Eight and a Half Pint

Nicolai Worsaae Eight and a Half Pint

(2012)

for orchestra Dur. 8’45” or 5’28” (with or without Dal %)

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SCORE

T/ (+45) 3313 5445 · E/ sales@edition-s.dk · W/ www.edition-s.dk

Edition·S publications are supported by the Danish Arts Council Music Committee / Edition·S udgivelser er støttet af Kunstrådets Musikudvalg

Nicolai Worsaae Eight and a Half Pint

(2012)

for orchestra Dur. 8’45” or 5’28” (with or without Dal %)

SIGNS / TEGN

GENERAL EXPLANATIONS (ENGLISH)

ALMENE FORKLARINGER (DANSK)

1/4-tone sharp.

1/4 tone forhøjet.

3/4-tone sharp.

3/4 tone forhøjet.

1/4-tone flat.

1/4 tone sænket.

3/4-tone flat.

3/4 tone sænket.

When added to a repetition-sign the repeated bars should be played totally 3 times (repeated two times).

Betyder at afsnittet skal spilles i alt tre gange (gentages to gange).

EXPLANATIONS FOR THE WOODWINDS

FORKLARINGSLISTE TIL TRÆBLÆSERNE

Air and key sound. No pitch. Blow through the instrument while making noice sounds with the keys in a continuous tempo.

Luft og klaplyde uden tone. Blæs luft gennem instrumentet samtidig med at klapperne aktiveres i et fast tempo.

Air and key sound. No pitch. Blow through the instrument while making noice sounds with the keys in the indicated rythm.

Luft og klaplyde uden tone. Blæs luft gennem instrumentet samtidig med at klapperne aktiveres i den angivne rytmiske figur.

Air sound. Blow through the instrument. No pitch.

Luftlyd. Blæs luft gennem instrumentet. Ingen tonehøjde.

Air sound with a ”glissando” between the two notes. Should anyway result in a sudden change in the dynamics at the last note.

Luftlyd med en dynamisk subito-effekt til slut. Kan i mange tilfælde skabes naturligt ved dette glissando.

Only for the flute! Close your lips around the mouth-piece and blow fast through the instrument. This creates a windy like glissando. The angle to the embrouchure-hole can change the sound a lot. How ever the result should in this case be as aggressive as possible resulting in a natural crescendo towards the upper note.

Gælder kun fløjten! Dæk mundstykket med læberne og blæs gennem instrumentet. Dette skal resultere i et luftigt glissando med et naturligt medfølgende crescendo. Vinklen til hullet kan i denne sammenhæng være af afgørende betydning for den endelige lyds karakter. Det foretrækkes at lyden får så meget tilføjet energi og retning frem for reel tonehøjde. Kan anses som en slags percussiv effekt.

Only for the flute! Tongue-ram or pizzicato effect is a percussive or pizzicato like sound with a clear attack and some how well defined pitch. It is produced by completely covering the embouchure hole with the mouth and forcibly sealing it with the tongue. The result is a pitch sounding a major seventh lower than the fingered note. The upper note indicates the fingering and the lower the actual pitch. The preferable sound for this piece is to achieve a clear attack rather than a perfect pitch!

Gælder kun fløjten! Tongue-ram eller pizzicato-effekt. Lyder som en slagtøjseffekt eller et slags pizzicato. Effekten kan skabes på flere måder. En måde er at dække læbepladen med læberne og ”slå” tungen mod hullet. Den komprimerede luftstrøm skaber en kort dump luftlyd med en tonehøjde, der klinger en stor septim under det anvendte greb. Øverste tone indikerer derfor grebet og underste tonen. Effekten og dermed luftstrømmen kan skabes på flere måder. Den optimale lyd for dette stykke er at skabe så meget attack på lyden som muligt!

Flutter-tongue is a tremolo effect rolling the tongue while playing the indicated note. If the dynamic is extremely low (ppp) the result should be a more noicy sound. (Air + pitch + flutter)

Flattertunge er et slags tremolo skabt ved at lade tungen rulle mens man spiller. Ved meget svage dynamikker (ppp) er lyden mest støjpræget eller snurrende.

Lontano indicates that the tone sounds distant and vague.

Lontano betyder at det skal lyde som om tonen kommer langt væk fra.

Only for the clarinet! Is a multiphonic. The lowest note indicates the fingering. For more specific information go to: www.clarinet-multiphonics.org

Gælder kun klarinetten! Dette er en multifon hvor to toner frembringes på samme tid. Den underste noterede tone er også grebet. For yderligere specifikationer om greb se evt: www.clarinet-multiphonics.org

EXPLANATIONS FOR THE BRASS-SECTION

FORKLARINGSLISTE TIL MESSINGBLÆSERNE

Stop the bell with the right hand. Produces a less rich tone.

Stop hornet med højre hånd. Giver en mindre lukket og overtonerig klang.

Is produced by covering the mouthpiece and rapidly stick out the tongue forcing air against the mouthpiece. The result is a ”pupping sound” with no pitch.

Skabes ved at man dækker mundstykket og lader tungen med en pludselig bevægelse udad presse luft ind iimod mundstykket. Lyden er percussiv og har ingen tonehøjde.

Is the same type of sound as the tongue-ram but is produced by hitting the mouthpiece with your palm. Can replace the tongue if necessary.

Er den samme type lyd som tongue-ram, men skabes ved at slå håndfladen mod mundstykket. Kan i tilfælde af at tongue-ram ikke fungerer erstatte denne.

Blow air through the instrument. Creates a more hollow type of air sound.

Blæs luft igennem instrumentet. Lyden er en mere hul form for luftlyd.

Blow air on the mouthpiece. Gives a more present type of air sound.

Blæs luft på mundstykket. Resultatet er en mere nærværende form for luftlyd.

The same as blowing on the mouthpiece but now with an ambition of being more flutelike trying to catch high overtones if possible.

Er samme type som førnævnte, men med ønsket om at opnå en mere tonefokuseret klang. Lidt som en luftlyd med høje overtoner, hvis det kan lade sig gøre.

Only the trumpet! Is used with the harmon mute on! Blow air through the instrument and make a continuing ”wa wa-effect” with the hand. Creates a sort of air-tremolo.

Gælder kun trompeten! Er en effekt kun anvendt når harmon-dæmperen er på. Blæs luft gennem instrumentet mens man med hånden laver en wa wa-effekt. Resulterer i en form for lufttremulant.

Only the trumpet! Blow air on or through the instrument as you push down the keys in order to make as much clicking sounds as possible.

Gælder kun trompeten! Blæs luft på mundstykket eller igennem instrumentet, mens man i en rytmisk kontinuerligt trykker på så mange ventiler som muligt. Dette gøres for at skabe en klikkende lyd.

The sign for mute on.

Signalerer at der er dæmper på.

Only the trumpet! Is a subito-effect used when the harmon-mute is on. The hand suddenly closes the bell.

Gælder kun trompeten! Er en subito-effekt anvendt når man har harmon-muten på. Hånden dækker pludselig for klangstykket.

EXPLANATIONS FOR THE PERCUSSION

FORKLARINGSLISTE TIL SLAGTØJET

Is a notation for the kettle drum. It indicates that one should drag/scrabe with a club of rubber on the drum

Dette er en spilleteknik for pauken. Man skraber med en gummikølle på skindet så det frembringer en mørk uklar

skin. Resulting in a scrabing or deep creaking sound. The type of rubber has a big influense on the sound.

tone. Typen af gummi har stor betydning for det lydlige resultat.

Same effect but with a clear articulation at the end.

Samme som forrige men med en klar artikulering i slutningen af bevægelsen.

Is also a notation for the kettledrum. It means that the player should tune down silently with the pedal.

Gælder for pauken. Er en notation som betyder at man skal stemme lydløst ned eller op med pedalen.

Sul pont / Al pont

I. II. III. IV.

Scrape two pieces of styro foam against each other in the indicated rythm.

Skrab to stykker flamingo mod hinanden i den noterede rytmiske figur.

Create a tremolo with the sandpaper (also used for the styrofoam).

Lav en tremoloeffekt med sandpapiret. Notationen gælder også for flamingo.

The notation is used for metal instruments such as bike wheel, cowbell and cymbal. It indicates that the result of the sound should be a screaming-like / distorted sound that clealy involves multible pithes. This is achieved by a hard pressure either by the bow or a stick against the metal surface. For the cowbell: Play on the bell (buttom of the instrument). Choose a suitable size of instrument where this effect works on.

Denne notation anvendes til metal instrumenterne så som cykelhjul, koklokke og bækkener. Den betyder at man skal frembringe en lidt rusten halvskrigende lyd med tydelige og flere samklingende overtoner. Dette opnås ved at man stryger eller skraber hårdt mod instrumentets overflade. På koklokken spilles der på mundingen (den underste del) af instrumentet. Vælg koklokkens størrelse efter denne effekts virkning.

This is the key-signal for the bike wheel. It’s a drawing of the bike wheel with the hub as the top cirkle, the spokes as the two crossing lines and the rim as the half cirkle at the buttom. The notes are therefor placed at the actual point of playing If the note is placed on the upper staff line of the system, the point of the bow should be just at the crosspoint of the spokes. In general the pitches are high behind and near the crosspoint as well as near the rim. At the very middle of the spokes the tone is more like a rusty old pond.

Dette er ”nøglen” til cykelhjulet. Det er en grafisk afbildning af hjulet med narvet øverst, egerne er de to krydsende streger og fælgen den underste halvcirkel. Dermed er tonernes placering i systemet lig med hvor på hjulet man skal spille. Generelt er tonerne høje bagved og tæt på egernes krydsfelt samt tæt på fælgen. I mellem krydsfeltet og fælgen har tonerne mere karakter af en gammel rusten havelåge.

The notation used for the ratchet.

Er den anvendte notation for skralden.

EXPLANATIONS FOR THE STRINGS

FORKLARINGSLISTE TIL STRYGERNE

Means not, as in conventional classical interpretation, near the bridge but actually on the bridge. To avoid any misunderstanding the term ”on the bridge” is used instead and ”al pont” when the bowing is near the bridge.

Denne betegnelse betyder ikke som i klassisk musik tæt på broen men rent faktisk på stolen. Derfor anvendes den engelske term i stedet for når der skal spilles på stolen mens tæt på stolen er udtrykt ved ”al pont”.

Are the indications for the specific strings.

Er betegnelserne for de enkelte strenge.

Total dampening. Dampen the strings with the left hand near the playing point.

Fuld dæmpning. Dæmp de angivne strenge så der ikke klinger nogen specifik tone ved at dæmpe tæt på spillepunktet.

Bow pressure. Produces a scratch tone but with a more screaming character.

Buepres. Giver en skrabe eller skrigeagtig tone.

Maximum bow pressure. Produces a noisy scratch / scraping sound with a very reduced overtone spectre.

Det kraftigst mulige buepres. Skaber en meget mørk og overtonefattig støjlyd.

Is a graphical key representing a string instrument. On top is the tail piece (the small rectangle), below that is the bridge (the small horizontal line), under that again is the fingerboard (large rectangle) starting from the top line of the system.

Er en grafisk nøgle der viser et strygeinstrument. Øverst er strengeholderen (lille firkant), under er stolen (den lille vandrette linje) og under den er gribebrættet (stor firkant) som begynder på øverste linje af systemet. Nodernes placering fortæller dermed hvor på instrumentet der skal

The notes are therefor also marking the point of playing on the instrument.

spilles.

Play on the tail piece with the bow (not on any string). The result is a fuzzy tone.

Stryg på strengeholderen (ikke på strengene). Dette resulterer i en uklar tone.

Play a battuto (on 2. and 3. string) approximately at the normal bowing point while you dampen the two strings. Gives a more percussive sound.

Spil et battuto (2. og 3. streng) cirka på det normale punkt mellem stol og gribebræt samtidig med at hånden dæmper de to strenge. Giver en percussiv lyd.

Move the bow ”vertically” between the two positions on the two dampened middle strings. Gives a scraping white noise like sound.

Bevæg buen ”vertikalt” mellem de to angivne positioner og dæmp strengene. Dette resulterer i en skrabe lyd som har lidt karakter af hvid støj.

Same type of technique but now with more bow pressure. This should result in a scratchy or creaking sound. Use the hair near the frog of the bow (down bow).

Samme slags teknik bare med mere buepres. Dette giver en grov skrabende eller knirkende lyd. Det anbefales at anvende buen ved frocheenden (nedstrøg).

Play with as much bow pressure as possible between the bridge and the tail piece. In this case on the first string. Results in an aggressive quasi screaming like sound.

Spil med så meget buepres som muligt. I dette tilfælde på et punkt mellem strengeholderen og stolen på første streng. Giver en lettere skrigende/skrabende lyd.

Play / knock with the wood side of the bow on bridge.

Spil / ”slå” med bagsiden af buen på stolen.

Bow with the hair on the bridge. It is preferable if the strings are avoided (therefor make sure you damp the strings). This makes an air like sound.

Spil med buen på stolen. Det skal så videst muligt undgås at strengene klinger med. Derfor bør de dæmpes med hånden. Dette resulterer i en luftagtig lyd.

Play a very fragile crescendo on the first string between the bridge and the tail piece ending with a small but sudden gesture. Sounds a little bit like the tone has been interrupted.

Spil et meget porøst og svagt crescendo på den første streng mellem strengeholder og stol. Dette ender med en lille kort gestik der får det til at lyde som om tonen pludselig e blevet afbrudt.

