
10 4
99
π j œ
VIBRAPHONE gliss. with straw
3‰ &8 ø J
99
Perc.1
Perc. 2
3 &8 ‰
rK‰ œ
‰
‰
PAPER large movement from right to left
– J π
‰
10 4
Œ ( –)
Œ
Œ
Œ
‰
˙.
≤ –. ≈ ‰ ppppp
Œ
Œ
Œ
‰
O
O
O
O
Œ
Œ
Œ
–≤.
PAPER
≈‰ pppppp PAPER ppppp –. ≈ ‰ 10 4 w æ pppppp
3 &8 ‰
Keyb.
? 38
38
& 38 ‰
99
Vl.1
Vl.2
Vla.
& 38 ‰ B 38 ‰
Vlc.
?3 ‰ 8
Db.
t3 ‰ 8 ?3 8
99
Trb.(o-s)
b¿ J
GUIRO
‰
π
– π – π – π
∑
Oœ mOœ mOœ
–
‰
6
–
π
œ ( –) ≈ 1 8
∑
4 4
≤ –. ≈ Œ ppppp
≤ –. ≈ 81 ppppp
∑
44
Œ
Œ
‰
O
O
O
O
O
–≤.
≈ 81 ˜j (f)
4 4
‰ –. ≈ Œ w æ
Œ
Œ
Œ ˙ æ
‰
–. ≈ 1 ‰ 8œ æJ
44
–≤.
≈
SUITCASE LOCK
81
∑
44
≈ 81
∑
44
≈ 81
∑
44
≈ 81
∑
44
≈ 81
∑
44
10 4
10 4 10 4
6
∑
44
∑
6
‰
∑
10 4
‰ Oœ bOœ –
–
≤ 1 –. ≈ 8
‰
44
10 4
O mOœ œ m O œ Oœ
Œ
∑
10 4
O– mœO œ ‰ O bO œ –œ π
Œ
81
6
Oœ mOœ
Œ
∑
‰
–
4 4
10 4
6
Oœ m Oœ m Oœ b Oœ
∑
Œ
10 4 bOœ
≤ –. ≈ Œ
œ ( –) ≈ w
≈‰
BASS DRUM
99
1 8
∑
–≤.
≈‰ ppppp
Œ
≈‰ ppppp
Œ
≈‰ ppppp
Œ
Œ
Œ
‰
Œ
Œ
Œ
‰
–≤.
–≤.
≤
≈‰
–. ppppp
Œ
Œ
Œ
‰
Œ
‰
–≤. –≤. –≤.
≤
–.
≈Œ
≈Œ
Œ
Œ
Œ
Œ
Œ
Œ
Œ
Œ
Œ
‰
≈Œ
Œ
Œ
Œ
‰
˙ ∑ 24
‰
≈Œ
W pppppp
10 4
‰
–≤. –≤. –≤.
≤
–.
18
44
81 j œ
44
bœ 18 J ( fffff )
44
Fl.
cl.(Bb)
2 4
∑
4 &4
∑
42
∑
81 bœ fl F
≈
42 Œ
2 4
∑
1 8
∑
2 œ 4
42
∑
81
∑
42 Œ
2 4
∑
1 –≤ 8 (F)
4 & 4 wæ
42
∑
81
4 &4
∑
‰ mœ œ nœ ≈ œ mœ œ œ ≈ ≈ ‰ 42
? 44
∑
4 w &4
Cor.
? 44
∑
4 O &4 ø
102
Perc.1
Perc. 2
‰
O Œ
O Ó
O
–≤.
(breath in through tube)
∑
102
P.trp.(Bb)
– 1 8J
4 &4
102
(f)
n
≥–
SANDPAPER
3
–≤
2 4 Œ
PAPER 2 O 4 pppppp
∑
≈ ‰
7 4
≤ –. ≈ ‰ ppppp
74
ppppp
( –)
≈ ‰
7 4
≤ –. ≈ ‰ ppppp
74
–≤.
≈ ‰
7 4
Œ 42 ˙ æ
–. ≈ ‰
42
∑
74
42
∑
74
74
3
102
Keyb.
44
& 44
∑
102
Vl.1
Vl.2
& 44
3
&
42 œ
42 42
Vla.
B 44
∑
42
Vlc.
?4 4
∑
42
Db.
?4 4
102
Trb.(o-s)
∑
∑
42
≈
(Ï)
rK
18
24
81
42 Œ
∑
(F)
42 Œ
∑
42 Œ
∑
æ 81 œJ (f)
42 Œ
∑
O 18 (∏)
81
∑
≈
rK B œ nœ
mœ mœ µœ. µ œ 5
25
r –
+o 81 œJ (ƒ)
B œ. k œ µ œ n œ. B œ 5
3
81 j mœ
pz
rK œœ
œ
œ
81 j mœ (p)
∑
42
w
?
mœ
24
∑
t4 4
81 b œ
œ (F)
–≤.
≈ ‰ ppppp
74
≈ ‰ ppppp
74
≈ ‰ ppppp
74
–≤. –≤.
≤
≈ ‰
–. ppppp
42 ˙ pppppp 42
74
74 74
∑
74
Fl.
7 &4 Œ
Œ
Œ
Œ
Œ
Œ
cl.(Bb)
7 &4 Œ
Œ
Œ
Œ
Œ
Œ
106
Cor.
7 w. &4
Perc. 2
Œ
Œ
Œ
≤ –. ≈ ‰
Œ
Œ
Œ
Œ
Œ
Œ
≈‰
Make same pressure as before but without a tone
Œ
Œ
Œ
Œ
Œ
Œ
–≤.
≈ ‰ 48 Œ
Œ
Œ
Œ
Œ
Œ
Œ
≤ 8 –. ≈ ‰ 4 Œ
Œ
Œ
Œ
Œ
Œ
Œ
Œ
Œ
Œ
Œ
Œ
Œ
Œ
Œ
Œ
Œ
Œ
Œ
( –)
Sim. ≈ ‰ 48 Œ
Œ
Œ
Œ
≤ –. ≈ ‰
Œ
Œ
Œ
Œ
Œ
Œ
≤ –. ≈ ‰ 48 Œ
7 O &4
O
O
O
O
O
–≤.
O
O
O
O
O
O
–≤.
≈ ‰ 48 Œ
Œ
Œ
Œ
Œ
Œ
Œ
7 Œ & 4 w. æ
Œ
Œ
Œ
Œ
Œ
–. ≈ ‰ Œ œ w. æ æ
Œ
Œ
Œ
Œ
Œ
–. ≈ ‰ 8 4 Œ œ æ
Œ
Œ
Œ
Œ
Œ
Œ
≈‰
–≤.
≈‰
3 8
≤ –. ≈ ‰
38
( –)
≈‰
3 8
≤ –. ≈ ‰
38
–≤. –.
≈‰
3 8
≈‰
38
7 &4
∑
∑
48
∑
38
? 74
∑
∑
48
∑
38
& 74 Œ
106
Œ
Œ
Œ
Œ
Œ
Vl.2
& 74 Œ
Vla.
B 74 Œ
Œ
Œ
Œ
Œ
Œ
Vlc.
?7 Π4
Œ
Œ
Œ
Œ
Œ
Db.
t7 4 .. w ?7 4
106
Trb.(o-s)
Œ
Œ
74
Vl.1
Œ
Œ
106
Keyb.
Œ
? 74 Œ
106
Perc.1
≈‰
( –)
106
P.trp.(Bb)
–≤.
Œ
Œ
Œ
Œ
Œ
–≤. –≤. –≤.
≤
–.
≈‰
≈‰
Œ
Œ
Œ
Œ
Œ
Œ
Œ
Œ
Œ
Œ
Œ
≈‰
Œ
Œ
Œ
Œ
Œ
Œ
≈‰
Œ
Œ
Œ
Œ
Œ
Œ
w .. ∑
Œ
∑ 26
–≤. –≤. –≤.
≤
–.
84 ≈ ‰ 48 Œ ≈ ‰ 48 Œ
Œ
Œ
Œ
Œ
Œ
Œ
Œ
Œ
Œ
Œ
Œ
Œ
≈ ‰ 48 Œ
Œ
Œ
Œ
Œ
Œ
Œ
≈ ‰ 48 Œ
Œ
Œ
Œ
Œ
Œ
Œ
–≤. –≤. –≤.
≤
–.
38
≈‰
38
≈‰
38
≈‰
38
≈‰
38
48
∑
38
48
∑
38
Fl.
3 &8 ‰
cl.(Bb)
3 &8 ‰
109
– J π j — π
(blow INTO the key holes)
rK‰ –
6 4
∑
1 4
∑
3 4 Œ
Œ
‰
46
∑
41
∑
43 Œ
Œ
Kr —
P.trp.(Bb)
3 &8
∑
6 4
∑
1 4
∑
3 4 Œ
Œ
Cor.
? 38
∑
46
∑
41
∑
43 Œ
Œ
109
–≤.
3 &8 ‰
Perc.1
Perc. 2
3 &8 ‰
3 &8 ‰
109
Keyb.
? 38
38
& 38 ‰
109
Vl.1
Vl.2
Vla.
& 38 ‰ B 38 ‰
Vlc.
?3 ‰ 8
Db.
t3 ‰ 8 ?3 8
109
Trb.(o-s)
∑
8 4
42
∑
48
≈‰
4 2
∑
8 4
≤ –. ≈ ‰
42
∑
48
≈‰ ppppp
4 2
∑
8 4
≈‰ ppppp
42
∑
48
≤ –. ≈ ‰ ppppp ( –)
œ J π
rK œ‰
6 4
∑
1 4
∑
3 4 Œ
Œ
– J π
‰
46
∑
41
∑
43 Œ
Œ
46
∑
‰ m œœ n œ ≈ œ œ ≈ 43 41
∑
42
∑
48
46
∑
41 œ
43
∑
42
∑
48
41
43 Œ
≈‰ ppppp
42
∑
48
≈‰ ppppp
42
∑
48
≈‰ ppppp
42
∑
48
42
∑
48
VIBRAPHONE gliss. with straw 109
4 2
≈‰ ppppp
PAPER large movement from right to left
b¿ J π
π – π –
‰ ∑
64
Oœ mOœ ‰ mOœ bOœ –
∑
14
34 ∑
Oœ m Oœ ‰ m Oœ b Oœ –
46
∑
41
Oœ mOœ
46
‰ Oœ bOœ –
6
Œ
–≤.
–
‰
84
∑
43 Œ
∑
41
∑
43 Œ
Œ
46
∑
41
∑
43 Œ
Œ
46
∑
41
∑
43
∑
42
∑
48
∑
41
43
∑
42
∑
48
Œ
–≤.
≤
6
O mOœ œ m O œ Oœ
42
–≤.
6
O– mœO œ ‰ O bO œ –œ π
π
46
&
6
π
–
–.
3
GUIRO
–
–≤.
≈‰
–. ppppp
6
∑
46
≈
rK œœ
(Ï)
rK
B œ. k œ µ œ n œ. 5
27
–≤. 8 ≈ ‰ Œ &4
114
Fl.
cl.(Bb)
≤ 84 ≈ ‰ Œ & –.
Œ
Œ
Œ
Œ
Œ
Œ
7 ‰ 4
Œ
Œ
Œ
Œ
Œ
Œ
74 Œ
–≤.
≈Œ Œ
Œ
Œ
Œ
˙.
( –) 8 & 4 ≈‰ Œ
114
Œ
Œ
Œ
Œ
Œ
Œ
( –) 7 ≈‰ Œ 4
Œ
Œ
Œ
Œ
–≤. 3 ‰ ≈ ‰ 8
Œ
˙ ppppp
n
P.trp.(Bb)
Œ
n
Œ
3 4
∑
3 8
43
∑
38
œ 3 J 4 ppppp
∑
3 8
≤ 38 ‰ ≈ ‰ –. ppppp 3 8
( –)
≈‰
possibile
Cor.
? 48 ≈ –≤. ‰ Œ
Œ
Œ
Œ
Œ
Œ
Œ
74 ‰ –≤. ≈ Œ
Œ
Œ
Œ
Œ
Œ
38 ‰ ≈ –≤. ‰
43
∑
38
≤. 8 – &4 ≈ ‰ Œ
Œ
Œ
Œ
Œ
Œ
Œ
≤. 7 ‰ – ≈Œ 4
Œ
Œ
Œ
Œ
Œ
≤. 3 ‰ ≈–‰ 8
3 4
∑
3 8
. 8 – &4 ≈ ‰ Œ
Œ
Œ
Œ
Œ
Œ
Œ
. 74 ‰ – ≈ Œ
Œ
Œ
Œ
Œ
Œ
. 38 ‰ ≈ – ‰
43
∑
38
‰ œ ≈ 3 œ mœ nœ ≈œ m œ œ ≈ ‰
114
Perc.1
Perc. 2
3
8 &4
∑
74
∑
38
∑
4
8 &4
∑
74
∑
38
∑
43 œ
Œ
74 ‰
114
Keyb.
84
–≤. 8 &4 ≈ ‰ Œ
114
Vl.1
Vl.2
Vla.
–≤.
& 48 ≈ ‰ Œ –≤. 8 B4 ≈ ‰ Œ
Vlc.
≤ ?8 ≈ ‰ Œ 4 –.
Db.
t8 4 ?8 4
114
Trb.(o-s)
Œ
Œ
Œ
Œ
Œ
74
Œ
Œ
Œ
Œ
Œ
Œ
74 ‰
Œ
Œ
Œ
Œ
Œ
Œ
74 ‰
Œ
Œ
Œ
Œ
Œ
Œ
74 ‰
∑
∑
74 74
–≤. –≤. –≤.
≤
–.
≈Œ
≈Œ
Œ
Œ
Œ
38
Œ
Œ
Œ
Œ
Œ
Œ
38
m˙
34
38
43
∑
38
43
∑
38
–≤. 38 ‰ ≈ ‰
43
∑
38
≤ 38 ‰ ≈ ‰ –.
43
∑
38
38
43
∑
38
Œ
Œ
Œ
Œ
≈Œ
Œ
Œ
Œ
Œ
Œ
28
8
3
38 ‰ ≈ ‰
Œ
∑
–≤.
