Christian Winther Chistensen In my presence (2009) for ensemble Dur. 11’
Composed for the Esbjerg Ensemble
SCORE
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Notation and performing techniques
f
" "
loud as possible
WOODWINDS œ . (u)
œ .(u)
‡.
Slaptone
j ‚ ‚ ‚ ‚. ‚. b ‚. ‚. . . . 3
3
‡.
Half tone / half slap
Slaptone
[··]
bœ
~~
Multiphonic. The note at the bottom is the basic tone.
–
j –
Bisbigliando
Air. Use the keys (or valves) (flute: cover the entire mouthpiece with the lips)
– J
A rapid glissando of harmonics on the fundamental note indicated.
1) &
–
– j ‹ fl
1)
j? – ! – b–
2)
3)
– 2)
3)
j ‹ fl
j ‹ fl
‹ "f "
Noise from the key. As many keys as possible with your 1) right hand, 2) left hand, 3) both hands
Clarinet: Make a glissando only with key noise. j ‹
‹ "f " ˙ æ
Glissando with air. Use the keys. 1) Alto Flute: Low register to high register 2) Bass Clarinet: Low register to high register 3) Bassoon: Low register to high register
Bassoon: Make a glissando only with key noise.
j b‹
˙ æ
˙æ
Bassoon: Make glissando with the breath. No key noise. Only use the fundamental six-finger-holes.
HORN · œ
Sing a fifth higher than the main tone.
·@ œ
?
b–
Ditto the last example but with fluttertounge.
–
Glissando with air. Use the valves from low register to high register.
!
"
–-
?
–-
: kind of breath accent. Move your head from right A to left and from left to right.
j ˜ fl
j b˜ fl
Slap with your right hand on the mouthpiece. Use the valve to get the pitch.
STRINGS œ œ
St.
Bowpressure. No pitch only noise.
>‹
Hammer on. Keep you fingers on the strings after the attack.
˘ ‹
Hammer on. Move you finger away from the strings after the attack.
Sp.
# ‹. ‹. ‹. ‹ ‹ ‹ . ‹ ‹. ‹. . . . 3
3
3
! · o
r ‚ F o +œ
"Hammer on" while making fast movements between sul tasto and sul ponticello. Always col legno.
Mute the string with you left hand before you release the bow from the string.
Left hand pizz.
J
as high as possible.
œ.. . . .
Col legno battuto.
j
Œ
! ‰ Œ J
Œ
–
>‹
Make a extremely fast glissando in the extreme high register.
– R
Make a glissando without bow. Don't make a hard attack on the string, but make the sound with your nails.
‹ R
Make a glissando without bow. Make the sound from the first attack (hammer on) and keep the sound in the glissando from this action.
–
Bow at the bridge
—
Ó
j Ó
"
Ó
Bow at tailpiece
Ó
j Ó
1. Bow from sul ponticello to sul tasto 2. Mute 3. Bow from sul tasto to sul ponticello
œ
Œ
Œ
j
œ
·
œ
·
S.P.E.
j
The 1st and 3st note is like the prior example (mute the string at the notated position)
· !
Ÿ~~~~~~~~~~~~~~~~~~ · (œ) · · !
A natural harmonic. Bow from SPE (sul ponticello extreme) to the bridge. Mute the string when you are at the bridge.
S.P.E.
Ditto the last example but with a tremolo between a natural harmonic and an open string.
PIANO M œ
·
white key
~ œ ~~~~
Mordent. As fast as possible. Always a semitone down.
Silent note. Press the key down without sounds.
~œ ~ ~ ~~~ R
~~# œR ~ ~ ~ # œ ~~~
Make a glissando above the white keys. Don't press the keys down. Use your fingernails.
black key
The same as previous example, only with the black keys instead.
[INSIDE PIANO]
‚
Inside piano: Mute the string with you finger.
!.
Pizzicato.
! æ
Make tremolo with you nail.
!! !" !! !" ! ! ! !
±
Play as on a guitar, but use the pads of your fingertip. Play on the strings that are used on the keyboard.
Strike the noted string with your thumb.
‡ """""""""""""
Scratch the string with fingernail or a piece of plastic.
[GLASS - INSIDE PIANO]
˜
& œœ ==
&
˜ R
˜ R
˜ Ÿ~~~~~~~~~~~~ œ (œ ) œ R
Rub the glass across the strings in the middle register of the piano.
The same as previous example. Play on the strings that are used on the keyboard.
INSTRUMENTATION Alto Flute Bass Clarinet in Bb Bassoon Horn in F Piano Violin Viola Cello Double Bass Jitter - Max/MSP
IN MY PRESENCE 1. sats
q = 160
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b–. p
!
Sp.
Œ.
‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. f
. # ‹. ‹. ‹. # ‹R " ‰ 118 Œ . 3 "f "
St.
Œ.
j bœ ‰ Œ nœ
B
œ bœ nœ b œœ 11 J ‰ ‰ œJ ‰ ‰ b œJ ‰ ‰ n œJ ‰ ? 8 ƒ b œœ œœ # œœ n b œœ 11 J ‰ ‰ J ‰ ‰ J ‰ ‰ J ‰ 8 ƒ
3 2 3 2
& 32 ‹ b ‡. ‰ Œ Ó "f "
A.Fl.
B. Cl. (in B b)
Bsn.
Hn. (in F)
3 & 2 r"‰ Œ Ó ‡.
11 8
Ó
11 8
Ó
11 8
3 b‚ ‚ ‰ Œ Ó &2
Ó
11 Π8
b ˘œ ‰ Œ Ó 3 ‰ &2 J 3 "f "
Ó
? 3 r"‰ Œ Ó 2 – f ? 3 r"‰ Œ Ó 2 – f
3
3 ã 2
# ( w .)
Vln.
·
Vla.
* B 32 · )
·
sul G S.P.E.
sul A S.P.E.
?3 2
sul G S.P.E.
D.B.
?3 2
( w .)
( w .)
b *·
) ( w .)
*·
)
?
–. p
· ·
Œ.
Œ.
.
.
3 j 3 n – ‰ 4 ‹ ‡. ‰ Œ P "f "
3 r 4 – "‰ Œ f
3 4 r "‰ Œ ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. f .
.
‰ Œ.
Œ.
118 j ‰ ‰ Œ . nœ ! . F 11 j ‰ ‰ Œ . 8 °
Œ.
b–. p
(mute with stickytack)
!
