Christian Winther Christensen Festmusik (2010) mit japanischem Geist und deutschem Akzent for sinfonietta Dur. 8′
SCORE
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Christian Winther Christensen Festmusik (2010) mit japanischem Geist und deutschem Akzent = Make the accent with as much sound as possible. Used when you play with particuæar techniques
for sinfonietta Dur. 8′
PLAYING TECHNIQUES The score is transposed
PERFORMANCE TECHNIQUES
f" =
"
WINDS
–
PLAYING TECHNIQUES A glissando with air. As in the previous example use the fingering A obtain glissando with air. AsTECHNIQUES inisthe previous example use the fingering to obtain the right frequency. PLAYING The score transposed to the right frequency.
f "f"
Y.
– – +
– – j ‹ >
Air. Use the notated fingering in order to obtain the right frequency. Air. Use the notated fingering in order to obtain the right frequency. Tongue PLAYING pizzicato.
Tongue pizz.
– –
‡–. j –‹ R
‹
j ‹
± ‹ R
j ‹
Noise from the A glissando withnotated air. Askey. in the previous example use the fingering to obtain the right frequency. Make a glissando only with key-noise.
Make a glissando only with key-noise.
Make a glissando only with key-noise. Slap-tongue.
Slap-tongue.
Multiphonics + Flutter Tongue Noise from the(sung) notated key. Multiphonics (sung) + flutter-tongue.
j ‹
Play the teeth on the top oftop theof reed. Make a glissando only with key-noise. Playwith with the teeth on the the reed.
As loud as possible. Is used with techniques where not very much sound is generated.
b œ·@ ±
The score is transposed A glissando with air. As in the previous example use the fingering to obtain the right frequency. A glissando with air. As in the previous example use the fingering "f = as loud as possible. Is used with techniques where to" obtain the right frequency. Noise from the notated key. not very much sound generated. Noise from the notated is key.
Noise from the notated key. AAjet jetwhistle. whistle.
j b œ·@ ‹ ±
TECHNIQUES
Slap-tongue. Air. Use the notated fingering in order to obtain the right frequency.
j – – ‹
‹ ‡ .
The score is transposed
= Make the accent with as much sound as possible. Used when you play with particuæar techniques
= as loud as possible. Is used with techniques where not very much sound is generated. = as loud as possible. Is used with techniques where Tongue-ram (pizz.) not very much sound is generated. Tongue-ram (pizz.).
" "
œ.
= Make the accent with as much sound as possible. Used when you play with particuæar techniques
Air. fingering in order to obtain the rightthe frequency. Air. Use Usethe thenotated notated fingering in order to obtain right frequency.
–
–
= Make the accent with as techniques much sound where as possible. as loud as possible. Is used with Used sound when you play with particuæar techniques not very much is generated.
Multiphonics (sung) + Flutter Tongue
± R
Play with the teeth on the top of the reed.
BRASS
Use the right hand.
Use the mouth.
Slap your right hand on the mouthpiece. Use valve to get the pitch.
Make the same sound as in the previous example, but this time with the mouth. This will not be nearly as strong but can be articulated better.
Make a noisy change between the F horn and the Bb horn.
High, middle and low pitch air sound.
A glissando between high and low air sound.
A free wild glissando between high and low air sound.
A kind of breath accent. Move your head from right to left and from left to right. Also air sound.
Use the valve to get the pitch.
Use the slide to get the pitch.
Sing and play the tone at the same time.
Same as the last example but with flutter-tongue.
NOTATION AND PERFORMING TECHNIQUES
STRINGS
˘‹
>‹
Hammer on: Hammer on. 1) Keep your fingers on the strings after the attack. 1. Keep your fingers on the strings after 2) As previous example but remove your finger after the attack.
the attack. 2. As previous example but remove your finger after the attack.
+ œ
pizz. Left hand pizzicato
Left hand pizzicato.
‚ ‡ b !œ bœ
Square are played a harmonic but with a slight pressure, A square note. Is playednotes as a harmonic but with aas slight pressure with your other fingers behind the notated pitch. A muted sound. remaining fingers behind the notated pitch. A muted sound. Sometimes all the strings just muted with this symbol: Sometimes all the strings are muted with this symbol.
j ‡
Scratch withScratch your lef hand neails. with left hand fingernails. Sometims even with your right hand. Sometimes even with your right hand. Never use the bow.
Never use the bow.
# ! j #œ " " "œ J R 5 œ
œ
"
are notated.
In this case: Articulate the first three notes.
pressure.
Tremolo with natural harmonics. Tremolo with natural harmonics. [ a major second up ] (A major second up.)
"
" " " "
Articulate onlyitthe places where strokes Articulate only the places where is wrikken strokes. The articulation is always Marcato. The articulation is always marcato. In this case: Articulate the first three notes.
Bow pressure Bow
Ÿ ~~~~~ j · · !
the
Move the bow gradually sul gradually ponticello to sul tasto sul (closeponticello to the neck) Move thefrom bow from The arrow is just to show where you bow are going.
to sul tasto (close to the neck). The arrow is to indicated the placement of the bow.
"
Tailpiece (between the 1st and 2nd line). (between the 2nd and 3rd line).
Tallpiece (between the 1. and 2. line) Between theBetween tallpiece andthe the bridge (betweenand the 2.the and 3. line) tallpiece bridge The bridge ( 3. line) The bridge (3rd line). Sul ponticello Sul tasto (close the neck) Sultoponticello.
Sul tasto (close to the neck).
christianwintherchristensen@yahoo.dk
INSTRUMENTATION Alto Flute in G English Horn Bass Clarinet in Bb Horn in F Trumpet in D Trombone Piano Violin I Violin II Viola Violoncello Double Bass
THE SCORE IS TRANSPOSED
1
Alto Flute in G
Allegro e= 160
3 & 16 ‹ – > "f "
" 85
#
44 Œ
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" 85
#
44 Œ
j –
" 85
j #–
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without mouthpiece
English Horn in F
Bass Clarinet in B b
3 & 16
Horn in F
? 16 3
Trumpet in D
3 & 16
Trombone
? 16 3
‹ – > "f " r " ˜ fl "f " r " ˜ fl "f " r " b˜ fl "f "
!
!
!
Piano
Pedal
Bow
3 & 16 ? 16 3
II III
3 16
III string to C
Bow
3 16
II III
IV string to E
Bow
Viola
Bow
Cello
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M
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#
M
$ f
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3 16
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3
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jP ‡ ‡ ‡ b‡
arco
Scoratura Middle of the bow IV string to C
Bass
arco
col legno Middle of the bow
‡ 3 " " B # ‡‡ 16 ‡ "f " R col legno II III
#
!
44
b– " ‰ R P
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r "‰ ‰ Œ *
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Violin II
" 85
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Scoratura
Violin I
#
col legno Middle of the bow
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‰ ± J %
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6
A.Fl. in G
E.H. in F
B.Cl. in B b
5 & 16
#
43
5 & 16
#
43 # –æ p
5 & 16
Hn.
? 16 5
D Tpt.
5 & 16
Tbn.
? 16 5
Pno.
P.
5 & 16
#
÷
43
Vln.I
Vln.II
# >‹ . ‹. 5 & 16 ‰ J f
%
F B
3 4
white keys
j –
#
j ‡
3 4
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Vcl.
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3 16
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3 16
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#
3 16
3 œj . 16 %
&
hammon mute
INSIDE
close to the point
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p
j –
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B F B
. ? 5 ‰ # ‡J 16 "f " 5 3 ã 16 ‰ r $ $ 4 r ° * black keys
j œ
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# #
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j #œ
44 œ ‹ J f "f "
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4 r$ ‰ Œ 4 œ. 4 4
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3 16 3 16
#
#
>‹ b 4‹ 4 "f "
#
b>‹ 44 ‹ "f "
#
>‹ 44 ‹
f
" " arco
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3 16 3 16
3 16 3 16 3 16
3 & 16
#
44 Œ
j 3 – # & 16 #‹ – > "f "
44 Œ
12
A.Fl. in G
E.H. in F
B.Cl. in B b
Hn.
D Tpt.
Tbn.
Pno.
P.
‹ – > "f "
j #–
3 & 16
j –
‹ – > "f " ? 16 3 r # # #Y fl "f " 3 $ & 16 ? 16 3 ? 16 3 ? 16 3 3 ã 16
r # # #Y fl "f " $ $
Vln.II
5 16
$
#‰
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$
r #‰ ‹ ‡. "f " > j – –– – – # ‰ Œ R "f "
Œ
5 16
$
–– – – # ‰ R
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–
&
‰ b ‡.
÷
44
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÷
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F
B
Œ
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4 Ó 4
%
# 'œ œ
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3 # œ. # # B 16 R p
Vla.
? 16 3 # œ. # # R p col legno
Vcl.
Cb.
?3 16
. + # #œ œ %
col legno
pizz.
44 Ó
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%
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!
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j #œ #œ
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$
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white keys
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4
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48 –. –. –. –. –. –. –. –. P
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+
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B F B
arco
col legno
Œ
$
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col legno
3
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B
44
# œ. 3 & 16 R # # p
3 & 16
Œ
– "f " p " KEY ‚‚‚. ‚ ‚‚.‚ 4 ‚ & 4 R ‚. # ‰ Œ %
col legno
Vln.I
4 Π4
#
+ # ‰ r #‰ #– # œ R . " " f P
$ $
3 # # r 48 r # ‰ Œ 16 – – 3 # # r 16 œ. % 3 16 $
48 r # ‰ Œ œ. 48 $ col legno close to the thumb II
4 8
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j ( #
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j ( #
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7 Œ. 8
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sul D
col legno close to the thumb
78
' ( J
4 >‹J ‚J ‚J ‚J 8 "f " 4 8
3 16
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II
col legno close to the thumb
78
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48 >‹J ‚J ‚J ‚J "f " II
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( J
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A.Fl. in G
E.H. in F
B.Cl. in B b
+ + r 3 – ! 4 œ ! ‰ # œr ! ‰ Œ R . . " " P f A
‰
18
. . . & –. –. –. –. – – –R ! 43 &Œ
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‰
3 4
Hn.
&
D Tpt.
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43
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43
Pno.
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Bow
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2
3
1
2
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1
3
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2
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j „ 34 Œ „ ' 43 r ! ‰ Œ #‡
with glass
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3 4 Œ
# %œ œ
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3 4 Π43 5
&
$
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3 16
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3 16
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3 16
molto vib.
48 Œ
F &
molto vib.
4 Π8
F &
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$
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+ 34 r ! ‰ Œ œP
"
Tbn.
"
5 16
œœœœœœœ 48 R ! ‰ 6 '
molto vib.
48 Œ
F &
% #œ œ Œ #œ œ F & 6 r ####### œ‚ ! ‰ b œ‚œ œ‚ ‚ R P molto vib.
4 8 48
1
2
3
1
2
3
1
3 16 3 16
3 & 16
!
44
3 & 16
!
44 Ó
24
A.Fl. in G
E.H. in F
B.Cl. in B b
Hn.
D Tpt.
Tbn.
Pno.
P.
Vln.I
Vln.II
Vla.
Vcl.
3 & 16
! "–
$5
!
? 16 3 r " " 44 Y. "f " o + r 3 4 & 16 # œ· œ· 4 œ· " ‰ Œ # p
! Ó
? 16 3 r " " 44 ! Y. "f " 5 5 5 „ 3 4 & 16 ! 4 ‹. " ‹. " ‹. " ‹. "‹. " ‹. " ‹. " ‹. " 5 $ ? 16 3
!
3 ã 16
!
&
5 44 # œ œ 5œ œ œ œ œ œ5 œ œ œ œ 5œ œ œ œr Œ . ........ ... .... $ 44 !
# >‹ œ 3 4 & 16 œ " " 4 # ‹ R "f " œ " " 4 # >‹‹ 3 & 16 œ 4 R "f "
>‹ œ 3 4 B 16 œ " " 4 # ‹ R "f " r ? 16 3 œ " " 44 # >‹ #‹ œ f
" "
Cb.
Œ
4 4
!
+ # œ. >
?3 16
!
4 Ó 4
%œ œ
ƒ 5
# >‹ ‹ %œ ‹ ‹ œ J J "f " ƒ
%œ # >‹ œ # ‹J 5 ƒ "f " %œ #>‹ œ # ‹J ƒ 5
%œ œ
ƒ 5
f
‹ %œ ‹ œ J ƒ ‹ # %œ ‹# œ J ƒ
" "
# >‹ ‹ # %œ #‹ ‹ #œ J J "f " ƒ Œ
5
5
5 r"" 16 ‹ Y. p 5 r " ‰. 16 –
43 Œ
!
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!
5 16
!
5 r " ‰. 16 „
43
5
2
Œ
!
5 16
!
43
Œ
2
6
1
3
#
2
Œ
!
˘‹ œ œ ®" ‰ # ‹ RÔ J "f " ƒ
rK œ ®" ‰ # ‹j œ #‹ fl "f " ƒ Œ
Œ
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6
‰ ‰ ‰
#
#
Œ
38
! !
38
!
r 'œ ' ' ' ' ' 'œ ? b‚ 3 ‚"‰ ‰ 8 œ‚ œ‚ R P 6
2
3
1
2
3
1
3
–. J
1
2
3
‰
1
38 1
3 8
38
! –. J
38
Œ
48 ‰
48
38
1
2
38
!
3
6
5
!
2
!
48 „ " ‰ R
Œ
Œ
1
3
38 „. # 38 !
38
Œ
2
6
1
5
!
œœœœœœœ R " ‰ 1
œœœœœœœ 4 R " ‰ 8
–. –. –. –. –.