œ mœ œ m œ 3
Œ
≈Œ
∑
–≤. 38 ‰ ≈ ‰
®
38
∑
∑
43
≈
rK œœ
(Ï)
rK
B œ. k œ µ œ n œ. B œ 5
rK rK rK . . B œ nœ m œ µ œ. m œµ œ mœ Bœm œ µ œ
≈
≈
5
5
B œ. nœµœ ®
38
3 &8 ‰
118
Fl.
cl.(Bb)
3 &8 ‰
– J π
rK‰ –
(blow INTO the key holes)
j — π
‰
Kr —
3 4 43 Œ
∑ USE AS MUCH AIR AS POSSIBLE (too make the need for "real") gradually let out more and more air
j œ ppppp
œ.
n
P.trp.(Bb)
3 &8
∑
3 ˙. 4
Cor.
? 38
∑
43
118
3 8
∑
38 j
(gradually bend tone with leg)
3 œ. 8
38 j bœ
∑
n
3 &8 ‰
118
Perc.1
Perc. 2
3 &8 ‰
3 &8 ‰
118
Keyb.
3 &8
38
& 38 ‰
118
Vl.1
Vl.2
Vla.
Vlc.
Db.
& 38 ‰ B 38 ‰ ?3 ‰ 8 t3 ‰ 8 ?3 8
118
Trb.(o-s)
œ J π
VIBRAPHONE gliss. with straw
rK œ‰
PAPER large movement from right to left
3 4
gradually less and less air
j –
≈
breath in (quasi) naturally
≤j –
∏
‰
j œ (Ï)
–≤.
ppppp
‰
( –)
‰
≈
‰
‰
2 4
≈
≤ –. ‰ ppppp
42
n
–≤.
O J pppppp
PAPER
∑ RATTLE A4 PAPER
2 4
‰
≈
‰
ppppp DRUM –. BASS j ≈ 42 æœ pppppp
– J π
‰
43
∑
– 38 æJ
b¿ J π
‰
43
∑
38
∑
∑
42
∑
43
∑
38
∑
∑
42
Oœ mOœ mOœ
43
∑
38
GUIRO
– π – π –
34
bOœ
–
‰
‰
n
∑
‰
≈
6
Oœ m Oœ m Oœ b Oœ
‰
43
‰ Oœ bOœ –
–
Oœ mOœ
6
O– mœO œ ‰ O bO œ –œ π
π
38
PAPER
∑
38
43
∑
38
43
∑
38 m j œ
‰
∑
≈
6
π
–
n
– æJ (Ï)
2 4 42
∑
r œ
Âœ (Ï)
3 8
∑
‰
6
O mOœ œ m O œ Oœ
–
‰
n
43
∑
43
∑
m 38 j œ n
6
∑
∑
38 29
‰
œ (Ï)
‰
≈
‰
≈
‰
‰
n
‰
œ (Ï)
–≤.
‰
42
‰
42
‰
42
‰
42
j œ pppppp
42
ppppp –≤.
ppppp –≤.
ppppp ≤
–. ppppp
n
∑
24
∑
42
2 &4
122
Fl.
cl.(Bb)
2 &4 Œ 2 ˙ &4
3 8
∑ sim.
œ ppppp
122
P.trp.(Bb)
Cor.
? 42 Œ
≈
bœ. n
2 &4
122
Perc.1
Perc. 2
2 &4 Œ
æ
n
3 œ. 8
38 œ. (Ï)
–.
38 æ (Ï)
2 4 ≈‰
( –)
42 ‰
n
3 8
∑
∑
38
∑
≈‰
Œ
≤ ≈ –. Œ ppppp –≤. O
3œ 8J
∑
2 4 ‰
≈‰
ppppp . 24 ‰ ≈ – œæ pppppp
38
≈ pppppp PAPER
n
3 8
≤j –
r œ
∏
2 ˙ 4 42
∑
bœ (Ï)
∑
2 4
∑
– 42 æ (Ï)
RATTLE A4 PAPER
BASS DRUM
3 4 ‰
∑
–. 42 Âœ. (Ï) œ J
‰
38
2 4
n
∑ Œ
n
≈Œ
43 3 4
Œ
–≤.
Œ ∑
( –)
43 ‰ 3 4 ‰
3 8
∑
3 4
38
∑
43
Œ
Œ
3 8
∑
3 4
≤ –. ≈ Œ ppppp
Œ
38
∑
43
≈‰
¿
drop needle on hard surface
–≤.
O ≈ pppppp
‰
PAPER ppppp –. ≈ œæ 43 ‰ pppppp
Œ
3 OJ 8
‰
‰
3 4
38 j ‰ œæ
‰
43
BASS DRUM
∑
42
∑
38
∑
42
∑
43
∑
38
∑
43
2 &4
∑
38
∑
42
∑
38
∑
42
∑
43
∑
38
∑
43
∑
42 ‰
∑
42
& 42
Vl.2
& 42
38 38
∑
∑
38
Vla.
B 42
∑
Vlc.
?2 Π4
≈
m
œ.
n
t2 Π4
≈
m
œ. n
?2 4
122
Trb.(o-s)
42
Œ
38
122
Db.
∏
–≤.
∑
24
Vl.1
≈
–.
r œ
≈
2 &4
122
Keyb.
RATTLE A4 PAPER
≤j –
38 – Âœ (Ï)
3 8
∑
2 4 ‰
∑
∑
24 ≈
∑
42 ‰
38
∑
42 ‰
≈
38
≈‰
42 ‰
≈
œ. (Ï)
38 œ. (Ï) 38
n
≈‰
42 Œ
n
∑
42
≈
–≤. –≤. –≤.
≤
Œ
38 38
Œ
38
24
∑
42
Œ
38
∑
42
Œ
38
∑
–. ppppp œ pppppp ∑
( œ≤ ) 38 ‰ J ‰ & ppppp
m 42 œ (Ï)
suono reale
38
t
m 42 œ (Ï) 42
∑ 30
∑
34 43 ‰
∑
43 ‰
∑
43 ‰
Œ
43 ‰
n
Πn
∑
43 Π43
–≤. –≤. –≤.
≤
38
34
≈Œ
Œ
38
∑
43
≈Œ
Œ
38
∑
43
≈Œ
Œ
38
∑
43
≈Œ
Œ
38
∑
43
–. ppppp
œ pppppp ∑
Œ
ppppp ≥j ( œ≤ ) 38 j –– J 43 –& œ ∏ bow on bridge "flautando"
38
∑
43
3 &4
∑
3 &4
∑
P.trp.(Bb)
3 &4
Cor.
? 43
129
Fl.
cl.(Bb)
129
3 &4
Perc. 2
∑
42
∑
∑
2 4
∑
3 œ. 8
∑
42
∑
38 bœ. (Ï)
2 4
∑
129
Perc.1
2 4
3 &4
42
∑
‰ œ ≈ 3 œ m œ n œ ≈œ m œ œ ≈ ‰ &4 3
129
®
œ mœ œ m œ
3
Keyb.
3 &4 œ
& 43
∑
129
Vl.1
Vl.2
Vla.
Vlc.
Db.
& 43
?3 4 & 43
Trb.(o-s)
?3 4
≈
(Ï)
5
œ mœ œ
≈
rK B œnœ
rK
rK
. . mœ mœ µœ. µ œ mœ Bœm œ µœ B œ. nœ µœ ® ≈ 5
5
42
∑
∑
5
t
J œ µœ n œ. ® ® ≈ ≈ ≈ 5
n
∑ ≈ ‰ n
38
Œ
Ó
3 8
Œ
Ó
38
44 4 4
≈ ‰
∑
3
( –)
≈ ‰
44 ‰ –≤. ‰ 3 ppppp 4 ‰ 4
–≤.
‰
3 pppppp
PAPER ppppp . 44 ‰ – ‰ 3
O
BASS DRUM
Ͼ pppppp
drop needle on hard surface
‰ Œ
¿
O
Ͼ
3 8 38
∑
38
38
∑
44
∑
38
∑
44 ‰
m 38 œ. (Ï)
∑
∏
3 8
44
38
∑
r œ
Ó
Œ
∑
38
∑
bœ. œ B œ. œ Aœ.
≤j –
‰
38
38
42
∑ rK
≈
42
42
∑
B œ. k œ µ œ n œ. B œ
∑
–. 38 æ (Ï)
RATTLE A4 PAPER
38
42
∑
rK œœ
‰œ
3 8
24
42
∑
B 43
129
3
∑
–≤.
4 ‰ 4
∑
38 – Âœ (Ï)
42 ˙
m˙
34
‰m œ œ 42 ® ‰
3 8
m 38 œ. (Ï) 38 31
∑
∑
≈ ‰
44
44 ‰ 44 ‰ 44 ‰
n
≈ ‰ n
∑
44 Π44
–≤.
38
‰
Œ
Ó
38
‰
Œ
Ó
38
‰
Œ
Ó
38
‰
Œ
Ó
38
3
–≤. 3
–≤. 3
3
≤
–. ppppp
œ pppppp
Œ
∑
œ
38 38
3 &8 ‰
133
Fl.
cl.(Bb)
3 &8 ‰
– J π
rK‰ –
j — π
(blow INTO the key holes)
‰
Kr —
2 4
∑
42 Œ
P.trp.(Bb)
3 &8
∑
2 4 Œ
Cor.
? 38
∑
42 Œ
133
3 &8 ‰
133
Perc.1
Perc. 2
3 &8 ‰
3 &8 ‰
133
Keyb.
3 &8
38
& 38 ‰
133
Vl.1
Vl.2
Vla.
Vlc.
Db.
& 38 ‰ B 38 ‰ ?3 ‰ 8 t3 ‰ 8 ?3 8
133
Trb.(o-s)
œ J π
VIBRAPHONE gliss. with straw
rK œ‰
PAPER large movement from right to left
– J π
‰
b¿ J π
‰
GUIRO
– π – π –
∑
Oœ mOœ mOœ
bœ (Ï)
bOœ
–
‰
‰ n
– æ (Ï)
RATTLE A4 PAPER
42 Œ
‰
Oœ mOœ
6
sim. breath in quasi naturally
≤j – ∏
–≤.
3 4
‰
≈ ‰
Œ
3 8
∑
‰
œ J
≤ ≈ –. ‰ ppppp
Œ
38
∑
‰
‰
≤ ≈ –. 43 ppppp
( –)
≈ pppppp
3‰ 8
≈
38 ‰
PAPER ppppp –.
Ͼ. pppppp
n
43
‰ ( –)
≈
3 4
¿ J
O J
‰
‰
≈
‰
j Ͼ
‰
‰
–. 3 ≈ 4 ppppp
drop needle on hard surface
BASS DRUM
–≤.
3 4
38
∑
∑
43
42
∑
∑
38
∑
∑
43
‰ ≈ ppppp
Œ
38
‰
Œ
38
Œ
38
∑
‰
‰
≈
Œ
38
∑
‰
‰
≈
∏ œ≤. ≥– –– & ‰
‰
42
–≤.
∑
≈
∑
m
42 Œ ∏ 24 ≥–– .. –.
œ (Ï)
sim.
6
42
&
ϲ. (m ) t
œ ( Ï ppppp )
–≤.
ppppp –≤.
‰ ≈ ppppp
∑
6
∑
≈
∑
‰ Oœ bOœ –
‰
(empty loungs silently)
‰
∑
42
–
‰
42
42
O mOœ œ m O œ Oœ
∑ ∑
–≤. O .
∑
3 8 38
r œ
∏
Œ
PAPER
2 4
‰
–
ppppp
‰
∑
6
Oœ m Oœ m Oœ b Oœ
–≤.
–
œ
24
O– mœO œ ‰ O bO œ –œ π
π
Âœ (Ï)
≤
6
π
–
–
≈
‰
≈
n
‰ n
‰
≤
–. ppppp
‰
38 ‰
œ. pppppp
∑
∑ 32
38
38
∑
‰
∑
‰
‰
j œ ∑
‰
≈
‰
≈
ppppp
–≤. –≤. –≤.
≤
–.
34
43 43 43 43 43
3
∑
43
–≤.
Fl.
3 &4
∑
∑
3 ‰ 8
‰
≈
cl.(Bb)
3 &4
∑
∑
38 ‰
≤j – ∏
‰
P.trp.(Bb)
3 &4
∑
∑
3 ‰ 8
( –) ≈ ≈ œ
Cor.
? 43
∑
∑
38 ‰
138
138
Perc.1
3 &4
∑
Perc. 2
3 &4
∑
138
‰ œ ≈ 3 œ mœ nœ ≈œ m œ œ ≈ ‰ &4
sim.
O
®
œ mœ œ m œ
3
Keyb.
3 &4 œ
m˙
34
& 43
∑
138
Vl.1
Vl.2
& 43
Vla.
B 43
Vlc.
?3 4
Db.
?3 4
138
Trb.(o-s)
≈
(Ï)
rK
B œ. k œ µ œ n œ. B œ 5
≈
rK B œ nœ
Œ
3 8
43
∑
38
3 4
∑
3 8
‰
≤ ≈ –. 43 ppppp
∑
38
3 ‰ 8
‰
≈
38 ‰
‰
–. 3 ≈ 4 ˙æ. ppppp pppppp
38
38
∑
38
∑
43
∑
38
∑
38 ‰
43
∑
38
43
∑
38
43
∑
38
43
∑
38
38 ‰
≈
≈
∑
∑
38 ‰
‰
≈
ppppp œ≤ ≥ 3 – ‰ & 8 –– ∏
‰
Œ
t
˙ pppppp
5
3 8
∑
‰
5
O
43
∑
rK
O
∑
∑
rK
3 O 4
38
38 ‰
. . mœ mœ µœ. µ œ mœBœmœµœ B œ. nœ µœ ® ≈
–≤.
∑
38 ‰
∑ rK œœ
¿
‰
∑
∑
∑
& 43
O
˙æ pppppp
3
138
drop needle on hard surface
3 4
38
∑ 33
‰
≈
∑
34
–≤. –≤. –≤.
≤
–. t
43 . ˙ pppppp 43
38
38
∑
38
3 &8
cl.(Bb)
3 &8 ‰
1 4
∑
142
Fl.
≤ ≈ –
‰
∑
3≈ 8
41
∑
38 ‰ ( –)
–≤.
‰ ≤j –
P.trp.(Bb)
3 &8
∑
1 4
∑
3 8
Cor.
? 38
∑
41
∑
38 ≈ –≤. ‰
142
3 &8 ‰
142
Perc.1
Perc. 2
drop needle on hard surface
¿ J
3 &8
‰
1 4
3≈ 8
∑
3 4
‰ ( –)
≈ ‰
–≤.