3 * &2 · ) sul D
33 S.P.E.
Vc.
118 Π.
Ó
33
Pno.
C
Ó
3
33
j 11 j · ‰ 8 ‹ ‰ b‹ > "f " j · ‰ 118 ‹‹ ‰ J > "f " · J ‰ 11 ‹j ‰ 8 ‹ > "f " · J ‰ 11 ‹j ‰ 8 ‹ > "f "
Œ.
3 4 –r "‰ Œ f
n $.
3 ‚ ‚‰Œ 4
pizz.
f
3
" "
n œ- 3 ‰ ˘œ ‰ Œ ‰ & J 4 J 3 "f " F ‰ j 43 *
Œ
98
Œ
9 8
b ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡.‡. f . 9 b– " ‰ ‰ . 8 R b–. b ‡. f p
Œ
9 8
Œ Œ
9 8
Œ
98
?
#
"
œœ sul D b œœ * j J J ‰ œ ‰ ‰ ‰ ‰ ‰ 43 · œ ƒ ) f b b œœ n n œœ j * ‰ œœ ‰ ‰ J ‰ ‰ J ‰ 43 b · ƒ ) f b b œœ n n œœ j * ‰ œ ‰ ‰ J ‰ ‰ J ‰ 43 œ b· ƒ ) f sul A b œœ œœ j * ‰ œ ‰ ‰ J ‰ ‰ J ‰ 43 # · œ ƒ ) f
8
·
· ‰ J
·
j · ‰
· ·
j # – ‰ ‰ ‡. ‹ "f " P
#
j‰ · · ‰ J
#
b–. p Œ.
#
#‹ J
‡.
Œ. Œ.
‡.
‡.
‡.
‡. ‡. ‡. ‡. ‡. ‡. ‡. .
.
. ‰ #$
pizz.
f
‚ ‚ ‰
# œ- ˘œ ? j ‰ ‰ j ‰& J ‰ J ‰ b œ. b œ. F "f " " "
j‰ ‰ Œ. n œ. ! F 9 8 #
(mute with stickytack)
Œ.
b œœ 9 j‰ ‰ j ‰ ‰ J ‰ ‰ 8 #‹ œ ‹ œ ƒ > f "f " j j b œœ 98 # ‹ ‰ ‰ œ ‰ ‰ J ‰ ‰ & # >‹ œ f ƒ "f " b œœ 9 # ‹j ‰ ‰ œj ‰ ‰B J ‰ ‰ 8# ‹ œ > f ƒ "f " b œœ 9 # ‹j ‰ ‰ œj ‰ ‰ J ‰ ‰ 8# ‹ œ > ƒ f "f "
# # œœ b n œœ J ‰ ‰ J ‰
œœ ‰J ‰ ‰
œœ b b œœ J ‰ ‰ J ‰
n n œœ ‰J ‰ ‰
œœ b b œœ J ‰ ‰ J ‰
n n œœ ‰J ‰ ‰
# œœ n b œœ J ‰ ‰ J ‰
œœ ‰J ‰ ‰
A.Fl.
B. Cl. (in B b)
Bsn.
Hn. (in F)
& & ?
–. p
.
.
b ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡.
? r"‰ ‰ – f 38
&
Pno.
85
#
38
Œ.
Œ.
#
Vc.
D.B.
5 8 5 8 5 8
b ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. b–. p
#
5 8
#
œœ # œœ 5 J ‰ ‰ J ‰ 8
b œœ & J ‰ ‰
œœ b b œœ J ‰ ‰ J ‰ ‰
œ #œ 58 œJ ‰ ‰ # œJ ‰
b œœ B J ‰ ‰
œœ b b œœ J ‰ ‰ J ‰ ‰
œ #œ 5 œJ ‰ ‰# œJ ‰ 8
b œœ # œœ n b œœ ? J ‰ ‰ J ‰ ‰ J ‰ ‰
œœ # # œœ 5 J ‰ ‰ J ‰ 8
Œ
Œ
5 4 ‡j ‰ Œ . F
Œ
Œ
Œ
Œ
5 4 –r " ‰ Œ f
Ó.
5 $ 4 "f "
‚ R"‰ Œ (
Œ
j
c.l. bat.
5 4 œ. (
B
?
45 Œ 5 4 Œ 5 4 Ó
3
œ+
‚
c.l.
c.l. sul G
Œ
3
Œ
‹ fl
+ ‚ œ 3 (
sul G
&
"
!
sul G
3 r "‰ 4 ‹ ‡. ‹ # ‡. "f " fl fl ‡. ‰ J p
j
˘‹
‚ 3
j
‚
(
sul G
˘‹ ˘‹
c.l.
(
9
‚ ‚ 3
j
œ+ +œ
3 4 ‰ ‰ # œJ œ 3 p + 3 3 ‰ ‰ j 4 #œ œ p
œ"Œ f
œ"Œ f
?
85
Œ
5 8 5 8
#
5 8
j ‰ j ‰ Œ ––F %
&
3 4
#
#
5 8
Œ
43
#
#
85
Œ
3 4
#
#
5 8
Œ
3 4
Œ
˘ j 43 Ó Ó ‰ Ó Ój ‰ B # ‹J Œ P "f "
j
3
Œ
Œ
Œ
j
Œ
r ‡. ‰ # ‡. " ‰ Œ J p # œ (u) œ R "‰ Œ F (
Œ
3
r"‰ Œ *
5 j ‰ Œ 4 °
43 r " ‰ # ‡.
j ‰ ‡. P
œ. & R"‰ Œ (
45 r " ‰ Œ bœ
#
# œœ b œœ b n œœ & J ‰ ‰ J ‰ ‰ J ‰ ‰
45 Ó
5 4 r" ‰ Œ b ‡.
5 b œ. œ. œ. œ. œ. 8 b œ. œ. œ. œ. œ. bœ œ œ œ œ œ œ œ œ b œ. œ. œ. œ. œ. ! . . . . . . . . .
38
Vla.
5 r 8 – "‰ ‰ Œ f
? ã
Vln.
#
Œ œ. J ‰
bat.
arco
'
r"Œ · ‚ p fo 3
3
col legno
Œ
Ó p
col legno
3 3 Ój‰ Ó j ‰ ? #˘‹ Œ 4 Ó Ó J P "f "
Ó p
col legno
arco S.P.E.
3 # ·' · 4 ‰ ‰J 3 o sul A
‚ "‰ R Fo
Ó p Œ
&
5 8
Ó"‰ Œ R
B
85
Ó"‰ Œ R
?
