Dysnomia

Jexper Holmen Dysnomia (2009) for bass flute & live processing Dur. 10’

Written for Hélène Navasse

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Jexper Holmen Dysnomia (2009) for bass flute & live processing Dur. 10’

PLAYING INSTRUCTIONS

SPILLEANVISNINGER

Generally the intention with the playing techniques used in this piece is to give a thick, frayed sound-picture which sways between tone and noise. Only certain notes should be presented clearly. These are marked with the text “clean”.

Generelt er formålet med de benyttede spilleteknikker i dette stykke at give et flosset, grødet klangbillede, der svæver et sted mellem tone og støj. Kun enkelte toner skal træde klart frem.

Disse er markeret med teksten “clean”.

· One should play fluttertongue throughout the piece. The only exceptions are the notes that are marked with the text “clean”.

· Der skal spilles fluttertongue hele tiden. Eneste undtagelse herfra, er enkelte toner, der er markeret med teksten “clean”.

· One should sing through the instrument throughout the piece.

Just what should be sung depends on whether that which is being played is a normal tone or a multiphonic :

· Der skal synges gennem instrumentet hele tiden. Hvad der skal synges, afhænger af, om det bliver spillet en almindelig tone eller en multiphonic:

With normal tones: sing roughly the same tone that is being played, possibly an octave above or below. It is not the intention that the notes be precisely the same. Simply begin with any tone (possibly the same tone which is being played) and adjust accordingly, if possible.

Ved almindelig tone: syng cirka den samme tone, som der spilles, eventuelt oktaven over eller under. Det er ikke meningen, at det skal være præcist den samme. Bare sæt an med stemmen på en tilfældig tone (eventuelt cirka den samme tone, som der spilles) og ret ind efterfølgende, hvis det kan nås.

With multiphonics: sing any deep tone that interferes as much as possible with the played multiphonic.

Ved multiphonic: syng en tilfældig dyb tone, der interfererer så meget som muligt med den spillede multiphonic.

· Preferably play with vibrato. Tones that are marked with the text “clean” should however be played without vibrato.

· Spil gerne med vibrato. Tonerne, der er markeret med teksten “clean” skal dog spilles uden vibrato.

· Quarter-tone notation:

· Kvarttonenotation:

This applies to the normal notes. With the various multiphonics small deviations from regular tuning are marked with arrows pointing either up or down.

Dette gælder for de almindelige toner. Ved de forskellige multiphonics er små afvigelser fra ren stemning bare markeret med pile, der peger op og ned.

Electronics: The flute should be amplified and two effects added: a 1,5 second delay and ring modulation. The two signals that should be sent into the ring modulator are the flute’s direct signal and the delayed signal. In this way the flute is continuously ring modulated with that which was played 1,5 seconds previously. Furthermore a dark, relatively long reverberation effect should be added.

Elektronik: Fløjten skal forstærkes og tilføjes to effekter: 1,5 sekunders delay og ringmodulation. De to signaler, der skal sendes ind i ringmodulatoren, er henholdsvis fløjtens direkte signal og delayet.

Således bliver fløjten hele tiden ringmoduleret med det, den spillede for halvandet sekund siden. Desuden skal der tilføjes en mørk, forholdsvis lang rumklang.

Jexper Holmen

Jexper Holmen

µ = raised 1/4 tone m = raised 1/2 tone (as usual) ˜ = raised 3/4 tone

µ = 1/4 tone op m = 1/2 tone op (som normalt) ˜ = 3/4 tone op

flute

delay

ring modulator reverb

DYSNOMIA

for bass flute and processing Jexper Holmen 2009

I q = 64 ADAGIO CANTABILE

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© 2009 by Edition SAMFUNDET, Copenhagen Engraving by Rudiger Meyer

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Jexper Holmen - Dysnomia - 4

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transform gradually over the 51 repetitions from

q. q. to

e q.

by shortening the first note a tiny bit for each repetition.

poco

Jexper Holmen - Dysnomia - 5

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