Place the dampening hand or fingers very close to the playing point and bow with a lot of pressure. Is an effect that sounds scraping and scream but at the same time quite fragile.

Dæmp med venstre hånd eller fingre meget tæt på det sted der stryges med buen. Lav samtidig dette med meget buepres. Det skulle resultere i en skrabende og halvskrigende lyd som dog samtidig fremstår ret så skrøbelig.

Bow at the side of the instrument. Results in a air-like sound

Stryg på siden af instrumentet i den udskårede runding ved f-hullet. Giver en luftig støjlyd.

Is a classic Bartok pizzicato. Exaggerated pizz., where the string hits the finger board and gives a percussive sound. In this case followed by a quick dampening of the string.

Er betegnelsen for et klassisk Bartok pizzicato. Dette er skabt ved at man hiver i strengen så den rammer gribebrættet og giver en smækkende slagtøjsagtig støjlyd. I dette tilfælde er strengen, hurtigt efter smækket, dæmpet så den ikke klinger.

Play an extremely soft and fragile glissando. As less focused on the pitch as possible (more noisy).

Spil et ekstremt svagt og skrøbeligt glissando med så lidt fokus på tonens kvalitet som muligt (støjpræget).

Play a ”jumping-bow” with the wood side of the bow. Results in a more dry and wood-like sound.

Anvend bagsiden af buen og spil et spiccato. Giver en mere tør og træagtig lyd.

Only for the double bass! Is the notation of the actual pitch and not as in normal D.b-notation sounding an octave lower. In this case used for a harmonic on the g-string (9th partial).

Gælder kun kontrabassen! Dette er modsat den gængse notation hvor den klinger en oktav under det noterede, en notation i klang. I dette tilfælde en flageolet på g-strengen (9. partialtone / 8. overtone).

Find a very high position at the first string where two partials sounds unstable due to the problem of physical space for the finger. The result should be a distorted sound where the tone constantly switches between two or more frequencies.

Find en ekstrem høj position på førstestrengen et sted der rammer ned mellem to tætliggende overtoner. Det ønskede resultat er en forvrænget og ustabil lyd hvor tonehøjden konstant skifter mellem to eller flere frekvenser.

Play an extremely fast and tight tremolo. The sound is more noisy or buzzing.

Lav et meget hurtigt og tæt tremolo. Resultatet skulle gerne være mere støjende eller summende end klassiske tremolo-effekter.

INSTRUMENTATION 2 Flutes 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 Horns in F 2 Trumpets in C Percussion 1: Sandpaper Styrofoam Bicycle wheel Violin bow Whistle Cowbell (medium large) should be able to create a screaming/distorted sound when bowed. Racket Guiro (large) Lions roar Percussion 2: Kettledrum 28’’ transposable (F2 - C3) Crotali (B4 & C5) Cowbell (medium large) should be able to create a screaming/distorted sound when bowed. Cardboard box Cymbal (large) Guiro (large) Violin I Violin II (divisi a 2) Viola (divisi a 2) Violoncello (divisi a 2) Double Bass (divisi a 2) Other: The piece also requires a large screen and a projector for the video parts! This part must be controled from a computer by a person kindly following the music and not vice versa.

THE SCORE IS TRANSPOSED

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∑

π

>‹

∑

6 F

œ

–. hand ram

Πp

Fÿ

æ y P

æ y

Œ

´

‰

≈

π

Œ

´ ´ mœ

f

´

Œ

æ y–

‰

œ

4 8

–.

–

Play on the tailpiece

..

œ.

b œ.

æ . y– P

´ ´ ´ ´ ´

3:2

∑

≈

≈

5

O

π

3:2

´

Œ

œ.

3 8

´

´

´

. œ. ≈ ≈ œ ≈

œ.

Œ

F

œ.

∏

Œ

F ´

≈

∏

6 p

≈

Œ

.. m œœ ..

Fÿ

≤

‰

P

I.

P

Double Bass 1

f

.. ‰ ..

œ

≈

Œ

≈

≈

œ.

Œ

≈

∏

Œ

6æ F

π ´ ´ ´ ´ ´

IV.

.. ≈

.. ≈

B

Fÿ

œ.

≈

≈

∏

Œ

œ

‰

6-æ p

Πp

II. & III.

Viola 1

Fÿ

≈

≈

œ.

3 8

Œ

œ.

Sand paper

6æ F

.. ´ mœ ..

Violin I 2

Violin II 1

%

œ

≈

œ.

4 8

≈

∏

Œ

‰

hand ram

Con moto e = 112

.. ‰

4 8

œ.

‰

Rub/scrabe with a rubber club

Percussion 2

Fÿ

œ.

∏

Œ

œ

Œ

Œ

Kettle drum (28'')on the drum

?

Fÿ

æ ¬ y π

Œ

‰

.. 6-æ p

÷

‰

‰

hand ram

%

Œ

Œ

œ

Air & key clicks

hand ram

÷

≈

‰

‰

≈

tongue ram

÷

‰

Air & key clicks

tongue ram

(pf )

÷

Œ

Con moto e = 112

.. >‹

÷

4 8 Percussion 1

œ.

.. ≈

&

3 8

Con moto e = 112

3:2

Œ

‰ π

Nicolai Worsaae - Eight and a half - 1

3:2

f

4 8 8

Fl. 1

Fl. 2

Ob. 1

Ob. 2

B b Cl. 1

B b Cl. 2

Bsn. 1

Bsn. 2

&

A  >œ

Jet whistle

Ï

 > œ

&

 > œ

Ï  >œ

&

Ï

 œ-

B

‰

·

π

 œJ f

Hn. 1

Hn. 2

Tpt. 1

Tpt. 2

œ

&

 œ

&

 ‰

&

‰

&

Perc. 2

8

Vln. I 1

Vln. I 2

Vln. II 1

Vln. II 2

Vla. 1

Vla. 2

Vc. 1

&

&

& &

&

& ?

Vc. 2

?

D.B. 1

?

D.B. 2

?

Ï

 > œ

Ï



b >œ

Ï

 > œ

Ï



> b b Oœ ƒ



Oœ > ƒ

 ‰

 ‰

 ‰

 ‰

F

> ≈ œ Œ > ≈ b œ Œ

‰

‰

> ≈ œ Œ

œ ≈

π

π

œ ≈ ÷

π

∑

–- ≈

–.

π

Air blow through the instrument

π

Con sord.

Œ



> ≈ b œ ‰



P

≈ >œ ‰ Cup mute

P

∑

Œ

÷

Comment 1 & 11

>z >z >z >z >z ‰

> ≈ œ Œ

F

‰

≈ >œ Œ P

≈ 3 3 æ æ  p

≈ >œ ‰

≈ ‰

>z >z >z >z >z ‰

F

‰

Œ

∑

∑

Œ

∑

Œ

"white noise"

∑

Πal pont estr. I.

‰

Œ

œ ÿ ÿ ÿ œÿ ÿ

F

f 5

œ ÿ ÿ ÿ œÿ ÿ

f

>

P Air & key clicks >> > > > > > > > > > >

>

P Air & key clicks >> > > > > > > > > > >

>

‹– .

P

F

‰

≤

—-

Œ

≥ —-

"white noise"

—

I.

"white noise"



II. & III.

‰

Œ

F

5

Œ œ ÿ ÿ ÿ œÿ ÿ

f

F

‰

II. & III.

..

p Œ

Œ

∑

≥ —- .

≤

≥ —-

—

I.

I.

J

≥ —-

≤

—-

—

I.

≥ —-

≤

‰

5

œ ÿ ÿ ÿ œÿ ÿ

f

‰

f

F

œ ÿ ÿ ÿ œÿ ÿ

F

5

‰ œ ÿ ÿ ÿ œÿ ÿ

5

f 5

œ ÿ ÿ ÿ œÿ ÿ

f

F

‰

‰

Œ

F

5

Œ œ ÿ ÿ ÿ œÿ ÿ

f

F

‰

∑

&

‰

∑

&

‰

∑

?

‰

∑

?

.

Œ

&

>‹ ≈ ‰

Œ

&

Œ

&

Œ

&

(pf ) (pf )

hand ram

‰

÷

œ.

≈ ‰

‰

÷

P

>‹ ≈ ‰ tongue ram

≈ ‰

P

3 8 tongue ram

œ

>‹ ≈ ‰

( pf )

hand ram

>‹ ≈ ‰

4 8

( pf )

-T J F

∑

-T

# J

T ≈ ‰

f

3 8

–

–

–

–

–

® ≈ ‰

‰

&

B B O˙

–

–

–

–

–

–

®®®‰

‰

&

m m O˙

π

π

∑

µ µ Oœ ..

O˙

&

..

∑

Oœ ..

O˙

π

π

∑

œ

> Ï

..

∑ ≤

—-

.. J F ..

œ

> Ï ≤ I. —J

≥ —-

—- .

∑

∑

.. ‰



≈ ‰

œ

> Ï



≈ ‰

œ

> Ï

≥ —-

‰

pizz.

‰

pizz.

œ

> Ï œ

> Ï

 ≈

 ≈

 ≈

∑

≈

∑

 I.

≤

—-

J

f

ƒ

f

ƒ

—- .

F

Œ

4 8

–

..

3 8

∑

F ≥ -– - -– - -– - -– - -– - -– -

.. ‰

Nicolai Worsaae - Eight and a half - 2

&

÷

-– - -– - -– - -– - -– - -– -

I.

—-

∑

..

B

≥ —- .

≤

—-

‰

∑

pizz.

—-

&

&

B

∑

∑

m œ. ≈ P

+

∑

F

Œ

‰

÷

pizz.

J

‰

..

– ®®®‰

F

‰

4 8

3 B 8

.. Œ

∑

II. & III.

I.

≤

∑



∑

—-

..

p

p

≥ —- .

P

∑

3 B 8 ≥

-·

∑

&

∑

p

II. & III.

II. & III.

p ≤ —J

‰

..

II. & III.

p



"white noise"

Œ

– ®®®‰

Œ

F

& m œ ≈ . P

Cowbell (medium large)arco







‰

..

– ®®®‰

3 8

·- ≈ ‰

≈ · π

– ®®®‰

+

∑

P 5

‰

∑

"white noise"

Œ

al pont estr. I.

F

P Air & key clicks >> > > > > > > > > > >

.. ‰

∑

π

– ®®®‰

>

.. ‰

F æ 6

·

– ®®®‰

>> > > > > > > > > > >

5

∑

f

P

..

P

æ 6

≈ >z ‰

∑

"white noise"

π

p æ 6 Œ

∑

‰ œ ÿ ÿ ÿ œÿ ÿ

>

÷

– –-

≈ – –

P

Œ

f

>> > > > > > > > > > >

.. –‹ .

P Air blow through the instrument

Œ

Cardboard box

∑

π

P

‰

∑

‰

.. ‹– .

÷

–- ≈

–.

> ≈ b œ ‰

æ F

∑

Air blow through the instrument

Œ

∑

5

∑

Œ

∑

œ ÿ ÿ ÿ œÿ ÿ

∑

Œ

∑

‰

÷

.. ‹– .

Œ

5

∑

>‹ ≈ ‰

F æ 63

5

Œ

‰

.. ‹– . P

÷

‰

‰

÷

∑

(Ff )

P

≈ >z ‰

Cardboard box

‰

>

∑

F

‰

p æ ^ ‰

‰

Jet whistle

‰

F

.. –‹ .

(f )

∑

P

‰

>> > > > > > > > > > >

÷

hand ram

Cup mute

‰

Air & key clicks

∑

>‹ ≈ ‰

∑

– –-

≈ – –

Œ

‰

..

≈ · π

∑

∑

Sand paper

‰

F

‰

∑

hand ram

P

Œ

Œ

‰

-·

Jet whistle

‰

∑

∑

Air blow through the instrument

Con sord.

Œ

‰

π

4 8

Jet whistle

3 B 8

œ ≈ ÷

‰

P

∑

?

-·

≈ · π

·

.. · ≈ ‰ F

Air & key clicks

P

∑

‰

F

∑

P

∑

π

π

Jet whistle

Air & key clicks

Œ œ ≈ ?

·

∑

P

‰

œ œ ‰

4 A  8 [4''] >œ

‰

‰



F

Œ

∑

Ï

&

Œ

Œ

t ≈ ‰

Crotali

‰

‰



÷

Œ

Jet whistle

‰

‰

4 A 8 [4''] Perc. 1

-·

≈ · π

Œ

> ≈ b œ Œ

‰



F

‰

·- ≈ ‰

Jet whistle

F

∑

œ

J f

π Jet whistle

‰

Œ

œ

J f

·

∑

œ

 -

‰

Œ

4 A 8 [4''] 8

-·

·- ≈ ‰

Jet whistle

F

≈ · π

œ

J f

B

‰

‰

Ï  >œ

&

‰

‰

Ï

&

‰

·- ≈ ‰

Jet whistle

Ï  b >œ

&

3 B 8

[4'']

≥ —- .

±-

‰

pizz.

‰

pizz.

œ

> Ï œ

> Ï



≈ ‰

∑

≈ ‰

∑



3 8

œ.

16

Fl. 1

&

Fl. 2

&

Ob. 1

&

Ob. 2

B b Cl. 1

B b Cl. 2

∏ œ.

∏ œ.

∏

?

Tpt. 1

Tpt. 2

∑

. ≈ œ ≈

∑

∑

Œ ∑

-·

∑

F

Œ

‰

÷

Œ

..

∑

..

∑

œ.