5 8
Ó"‰ Œ R
* ¬
col legno
(
5 8
Œ & 85 b œæ. ) j 3 5 ‹ ‰ ‰ &8 ‡. ‹ ‡. fl fl "f "
43
A.Fl.
B. Cl. (in B b)
Bsn.
Hn. (in F)
?5 8 ?5 8 5 &8
43
Pno.
& 85 Œ 5 ã 8
#
1.
43 n Ͼ
D e = 176 2.
Œ
Œ
3 r 4 ‹ "‰ Œ fl 3 4 Œ
Œ
– æ (
.. 42
# # – "‰ Œ æR
–æ
Œ
3 Œ # 4 j ‰ Œ b ˜. "f " rigth hand &M 1. rigth hand Mœ on the key œ inside piano 3 R R # "‰ ‰ " # 4 Œ p ƒ +M Mœ œ ‰ R "‰ 43 Œ ‰ R "Œ ? r " ‰ Œ Œ œœ œ! P 3 # 4 # # #
7 16
#
.. 42 r " ‰ Œ Ó # ‹ fl "f " .. 42 # .. 42
#
#
#
j 7 r " ‰ ‡. ‹ r " ‰ ‡. ‹ 16 ‹ ‰ ‡. ‹ fl p fl œ # œ p fl œ # œ p fl œ "f " ) ) ) 7 16 " ‹ " " " r " ‹ " " " r " ‹ " " " r ‡. ‡. ‡. ‡. ‡. fl ‡. ( "ffl" ( "ffl" ( ( "f " 7 16
#
#
#
#
7 16
#
#
#
.. 42
#
7 16
#
#
#
.. 42
#
7 16
#
#
#
j ‰Œ Ó b˜ fl "f "
2.
.. 42
#
col legno
Vln.
Vla.
Vc.
D.B.
j –
5 &8 ‰ ‰ – Œ J "f "
43
j B 85 ‰ – Œ – ‰ J "f "
? 5 –j ‰ Œ 8 – ‰ J "f " sul D S.P.E. ' 5 – ? b· 8 J ‰ ‰ o
1.
3 4 43 3 4 3 ‚ 4 R "‰ Œ F o
St.
#
# ‹. ‹. ‹. .. 42 ‹ ‹ ‹ ‹. ‹. # ‹. . . . 3 "f " 3
j œ ‰Œ œ f
#
j œ ‰Œ œ f
# Œ
>‹ ‚% ‚ >‹ ‚% ‚ >‹ 7 ‰ b ‹‹ ‚‚ ‚‚ " ‰ b ‹‹ ‚‚ ‚‚ " ‰ b ‹‹ 16 b ‹ ‚ b‹ ‚ b‹ J J J J J p ) p ) p œœ .... œœ .... œœ 7 R"‰ 16
2.
Sp.
j œ ‰Œ #œ f
#
3
#W W
Œ
.. 42 &
Œ
#W W B 4 .. 2 Ï
Œ
.. 42
Ï
‚ R "‰Œ Ó F o
10
7 16 #
œœ ....
j 7 #– 16 j # –j ‰ . œ. perc. attack ( "f " col legno
œœ ....
œœ R"‰
j j #– ‰. œ. # – ( "f " j
‚% ‚ ‚ ‚ ‚‚‚ " J ) ‰. ‰.
j j #– ‰. œ. # – ( "f " j
50
A.Fl.
B. Cl. (in B b)
Bsn.
Hn. (in F)
&
?
r" ‰ ‡. ‹ p fl œ # œ )
#
Vc.
D.B.
‹ Y > . (
‰
3
# ‹ Y. >
4 r" ‰ r" ‰ 4 ˜ #˜ fl fl (
#
&
#
#
$. 4‰ æ 4
?
#
#
44
>‹ ‹ & ‰ b b ‹‹ J p
#
50
Vla.
‰
3
4 r" ‰ 4 ‡. ‹ ‡. ‹ p fl œ # œ p fl œ œ ) ) ? " ‹ " " " r " ‹ " " " r 44 " ‹ " ‰ ‡. ‡. ‡. ‡. ‡. fl ‡. ‡. fl fl ( ( ( "f " "f " "f "
ã
Vln.
44
#
& r" ‰ #œ
50
Pno.
#
4 4
# >‹ ‚% ‚ ‚ ‚ ‹ ‚‚‚ " ‰ b b ‹‹ J J p )
&
#
B
#
? j j œ. # – ( "f "
j #–
#
j j œ. # – ( "f "
3
)
F
° !
‰
‰.
j #–
‹ Y > .
b ‹ Y. >
$. ‰ æ
‰
* ° !
3
‰ 3
* ° "
!
>‹ ‹ " ‹‹
#
4 4
# œ. # – ( "f "
‰.
j #–
‹ Y > .
‰
3
# ‹ Y. >
3
$. ‰ æ
3
43
3
"
‰
3
$. 3 4‰ æ
#
3
43
‹ Y > .
‰ 3
* ° "
!
* "
‚% ‚ ‚ ‚ ‚‚‚ " ‰ % R p )
3 4
‰ 3
° !
r" j œ. – ( "f "
11
" ‰
j œ. (
2 4 r"‰ b˜ fl F $. 2 4 ‰ æ
‰
3
* ° "
!
p )
#
3 # –j 4 # –j ‰ "f "
‰ 3
* ° "
>‹ ‹ ‹‹ R p
!
*
œ. – ( "f "
"
2 4
‰
6 8
$. ‰ æ
6 8
3
68
#
3
‰ 3
° *° * !
"
6 8
!
"
6 8
‹ ‚% ‚ ‹ ‚ ‚ 2 ‹‹ ‚‚‚ " 4
#
6 8
42
#
68
2 4
#
6 8
2 4
#
6 8
)
# "
(
6 8
r" ‰ ˜ fl
3
42
3
3 4 r –
‰
3 3 24 ‰ ‰ 68 b ‹ Y. ‹ Y. > > F
2 ‹ 4 r" ‰ Œ fl œ #œ ) r 42 r " ‰ Œ ‡. ‡. (
#
>‹ ‚% ‚ 3 b ‹‹ ‚‚ ‚‚ ‰ . 4b ‹ ‚ 43
$. ‰ æ
3
‰
3
r‹ " 43 ‰ ‡ ‹ ‰ " ‡ ‡. . . fl fl œ # œ œ œ p p p ) ) r r 3 " ‹ ‰ " " 4‹ " ‰ " ‹ ‰. ‡. ‡. ‡. ‡. fl fl fl ( ( "f " "f " "f " 3 r" ‰ r" ‰ 4 r" ‰ r" ‰ r" ˜ b˜ ˜ ˜ #˜ fl fl fl fl fl
44
4 4
‰
3
‰.