÷
r # œ. œ. œ. œ. œ. œ. " ‰
!
–. –. –. –. –.
38
Œ
5
˘ 34 œœ ®" ‰ # ‹‹ RÔ J "f " ƒ
48
÷
r " ‹. " ‹. " ‹. " ‰
‰
38 1
6
5
˘ 34 œœ ®" ‰ ## ‹‹ J ÔR "f " ƒ
48
œ 3 R"‰ ‰ 8
3
Œ
œ 38 R " ‰ ‰ 1
3
œœœœœœ 1
43 r " ‰ # Y. "f " 43 Œ
‹˘ œ& . 5 # ‹ ‰ 16 ‰ # œ . 43 J J 5 "f " p &j ˘ #‹ ‰ 5 ‰ #œ . 3 16 # œ . 4 #‹ J 5 p "f " ‡ 5 ‡"‰ " 3 " ‡‡ 16 R 4
1
3
#
43 r " ‰ Œ # .Y "f " o + r 43 œ· .. ·œ œ· " ‰ # p
43 Œ
# ˘‹ # œ& . 5 ‹ ‰ 16 ‰ œ . J J "f " p
2
!
5 16
# ˘‹ # œ& . 5 # ‹ ‰ 16 ‰ # œ . J J "f " p
f
Œ
5 3 16 # ‡. r " " 4 Œ #‹ ‡ p>. 5 16
œœœœœœ 1
Œ ‹. " ‹. " ‹. ‰ 38 $ 6
48 Œ
œ. œ. œ. œ. œ. œ. 38 p 6
!
˘ 48 ## ‹‹ J "f "
38
‰
œ. R " ‰ p
38
‰
col legno
r œ. " ‰ p
38
œ. " ‰ R p
38
œ. " ‰ R p 6 r 'œ ' ' ' ' ' 'œ 4 b‚ ‚ " ‰ 8 œ‚ œ‚ R
38
˘ 48 # ‹‹ J "f " ˘ 48 # ‹‹ J "f "
‰
j 48 # ‹ #‹ fl "f " 1
col legno
col legno
col legno
‰
2
3
1
2
3
1
3 8
& 38 ‰
30
A.Fl. in G
E.H. in F
B.Cl. in B b
Hn.
D Tpt.
Tbn.
Pno.
P.
œ œ œ œ R " 43 Œ 1
1
œ œ œ œ R " 43 1
2
3
3
‰
j ‹ fl "f "
+ o + 3 r œ œ 4 œ " ‰ $
‰
r r r r 3 3 ‹ " ‹ " ‹ " ‹ &8 4 - " ‰ p F r ‰ & 38 œ. " ‰ 43
‰
#
j ‹ – >
j –
3
‰
j ‹ fl
3 42 ‹j – > 3 42 # ‹j – >
2 j3 4 ‹ – >
42
Œ
B j #–
j ‹ – >
j –
j –
j ‹ – >
j –
j –
j ‹ – >
j –
#
# 42
#
#
42
#
42
Œ
Œ
3
3
3
?
3 16 ‹ > 3 16 #‹ > 3 16
Vln.I
& 38
#
f ƒ
" "
3
f ƒ
" "
3
f ƒ
" "
3 r " 16 .̃ "f " ! 3 r " 16 b ˜. "f "
?
#
3 16
#
#
3 " 16 3 16
3
3 16
arco
Vln.II
3 &8
#
f ƒ
3
" "
f ƒ
3
" "
f ƒ
#
3
Vla.
f ƒ
3
" "
f ƒ
3
" "
3 16
f ƒ
#
Vcl.
3 ‹ 4 ‹ > "f "
#
r % % % % œ‚ " 3 b œ‚œ 4 œ‚ ‚ J R 3
Cb.
? 38 ‰
1
2
3
1
3
"
85
#
43
j –
"
5 8
#
3 4
"
85
#
43
"
85
#
43
"
85
#
43
KEY
without glass
"
% f
r
"
° !
% f
3 16
#
% f
3 16 "
42
# 7
3 16 % f
Œ
5 8
"
85
‡ #‡ ‡ ‡ R "f "
% ® "
‡ #‡ ‡ ‡ R "f "
"
% ® "
‡ # " & ‡‡ ‡ R "f "
85
5 8
#
43
#
( %. jP
43
‰
5 8
85
5 8
‡ R "f "
% ® "
Œ.
( %. P
3 4
Œ
43
%
43
j ‡ ‡ ‡ b‡
Œ.
Œ
3 4
( %. P
%
3 4
j ‡ ‡ ‡ b‡
Œ.
Œ
( %. P
B
43
arco
B # ‡‡
‡
‡ ‡ ‡ b‡
%
arco
5 8
"
r " ‰ *
43
Œ
arco
% ® "
II col legno III Middle of the bow
"
85
% ® "
col legno Middle of the bow
"
‰
arco
col legno Middle of the bow
"
!. ‚‚ 58 ‚R " ‰ ' 85
col legno Middle of the bow
3 " 16 II III
& & &3 3 3 œ œ"‹ œ œ"‹ œ œ" 2 œ œ ‹ œ œ ‹ œ œ 4 > > "f " ƒ "f " ƒ ƒ #
% f
" "
arco
?3 8
"
3 16 " II III
& & b>‹ &œ b œ >‹ œ œ >‹ œ œ 43 b ‹ œ b œ " ‹ œ œ " ‹ œ œ " 42
#
j –
" "
arco
B 38
43
col legno Middle of the bow
3 " 16 II III
>‹ &œ œ >‹ &œ œ >‹ &œ œ 3 2 4 b‹ œ bœ " ‹ œ œ " ‹ œ œ " 4
#
–
#
#
85
–
3 16
arco
"
3 r " 16 .̃ "f "
!
II III
>‹ &œ œ >‹ &œ œ >‹ &œ œ 43 ‹ œ œ " ‹ œ œ " ‹ œ œ " 42
‹ >
–
j #–
!
#
#
43
#
j –
Œ
–. –. –. " ‰ R
ã 38
3
j #‹ – > "f " j ‹ fl
j #–
j ‹ – > "f "
3
1
–. –. –. " ‰ R
& 38 ‰
Œ
43 Œ
#
3 &8 ‰
÷
3
3
& 38
÷
2
85
j ‡ ‡ ‡ b‡
%
Œ.
Π#
3 4
?
3 4 43
& 43 Œ
Œ
35
A.Fl. in G
E.H. in F
B.Cl. in B b
& 43 Π3 &4
3
j #‹ – > "f "
j –
3
‰
j ‹ fl "f "
j ‹ fl
j #–
j ‹ – > "f "
‰
j ‹ – >
j –
3
j ‹ fl
‰
.. j ‹ – > 3
.. j #‹ – > 3
.. j ‹ – > 3
Hn.
? 43
D Tpt.
& 43
"
..
Tbn.
? 43
"
& 43
Pno.
P.
Bow
Vln.I
Vln.II
Vla.
Vcl.
Cb.
j ‹ – >
j –
j –
j ‹ – >
j –
j ‹ – >
j –
j –
j ‹ – >
j –
j ‹ – >
j –
3
3
3
3
3
3 .. 42 j ‹ – > 3 .. 42 j #‹ – > 3 .. 42 j ‹ – >
j #–
j ‹ – >
j –
j –
j ‹ – >
j –
j –
j ‹ – >
j –
3
3
3
"
.. 42
without hammon mute
..
"
.. 42
"
"
..
"
.. 42
"
& 43
"
..
"
.. 42
ã 43
"
..
"
.. 42
3 4
"
..
>‹ %œ œ >‹ %œ œ >‹ %œ œ & 43 ‹ œ œ $ ‹ œ œ $ ‹ œ œ $ .. 43
f ƒ
3
# ®$ ‰ RÔ
f ƒ
" "
3
f ƒ
" "
f ƒ
3
f ƒ
3
" "
# ®$ ‰ RÔ
f ƒ
3
3 4
3
f ƒ
"
"
"
28
j –
$
85
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28
j –
$
5 8
"
2 8
3 r $ 16 .̃ "f "
$
85
"
28
$
85
"
28
3 r $ 16 b ˜. "f "
$
85
"
28
3 16 #‹ – > 3 16
.. 42
.. 42
"
.. 42
"
3 16
"
"
3 $ $ 16
..
"
"
&
8
"
"
# f
II III
"
Œ
r$‰
*
#
# ® $
# ® $
"
# ® $
5 8
85
# f
# ® $
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3 # ®$ 16 # f
28
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28
‰
II
‡ ‡ ‡ b‡
Œ.
' #. P
#
2 8
Œ
28
#
28
Œ
2 8
#
2 8
arco
85
5 8
II
j ‡ ‡ ‡ b‡
Œ.
' #. P
arco
5 8
85
col legno Middle of the bow
"
28
‰
arco
col legno Middle of the bow
# f
II III
85
col legno Middle of the bow
# f
II III
Œ
col legno Middle of the bow
‡ 3 $ $ B # ‡‡ 16 ‡ col legno R Middle of the bow II III
.. 42
° !
‡ # 3 $ $ ‡‡ 16 ‡ R 3 16
"
r
‡ #‡ ‡ 3 16 $ $ ‡ R
"
"
II III
!. ‚‚ 58 ‚R $ ‰ & 85
‡ #‡ 3 $ $ ‡ 16 ‡ R
"
" "
.. 42
‹ – >
3 r $ 16 .̃ "f "
3 16
% % %3 3 3 œ œ$‹ œ œ$‹ œ œ$ . œ œ ‹ œ œ ‹ œ œ . > > "f " ƒ "f " ƒ ƒ "
85
3 16
3
3
$
"
# ®$ ‰ RÔ
?3 ‹ 4 ‹ > "f " ? 43
f ƒ
" "
j #–
3 16
" "
% % b>‹ %œ b œ >‹ œ œ >‹ œ œ B 43 b ‹ œ b œ $ ‹ œ œ $ ‹ œ œ $ .. f ƒ
"
3 16 ‹ – >
3 16
3
>‹ %œ œ >‹ %œ œ >‹ %œ œ 3 & 4 b ‹ œ b œ $ ‹ œ œ $ ‹ œ œ $ .. 3 4
"
# ®$ ‰ RÔ
" "
Bow
j –
3
"
" "
Bow
j ‹ – >
.. 42
" "
Bow
j #–
j ‡ ‡ ‡ b‡
Œ.
Œ
' #. P
B
28
arco
5 8
5 8 85
j ‡ ‡ ‡ b‡
#
Œ.
Π"
2 8
?
2 8 28
& 28 ‰
40
A.Fl. in G
E.H. in F
B.Cl. in B b
Hn.
D Tpt.
Tbn.
Pno.
P.
+ 4 – # 8 œr # ‰ R "f " P
Vln.I
2 &8 ‰
j 4 ‹ 8 r# ‰ ‹ "f "
? 28 r # ‰ .̃ "f " & 28 r # ‰ .̃ "f " ? 28 r # ‰ b ˜. "f " " ‚ b‚ ‚b‚ 2 &8 $ % & 28 2 ã 8
%
2 8
& ®# & RÔ J !
>‹ ‚ 2 &8 J J "f "
j &
II
28
& & RÔ ®# J
2 >‹J ‚J &8 "f "
Bow
& & RÔ ®# J !
%
48
%
4 ‚R # ‰ 8 48 4 8
>‹ ‚ 2 B8 J J "f "
4 8
‰
48 >‹J "f " ‰
Vla.
‰
Bow
2 8
& & RÔ ®# J !
> ? 2 # ‹J ‚J 8 "f " II
Vcl.
Cb.
? 28
%
j &
‚ J
‚ J
' & J
& J
!
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j & "
‚ J
‚ J ' & J
j & "
‚ J
‚ J
4 8
' & J
‰
> 4 # ‹J 8 "f " 48
j & "
‚ J
‚ J
%
j & "
‚ J
& J
j &
‚ J
‚ J
!
& J
!
‚ J
& J
!
‚ J
"
j & "
‚ J j & "
‚ J
Œ
5 16
Œ
5 16
r # ‰ Œ b ˜. "f " ! ‚‚. ‚ ‚‚‚ ‚ 2 ‚. 4 R ‚. # ‰ Œ ) ‚ b‚ % 42 $ 2 4 %
5 16
42
' &
!
&
r j & &# "
' &
&
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r j & &# "
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&
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r j & &# "
j & "
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>‹ J "f "
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j &
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‚ ‚ ‚ ‚ ‚ # >‹ R # J "f "
‚ J
%
' & J
‚ J
' & J
‚ J
% 9
‰ %
' & J
"
% Œ
j & "
>‹ ‚ ‚ ‚ ‚ ‚ R # J "f "
( &
r # ‰ .̃ "f "
42
%
‚ ‚ ‚ ‚ ‚ # R ( &
5 16
% Œ
& J
!
‚ J
j & "
‚ J
( ' & &
!
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r j & &#
‚ ‚ ‚ ‚ ‚ # R
j &
( ' & &
‚ J
‚ J
‚ ‚ ‚ ‚ ‚ # R
& J
!
‚ J & J
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‚ J
"
&
!
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j &
( ' & &
‚ J
‚ ‚ ‚ ‚ ‚ R #
"
&
!
r j & &#
( ' & &
‚ J
‚ ‚ ‚ ‚ ‚ R #
&
!
%
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)
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)
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j & "
r # ‰ .̃ "f "
5 16 ?
5 16 5 16
"
& J
!