÷ ..

∑

‰

‰

∑

∑

B.

m œ. ≈ P

‰

‰

&

∑

‰

÷

œ. ≈ ‰

‰

÷

P

T-

"screaming sound"

Œ >œ

T-

hand ram

>‹ ≈ ‰

( pf )

hand ram

>‹ ≈ ‰

T-

( pf ) T J

J F

Ï >œestremo Ï

..

–-

Air

p

–3:2

Œ

Œ

π

p

π

p

–-

-–

Perc. 2

-T J P

Œ

3 8 Oœ ..

16

Vln. I 1

Vln. I 2

Vln. II 1

Vln. II 2

&

&

Oœ ..

Oœ ..

Oœ ..

≥

arco

Vla. 2

?

—

≈ ‰

—

‰

Play on the tailpiece

–

Play on the tailpiece

D.B. 2

‰

‰

J

∏

π

Œ

-–

Œ

‰

–-

p

Œ

∑

–.

‰

‰

œ

π

p

œ

p

–-

–-

Air

p

P

?

‰

–-

–-

≈ Œ

p

π ‰

π

&

‰

Œ

‰

Œ

–-

-–

-–

‰

&

œ.

œ. ∏

p ∑

Air blow on the mouthpiece

–-

p

–-

–-

–-

P

3:2

–3:2

–-

Œ

p

Air blow on the mouthpiece

≈ ≈ ≈ –- –- –- –- –-

∑

p

Air blow on the mouthpiece

Œ

P

–-

p

∑

‰

Œ

&.

.

∑

∑

‰

p

>œ .

3 8

–-

3:2

Air blow on the mouthpiece

p

3:2

œ.

p 3:2

œ

. p

–-

≈ ≈ ≈ –-

≈ ‰

T ≈ ‰

..

–-

P –-

–-

–-

p

3:2

–-

–-

P

Œ –-

–-

p

‰

Œ

∑

‰

Œ

∑

≈ ‰

∑

÷

f

T ≈ ‰

Œ

∑

?

6æ F ≥

∑ Rub/scrabe with a rubber club on the drum

‰

≤

‰

3:2

6æ F

Œ

÷ ..

Oœ ≈ ‰

Œ

÷ ..

Oœ ≈ ‰

÷ ..

Œ

f

Oœ ≈ ‰

÷ ..

Œ

f ®®®‰

‰

∑

÷ ..

®®®‰

‰

∑

÷ ..

∑

..

–- .

P

Play on the body of the instrument (the side)

–- .

P

Play on the body of the instrument (the side)

–- .

P

Play on the body of the instrument (the side)

–- .

P

Play on the body of the instrument (the side)

–- .

P

Play on the body of the instrument (the side)

–- .

P I. > O Ï > O

–

≈

Œ

‰

–

≈

Œ

‰

–

≈

Œ

..

∑

–

–

F

π –.

F

‰

Ï

I.

..

Œ

> O

Ï > O

‰

–

≈

Œ

‰

–

≈

Œ

‰

–

≈

Œ

‰

‰

Œ

?

Œ

‰

Œ

?

Œ

‰

Œ

?

b b Oœ

Play on the body of the instrument (the side)

–-

P

–

Play on the body of the instrument (the side)

–-

P

–

Play on the body of the instrument (the side)

–-

P

–

Play on the body of the instrument (the side)

–-

P

–

Play on the body of the instrument (the side)

–-

P

–

Play on the body of the instrument (the side)

–-

P

∏

Oœ

∏ ∑

–

Oœ Oœ

‰

6æ 3:2 F

‰

I.

‰ π

..

Ï

‰

Œ

?

∑

Nicolai Worsaae - Eight and a half - 3

‰

÷

via sord

ƒ via sord

fÍ

ƒ

∑

&

–

≈ ‰

∑

&

–

≈ ‰

∑

&

–

≈ ‰

∑

&

–

≈ ‰

Œ

–

≈ ‰

Œ

-. ≈ O

≈

œ. . . . œ. f p Comment 2 & 12 œ´ ´ ´ ´ ´ ´ ´ œ´ ´ ´ ´ ´ ´ ´ mœ œ rK 7:6œ

rK 7:6œ

rK 7:6œ

rK 7:6œ

ƒ m œ´ ´ ´ ´ ´ ´ œ´ œ´ ´ ´ ´ ´ ´ œ´ ƒ œ´ ´ ´ ´ ´ ´ œ´ ´ ´ ´ ´ ´ œ œ ƒ ´ ´ œ ´ ´ ´ b œ´ œ ´ ´ ´ œ´ ƒ

rK 5:6œ

rK 5:6œ

-O .

P

f

P

f

-O .

-O .

-O .

b b O˙

Oœ

∏

f

∏

f

O˙

Oœ

-O .

≈ ‰

‰

≈ ‰

‰

5

bœ. p

œ.

∏ Œ

4 8

5:3

‰

Lontano

‰

‰

6- . æ ƒ

‰

≈ ‰

ΠP

>œ ≈ ‰

b >œ .

–

ΠP

÷

f

3 8

Play on the body of the instrument (the side)

‰

fÍ

C

Oœ ≈ ‰

≈ ‰

f

&

4 8

b >œ .

6. p

6. p

f

>œ

&

3 8 styrofoam

Œ

f

∑

–-

‰

>œ .

B

∏

‰

≈ ‰

Ï

p

‰

≈

Ï >œ .

3:2

P

≈

Ï >œ .

≈ –- –- –- –- –- –- ≈ & p

≈ ‰

>œ .

Air

Lontano

≈ ‰

Ï

p

P

3:2

≈ ‰

Ï b >œ .

3:2

–-

>œ . Ï

3:2

œ

π

‰

‰

4 8

>œ .

∑

bœ

3:2

≈ –- –- –-

‰

‰

3:2

Air

∑

Œ

..

∑

J

‰

3:2

∑

f

∑

–

∏

‰

.

T- .

f

‰

‰

3:2

Œ

I.

≈

‰

&

C

f

‰

–

J P

3:2

&.

II. & III.

–- - –- - –- - –- - –- - –- – – – – – –

–. D.B. 1

4 8

II. & III.

F ?

F

–‹

3:2

Œ

-T

Oœ ..

–- - –- - –- - –- - –- - –- – – – – – –

F≥

-T

Oœ ..

&

Vla. 1

Vc. 2

J

Oœ ..

arco

Vc. 1

#

>> > > > > > > > > > >

Œ

Kettle drum (28'')

Oœ ..

&

π

∑

Air & key clicks

‰

p

P

Cowbell (medium large)arco

÷

‰

œ

‰

..

Œ

(pf )

4 8

P

p

>‹ ≈ ‰ tongue ram

Bike wheel arco

.

Œ

(pf )

÷

œ. ≈ ‰

P

>‹ ≈ ‰

÷

∑

m œ. ≈ P ∑

–-

‰

œ

Œ

–

‰

bœ

œ

>>>>>>>>

C tongue ram

∑

+

&

.

4 8

+

‰

‰

J P

∑

÷

estremo

œ. ≈ œ. ≈ œ. ≈

‰

Œ

‹–

‰

Œ

3:2

÷ ..

∑

B.

‰

F

≈ · .. π

∑

‰

Perc. 1

‰

∑

≈

‰

3 8

π

≈ ‰

3:2

∏

&

..

·

. ≈ œ ≈

∏

·-

3:2

œ. ≈ œ. ≈ m œ ≈ . ∏

&

‰

∑

∑

16

Hn. 2

b œ.

≈

>> > >

Air & key clicks Jet whistle

Jet whistle

œ. ≈ œ. ≈ œ ≈ .

b œ.

3 8 Hn. 1

≈

œ.

3 8

C Œ

∑

∏

&

Bsn. 2

≈

œ.

≈

∏

&

Bsn. 1

≈

≈

œ.

. œ. ≈ œ ≈ œ. ≈

&

?

≈

œ.

4 8

Kr

œ

‰

∏ ∑

5

œœ

5

œ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ ÿ œÿ ÿ ÿ ÿ

f

œœ

f

5

f

5

5

œ ÿ ÿ ÿ œÿ œ ÿ ÿ ÿ œÿ œ ÿ ÿ ÿ œÿ ÿ ÿ ÿ

f

f

f

4 8

4 D 8 24

Fl. 1

Fl. 2

Ob. 1

Ob. 2

B b Cl. 1

B b Cl. 2

&

& &

&

& &

Bsn. 1

B

Bsn. 2

B

..

∑

..

.. ..

Hn. 1

Hn. 2

Tpt. 1

Tpt. 2

Perc. 2

œ

≈ ‰

[ ]

Vln. II 1

Vln. II 2

∏

≈

œ.

≈

≈

œ.

≈

≈

≈

œ.

. œ. ≈ ≈ œ ≈

∏

Œ

∑

?

Œ

∑

?

œ.

∏

. b œ. ≈ ≈ œ ≈

∏

≈

..

∑

∑

∑

∑

..

∑

÷

?

&

&

& &

styrofoam

∑

.. ´ ´ mœ

´

´

´

´

´

IV.

—

≈

P f m œ´ ´ ´ ´ ´ ´ œ´ œ´ ´ ´ ´ ´ ´ œ´ .. ‰ rK 7:6œ

.. ..

ƒ ´ ´ œ ´ ´ ´ b œ´ œ ´ ´ ´ œ´ ƒ

rK 5:6œ

´ ´ ´

ƒ

´

´ —´ ´ ´ ´ ≈ ´ ´ ´

mœ

P

rK

5:6œ

´´´´´

‰

∑

‰

‰

´ ´ ´

II. & III.

ƒ

ƒ

5:4

´ ´ mœ

‰ ´ ´ ´ ´

‰

´

´ ´ ´ —

ƒ

‰

ƒ

5:4

On the bridge ´´´´´ ´ ´ ´ ´ On the bridge ´ ´ ´ ´ ´ ® ®® ® ® ® ®®®® ® ® ®®®®

col legno bat.

5:4

.. ≈ ≈ m œ´ ´ IV.

´

´

5:4

´

´

—´

f

P

ƒ

ƒ

5:4

5:4

´ ´ ´ ´ ´ ´ ´

≈ m œ

P

9:8

-

Vc. 2

?

D.B. 1

?

.. œ œœ œœ œ‰ ÿÿÿÿÿÿÿÿÿÿÿÿÿÿÿ f f f

∑

..

∑

f

≈ ‰

ƒ

p

5

5

f

‰

‰

‰

‹– .

-

–

–

‰

p

‰

– ® ≈ ‰ & ≈

>

´´´´´ 5

>‹ ≈ ‰

6 F

( pf )

6

´ —´ ´ ´ ≈ ´ ´ ´ ≈ m œ´

>

..

– ® ≈ ‰

∑

‰ π

>

ƒ

´ ´ ´ ´ ´ ´ ´

P

..

– ® ≈ ‰ & ≈

>

..

f

F >œ

F

F >œ F

..

≈ >‹ ‰

..

≈ >‹ ‰

hand ram

≈ >‹ ‰

( pf )

hand ram

≈ >‹ ‰

( pf )

..

∑

5

ƒ

..

´ ´ ´ ´ ´ ´ ≈ ≈ m œ´ 10:8

-

µœ

6

fl F

p

4 E 8 ≥

II. & III.

–-

F

∑

œ ÿ ÿ œÿ œ ÿ ÿ œÿ œ ÿ ÿ œÿ ÿ ÿ ÿ

‰ œ ÿ ÿ œÿ œ ÿ ÿ œÿ œ ÿ ÿ œÿ ÿ ÿ ÿ

∑

f

f

f

≈

Œ

mœ > F

Œ

p

–

‰

–

J

p

p

F

hand ram

Œ

≈ >‹ ‰

Œ

Œ

≈ >‹ ‰

( pf )

hand ram

( pf )

∑ Cardboard box

≈ 6

≈

fl F

p

÷

Œ

≈ z. z. z. z.

–-

–- - –- - –- - –– – –

p

ϫ

ϫ

pizz.

 ≥

II. & III.

Œ

r 4:3œ

‰

P

-– – -–

F

≈ ≈

≈ ≈

´

-– - -– - –– – ≈ Œ

3

3

3

ϫ

pizz.

≈

∑

P

..

‰ œ

..

œ

> Ï



≈ ‰

P

≈ ≈ ≈

m ϫ

5:4

∑

..

∑

..

≈

∑

≈ ≈

pizz.

Œ

œ

> Ï

Œ

œ

> Ï



≈ ‰

œ

> Ï ‰



≈

 œ

> Ï

‰

 ≥

‰ b œ´

P œ

> Ï

≈ ≈



‰

≈ ‰

Œ

‰

≈

œ

> Ï

‰

œ

> Ï

ϫ

-– – -–

F

≈

≈ Œ

Œ



≈ ≈

"scratchy sound"

≈ ‰



ϫ

5:4

Œ

‰

ϫ

5:4

II. & III.

pizz.

≈ ‰

≈ ≈

5:4

pizz.

—

ϫ

"scratchy sound"

∑

pizz.

Nicolai Worsaae - Eight and a half - 4

Œ

Œ

∑

. &.

f

‰ µ œ ÿ ÿ µ œÿ œ ÿ ÿ œÿ œ ÿ ÿ œÿ ÿ ÿ ÿ f f f

f

–

–- - –- - –- - –– – –

..

∑

p

b œÿ ÿ ÿ œÿ œÿ ÿ ÿ œÿ œÿ ÿ ÿ œÿ f f f

f

Air blow through the instrument

≤

≤

..