$. ‰ æ
3
>‹ %‚ ‚ ‚% ‚ ‚ ‚ 4 ‹ ‚ ‚ ‚‚‚ " 4 ‰ b b ‹‹ ‚‚‚ ‰ J J J p ) )
# ‰.
$. ‰ æ
‰
3
r % –j" ‰
E
& 68
55
A.Fl.
B. Cl. (in B b)
Bsn.
Hn. (in F)
Pno.
6 &8
q.= 88
‰ ‰ ‰ ‰ ‰ ‰ 42 ‹ Y b ‹ Y ‹ Y # ‹ Y. ‹ Y # ‹ Y. > . > . > . > > . > p
# # #
?6 8
#
#
#
2 4
#
#
#
2 4
?6 2 8 j‰ ‰ j ‰ ‰ j‰ ‰ j‰ ‰ j‰ ‰ j ‰ ‰ 4 j ‰ Œ ˜ b˜ ˜ b˜ #˜ ˜ #˜ fl fl fl fl fl fl pfl $. $. $. $. $. $. 55 6 2 ‰ æ ‰ æ ‰ æ ‰ æ ‰ æ # &8 ‰ æ 4 ? 68 6 ã 8
#
° !
‰
#
* ° "
!
‰
* "
° !
‰
* ° "
!
‰
* "
° !
‰
* ° "
!
Vln.
#
#
#
Vla.
& 68
#
#
#
D.B.
B6 8 ?6 8
# #
# #
)
#
6 &8
55
Vc.
œ. 38 (u) Ø . 3 œ (u) 8 Ø
# #
‰
42 * "
#
&
arco
2 ––4 J ‰ J ‰ P 2 ––4 J ‰ J ‰ P arco
12
#
3 8
#
œ. œ. œ. 38 R"‰ F 3 8
!
42 –J ‰ –J ‰ P
3 8
‚ ‚ 3 R"R"‰ 8
2 r 4 . "‰ Œ 2 4 –J ‰ –J ‰ P
q = 132
&
B
?
?
#
3 ‰ ‹ 8 > "f " 38 ‰ ‹ > "f "
. 3 J ‰ ‰ 8 "f " . 3 J ‰ ‰ 8 "f "
&
# œ (u) œ . 5 16 J J
œ 44 R " ‰ Œ
Ó
43
. 5 œJ œJ 16
4 œR " ‰ Œ 4
Ó
3 4
5 16
4 4
#
+ 5 16 j j œ œ. F ) 5 16 ‰ ? j ±. fl ! " "f 5 ‰? 16 j ·.
with the thumb
f 5 r 16 " ‰ . > ° " " !
5 ‹R " ‰ . 16 5 ‹R " ‰ . 16 r 5 . 16 ‹J "" # ‹ > "f " p r 5 . 16 ‹J "" # ‹ > p "f "
3 4
#
4 r" ‰ Œ 4 œ 4 4
Ó
?
3 4 3 4
#
44 r " ‰ Œ ·
Ó
43
4 r "‰ Œ 4 *
Ó
3 4
"
* 4 ¬ 4 p * 44 ¬ p * 4 ¬ 4 p * 4 ¬ 4 p
&
3 4
B
43
?
3 4
?
3 4
q = 160
& 43
62
A.Fl.
B. Cl. (in B b)
Bsn.
Hn. (in F)
3 &4 ?3 4 ?3 4 ?3 4 ? 43
b ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. f b– p
j‰ Œ bœ ! F. 3 j‰ Œ ã 4 ° 3 j & 4 b‹ ‰ Œ ‹ > "f "
62
Vla.
Vc.
D.B.
%
# Œ
(mute with stickytack)
!
Vln.
%
– p
62
Pno.
#
> B 43 b ‹‹ ‰ Œ J "f " j ?3 ‹ ‰ Œ 4 b‹ > "f " j ? 3 b‹ ‰ Œ 4b ‹ > "f "
Œ Œ Œ Œ Œ
88 Π.
Œ.
8 8
.
8 8 8 8
j ‰ 44 ‹ ‰ Œ b– b ‡. " " f P
Ó
42
#
43
#
44
#
118
4 r "‰ Œ 4 – f
Ó
2 4
#
3 4
#
4 4
#
11 8
4 r "‰ Œ 4 b ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. b ‡.
Ó
2 4
#
3 4
#
4 4
#
11 8
4 r "‰ Œ 4 – f
Ó
2 4
#
3 4
#
4 4
#
11 8
4 4
‰Œ
Ó
#
3 4
#
4 4
#
b ˘œ J‰Œ
2 4
11 8
Ó
42
#
43
#
44
#
2 4
#
3 4
#
4 4
#
.
.
.
8 Œ. 8
Œ.
88 Π.
Œ.
8 Œ. 8
3
Œ.
b $.
pizz.
&
f
" "
b‚ ‚
b œJ 44 ‰ &‰ F ‰ j 44 * "
3
f 3
118
" "
#
St. # œœ b œœ Sp. 3 3 . ‹. 2 # ‹. . 8 b œj ‰ ‰ J ‰ ‰ J ‰ 4 3 ‹ # ‹ ‹ 8 4 ‹. ‹. . 4 R "‰ Œ # ‹ ‹ ‹ . œ ‹ ‹. ‹. . . . 3 ƒ f "f " œ b œœ j 88 œ ‰ ‰ J ‰ ‰ œJ ‰ 44 24 œ ‰ Œ # B bœ & œ J ƒ p f
j b œœ 8 œ ‰ ‰B J ‰ ‰ 8 bœ ƒ f b œœ j 8 bœ ‰ ‰ J ‰ ‰ 8b œ f ƒ
?
œœ J ‰ 44
#
# œœ J‰ 4 4
#
?
Œ
4 j‰ Œ 4 œ bœ
. ‹. ‹. . . ‹ # ‹ . . 34 ‹ 4 ‹ 4 R"‰ Œ ‹. ‹. ‹. ‹ 3 3 "f " St.
Sp. 3
. 2 ‹. ‹. ‹. # ‹. ‹. ‹. 3 ‹R "‰ Œ 4 4 3 "f " 3 St.