‰
‰
‰
‰
. 38 ≈ – ‰ ppppp
∑
3 ‰ 8
43
∑
38 ‰
≈ 43
∑
3 8
∑
4 8
43
∑
38
∑
48
3 O 4
O
Œ
∑
41
3 &8
∑
‰ mœ œ nœ ≈ œ œ ≈ 41
38
∑
43
∑
38 ‰
3 &8
∑
41 œ
38
∑
43
∑
38
∑
38 ‰
∑
‰
43 ˙æ pppppp
3 ‰ 8
Œ
38 ‰
3
142
Keyb.
38
& 38
∑
142
Vl.1
Vl.2
Vla.
& 38
Vlc.
?3 8
Db.
t3 ‰ 8 ?3 8
142
Trb.(o-s)
∑ ≥ ––– ≈ ∏ ∑
41
38 ≈
∑
38 ≈
∑
41
∑
‰
38
41
∑
B 38
14
38 ≈
∑
41
∑
38 ≈
41
∑
38
41
≈
rK œœ
(Ï)
B œ. 5
rK
kœ
µ œ n œ.
38
–≤. –≤. –≤.
≤
–.
‰
34 ‰
‰
‰
‰
‰
‰
‰
∑
∑
43 43
38
38 ‰
∑
43
38 ‰
∑
43
38 ‰
∑
43 ˙ pppppp 43
Œ
∑ 34
38 ‰ 38
– J π j — π
(blow INTO the key holes)
rK‰ –
4 8
‰
48
Kr —
œ J π
rK œ‰
4 8
– J π
‰
48
b¿ J π
‰
48
VIBRAPHONE gliss. with straw
PAPER large movement from right to left
GUIRO
–
Oœ mOœ mOœ
π –
48
∑
48 ‰
48
‰
48
‰ Oœ bOœ –
48
bOœ
–
6
π –
Oœ m Oœ m Oœ b Oœ
–
6
π
Oœ mOœ
6
O– mœO œ ‰ O bO œ –œ π –
π
6
O mOœ œ m O œ Oœ
–
‰
48 48
6
∑
48
–≤. 4 ≈ ‰ &8 ppppp
147
Fl.
cl.(Bb)
4 &8 Œ ( –)
4 &8 ‰
147
P.trp.(Bb)
Cor.
Perc. 2
∑
3 8
≤j – ‰ ∏
43
∑
38 ≤j –
≈ 43
∑
3 8
∑
5 8‰
∑
≤. 85 ≈ – ‰
‰
≤. 5 – 8≈ ‰ ppppp . 58 ≈ – ‰
( –)
? 48 ≈ –≤. ‰
Œ
43
∑
38
≤. 4 – &8 ≈ ‰ pppppp
Œ
3 4
∑
3 ‰ 8
Œ
43
∑
38 ‰
147
Perc.1
3 4
≈ ‰
. 4 – &8 ≈ ‰ ppppp 4 &8
∑
‰ m œœ nœ ≈ œ mœ œ œ ≈ ≈‰ 43
4 &8
∑
43 œ
Œ
43
3
147
Keyb.
48
–≤. 4 &8 ≈ ‰ ppppp
147
Vl.1
–≤.
34
38
Vlc.
Œ
Db.
≥ t 4 –– ≈ ‰ 8 – ∏
Œ
Trb.(o-s)
?4 8
∑
∑
58 85 ≈
∑
2 4
‰
Œ
43
∑
42
38
∑ 35
œ mœ œ m œ 2
4
3
42
m˙
34
24
∑
42
‰
‰
Œ
43
∑
42
‰
‰
Œ
43
∑
42
≥ 58 –– ≈ ‰ – ∏
‰
Œ
43
∑
42
38 ‰
œ pppppp
–≤.
®
43
∑
5
3 4
Œ
43
5
Œ
‰
85 ≈
5
‰
‰
∑
(Ï)
42
42
38
≈
∑
∑
∑
≈
43
43
43
≈
Œ
Œ
∑
43
2 4
‰
∑
B œ. nœµœ ®
∑
‰
85 ≈
rK rK rK . . B œ nœ m œ µ œ. m œµ œ mœ B œm œ µ œ
3 4
43 œ
38
rK
≈ ‰
( –)
≈ ‰
∑
85 ≈
B œ. k œ µ œ n œ. B œ
42
3
∑
rK œœ
∑
85
‰
147
43
‰
∑
?4 ≈ 8
–. ppppp
≤j –
≤j –
38
Œ
≤
Ͼ pppppp
( –)
2 4
∑
43
Vla.
43
O
85 Œ
∑
Œ
85
38
–≤. 4 B8 ≈ ‰ ppppp
Œ
‰
3 4
‰
∑
38
∑
‰
‰
8
∑
Vl.2
& 48 ≈ ‰ ppppp
m˙
∑
‰ m œœ nœ ≈ œ mœ œ œ ≈ ≈‰ 43
œ mœ œ m œ 3 ®
3
5 8≈
–≤.
Œ
85
–≤. –≤.
≤
–.
∑
43
≈
rK œœ
(Ï)
rK
B œ. k œ µ œ n œ. B œ 5
Kr Kr rK . . B œ nœ m œ µ œ. m œµ œ mœ Bœm œµ œ
≈
≈
5
5
B œ. nœµœ ® 42
Fl.
2 &4
cl.(Bb)
∑
5 8
2 &4
∑
85 ‰
P.trp.(Bb)
2 &4
∑
5 8
Cor.
? 42
∑
85
152
152
2 &4
Perc.1
Perc. 2
2 &4 ‰œ
œ mœ œ
Vla.
‰
( –)
∑ O J
Œ
j Ͼ
Œ
∑
≈ ‰
3 4
∑
3 8
∑
2 4
43
∑
38
∑
42
3 4 43
43 œ
& 42
85
∑
43
85
∑
B 42
85
∑
Vlc.
∑
85
Db.
t2 4
∑
85 Œ
bœ. œ B œ. œ Aœ.
?2 4 (Ï)
152
5
Jœ µ œ
® ® ≈
n œ. 5
38 ‰
∑
∑
& 42
3‰ 8
∑
85
∑
≈ ≈
85
∑
38 38 ‰
∑
43
Œ
38 ‰
∑
43
∑
38 ‰ 38
m˙
34
∑
j œ pppppp
®
œ mœ œ m œ
3
∑
2 4
38 ‰
2 &4 ˙
58
rK‰ –
43
∑
≈
?2 4
Trb.(o-s)
≈ ‰
– J π
≤j –
85
152
Vl.2
Œ
3‰ 8
3
24
Vl.1
≤j –
∑
‰ mœ œ nœ ≈ œ mœ œ œ ≈ ≈ ‰ 43
3
152
Keyb.
85 Œ
∑
‰ œ 2 mœ &4 ® ‰
( –)
5 8Œ
∑
152
3 4
∑
38 ‰
∑
43
∑
38 ‰
43
∑
38 ‰
43
≈
36
rK œœ
(Ï)
rK
B œ. k œ µ œ n œ. B œ 5
≈
rK B œ nœ
mœ mœ µœ. µ œ 5
Kr Kr . . mœ Bœm œ µ œ
≈
5
B œ. nœ µœ ®
38
j — π
(blow INTO the key holes)
‰
Kr —
42
œ J π
rK œ‰
2 4
– J π
‰
42
‰
42
VIBRAPHONE gliss. with straw
PAPER large movement from right to left
bGUIRO ¿ J π
– π – π –
42
∑
24
Oœ mOœ ‰ mOœ bOœ – 6
Oœ m Oœ ‰ m Oœ b Oœ – Oœ mOœ
‰ Oœ bOœ –
6
O– mœO œ ‰ O bO œ –œ π
π
42
6
π
–
42
42
6
O mOœ œ m O œ Oœ
–
‰
42 42
6
∑
42
Fl.
2 &4
∑
∑
3 8
cl.(Bb)
2 &4
∑
∑
38 ‰
P.trp.(Bb)
2 &4
∑
∑
3 8
Cor.
? 42
∑
∑
38
∑
43
Perc.1
2 &4
∑
∑
3 8
∑
Perc. 2
2 &4
∑
∑
38
156
156
156
‰ œ 2 mœ &4 ® ‰
3
156
Keyb.
‰œ
≈
œ mœ œ
2 &4 ˙
‰
‰ œ œ bœ 3
® ≈
‰ œ ‰ œmœ ≈ ‰
∑
2 4
∑
43
∑
42
∑
3 4
∑
2 4
∑
∑
42
∑
3 4
∑
2 4
∑
∑
43
∑
42
∑
38
∑
‰ mœ œ nœ ≈ œ mœ œ œ ≈ ≈‰ 43
38
∑
43 œ
( –)
≤j – ∏
‰ ( –)
≈ ‰
≈
discretely remove mouthpiece and put aside the instrument.
3
˙
24
3 4
∑
3
38
®
œ mœ œ m œ
3
3
‰œ
≈
24
Vl.1
& 42
∑
∑
38
∑
43
∑
42
∑
Vl.2
& 42
∑
∑
38
∑
43
∑
42
∑
Vla.
B 42
∑
∑
38
∑
43
∑
42
∑
Vlc.
?2 4
∑
∑
38
∑
43
∑
42
∑
Db.
t2 4
∑
∑
38
∑
43
∑
42
∑
156
Trb.(o-s)
bœ. œ B œ. œ Aœ.
?2 4 (Ï)
156
5
Jœ µœ
® ® ≈
nœ. 5
rK
µ œ. m œ. µ œ m œ. B œ œBœ n œ. µœ. nœ B œ. ≈ ≈ ≈ 3
3
3
‰
38
43
∑ 37
≈
rK œœ
rK
B œ. k œ µ œ n œ. B œ 5
œ mœ œ
42 ˙
m˙
34
‰m œ œ 42 ® ‰
≈
rK B œnœ
rK
rK
. . mœ mœ µœ. µ œ mœ Bœmœµœ B œ. nœ µœ ® ≈ 5
5
42
bœ. œ B œ. œ Aœ. 5
J œ µœ n œ. ® ® ≈ ≈ ≈ 5
∑
2 8
∑
∑
28 ≤j –
&
∑
∑
2 ‰ 8
?
∑
∑
28
∑
161
Fl.
cl.(Bb)
& &
161
P.trp.(Bb)
Cor.
∑
161
Perc.1
Perc. 2
&
‰
3
Vl.2
Vla.
Vlc.
Db.
‰
‰
≈
m œ œ n œ m œ œ mœ
≈
‰
m˙
B
∑
41
∑
38 ‰
1 4
∑
3 8
∑
2 4
41
∑
38
∑
42
1 4
3 ‰ 8
∑
28
∑
‰ mœ œ nœ ≈ œ œ ≈ 38 ‰ 41
28
∑
41 œ
38
41
38 ‰
28
∑
∑
∑
≈
3 ‰ 8
41
28
∑
∑
&
‰ ( –)
∑
∑
28
∑
&
1 4
38 ‰
∑
3
5
&˙
28
∑
∑
∑
∑
14
38
∑
41
38 ‰
∑
41
38 ‰
∑
?
∑
∑
28
∑
41
∑
38 ‰
t
∑
∑
28
∑
41
∑
38 ‰
µ œ. m œ. µ œ m œ. B œ œ Bœ
?
161
Trb.(o-s)
3
≈
161
Vl.1
28
∑
‰ œ mœ œ
‰ œ œ bœ
&® ≈
161
Keyb.
∑
∑
&
2 8
∑
(Ï)
3
3
≈
rK n œµ œ. .
nœ B œ. 3
‰
µ œ µ œ œ bœ. µœ µ œ µœ. B œ. m œ. 5
≈ 5
≈
≈
28 38
∑
41
≈
rK œœ
B œ. 5
rK
kœ
µ œ n œ.
38
– J π
rK‰ –
2 4
‰
42
j — π
(blow INTO the key holes)
Kr —
œ J π
rK œ‰
2 4
– J π
‰
42
‰
42
VIBRAPHONE gliss. with straw
PAPER large movement from right to left
bGUIRO ¿ J π
– π – π –
42
∑
Oœ mOœ mOœ
24 ‰
42
‰
42
‰ Oœ bOœ –
42
bOœ
–
6
Oœ m Oœ mOœ b Oœ
–
6
Oœ mOœ
π
6
O– mœO œ ‰ O bO œ –œ π –
π
6
O mOœ œ m O œ Oœ
–
‰
42 42
6
∑
42
Fl.
2 &4
∑
∑
∑
∑
∑
1 8
cl.(Bb)
2 &4
∑
∑
∑
∑
∑
≤j 81 – ∏
P.trp.(Bb)
2 &4
∑
∑
∑
∑
∑
1 8
∑
3 4
Cor.
? 42
∑
∑
∑
∑
∑
81
∑
43
Perc.1
2 &4
∑
∑
∑
∑
∑
1 8
∑
3 4
Perc. 2
2 &4
∑
∑
∑
∑
∑
81
∑
43
81
∑
43
mœ
81
∑
43
166
166
166
‰ œ bœ ‰ ‰œ œ œ mœ
3
3
2 mœ œ ≈ ‰ &4
166
®
œ mœ œ m œ
3
Keyb.
2 & 4m˙
‰m œ œ ® ‰
3
‰œ
≈
œ mœ œ
≈ ‰
≈
m œ œ n œ m œ œ mœ
≈ ‰
œ mœ
mœ
‰.
≈ ® ≈ ‰
˙
r
œ œm œ 4
‰
5
5
˙
24
® ≈
‰
œ
m˙
18
∑
3 4 43
34
Vl.1
& 42
∑
∑
∑
∑
∑
81
∑
43
Vl.2
& 42
∑
∑
∑
∑
∑
81
∑
43
Vla.
B 42
∑
∑
∑
∑
∑
81
∑
43
Vlc.
?2 4
∑
∑
∑
∑
∑
81
∑
43
Db.
t2 4
∑
∑
∑
∑
∑
81
∑
43
81
∑
43
166
Trb.(o-s)
Bœ
?2 ≈ 4 (Ï)
166
rK B œ nœ
rK
rK
rK
. . . . mœ µ œ. m œ. µ œ m œ. B œ œBœ n œ. µœ. n œ B œ. mœ µœ. µ œ mœ Bœm œµœ B œ. nœ µœbœ œ B œ. œ Aœ J œ µœ nœ. ® ® ® ≈ ≈ ≈ ≈ ≈ 5
5
5
5
3
3
‰
3
µ œ µ œ œbœ.µœµ œµœ. B œ. m œ. 5
39
≈ ≈ ≈ 5
. µ œ. œ m œ µœ n œ. µœ B œ œ µ œ µ œ. œ nœ. 3
5
Fl.