∑

‰

5

‰

F

col legno bat.

5

π

>œ

p

∑

..

∑

∑

ƒ

rK 5:6œ

–

col legno bat.

‰

Œ

p

F

‰

(pf )

F >œ

rK

5:6œ

‰

œ

> F

p

tongue ram

Œ

œ. m œ. n œ. m œ. œ.

≈

–

(pf )

p

‰

F

F

p

‰ ≈

Œ

‰ Œ F œ. b œ. œ. b œ. œ. ≈ Œ

Air blow through the instrument

tongue ram

pizz.

f

rK 5:6œ

F

>œ

≈

‰

rK 5:6œ

F

≈

p

rK

5:6œ

Œ

b œ. œ. b œ. œ. m œ.

≈

œ. b œ. œ. b œ. œ.

≈ ≈

– ® ≈ ‰ ?

p

œ. m œ. n œ. m œ. œ.

F

>

≈

‰

≈ m>œ

– ® ≈ ‰ ?

..

rK 5:6œ

‰

F

"scratchy sound"

On the bridge ´´´´´ ´ ´ ´ ´ On the bridge ´ ´ ´ ´ ´ ® ®® ® ®®®®®® ®® ®®®®

—´

>

b œ. œ. b œ. œ. m œ.

On the bridge

col legno bat.

5

≈

– ® ≈ ‰ &

..

‰

∑

´´´´´

..

3 8

∑ ´ ´ ´ ´

&

..

∑

‰

≈

‰

F

>œ

≈

4 8 E

f

10:8

≈

– ® ≈ ‰ &

..

‰

 t. æ P

≥

‰

‰

9:8

..

..

‰

( pf )

6 6 6 6 6- - -6 - 6- - 6- -

‰

5

π

..

b>œ

4 E 8 ∑

∑

P

col legno bat.

ƒ

P

>‹ ≈ ‰

Œ

On the bridge

‰

>

5

‰ œ ÿ ÿ œÿ œ ÿ ÿ œÿ œ ÿ ÿ œÿ ÿ ÿ ÿ

f

P Air & key clicks >> > > > > > > > > > >

Rub/scrabe with a rubber club on the drum

≈ ≈ m œ

f

–‹ .

∑

÷

IV.

œ

P Air & key clicks >> > > > > > > > > > >

hand ram

rK

®®

‰

–‹ .

J F

p

÷

5:6œ

II. & III.

—´

–

rK 7:6œ

´ ´ ´ ´

∑

P Air & key clicks >> > > > > > > > > > >

3 8

rK 5:6œ

ƒ

col legno bat.

–‹ .

hand ram

ƒ ´ ´ œ ´ ´ ´ b œ´ œ ´ ´ ´ œ´

∑

>> > > > > > > > > > >

p

Air blow through the instrument

‰

rK 7:6œ

´ ´ ´ ´

–

F

p

´ —´ ´ ´ ´ ≈ ´ ´ ´

II. & III.

‰

–

ƒ œ´ ´ ´ ´ ´ ´ œ´ ´ ´ ´ ´ ´ œ œ

col legno bat.

On the bridge

P

÷

Air blow through the instrument

mœ

∑

–‹ .

÷

∑

9:8 P f m œ´ ´ ´ ´ ´ ´ œ´ œ´ ´ ´ ´ ´ ´ œ´ ‰

≈ ‰

>> > > > > > > > > > >

÷

∑

IV.

∑

f

´´´´´

4 8

∑

∑

.. µ -œ

?

´

œ .

.

.

P

÷

∑

6 6 6 6- - -6 6- 6- - 6- f j 4:3œ

œ. π

3 8

P

col legno bat.

On the bridge

‰

‰

‹– .

÷

∑

F

4:3

f

9:8

rK 7:6œ

ƒ œ´ ´ ´ ´ ´ ´ œ´ ´ ´ ´ ´ ´ œ œ

´

‰

Allegretto e = 128

.. ® ® ?

∑

>> > > > > > > > > > >

≈

– ® ≈ ‰ &

Air & key clicks

´ b œ ≈ Œ

4 8 ‰

P

÷

∑

F

‰

..

Air & key clicks

´

senza sord

6- ≈ ‰

6 6 6 6 6- - -6 - 6- - 6- -

Kettle drum (28'')

..

∑

Allegretto e = 128

∑

œ ≈ Œ

‰

senza sord

3 8

.. 6 6- 6 6- 6 6- 6 6f

..

Vla. 2

∑

–‹ .

3 8

÷

&

≈ ‰

œ. ≈ œ. ≈ œ. ≈ ‰

∑

>> > > > > > > > > > >

÷

4 8

∑

P

>

Air & key clicks

. b œ. ≈ ≈ œ ≈ ‰

œ.

Air & key clicks

‹– .

÷

∑

. . ≈ œ ≈ œ ≈ ‰

∑

∑

≈ ‰

b œ.

∑

..

∑

>> > > > > > > > > > >

4 E 8

Air & key clicks

œ.

∑

&

≈ ‰

œ. ≈ œ. ≈ œ. ≈ ‰

œ. ≈ œ. ≈ œ. ≈

3 8

œ.

≈

≈

3 8

. œ. ≈ ≈ œ ≈ ‰

œ.

œ. ≈ œ. ≈ œ. ≈

œ.

≈

œ.

. . ≈ œ ≈ œ ≈

œ.

≈

œ.

≈

œ.

≈

œ.

≈

b œ.

œ.

∑

Vla. 1

D.B. 2

œ.

≈

œ.

..

II. & III.

Vc. 1

∏

œ.

4 8

÷

24

Vln. I 2

œ.

Allegretto e = 128

4 D 8 Vln. I 1

∏

∑

.. ≈ ‰ [ ]

4 D 8 Perc. 1

œ.

∑

∑

œ

∏

∑

∑

..

œ.

∑

∑

œ.

∏

∑

∑

4 D 8 24

∑

∑

..

..

3 8

Allegretto e = 128



≈ Œ

3

ϫ

 œ

> Ï œ

> Ï

≈

 ≈

32

Fl. 1

Fl. 2

Ob. 1

Ob. 2

B b Cl. 1

B b Cl. 2

Bsn. 1

Bsn. 2

32

Hn. 1

Hn. 2

Tpt. 1

Tpt. 2

&

≈

& ≈ &

≈

& ≈

&

≈

& ≈

b>œ

≈

‰

F

b œ. œ. b œ. œ. m œ. rK 5:6œ

F >œ

≈

p

≈

‰

F

œ. m .œ n .œ m .œ .œ

F >œ

≈

p

rK

5:6œ

≈

‰

F

œ. b œ. œ. b œ. œ. rK

F

≈

p

5:6œ

> ? ≈ m œ ‰

≈

F

? ≈ ≈ ≈

÷

3 8

>œ

‰

F

rK 5:6œ

F >œ

‰

F

œ

p

rK

F >œ

5:6œ

‰

rK

F

>œ

‰

F

mœ > F

Œ

–

Con sord. Harmon mute

÷

Con sord. Harmon mute

F œ. b œ. œ. b œ. œ. rK

F

p

5:6œ

>œ

F

‰

≈ ≈

≈ ≈

‰ ≈

b>œ

‰

F

b œ. œ. b œ. œ. m œ. rK 5:6œ

F >œ

F

F >œ F

‰

rK

œ

F>

÷

p

Kettle drum (28'')

‰

÷

–-

& ≈ ≈

Vln. II 2

3 8 -– – –- – –- – m œ´

≈ ≈

m ϫ

≈

5:4

÷

‰

÷

÷

‰

÷

Vla. 1

≈ ≈

n ϫ

´

œ

 ≥

Vc. 1

Vc. 2

D.B. 1

D.B. 2

≈ ≈

-–

´ œ

5:4

P Air & key clicks >> > > > > > > > > > > ‹– .

F

-– 3

≈ ≈

-– ´ œ

-– - -– - –– – ≈ Œ

? Œ

œ

> Ï

 ‰

≈ ≈

Œ

œ

> Ï

? Œ ? ≈

ϫ

´

œ

-– – –- –

≈ ≈

´

œ

r

-–

-–

-–

-–

3

≈

ϫ

´

œ

≈

4:3œ

œ

> Ï

 ‰

œ

> Ï Œ

≈



≈ ‰



≈ ‰

ϫ

‰

‰

‰

– ® ≈ – ® ≈

>

– ® ≈

‰

–-

≈ ≈

‰

≈

‰ ‰

‰

‰

b ϫ

≈

≈

œ

> Ï œ

> Ï ≈

–-

–-

∑

..

∑

∑

..

&

‰

‰

?

‰

‰

?

–.

.. -T J p

–

≈ ≈

 ≥

ϫ

r 4:3œ

-–

-–

ϫ

F ≈

-–

-–

3



fl f

‰



≈ ‰

‰

‰

‰

œ

> Ï



f

œ-

œ

> Ï œ

> Ï ≈

>

–‹ .

– ® ≈

P

>> > > > > > > > > > >

>

P Air & key clicks >> > > > > > > > > > >

>

P Air & key clicks >> > > > > > > > > > >

>

œ-

-œ

f

– ® ≈

P Air & key clicks >> > > > > > > > > > >

>

‹– .

÷

3 8

– ® ≈

P

F

p

∑

&

–

Œ

∑

&

p



–.

p

–

F

Œ

p

∑

&

–

Œ

∑

&

o

Air

–o .

Air

p

4 8

-T J P

-T

p

F

-T J F

3 8

T- .

T ≈ ‰

‰

‰

‰

‰

‰

‰ ‰

f -œ

‰

F

‰

– ® ≈

–‹ .

÷

‰

– ® ≈

–‹ .

÷

‰

f

–‹ .

÷

‰

f

∑

f

b œ-

‰

..

‰

..

‰

..

‰

..

&

‰

&

‰

&

‰

m œ-

‰

..

&

‰

b œ-

‰

..

‰

B.

‰

B.

‰

‰

?

‰

‰

‰

?

‰

f

œ-

f

f

f -œ f

-œ

f

4 8

+

œ.

œ.

. .

π

F

π

‰

..

+ mœ.

œ.

π

F

‰

π

..

œ.

œ.

F

‰

π

..

œ.

‰

..

+

π

+ bœ.

π

4 8

π

F

∑

‰

∑

∑

I.

.. ‰

. . . .

π

I.

‰

‰

. . . .

π

. . . . œ. œ. b œ .. œ. œ. œ. œ. œ. œ. œ œ œ œ œ ≈ ‰ œ

∑

..

∑

..

π I. . . . .

I.

‰

π

..

– ‰

π

arco

.

.

On the bridge

.

.

p

‰

‰

ϫ

f

≈ ≈

 œ



> Ï

‰



≈

..

∑

ϫ

f

≈ ≈ ≈

m ϫ

≈ ≈ ¬

∏

5:4

π

 ‰

..

œ ≈ ‰

Play on the tailpiece

b ϫ f

≈ ≈

π

ϫ

≈ ≈

arco

π

œ ≈ ‰

‰

I.

≈

≈

œ´ r 4:3œ

‰

‰

´

œ

‰

r

4:3œ

≈ ≈

‰ œ´

≈ ≈

ϫ

r 4:3œ

p ϫ

≈

ϫ

π

≈

±

π

Nicolai Worsaae - Eight and a half - 5

b ϫ

´

œ

≈ ≈

ϫ

≈

≈

≈

ϫ

≈

P

r 4:3œ

.

b ϫ

‰

´

œ

≈ ≈

r

4:3œ

‰

≈ ≈ .

≈ ≈

m ϫ

≈

´

œ

&.

≈ ≈ ..

5:4

-–

ϫ

ϫ

≈ ≈

m ϫ

r 4:3œ

ϫ

≈

‰

≈ ≈

n ϫ

.

‰

F

≈ ≈

´

œ

5:4

≈ ≈

&.

´

œ

5:4

-–

..

II. & III.

‰

≈

‰ œ´

≈ ≈

ϫ

≈ ≈

—- .

b ϫ

≈

ϫ

..

. ..

? ..

∑

Ï

&.

?.

‰

Ï

—- .

.

‰

F

∑

∑

ƒ

m ϫ

.

‰

5:4

‰

.

f

—- .

-–

F

≈ ≈

∑

∑ —.

ϫ

‰

P

I. & II.

..

Œ

II. & III.

—- .

p

π

≈

p

∑ —- .

´

œ

≈ ≈

. . . .

.

‰

π

r

π

4 8

. . . .

4:3œ

I.

.On the.bridge. .

∑

F

. . .. b œ œ œ. œ. œ. œ.

. . . .

¬

∏

´

œ

6 ≈ ‰

I.

col legno bat.

‰

–.

–.

≈ ≈ r

5:4

F

. . . .. b œ œ œ œ. œ. œ.

≈

π

6.

arco

÷

. . . .

4:3œ

∑

–.

œ

I.

‰

&

´

ϫ

∑

‰

‰

≈ ≈ 5:4

‰

Play on the tailpiece

arco

≈ ‰

œ

–.

arco

œ

≈ ‰

ϫ

5:4

pizz.

.. œ. œ. œ. œ. b œ œ œ œ . . . . œ. œ. œ. œ. π ..

≈ ≈

‰

arco

≈ ‰

> Ï

B

ϫ

pizz.

p

I.

∑

‰

. . . .

‰

3 8

pizz.

œ

œ œ œ œ b œ ≈ ‰ œ. œ. œ. œ. œ. œ. œ. œ. . . . . π col legno bat.