Sp.
2 j 4 # œœ ‰ Œ p
13
3 j 4 bœ ‰ Œ bœ p
3 j 4 n b œœ ‰ Œ
Œ Œ
11 8
Sp. . # ‹. ‹. ‹. # ‹R " ‰ 118 3 "f "
St.
Sp. j # ‹. ‹. ‹. 11 œ ‰ 8 œ 3 f "f " St.
Sp. . 4 ‹. ‹. ‹. # ‹. ‹. ‹. ‹R " ‰ Œ 4 3 "f " 3 St.
4 œj ‰ Œ b œj ‰ Œ 4 #œ nœ
B
11 8 11 8
& 118 Π.
68
A.Fl.
B. Cl. (in B b)
Bsn.
Hn. (in F)
Œ.
11 &8
5 j n – ‰ 4 ‹ ‡. ‰ Œ "f " P
? 11 8
b–. p
11 & 8 Œ. ? 118
. Œ.
j ‰ ‰ Œ. n œ. ! F 11 j ‰ ‰ Œ . ã 8 °
(mute with stickytack)
!
. Œ. Œ. Œ.
n $.
pizz.
f
" "
Vln.
11 & 8 Œ.
Vla.
Vc.
D.B.
Œ
Œ
Œ
Œ
Ó.
5 4
‰Œ
Ó.
˘œ J‰Œ
4 4
Ó. #
‚ ‚ 3
n œJ 45 ‰ &‰ F ‰ j 45 *
f 3
4 %j ‰ Œ 4 – F
"
j
sul G
n n œœ ‰ J ‰ 45 Œ
œœ ‰ J ‰ 45 Ó
# Ó
Π#
2 "‰ ‹ ‡ ‹ 4 ‡r . fl fl "f " 2 4 Œ
11 8
Œ
3
j 11 ‡. ‰ 8 p
#
2 % 4 –j ‰ Œ "f "
11 8
#
#
2 4
#
11 8
44
#
#
42
#
4 4
#
#
2 4
#
Œ
r Ó "‰ Œ
#
2 4 Œ
Ó p
r Ó "‰ Œ
#
42 Œ
Ó p
r Ó "‰ Œ
#
2 4 Œ
(col legno)
4 4 Œ
Œ
+ ‚ >‹ ‚ b b œœ n n œœ 5 Œ Œ & J ‰ ‰ J ‰ 4 ŒB œ 3 3 ƒ (
œ bœ b œœ B 11 J ‰ ‰ œJ ‰ ‰ b œJ ‰ 8 ƒ b œœ # œœ n b œœ ? 11 J ‰ ‰ J ‰ ‰ J ‰ 8 ƒ
# œ (u) œ R "‰ 118 42 (
j ‰ Œ –-
&
?
118
" "
# œœ bat. œœ b n œœ sul G 3 J ‰ ‰ J ‰ ‰ J ‰ 45 œ . œ ‚ >‹ ƒ ( +
‹. 11 B 8 R" ‰ ‰ Œ .
4 "‰ Œ Ó ‹ b ‡. ‹ 4 ‡r fl fl "f " j 4 j n ‡. ‰ 4 Œ b ‡. ‰ Ó p 3
5 4 –r " ‰ Œ f
c.l.
68
œ (u) œ 44 R "‰ Ó (
Ó.
5 4 r"‰ Œ # ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. ‡. # ‡. f ? 11 5 . . 8 –. 4 –R " ‰ Œ p f
68
Pno.
Œ.
3
c.l.
j
j
j
(col legno)
44 Œ
j
> 4 Œ?‚ ‹ ‚ Œ 4 Œ œ + 3 3 ( c.l. bat. sul G > ‹ ‚ + œ. œ J ‰ 4 Ó 4 3 (
c.l. sul G
(col legno)
j
14
Ó p
arco
* ¬
(
¬
11 8 11 8
Ó p
118
Ó p
11 8
Ó p
2 ¬ 4 J ‰ Œ
?
11 8
& 118 Π.
73
A.Fl.
B. Cl. (in B b)
Bsn.
Hn. (in F)
11 &8
–. p
Œ.
.
.
? 11 8
b–. p
11 & 8 Œ. ? 118
. Œ.
j‰ ‰ Œ . œ. F 11 j ã 8 ‰ ‰ Œ. °
(mute with stickytack)
!
73
Vln.
Vla.
Vc.
D.B.
j ‰ 45 ‹ ‰ Œ – ‡. "f " P 5 r 4 – "‰ Œ f
11 8 118
Œ.
$.
Œ.
(
Œ
Œ
3
R "‰ Œ
# œ (u)
Œ
j‰ Œ ‡.
3% 4 –j ‰ Œ F
Ó.
62
œ 6 R "‰ Œ Ó 2 6 j ‰Œ Ó 2 #‡ .
# #
#
#
#
34 ˘‹ ‰ J "f " 3 4 œ (u) ) ˘ 3˘ ‹ 4 ‹
˘ ‹ ‰ Œ J
j ‹ ‰ Œ fl
f
j ‰ 62 –-
#
3 4 Œ
5 8
r "‰ Œ œ
" "
&
85
Œ
5 8 3
–. –. –. "f "
5 8
5 ‚ ‚‰Œ 4
Ó.
3 4
#
6 2
#
3 4
#
5 8
œ- 5 ˘œ &‰ J 4 ‰ J ‰ Œ 3 F "f "
Ó.
43
#
62
#
43
#
85
#
3 4
#
6 2
#
3 4
#
5 8
pizz.
f
3
" "
Œ.
œ (u) œ
3 Œ ‹b ‡ ‹ 4 fl . fl "f " Œ b ‡j ‰ 43 Œ . p
Œ
5 4 –r "‰ Œ f
.
43
Ó.
? 11 5 8 ‡ ‡ ‡ ‡ ‡ ‡ ‡ ‡ ‡ ‡ ‡ ‡ ‡ ‡ ‡ ‡ ‡ 4 ‡r "‰ Œ . . ..... . .. . . . . . . . . ƒ
73
Pno.
Œ.