5 16
% Œ
% ‚ R # ‰
5 16
Œ
r # ‰ ‹
42
‚ ‚ ‚ ‚ ‚ # R ( &
2 4
%
" b‚ ‚ b‚ # R
( &
j ‹ "f "
‰
%
%
' & J
Œ
42
%
%
j &
– # R P
‰
%
%
close to the thumb
col legno
Œ
%
close to the thumb
4 8
r# ‰ ‹
%
"
Œ
–. –. –. –. –R. # – – – – – – –. –. –. –. . . . . . .
%
close to the thumb
j &
Œ
+ 24 r # ‰ œ "f "
%
Œ
close to the thumb
> 48 ‹J "f "
II
Œ
j ‹ "f "
‰
48
4 >‹J 8 "f " j &
Œ
%
col legno
2 8
Œ
%
48
!
II
Vln.II
‰
48
col legno
Bow
Œ
. . . . . . & 28 – – –R # 48 – – – – – – –. –. –. –. –. –. – – –R # . . . . . . P
col legno
Bow
Œ
+ – # œr # ‰ R "f " P
b 'œ 42 œ
)
r j & &# "
' 2 œ 4 œ 42
)
(
'
#
#
‰ & ‰ & ‰
j œ œ
5 16
j œ bœ
5 16
j bœ œ
5 16
j œ œ
5 16
3
(
'
#
#
‰ & ‰ & ‰ 3
(
'
#
#
‰ & ‰ & ‰ 3
'
(
#
#
‰ & ‰ & ‰ 3
%
5 16
5 & 16
!
5 & 16
!
46
A.Fl. in G
E.H. in F
B.Cl. in B b
5 & 16
Hn.
? 16 5
D Tpt.
5 & 16
Tbn.
Pno.
P.
! !
38 # – . æ p 38 – . æ p
3 @ 8 ·. œ. Ø 38
!
38
? 16 5
!
38
5 & 16
!
38
Vln.II
Vla.
Vcl.
Cb.
j #œ
>‹ . 5 & 16 ‰ ‹J. "f " >. 5 ‰ ‹‹ . & 16 J "f " >‹ . 5 B 16 ‰ ‹J. "f " ? 5 ‰ >‹ . 16 ‹. J "f " ? 16 5
!
5 ‰ j 16 # –æ . p
!
M
!
M
!
M
j ‡
‰
‡ f 38 r " ‰ ‰ #‡
# . ? 16 5 ‰ ‡J "f " 5 ‰ r " " 38 r " ‰ ‰ ã 16 ° * black keys
j –æ . p
5 16 ·r " ‰ . œ
white keys
" "
"
!
Vln.I
j œ
5 ‰ 16
38
!
3 8
!
5 16
j #–
45
!
j –
45
!
5 4
–. –. –. ‰ R p
!
5 16
!
5 16
!
45 b ·· 54 bb ·· 45
b ˘‹ 5 ‰ ‹ " " 45 16 R "f " b ˘‹ 5 b‹ 5 16 ‰ R " " 4 f b ˘‹ 5 ‰ ‹ " " 45 16 R "f "
· ·
3
fl ƒ "
fl "
3
3
· n· · ·
j · b· · b ·. · b ·. · b· J 3
3
3
fl "
fl
fl
"
5 .. 16
!
.. 48
Œ
5 16 ..
!
.. 48
r" ‰ –. –. –. –. $
Œ
..
!
.. 48
Œ
..
!
.. 48
Œ
..
!
.. 48
5 .. 16
!
.. 48
r" ‰ –. –. –. –. $
"
3
fl "
fl "
43
3 8 38
!
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j 43 fl
!
"
!
43 Œ
!
3 4 Œ
! !
˘ 5 ‰ b‹ " " 5 16 b‹ 4 R "f " œ. . b œ. ‰ 5 R 16 p col legno
45
! ! !
10
!
43
" "
38
3
3
· ·
3
Œ
r" ‰ –. –. –. –. $
· ·
b· b· b· b·
r" ‰ – f
3
! · bb ·· b b ·· ·
!
3
!
3
5 .. 16
3 r" ‰ 4 ‰ # ‡. "f " ‹ ‡. >
!
x5
Œ
43 – #
!
–. –. –. ‰ R p
–. –. –. ‰ R p
+ 34 # – " ‰ r " ‰ # œ. R "f " P
C
43 Œ 3 4 Œ
II III
$ %œ #œ
#‡. 5 . J .. ‰ 16 . #‡ "f " J 5 .. ‰ " .. 16 °* black keys
!
' % ! #œ #œ ‰ & ‰ 3 $ ' % ! #œ œ ‰ & ‰ '
3
!
%
!
& ‰
%
!
& ‰
%
!
‰ & ‰ & ‰
j #œ #œ
j #œ œ
b >‹ . 5 .. ‰ ‹ . 16 J "f " >. 5 .. ‰ ## ‹‹ . 16 J f # >‹ . . 5 # 16 .. ‰ ‹J
j œ #œ
3
Œ
"
48 48
.. 48 .. 48
" "
3 $ % ' % ! ! j #œ #œ 5 . ‰ # œ ‰ & ‰ & ‰ # œ 16 .
$ 34 œ. . . # œ. " ‰ R 3 $
.. 48
5 .. 16
f
.. 48
" "
# >‹ . #‹. J "f " !
.. 48 .. 48
& 48 –æ p
52
A.Fl. in G
E.H. in F
B.Cl. in B b
& 48 –æ p
4 & 8 b œ·@ Ø
Hn.
? 48 Œ
D Tpt.
& 48 Œ
Tbn.
Pno.
P.
Vln.I
? 48 & 48 ? 48
white keys
‡ "f "
ã 48
j œ
Œ
3 16
$
38
j œ
Œ
3 16
$
38
r ·œ " ‰
3 16
$
3 16
$
3 œ. 8 f
o j &œ Ø
+ r œ " p
4 &8 Œ
$
‰
˘‹ #‹ " R f ˘‹ ‹ " R
‰
f ˘‹ #‹ " R " "
Vla.
B 48 Œ
‰
f ˘‹ Œ ‰ ‹ " R "f " ( col legno ) . . œ. œ. " " " " " "
Vcl.
Cb.
?4 8 ? 48
#
$
bend
38
$
3 œu " " 38 ‰ $ œ œ œ 16 R # 3 p # +o+ hammon mute bœ. 3 38 œR " ‰ ‰ $ 16 J Ø !‚. j ‚. ‡ 3 R " " 38 R " 16 ‰ $ %
" "
Vln.II
f
hammon mute u a ø
$
& 48 Œ
œ.
bend
3 16
$
3 16
$
38
$
38
$
b˘‹ œ& . 3 ‹ " " 38 œ . 16 R p &. b˘‹ œ 3 b‹ 3 16 R " " 8 œ . p b˘‹ œ& . 3 n ‹ " " 38 œ . 16 R p
$
38
‰ $
œ " ‰ R p + o r " j œ œ Ø p ‰ ‰
‰ ‰
#œ œ œ œ " R 3 # p # +o+ œ ‰ J Ø u
a
ø
u
3 j 16 –. % 3 16
$
3 16
$
3 16
$
3
1
43 – " ‹ " Œ fl "f " œœœœ 3 R " Œ 4 3 # 1
2
3
Œ
38
Œ
38
Œ
3 8
1
$
38
43
$
38
3 œ " " 43 16 R
$
38
$
$
3 16
$
$
2
43
3 16
r r r œ " #‹ " n‹ " œ #‹ n‹ fl fl ƒ "f "
11
$
3 16
$
$
3 16
œœœœ 34 R " Œ 3 # 1
$
œ #˘‹ n˘‹ œ " #‹ " n‹ " R R R "f " ƒ œ #˘‹ n˘‹ bœ " n ‹ " b ‹ " R R R "f " ƒ bœ n˘‹ b˘‹ œ " #‹ " n‹ " R R R "f " ƒ
˘ & 3 b‹ " " 3 œ. 16 b ‹ 8 œ. R p 3 16
œ R " ‰ p
$
43 # ··
· ·
3
43 ## ·· 43
#˘‹ 3 16 # ‹ " " 43 R
· ·
3
· #· #· #·
#· · #· #·
3
fl ƒ
fl
!
!
3
3 3
fl !
fl !
j · ·. j · ·.
j fl !
38 38 38
$
38
3 4
$
3 8
˘‹ 3 # 16 ‹R " " 43
$
38
r 3 #‹ " " 3 16 # ‹ 4 fl
$
3 8
3 16
3 16
$
$
r '''' œ œ‚ " Œ 43 b ‚œ‚ œ‚ 3
1
P
2
3
1
Œ
38
& 38
58
A.Fl. in G
E.H. in F
& 38
œ.
bend
f
3 œ. &8 f
!
bend
B.Cl. in B b
Hn.
& 38
!
D Tpt.
& 38
!
Tbn.
? 38
!
Pno.
P.
& 38 ? 38
!
ã 38
!
œ" . & 38 œ . p ". œ 3 & 8 œ.
Vln.II
Vla.
Vcl.
Cb.
!
œœ œœ 34 R #Œ 3 $
D
3 16
!
3 j 16 –. & 3 16
!
3 16
!
1
3 ! # œ œ œ œ # 16 R 3 $ p $ +o+ œ 3 œ # # ‰ ‰ J 16 R Ø ‰
u a ø u
!
3 16
!
3 16
!
3 16
!
!
!
" ? 3 œ. 8 œ. p !
œ #˘‹ n˘‹ 3 #˘‹ b œ # n ‹ # b ‹ # 16 ‹ # R R R R ƒ "f " ˘ b œ n˘‹ b˘‹ 3 # ‹‹ # œ # # ‹ # n ‹ # 16 R R R R ƒ "f " r r r r œ # #‹ # n‹ # 3 #‹ # œ #‹ n ‹ 16 # ‹ fl fl fl ƒ "f " r % % % % 3 œ‚ # b œ‚œ .. 16 œ‚ ‚ .. R P 1
2
3
1
1
2
3
1
43 – # ‹ # Œ fl "f " œœ œœ 3 R #Œ 4 3 $ 2
3
Œ
..
!
.. 45
!
5 16
Œ
..
!
.. 45
!
5 16
Œ
..
!
.. 45
!
5 16
1
43
!
..
!
.. 45
!
5 16
43
!
..
!
.. 45
!
5 16
43
!
..
!
.. 45
!
5 16
43 # ··
43 43
· #· #· ·
· ·
3
43 ## ··
œ #˘‹ n ˘‹ 3 #˘‹ œ # # ‹ # n ‹ # 16 # ‹ # # R R R R ƒ "f "
p œ" . B 38 œ . p
? 38
‰
œ # ‰ ‰ R p o + j r # ‰ œ œ Ø p
!
II III
Vln.I
œ R # ‰ p
#· #· #· #·
· ·
3
3
fl ƒ
3 3
fl
!
3
fl
!
!
fl !
j · · j · ·
.. · #· .. # · #·
j .. fl fl !
!
· # ·· # ·· · 3
3
· #· #· · #· #·
3
3
3
3
fl !
fl !
fl !
j · .. · j · .. ·
j 5 45 # ·· ·· ·· ·· ·· # ·· ·· · 16 · 3 3 j · · · · 54 # · · · · 16 5 · · · · #· · · · 3
3
3
3
3 3 3 5 j .. 45 j 16 fl fl fl fl fl fl fl fl fl !
!
!
!
!
!
!
!
!
!
..
!
.. 45
!
5 16
#
3 4
!
..
!
.. 45
!
5 16
#
43
!
..
!
.. 45
!
5 16
#
3 4
!
..
!
.. 45
!
5 16
..
!
.. 45
!
5 16
r %% %% œ œ‚ # Œ 43 b ‚œ‚ œ‚ 3
#
1
2
3
1
P
12
Œ
œ !. bend
5 & 16
64
A.Fl. in G
E.H. in F
5 & 16
f
5 œ & 16 f
bend
B.Cl. in B b
" .
œ 38 R $ ‰ p
48
"
48
"
‰
4 8
"
+ r $ ‰ œ p
48
"
38
3 œ $ 8 R p 38 oj œ Ø
‰ "
‰
Hn.
5 & 16
D Tpt.
5 & 16
"
Tbn.
? 16 5
"
38 ‰
5 & 16
"
38
"
? 16 5
"
38
"
5 ã 16
"
38
"
Pno.
P.
"
œ# 5 œ !. & 16 p # œ 5 & 16 œ ! . II III
Vln.I
Vln.II
Vla.
Vcl.
Cb.
p œ# 5 œ !. B 16 J J p # ? 5 œ 16 œ ! . J J p ? 16 5
"
38 ‰
#œ œ œ œ $ R 3 % p % u
a
‰
ø u
r $ #Y fl "f "
&
48 48
48
3 8 38
#‹ œ œ #˘‹ œ $ #‹ $ #‹ œ R R % "f " ƒ détaché ˘ #‹ œ œ #‹ bœ $ n ‹ $ # ‹ œ R R % ƒ "f " détaché #‹ œ bœ n˘‹ œ $#‹ $# ‹ œ R R % " f" ƒ
close to the point
close to the point
close to the point
48 ! . æJ 4 !. 8 æJ 48 ! . æJ
r r 3 œ $ #‹ $ #‹ œ 4 8 œ #‹ œ 8 !. #‹ fl "f " % æJ ƒ détaché
close to the point
38
"
38 ‰
‰ æ – P
38
"
‰
"
38 ‰
‰
48
j œ #œ
j œ œ
j œ #œ
j œ œ
$Π$Π$Π$Π"
38
+
o
3
Y. Y. + o 3
# Y. Y. ‰ ‰ "
Ó
4 4
"
44
"
+ 44 j ‰ Œ Y. + 44 j ‰ Œ # Y.