–-

‰

. . . .

∑

4 8

arco

≈ ‰



>> > > > > > > > > > >

F

arco

∑

≈

P

-·

Jet whistle

-œ

‰

F

≈ · F π

– ® ≈

p

Comment 3a & 13a

3

ϫ

‰

œ

-–

3

‰

> Ï

-–

-–

‹– .

÷

π

-·

>



-T

..

≈

3

ϫ

>> > > > > > > > > > >

÷

·

F

≈ · π

·- ≈

Jet whistle

j

4 8

Cymbal (small)

∑

– ≈ ≈

π

Œ

Air blow through the instrument

–.

‰

‰

–

p

‰

·

Air & key clicks

-œ

‰

‰

‰

f

‰

‰

Air & key clicks

œ-

‰

&

‰

‰

f

‰

&

‰

Air & key clicks

-œ

‰

·- ≈

Jet whistle

Jet whistle

f

‰

&

Air blow through the instrument

∑

arco

-– – –- –

r

4:3œ

œ-

4 8

∑

p

≈ ≈

3

r 4:3œ

‰ b œ´

‰

f

‰

F

3 8

-œ

‰

-·

‰

‰

– ® ≈

P

..

≈ 6

fl f

p

3

& ≈ ≈ ? ≈

–-

–-

≈ ≈

‰

≈

F

5:4

3

Vla. 2

>

F

Jet whistle

– ® ≈

P Air & key clicks >> > > > > > > > > > >

-·

≈ · F π

>

>

.. –‹ .

π

– ® ≈

P Air & key clicks >> > > > > > > > > > >

.. ‹– .

..

>

>

.. –‹ .

·

-·

>> > > > > > > > > > >

∑

≤

≤

≈ 6

fl f

p

5:4

‰

m ϫ

6

4:3œ

Œ

&

P

Air & key clicks

∑

≤

?

II. & III.

Vln. II 1

.. ‹– .

j

Bike wheel

Rub/scrabe with a rubber club on the drum

r

–-

F Vln. I 2

>> > > > > > > > > > >

Air & key clicks

p

∑

≈ z. z. z. z. Œ

≥

Vln. I 1

.. ‹– . P

F

∑

 32

≈ · π

"sounding like an old rusty gate"

÷

÷

F

>> > > > > > > > > > >

..

F

∑

Cardboard box

Perc. 2

π

Air & key clicks

3 8 Perc. 1

·

Jet whistle

‰

∑

∑

‰

‰

–

J

∑

.. ‰

∑

–

J p

p

‰

F

‰

‰

5:6œ

m>œ

‰

Jet whistle

F

Air blow through the instrument

–

p

rK

5:6œ

œ. b œ. œ. b œ. œ.

F

‰

.. ‰

‰

œ. m .œ n .œ m .œ .œ

p

‰

p

‰

≈ ≈ ≈

mœ > F

·- ≈

Jet whistle

‰

F

∑

÷

‰

–

p

÷

5:6œ

3 8

Air blow through the instrument

p

rK

F >œ

≈ ≈

œ. m œ. n œ. m œ. œ.

≈

‰

p

‰

F

≈

‰

≈

>œ

≈

‰

p

5:6œ

rK 5:6œ

F

≈

‰

F n œ. b œ. n œ. b œ. œ.

b œ. œ. b œ. œ. m œ.

≈

‰

≈

‰

F

≈

‰

œ. m œ. n œ. œ. œ.

‰

F>

‰

p

>œ

≈

‰

œ. n œ. b œ. œ. œ.

4 8

F

‰

..

G



[4'']

>œ

41

Fl. 1

&

Fl. 2

&

Ob. 1

&

Ob. 2

&

B b Cl. 1

&

B b Cl. 2

&

Bsn. 1

Ï

 > œ

Ï  b >œ Ï

 > œ

Ï  >œ Ï  >œ Ï

 œ-

B J f



Bsn. 2

B œ J f

G

 o

[4'']

œ-

41

Hn. 1

Hn. 2

Tpt. 1

Tpt. 2

& J f

 o

& œ J f &

 o

b >œ ƒ

 o

> & bœ ƒ

G 

[4''] Perc. 1

Perc. 2

÷

‰

 ‰

÷

Con moto e = 112

3 8

4 8

tongue ram (open mouth)

‰

‰

‰

‰

‰

Œ

≈ O b‹ (pff>Jet) whistle

≈ ‰

O b‹ >

-·

≈ · π

F



[4'']

>œ

41

Vln. I 1

&

Ï

 >

arco

Vln. I 2

Vln. II 1

&

&

Ï



b >œ

Ï

 >

arco

Vln. II 2

&

œ

œ

Ï



Vla. 1

> & b b Oœ ƒ

arco

Vla. 2



Vc. 1

‰

Vc. 2

Œ

∑

Œ

∑

‰

‰

Œ

∑

‰

D.B. 1

D.B. 2

? ‰



? ‰

œ

π

p

mœ

œ

π

p

œ

p

‰

∑

∑

´ .. ≈ œ ‰

‰

≈

‰

‰

∑

∑

.. ≈ œ´ ‰

‰

≈ œæ p

π

3:2

π

3:2

∑

∑

?

..

π

4 8

3 8 ∑

Œ

∑

o

π

F

¬

–.

<o > æ

Air blow through the instrument with "wa wa-effect"

Œ

‰

∑

÷

Con moto e = 112 3 8

4 8

Sand paper

6 6 6- - -6 6- 6- F

π

3 8 ∑

6 6 6- - -6 6- 6- -

(f )

Œ

∑

Con moto e = 112

‰

4 8

Œ

‰

∑

Œ

‰

‰



"white noise"



II. & III.

Œ



π

F

‰

.. >‹ ≈ >‹ ≈ >‹ ≈ ‰

∑

.. Œ

(Pf ) (Pf ) (Pf )

styrofoam

p

p

Oœ ..

π

œ ÿ ÿ ÿ œÿ ÿ

f

p

5

‰ œ ÿ ÿ ÿ œÿ ÿ p

œ ÿ ÿ ÿ œÿ ÿ

F 5

œ ÿ ÿ ÿ œÿ ÿ

F

π

‰

π

π

‰

6 6 6- - -6 6- 6- P

.. 6æ F

6æ F

‰

3:2

5

‰

œ ÿ ÿ ÿ œÿ ÿ

π

P 5

‰ œ ÿ ÿ ÿ œÿ ÿ

P

∏

∏

π

‰

Œ

‰

O˙-

π

3

π

3

3

-O . œ.

π

‰

‰

π

‰

∑

‰

Œ

‰

π

3

3

P

‰

3

3

P

π

3

3

3

3

P

‰

3

P

P

‰

‰

‰

6æ 3:2 F

IV.



f

col legno bat.

f

´ ´ ´ II. & III.O≈

arco

∑ Oœ ..

.. Œ

f

≤

F

f

F

m -œœ f

pizz.

F

ƒ

O-

arco

pizz.

IV.

al pont estr.

>



F



´ ´ ´ II. & III.

f

´ ´ ´ II. & III.

pizz.

fl f

>



col legno bat.

f

f

IV.

>

ƒ

ƒ

f



f

≈

m -œœ

≈

arco

∑

∑

..

∑

‰

∑

∑

∑

..

∑

‰

≈ ‰

F



O-

≈ ‰

F ≈ ‰

F

≈

F

≈ ‰

f

m -œœ

œ

> Ï œ

> Ï

‰

‰

≈

‰

‰

≈ m-œœ

‰

‰

F

f

Ï

f



O-

arco

F

arco

m-œœ ≈ ‰ f

œ ≈ œ

‰ œ ≈

≈ œ œ > Ï

≈ ‰ œ

> Ï

fl f

 ‰

 ‰

 ‰

 ‰

4 8

≈ ÷ ..

D.S. al Fine

arco

col legno bat.

ƒ

Ï

p

col legno bat.

´ ´ ´ II. & III.O> ≈ ‹ ≈ ®

pizz.

IV.



≈ 6

arco

´ ´ ´ II. & III.O≈ ‹ ≈ ®

pizz.

.

&.

 ‰ 6- ‰ .. æ 3:2 F ≤ 

arco

´ ´ ´ II. & III.O> ≈ ≈ ‹ ≈ ® IV.

col legno bat.

..

Play 3x

col legno bat.

ƒ

 ‰

..

D.S. al Fine

col legno bat.

≈ ‹ ≈ ®

pizz.

F

≈

>



≈ ‹ ≈ ®

ƒ

F arco O-

≈

IV.

3 8

‰

4 8

÷ ..

Play 3x

≤

p

p

 œ- . œ. ‰

‰

‰



œ. ≈ ..

 -œ . œ. ‰

‰

≈ 6

fl f

p

m -œœ

al pont estr.

6æ 3:2 F

‰

6

IV.

∑

Nicolai Worsaae - Eight and a half - 6

3:2

6æ F

p

 ≈ ..

Play 3x

– ≈ ‰

‰

œ.

..

‰

œ.

p

D.S. al Fine

´ ´ ´ II. & III.O≈ ≈ ‹ ≈ ®

arco

arco

col legno bat.

ƒ

.. ‰

Oœ ..



f

col legno bat.

´ ´ ´ II. & III.OIV. .. >‹ ≈ ® ≈ pizz.

col legno bat.

col legno bat.

∑

ƒ

f

´ ´ ´ II. & III. > ‹ ≈ ® ≈

.. >‹ ≈ ® IV.

œ- .

arco

´ ´ ´ II. & III. > ≈ ‹ ≈ ®

ƒ

œ. ‰

col legno bat.

ƒ



œ.

œ.

œ



œ. ≈ ..

 ‰



-œ . p

‰

´ ´ ´ II. & III.O≈ ‹ ≈ ®

>

ƒ IV.





p

≈ ‰

– ≈ ‰

´ ´ ´ II. & III. O> ‹ ≈ ® ≈

IV.



6æ F

‰

?

ƒ

pizz.

.. ‰

p

3 8

-

œ. ‰

œ.

œ

> ƒ

 ≈ ..

b œ.

..

3 8

Kettle drum (28'')

pizz. IV.

.. Œ

pizz.

‰

-O . œ.

p

pizz.

.. ‰

-

4:3œ

.. Œ

œ

¬

r

pizz.

∑

P

F

≈

æ

≈ –

p

 ‰

Air blow through the instrument with "wa wa-effect"

‰

.. ≈ z. z. z. z. Œ

∑

‰

π

Œ

˙

5

‰

p

O-

Oœ ..

‰

π p

π

π

p

II. & III.

œ

> ƒ

‰

&

<o>

‰

styrofoam

4 H 8

II. & III.

p

œ

≈ ..

‰

≈ œ

¬

p

∑

3 8

π

≈ –

4 H 8

∑

π

Air blow through the instrument

≈ œ œ > ƒ

> ƒ

‰

&

‰

æ ≈ ‰ œ

˙æ

‰

œ. 

‰

‰

flz.

∑

F

π

6 6 6- - -6 6- 6- π



œ

Fÿ

‰

.. –. ≈ ‰

–.

π

II. & III.

II. & III.

π

5





π

II. & III.

-O . œ.

f

"white noise"

‰

"white noise"

Œ

‰

‰

"white noise"

‰

‰

"white noise"

∑

Œ

‰

‰

∑

Œ

"white noise"

∑

hand ram

∑

3 8

y

4 8

≈ . .

p

– ≈ ‰ & y

¬

∑

Cardboard box

‰

Air & key clicks

(Pf ) (Pf ) (Pf )

P

–.

¬

œ

æ ≈ – y p

‰

‰

∑

Fÿ

.. >‹ ≈ >‹ ≈ >‹ ≈ ‰

‰

Air blow through the instrument

∑

< >æ

∑

÷

>‹ ≈ ‰

∑

Air blow through the instrument with "wa wa-effect"

ƒ

˙

4 H 8 hand ram

∑

ƒ

ƒ

∑

÷

≈

ƒ

∑

≈

‰

‰

π

3:2

≈

œ

‰

œ.  *

D.S. al Fine

≈ ‰ œæ

æ

æ œ p

Play 3x

‰

flz.

‰÷

œ

π

≈

´ .. ≈ œ ‰

..

∑

‰

Fÿ

∑

?

÷

´

œ

‰

∑

œ

∑

∑

≈

ƒ

≈

‰

∑

3 8

´

œ

‰

.. ≈

∑

œ

‰

π

.. ≈

∑

Con moto e = 112

œ

œ

F

‰

ƒ

‰

∑

‰

p

œ

‰

´

œ

∑

π

Lontano

‰

F

-·

≈ · π

‰

3:2

œ

π

3:2

Jet whistle

‰

≈ ‰

O b‹ >

3 8

‰

‰

Lontano

‰

-·

≈

O ‹ >

≈

π

œ

≈ · π

Lontano

‰

≈ ‰

O b‹ >

.. ≈

œ

π

œ

-O . œ.



œ

3:2

œ

‰ Lontano

‰

‰

‰

mO ?m œ J π ? mœ J π

‰

≈

O ‹ >

Jet whistle

F

∑

‰

‰

3:2

‰

 O

-·

≈ · π

3:2

& Oœ > ƒ



≈ ‰

O b‹ >

Jet whistle

‰

Comment 3b & 13b

G

≈

O ‹ >

4 H 8

3 8

4 8

.

&.

.

&.

.

&.

.

&.

.

&.

.

&.

 ‰

..

 ‰

..

 ‰

..

 ‰

..