3
‰ j 45 * "
b œœ sul Gc.l. bat. 3 Ó"‰ ‰& ‹j ‰ ‰ œj ‰ ‰ J ‰ 45 œ ‚ ‹ Œ Œ R . ‹ œ fl > ƒ ( œ+ f "f " c.l. sul G + j j b œœ ‚ ˘‹ ‚ Œ Œ Ó"‰ ‰ B ‹‹ ‰ ‰ œœ ‰ ‰& J ‰ 45 Œ B œ R > 3 3 f ƒ ( " "f
c.l. sul G b œœ j j 11 Ó ‰ ‰ ? ‹ ‰ ‰ œ ‰ ‰ B J ‰ 5 Œ Œ ? ‚ 8 R" 4 ‹ œ 3 > f ƒ ( "f " j b œœ sul G œ j ? 11 œ Ó œ ‰ ‰ J ‰ 45 Ó 8 œ f ƒ "f "
j
j
j
j
˘‹ ‚
j
3
œ+
Œ
(col legno)
3 4 Œ
Ó p
(col legno)
43 Œ
Ó p
(col legno)
3 4 Œ
Ó p
˘‹ ‚ . +œ œ J ‰ 3 Œ 4 3 ( c.l.
j
c.l. bat.
arco
Œ
15
Ó "‰ 62 R
Ó "‰ 62 R
(
6 ¬ 2
#
3 4 Œ
#
. . . J ‰ 85 43 Œ B P f (col legno)
Ó "‰ 62 R
* –
. . . J ‰ 85 & P f (col legno)
3 4 Œ
# ¬
¬
. . . J ‰ 85 P f
(col legno)
?
col legno
3 ¬ 4 J ‰ Œ
5 ÓÓÓ 8 "f " 3
G
& 85 Π.
78
A.Fl.
B. Cl. (in B b)
Bsn.
Hn. (in F)
5 &8
Vla.
Vc.
D.B.
4 # w (u) 4 )
# w
# ˙
o
Ó
Ó
#
#
Ó
#
#
85
#
44
#
5 8
#
4 4
#
œ.
4 œ " ‰Œ 4 R
5 8 #œ )
with a lot air
5 8
#
+ 4 4 œ F
Ó
œ ˙ )
5 &8
#
4 4
#
#
#
5 8
#
4 4
#
& 85
#
44
#
#
#
85
#
44
#
5 ã 8
#
4 4
#
#
#
5 8
#
4 4
#
4 4
#
j
– 5 &8 ‰ ‰ – Œ J "f "
78
Vln.
#
? 5 j ‰ ‰ œ (u) 4 œ " ‰ Œ 8 ‡ 4 R . p ( F + ?5 ‰ ‰ Œ 4 äœ ‰ Œ 8 j & 4 J –. F 78
Pno.
#
j ‰ 44 ‡. p
B 85 ‰ Œ – ‰ J "f " j –
4 4 44
(col legno)
# #
? 5 –j ‰ Œ 4 # 8 – ‰ 4 J "f " arco S.P.E. sul D ' (11. harm.) o 5 Ó ‰ œ 4 œ"‰ Œ Ó 8 J ‰ & 4 R ) P
# arco S.P.E.
#
‚ ‚ 5 ‚‚ ‚‚ ‰ Œ . 8 J‚ P
* Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 5 r " ‰ Œ. 8 (u ) w w œ o o ( #
' ˙.
arco sul tasto
œ
Ø
#
#
16
col legno
?
5 8 œR " ‰ Œ . f ‚‚ ‚‚ 5 ‚‚ ‚ ‰ Œ . 8 J P
col legno
col legno
#‚
‚ ‚ ‚ 44 ‚ ‚ ‰ Œ J ‚ P
Ó
#‚ ‚ 4 ‚‚ ‚ ‚ ‰ Œ 4 J ‚ P 4 4
Ó #
&
#
#
&
#
#
?
#
#
84
A.Fl.
B. Cl. (in B b)
Bsn.
Hn. (in F)
&w
w )
2 4 ‹ Œ "f " ‹j
# #
r" ‰ Œ œ
w
Ó
&
#
#
#
&
#
#
#
ã
#
#
84
42 j‰ Œ œ P
rigth hand on the key
Pno.
84
Vln.
Vla.
Vc.
D.B.
& B ? ?
# # # #
r"‰Œ "f " > °
Ó
!
arco sul tasto
w o
w (
# # #
# #
sul G arco
w )
?
2 4 Œ ‹ "f "
j b‹
2 4 j‰ Œ ˜. "f "
44
#
4 4
#
4 4
#
4 4
#
H
j‰ Œ ‚ ‚ ‚ ‚. ‚. b ‚. ‚. . . . ( 3 ‡. ‰ Œ . ‡. ‡. ‡ b ‡ J ‡ ‡. . . 3 (
Ó
Œ.
4 4
Ó
Œ.
4 4
Ó
Œ.
4 4
œ. J ‰ Œ
15 ‰ Œ Ó 8 j # ˜. "f " b œ. 15 J ‰ Œ Ó 8
Ó
Œ.
4 4
Ó
15 8
#
r " ‰Œ Ó
15 8
#
3
#
&. bœ œ ~ ~ ~4 R ~ 2 J ‰Œ ~ ~ ~~ 4 " ‰ Œ Ó 4 ~ ~ ~ b ˙ ~~ ) "f " +w ~ white key ~~~~~ ~~~~~ ? r " ‰ Œ 24 4 # 4 ~~~~~ ~~ œ p ! #
2 4 j‰ Œ œ o pizz. . 42 Œ R "‰ F 2 4
#
œ 2 J 4 ‰Œ P
4 4 4 4 44
#
#
. 4 R"‰ Œ 4 F pizz.
4 · 4 p
sul A
17
*
"
sul A sul D
‰Œ Ó
w o
(col legno)
(col legno)
Ó
44
#
15 ‰ Œ Ó 8 j ‡.
3
black key
2 4
15 8
#
j œ P #‚ ‚ ‚ ‚ ‚‚ ‰ Œ Ó J‚ P #‚ ‚ ‚ ‚ ‚‚ ‰ Œ Ó J‚ P
· ‰Œ Ó J )
15 ‡. ‰ Œ Ó 8 J
&
44 4 4
' j 15 Ó j 4 8 Ó Œ Ó Œ Ó Ó Œ Ó Ój ‰ 4 p
col legno
sul D sul G
sul D sul G
' j 15 8 Ó Ój Œ Ó Œ Ó Ó Œ Ó Ój ‰ 44 p ' j 15 Ó j 4 8 Ó Œ Ó Œ Ó Ó Œ Ó Ój ‰ 4 p 15 Ó 8
Ó
Ó
–. "f "
4 4
& 44
#
91
A.Fl.