‹ –. > "f "
7 ‰ 16 #‹ –. > "f " 7 16 ‰
j #–
3 16
j –
3 16
j –
3 16
?
3 16
7 16
‹ – > . "f " "
Ó
7 16
"
3 16
Ó
7 16
"
3 16
44
"
7 16
"
3 16
44
"
7 16
"
3 16
44
"
7 16
"
3 16
molto vib. # #œ #w $ # œ n œ. 44 # w œ % 3 f molto vib. # ˘ 3 ‰ # ‹‹ $ # œœ œ. 4 # ww 8 J œ 4 % "f " 3 f molto vib. # ˘‹ 38 ‰ # ‹ $ # œœ n œ. 44 # ww œ J % "f " 3 f molto vib. j # 3 ‰ #‹ $#œ . 4 #w 8 #‹ # œ n œœ 4 # w fl % "f " 3 f 38 44 "
˘ 38 ‰ ## ‹‹ J "f "
13
7 ‰ 16
"
44 r $ ‰ Œ –æ
3
"
38 ‰
"
44
3 œ #œ $ ‰ 8 J R F p bend
48 &! &" &! &" &! &" &! &" 38 &! $ ‰ &&&&&&&& & R % P ··· 48 ··· 38 ··· $ ‰ R
détaché
38
œ #œ 38 J R $ ‰ F p bend
7 œœ 16
#‹ ‡. œœ # ‹ ‡ . . fl J "f "
7 œ #‹ ‡. 16 œ œœ ‹ ‡J . . fl "f "
œ . ˘‹ ‡ . 7 16 œ œœ # ‹ ‡J . "f " j . 7 œ #‹ 16 œ œ # ‹ ‡‡ . œ. fl "f " "
7 16
"
j ‡ #‡
j œ œ
j ‡ #‡
j ‡ ‡
3 16 3 16 3 16 3 16 3 16
j 3 .. #– " & 16 ‹ – >
A.Fl. in G
E.H. in F
B.Cl. in B b
#
38
#
"
3 8
#
? 16 3 .. r ˜ fl "f " ! 3 .. r & 16 ˜ fl "f " ! ? 16 3 .. r b˜ fl "f " 3 .. & 16
" "
38
#
3 .. 16
" "
38
#
3 .. 16
" "
38
#
3 .. 16
3 .. & 16
#
j 3 .. – " & 16 #‹ – >
3 & 16 .. !
Hn.
D Tpt.
Tbn.
Pno.
P.
‹ – >
j –
!. ‚‚ 38 ‚R " ‰ %
#
38
3 .. " " r ã 16 ° !
col legno Middle of the bow II " III
Bow
Vln.I
x3
38
70
3 16 .. $ f
$ ® "
# ‰
#
‡ # ‡ n ‡j 3 .. " " ‡ ‡ 38 & 16 ‡ ‡ R b‡ "f "
#
#
42
#
85
Œ.
42
#
85
Œ.
2 4
#
5 8
#
42
#
85
#
#
42
#
85
85
#
#
42
#
85
#
85
#
Œ.
42
#
85
3 .. 16
#
85
#
#
42
#
85
3 " .. 16
"
#
42
#
85
3 .. 16
3 .. 16
3 .. 16
‹ – > "f " r " ˜ fl "f " r " ˜ fl "f " r " b˜ fl "f "
"
$ f
3 " .. 16
col legno Middle of the bow
II " III
Bow
Vln.II
3 .. 16 $ f
$ ® "
‡ # ‡ n ‡j ‡ ‡ 3 3 & 16 .. " " ‡ ‡ 8 R b‡ "f " col legno Middle of the bow II " III
Bow
Vla.
38
3 16 .. $ f
$ ® "
3 8
‡ # ‡ n ‡j 3 .. " " ‡‡ ‡‡ 38 B 16 R b‡ "f "
#
# #
#
3 .. 16
"
$ f
3 " .. 16 3 .. 16
"
$ f
3 " .. 16
col legno Middle of the bow
II " III
Bow
Vcl.
3 16 .. $ f
3 8
‡ # ‡ n ‡j ? 3 .. " " ‡‡ ‡‡ 3 16 8 R b‡ "f " col legno II III
Cb.
$ ® "
#
#
Middle of the bow
"
3 .. $ ®" 16 $ f
38
#
3 .. 16
"
$ f
3 " . 16
B.
"
3 .. 16 $ f
j #–
"
85
j –
"
85 Π.
j –
"
5 8 Œ.
"
85
#
"
85
"
fast as possible
#
3 .. 16 #‹ – > "f "
‰
38 r " ‰ * 3 8
3 .. 16 ‹ – > "f "
E
r
° !
# –
–
‰
± J p
&
85 r " ‰ *
Œ
' $.
arco
$ ® "
‡ #‡ " ‡‡ R "f " $ ® "
‡ #‡ " ‡‡ R "f " $ ® "
‡ # " & ‡‡ ‡ R "f " $ ® "
‡ #‡ " ‡ ‡ R "f " $ ®"
5 8
$
jP n‡ ‡ ‡ b‡
IV
85 Π.
†
#·
' $.
arco
85
$
P
j n‡ ‡ ‡ b‡
#·
IV
5 8 Œ.
†
' $.
arco
5 8
$
P
#·
IV
j n‡ ‡ ‡ b‡
85 Π.
†
' $.
arco
5 8
$
P
j
5 n ‡‡ Œ . 8‡
?
85
#
b‡
14
±"‰ R ƒ
!‚. R"‰ %
‰
#
–"‰ R f
#œ
r $ "
·
& r $ "
·
&
·
(arco)
· ·.
·
24 ·J ·
· · J
85
2 ·J · 4
· · J
5 8
42 b ·J ·
· · J
85
3
·
(arco)
· ·.
·
3
3
3
r $ "
·
&
(arco)
·
· ·.
·
3
3
r $ "
r" ‰ œ &
Œ.
2 4
#
5 8
#
42
#
85
& 85
!
42 ..
!
85
!
43
!
85
!
41
!
.. 48
& 85
!
42 ..
!
85
!
43
!
85
!
41
!
.. 48
5 &8
!
2 4 ..
!
5 8
!
3 4
!
5 8
!
1 4
!
.. 48
Hn.
? 85
!
42 ..
!
85
!
43
!
85
!
41
!
.. 48
D Tpt.
& 85
!
42 ..
!
85
!
43
!
85
!
41
!
.. 48
Tbn.
? 85
!
42 ..
!
85
!
43
!
85
!
41
!
.. 48
& 85
!
42 ..
!
85
!
43
!
85
!
41
!
.. 48
& 85
!
42 ..
!
85
!
43
!
85
!
41
!
.. 48
ã 85
!
42 ..
!
85
!
43
!
85
!
41
!
.. 48
76
A.Fl. in G
E.H. in F
B.Cl. in B b
Pno.
P.
Vln.I
Vln.II
Vla.
· 5 †8
·
5 · †8
·
† 85 ·
·
· ·. · ·. · ·.
· #·
· J
24 .. ·J ·
· · J
85
· J
2 · · 4 .. J
· · J
5 8
· J
42 .. b ·J ·
· · J
· #· 85
3
3
3
3
3
3
· #·
· ·. · ·. · ·.
·
·
· ·.
· J
41
!
.. 48
·
·
· ·.
· J
1 4
!
.. 48
· 85
·
· ·.
b· J
41
!
.. 48
· J
· 34 ·J
· · J 3
· · J
85
· J
3 ·J · 4
· · J 3
· · J
5 8
· J
43 ·J ·
· · J
· · J
3
3
3
3
3
3
3
Vcl.
?5 8
!
2 4 ..
!
5 8
!
3 4
!
5 8
!
1 4
!
.. 48
Cb.
? 85
!
42 ..
!
85
!
43
!
85
!
41
!
.. 48
15
œ œ
œ
bend
bend
& 48
A.Fl. in G
E.H. in F
B.Cl. in B b
Hn.
3 16
!
82
with mouthpiece
& 48
!
4 &8
!
without hammon mute
D Tpt.
& 48
!
3 16
!
Tbn.
? 48
!
3 16
!
Pno.
P.
Vln.I
Vln.II
Vla.
!
& 48
!
ã 48
!
· 4 †8 J · 4 J †8 · † 48 J
· J
>% ‚ 3 16 f œ3 16 " R " P 3 " 16 pizz.
· ·.
· J
° * !
· ·.
· J
!
· ·.
3 16 3 16 3 16
"
! ! !
42
Œ.
42
!
85
!
42
!
85
5 8
!
2 4
!
5 8
!
85
!
42
!
85
!
85
!
42
!
85
!
85
!
42
!
85
# >% ‚ 3 16 f # œ- " 3 " R 16 P 3 " 16 ° *
‚ 85 R " ‰
Œ.
42
!
85
Œ.
42
!
85
!
42
!
85
3 16
85
bend 3 œ bœ 16 $
Œ
3 b – 16 – – #– –. –. # –. .– # –. –. –. # –. . . . . P M 6 6 24 3 . 16 # –. –. # –. – # –. –. n .– # –. n –. # –. –. –. P 3 ! 42 16 M
6
6
24 ‚R " ‰ . 24 œR " ‰ p 42 42
"
pizz.
ΠΠ!
!
!
2 4
3 16
"
!
?4 8
!
3 16
!
58 # œR. " ‰ p 85 #·
IV
$ #·
IV
·
· ·.
·
24 ·J ·
· · J
85
2 · · 4 J
· · J
5 8
42 b ·J ·
· · J
85
3
·
· ·.
·
3
!
5 8
3 16
!
· ·.
2 ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. 3 4 16 6 6 "f "
#· · 85 $
!
5 8
!
2 4
!
5 8
!
85
!
42
!
85
!
42
! col legno
Vcl.
bœ 85 R " ‰
3 +. > 16 œ ‹ p "f " œ œ 5 3 ® 8 16 ‹> # "f "
!
œ œ 2 3 ® 4 16 ‹ # > "f " bend
3 16
!
& 48
42
œ 2 œ " ‰ 3 16 ‡ 4 R . ‹ "f " > $
!
? 48
p
"
F
II
$ IV
3
·
3
3
3
col legno
Cb.
? 48
!
3 16
!
II 24 ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. 16 3 6 6 "f "
16
& 85
!
43
!
85
!
!
& 85
!
43
!
85
!
!
5 &8
!
3 4
!
5 8
!
!
Hn.
? 85
!
43
!
85
!
!
D Tpt.
& 85
!
43
!
85
!
Tbn.
? 85
!
43
!
85
!
88
A.Fl. in G
E.H. in F
B.Cl. in B b
Pno.
P.
Vln.I
Vln.II
Vla.
!
3 16
!
42
!
3 16
!
!
85
!
!
& 85
!
43
!
85
!
!
ã 85
!
43
!
85
!
!
. # –. –. # –. – # –. –. n .– # –. n –. # –. –. –. P ! 42 6
6
# >% ‚ 3 16 f # œ- " 3 " R 16 P 3 " 16 ° *
‚ 42 R " ‰ 24 # œR. " ‰ p 42
!
3 16
!
42
!
pizz.
!
"
Œ Œ
· J
· #· · ·.
· J
· · · ·.
· J
3 16
!
2 4
!
· #· · ·. 85
· J
· · · ·.
b· J
3 16
!
42
!
· · J 3
· · J
85
·. 5 · · · †8
· J
3 ·J · 4
· · J 3
· · J
5 8
·. † 85 · · ·
· J
43 ·J ·
· · J
· · J 3
– # – –b – –. –. # –. .– # –. –. –. # –. . . . . P 6
6
· · · ·.
· 34 ·J
3
Œ
· J
· J
3
!
· #· · ·.
· · · ·. 5 †8
3
!
œ œ 2 3 ® 4 16 ‹ # > "f " œ 2 œ " ‰ 3 16 ‡ 4 R . ‹ "f " > $ 42
43
3
p
42
!
!
3
"
3 16
& 85
3
3 16
œ œ
col legno
Vcl.
Cb.
?5 8 ? 85
! !
3 4 43
! !
5 8 85
!
!
!
!
17
3 16 3 16
! !
2 # ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. 4 6 6 "f " II
col legno II
. . . . . . . . . . . . 42 # ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ 6 6 "f "
A.Fl. in G
&
!
E.H. in F
&
!
&
!
94
B.Cl. in B b
Hn.
?
3 +. > 16 œ ‹
3 b – 16 – – #– –. –. # –. .– # –. –. –. # –. . . . .
6 3 . & 16 # –. –. # –. – # –. –. n .– # –. n –. # –. –. –. 6
D Tpt.
Tbn.
Pno.
P.
Vln.I
Vln.II
Vla.
Vcl.
? & &
!
ã
!
44
!
43
!
!
44
!
43
!
!
4 4
!
3 4
!
!
85
!
44
!
43
!
!
85
!
44
!
43
!
85
!
44
!
43
>% ‚ 3 16 f œ- $ 3 $ R 16 P 3 $ 16 pizz.
° * !
"
‚ 85 R $ ‰ Œ . 58 œR. $ ‰ Œ . p 85 ! · · ·. 58 · #
·
!
· #· · ·.
· #· · ·. 43
3
3
· · J
43
4 ·J · 4
· · J 3
· · J 3
· · J
3 4
44 · · J
· · J
· · J
· · J
!
5 8
!
4 4
!
3 4
!
85
!
44
!
43
?
6
6
3 16
18
3
3
3
3
3
° * !
· ·
· · J
3
>% ‚ 2 3 16 4 f œ- $ 2 3 $ 16 R 4 P 3 $ 42 16 pizz.