*Short! Like a breath

4 I 8

J

49

Fl. 1

Fl. 2

Ob. 1

Ob. 2

B b Cl. 1

B b Cl. 2

Bsn. 1

Bsn. 2

∑

&

∑

&

&

Hn. 1

Hn. 2

Tpt. 1

Tpt. 2

?

∑

∑

..

÷

‰

∑

÷

‰

∑

Vln. II 1

Air blow through the instrument

–.

π

F

∑

..

∑

&

∑

∑

..

∑

÷

-3 -

5

0 0 0 0 0 0 0 0 ≈ 0 t0 0 t 0 0 t0 0 t 0 æ ≈ æ ≈ æ ≈ æ ≈ p

÷

- -3

0 0 Œ

≈ ‰

Guiro (large)

∑

P- - - - - - - - 5

0

J

0.

0

π

p

0

0.

F - -3 - -

&

&

∑

..

∑

∑

&

..

∑

ƒ

Vla. 1

∑

&

.. ≈

∑

?

m ϫ

&

&

∑

∑

.. ≈ ≈

-– .

-– J

Vc. 1

-– .

-– J

On the bridge

Vc. 2

D.B. 1

D.B. 2

‰

Œ

≈ ‰

I.

≈

≥ -– p

≈ ≈ –-

∏

≈ ≥ -– p

‰

pizz.

?

..

œ

> Ï

?

.. Œ

?

.. Œ

ƒ

b ϫ



ƒ

≈ ‰

rK

Œ

–-

–

P

π

≈

pizz.

‰

?

..

œ

> Ï

ϫ

≈

≈ ≈

5:6œ

≈ ≈

‰ pizz.

œ



≈ ‰

œ

> Ï ‰

P Air & key clicks >> > > > > > > > > > > –‹ .

P Air & key clicks >> > > > > > > > > > > ‹– .

3 8

f

>

– ®≈ ‰

>

P

– ®≈ ‰

>

– ®≈ ‰

>

..

– ®≈ ‰

>

..

– ®≈ ‰

Œ

∑

∑

&

Œ

∑

∑

&

Œ

∑

∑

&

Œ

∑

∑

&

Œ

∑

∑

&

Œ

∑

∑

&

Œ

∑

∑

?

Œ

∑

∑

?

4 K 8 .. ..

∑

..

∑

..

3 8

3 8

hand ram

(f ) P o

>‹ ≈ >‹ ≈ ‰

(f ) P

(f ) P

∑

>œ œ œ . >+

f p

o

4 8 hand ram

>‹ ≈ >‹ ≈ Œ

b >œ œ œ . >+

f p

4 K 8 0 0 0 0 0 0 0- - 0- - 0- - 0- - 0- - 0- - .. P

∑

(f ) P

Air blow through the instrument with "wa wa-effect"

–.

∑

p

œ ≈ ‰

‰

∑

÷

œ ≈ ‰

‰

∑

÷

3 8

4 8

p

ϫ



p

ƒ

rK

rK

7:6œ

≈ ≈

≈ m œ´

≈

≈

ϫ

ƒ ≈ ≈

≈ ≈

≈ ≈

m ϫ

≈

œ

n ϫ

≈ ≈

´ œ

ƒ

ϫ

rK

 œ

> Ï

≈

œ

œ

> Ï



´

œ

π

´ œ

ϫ

≈

B

ϫ

π

≈ ≈

ϫ

r 4:3œ

0 ∏

≈ ≈ r 4:3œ

0

3

0

0

0

0

0

3

3

Œ

. . . . . . . œ. œ. .

π

œ b œ ≈ ‰

÷

Œ

P

≈

b œ´ π

ϫ

≈

≈

ϫ

≈ ‰

..

b œ. œ. œ. œ. œ. . . œ .

0 3

0

0

0

0

œ ≈ ‰

‰

3

4 8 –- .

P

–- .

P

Play on the body of the instrument (the side)

÷

–- .

P

arco Play on the body of the instrument (the side)

∑

P

0

arco Play on the body of the instrument (the side)

∑

œ

0

Play on the body of the instrument (the side)

÷

÷

arco

œ. œ. œ. œ.b œ œ œ œ œ œ

0

 œ

> Ï œ

> Ï

 ‰

π

∑

≈

Œ

–- .

P

Play on the body of the instrument (the side)

÷

–- .

P

arco Play on the body of the instrument (the side)

∑

œ ≈ ‰

÷

–- .

P

b œ. œ. œ. œ. œ. . . œ .

∑

arco

π

≈ Œ

Nicolai Worsaae - Eight and a half - 7

∑

..

Œ

P

..

œ ≈ ‰

P I.

±

π

3

3 8

P

..

0 3

œ ≈ ‰ œ

≈ ≈ ..

ϫ

0

bœ

r

4:3œ

0

3

0 0 0 0 0 0 0 0 0 ∏

– ≈ ‰

‰

– ≈ ‰

‰

– ≈ ‰

‰

– ≈ ‰

‰

– ≈ ‰

‰

– ≈ ‰

‰

arco

Œ



≈

≈ Œ

≈ ‰

> Ï

b ϫ

r

4:3œ

≈

..

œ œ œ œ .. œ. œ. œ. œ. œ. œ. œ. œ. . . . .

≈

5:6œ

≈ ≈

´

œ

Guiro (large)

‰

4 K 8

arco

rK

5:6œ

‰

‰

≈ ≈

≈ ≈

π

´ ´ œ ´ ´ ´ b œ´ œ ´ ´ ´ œ´

Œ

≈

≈ ≈

5:4

≈ ‰



´

œ 5:4

 > Ï

π ´ œ

7:6œ

m ϫ

. . . . œ. œ. œ. œ.

œ. œ. œ. œ. œ œ œ œ

arco

‰

œ´ ´ ´ ´ ´ ´ œ´ ´ ´ ´ ´ ´ œ œ

‰

‰

3 8

∑

0 0 0 0 0 0 0- - 0- - 0- - 0- - 0- - 0- - ‰ ∏

÷ ..

∑

≈

fl f

5:4

rK

> Ï

..

˘ ≈ œ

5:4

ϫ

≈

5:6œ

pizz.

≈ ‰

≈ ≈

´ ´ œ ´ ´ ´ b œ´ œ ´ ´ ´ œ´

.. ‰

f

≈ 6

fl f

col legno bat.

∑

On the bridge

6

5:4

pizz.

Vla. 2

ϫ

5:4

∑

–‹ .

œ ≈ ‰

m œ´ ´ ´ ´ ´ ´ œ´ œ´ ´ ´ ´ ´ ´ œ´

‰

œ´ ´ ´ ´ ´ ´ œ´ ´ ´ ´ ´ ´ œ œ

ƒ

– ®≈ ‰

.. ..

P Air & key clicks >> > > > > > > > > > >

÷

≈

≤

5:4

≈ ≈ ≈

>

..

–‹ .

∑

f

≤

col legno bat.

ϫ

>> > > > > > > > > > >

Rub/scrabe with a rubber club on the drum

≈ ≈

ƒ

P

∑

5:4

.. ≈

∑

ϫ

– ®≈ ‰

4 8

3

7:6œ

≈ ≈

–‹ .

∑

˘ ≈ m œ ‰

‰

rK

7:6œ

>> > > > > > > > > > >

˘

 o

f

m œ´ ´ ´ ´ ´ ´ œ´ œ´ ´ ´ ´ ´ ´ œ´ ƒ pizz. œ´

P

÷

≈

œ

P

œ ≈ ‰

Allegretto e = 128

rK

‹– .

∑

˘

col legno bat.

∑

>> > > > > > > > > > >

÷

œ

œ-

 o

f

J

P

∑

Œ

pizz.

Vln. II 2

p possibile

≈ Œ ≈ Œ

˘0 ‰

.. 0

P

3

≈

œ

Allegretto e = 128

0 0 0 0 0 0 0 0 0 .. 0 0 0 t 0 t t ≈ t ≈ æ æ æ æ p P F

0.

œ-

Œ

∑

4 I 8 P- - - - - - - - - - - - - -

≈ œ P

œ

Œ

.. ˘– ≈ ‰

>

..

Air & key clicks

œ.

. ≈ ≈ œ œ.

p possibile

Allegretto e = 128

F

π

. ≈ ≈ œ. œ. œ ‰

œ-

∑

&

49

Vln. I 2

π

.. ˘– ≈ ‰

Air blow through the instrument

–.

–‹ .

÷

÷

π

∑

J

‰

. œ. ≈ ≈ œ œ. œ. ‰

&

– ®≈ ‰

Air & key clicks

œ. œ.

÷

. ≈ œ. œ œ.

>> > > > > > > > > > >

÷

‰

‰

P

3 8

>

..

Air & key clicks

œ.

.. ‰

Air & key clicks

‹– .

÷

. . . ≈ ≈ œ œ œ ‰ ≈ ≈ œ.

>> > > > > > > > > > >

4 K 8

Air & key clicks

π

∑

..

‰

œ.

∑

∑

≈ ≈

. œ. œ. ≈ œ

‰

∑

. œ. œ. œ

‰

.. ‰

?

œ.

π

∑

4 I 8 Vln. I 1

≈

œ.

œ. b œ.

œ.

∑

5

Perc. 2

π

œ.

&

styrofoam

Perc. 1

œ.

. œ. œ. ≈ m œ

4 I 8 49

œ.

œ.

œ.

œ.

π

≈

‰

.. ‰

∑

œ.

≈

‰

.. ‰

∑

∑

‰

.. ‰

∑

∑

&

.. ‰

∑

3 8

Allegretto e = 128

Œ —.

p

∑

∑

∑

∑

∑

∑ —.

P

4 L 8 57

3 8

´

œ

&

.. ≈

Fl. 2

&

.. ≈

Ob. 1

&

.. ≈

&

´ .. ≈ œ ‰

‰÷

B b Cl. 1

&

´ .. ≈ œ ‰

‰

≈

B b Cl. 2

&

.. ≈ œ´ ‰

‰

≈ œæ p

Bsn. 1

?

..

Bsn. 2

?

..

Fl. 1

Ob. 2

ƒ

´

œ

ƒ

´

œ

ƒ

‰

‰

≈

‰

‰

≈

‰

‰

≈

ƒ

ƒ

ƒ

∑

œ

Fÿ ˙

œ

Fÿ Air & key clicks

y

œ

Fÿ flz.

‰

∑

‰

œ

Hn. 1

Hn. 2

Tpt. 1

Tpt. 2

hand ram

÷

.. >‹ ≈ >‹ ≈ >‹ ≈ ‰

œ

÷

.. –.

÷ ÷

(Pf ) F

(Pf )

(Pf )

≈ ‰

‰

&

Air blow through the instrument

‰

≈ –

(Pf )

(Pf )

p

.. Œ

(Pf )

œ

-œ .

œ. ‰

p

œ

> f

3 8

-œ .

œ.

o

œ. ‰

œ- .

p

œ- .

< >æ

‰

≈ – p

3 8

styrofoam

Perc. 1

÷

.. 6-æ F

æ 6F

‰

æ 6F

‰

Perc. 2

.. ≈ z. z. z. z. Œ

4 L 8 57

F

ƒ

.. Œ

IV.

pizz.

.. ‰

Vln. II 1

IV.

>

ƒ

.. ‰ pizz.

Vla. 1

ƒ

Vla. 2

Vc. 2

D.B. 1

D.B. 2

 



ƒ



ƒ

? ?

?

?

.. ‰ .. Œ

f f

´ ´ ´ II. & III.O≈

f

arco

F

..

F

m -œ œ

arco al pont estr.

ƒ



ƒ



pizz. IV.

> ‹

ƒ



ƒ

3 8

´ ´ ´ II. & III.

f

´ ´ ´ II. & III.

∑

≈ ‰

‰

..

∑

∑

Play 3x

– ≈ ‰

‰

&.

.

∑

∑

..

∑

∑

.

∑

∑

via sord

œ- .

œ. ‰

– ≈ ‰

‰

f

F

f

styrofoam

fl f

5

æ 6- ‰ F

‰

≈ 6

fl f

p

..

O-

≈ ‰

F

O-

-3 -

0 0 0 0 0 0 0 0 ≈ 0 t0 0 t 0 0 t0 0 t 0 æ ≈ æ ≈ æ ≈ æ ≈ p ∑

- -3

0 0 Œ

≈ ‰

.

∑

&.

≈

arco

F ≈ ‰

F

´ ´ ´ II. & III.O≈

œm œ

≈ œ .

œ

œ.

≈ œ .

m œ œ. ≈

≈ ‰ œ . m œ œ.

œ.

œb œ.

œ.

œ

œ.

œ.

œ

œ.

f

≈

F

œ.

œ. œ.

œ.

œ.

≈

P

œ

œ

> f

≈ œ > f

œ.

œ.

œ. œ.

≈ œ .

œ.

œ. œ.

≈ œ .

œ.

≈ œ .

≈

F - - - - - - -5 - -

‰

&.

.

∑

∑

œ.

≈

œ œ.

œ. œ.

œ.

pizz. IV.

œ.

.

œ. b œ

>



∑

B ..

∑

∑

œ.

∑

.. ..

-– .

π

-– .

‰

‰ œ ≈ P

‰

≈ ‰

‰

œ

P

..

.. ..

π

-– J π

‰

Œ



- - - - - - - - -

"white noise" II. & III.

≈

∏

≈ - - -

–-

p -–

∏

P

π

‰

Nicolai Worsaae - Eight and a half - 8

F

œ. œ.