B. Cl. (in B b)
Bsn.
Hn. (in F)
4 &4
j‰ Œ ‚ ‚ ‚ . ‚. ‚. b ‚. ‚. . . ( 3
?4 Ó 4
?4 4 j ‰ Œ n ˜F 4 &4
91
Pno.
#
& œ. & 44 J ‰ Œ )
3
#
j‰ Œ ‚ ‚ ‚ . ‚. ‚. b ‚. ‚. . . 3
. ‡. ‡. ‰ Œ . ‡ ‡ J ‡. ‡. b ‡. 3 ( Ó
#
j‰ Œ ‚ ‚ ‚ . ‚. ‚. b ‚. ‚. . .
3
3
œ. J ‰ Œ
œ. J ‰ Œ
œ. J ‰ Œ
5
œ. J ‰ Œ
œ. J ‰ Œ
#
Vln.
4 4
#
#
#
#
Vla.
44
#
#
#
#
Vc.
D.B.
? 4 –"‰ Œ 4 R
Ó
#
#
#
#
7 16
Ó
3 4
#
7 16
5
(col legno)
Ó
(
j Ó
Œ
Ó 5
#
18
) b œ. J ‰ Œ
œ. J ‰ Œ
#
#
3 4
˜
#
#
#
Ó
5
rigth hand use the inside piano glass
#
4 4
7 16
3 4
7 16
3 4
7 16
– – – – – – – – b– – b– – – –. –. –. – –. –. –. b – –. –. –. fl . . . fl . . . fl . . . fl– –. –. –. b fl– –. –. –. fl fl ( f fl
4 ã 4 91
#
3
5
# œ. J ‰ Œ
3
3
#
#
. ‡. ‡. ‰ Œ . ‡ ‡ J ‡. ‡. b ‡.
3
3
j‰ Œ ‡.
3
. ‡. ‡. ‰ Œ . ‡ ‡ J ‡. ‡. b ‡.
3
#
3
43
#
j‰ Œ ‚ ‚ ‚ . ‚. ‚. b ‚. ‚. . .
3
. ‡. ‡. ‰ Œ . ‡ ‡ J ‡. ‡. b ‡.
3
#
q = 100
43
Ó
#
3 j Œ 4 ‰ Œ ° Ÿ~~~~~~~~~~~~~~~~~~~~ arco (O) (col legno) sul E · . 3 Ó & R "‰ Œ 4 ( f arco Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~ sul A · (O) j · 34 Œ Œ B & ( ) #
j Ó
Œ
Ó
j Ó
Œ
Ó Ój Œ
‹. ‰ Œ J p
sul E
!
j ÓÓŒ
5
Ó
7 16 7 16 7 16 7 16
j 3 j 7 4 ÓJ Ój ‰ Ó Ój‰ Ó Ój ‰ 16 f 3 4
#
7 16
I
7 & 16
97
A.Fl.
B. Cl. (in B b)
Bsn.
Hn. (in F)
e = 176
j 7 & 16 ‹ fl "f " ?7 16 ?7 16
‡. (
‰
‡. p
" ‹ " " fl "f "
3 r" ‰ 8 œ #œ ) j 3 " r 8 r" ‹ ‡. ‡. fl ( "f "
– – – – b– – – fl . . . fl . .
7 & 16 ˜r " ‰
‰.
7 & 16
#
7 r ã 16 " ‰ *
col legno
Vla.
Vc.
7 16 Ój ?7 j 16 œ. (
j Ó
col legno
D.B.
r " . Ó % Ój "
j #– ‰. #– "f " j
#
3 16 ‡. ‹ p fl œ ) 3 16 " " r ‡. (
‰ ‰
3 16
‰
#
7 16
7 16
#
7 16
#
38
#
3 16
#
7 16
#
˘‹ 3 ‰ b ‹‹ 8 b‹ J p 38
3 " 8 Ój (
j Ó
>‹ ‹ ‹‹ J
%‚ ‚ 3 b‚‚ ‚‚ " 16 b ‚ J )
#
‰
3 j j 8 œ. # – ( "f "
‰ j #–
– J
#
j –
‹ Y > . (
4 r " ‰ 4 ˜ fl (
#
3 16
#
‰
3
‰
3
# ‹ Y. >
‰
3
‹ Y > .
‰
3
b ‹ Y. >
43
r‹ 4 r" ‰ . ‹ ‹ ‰ " 43 4 ‡. ‡. ‡. #œ p fl œ p fl œ œ p fl œ œ ) ) ) r 7 4 " ‹ ‰ " " 43 16 " ‹ " " " r 4 " ‹ " ‰ ‡. ‡. ‡. ‡. ‡. ‡. ‡. fl fl fl ( ( ( "f " "f " "f " 7 16 r " ‰ #œ
#
3 16
44
#
3 8
3 8
~~~~ j > · ‹ %‚ ‚ ‚ ‚ 7 % " b ‹‹ ‚‚‚ " & 16 R b ‹ ) J J p ) col legno . 7 R " ‰ ‰. B 16 f
97
Vln.
3 r" ‰ 8 –. –. (
‰.
"
3 16
#
‹ fl
8:7
97
Pno.
38
#
7 16
$. 4‰ æ 4
>‹ ‹ b b ‹‹ J p
3 16
#
7 16
3 16
#
7 16
3 16
#
7 16 j œ. (
#
4 4
19
3
)
44 F
° !
‰
j #–
* ° "
!
3
‰
‚% ‚ ‚ ‚ ‚‚‚ ‰ J )
4 4 4 4
$. ‰ æ
3
44
‰.
r " ‰ ˜ fl
3 4
r " ‰ b˜ fl $. ‰ æ
3
3 4
3
43
#
3
>‹ ‚% ‚ ‚ ‚ ‹ 4 ‚‚‚ " 4 ‰ b b ‹‹ J J ) p
# j #– "f "
$. ‰ æ
drop the glass
#
7 16 ‰
r " ‰ #˜ fl
‰ 3
* ° "
!
>‹ ‹ " ‹‹
#
p
‰ 3
* ° "
!
* "
‚% ‚ ‚ ‚ ‚‚‚ " ‰ % R )
œ. # – ( "f "
‰.
r" j – œ. ( "f "
3 4 43 3 4
# j #–
3 4
r –
" ‰
j œ. (
3 4
& 43
102
A.Fl.
B. Cl. (in B b)
Bsn.
Hn. (in F)
‹ >
Vc.
D.B.