3 &4
cl.(Bb)
∑
3 ‰ 8
3 &4
∑
38 ‰
P.trp.(Bb)
3 &4
∑
3 8
Cor.
? 43
∑
38
172
172
3 &4
Perc.1
Perc. 2
3 &4
‰ œ ≈ 3 œ mœ nœ ≈ œ m œ œ ≈ ‰ &4 3
3
3 &4 œ
Vla.
38 ‰ 38
38
& 43
38 ‰
∑
172
Vl.2
Œ Œ
m˙
34
Vl.1
38 ‰
∑
172
Keyb.
3 ‰ 8
∑
172
& 43
38 ‰
∑
B 43
38 ‰
∑
Vlc.
?3 4
∑
38 ‰
Db.
t3 4
∑
38 ‰
?3 4
172
Trb.(o-s)
≈
rK œœ
(Ï)
rK
B œ. k œ µ œ n œ. B œ 5
≈
‰
Œ
38
rK‰ –
2 4
∑
∑
‰
42
∑
∑
∑
2 4
∑
∑
∑
42
∑
∑
– J π j — π
(blow INTO the key holes)
Kr —
œ J π
rK œ‰
2 4
∑
∑
– J π
‰
42
∑
∑
‰
42
∑
∑
VIBRAPHONE gliss. with straw
PAPER large movement from right to left
bGUIRO ¿ J π
– π – π –
42
∑
Oœ mOœ mOœ bOœ
24
–
‰
42
∑
∑
‰
42
∑
∑
‰
42
∑
∑
42
∑
∑
42
∑
∑
6
Oœ m Oœ m Oœ b Oœ
–
6
Oœ mOœ
π
Oœ bOœ
6
–
O– mœO œ ‰ O bO œ –œ π –
π
∑
m˙
6
O mOœ œ m O œ Oœ
–
‰
6
42
∑ 40
∑
µ œ. m œ. µ œ m œ. B œ œ Bœ
(Ï)
3
3
≈
rK n œµ œ. .
n œ B œ. 3
‰
∑
1 4
∑
∑
41
&
∑
∑
?
∑
∑
∑
176
Fl.
cl.(Bb)
& &
176
P.trp.(Bb)
Cor.
∑
3 ‰ 8
∑
∑
38 ‰
1 4
∑
∑
3 8
∑
2 4
41
∑
∑
38
∑
42
∑
GLASS 1 (right hand): suddenly lift hand (well in advance silently pressed hard to cover opening)
∑
176
Perc.1
Perc. 2
&
&≈
Keyb.
&
176
Vl.1
Vl.2
Vla.
Vlc.
Db.
&
& B
m œ œ n œ m œ œ mœ
∑
≈
‰
∑
∑
∑
œ
∑
∑
∑
∑
41
∑
mœ
41
∑
5
∑
41
˘‚ J (f)
∑
∑
∑
14 41 41 41
mœ œ
3 ‰ 8 38 ‰
≈ ‰
3
38 ‰ 38
mœ
38
∑
38 ‰
∑
∑
38 ‰
∑
∑
38 ‰
∑
?
∑
∑
41
∑
∑
38 ‰
t
∑
∑
41
∑
∑
38 ‰
?
176
Trb.(o-s)
∑
&
176
∑
1 4 ‰
∑
∑
41 41
∑
Bœ
(Ï)
≈
rK B œ nœ
mœ mœ µœ. µ œ 5
38
– J π
rK‰ –
j — π
(blow INTO the key holes)
‰
Kr —
2 4 42
œ J π
rK œ‰
2 4
– J π
‰
42
‰
42
VIBRAPHONE gliss. with straw
PAPER large movement from right to left
b¿ J
GUIRO
π
– π – π –
42
∑
Oœ mOœ mOœ
24
‰
42
Oœ m Oœ ‰ m Oœ b Oœ –
42
bOœ
–
6
6
Oœ mOœ
π
‰ Oœ bOœ –
6
O– mœO œ ‰ O bO œ –œ π –
π
42
6
O mOœ œ m O œ Oœ
–
‰
42 42
6
∑
42
Fl.
2 &4
∑
∑
∑
∑
3 8
cl.(Bb)
2 &4
∑
∑
∑
∑
38
P.trp.(Bb)
2 &4
∑
∑
∑
∑
3 8
Cor.
? 42
∑
∑
∑
∑
38
Perc.1
2 &4
∑
∑
∑
∑
3 8
Perc. 2
2 &4
∑
∑
∑
∑
38
181
181
181
‰ œ 2 mœ &4 ® ‰
‰œ
3
181
Keyb.
‰
œ mœ œ
≈
®
‰ œ mœ œ
‰ œ œ bœ 3
≈
3
≈
‰
‰
≈
m œ œ n œ m œ œ mœ
≈
œ mœ
‰
≈
mœ
®
≈
‰. ‰
˙
24
4
‰
r œ
mœ
5
5
2 &4 ˙
œ
œ
m˙
mœ
38 38
38
Vl.1
& 42
∑
∑
∑
∑
38
Vl.2
& 42
∑
∑
∑
∑
38
Vla.
B 42
∑
∑
∑
∑
38
Vlc.
?2 4
∑
∑
∑
∑
38
Db.
t2 4
∑
∑
∑
∑
38
181
Trb.(o-s)
bœ.
?2 4 (Ï)
181
œ B œ. œ Aœ. 5
®
Jœ
®
µœ
≈
nœ. 5
≈
≈
µ œ. m œ. µ œ m œ. B œ œ Bœ 3
3
≈
rK n œ µ œ. .
nœ B œ.
µœ µœ
‰
3
œ bœ. µ œ µœ. B œ. m œ. µœ 5
42
≈ 5
≈
≈
µ œ. œ mœ µœ n œ. µœ B œ œ µ œ µ œ. 3
5
œ. nœ.
38
Fl.
3 &8 ‰
cl.(Bb)
3 &8 ‰
185
rK‰ –
2 4
∑
∑
3 4
∑
3 8
‰
42
∑
∑
43
∑
38
– J π j — π
(blow INTO the key holes)
Kr —
P.trp.(Bb)
3 &8
∑
2 4
∑
∑
3 4
∑
3 8
Cor.
? 38
∑
42
∑
∑
43
∑
38
∑
3 4
∑
3 8
∑
43
∑
38
185
3 &8 ‰
185
Perc.1
Perc. 2
3 &8 ‰
3 &8 ‰
185
Keyb.
3 &8
38
& 38 ‰
185
Vl.1
Vl.2
Vla.
& 38 ‰ B 38 ‰
Vlc.
?3 ‰ 8
Db.
t3 ‰ 8 ?3 8
185
Trb.(o-s)
sim. GLASS 1 and 2
œ J π
rK œ‰
– J π
‰
VIBRAPHONE gliss. with straw
PAPER large movement from right to left
bGUIRO ¿ J π
– π – π –
(f)
˘ ‚
∑ ‰
‰ œ mœ œ
‰ œ œ bœ
3
3
‰
m œ œ n œ m œ œ mœ
≈ ‰
œ mœ
mœ
∑
42
∑
‰
42
∑
∑
43
∑
38
‰
42
∑
∑
43
∑
38
‰ Oœ bOœ –
42
∑
∑
43
∑
38
42
∑
∑
43
∑
38
42
∑
∑
43
∑
38
‰
∑
Oœ mOœ mOœ
24
bOœ
–
® ≈
≈
‰
43
≈
42
5
œ
43 m˙
˙
≈ ® ≈
34
38 38
38
6
Oœ m Oœ m Oœ b Oœ
–
Oœ mOœ
6
O– mœO œ ‰ O bO œ –œ π
π
42
˘3 ‚
6
π
–
2 4 Œ
6
O mOœ œ m O œ Oœ
–
‰
6
∑
42
∑
µ œ. m œ. µ œ m œ. B œ œ Bœ
(Ï) 43
3
3
≈
rK n œµ œ. .
nœ B œ. 3
‰
43
µ œ µ œ œ bœ.µœµ œ µœ. B œ. m œ. 5
≈ ≈ ≈ 5
µ œ. œ mœ µœ n œ. µœ B œ 3
38
Fl.
3 &8 ‰
cl.(Bb)
3 &8 ‰
189
– J π j — π
(blow INTO the key holes)
rK‰ –
2 4
∑
3 4
∑
1 4
∑
3 8
‰
42
∑
43
∑
41
∑
38
Kr —
P.trp.(Bb)
3 &8
∑
2 4
∑
3 4
∑
1 4
∑
3 8
Cor.
? 38
∑
42
∑
43
∑
41
∑
38
2 4
∑
3 4 ‰
189
3 &8 ‰
189
Perc.1
Perc. 2
3 &8 ‰
3 &8 ‰
189
Keyb.
3 &8
38
& 38 ‰
189
Vl.1
Vl.2
Vla.
& 38 ‰ B 38 ‰
Vlc.
?3 ‰ 8
Db.
t3 ‰ 8 ?3 8
189
Trb.(o-s)
œ J π
rK œ‰
– J π
‰
VIBRAPHONE gliss. with straw
PAPER large movement from right to left
b¿ J π
GUIRO
– π – π – π
‰
π
42
43 Œ
∑ œ mœ
≈
mœ
®
≈
‰. ‰
œ
4
‰
r œ
mœ
5
(f)
˘ ‚
GLASS 1 (rh) and 2 (lh): suddenly lift hand (well in advance silently pressed hard to cover opening)
‰
‰
Œ
1 4
∑
3 8
˘‚
˘ ≈ ‚ ‰
41
∑
38
(f)
43
∑
41 ≈
mœ
œ nœ mœ 5
38
œ 42
mœ
43
∑
42
∑
43
∑
41
∑
38
‰
42
∑
43
∑
41
∑
38
Oœ mOœ ‰ Oœ bOœ –
42
∑
43
∑
41
∑
38
42
∑
43
∑
41
∑
38
42
∑
43
∑
41
∑
38
43
∑
41 (Ï)
∑
24
Oœ mOœ ‰ mOœ bOœ –
34
41 mœ
38
14
38
6
Oœ m Oœ m Oœ
b Oœ
–
6
6
O– mœO œ ‰ O bO œ –œ π –
42
˘‚
6
O mOœ œ m O œ Oœ
–
‰
6
∑
µ œ. œ mœ µœ n œ. µœ B œ œ µ œ µ œ.
42 (Ï)
3
5
œ. nœ.
44
µœ
µœ
œ bœ. µ œ µœ. µœ 5
38
Fl.
3 &8 ‰
– J π
(blow INTO the key holes)
cl.(Bb)
3 &8 ‰
193
rK‰ –
j — π
‰
Kr —
2 4
∑
∑
1 4
42
∑
∑
41
∑
3‰ 8
∑
38 ‰
– J π
rK‰ –
j — π
(blow INTO the key holes)
‰
Kr —
2 4 42
P.trp.(Bb)
3 &8
∑
2 4
∑
∑
1 4
∑
3 8
∑
2 4
Cor.
? 38
∑
42
∑
∑
41
∑
38
∑
42
193
3 &8 ‰
193
Perc.1
Perc. 2
3 &8 ‰
3 &8 ‰
193
Keyb.
3 &8
38
& 38 ‰
193
Vl.1
Vl.2
Vla.
& 38 ‰ B 38 ‰
Vlc.
?3 ‰ 8
Db.
t3 ‰ 8 ?3 8
193
Trb.(o-s)
œ J π
rK œ‰
– J π
‰
VIBRAPHONE gliss. with straw
PAPER large movement from right to left
b¿ J
GUIRO
π
– π – π –
42
∑
∑
42 ≈
m œ œ n œ m œ œ mœ
41
≈
‰
œ mœ
mœ
42
∑
38 ‰
mœ
41
∑
38
∑
41
œ
4
r œ
‰
mœ
5
∑
3
41
‰.
5
24
(f)
3‰ 8 38 ‰
≈ ® ≈ ‰
œ
˘‚ ˘ ‚ ∑
∑
42 m˙
∑
Oœ mOœ mOœ ‰ bOœ –
14
∑
38 38 ‰
6
Oœ mOœ mOœ ‰ bOœ – Oœ mOœ Oœ ‰ bOœ –
bO –œ π
π
∑
1 4 ‰
42
∑
41
∑
∑
38 ‰
6
π
–
‰
2 4
42
∑
41
∑
∑
38 ‰
6
O– mœO œ ‰ œO 6
O mOœ œ m O œ Oœ
–
‰
42
∑
∑
41
∑
38 ‰
42
∑
∑
41
∑
38 ‰
6
∑
µœ
µœ 42 (Ï)
œ bœ. µ œ µœ. B œ. m œ. µœ 5
≈ ≈ ≈ 5
. µ œ. œ mœ µœ n œ. µœ B œ œ µ œ µ œ. œ n œ. 5
3
45
41
∑
38
œ J π
rK œ‰
2 4
– J π
‰
42
‰
42
VIBRAPHONE gliss. with straw
PAPER large movement from right to left
bGUIRO ¿ J π
– π – π –
42
∑
Oœ mOœ mOœ bOœ
24 –
‰
42
‰
42
‰
42
6
Oœ mOœ mOœ bOœ
–
6
Oœ mOœ
π
Oœ bOœ
6
–
O– mœO œ ‰ O bO œ –œ π –
π
6
O mOœ œ m O œ Oœ
–
‰
42 42
6
∑
42
Fl.
2 &4
cl.(Bb)
2 &4
P.trp.(Bb)
Cor.
∑
3 ‰ 8
∑
∑
38 ‰
2 &4
∑
∑
3 8
? 42
∑
∑
38
∑
198
198
2 &4
∑
198
Perc.1
Perc. 2
2 ˘ &4 ‚ (f)
2 &4
∑
& 42
198
Vl.2
Vla.
Vlc.
Db.
& 42 B 42 ?2 4 t2 4 ?2 4
198
Trb.(o-s)
‰
∑
24
Vl.1
¿´ π
2 &4
198
Keyb.
fingersnap (nail) glass and let the tone ring
3 ‰ 8
∑ ˘ ‚ (f)
38 ‰
∑
‰
?
mœ
œ.