π

‰

. ≈ œ

œ. œ.

œ.

≈ œ .

œ. œ.

œ.

ƒ

œ.

ƒ

bœ.

œ œ.

≈ ‰

≈ ‰ ≈ ‰

≈

œ.

œ. œ. ≈ ‰

≈

œ.

œ. œ.

œ.

œ. œ. ≈ ‰

œ.

œ. œ. ≈ ‰

≈ ≈

≈ ‰

f - - - - - - -5 - -

∑

0 0 0 0 00000 t ≈ t ≈ æ æ F f ≈

œ.

œ œ.

œ.

œ.

œ. œ.

≈

œ.

œ œ.

f

œ.

IV.

≈ œ.

œ.

œ. œ.

œ.

b œ. ≈ œ . ∑

pizz.

F

. ≈ œ



≈ . œ. œ

≈ ‰

ƒ

f

œ.

≈ œ .

ƒ

. œ. œ

œ.

.

. œ. œ



≈

œ.

.

ƒ

. œ. œ ≈ ‰

œ.

arco

.

œ

∑

≈ ‰

F

≈

œ.

-– .

œ œ . ≈ ‰

.

P œ.

≈ b œ .



≈ ‹ ≈ ‰

f

≈ b œ .

>

≈ ‰

col legno bat.

∑

œ

f

pizz. IV.

F

ƒ

œ

´ ´ ´ II. & III. ‰

col legno bat.

‹ ≈ ®

´ ´ ´ II. & III. O> ≈ ‹ ≈ ® ≈

F

.



≈ ‰

arco

pizz.

œ

>

col legno bat.

IV.

.

≈

IV.

´ ´ ´ II. & III.O> ≈ ‹ ≈ ®

arco

œ

≈

arco

col legno bat.

b œ. ≈ œ .

≈

∑

?

≈

œ.

pizz.

≈ œ .

f

‰

Œ –

?

œ. œ.

´ ´ ´ II. & III.O> ≈ ‹ ≈ ®

ƒ ≈ ‰

≈

´ ´ ´ II. & III.O® ≈

arco

f

-– J π

œ œ.

col legno bat.

œ.

≈ œ .

∑

∑

œ.

≈

œ. œ.

œ.

œ.

ƒ

∑

∑

œ œ.

≈

œ.

≈ ‹ ≈

..

IV.

bœ.

≈ œ .

‰

œ

bœ.

≈

´ ´ ´ II. & III.O≈ ®

ƒ

œ œ.

≈

Allegro Vivace e = 144

F

ƒ

≈

‰

0 0 0 0 00000 t ≈ t ≈ æ æ P F

O-

≈

œ.

≈

Allegro Vivace e = 144

arco

∑

On the bridge

m-œœ ≈ ‰

> f

œ

œ.

*

∑

∑

P

œ ≈ œ > f

œ.

‰

..

On the bridge

≈ m-œœ

m -œ

œ.

‰

pizz.

F

≈

≈

Allegro Vivace e = 144 œ. œ.

ƒ

≈

œb œ.

œ.

arco

f

.

œ.

≈ ‰

‰

œ œ.

œ.

col legno bat.

≈ ‰

bœ.

≈ ‰

. œ . m œ œ ≈ ‰

3N 8

arco

œ œ.

m œ œ. ≈

œ. ƒ

∑

œ œ.

œ.

≈

≈ ‰

≈ œ .

ƒ

Comment 4a

bœ.

œ œ.

œ.

ƒ

o

œ œ.

bœ.

œ

ƒ

‰

œ.

≈

≈

≈ œ .

ƒ

Tune down (ped). Silently

œ.

œ œ.

œm œ.

ƒ

0 0 0 0 00000 t ≈ t ≈ æ æ p P

œ

bœ.

≈ ‰

œ.

œ.

5

bœ.

≈

œ œ.

œ.

3N P- - - - - - - - - 8

o

4M 8

arco

≈

5

≈ ..

Play 3x

F

arco

f

‰

4M 8 P- - - - - - - - - - - - - -

œ.

œ.

≈

œ

ƒ

arco

œ

‰

&.

Play 3x

´ ´ ´ II. & III.O≈

col legno bat.

col legno bat.

ƒ

f

via sord

œ

œ œ.

œ.

3 8N ∑

bœ.

œ.

≈

≈

ƒ

4M 8 ∑

col legno bat.

col legno bat.

Ï

œ.

œ œ.

ƒ

≈ Œ

œ

œ.

ƒ

≈ Œ

Ï >œ

≈

ƒ

≈ Œ

Ï >œ

≈

œ œ.

œ.

col legno bat.

≈ ®



≈

>œ

..

col legno bat.

≈ ®

f

∑

p

≤

´ ´ ´ II. & III.OIV. > ≈ ‹ ≈ ® pizz.

P

Œ



œ. ≈ ..

Ï

œ. ‰

´ ´ ´ II. & III.OIV. > ≈ ≈ ‹ ≈ ® pizz.

m -œœ

∑

F

pizz.

m -œœ

al pont estr.

≈ ‰

>

≈ ‹

IV.

F

≈

IV.

> ≈ ‹ ≈ ®

F arco O-

≈

pizz.

F

arco

arco

f

P

ƒ

arco

´ ´ ´ II. & III.O≈

col legno bat.

col legno bat.

.. —

f



≈

ƒ

œ.

≈

œ œ.

œ.

≈ Œ

-œ .

≤

> ≈ ‹ ≈ ®

F

f

col legno bat.

col legno bat.

ƒ

pizz.

IV.

∑

Ï b >œ

œ œ.

ƒ

≈ Œ

∑

‰

p

arco

col legno bat.

´ ´ ´ II. & III.OIV. .. >‹ ≈ ® ≈ pizz.

p

‰

≈ 6

fl f

col legno bat.

´ ´ ´ II. & III. > ≈ ‹ ≈ ®

.. >‹ ≈ ® IV.

Vc. 1

IV.





æ 6F

‰

6

´ ´ ´ II. & III. O> ‹ ≈ ® ≈

≈ ®

‹

pizz.

Vln. II 2

≤

´ ´ ´ II. & III. O> ‹ ≈ ® ≈

pizz. IV.

æ 6F

≈ ..

3:2

3:2

Rub/scrabe with a rubber club on the drum

4:3œ

pizz.

Vln. I 2

‰

‰

?

r

.. Œ

Vln. I 1

‰

3:2

Kettle drum (28'')

Cardboard box

÷

æ 6F

3:2

≈

Ï >œ

Allegro Vivace e = 144

œ.

≈ Œ

..

‰

¬

∑

>œ

‰

‰

œ.

œ. ≈ ..

p

Air blow through the instrument with "wa wa-effect"

4 L 8

3:2

P

≈

p

F

‰

&

œ

∑

3N 8

‰

≈ œ P

¬

hand ram

.. >‹ ≈ >‹ ≈ >‹ ≈ ‰

> f

≈

≈ ..

œ.

‰

F > f

≈

p

œ

≈ œ œ > f

∑

b œ.

æ ≈ ‰

˙æ

≈ ..

p

‰

‰

∑

≈

œ.

F ∑

≈ . .

p

– ≈ ‰ & y

¬

∑

‰

‰

∑

æ ≈ – y p

œ.

≈ ‰ œæ F

æ

æ œ p

4 L 8 57

‰

flz.

4M 8

Play 3x

.

œ

≈

œ. –- .

œ œ . ≈ ‰

.

P

* Ossia: Play the F2 on a 30'' sized kettledrum

O 65

Fl. 1

&

∑

∑

∑

Fl. 2

&

∑

∑

∑

Ob. 1

&

∑

∑

∑

Ob. 2

&

∑

∑

∑

B b Cl. 1

&

∑

∑

∑

B b Cl. 2

&

∑

∑

∑

Bsn. 1

?

∑

∑

∑

Bsn. 2

?

∑

∑

∑

Hn. 1

&

∑

∑

∑

Hn. 2

&

∑

∑

∑

Tpt. 1

&

∑

∑

∑

Tpt. 2

&

∑

∑

∑

Perc. 1

Perc. 2

÷

?

5



t-

æ F

≈

0 ≈ ƒ

3

>>

>>

Bike wheel

M M f

M M

5



≈

t-

÷

æ F

≈

3

∑

>>>>

≈

0 ƒ

M M M M f

∑

œ œ.

œ œ.

ƒ

œ œ.

œ.

ƒ œ.

ƒ

œ.

ƒ

≈

œ.

œ

œ.

œ.

œ

œ.

œ b œ. œ b œ.

œ.

œ. œ.

œ.

œ. œ.

œ.

œ. œ.

œ.

œ. œ.

P

Allegretto e = 128

ƒ ƒ

Guiro (large) 5



t-

æ F

≈

3

∑

≈

0 ƒ

≈

œ.

œ.

œ.

≈

œ.

œ.

œ.

≈

œ.

œ.

œ.

≈

œ.

œ.

œ.

>>>>

µœ.

œ.

m œ œ.

≈

œ.

m œ œ.

œ.

œ œ.

œ œ.

bœ.

≈

≈

œ.

œ. œ.

≈

œ.

œ. œ.

œ.

œ. œ.

œ.

œ. œ.

≈ ≈

÷

5

t-

æ F

œ. ƒ

œ œ.

P

Allegretto e = 128

œ.

œ. œ.

≈

≈ ≈

œ œ.

mœ.

œ m œ.

œ.

≈ ≈

œ m œ.

œ.

≈ ≈

œ œ.

mœ.

mœ.

m œ m œ.

mœ.

m œ m œ.

mœ.

œ œ. œ m œ.

œ.

≈

≈

œ.

œ. œ.

≈

œ.

œ. œ.

œ.

œ. œ.

≈

œ.

œ. œ.

>>

>>

≈

≈

‰

≈

‰

≈

‰

≈

‰

≈

‰

≈

‰

≈

‰

≈

‰

≈

‰

≈

‰

≈

‰

≈

‰

3

≈

œ µ œ.

≈

0 ≈ ƒ

mœ.

œ œ.

Bike wheel

M M f

M M

f

65

Vln. I 1

∑

&

O-

arco

≈

Vln. I 2

Vln. II 1

pizz.

≈

F

IV.

> ‹

ƒ

∑



´ ´ ´ II. & III.O® ≈

arco

≈

f

∑

&

´ ´ ´ II. & III. O≈ ®

arco pizz.

col legno bat.

Vln. II 2

Vla. 1

f

B pizz. IV.

Vla. 2

Vc. 1

> ‹

ƒ ?

F

 ≈

≈

IV.

> ‹

ƒ



-– .

ƒ

≈

f

∑

´ ´ ´ II. & III.O≈ ® f

arco pizz.

∑

‹

arco

col legno bat.

F

>

´ ´ ´ II. & III. O® ≈

arco

pizz.

IV.

>

F

 ≈

‹

ƒ

≈

´ ´ ´ II. & III. ® ≈ f

IV.

>

ƒ

O-



≈

ƒ

f

IV.

> ‹

ƒ

?

∑

œ. œ.

–- . D.B. 2

–- .

‰

ƒ -–

œ.

ƒ ‰

≈ B œ . IV.

> ‹

ƒ

œ.



B œ.

≈

œ.

?

—.

π

≈

œ.

f

≈

œ.

‰

‰

b œ.

≈ Iœ .

unnoticeable bowing

‹

ƒ

m œ. m œ.

œ.

f

œ.

B œ.

IV.

> ‹

ƒ œ

.

f

.

Bœ .

Bœ . —.

p

mœ.

m œ m œ.

mœ. f

m œ m œ.

f

œ œ.

mœ. f

œ m œ.

œ.

f

æ F

≈

3

œ. B œ.

 ≈

´ ´ ´ II. & III. O® ≈

≈

Bœ.

≈

. m œ. œ

≈ m œ .



≈

≈

´ ´ ´ II. & III. O≈ ®

≈

œ.

IV.

> ‹

ƒ

µ œ. µ œ.



≈

≈

pizz.

f

F

œ œ. .

≈

µœ.

IV.

> ‹

ƒ

Bœ œ . .

œ.

>>>>

M M M M f

®

≈

‰

≈

µœ.

Bœ œ . .

‹

‰

f

≈

‰

µœ. f I. II.[

∑

÷

≈

‰

∑

÷

≈

‰

∑

÷

≈

‰

∑

÷

≈

‰

∑

÷

œ œ.

≈

‰

∑

÷

œ.

œ. œ.

≈

‰

∑

÷

œ.

œ. œ.

≈

‰

∑

÷

œ.

œ. œ.

≈

‰

∑

÷

œ.

œ. œ.

≈

‰

∑

÷

F

≈

‰

≈

‰

≈

‰

≈

‰

F œ.

œ œ.

œ.

œ œ.

œ.

œ b œ.

F F F

bœ.

F

F F F F

≈

æ F

F

≈

3

‰

œ œ.

´ ´ ´ II. & III. O® ≈

≈

µ œ. µ œ.

f

pizz. IV.

> ‹

ƒ . µ œ. B œ

≈

pizz.

≈



IV.

≈

≈

‰

≈

‹

ƒ

F arco ´ ´ ´ II. & III. O≈ ®

≈

>

µ œ. µ œ.

Bœ.

‰

>>>>

Bike wheel

M M M M ≈ f ‰

∑

≈

‰

∑

 ≈

´ ´ ´ II. & III. O® ≈

≈

‰

IV.

> ‹

ƒ

‰

≈

 ≈

. µ œ. B œ

µœ.

arco

f

F

IV.