· #· · ·.
· · J
? # ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. 3 16 ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚.
42
43
!
6
!
!
3
·
3 16
44
!
†
!
!
·. 85 · · · # IV
42
43
3 16
†
!
!
!
3
·
3 16
44
!
IV ·. 5 · · · 8 #
!
!
3 16
†
!
œ œ 2 3 ®4 16 ‹ " > "f " œ 2 3 16 ‡ 4 . ‹ "f " ># 42
43
· 44 ·J
p
$ 42
!
!
3 16
IV
3 16
œ œ
3 16
44
!
6
Cb.
3 16
! !
bœ 85 R $ ‰ Œ .
p "f " œ œ 5 3 ®8 16 ‹> " "f " 3 œ bœ $ 5 16 8 #
6
6
œ
"
3 16
!
42
· ·
3 16
!
2 4
· ·
3 16
!
42
!
3 16
!
2 4
!
3 16
!
42
& 42
!
100
A.Fl. in G
E.H. in F
B.Cl. in B b
D Tpt.
& 42
Tbn.
? 42
Pno.
P.
Vln.I
!
2 œ &4 R " ‰ ? 42
3 +. 16 œ
!
f
" "
& 42
Hn.
!
Œ
!
!
!
!
> ‹
p œ œ
3 16 ‹ > # "f " 3 œ bœ 16 $
3 b – b – b – 16 – – – –#– – #– – #– –. –. # –. .– # –. –. –. # –. . . . . –. –. # –. .– # –. –. –. # –. . . . . –. –. # –. .– # –. –. –. # –. . . . . P 6 6 6 6 6 6 3 . . . 16 # –. –. # –. – # –. –. n .– # –. n –. # –. –. –. # –. –. # –. – # –. –. n .– # –. n –. # –. –. –. # –. –. # –. – # –. –. n .– # –. n –. # –. –. –. P 3 ! ! ! 16 6
6
‚ & 42 R " ‰ œ. " ‰ 2 &4 R p ã 42 † 42
! !
6
6
6
6
Œ
!
!
Œ
!
!
!
!
!
!
œ
>% 3 16 f 3 " 16 !
3 16
bœ 78 R " ‰ Œ
Œ.
® 78
!
7 8
!
!
78
!
!
78
!
78
pizz.
3 16 °
G
"
‚ œR P
" "
*
"
!
3 16
œ œ p
" 42
œ œ 2 3 ®4 16 ‹> # "f " œ 2 3 16 ‡ 4 . ‹ "f " >$ 3 16
!
42
!
3 16
!
42
!
3 16
!
42
3 16
!
42
3 16
!
42
3 16
!
42
· · · # · . -· -· · 3 78 16 $
!
42
!
2 4
· · · # · . -· - · · 16 3 $
!
42
78 ‚ " ‰ Œ R
Œ.
78 œ. " ‰ Œ Œ. R p 78 !
Vln.II
2 †4
!
!
!
3 16
!
· · · # · . -· - · · 3 7 8 16 $
Vla.
† 42
!
!
!
3 16
!
78
? 2 ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. 3 4 16 6 6 6 6 6 6 "f "
!
7 8
!
3 16
!
2 4
!
78
!
3 16
!
42
col legno II
Vcl.
col legno II
Cb.
? 42 ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. 16 3 6 6 6 6 6 6 "f "
19
& 42
!
106
A.Fl. in G
E.H. in F
B.Cl. in B b
& 42
!
2 œ &4 R " ‰
Hn.
? 42
D Tpt.
& 42
Tbn.
? 42
!
Œ
!
!
!
!
!
38
! !
38
!
3 8
without mouthpiece
38 b – b – b – b – – – – – –# – –# – –# – –# – –. –. # –. .– # –. –. –. # –. . . . . –. –. # –. .– # –. –. –. # –. . . . . –. –. # –. .– # –. –. –. # –. . . . . –. –.# –. .–# –. –. –.# –. . . . . P 6 6 6 6 6 6 6 6 38 . . . . # –. –. # –. – # –. –. n .– # –. n –. # –. –. –. # –. –. # –. – # –. –. n .– # –. n –. # –. –. –. # –. –. # –. – # –. –. n .– # –. n –. # –. –. –. # –. –.# –. –# –. –.n .–# –. n –. # –. –. –. P 38 ! ! ! ! 6
6
6
6
6
6
6
6
+œ + 3 2 œ R " ‹ #œ – J J ‹j 4 n Y. # Y. ‰ Œ p P f "f " Ÿ~~~~~ j ‰ ‹ j 42 ‰ ‰ Œ J #‹ ‹ "f " "f " Ÿ~~~~~ ˘ Ÿ~~~~~~~~~~ j " ‡R j 42 r " ‰ Œ ‹ ‹ ‹ "f " ƒ "f "
38 " b ‚
6 24 b – 6 . –. b –. .– b –. –. –. b –. –. b – – – .. .
!
6 6 24 –. –. b –. .– b – – n – b –. n – b – – # – .. . . .. .
!
42
! >#
pizz.
!
‚ 2 ‚ " ‰ 4 R
& 42
!
!
!
!
& 42
!
!
!
!
ã 42
!
!
!
!
Vln.I
† 42
!
!
!
!
38
!
42
!
Vln.II
2 †4
!
!
!
!
3 8
!
2 4
!
Vla.
† 42
!
!
!
!
38
!
42
!
? 2 ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. 3 4 8 6 6 6 6 6 6 6 6 "f "
!
2 .. .. .. . . . .. . 4 b‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚
? 42 ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. 38 6 6 6 6 6 6 6 6 "f "
!
.. .. .. . . . .. . 42 b ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚
Pno.
P.
38 b œ- " œ. " œ- " 42 b œ. " ‰ R p P 38 ‰ " " 42 ° * !
col legno II
Vcl.
f
"
6
ΠΠ!
6
col legno II
Cb.
20
6
6
A.Fl. in G
&
#
E.H. in F
&
#
112
B.Cl. in B b
Hn.
Tbn.
Pno.
P.
Vln.I
Vln.II
Vla.
Vcl.
– $ R f
3‰ ‡ r $ 8 . "f " ‹ > ‡. 3
#
ã
38
+ $ ‰ r – œ. R "f " P
44 Œ 44 Œ
–
%
4 Π4 44
6
38
# #
†
&
#
†
&
#
†
B
38 ‰ 3‰ 8
6
? b ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. 38 6
œ. œ. P & 3
œ. P & 38 ‰ 3 œ. P
? b ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. 3 ‰ 8
6
&3
&3
œ. œ.
œ. œ. P
#
>‹ ‹ J "f " >‹ b‹ J "f " b>‹ ‹ J "f " j ‹ ‹ > "f "
3
$‰ Œ
5 16
#
$‰ Œ
5 16
#
$‰ Œ
5 16
#
5 16
#
r$‰ Ó Y. Y. Y. Y. "f " 3
44 Œ
#
– R f
‰ ‡. r "f " ‹ > ‡.
3 4 # & – 4 Y Y Y . . . . –. b –. .– b –. –. n .– b –. n –. b –. –. # –. " " f without hammon mute M 3 ? 38 44 # # b Y. Y. Y. "f " ! ‚ # ‚ ‚ 4 b ‚R 3 # $ ‰ & 8‰ ‰ 4 3 p 38 44 # # &
6
Cb.
%
6 6 ? b– 38 – b – . . . .– b –. –. –. b –. –. b – – – . . . 6
D Tpt.
38 –
#
&
+ r $ œ. "f "
38 – $ ‰ R P
˘ 44 œœ $ ‰ R P col legno
˘ 4 b œœ $ ‰ 4 R P col legno b ˘œ 44 œ $ ‰ R P col legno
r 4 œ $ ‰ 4 œ fl P
r$‰ Ó Y. r$‰ Ó Y. " . .‚ n ‚‚‚ ‚‚ ‚‚.‚ ‚ ‰ ‚J ‰ R ‚. $ ‰ Œ 3 P ' # ‰ ‰ j r °* 3
!
Œ Œ Œ
col legno
44 b ‹ > p
Œ j b‹
Œ
21
"
(œ œ
' (œ œ
' b (œ œ ' (œ œ ' Ó
?
$‰ Œ &
!
‰ ) & 3
!
‰ ) &
3
!
‰ ) 3
&
!
‰ ) 3
5 16
#
5 16
#
5 16
#
43 – æ p 43 – æ p
3 4 ·@ œ Ø
(
j œ
Œ
Œ
Œ
Œ
r$ ‰ Œ ·œ
43 r $ ‰ r $ ‰ Œ .̃ .̃ "f " !
43 r $ ‰ r $ ‰ Œ .̃ .̃ "f " !
43 r $ ‰ r $ ‰ Œ b ˜. .̃ "f " j white keys ‡ Œ Œ 43 ‡ "f " Œ 43 r $ ‰ Œ #‡ !
#‡. 5 J ‰ 16 "f " 5 ‰ r $ $ 43 r $ ‰ Œ 16 ° * black keys
# >‹ . 5 ‰ #‹. ‰ ) ‰ 16 J "f " ( j ! # >‹ . œ 5 ‰ ‹. bœ J ‰ ) ‰ 16 "f " ( >‹ . ! b œj 5 ‰ ) ‰œ 16 ‰ # ‹J. "f " ( j ! j œ 5 ‰ #‹ . 16 # ‹ . ‰ ) ‰œ > "f " j œ œ
5 ‰ j 16 #‹ . > "f "
Œ
"
!
!
j œ
43
#
3 4
#
43
#
3 4
#
43
#
II A.Fl. in G
E.H. in F
B.Cl. in B b
adagio q = 60
& 30 4
"
& 30 4
"
30 & 4
"
118
Hn.
& 30 4
"
C Tpt.
& 30 4
Tbn.
? 30 4
118
& 30 4 ·· ·· ? 30 4 ··· · 118
Piano
P.
r ã 30 4 fl "f " ° !
sordin
& 30 4 W #p 118
Vln.I
sordin
Vln.II
scoratura (III down to C)
& 30 4
III
scoratura (IV down to E)
W #p
3 16 without mouthpiece
# 54 –j ‰ ‹ ‰ $j ‰ # –j ‰ Œ - J‹ – – J J $
"
3 j j % 45 Ó 16 #– #– $ 3 5 16 j –j % 4 Ó – $ 3 16
"
"
3 16
"
"
3 16 INSIDE
M
B 30 4 W #p III
Vla.
Vcl.
? 30 4
W #p
Œ
Œ
45 Ó
÷
- &–– 45 J ‰ J ‰ Ó . p
M
%
3 j 16 „. # 3 " 16
with glass
Œ
45
5 4
II IV
col legno
' &
close to the thumb
$
& F
‚
&
#
‚
II III
' &
close to the thumb
$
& F
f j # ‡j 3 ‡ .. ‡ 45 ‚ 16 ‡ œ%% R " "
‚
&
#
‚
col legno
5 4
' &
close to the thumb
$
& F
j # ‡j "f " ‚ ‡ .. ‡ 3 ‡ 5 16 œ 4 R%%
‚
&
#
‚
43
"
– p
j –
2 4
"
3 4
42
"
42
&
42 Œ
$
' &
& F
22
‚
38
42
"
38
"
2 4
"
3 8
43
"
"
43
24 ¬ p
"
"
43
"
„
42
" !
( &
‚
Œ
!
III
‡ f
j n‡
( &
‚
( &
‚
ΠIV
‡ "f "
j ‡
Œ
j ‡ III
&‡
( &
‚
‚
Œ
&
IV
‡ f
" "
j b‡
¬ 42 p M
÷
¬ 42 p
j –
38
j –
38
j –
38
r ‰ 42 ‹ % ‰ Œ P J ‰ œœJ 42 ‚‚ % ‰ Œ R p % r ‰ 42 " j „
43
r 42 % ‰ Œ °
&
#
42 Y Y ‰ Œ . . p
42
f
close to the thumb
f j ‚ 3 ‡‡ .. 16 45 œ%% R j #‡ ‡
"
" "
col legno
45
42
" "
col legno
5 4
#– p
j –
"
f j # ‡j # ‚ 3 ‡. 5 16 ‡ 4 œ‡ . % % R " "
"
"
"
II
43
"
„ 45 R % ‰ Œ
3 r % % 45 16 *
"
j‰ j ‰ Œ –- –p
%
45
"
II III " "
sordin
Œ
÷
I II
sordin
Œ
42
43 Œ
Œ
43
Œ
&
*
38 38 38
"
f
2 4
col legno II III
3 8
· · · # · . · pizz. ‹. · · ·· + œ 42 J ‰ Œ 42 J J 43 3 3 F arco
2 4
( IV ) arco
38
col legno II III
3 8
pizz. ! + · . . 24 ·J · ·J · 43 · · · · œ 42 ‹J ‰ Œ 3 3 F ( III ) arco
2 442
col legno II III
+
2 4
3 8
f
! . ·. + 2 ·J · ·J · 3 · · · · 2 ‹J ‰ Œ 4 4 œ 4 3 3 F pizz.
38
B
col legno II III
38
f
·. . 42 b ·J · ·J · 43 · · · · 42 ‹J ‰ Œ œ 3 3 F
3 8
?
38
adagio q = 60
A.Fl. in G
& 38 Y. Y. ‰ ‰ 30 4 YY‰ ..
E.H. in F
& 38 – . p
124
B.Cl. in B b
j #–
3 & 8 –. p
j –
3 16
30 4
"
30 4
"
H fast as possible
"
3 j 16 –. $
j –
3 16 –j . $
j –
. . 42 # Y Y ‰ Œ p
38
42
"
38
"
2 4
"
3 8
24 ¬ p
85 b Y Y ‰ Œ . .. p
78
"
85
"
78
"
5 8
"
7 8
Hn.