∑
38 ‰
Œ
38
suddenly lift bow straight up (in advance pressed hard against dampened strings)
∑
∑
∑
∑
∑
∑
Œ
Œ
Œ
Œ
Œ
¿¿ ≈ fl (f)
‰
¿¿ ≈ ( ffl)
‰
¿¿ ≈ fl (f)
‰
suddenly lift bow straight up (in advance pressed hard against dampened strings)
suddenly lift bow straight up (in advance pressed hard against dampened strings)
suddenly lift bow straight up (in advance pressed hard against dampened strings)
¿¿ ≈ fl (f)
‰
¿¿ ≈ fl (f)
‰
suddenly lift bow straight up (in advance pressed hard against dampened strings)
∑
38
38 ‰ 38 ‰ 38 ‰ 38 ‰ 38 ‰ 38
rK‰ –
3 4
∑
3 8
‰
43
∑
38
∑
3 4
∑
3 8
∑
43
∑
38
– J π j — π
(blow INTO the key holes)
Kr —
œ J π
rK œ‰
3 4
∑
3 8
– J π
‰
43
∑
38
VIBRAPHONE gliss. with straw
PAPER large movement from right to left
b¿ J
GUIRO
π
– π – π –
&
4
r œ
‰
mœ
‰. ‰
œ
4
5
œ 43
mœ
34
r œ
‰
mœ
5
mœ
38 38
38
43
∑
38
‰
43
∑
38
‰ Oœ bOœ –
43
∑
38
43
∑
38
43
∑
38
bOœ
–
6
Oœ mOœ mOœ
bOœ
–
Oœ mOœ
6
O– mœO œ ‰ O bO œ –œ π
π
≈ ® ≈ ‰
œ
6
π
–
mœ
‰.
‰
6
O mOœ œ m O œ Oœ
–
‰
6
∑ 46
‰
∑
Oœ mOœ mOœ
43
œ mœ
. . µ œ. œ mœ µœ n œ. µœ B œ œ µ œ µ œ. œ nœ. œ µ œ µ œ. œ nœ.
43 (Ï)
3
5
5
38
Fl.
3 &8 ‰
cl.(Bb)
3 &8 ‰
202
rK‰ –
5 8
∑
2– 8 J
‰
85
∑
28 j —
– J π j — π
(blow INTO the key holes)
Kr —
rK‰ –
3 8
∑
2 –. 8
‰
38
∑
28 . —
Kr —
rK ≈ –
≈
Kr —
P.trp.(Bb)
3 &8
∑
5 8
∑
2 8
∑
3 8
∑
2 8
∑
Cor.
? 38
∑
85
∑
28
∑
38
∑
28
∑
5˘ ˘ 8‚ ‚ ‰ (f)
‰
rub glasses against each other (in circles)
‰
85 ‰
¿´ J π
‰
85
∑
85
Oœ mOœ mOœ
85
202
3 &8
∑
202
Perc.1
Perc. 2
3 &8 ‰
3 &8 ‰
202
Keyb.
3 &8
38
& 38 ‰
202
Vl.1
Vl.2
Vla.
& 38 ‰ B 38 ‰
Vlc.
?3 ‰ 8
Db.
t3 ‰ 8 ?3 8
202
Trb.(o-s)
PAPER large movement from right to left
– J π
bGUIRO ¿ J π
– π – π –
58
bOœ
–
‰
‰
‰
28 –
‰
38 ‰
¿´ J
˘ ‚ J (f)
28 – . π
∑
b¿ 28 J
‰
38
∑
28
∑
38 ‰
π ¿¿
hit glasses against each other
∑
‰
28 –
O 28 œmœO ‰ mOœ bOœ –
6
Oœ m Oœ m Oœ b Oœ
–
‰
Oœ mOœ
‰ Oœ bOœ –
6
O– mœO œ ‰ O bO œ –œ π
π
∑
2 8
85
∑
6
π
–
˘‚ J (f)
85
∑
–
6
–
6
28 Oœm Oœ m Oœ b Oœ
–
‰
38 38
‰
38
O 28 œmœO O ‰ œbO œ– 6 6
6
O mOœ œ m O œ Oœ
œ.
3 –– 8J
––
2 8
VIBRAPHONE with straw
O–
85
∑
28 mœO œ O bO œ –œ
85
∑
28 mOmOœ Oœ Oœ –œ
6
–
–
28
∑ ‰
‰
∑
?
3
≈ ≈
b¿.
≈
2 mœ 8 œ
28 28
–
–
Oœ mOœ ≈ mOœ bOœ – Oœ m Oœ ≈ m Oœ b Oœ –
∑
28
38
∑
28
‰
38
∑
O 28 mO œ O œ œ bO – œ
‰
38
∑
– 28 mO mOœ Oœ ≈ œO œ
∑
38
∑
28
–
Oœ mOœ ≈ Oœ bOœ –
–
6
∑
85
∑
28 47
∑
–
≈
Fl.
&
∑
3– 8 π
rK‰ –
5 16 –
r – –
r – –
r –. – J
j –
cl.(Bb)
&
∑
38 — π
Kr —
‰
5 16 —
r — —
r — —
j r —. —
j —
207
&
∑
3 8
?
∑
38 ‰
207
P.trp.(Bb)
Cor.
MOUTHPIECE: suddenly lift hand (in advance pressed hard against one end's opening, the other end closed by fx supporting on the leg)
∑
˘‚
‰
(f)
Perc.1
∑
Perc. 2
& &
207
&
Keyb.
?
3
œ œ.
&‰
207
Vl.1
Vl.2
Vla.
&‰ B‰
3 8
œ
∑
38 – π
∑
38
≈‰
38
¿¿ ≈ fl (f) ¿¿ ≈ fl (f) ¿¿ ≈ fl (f)
‰
π
b¿
π
38 O 38 œm Oœ m Oœ π –
6
38 Oœm Oœ m Oœ π –
b Oœ
b Oœ
6
–
∑
∑
5 ≈ 16
∑
∑
∑
∑
∑
∑
∑
5 16
œ
O– m œO œ ‰ œO
5 16 5 16 5 16
–
–
Vlc.
Db.
t‰
¿¿ ≈ 38 bO fl –œ (f) π
– O ¿¿ ≈ 38 O m Oœm Oœ œ ‰ –œ fl (f) π
?
207
Trb.(o-s)
∑
38
Oœ m Oœ m Oœ 6
Oœ m Oœ m Oœ 6
Oœ m Oœ
– – R
– – R
– –. R J
– J
–. J
– J
– J
–. J
–. J
– J
r b¿ b¿
r b¿ b¿
r b¿. J b¿
j b¿
b¿. J
j b¿
b¿ J
j b¿ .
b¿. J
j b¿
∑
O Oœ Oœ œ b Oœ œO – O Oœ Oœ œ b Oœ œO –
O Oœ Oœ Oœ œ b Oœ Oœ –
6
O –O m œO œ œœO œO œO
–
–
–
Oœ m Oœ m Oœ 6
Oœ m Oœ m Oœ 6
Oœ m Oœ 6
6
5 16 bO –œ 5 16
6
∑
œ J
∑
6
?‰
œ. œ J R
œ R
5 16
–
O m Oœ œ m O œ Oœ 6
∑
–
∑
O Oœ Oœ œ b Oœ œO – O Oœ Oœ œ b Oœ œO –
O Oœ Oœ Oœ œ b Oœ Oœ –
O –O m œO œ œœO œO œO
–
–
–
Oœ m Oœ m Oœ 6
Oœ m Oœ m Oœ
œOœO œOœO
–
6
O Oœ Oœ œ b Oœ œO –
–
–
5:4
Oœ O m Oœ Oœ œ m Oœ O b Oœ œO œ – 5:4
5:3
–
œ J
∑
–
∑
Oœ O O O m Oœ O œ œmœO Oœ œ œ m Oœ O m O O œbO O œ b Oœ œO œ œ– œ – 5:4
5:3
5:3
5:4
–
Oœ O O O m Oœ O œ œmOœmO Oœ œ œ m Oœ O O œbO O œ b Oœ œO œ œ– œ – 5:4
5:3
5:4
–
œO – b œO
O –O m œO œ œœO œO œO
6
∑ 48
5:3
O –O mœO œ œ Oœ Oœ œO 5:3
œO – bœO
– Oœ œO m O œ œOœO Oœ m Oœ œO
∑
5:4
5:3
6
–
–
5:3
–
œ. J
œ. J
∑
Oœ O m Oœ Oœ œ m Oœ O b Oœ œO œ
6
– Oœ œO m O œ œOœO Oœ m Oœ œO
œ J
∑
O Oœ Oœ œ b Oœ œO –
œ J
5:3
5:4
–
–
Oœ O m Oœ Oœ œ m Oœ O b Oœ œO œ 5:4
–
5:3
Oœ O m Oœ Oœ œ m Oœ O b Oœ œO œ – 5:4
5:3
– – – Oœ O O O œO Oœm œO œO OœmœO œO Oœm œO m Oœ Oœœ œm œO O O O Oœ œ œ œ œ Oœ Oœ m Oœ O m O O m O O m O O œb O O œ œb O O œ œbO O œ b Oœ Oœ b Oœ œO œ œ –œ œ– œ œ –œ – – 6
6
œO – b œO
œ. J
®≈
œ
left to right (back)
b¿
–
œ
œ R
(right to left movement)
5 16
O 38 œm Oœ O œb O ‰ œ– π 6
—
∑
‰
‰
j —.
j —.
∑
5 16 –
j –
∑
5 – 16
‰
j —
j —
–. J
j –.
∑
5 16
–
j —.
®≈ – J
∑
‰
∑
–.
5 16
VIBRAPHONE with straw 207
–. J
–
O O mœO œ œ œO O m O œ œO œ œO 5:3
–
5:4
Oœ – bœO
5:4
∑
5:3
5:4
O –O mœO œ œ Oœ Oœ œO
–
O– mœO œ O bO œ –œ 5:4
5:3
Oœ
5:4
5:3
5:4
Oœ Oœ 5:3
O –O mœO œ œ Oœ Oœ œO 5:3
Oœ O b O œ –œ
–
5:4
Oœ
– O O œO Oœ Oœ œO Oœ œO m O m O mœO œ œ œO O œ œ m O O m O O m O œ œ œ œO œ œ œ O Oœ œO œO – œO –œ – 5:3
5:3
5:4
5:3
5:4
∑
∑
5:4
∑
& –J
j –.
216
Fl.
cl.(Bb)
j &—
j —.
Cor.
Perc. 2
Vla.
—
r —
j —.
j —.
3 16
– R
3 16
r —
j – j —
∑
3 16
∑
?
∑
∑
∑
∑
4 16
∑
∑
3 16
∑
œ &J
œ. J
– &J b¿ &J ?
&
& B
œ R œ
œ R œ
œ R œ
4 16
œ R
–. J
– – R
– – R
– – R
4 16
– R
j b¿ .
b¿ R b¿
b¿ R b¿
b¿ R b¿
4 16
∑
–
Oœ mOœ mOœ bOœ –
O Oœ œ O Oœ œ
–
Oœ mOœ mOœ bOœ –
O Oœ œ O Oœ œ
–
Oœ mOœ mOœ bOœ –
O Oœ œ O Oœ œ
5:4
∑
–
– –
O– O ? mœO œ œ œO O œO O bO œ œ– –œ
t
?
216
Trb.(o-s)
—
r —
j –.
∑
5:4
Db.
—
4 16
– R
j –.
4 16
5:4
Vlc.
r —
– R
∑
5:4
Vl.2
r —
4 16
∑
216
Vl.1
r —
–
∑
216
Keyb.
–. ®
∑
216
Perc.1
– R –
&
216
P.trp.(Bb)
– R –
O mœO œ m O œ O –œ 5:4
–O œ œO œO Oœ – ∑
∑
O œmO œmO œ bO œ–
O Oœ œ O Oœ œ
œOmO œmO œ bO œ–
O Oœ œ O Oœ œ
Oœ mOœ mOœ bOœ –
O O œ œ O Oœ œ
6
6
–
– –
6
O– O mœO œ œ œO O œO O bœO œ œ – 6
œO
O– mœO œ mœO
Oœ O œ œO O œ – 6
∑
O œmO œmO œ bO œ–
O Oœ œ O Oœ œ
œOmO œmO œ bO œ–
O Oœ œ O Oœ œ
Oœ mOœ mOœ bOœ –
O O œ œ O Oœ œ
6
6
–
– –
6
O– O mœO œ œ œO O œO O bœO œ œ – 6
œO
O– mœO œ mœO
Oœ O œ œO O œ – 6
∑
4 16
∑
O œmO œmO œ bO œ–
O Oœ œ O Oœ œ
œOmO œmO œ bO œ–
O Oœ œ O Oœ œ
Oœ mOœ mOœ bOœ –
O O œ œ O Oœ œ
6
6
–
– –
4 16
œO mO œmO œ bO œ–
O Oœ œ O Oœ œ
Oœ mOœ mOœ bOœ –
O Oœ œ O Oœ œ
Oœ O 4 œ œO O 16 œ – 6
œO
œ R
–. J
3 16
– R
– J
b¿ R b ¿j .
3 16
b¿ R
j b¿
3 16
∑
–
– –
O– O mœO œ œ œO O œO O bœO œ œ– O– mœO œ mœO
3 16
∑
O Oœ œ O Oœ œ
O– O 4 mœO œ œ œO O œO O 16 bœO œ œ –
49
b¿ R b ¿j .
O œ mO œmO œ bO œ–
4 16
œ. J
– R
4 16
6
∑
–. J
4 16
6
O– mœO œ mœO œO
œ R
œ. J
Oœ O œ œO O œ–
O œ mO œmO œ bO œ–
O Oœ œ O Oœ œ
œO mO œmO œ bO œ–
O Oœ œ O Oœ œ
Oœ mOœ mOœ bOœ –
O Oœ œ O Oœ œ
–
– –
œ J
3 16
∑
O Oœ œ O œ – Oœ
3 16
O œ mO œ mO œ bO œ
3 16
œO mO œ mO œ bO œ
O Oœ œ O œ – œO
3 16
Oœ mOœ mOœ bOœ
O Oœ œ O œ – Oœ
6
6
6
∑
– –
O– O 3 mœO œ œ œO O œO O 16 bœO œ œ–
O– O mœO œ œ œO O œO O bœO œ œ–
O– mœO œ mœO œO
O mœO œ m O œ œO
Oœ O 3 œ œO O 16 œ– ∑
3 16
6
–O œ œO œO Oœ – 6
4 16
–
∑
& –R
cl.(Bb)
r &—
Cor.