≈

> ‹

ƒ

®

f

µœ. F

≈

Bœ œ . .

O-

.

≈

‰

µœ. F

≈ ‹

ƒ

 ≈

&

´ ´ ´ II. & III.O≈ ®

≈

÷

arco

col legno bat.

≈

≈

f

IV.

> ‹

ƒ

‰

OO .. œ.

Bœ œ .



>

∑

pizz.

F ≈

pizz. IV.

F

‰

arco col legno bat. II. & III.

´ ´ ´

÷

col legno bat.

pizz.

F

f

∑

÷

≈

col legno bat.

pizz.

.

F

F

arco

Bœ œ .

œ. B œ.

µœ. arco

≈

0 ƒ mœ. P

‰

≈

π

P

5

t-

÷

Div.

—.

Guiro (large)



b OOœ ...

µœ. f

œ œ.

bœ.

col legno bat.

II. & III. O ≈

—.

Nicolai Worsaae - Eight and a half - 9



F

?

≈

œ. B œ.

µœ.

f

‰

‰

œ b œ.

œ.

Con moto e = 112

f

‰

≈

≈

≈

œ œ.

≈

´ ´ ´

‰

≈

F

Con moto e = 112

Bœ.

‰

∑

œ œ. .

>

ƒ

col legno bat.

≈

÷

œ. œ.

F



arco

col legno bat.

≈

IV.

arco

≈

‰

∑

œ.

f

´ ´ ´ II. & III.O≈ ®

. µ œ. B œ

µœ.

≈

‰

œ. œ.

pizz.

f

‰

≈

œ œ.

bœ.

œ.

µœ.

‰

col legno bat.

≈

≈

÷

œ. œ.

µœ. F

F

‰

∑

F

Bike wheel

arco

f

≈

‰

œ.

≈

≈

‰

≈

œ. œ.

f

col legno bat.

pizz.

F

≈

≈

œ b œ.

œ.

œ.

f

‰

‰

Con moto e = 112

f

0 ƒ

≈

≈

Q f

5

t-

÷

∑

œ

œ m œ.

œ.



œ œ.

µœ.

arco

≈

≈ I œ .

≈

>

´ ´ ´ II. & III. O≈ ®

pizz.

b œ.

IV.

≈

col legno bat.

≈

≈ B œ .

F

œ.

pizz.

F

arco

f

∑ ≈

f

´ ´ ´ II. & III.O≈ ®

-– .

–-

´ ´ ´ II. & III. O® ≈

col legno bat.

≈

œ. œ.

mœ.

arco

≈

≈

≈

col legno bat.

pizz.

F

ƒ

∑

∑

ƒ

O-

Vc. 2

D.B. 1

‹



œ œ.

mœ.

Q

œ. ˜ œ.

. ≈ µ œ

arco

œ.



>

.

f

pizz.

IV.

œ. b œ

´ ´ ´ II. & III. ® ≈

col legno bat.

arco

F

≈

œ.

≈

‹

∑ -– .

pizz.

F

∑ col legno bat.

ƒ

col legno bat.

col legno bat.

≈

≈

IV.



∑

∑

´ ´ ´ II. & III. O≈ ®

≈

F

∑

f

pizz.

col legno bat.

∑

œ m œ.

œ.

Picture 1

O

œ œ.

Guiro (large)

≈

Con moto e = 112

mœ.

Q Guiro (large)



M M M M ≈ f ≈

≈

≈

œ.

œ

Allegretto e = 128

ƒ

÷

œ.

≈

œ œ.

bœ.

≈

œ.

œ

P ƒ

≈

≈

œ

œ œ.

œ.

≈

œ.

œ.

œ.

œ œ.

bœ.

≈

œ.

œ

≈

œ.

ƒ

bœ.

≈

œ œ.

œ.

≈

œ.

œ

œ m œ.

.

œ.

bœ.

≈

Q

œ.

œ

≈

œmœ

ƒ

œ.

≈

œ œ.

œ.

ƒ

Bike wheel

Guiro (large)

œ.

œ.

O Guiro (large)

Allegretto e = 128

ƒ

O 65

P

F



∑ ´ ´ ´

÷

col legno bat.

≈ ®

f

‰

÷

∑

OO .. œ.

Bœ œ . .

≈

‰

∑

—.

—.

f

ƒ

÷

4 8

R >> > > > > > > > > > >

>

Air & key clicks 74

Fl. 1

÷

.. ‹– . P

– ® ≈

>> > > > > > > > > > >

>

Air & key clicks

Fl. 2

÷

.. ‹– . P

– ® ≈

>> > > > > > > > > > >

÷

.. ‹– . P

– ® ≈

>> > > > > > > > > > >

Ob. 2

÷

.. ‹– .

>> > > > > > > > > > >

B b Cl. 1

÷

.. –‹ .

B b Cl. 2

÷

.. ‹– .

Bsn. 1

Bsn. 2

>

P Air & key clicks >> > > > > > > > > > >

>

÷

.. –‹ .

÷

..

– ® ≈ – ® ≈

P Air & key clicks >> > > > > > > > > > >

– ® ≈

P

∑

Hn. 1

Hn. 2

Tpt. 1

Tpt. 2

÷

÷ ÷ ÷

‰

‰

‰

‰ ‰

‰

‰

hand ram

..

>‹

∑

(f ) P

≈

hand ram

..

>‹

∑

..

(Pf )

∑

..

Perc. 2

74

≈

Vln. I 2

Vln. II 1

& .. ‰

Vla. 2

Vc. 1

Vc. 2

D.B. 1

D.B. 2

÷

÷

p

‰

arco

Oœ π

IV.

Oœ π ‰

Oπ

..

.. ..

>‹ ≈ ‰

∑

‰

P

≈

hand ram

>‹ ≈ ‰

Œ

‰

4:3

..

‰

Oœ π

Oœ π 4:3

Oœ π

‰

‰

Oœ π

Oπ ‰

‰

p

Play on the body of the instrument (the side)

–-

‰

p

π

OO .. œ.

‰

Oœ-

4:3

‰

π

-T

-–

p ‰

÷

‰

Play on the body of the instrument (the side)

-–

p

‰

S

T ≈ ‰

.. .. Œ

≈ ‰

.. .. Œ

P

arco

L.V.

∏

P

S Play 3x 5:3

‰ b b Oœ π ‰

‰

4:3

Oœ π

‰

Oπ

‰

–-

–‹ .

P

‹– .

P

>> > > > > > > > > > > –‹ .

P

.. .. ..

b b Oœ

π

‰

4:3

‰

‰

-–

p

-–

p

Oœ-

π

–

Air blow through the instrument

–

∑

..

>

>> > >

Air & key clicks

– ® ≈

‰

>

‰

‰

4 8

‹–

‰

J p

>> > >

Air & key clicks

– ® ≈

>

– ® ≈

>

– ® ≈

‰

–‹

‰

‰

‰

‰

∑

&

‰

‰

∑

&

‰

J p

.. .. ‰

∏

O .. .. Oœ

3 8

e = 96 5:3

‰

4:3

Oœ ∏

‰

∏

≈

‰

&.

.

‰

‰

>‹ ≈

..

‰

‰

‰

∑

(f ) P

hand ram

>‹ ≈

‰

(Pf )

p

≈ ‰

‰

≈ ‰

‰

5:3

‰

Oœ ∏ 4:3

‰

‰

O∏

Oœ ∏ Oœ ∏

‰

–-

‰

p

P

hand ram

>‹ ≈

‰

..

(Pf ) ∑

..

∑

..

–-

‰

p

b b Oœ

∏

‰

Oœ-

4:3

Unis. Play on the body of the instrument (the side)

–-

p

‰

Play on the body of the instrument (the side)

-–

p

‰

Play on the body of the instrument (the side)

-–

p

Nicolai Worsaae - Eight and a half - 10

‰

>0

0 f

T

‰

‰

..

..

‰

..

‰

‰

Oœ-

4:3

‰

≈

(Pf )

‰

-T

hand ram

>‹ ≈

(f )

‰

&

P

hand ram

>‹ ≈

‰

(Pf )

&

4 8

-T

T J

p

‰

p 0.

0

‰

p

4 8

4:3

Oœ ∏ ‰

O∏

5:3

‰ b b Oœ ‰ Oœ ‰ ∏ ∏

‰

Oœ ∏

‰

‰

‰

∑

Oœ ∏

4:3

‰

Oœ ∏ ‰

O∏



∑

≥ "scratchy sound" -– - -– - -– - -– - -– - -– -



∑

≥ "scratchy sound" -– - -– - -– - -– - -– - -– -

∏ ‰

F

–

–

–

–

–

IV.

.. b O . b b ( OO ..) ∏ ?.

.

-–

‰

? ..

-–

‰

? ..

p

‰

>‹

5:3

Oœ ∏

F

–

–

–

®®®‰

–

–

–

‰

O.

IV.

O. ( O .) ∏ pizz.

p

‰

≈

II. & III.

–-

p

‰

II. & III.

–-

–-

≈ ‰

e = 72

..

∏

œ

hand ram

‰

‰

b b Oœ

-œ

Guiro (large)

‰

–-

‰

P

‰

..

O∏

≈ ‰

(f )

‰

Oœ ∏

‰

œ

hand ram

e = 72

‰

4:3

œ

>‹

T

‰ b b Oœ ∏

Oœ ∏

-

p

‰

..

p

‰

∏

5:3

4 8 p

‰

‰ b b Oœ ‰ Oœ ‰ ∏ ∏

p

Play on the body of the instrument (the side)

÷

(f )

p

Play on the body of the instrument (the side)

∏

‰

‰

O∏

p

4:3

hand ram

>‹ ≈

‰

Play 3x

Oœ ∏

‰

‰

Play 3x

–-

Œ

∑

hand ram

Play on the body of the instrument (the side)

Oœ-

e = 72

∑

‰

∑

T

‰

Oœ ∏

∑

∑

‰

Oœ ∏

∑

‰

–

‰

‰

O∏

‰

π

‰

Oœ ∏

∑

p

L.V.

6

arco

– ® ≈

F

‰

‰

p

Cymbal (small)

>

j

œ œ

∏

‰

‰

T

∏

..

– ® ≈

‰ ∏

4:3

m œœ

‰ ∏

F

.

3 8

-T

b b Oœ

P

j

œ œ

F

∏

œ œ

∏

>

4:3

m œœ

‰ ∏

4:3

&.

‰

arco

.. ..

‰

‹– .

m œœ

‰

∑

‰

‰

.. ..

P Air & key clicks >> > > > > > > > > > >

..

œ œ

F

∏

‰

‰

‰

‰

–‹ .

4:3

m œœ

‰

∑

e = 96

.. ..

>> > > > > > > > > > >

Air & key clicks

Play 3x

π

.. .. ‰

.. ..

‰

p

‰

‰

‰

∏

‰

.. ..

..

∏

3:2

–

∏

‰

‰

∑

∑

Air blow through the instrument

.. .. ‰

‰

‰

3 8

‰

‰

‰ ∏

∑

e = 96

Oœ π

–-

p

π

‰ b b Oœ ∏

p

‰

∏

3:2

3:2

œ

molto sensibile

.. .. ‰

–-

‰

œ œ

b˙

‰

Oœ π ‰

œ œ

‰

p

OO ˙

Play on the body of the instrument (the side)

∑

[ — ]≈ ‰

Oœ π

‰

–-

π

>> > > > > > > > > > > >> > > > > > > > > > >

∑

∑

Play 3x

6

5:3

‰

b b Oœ

÷

∑

∑

S

P

∏

Play on the body of the instrument (the side)

‰

P

..

Air & key clicks

p

.. ..

(f )

arco

‰

p

Oœ-

∑

O ≈ m O ≈ ‹ ‹ > ( ff> ) ( ff )

3:2

.. ..

Œ

(f )

–-

∑

‹– .

Air & key clicks

∑

.. .. Œ

Play on the body of the instrument (the side)

∑

Ï

∑

hand ram

Oπ

∑

..

? ..

.. ..

∑

4 8 ‰

Oœ π ‰

4:3

O. ? .. Oœ ..

÷

∑

‰

∑

5:3

..

b O? .. b œ π

∑

. . &. . Œ

‰

Comment 4b

& .. ‰

Vla. 1

∑

∑

∑

Vln. I 1

Vln. II 2

∏

÷

tongue ram (open mouth)

∑

. . & . . m ˙˙ ∏

Play 3x

Cymbal (small)

& .. ‰ b b Oœ π

÷

T

..

R

.. ..

.. .. Œ

4 8

-T

∑

∑

‰

∑

arco

.. ‰

.. ..

‰

∑

Bike wheel

÷

n‹ ( ff> )

4 8

R

Perc. 1

mO

>> > > > > > > > > > >

Air & key clicks

Œ

≈ .. .. Œ

∑

R 74

O b‹ > ( ff )

‰

‰

>

‹– .

&

≈

Play 3x

e = 72

molto sensibile

– ® ≈

P Air & key clicks >> > > > > > > > > > >

Œ

‰

‰

>

Air & key clicks

tongue ram (open mouth)

T

Air & key clicks

– ® ≈

P

Play 3x tongue ram (open mouth)

3 8

e = 96

.. .. ≈ ≈ Œ O ≈ O ≈ O mO ‹ m‹ b‹ n‹ > > > > ( ff ) ( ff ) ( ff ) ( ff ) tongue ram (open mouth)

&

‰

‰

>