÷ 38
"
30 4
"
3 16
"
85
"
78
"
C Tpt.
÷ 38
"
30 4
"
3 16
"
85
"
78
"
Tbn.
÷ 38
"
30 4
"
3 16
"
85
"
78
"
„. & 38 # & 38 "
30 4
"
85
"
.
78
30 4
3 j 16 „. # 3 " 16
30 4
"
3 16
124
124
Pno.
P.
ã 38 124
Bow
3 8
" r &%‰ ‰
#‡. & 38 ‡ . II IV
Vln.I
f
" "
Bow
3 8
r &%‰ ‰
#‡. ‡. & 38 II III
Vln.II
f
" "
Bow
3 8 I II
Vla.
Bow
B 38 3 8
#‡. ‡. f
" "
r &%‰ ‰
#‡. ? 38 ‡ . "f " II III
Vcl.
r &%‰ ‰
j „
III arco
r ‡ 30 4 W ‡ #p
!
"
r 85 %‰ Œ . °
"
!
¬ 42 p
j „
78 Œ
Œ
78 Œ
Œ
j ‡
· #· · #·. ·
III
38
j –
38 38 38 38
"
2 4
II III
3 8
f
· · · · · · pizz. + 78 J J J œJ 42 ‹J. ‰ Œ 3 3 3 ƒ 2 4
38
II III
3 8
f
+ · #· · ·. · f j · · · · · · 3 ‡. 78 J J J œj 42 ‹j ‰ Œ 16 85 . 3 3 3 œ % % F ƒ R
r ‡ 30 4 ‡ W #p
III
" "
j #‡
IV
pizz.
col legno
arco
j ‡
III
2 4
arco
&
23
pizz.
3 8
f
B
II III
3 8 3 8
f
j IV f ‡ · #· · ·. · 7 · · · · · · + 2 3 5 16 j 8 8 J J J œj 4 ‹j ‰ Œ . ‡ .% % 3 3 3 F œ ƒ R ) III " "
38
II III
pizz. !· # · · + f ·. · · · · · · · 3 5 7 J J J œj 2 ‹j ‰ Œ 16 ‡j . 8 8 4 . % % 3 3 3 œ F ƒ R IV " "
&
2 4
col legno
r # ‡ 30 4 ‡ W #p
j –
‰ ‰ # œœJ 42 ‚‚R % ‰ Œ p ‰ . r ‰ 42 " *
col legno
!
38
r ‰ 42 ‹ % ‰ Œ P
col legno
f 3 ‡j . 5 16 8 œ % % R F
" " IV
arco
r ‡ 30 ‡ 4 W #p
85
¬ 42 p
j n–
?
38
adagio q = 60
.. & 38 n Y Y ‰ ‰
.. 30 4 YY‰
130
A.Fl. in G
E.H. in F
B.Cl. in B b
& 38 – . p
30 4
"
30 4
"
"
30 4
"
"
30 4
"
30 4
& 38
Hn.
÷ 38
C Tpt.
÷ 38
Tbn.
÷ 38
Bow
Bow
"
"
& 38
"
30 4
"
3 j 16 „. # 3 " 16
ã 38
"
30 4
"
3 16
r &%‰ ‰
3 8
‡. 3 . &8 ‡ "f " 38
Bow
#‡. 3 ‡. &8 "f " 3 8
B 38 3 8
r &%‰ ‰
#‡. ‡. f
" "
r &%‰ ‰
#‚. ? 3 ‚. 8 "f " II III
Vcl.
r &%‰ ‰
r 30 ‡ 4 W ‡ #p
j –
j –
. . 48 ‰ # Y. Y. ‰ n Y. Y. 30 4 Y Y‰ p 48 Œ
‰ –j 30 4 r%‰ – p
4 Π8
48 ‰ – p
"
48 ‰ – p
" j „
4 8
II III
48
"
3 4
"
43
j –
‰ 30 4
"
3 16
"
43
j –
‰ 30 4
"
3 16
"
43
30 4
"
3 16
"
43
30 4
"
3 16
"
43
30 4
"
3 16
"
43
j &
close to the thumb
‰ & f
3 16 3 16
‰
j &
‰
j
f ‡j . ‡ 3 3 16 œ % % 4 R
r # +œ IIIV # ‡ Fj 3 ‡. 4 J ‰ ‰ 30 ‡ 16 œ ‡ 8 ‡ 4 W J ‡ %. % ‡ ƒ #p " " f R j #‡
43
"
close to the thumb
‰ & f pizz.
"
‰ 30 4
48 ‰ ‹r% Œ P
II III
3 16
j –
48 # œœ ‚‚ % Œ p 48 "
"
3 Y Y % 43 16 . . p
‰ – 30 r%‰ J 4 #– p
48 ‰ – p
"
30 4
I II
Vla.
3 16
"
II III
Vln.II
3 16 j –. $
3 16
II IV
Vln.I
3 j 16 #– . $
"
130
Bow
j –
"
3 16
130
P.
j #–
3 & 8 –. p 130
Pno.
3 16
II
arco
" "
r 30 ‡ 4 ‡ W #p
Fj r #‡ 3 ‡ .. 4 +œJ ‰ ‰ ‡J 30 ‡ 16 ‡ % % 8 4 ‡ œ W "f " ƒ R #p
f j ‡ 3 ‡. 3 16 % % 4 œ R
r ‡ ‡ 30 4 W #p
r j #‡ F‡ . ‡ œ ‡ ‡ ‡ 3 ‡ . 48 J ‰ ‰ J 30 16 4 W œ%% R "f " ƒ #p
f j ‡ 3 ‡. 3 16 4 œ%% R
arco
r ‚ 30 ‚ 4 W #p arco
j # ‡ pizz. ‡
close to the thumb
4 8
‰ & j # ‡ pizz.+ f
j &
close to the thumb
4 8
‰ & f
j &
‰
‰
arco
arco
r Fj #‡ + . œ ‡ 30 ‡ 3 ‡ 4 16 ‡ %. % 8 J ‰ ‰ J 4 ‡ œ W "f " ƒ R #p j #‡ ‡
pizz.
24
III
" "
arco
II
" "
&
f 3 16
" "
j
j
j
j ‡ ‡. 3 & 4 œ%% R III
+œ + 38 R # œ – œJ P f Ÿ~~~~~~ 38 j ‰ ‹ "f " Ÿ~~~~~~ 3 j % 8 ‹ "f "
I
& 43 # Y. Y. ‰ Œ
A.Fl. in G
42 # Y. Y. ‰ Œ
Œ
136
& 43
"
42
"
3 &4
"
2 4
"
Hn.
÷ 43
"
24 ¬ p
C Tpt.
÷ 43
"
Tbn.
÷ 43
"
E.H. in F
B.Cl. in B b
136
& 43
¬ 42 p ¬ 42 p
136
Pno.
P.
& 43 Œ
Œ
r % ‰ Œ ã 43 ° !
J
j œ
‰
‰ œœJ p % r‰ * "
r 42 ‹ % ‰ Œ P ‚ 42 ‚R % ‰ Œ 42
" col legno
Bow
!
3 &4 136
Vln.I
Bow
Vln.II
!
3 &4
!
Vla.
& 43
#III·
· · ·.
P ·
IV
P ·
III
P
·
+œ
pizz.
f
‹. 2 J 4
‰ Œ
· · ·.
·
+œ
pizz.
42
II III
f
2 ‹J. 4 col legno
· · ·.
·
+ œ
pizz.
2 4
II III
f
. 24 ‹J
38
"
j –
38
j –
38 38 38
˘ 3 ‹ 8 ‹ J "f " II IV
3 8
‰ Œ
38 n Y. Y. ‰
Ó
4 ‹ " J # ‹j 4 "f " Ÿ~~~~~~~~~~~ 4 r% ‰ Œ Ó j 4 ‹ ‹ "f "
44 ‰ Œ Y. Y.
38
Ó
38
"
44
"
38
3 8
"
4 4
"
3 8
"
44
"
38
"
44
"
38
"
44
"
38
"
44
"
38
"
44
"
38
"
44
"
without glass
44
"
38
"
44
‰
‰
‰
‰
"
44 r % ‰ Œ *
‰
II
Œ
˘ 4 b‹ 4 b‹
38
Ó
"
4 4
38 *' *( *' *( *' *( * * * * * * $ j 38 ‰ ‰ ·· ·
' &
& F
‰
4 4
‰
‰
44
‚
‚
3 ‚R % ‰ 8
‰
4 4
p
3 8
&
#
‚
" "
"
44
"
"
4 4
"
P !
"
r ·· % ‰ Œ · !
"
‰ Œ
Ó
38
Ó
38
r & %
44 Œ
j 3 b‹ ‰ 8 ‹ fl p
"
44
‰
close to the thumb
$
r & %
38
‰
38
r & %
˘ 3 ‹‹ 8 J "f " II III
44 n Y. Y. ‰ Œ p
"
!
r & %
ƒ
j ‹
44
38 r % ‰ °
38
‰ Œ
˘‡ R
j –
3 8
col legno
‰
4 ‹ 4 ‹ fl
3 8
" ' &
close to the thumb
$
& F
‚
‚
p
#
&
38
‚
3 8
" "
38
"
44
"
3 8
"
4 4
"
B
38
col legno
Bow IV + 3 · · · ·. b· &4 bœ P
pizz.
Vcl.
2 4
II III
% ‹ J "f "
2 4
II III
f
2 4 j ‰ Œ ‹.
3 8
3 8
r & %
25
?
3 8
& 38 Y Y ‰ ‰ ..
44 ‰ Œ b Y. Y.
& 38
"
44
"
43
"
44
"
3 &8
"
4 4
"
3 4
"
4 4
"
"
44
"
43 Œ
"
44
"
44
"
43 Œ
44
"
*' *( *' *( *' *( *' *( 43 * * * * * * * * Œ $ r 34 Œ ·· ·· % ‰ b· ·
142
A.Fl. in G
E.H. in F
B.Cl. in B b
Hn.
÷ 38
C Tpt.
÷ 38
Tbn.
÷ 38
142
*' *( *' *( *' *( & 38 * * * * * * $ j 3 ‰ ‰ · &8 # ·· 142
Pno.
P.
ã 38
P !
"
& 38 142
Vln.I
Bow
Vln.II
‰ ‰ "
Cb.
"
hammon mute
r ··· % ‰ Œ !
"
Ó
‰ Œ
44
– 43 p
43
Ó
P !
– %‰ Œ R f
"
‰ Œ
& 38 ‚R % ‰ ‰
44 4 Π4
˘ B 38 ‹‹ ‰ ‰ J p
? 38
!
"
‰
col legno
Œ
‚
‚
p
"
4 ‹ 4 #‹ fl
44
43 Œ
" II
close to the thumb
$
& F
' &
‚
‚
p
" "
"
&
#
‚
Œ
3 r 4 & % ‰
‚
p
"
‚ ‚ ‚
‚
‚ ‚ ‚
‚
‚
‚
Ó
44
"
44
"
44
"
44
"
3 8
"
38
"
38 38
38 38
38
"
P !
"
‚
( )
3 16
Œ
‹ ‹ fl fl "f "
5 8 Œ. ?
85 Π.
!
‹ ‹ fl fl "f "
"
&
85 Π.
!
˜ fl fl˜ "f "
"
?
‰ ‰
85 b –æ. "f " 85
˜ fl fl˜ "f "
j –
( )
Œ
r 58 ·· % ‰ Œ · !
"
‰ ‰
‰ f
!
" "
' b ·& . · 58 · · #· · #· ƒ
arco
"
"
3 16 3 16 3 16
3 16
3 % % 16 "
˘‹ ‹ ‹ ‹ "f "
˘‹ ‹ ‹ ‹
3 16
˘‹ ‹ ‹ ‹
˘‹ ‹ ‹ ‹
3 16
˘‹ ‹ ‹ ‹
3 16
˘‹ ‹ ‹ ‹
3 16
' b ·& . · 58 · · #· · #· ƒ
arco
3 16
3 16
"
85
3 16
f
" "
‚
& ‚ ‚
p
j –
85 Π.
38 *' *( *' *( *' *( ****** $ j 38 ‰ ‰ ·· #·
"
44
38
85 # – . æ "f "
col legno
3 ‚ 4 R%‰ Œ
43 Œ
‚
Ó
44 r % ‰ Œ –
¬ p
43 Œ
"
44
38 # Y. Y. ‰ ‰ P
Ó
44 r % ‰ Œ –
col legno
sul G sul C
Vcl.
44
hammon mute
44 ‰ Œ # Y. Y.
¬ p
3 r 8 & %
Bow
Vla.
44
43 b Y Y ‰ Y Y ‰ Œ .. ..
Ó
J
‚
‚
‚
4 4 44 Œ
sul G sul C
j b‹ ‰ Œ ‹ fl p
44 ‹ #‹ fl
? 38 26
3 8
" sul G
close to the thumb
$
& F
‚
p
" "
' &
‚
&
#
‚
' b ·& . · ˘‹ 5 · · · · ‹‹ 8 #· ‹ ƒ "f "
arco
"
38 &r % ‰
38 ‚ % ‰ ‰ R
B
' b ·& . ·
arco
85
· ˘‹ · ‹ · · ‹ #· ‹
ƒ "f " arco ' · ˘‹ ˘‹‹ b ·& .· · ‹ 85 # ·‹ · · "f " ƒ
3 16
3 & 16
A.Fl. in G
E.H. in F
B.Cl. in B b
48
"
148
3 j & 16 #– . p
j –
78 # – . æ "f "
"
48 ‹ "f "
3 4 & 16 j –j 8 ‹ –. "f " p
& &
j #‹
j ‹
( )
78 Π.
j –
3
‹ ‹ fl fl "f "
7 Œ. 8
3
‹ ‹ fl" fl "f
Hn.