Perc. 2
rK —
38 ‰
&
3‰ 8
?
∑
∑
∑
28
∑
38
œ &R
œ J
– &R
– J
– R
j b¿
b¿ R
?
œ R
O œ & mœO mœO bœO
– J
– R
j b¿
b¿ R
O Oœ œ O œ – Oœ
Vl.2
Vla.
Oœ B mOœ mOœ bOœ
O Oœ œ O œ – Oœ 6
6
–
– –
O– O ? mœO œ œ œO O œO O bœO œ œ– O mœO œ m O œ œO
O œ mO œ mO œ bO œ
?
2 ‰ 8
– J
28 ‰
28 ‰ 28
∑
O Oœ œ O œ – Oœ 6
œO mO œ mO œ bO œ
O Oœ œ O œ – œO
Oœ mOœ mOœ bOœ
O Oœ œ O œ – Oœ 6
6
–
– –
O– O mœO œ œ œO O œO O bœO œ œ–
O œ mO œ mO œ bO œ
28
– Oœ 28 ‰ O Oœ œ O –œ –
6
œO mO œ mO œ bO œ Oœ mOœ mOœ bOœ
œ J – J
(left to right)
j b¿
– Oœ 28 ‰ Oœ œO O œ – 6
rK –‰
2 ‰ 8
j —
rK —‰
28 ‰
REMOVE MUTE with a little twist to make a high pitched squeek
‰
œ J
38 ‰
– J
38 ‰
j b¿
38
– Oœ mO 3 mO œ 8 ‰ b Oœ œ – –
– Oœ mO O œ 38 ‰ bOœ œ – 6
6
rK –
1 4
∑
2 8
j —
rK —
41
∑
28
∑
1 4
∑
2 8
28
∑
41
∑
28
‰
2 ‰ 8
œ J
1 4
∑
2 8
‰
28 ‰
– J
41
∑
28
28 ‰
j b¿
‚.
(P)
r œ
‰
≈
2 8
silently PUT ON MUTE
28
∑
– Oœ mO mO œ ‰ b Oœ œ – –
6
O mO œ 3 m Oœ œ 8 ‰ bO –œ
j –
∑
3‰ 8
38
∑
6
O Oœ œ 28 ‰ O œ – œO
6
r œ
j –
O mO œ m Oœ œ ‰ bO –œ – Oœ mO Oœ ‰ bOœ œ –
28
28 ‰
41
∑
&
O mO œ m Oœ œ bO –œ 6
28 ‰
6
O mO œ m Oœ œ bO –œ 6
28 ‰
O mO œ m Oœ œ bO –œ
6
–
–
–
28
41
∑
28
∑
28
∑
28
6
–O œmOœ mOœ O ‰ œ–
28 ‰
–O œmOœ mOœ O 41 œ–
∑
∑
∑
28
50
6
6
6
38
∑
28 ∑
–O œmOœ mOœ O 38 ‰ œ– 6
28
41
–O O – O O – O œ œO 2 mœO œ œ œO mœO œ œ œO œO Oœ œO mœO œO œO œO mœO œO œO 8 ‰ – – – 6
28
28
28 ‰
6
≈
∑
–O œmO 1 œO œbO 4 œ–
6
®
41
–O œmO œO ‰ œbO œ–
6
≈
mœ
14
–O œmO 3‰ œO œbO 8 œ–
6
œ mœ
œ 41
O– O 2 mœO œ œ œO O œO O 8 ‰ bœO œ œ–
6
6
223
œ J
j b¿
∑
O Oœ œ O œ – œO
t
œ R
œ J
∑
œO & mœO mœO bœO
Trb.(o-s)
j — ∑
6
Db.
3‰ 8
2 8
223
Vlc.
rK –
∑
b¿ &R
Vl.1
28 ‰
j —
j –
∑
223
Keyb.
r —
j —
2 ‰ 8
j –
∑
223
Perc.1
– R
j –
r —
j —
223
P.trp.(Bb)
– R
j –
223
Fl.
∑
6
28
∑
µ œ. œ m œ µœ n œ. µœ B œ
41 (Ï)
3
28
Fl.
2 &8 ‰
cl.(Bb)
2 &8 ‰
230
j –
rK –
3 8
∑
2 ‰ 8
j —
rK —
38
∑
28 ‰
j –
rK –
5 8
∑
1 8 –j
j —
rK —
85
∑
81 j —
rK –
2 4
∑
3 8
rK —
42
∑
38
P.trp.(Bb)
2 &8
∑
3 8
∑
2 8
∑
5 8
∑
1 8
∑
2 4
∑
3 8
Cor.
? 28
∑
38
∑
28
∑
85
∑
81
∑
42
∑
38
230
2 &8 ‰
230
Perc.1
Perc. 2
2 &8 ‰
2 &8 ‰
230
Keyb.
2 &8
28
& 28 ‰
230
Vl.1
3‰ 8
œ J – J
& 28 ‰
j b¿
38 ‰
B 28 ‰
œ
4
r œ
‰
mœ
5
38m œ
∑
O mO œ m Oœ œ bO –œ O mO œ m Oœ œ bO –œ O mO œ Oœ œ bO –œ
–
–
–
˘ ‚ J π
∑ ‰.
6
Vla.
‰
GLASSES
38
6
Vl.2
arrow down: cover opening and keep high pressure until lift
‰ ‰ ‰
38 38
2 ‰ 8
∑
28 ‰
j b¿
28
28
∑
O mO œ m Oœ œ bO –œ
28 ‰
∑
O mO œ m Oœ œ bO –œ 6
38
28 ‰
∑
O mO œ Oœ œ bO –œ
6
Vlc.
?2 ‰ 8
–O œmO 3 œO œ bO 8 œ–
Db.
t2 ‰ 8
–O œmOœ mOœ O 38 œ–
Trb.(o-s)
∑
–
–
–
˘ ‚
˘ 85 ‚J π
˘‚
(3f )
˘ ‚
3
˘ ‚ ‰
(f)
VIBRAPHONE with straw
1 8 Jœ π
˘‚ ˘‚ 1 – ≈ 8J π 3 π (f)
∑
28 ‰
∑
28 ‰
38
42
∑
38
42
∑
38
42
∑
38
42
∑
38
∑
–O 18 œ mœO 2 œO bO 4 œ–
∑
38
∑
– 18 OœmOœ mO œ œO
42
∑
38
42
∑
38
81
∑
81
18
œ µ œ µ œ. œ. nœ. 5
‰
28
∑
O mO œ m Oœ œ bO –œ
∑
Oœ 81 m Oœm Oœ bO –œ 6
∑
O mO œ 81 b O Oœ œ –œ
–
–
–
24
(hit against each other)
38
6 6
mOœ O 85 œ –
6
38 (Ï)
∑
6
–O œmO 5 œO œ bO 8 œ– –O œmOœ
¿¿
∑
∑
85
π
3 8
42
j 81 b¿
85
85
–– ..
(rub against each other)
38
‰
∑
85
(snap) ´ 42 ¿ π
PAPER
85
58
2 4 ‰
Œ
6
6
?2 8
π
˘‚ ‚
6 6
230
GLASSES
(f)
˘‚
cover opening and keep high pressure until lift
6
38
˘ 5 ‚ 8‰ ( f arrow down: ) GLASSES
œ J π
28
28 ‰
∑
VIBRAPHONE with straw
–
6
85
∑ 51
81
∑
3 &8
236
Fl.
cl.(Bb)
3 &8
∑ ∑
rK –≈
3 16 –j 3 ≈ 16
4 8 rK —
j —
∑
48
∑
REMOVE UNDER LIP FROM REED (full under lip in advance pressed against reed) (BELL UP)
P.trp.(Bb)
∑
3 16
∑
4 8
∑
Cor.
? 38
∑
3 16
∑
48 Œ
‰
VIBRAPHONE with straw
3 . & 8 –– .
3 16 œJ π
236
Perc.1
Perc. 2
3 &8
3 &8
∑
3 &8
∑
236
Keyb.
38
& 38
236
Vl.1
∑
∑
3 ≈ 16
48 Œ
– Oœ mO mO œ ≈ b Oœ œ –
& 38
∑
3 ≈ 16
B 38
∑
3 ≈ 16
48
≈
˘‚
(f)
‰
(f) 3
‰
˘ ‚ π (f) ¿´
38 3 ‰ 8
‰
Œ
38 ‰
‰
∑ ?
mœ
œ.
‰
38 ‰
38
41
∑
4 16
silently PUT ON MUTE
1 4
∑
4 16
41
∑
4 16
1 4
∑
4 16
41
∑
4 16
‰
∑
Œ
38
4 16
‰
˘‚ ‚ J (f)
GLASSES (snap)
∑
˘‚ ‚ J (f)
LIFT KEYS (pressed down silently in advance no samples apointed to these keys)
41
∑
‰
3
OOOO O fl (f)
‰
&
œ mœ
≈
®
mœ
≈
œ 41
4 16 4 16
14
4 16
48 Œ
‰
¿¿ ≈ fl (f)
38
∑
41
∑
4 16
48 Œ
‰
¿¿ ≈ (flf )
38
∑
41
∑
4 16
48 Œ
‰
¿¿ ≈ fl (f)
38
∑
41
∑
4 16
–O œmO 4 Œ œO œ bO 8 œ–
‰
¿¿ ≈ fl (f)
38
∑
41
∑
4 16
¿¿ ≈ fl (f)
38
∑
41
∑
4 16
38
∑
41
O mO œ m Oœ œ bO –œ 6
Vla.
‰
48
∑
6
Vl.2
π
48 ‰
≈
3 16
––
GLASSES
– J π
3 j 16 b¿
3 16
4 8
≈
PAPER
3 16
˘‚
38 ‰ ‚. 3 8 (P)
1 4
∑
sim. REMOVE MUTE
3 &8
236
3 8
O mO œ Oœ œ bO –œ
–
–
6 6
Vlc.
?3 8
∑
3 ≈ 16
Db.
t3 8
∑
3 16
∑
48 Œ
‰
?3 8
∑
3 16
∑
48
∑
236
Trb.(o-s)
52
µ œ.
(Ï)
œ mœ µœ n œ. µœ B œ 3
4 16
rK –‰
4 & 16 –j
241
Fl.
cl.(Bb)
4 & 16 ‰
Cor.
4 & 16
∑
4 ? 16 4 & 16 ≈
Perc. 2
4 & 16 ≈ 4 & 16
j b¿ π
4 16
4 & 16
241
Vl.1
π
Vl.2
Vla.
4 ≈ & 16 4 ‰ B 16
6
6
∑
1 4
∑
2 4
∑
5 8
42
∑
∑
œ
2 ´ 4 ¿ π
¿¿
42 ‰
–– ..
PAPER (whisle tone)
rub glasses against each GLASSES other (in circles)
4
r œ
mœ
π
42
∑
mœ 41
42
∑
41
42
‰
5
24
∑
∑
O 85 J ∏
Œ
j – π
rK – ‰.
5 16
‰
≈
5 16
∑
2 4
Œ
Œ
5 16
∑
42
Œ
Œ
5 16
85 ‰
––
––
5 16
‰
85 j œ
Œ
Œ
5 16
‰
58 85
∑
5 16
∑
5 16
5 16 ≈
–
42
∑
85
∑
∑
5 16
‰
rK —
j — π
42
‰
2 4
– ≈ J π
42
≈ œ J π
PAPER
j b¿
≈
42 42
∑
– Oœ mO mO œ ‰ b Oœ œ – 6
41
2 4
VIBRAPHONE with straw
5 O 8J ∏
85
∑
5 16
whistle tone by blowing
whistle tone by blowing softly (focused) on sharp edge of mouthpiece
∑
fingersnap (nail) glass and let the tone ring
∑
41 ‰
–
O mO œ Oœ œ bO –œ
π
42
14
O mO œ m Oœ œ ≈ bO –œ
π
∑
‰.
∑
Œ
41
41
≈
Œ
(whistle tone on tube edge)
air on reed O focused (lips 1-2 cm. from the reed point) 58 Œ Œ J ∏
1 4
≈
– J π
– Oœ mO mO œ ‰ b Oœ œ –
5 j 8 O ∏
∑
GLASSES
PAPER
4 & 16 ‰
241
Keyb.
œ J π
2 4
∑
41
∑ VIBRAPHONE with straw
241
Perc.1
rK —
j — π
241
P.trp.(Bb)
1 4
– Oœ mO mO œ ≈ b Oœ œ –
24 42 42
6
41
∑
42
∑
85
∑
5 16
∑
42
6
Vlc.
?4 16
∑
41
∑
42
∑
85
∑
5 16
∑
42
Db.
t4 16
∑
41
∑
42
∑
85
∑
5 16
∑
42
∑
41 (Ï)
42
∑
85
∑
5 16
∑
42
?4 16
241
Trb.(o-s)
œ µ œ µ œ. 5
œ. nœ.
53
2 &4
∑
246
Fl.
cl.(Bb)
2 &4
∑
REMOVE LIP FROM REED
∑
Œ
‰
P.trp.(Bb)
2 &4
∑
Cor.
? 42
∑
2 &4 2 ´ &4 ¿ π
GLASSES
Perc. 2
˘ ‚ (f)
2 &4 2 &4 Œ
24
& 42 Œ
246
Vl.1
(f)
(P)
‰
≈ ‰
(P)
≈ ‰
Œ
GLASSES
‰ j œ.
mœ
3
‰
¿¿ fl (f)
‰
3
Œ
bœ
˘‚
(f) ˘‚
∑
∑ ?
‚.
∑
Œ
246
Keyb.
˘‚
‚.
∑
246
Perc.1
≈
(3f )
‰
3 8
∑
6 16 –j
π
˘ ‚
∑
38
∑
6 ‰ 16
∑
3 8
∑
6 16
∑
2 4
∑
38
∑
6 16
∑
42
‰
3
˘ ˘‚ ‚
(3f )
Œ ‰
‰
3
OOOO O fl (f)
∑
˘‚
˘‚ ˘ ˘ ‚ ‚
3 ¿´ 8J π
¿¿ J
‰
38 ‰
––
π ( 3f ) π ( f ) ˘ ‚
‰
π
œ J π
6 ‰ 16
– ≈ J π
38
∑
6 ‰ 16
∑
38
∑
6 16
∑
38 38
∑
6 16 6 ≈ 16
& 42 Œ
‰
¿¿ fl (f)
‰
∑
∑
38
∑
6 16
B 42 Œ
‰
3
Vla.
¿¿ fl (f)
‰
∑
∑
38
∑
Vlc.
?2 Π4
‰
¿¿ fl (f)
‰
∑
∑
38
Db.
t2 Π4
‰
¿¿ fl (f)
‰
∑
∑
?2 4
∑
∑
∑
246
Trb.(o-s)
3
3
54
≈
‰ ∑
– Oœ mO mO œ ≈ ‰ b Oœ œ –
π
42
2 4
‰
PAPER
j b¿ π
rK —
j — π
6 16 ‰
Vl.2
3
‰
VIBRAPHONE with straw
∑
2 4
‰
PUT ON MUTE (no squeking sound intended)
REMOVE MUTE 246
˘‚
rK –‰
∑
42
42 42
24 42
6
∑
42
6 16
∑
42
∑
6 16
∑
42
38
∑
6 16
∑
42
38
∑
6 16
∑
42
Fl.
2 &4 ‰
cl.(Bb)
2 &4 ‰
‰
251
O ∏ O
‰
∏
O O
‰
Œ
‰
Œ
∑
4 8
∑
48 ‰
≈ ‚.
∑
6 16 –j
Œ
6 ‰ 16
˘‚ (f)
rK –‰
2 8
‰
‰
rK —
j —
28
REMOVE MUTE
2 &4
∑
251
P.trp.(Bb)
Cor.
? 42 ‰ 2 &4 ‰
251
Perc.1
Perc. 2
2 &4
––
O
∏
2 &4 ‰
O
‰
PAPER
∏
GLASSES
π
‰
‰
Œ
251
Keyb.
? 42
24
œ
∑
O
O
œ
∑
4 ‰ 8
Œ
∑
48 ≈
‰
––
GLASSES
π
Œ ¿´
Œ
j bœ
∑
π ‰
˘ ‚ (f) œ mœ
Œ ∑
mœ
∑
4 8
∑ ‰.
≈ ® ≈ ‰
œ
4
r œ
‰
mœ
5
&
œ
mœ
?
˘‚ (f)
(P) ‰
≈ Œ ‰
silently PUT ON MUTE
≈
˘‚
6 16
∑
2 8
6 16
∑
28
VIBRAPHONE with straw
∑
6 16 ‰
œ J
48
∑
6 ‰ 16
– ≈ J
48
∑
6 ≈ 16
48 mœ
j œ œ. œ
6 16 œ.
48
PAPER
j b¿
2 8
‰
≈ ‰
≈
28
28 28
6 16
28
Vl.1
& 42
∑
∑
∑
48 Œ
¿¿ ≈ ‰ fl (f)
6 16
∑
28
Vl.2
& 42
∑
∑
∑
48 Œ
¿¿ ≈ ‰ fl (f)
6 16
∑
28
Vla.
B 42
∑
∑
∑
48 Œ
¿¿ ≈ ‰ fl (f)
6 16
∑
28
Vlc.
?2 4
∑
∑
∑
48 Œ
¿¿ ≈ ‰ fl (f)
6 16
∑
28
Db.
t2 4
∑
∑
∑
48 Œ
¿¿ ≈ ‰ fl (f)
6 16
∑
28
48
∑
6 16
∑
28
251
?2 4
251
Trb.(o-s)
∑
∑
. µ œ. œ mœ µœ n œ. µœ B œ œ µ œ œ. œ n œ.
(Ï)
5
3
55
2 &8
256
Fl.
cl.(Bb)
2 &8 ≈
˘‚ (f)
∑
3 4 Œ
Œ
‰
43 Œ
Œ
‚.
REMOVE MUTE silently 256 PUT ON MUTE
2 ≈ ‰ &8 (P)
3 4 ‰
? 28
∑
43
Perc.1
2 &8
∑
3 4 Œ
Perc. 2
2 &8
∑
43
2 &8
∑
43 Œ
P.trp.(Bb)
Cor.
256
256
Keyb.
? 28
43
˘‚ (f)
O ∏ O
∏
5 8
∑
2 4
∑
3 j 8 – π
–. ®≈ ‰
85
∑
42
∑
38 ‰
‰
5 8
∑
2 4
∑
3 8
∑
2 4
85
∑
42
∑
38
∑
42
j — π
REMOVE MUTE
œ
‚.
( fffff ) ( P ) ≈ ‰
≈ ‰
silently PUT ON MUTE
Œ
O
Œ
∏ O
PAPER
Œ
∏
bœ ∑
œ
Œ
GLASSES
85 Π.
∑
‰
5 –. 8 –. π
GLASSES
¿´
π
˘ ‚
(f)
2 ˘‚ 4 (f)
˘ 42 ‚ π
˘ ‚
3
‰ ˘ ˘ ‚ ‚ J (f)
˘‚
3 π
‰ ˘ ‚
3 ‰ 8
2 4
VIBRAPHONE with straw
œ J π
œ
®≈
rK —
42
2 4
38
∑
42
85
∑
42
∑
38
∑
42
85
∑
42
∑
38
∑
42
œ.
28
œ.
Vl.1
& 28 ‰
¿¿ ≈ fl (f)
43
∑
85
∑
42
∑
38
∑
42
Vl.2
& 28 ‰
¿¿ ≈ fl (f)
43
∑
85
∑
42
∑
38
∑
42
Vla.
B 28 ‰
¿¿ ≈ fl (f)
43
∑
85
∑
42
∑
38
∑
42
Vlc.
?2 ‰ 8
¿¿ ≈ fl (f)
43
∑
85
∑
42
∑
38
∑
42
Db.
t2 ‰ 8
¿¿ ≈ fl (f)
43
∑
85
∑
42
∑
38
∑
42
?2 8
∑
43
∑
85
∑
42
∑
38
∑
42
256
256
Trb.(o-s)
34
58
56
24
38
24
Fl.
2 &4
cl.(Bb)
2 &4
∑
261
∑
∑
3 4
∑
43
∑
3 8
∑
38 ‰
‰
≈
REMOVE MUTE
2 &4
∑
? 42
∑
261
P.trp.(Bb)
Cor.
(f)
GLASSES
2 ˘ & 4 ‚‚ π
261
Perc.1
Perc. 2
˘ ‚ (f)
˘‚
π
˘ ˘ ˘ 2 &4 ‰ ‚ ‚ ‚ 3 π (f)
∑
π
∑
‰ ‰ ‰ ˘ ˘‚ ˘‚ ˘‚ ˘ ‚ ˘‚ ‚ ‰ ‚ ‚ ‚ fl‰fl 3 ≈ ≈fl (f) 5 5 ≈ ≈ ˘ ˘‚ ˘ ˘‚ ˘ ‚ ‚ ≈ ‚ ‚ ‚ ‚ ‚ fl fl‰ 3 π (f) 3 fl fl π (f)
3 4
∑
43
∑
3
3
LIFT AND PUT BACK COVER OF INSULATED BOX WITH METRONOMES
3 4 ›. 43 Œ
2 &4
∑
∑
43
? 42
∑
∑
43 Œ
Vl.1
& 42
∑
∑
43
Vl.2
& 42
∑
∑
Vla.
B 42
∑
Vlc.
?2 4
Db.
t2 4
261
Keyb.
24
261
?2 4
261
Trb.(o-s)
3‰ 8 38 ‰
‰ 3
∑
3 8
˘‚
‚.
˘‚
≈ 42
∑
38
(3f )
silently PUT ON MUTE
‰
2 4
∑
3 8
‰
42
∑
38
(P)
(f)
GLASSES
˘ ˘ › ‰ ‚ ‚ Œ 3 π (f) ˘‚ ˘ ˘‚ ˘ ‚ ‚ Œ π (f)
3 8
∑
2 4
∑
3 8
38
∑
42
∑
38
38
∑
38
∑
∑
38
43
∑
∑
43
∑
∑
∑
∑
2 4
∑
∑
42
œmœ
mœ
‰.
≈ ® ≈ ‰
r
œ œm œ 4
‰
5
38
œ 42
mœ
38
∑
42
∑
38
38
∑
42
∑
38
∑
38
∑
42
∑
38
43
∑
38
∑
42
∑
38
∑
43
∑
38
∑
42
∑
38
∑
43
∑
38
∑
42 (Ï)
34
Œ
‰
57
3
m œ œ.
38
&
24
38
. µ œ. œ mœ µœ n œ. µœ B œ œ µ œ œ. œ n œ. 3
5
38
3 &8
cl.(Bb)
3 &8 ‰
‰
≈
REMOVE MUTE
3 &8 ‰
‰
266
P.trp.(Bb)
Cor.
5 8 –j π
∑
266
Fl.
3
˘‚
? 38 ‰
‚.
‰
˘‚ (3f )
≈ 85 Œ
‰
85
∑
∑
5 8‰
Perc. 2
3 &8
∑
85
3 &8
∑
3 &8
∑
Keyb.
38
& 38 ¿¿ ®≈ ‰ fl (f)
‰
& 38 ®¿¿ ®®®‰ ( ffl)
‰
266
Vl.1
VIBRAPHONE with straw
Vl.2
5
Vla.
‰
Vlc.
Db.
3‰ 8
˘‚
38 ‰ VIBRAPHONE: TURN ON MOTOR: MAX SPEED
‰ ‰
‚.
‰
œ
‰
3 ( fffff ) ( P ) ˘‚ ‰
‰
œ ‰ J ( pppppp ) ∑
∑
∑
∑
85
∑
38
∑
∑
85
∑
38
∑
∑
85
∑
38 ¿ ®≈ ‰ ¿ fl (f)
‰
¿¿ ®≈ ‰ fl (f)
85
∑
38 ®¿ ®®®‰ ¿ ( ffl)
‰
∑
38 ®®¿ ®®‰ ¿ fl (f)
38
bœ
∑
∑
O.
42
∏ O.
2 4
PAPER
∏ ∑
œ.
2 4
42
42 ∑
42
24
‰
∑
∑
42
®¿ ®®®‰ ¿ ( ffl)
‰
∑
∑
42
‰
®®¿¿ ®®‰ fl (f)
5
‰
∑
∑
42
∑
38 ®®®¿ ®‰ ¿ fl (f)
‰
5
®®®¿ ®‰ ¿ fl (f)
‰
∑
∑
42
‰
®®®®¿¿ ‰ fl (f)
5
‰
∑
∑
42
∑
∑
42
5
5
‰
85
∑
38 ®®®®¿ ‰ ¿ fl (f)
85
∑
38
(all string players juxtaposed by 1/32nd quintuplet (- only statistic precision intended))
‰
42
∏ ‰
38
85
O.
silently PUT ON MUTE
∑
‰
t 3 ®®®®¿ ‰ 8 ¿ fl (f)
∑
∑ REMOVE MUTE
silently PUT ON MUTE
3
‰
?3 8
‚.
‰
85
266
Trb.(o-s)
∑
2 4
O. ∏
3
? 3 ®®®¿ ®‰ 8 ¿ fl (f) 5
(f)
≈
∑
(all string players juxtaposed by 1/32nd quintuplet (- only statistic precision intended))
5
≈
∑
®≈ ‰
(all string players juxtaposed by 1/32nd quintuplet (- only statistic precision intended))
B 38 ®®¿¿ ®®‰ fl (f)
‰
˘‚
∑
∑
œ J
(all string players juxtaposed by 1/32nd quintuplet (- only statistic precision intended))
5
38 ‰
∑
3 8
58
(all string players juxtaposed by 1/32nd quintuplet (- only statistic precision intended))
œ
Kr —
∑
REMOVE MUTE
∑
3 &8
266
Ÿ~~~~~ j j — —
5 8
Perc.1
266
3 8
j — π
silently PUT ON MUTE
(P)
(f)
–. ®≈ Œ .
5
5
∑ 58
5
∑
2 &4
272
Fl.
cl.(Bb)
2 &4
∑
3 8
∑
38
∑ ∑
∑
2 4
∑
42
P.trp.(Bb)
2 &4
∑
3 8
∑
∑
2 4 Œ
Cor.
? 42
∑
38
∑
∑
42 Œ
272
GLASSES
2 . & 4 –– . π
272
Perc.1
BOX WITH METRONOMES
˘ ˘ ≈ ‰ ‚ ‚ 38 › . (f) 3
LIFT AND PUT BACK COVER OF INSULATED BOX WITH METRONOME
∑
4 Π4
∑
Ÿ~~~ 44 ‰ — —.®≈ ‰ Œ — — π
Œ
[tr. on the deep E key while blowing into the F hole]
‰ ‰ œ 44 3 ( fffff ) ˘‚ ‰ ‰ 44 (f)
2 8
–®≈ Œ – . π
28
3 4 Œ
∑
43 Œ
28
45
∑
43 Œ
∑
28
∑
43
44
∑
28
∑
43 Œ
44
∑
28
∑
43
2 ›≈ 4
∑
42
∑
45
∑
44
›
π
œ®≈ Œ
∏
O
5 4
3 4 Œ
4 4
O 3
∑
∑
Œ
O O ∏
5 4
silently
2 8
›≈ ‰
j › 42 › ≈ ‰
‰
3
PUT ON ‚. MUTE 2 ‰ J 3 œ 3 ‰ Œ Œ 8 4 ( P ) ( pppppp )
¿ æ ‰ œ
VIBRAPHONE with straw
‰
REMOVE MUTE
3
œ
∑
STRAW ON "FAN"
‰
O
O
O
O
3
∏
PAPER
‰
3
∏
5 4
2 &4
∑
38
2 &4
∑
38
∑
∑
2 &4
∑
38
∑
∑
Vl.1
& 42
∑
38
∑
∑
42
∑
44
∑
28
∑
43
∑
45
Vl.2
& 42
∑
38
∑
∑
42
∑
44
∑
28
∑
43
∑
45
Vla.
B 42
∑
38
∑
∑
42
∑
44
∑
28
∑
43
∑
45
Vlc.
?2 4
∑
38
∑
∑
42
∑
44
∑
28
∑
43
∑
45
Db.
t2 4
∑
38
∑
∑
42
∑
44
∑
28
∑
43
∑
45
?2 4
∑
38
∑
∑
42
∑
44
∑
µœ 28 ‰ ( fffff )
43
∑
45
Perc. 2
272
Keyb.
24
272
272
Trb.(o-s)
38
∑
?
42 b œœ œ
24 ®
œ œ œ œ œ œ.