? 16 3
"
48
"
78 Π.
C Tpt.
3 & 16
"
48
"
78 Π.
Tbn.
? 16 3
"
48
"
78 b –æ. "f "
3 j & 16 ‡. "f " 3 "? & 16
48
"
78 Π.
Œ
78 Π.
Œ
3 ã 16
48
148
KEY
148
Pno.
P.
"
‡. 3 & 16 J 148
Vln.I
white keys
II
3 ‡J . & 16 II
Vln.II
b‡. 3 B 16 J II
Vla.
? 16 3 b ‡J . II
Vcl.
? 16 3 b ‡J . II
Cb.
j ‡
48
#‡
black keys
f
j #‡
" "
r b‡ 48 ‡ r b‡ 4 8 ‡ r ‡ 4 8 #‡ r ‡ 48 ‡ r ‡ 48 ‡
"
#‡ J
#‡ J
#‡ J
#‡ J
œ J
78 Π.
3
˜ fl fl˜ "f " 3
( )
98
"
Œ
98
"
Œ
9 8
Œ Œ
Ó
˜ fl fl˜ "f " j – Ó
f
!
" "
' b ·& . · b ˘‹ 78 · · ‹ #· · ‹ #· ‹ ƒ "f " ' b ·& . · b ‹˘ 7 · · ‹ 8 #· · ‹ #· ‹ ƒ "f " ' b ·& . · b ˘‹ 7 · · · · ‹‹ 8 #· ‹ ƒ "f " ' b ·& . · b ˘‹ 78 · · · · ‹‹ #· ‹ ƒ "f " ' ˘‹ b ·& .· · 78 # · · · ‹ ‹· "f " ƒ
·· ·· 3
·· ·· 3
‰
3
fl "
·· ·· ·· ··
‰ Œ
(
)
–. æ
j – ( )
85 # – . æ
"
85 Π.
"
6 8
"
5 8 Œ.
98
"
68
"
85 Π.
98
"
68
"
85 Π.
98
"
68 b –æ. "f "
98 ·· ·· 98 · ·· · 98
·· ··
·· ··
·· ··
Œ
98 Œ
Œ
b ‹˘ ‹ ‹ #‹
Œ
9 Π8
Œ
b˘‹ ‹ ‹ #‹
Œ
9 Π8
Œ
b ˘‹ ‹ ‹ #‹
Œ
98 Œ
Œ
Œ
98 Œ
Œ
3
3
3
3
3
j –
68
b ˘‹ ‹ ‹ #‹
˘‹ ‹
68 # – . æ "f "
27
·· ··
"
·· .. ·· .. ·· .. ·· ..
III
œ #p
œ.
IV
œ #p III
œ #p
œ. œ.
IV
œ #p IV
œ #p
œ. œ.
( )
j –
–æ.
( )
j –
85 b –æ.
j – ( )
‹ ‹ fl fl "f " ‹ ‹ fl fl "f " ˜ fl fl˜ "f "
˜ fl fl˜ "f "
(
j –
)
68
"
85
"
68
"
85
"
68
"
85 Π.
68 r % ‰ ‰ Œ . œ 6 r% ‰ ‰ Œ. 8 œ 6 r % ‰ ‰ Œ. 8 œ 68 r % ‰ ‰ Œ . œ 68 r % ‰ ‰ Œ . œ
Œ
Œ
f
!
" "
' b ·& . · ˘‹ 85 ·# · · · ‹‹ #· ‹ ƒ "f " ' b ·& . · ˘‹ 5 · · ‹ 8 #· · ‹ #· ‹ ƒ "f " ' b ·& . · ˘‹ 5 · · · · ‹‹ 8 #· ‹ ƒ "f " ' b ·& . · ˘‹ · · ‹ 85 · · ‹ #· ‹ ƒ "f " ' · ˘‹ b ·& .· · ‹ 85 # ·‹ · · "f " ƒ
% % "
˘‹ ‹ ‹ ‹ ˘‹ ‹ ‹ ‹ ˘‹ ‹ ‹ ‹ ˘‹ ‹ ‹ ‹ ˘‹ ‹
A.Fl. in G
œœœœœœœœœœ R%‰ & 3 3 3 #
E.H. in F
&
1 2 3 1 2 3 1 2 3 1
43
"
85
"
"
43
"
85
"
&
"
3 4
"
5 8
"
?
"
43
"
85 Œ
"
43
"
85
154
B.Cl. in B b
154
Hn.
C Tpt.
Tbn.
&
œ J ‰ ƒ +. ‚ ‰ J ‰ +o+
? Œ. & Œ. 154
Pno.
P.
Vln.I
Vln.II
Vla.
Vcl.
Cb.
p 3
?
"
ã
"
b +o+ œ 34 J ‰ Œ
Œ
M
&
·œæ.. Ï
"
85
68 # – . æ "f "
( )
68
j –
–. æ
j – ( )
85 # – . æ
j – ( )
"
44
68 j ‰ ‰ Œ . #œ ƒ
85 Π.
!
"
44
+o+
M
68 b –æ. "f "
( )
j –
–æ.
( )
j –
85 b –æ.
( )
85
"
43
"
85
"
68
"
85
"
43
"
85
"
68
"
85 Π.
' ' ‰ œj ‰ œj ‰ ‰
‰
'
'
j ‰ j ‰ œœ'
'
j ‰ j ‰ œœ-
' ( 85 œj ‰ œ . -
68 r % ‰ ‰ Œ . œ
(
5 8 j ‰ œœ.
6 r % ‰ ‰ Œ. 8 œ
( ' 5 j 8 œ- ‰ œ . '
6 r % ‰ ‰ Œ. 8 œ
(
85 j ‰ œœ. '
68 r % ‰ ‰ Œ . œ
(
85 # œj ‰ œ . -
68 r % ‰ ‰ Œ . œ
28
˜ fl fl˜ "f "
˜ fl fl˜ "f "
j –
"
j ‰ j ‰ œœ-
3
! ?
68
‰
4 4
3
85 Π.
"
'
"
‹ ‹ fl fl "f "
"
'
44
3
5 8 Œ.
85
'
"
#
6 r % ‰ ‰ Œ. 8 #‡ fl ƒ r 68 æ % ‰ ‰ Œ . œ·
"
' ' ‰ j ‰ j ‰ œœ-
Œ
‹ ‹ fl fl "f "
43
pizz. arco Ÿ~~~~~~~~~~b ·j + +œ ' 154b · . ‰ 43 j & œœ Ï p f 3 pizz. arco Ÿ~~~~~~~~~b ·j +œ ' + b·. ‰ 43 j & œœ p f 3 Ï pizz. arco Ÿ~~~~~~~~~~·j + ' ·. + #œ 3 j B œ ‰ 4 œÏ p f 3 arco Ÿ ~~~~~~~~~b ·j pizz. +œ n ' ·. + ? ‰ 43 j œœ Ï p f 3 arco Ÿ ~~~~~~~~~ j pizz.+ ' b· + nœ b·. ? ‰ 43 j # œœ Ï p f 3
44
1 2 3 1 2 3 1 2 3 1
85 Π.
"
œœœœœœœœœœ R%‰
Œ
Œ. Œ.
f
!
" "
' b ·& . · ˘‹ · · ‹ 85 # · · ‹ #· ‹ ƒ "f " ' b ·& . · ˘‹ 5 · · ‹ 8 #· · ‹ #· ‹ J ƒ "f " ' b ·& . · ˘‹ 5 · · · · ‹‹ 8 #· ‹ ƒ "f " ' b ·& . · ˘‹ · · ‹ 85 · · ‹ #· ‹ ƒ "f " ' b ·& . · ˘‹ · · ‹ 85 # ·‹ · · "f " ƒ
% %
˘‹ ‹ ‹ ‹ J ˘‹ ‹ ‹ ‹ ˘‹ ‹ ‹ ‹ ˘‹ ‹
44
+. ‚ ‰ J ‰ 44 3 p 44 " 44
"
"
˘‹ ‹ ‹ ‹
œ J ‰ ƒ +o+
pizz. Ÿ~~~~~~~~~~b ·j + +œ b·. ‰ 44 œ p f 3 pizz. Ÿ~~~~~~~~~b ·j +œ + b·. ‰ 44 œ p f 3 pizz. Ÿ~~~~~~~~~~·j + ·. + #œ 4 œ ‰ 4
p f 3 Ÿ ~~~~~~~~~b ·j pizz. + ·. + nœ œ
p f 3 Ÿ ~~~~~~~~~ j pizz.+ b· + nœ b·. p
f
œ
3
‰ 44 ‰ 44
& 44 160
A.Fl. in G
E.H. in F
B.Cl. in B b
& 44 4 &4 ? 44 160
Hn.
C Tpt.
Tbn.
& 44
P.
& 44 ? 44 ã 44
'
arco
& 44
'
arco
85
Π"
85
"
85
"
85
"
1 4
& ·æ. bœ. Ï
41
M
"
41
"
41
"
41
"
41
"
41
'
'
'
'
'
'
'
(
'
'
'
'
'
'
'
(
?4 5 4 b œ ‰ œ ‰ œ ‰ œ ‰ 8 b œj ‰ œ . Ï '
arco
Cb.
85
"
41
( ' j B 44 b œ- ‰ œ- ‰ œ- ‰ œ- ‰ 85 b œ- ‰ œ . Ï '
Vcl.
"
85 Œ
41
‰ ‰ 85 j ‰ ‰ ‰ b œœœœb œœ. Ï arco
Vla.
"
5 8
"
' ( 160 & 44 œ- ‰ œ- ‰ œ- ‰ œ- ‰ 85 œ-j ‰ œ . Ï '
Vln.II
"
85
b +o+ œ ? 44 J ‰ Œ
arco
Vln.I
85
"
160
Pno.
"
? 44
'
'
'
'
(
5 j œ- ‰ œ- ‰ œ- ‰ œ- ‰ 8 œ- ‰ œ . Ï
41 41
1 4 1 4
41
U "
U "
U "
U æ œ·
U "
U "
U
K
68 # – . æ "f "
j – ( )
68
–. æ
j – ( )
"
6 r% ‰ ‰ Œ. 8 ‡ fl ƒ 68 ær % ‰ ‰ Œ . œ· M
68 j ‰ ‰ Œ . #œ ƒ +o+
68 b –æ. "f "
( )
j –
–æ.
( )
j –
98 .. # – . æ
j – ( )
–. æ
j – ( )
–. æ
j – ( )
.. 85 # – . æ
j – ( )
43
Œ
98 ..
"
.. 85 Π.
9 .. 8
"
.. 85 Π.
98 ..
"
.. 85 Π.
! ?
43
98 ..
"
.. 85 Π.
!
43
98 .. b –æ.
( )
j –
–æ.
(
)
j –
–æ.
( )
j –
.. 85 b –æ.
43
‹ ‹ fl fl "f "
3 4
‹ ‹ fl fl "f "
( )
˜ fl fl˜ "f "
˜ fl fl˜ "f "
j –
‰ . œr 43 p +o
"
68
"
98 ..
"
.. 85
"
43
"
68
"
98 ..
"
.. 85
"
43
"
68
"
98 ..
"
.. 85 Π.
U U U œ
U œ
U œ
U œ
U œ
68 r % ‰ ‰ Œ . œ
98 ..
"
..
68 r % ‰ ‰ Œ . œ
98 ..
"
..
6 œr % ‰ ‰ Œ . 8
9 .. 8
"
..
6 r% ‰ ‰ Œ. 8 œ
9 .. 8
"
..
68 r % ‰ ‰ Œ . œ
29
98 ..
"
..
f
!
" "
% % 43
' ˘ b ·& . · ‹‹ 85 #·· · · ‹ ‹ #· ƒ "f " ' b ·& . · ˘‹‹ 85 #·· · · ‹ ‹ #· ƒ "f " ' b ·& . · ˘‹‹ 5 · · 8 ·# · · ‹‹ ƒ "f " ' b ·& . · ˘‹‹ 5 · · 8 · · ‹‹ #· ƒ "f " ' b ·& .· · · ˘‹‹ 85 # ·‹ · · ƒ "f "
"
˘ ‹' ‹ 3 ‹œ 4 ‹ ƒ ˘‹ ‹' 3 ‹ 4 ‹œ ƒ ˘‹ ‹' 3 ‹ 4 ‹œ
ƒ ˘‹ ‹' 3 ‹ 4 ‹œ ƒ
˘‹ ‹' 3 œ 4 ƒ
& 43 Π166
A.Fl. in G
E.H. in F
& 43
˙ p
_ _ _OO
78 O % ‰ ‰ Œ œ R ƒ 78 ‹ . Œ j
"
f
" "
Œ Œ
#–. æ "f "
"
Hn.
? 43
"
78
"
Œ.
C Tpt.
& 43
"
78
"
Œ.
Tbn.
? 43
166
& 43 166
Pno.
P.
Vln.I
Vln.II
Vla.
Vcl.
Cb.