Œ
≈‰
44
59
28 43
B
45
∑
3
bœ
œ
∑
œ
45 45
54
Fl.
5 &4
∑
2 4
∑
3 8
∑
5 4 – –. ®≈ Œ π
Œ
cl.(Bb)
5 &4
∑
42
∑
38
∑
45 Œ
‰
5 &4
∑
2 4
∑
3 ‰ 8
‰
? 45
∑
42
∑
38 ‰
‰
279
279
P.trp.(Bb)
Cor.
≈œ
5 4
‰
45
( fffff ) 3
˘‚
(f) 3
BOX
5 &4
Perc.1
LIFT COVER OF BOX WITH METRONOME (gradually cover)
Perc. 2
5 &4 ›
2 4 ›
∑
279
›
(gradually open)
›
›
›
Œ
VIBRAPHONE with straw
¿
—
π
—.
O
O
®≈ ‰
Œ
2 4 42
∑
2 4
∑
42
blow a gliss. blowing focused a focused air air stream stream close to on "fan" the keys
–
–
–. ®≈ Œ
›
3 ›≈ ‰ 8
42 › ≈ ‰
Œ
38
∑
45
∑
42
∑
45
∑
42
45
∑
(close box)
‰
5 4 ‰
–
œ æ π
æ
2 4
Œ
5 &4
∑
42
∑
38
? 45
∑
42
∑
38 j b œœœ
≈ ‰
Vl.1
& 45
∑
42
∑
38
∑
45
∑
42
Vl.2
& 45
∑
42
∑
38
∑
45
∑
42
Vla.
B 45
∑
42
∑
38
∑
45
∑
42
Vlc.
?5 4
∑
42
∑
38
∑
45
∑
42
Db.
t5 4
∑
42
∑
38
∑
45
∑
42
42 ∏
∑
38
∑
45
∑
279
Keyb.
54
279
B5 Π4
279
Trb.(o-s)
B˙
∏
24
˙
( fffff )
œ œ œœœ . Ù œ
38
60
54
&
?
42
24
42
Fl.
2 &4
∑
∑
∑
5 8 j ‰ O ∏
Œ.
cl.(Bb)
2 &4
∑
∑
∑
85 Œ
‰
283
REMOVE MUTE
P.trp.(Bb)
2 &4
∑
∑
Cor.
? 42
∑
∑
283
2 &4
∑
283
Perc.1
Perc. 2
2 &4 Œ
2 &4 ≈
283
Keyb.
BOX
mœ œ nœ mœ
›
Œ
‰
› ≈ ‰ œmœ
‰
Œ
Vl.1
& 42
Vl.2
› ≈ ‰
› œ
mœ
≈ ® ≈ ‰
Œ
‰
5
5 8
∑
85 Œ
∑
5 8Œ
m >œ
CROTALES WITH BD STICK
(Ï) ‰
‰
bœ
∑
3 8
43
∑
38
3 4
∑
3 8
‰
43
∑
38
O J ∏
3 4
∑
3 8
43 › .
›.
38
43
∑
38
43
∑
38
‰
∑ O J ∏
‰
PAPER
Œ
BOX
85
85 ‰
∑
j œ
Œ.
mœ
∑
∑
∑
∑
85
∑
43
∑
38
& 42
∑
∑
∑
85
∑
43
∑
38
Vla.
B 42
∑
∑
∑
85
∑
43
∑
38
Vlc.
?2 4
∑
∑
∑
85
∑
43
∑
38
Db.
t2 4
∑
∑
∑
85
∑
43
∑
38
‰ ‰ Œ
85
∑
43
24
283
µœ
? 2 µœ 4 (Ï)
283
Trb.(o-s)
œbœ. µ œµœ. µœ 5
Œ
œ
œ Œ
silently PUT ON MUTE
( P3 ) ( pppppp )
∑
5
2 & 4 mœ
‚.
O J ∏
3 4
µ œ. œ mœ µœ n œ. µœ B œ œ µ œ µ œ. 3 5
≈ ≈B
µœ
( fffff )
85
58
3
61
∑
34
Bœ.
∏
œ.
( fffff )
38
38 ∏
3 &8
∑
288
Fl.
cl.(Bb)
3 &8
∑
∑
∑
Ÿ~~~~~ 2 – – 4 π
O
5 8 ®≈ ‰ O.
42
∑
85
Œ.
whistle tone by softly blowing a focused air stream on the edge of the bell
O π
O
j —
rK —
2 4
∑
3 16
42
∑
3 16 ‚.
3 &8
∑
∑
2 4
∑
5 8
∑
2 4 Œ
‰
Cor.
? 38
∑
∑
42
∑
85
∑
42 Œ
≈
2 4 ®≈ ‰
Œ
5 8
∑
2 4
∑
3 16
∑
42
∑
85
∑
42
∑
3 16
42 Œ
‰.
VIBRAPHONE blow on "fan" blow on keys
BOX
3 &8 ›
› › – J π
3 &8 › ≈ ‰
‰
288
Perc.1
Perc. 2
–.
3 &8
∑
∑
42
∑
85
∑
3 &8
∑
∑
42
∑
85
∑
288
Keyb.
– æ
38
24
58
O. J ∏
REMOVE MUTE
P.trp.(Bb)
288
?
42 b œœœ
24
œ Ù œ
œ œ œ œ. 3
˘‚
(P)
(f)
≈ ‰
bœ
3 16 3 16
38
silently PUT ON MUTE
3 16 3 16
‰
3 8
j O. ∏
∑
3 8
O. J ∏
38
O. J ∏
3 8
PAPER
∑
j œ.
3 16
38
38 ∑
38
38
Vl.1
& 38
∑
∑
42
∑
85
∑
42
∑
3 16
∑
38
Vl.2
& 38
∑
∑
42
∑
85
∑
42
∑
3 16
∑
38
Vla.
B 38
∑
∑
42
∑
85
∑
42
∑
3 16
∑
38
Vlc.
?3 8
∑
∑
42
∑
85
∑
42
∑
3 16
∑
38
Db.
t3 8
∑
∑
42
∑
85
∑
42
∑
3 16
∑
38
B3 8
∑
∑
42
∑
85
∑
42
∑
3 16
∑
38
288
288
Trb.(o-s)
62
Fl.
3 &8
∑
∑
3 4
∑
∑
3 8
cl.(Bb)
3 &8
∑
∑
43
∑
∑
294
REMOVE MUTE
P.trp.(Bb)
3 &8
∑
∑
3 4 ‰
Cor.
? 38
∑
∑
43
294
‚.
(P)
silently PUT ON MUTE
Œ
Œ
∑
3 4
∑
2 4
38 j ®≈ ‰ — — π .
43
∑
42
∑
3 8
∑
3 4
∑
2 4
∑
38
∑
43
∑
42
¿. 3æ 4
¿. æ
2 4
VIBRAPHONE
BOX (gradually open)
3 & 8 ›.
294
Perc.1
(close)
3 4 Œ
‰
›
∑
43 Œ
›
›≈ ›
∑
43
›≈ ‰
‰
BOX
Perc. 2
3 & 8 ›.
3 &8
∑
? 38
∑
294
Keyb.
38
∑
bœœ.œœœ Ù
œ œœœ
.
3
43 œ ≈ ‰ .
34
›≈ ›
›≈ ‰
Œ
›≈
∑ Œ
Œ
b˙œ.œœœ Ù
Œ
– J π
– æJ
("fan")
(straw on fan)
MOTOR RIT.
ACC.
∑
38
∑
43
∑
42
∑
38
∑
43
∑
42
œ
.
3‰ 8
(blow)
œ.
œœ œ 3
38 œ.
43 ˙ .
38
42
34
24
Vl.1
& 38
∑
∑
43
∑
∑
38
∑
43
∑
42
Vl.2
& 38
∑
∑
43
∑
∑
38
∑
43
∑
42
Vla.
B 38
∑
∑
43
∑
∑
38
∑
43
∑
42
Vlc.
?3 8
∑
∑
43
∑
∑
38
∑
43
∑
42
Db.
t3 8
∑
∑
43
∑
∑
38
∑
43
∑
42
B3 8
∑
∑
43
∑
∑
38
∑
43
∑
42
294
294
Trb.(o-s)
63
gliss. on keys with fingers
2 &4 ‰ ¿ ¿ ≈Œ π 3
300
Fl.
gliss. on keys with fingers
2 &4 ‰ ‰ ¿ 3
cl.(Bb)
π
¿
≈ ‰
Ÿ~~~~ 3 – – 4
Œ
O
43
∑
1 4
∑
3 8
∑
2 8
∑
2 4
∑
∑
2 8
41
∑
38
∑
28
∑
42
∑
∑
28
3 8
∑
2 8
∑
2 4
∑
∑
2 8
38
∑
28
∑
42
∑
∑
28
2 ‰ 8
j ›
2 4 ›≈ ‰
‰
REMOVE MUTE
P.trp.(Bb)
2 &4
∑
3 4
∑
1 4 ‰
Cor.
? 42
∑
43
∑
41
300
(gliss. with straw)
2 &4
300
Perc.1
œ
straw on fan
¿
œ≈‰ æ
3
–.
air on fan
–
æ
3 4 ®≈ ‰
‰
– n
blow on key and let the tone ring
>œ
(f)
‚.
3 (P )
∑
‰
BOX
1 3 4 ‰ ‰ › 8 ›≈ ‰
‰
3
›
›≈ ‰
‰
›
2 8
PEDAL
Perc. 2
2 &4
∑
43
∑
41
∑
38
∑
28
∑
42
∑
∑
28
2 &4
∑
43
∑
41
∑
38
∑
28
∑
42
∑
∑
28
300
Keyb.
? 42
43 ˙ .
˙
24
41 œ ≈ ‰ .
34
14
38 b œœ.œ
38
œ œœ œ
œ Ù œ.
3
28 ≈ ‰ œ.
28
42 b œœœ
24
œ Ù œ
œ œ œ œ.
≈ ‰
bœœ œ œ œ œ œ œ œ. ®
3
≈ ‰
28
28
Vl.1
& 42
∑
43
∑
41
∑
38
∑
28
∑
42
∑
∑
28
Vl.2
& 42
∑
43
∑
41
∑
38
∑
28
∑
42
∑
∑
28
Vla.
B 42
∑
43
∑
41
∑
38
∑
28
∑
42
∑
∑
28
Vlc.
?2 4
∑
43
∑
41
∑
38
∑
28
∑
42
∑
∑
28
Db.
t2 4
∑
43
∑
41
∑
38
∑
28
∑
42
∑
∑
28
B2 4
∑
43
∑
41
∑
38
∑
28
∑
42
∑
∑
28
300
300
Trb.(o-s)
64
whistle tone and pitched air noise by blowing on the tube edge (treble end) with the instrument pointing away and with all keys down
Fl.
2 &8
cl.(Bb)
2 &8
∑
P.trp.(Bb)
2 &8
Cor.
? 28
∑
2 4 ‰
∑
∑
42 ‰
∑
∑
∑
2 4
∑
∑
∑
∑
42
∑
307
307
Perc. 2
j 2 &8 › ≈ ›
– π
–. ≈ Œ Ÿ~~~~~~
∑
[tr. on deep E key]
Ÿ~~~~~~~ — —
O–
(whistle tone on beel edge)
O–
j › ≈ ›
j › ≈ ›
4 4
Œ
44
∑
∑
4 4
∑
∑
∑
44
≈ ‰ 2 4 › ≈ –. ‰
‰ Œ
∑
∑
4 4
π –
‰
3
— π —
—
O
O.
≈ ‰
3
2 &8
∑
∑
∑
42
∑
∑
∑
44
2 &8
∑
∑
∑
42
∑
∑
∑
44
42
∑
∑
∑
44
307
Keyb.
3
VIBRAPHONE (blow on keys)
307
Perc.1
∑
≈ ? 28 j b œ œ œ œ œ œ œ œ œ.
28 Ù
j bœœ œ œ œ œ œ œ œ. Ù
≈
j bœœ œ œ œ œ œ œ œ. Ù
≈
24
44
Vl.1
& 28
∑
∑
∑
42
∑
∑
∑
44
Vl.2
& 28
∑
∑
∑
42
∑
∑
∑
44
Vla.
B 28
∑
∑
∑
42
∑
∑
∑
44
Vlc.
?2 8
∑
∑
∑
42
∑
∑
∑
44
Db.
t2 8
∑
∑
∑
42
∑
∑
∑
44
B2 8
∑
∑
∑
42
∑
∑
∑
44
307
307
Trb.(o-s)
65
4 &4
313
Fl.
O–.
≈ ‰
Œ
Œ
Œ
whistle the tone (with mouth) into the bell (instrument pointing away) in such a distance that it produces a multiphonic like sound (sounding approx. the minor 3rd Ab-Cb)
cl.(Bb)
4 &4
bO
O
O
O
3 8
∑
2 4
38
∑
rK
j –Œ –
3 4 ‰
42
∑
43 ‰
3
O
–
‰
3
3
—
–.
≈‰
3
—. ≈ ‰
—
– 3
—.
P.trp.(Bb)
4 &4
∑
3 8
∑
2 4
∑
3 4
∑
Cor.
? 44
∑
38
∑
42
∑
43
∑
313
(blow on key and let the tone ring)
4 &4 Œ
313
Perc.1
Œ
Œ
–
n
3 8
PEDAL
Perc. 2
4 &4
4 &4
∑
>œ .
2 4
(f)
38
∑
œ.
–
–
(blow on keys)
≈ ‰
3 4
Œ
42
–
≈‰
3
∑
43
∑
mœ
43
∑
‰.
œ
4
r œ
mœ
∑
38
∑
? 44
∑
38
∑
42 Œ
Vl.1
& 44
∑
38
∑
42
∑
43
∑
Vl.2
& 44
∑
38
∑
42
∑
43
∑
Vla.
B 44
∑
38
∑
42
∑
43
∑
Vlc.
?4 4
∑
38
∑
42
∑
43
∑
Db.
t4 4
∑
38
∑
42
∑
43
∑
∑
38
∑
42 Œ
43
∑
313
Keyb.
44
313
B4 4
313
Trb.(o-s)
38
24
66
‰
‰
5
&
?
34
œ µ œ µ œ. œ. n œ.
(Ï)
5
≈‰
3
—
–
rK —‰
– ≈‰ 3
43
∑
Œ 42 Œ
π
– ≈‰ 3
–. ≈ ‰