? 43 ã 43
+o+o+o+o+o+o+o+o+o+o+o+o+o+
bœ P
"
j œ
p
j ‹
78 78
"
78
"
78
Œ
Œ
"
# ‡.
black keys
f
" "
' ( ( 166 #‡. & 43 # œ œ œ œ œ œ # œ œ œ œ œ œ 78 "f " Ï ' ( ( #‡. 3 œ œ 7 œ œ œ œ &4 8 œ œ œ œ œ œ "f " Ï #‡. ( œ 'œ œ( œ B 43 # œ œ œ œ œ œ œ œ 78 "f " Ï ( ' ( 7 ‡. ? 43 #œ œ œ œ œ œ 8 œ œ œ œ œ œ "f " Ï ( ' ( ? 43 # œ œ # œ # œ œ œ 78 ‡ . œ œ œ œ œ œ " " f Ï
j #‡
j #‡
j #‡
j ‡
j ‡
( )
‹ ‹ fl fl "f "
3
‹ ‹ fl fl "f "
3
˜ ˜ fl fl "f "
3
( )
˜ b˜ fl fl "f " j – Ó
"
Œ.
Œ
Œ
Œ.
Œ
Œ
Œ Œ
Œ
Œ
œ 28 R % ‰
42
"
28
"
42
"
"
2 8
"
2 4
85
"
"
28
"
42
85
"
"
28
"
42
"
28 b œR % % r 42 œ ƒ p
Œ
Œ.
Œ
Œ Œ
Œ
Œ
85
"
Œ
85
"
Œ
5 8
Œ Œ
Ó 3
Œ.
b –æ. "f "
" j #‡
j –
Œ.
3 &4
B.Cl. in B b
7 8 ‹. "f "
#‹
œœœœœœœœœœœœœœœ 1 2 3 1 2 3 1 2 3 1 2 3 1 2 3
f
!
' b ·& . · b‹ · · ‹ #· · ‹ #· ‹ ƒ fl "f " ' b ·& . · b‹ · · ‹ #· · ‹ #· ‹ ƒ fl "f " ' b ·& . · b˘‹ · · ‹ · · ‹ #· ‹ ƒ "f " ' b ·& . · b˘‹ · · ‹ · · ‹ #· ‹ ƒ "f " ' ˘‹ b ·& .· · · ‹ # ·‹ · · ƒ "f " " "
30
·· ··
3
·· ··
3
‰
3
fl "
b‹ ‹ ‹ #‹ fl 3
b‹ ‹ ‹ #‹ fl 3
85 ·· ·· ·· ··
‰ Œ Œ
85 ·· ·· 85 ··· · 85 85
3
3
3
+o+
+o
·· .. ·· ..
" "
"
"
28
·· .. ·· ..
"
"
b ˘‹ ‹ ‹ #‹
Œ
5 8
"
b ˘‹ ‹ ‹ #‹
Œ
85
"
85
"
3
3
3
3
+. ‚ 28 ‰ J ‰ 42 3 p 28 " 42
85
Œ
3
"
Œ
˘‹ ‹
#
1
Ÿ ~~~~~~~~~~~~~~~~~~~j b· b· &. p
f
Ÿ ~~~~~~~~~~~~~~~~~~~j b· b· &.
42
"
+œ arco + ' 28 2 4 œ œ pizz.
3
ƒ
+ + œ arco ' 2 28 4 œ œ p f 3 ƒ ~~ ~~ ~~ ~~ ~~ ~~ ~~ ~~ pizz. Ÿ~~~~ j arco · · + # +œ ' &. 2 2 8 œ œ 4 p f 3 ƒ Ÿ~~~~~~~~~~~~~~~~~~~j pizz. +œ #· · + arco &. ' 2 28 4 œ œ p f pizz.
3 ƒ ~~ ~~ ~~ ~~ ~~ ~~ Ÿ~~~~~~~~ pizz. j +œ arco b· b· &. ' 2 28 4 œ œ p f 3 ƒ +
& 42 ‰ 172
A.Fl. in G
E.H. in F
B.Cl. in B b
& 42 2 &4
œ. p
_ _ _OO
3 O % % 48 .. 16 œ R ƒ 3 j –j 48 .. ‹ 16 #– . "f " p
"
3 16 –j . p
"
j –
? 42
"
3 16
"
48 ..
C Tpt.
& 42
"
3 16
"
3 16
"
? 42 &
+o+o+o+o+o+o+o+o+o+o+
Tbn.
& 42 172
Pno.
P.
? 42 ã 42
&
j bœ
P
"
3 j 16 ‡. "f " 3 " 16
"
3 16
"
white keys
"
Vln.I
Vln.II
48 ..
"
85
48 ..
"
85
"
85
48 ..
# 48 .. ‡ "f " 48 ..
black keys
( II œ 3 ‡J . 2 œ œ œ &4 16 œ œ œ œ
r b‡ 48 .. ‡
œ( œ 3 b ‡ . # œ œ 2 B 4 œ œ œ œ 16 J
IV
IV
r b‡ 48 .. #‡ IV
( b‡. ? 42 3 # œ œ œ œ 16 J œ œ œ œ II
Vcl.
( ? 42 3 b ‡J . œ 16 #œ œ œ œ œ œ œ II
Cb.
j ‹
5 8 85
r b‡ 48 .. ‡
II
Vla.
j ‡
j #‹
r b‡ 48 .. ‡ IV
r b‡ 48 .. ‡ IV
& "
j #‡
"
85 # – p
"
( II 3 ‡J . & 42 # œ œ œ œ œ œ# œ œ 16 172
&
" "
Hn.
172
&
4 .. 8 ‹
f
85
"
85
– p
3 j 16 #– .
j –
Œ.
3 16 j –.
II
85 # ‡ ‡ R
j ‡
II
‡ 85 ‡ R
j b‡
II
‡ 85 # ‡ R
j b‡
II
j b‡
.. 85
j –
–
j –
Œ.
j –
Œ.
5.
.. 85
"
"
3 16
"
.. 85
"
"
3 16
"
.. 85 Œ
b –æ. "f "
Œ.
1.- 4.
j ‡
"
3 j 16 ‡.
j 5. ‡
3 16
"
.. 85
3 16
"
.. 85
"
85 # ‡ ‡ R
.. 85 #–
j –
#–. æ "f "
"
j ‡
j ‡
.. 85 Œ
3 16
"
85
1.- 4.
5.
"
Œ.
‡
‡ 85 ‡ R
3 16
j –
white keys
II
1.- 4.
.. 85
3 ‡J . 16
j b‡
Œ.
‡. 3 16 J
j b‡
Œ.
b‡. 3 16 J
j b‡
Œ.
Œ. Œ.
31
1.- 4.
b‡. 3 16 J 3 b ‡J . 16
5.
.. 85 .. 85
& ..
85
j b‡
.. 85
j b‡
.. 85
‡
#‡
#‡ #‡ #‡ #‡
j – ( )
L
48
38
"
48 ‰ 5 ‹ fl "f " 4‰ 5 8 ‹ fl "f " 48 ‰ 5 ˜ fl "f " 48 ‰ 5 ˜ fl "f "
38
‹ fl
3 8
‹ fl
38
b˜ fl
38
˜ fl
48
"
Œ.
48
"
38
"
48
"
38
"
48 ‰
‰
!' j ‡ ·& . † · #· ƒ !' j ‡ ·& . † · #· ƒ ' j ·& . ‡ ·· † ƒ ' j ‡ ·& . ·· & ƒ ' j ‡ ·& . · & #· ƒ
j –
( )
·· · ··· ··· ··· ···
·
· ·
· ·
&
&
B
5
f !
" "
‹ 48 ‰ ‹ ‹ ‹ fl "f "
‹ 48 ‰ ‹ ‹ ‹ fl "f " ˘‹ 48 ‰ ‹‹ ‹ f ˘‹ 48 ‰ ‹‹ ‹
5
5
f ˘‹ ‹
48 ‰
f
" "
38
b‹ b‹ b‹ b‹ fl
38
b‹ b‹ b‹ b‹ fl
38 38
5
38
5
b ˘‹ b‹ b‹ b‹
" "
?
‰
b ˘‹ b‹ b‹ b‹
" "
?
"
38
5
bb ˘‹‹
38
œœœœœœœœœ 1
& 38 179
A.Fl. in G
E.H. in F
B.Cl. in B b
& 38
2
# 3
3 &8
3
1
2
3
3
1
2
3
3
" "
œ 24 R % ‰
__O _O
1
42
"
2 4
"
O% ‰ œ R ƒ
œ p
‹
f
" "
‹
f
" "
? 38
"
179
Hn.
C Tpt.
Tbn.
& 38
"
P.
Vln.II
Vla.
Vcl.
Cb.
42
"
"
42 œ p
& 38
"
42
"
"
42
"
"
42
"
? 38 ã 38 3 &8 179
Vln.I
"
? 38 179
Pno.
42
3 &8 B 38 ?3 8 ?3 8
~~~~~~~~~~~~~~~ j Ÿ~~ b· b·.
p
f
Ÿ~~~~~~~~~~~~~~~ j b· b·. p
f Ÿ~~ ~~~~~~~~~~~~~~~ j · ·.
p
f Ÿ ~~~~~~~~~~~~~~~ j · ·. p
f Ÿ ~~~~~~~~~~~~~~~ j b· b·. p
p
j –
Πj
#– p
#‹
j ‹
Œ
Œ
– p
" "
+o+o+o+o+o+o+o+o+o+o+o+o+
&
bœ P
#–
j œ
p
#‡ f
j –
j –
" "
ƒ
' 2 œ 4
IV
ƒ
œ
œ
œ
( œ
œ
œ
‹ > œ "f "
' ( 2 #œ #œ œ œ 4 œ œ œ œ III
ƒ IV ' 2 #œ 4 ƒ
œ
#œ
œ
( œ
œ
œ
‹ > "f "
œ
> ‹
f
f
7 16
Œ
U "
"
7 16
Œ
"
"
7 16
U U "
U
without hammon mute
without hammon mute
"
! # Y. "f "
! Y.
! ! Y. # Y.
! # Y. "f "
! Y. ! Y.
! Y.
M
! # Y. "f "
7 16 7 16
! Y.
"
"
U "
7 16
Œ
"
U
"
"
"
7 16
"
"
"
"
7 16
j #‡
j ‹
j ‹
j ‹
‡ > ‡ > > ‡
j ‡
j ‡
j ‡
j ‹
> ‡
j ‡
"
IV
j ‹
> ‡
j ‡
32
! ! Y. b Y.
U
"
U "
' #œ
"
U "
' œ
"
U
' #œ
"
U
"
U
" "
" "
( > ' œ œ bœ b‹ 2 bœ 4 œ œ œ œ "f " f ƒ
M
"
" "
> ‹
"
"
III
' ( 2 #œ #œ œ #œ 4 œ œ œ œ
"
U
black keys
" "
Y #
j Y
U
"
ƒ
ƒ ƒ
œ
œ œ
œ
œ œ
œ
œ œ
( œ ( œ ( œ
œ
œ œ
7 16
#œ
7 16 œ
œ
7 16
œ
œ
7 œ 16
( ' 7 # œ œ œ œ œ œ œ œ 16 ƒ ( ' 7 # œ œ œ œ # œ œ # œ œ 16 ƒ
7 ‰ & 16
‰
7 ‰ & 16
‰
185
A.Fl. in G
E.H. in F
B.Cl. in B b
7 & 16
"
? 16 7 ! # Y.
Hn.
C Tpt.
Tbn.
7 & 16 ! Y.
! # Y.
? 16 7 b Y! .
! Y.
7 Π& 16
P.
Vln.I
Vln.II
Vla.
Vcl.
Cb.
? 16 7
"
7 ã 16
"
3 16
"
2 3 30 r % ‰ 4 #œ 4 œ # œ œ 16 %# ‡. fl ‹ fl ‹ fl ‹ fl ‹ # ‡. p #>‹ Ï fl fl fl fl
3 16
"
‰.
42
3 r% % 16 #œ
‰.
7 B 16
' œ
' ? 16 7 œ ' ? 16 7 #œ
j #–
42
"
42
j ‡
j ‡. "f "
' #‡. 7 #œ J œ & 16 œ œ" " f ' 7 œ & 16
"
white keys
185
Pno.
"
–. J p
42
‰.
! Y.
185
3 16
#–. J p
j –
œ œ
œ œ
œ œ
‡. J
f
œ
‡ J
j ‡
" "
#‡. J f
j ‡
" "
j # . ‡ œ œ œ" " f #œ
+ # œ. 3 16 % ‹ 30 4 Yr % ‰ . p >
‡. œ J "f "
3 j 16 – p
– 30 R 4
"
3 16
sordin
"
3 16
sordin
42
"
3 16
sordin
42
"
42
"
42
"
3 % % r 30 16 · 4 ·· b b ··· ·· r 30 3 % % b · 16 b ·· 4 ··· b· ·
(
2 4 #œ œ ƒ ( 24 œ
œ
#œ
œ
30 4 W Ø
"
30 4
"
30 4 bW Ø
"
42
j #‡
42
3 bœ % % 16 R
r 3 % 30 16 4 ° "f " fl !
"
' œ
œ
œ
œ
( 3 16 œ
œ
% 30 4
ƒ
' ( 3 # œ % 30 œ # œ # œ 16 4 œ œ œ œ œ œ ƒ ' ( ( # œ # œ # œ 3 # œ % 30 4 #œ œ œ œ œ 16 œ ƒ (
33
3 16
"
3 16
"
3 r% % 16 * "
!
ƒ ' ( ( 24 œ œ # œ # œ 16 3 # œ % 30 4 œ œ œ œ œ
j ‡
3 r% % 16 œ
#W Ø
( # 'œ # œ 3 # œ % 30 16 4 œ œ œ œ œ
"
"
3 16
"
"
3 16
"
"
3 16
"
"
3 16
"
"
3 16
"