Y.
$. æ
r " ‰ #˜ fl ‰
3
$. æ
& 43
‰
Y.
r " ‰ ˜ fl ‰
3
$. æ
3
‰ 3
° !
p
‰ 3
* ° "
!
* ° "
#
3 4 ?3 j 4 #– "f "
3
‚% ‚ ‚ ‚ . ‚‚ ‚ ‰
)
‰
!
>‹ ‹ ‹‹ R p
‰
"
œ. (
– "f "
r % –j " ‰
3
2 4 r" ‰ #œ
38
q.= 88
42
#
38
#
#
2 4
#
3 8
#
#
2 4
#
3 8
#
2 4 j ‰ Œ ˜ fl p
3 8
#
# ‹ Y. > p
‰
Œ
3 8
2 4 r" ‰ ‡.
Œ
3 8
2 4 r" ‰ b˜ fl F $. 2 4‰ æ
r" ‰ ˜ fl
3 8 j ‰ ‰ #˜ fl
42
#
2 4 2 4 42 2 4
# j #–
* "
‹ ‚% ‚ ‹ ‚ ‚ ‹‹ ‚‚‚ " )
‰ 42 b ‹ Y ‰ ‹ Y . > > . F 3
$. ‰ æ
3
#
>‹ 102 3 b ‹‹ & 4b ‹ B 43
‹ >
3
" ‡ ‹ . fl œ p ) " ‹ ‰. r ‡. ‡. ‡ . fl ( ( "f "
?3 r " ‰ 4 ˜ fl
3 ã 4
Vla.
#‹ >
‰
3
‰ ‡. ‹ p fl œ # œ )
r ?3 ‹ " ‰ 4 fl "f "
3 &4 ‰
Vln.
Y.
3 &4 ‰
102
Pno.
‰
3
J
2 4
(
‰ 3
° !
$. 3‰ æ 8
3
3
* ° "
!
# #
*
"
44
#
4 #w 4 ) w 4 4 ) &
4 4 #w )
2 4
#
3 8
#
4 4
#
42
#
38
#
44
#
3 j ‰ j 8 ° *
2 r 4 . "‰ Œ
3 8
#
4 4
#
3 8
2 4 –J ‰ –J ‰ P
)
38 ‰
q = 132
#
!
38
#
3 8
#
3 8
20
"
# # # #
!
arco
j
3 J ‰ ‰ 4 j ‰ Œ 8 & 4 ‹ p ( j
42 –J ‰ –J ‰ B 38 ‰ J ‰ P p
2 ––- ? 3 4J ‰ J ‰ 8 ‰ ‰ J P p 2 ––- ? 3 4 J ‰ J ‰ 8 –. P p arco
44 Ó j
4 Ó 4
sul D
· o ·
sul D
o
sul G & Q arco ==
4 –R " ‰ Œ 4
b· o
Ó
108
A.Fl.
B. Cl. (in B b)
Bsn.
Hn. (in F)
&
‹
j
¬. fspp
œ & R "‰ Œ p œ ? R "‰ Œ p
Ó
& œr" ‰ Œ p
Π#
Ó
3 4
#
ã
#
3 4
B
·
)
? · ?
œ (u)
3 4
#
& · )
Ø
Ó
&
108
D.B.
3 4Œ
43 Œ
Pno.
Vc.
Œ
3 4Œ
&
Vla.
43 Œ
#
108
Vln.
o
Œ
œ (u)
use the glass
#
œ œ (u)œ
œ 85 R " ‰ Œ .
œ # œ (u) 5 œ œ . 16
5 œ 8 R " ‰ Œ.
5 16
5 5 16 ‹ ~~~~. 8 r"‰ Œ ~~~~~~~~~~ b ‹ "f "
#
5 16
#
Œ
#
#
4 4
4 Π4
‰ ?
38
#
3 8
b ‡. ‰ Ó J (
3 8
4 j ‰ Œ 4 – ( %
j –&
3 8
‰ Œ
? put the stictytack away from == w w
_
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 5 œ œ. œ (œ ) ˙ . 16 85 œR " ‰ Œ . J J Ø
44
#
38
4 4
#
3 8
5 16
#
·
·. 43
·
o o
· #
5 8
b œ (u) œ 44 R "‰ Ó )
4 4
5 16
˜
Œ
#
K
5 ˜ 8 R " ‰ Œ.
3 4 ·.
3 4
œ œ.
œ b œ (u) œ
œ &œ ==
3 4 ·.
)
Ø
œ
Œ
o Œ
#
5 8
* 5 – 8 (
Œ Œ Œ –
5 . 16 ‹J "" ‹R p "f " * ‹. ‹ 5 5 – J R "" 16 8 p "f " (
–.
5 . 16 ‹J "" ‹R p "f "
–.
5 r 16 – "‰ .
p
21
#
* 5 – 8 ( 5 8
–.
#
#
3 8
r Ó" ‰ Œ
&
3 8
44 – R"‰ Ó p
r Ó" ‰ Œ
B
38
4 – 4 R"‰ Ó p
r Ó" ‰ Œ
4 – 4 R"‰ Ó p
col legno
col legno
col legno
4 Ó 4
* ¬
arco
(
3 8 3 8
A.Fl.
B. Cl. (in B b)
Bsn.
Hn. (in F)
#
3 &8
#
4 4
?3 8
#
4 Π4
?3 8
#
4 j‰ 4 – -
3 &8
#
4 4
& 38
#
3 ã 8
#
114
Pno.
sul E
3 &8
114
Vln.
Vla.
Vc.
D.B.
arco sul tasto
b ·' .
44
b œ (u)
& 38
114
* 3 ¬. 8
œ R "‰ Œ
œ (u)
œ R "‰ Œ
œ R "‰ Œ.
3 4
#
Œ
Œ
b ‡. ‰ Ó J
3 4
#
Œ
Œ
3 4
#
‡. ‰ Œ J (
j ‰ Œ –(
#
3 4
#
#
#
9 8
#
?
3 4
44
#
43
#
#
#
98
#
?
43
4 4
#
3 4
#
#
#
9 8
#
3 4
r Ó "‰ ‰ Ó
3 4
r Ó "‰ ‰ Ó
43
r Ó "‰ ‰ Ó
3 4
#
%
4 4 Œ 4 – 4 R"‰
j‰ Œ –&
col legno
)
%
Ó p
Ó"‰ Œ R
3 4
#
&
Ó p
Ó"‰ Œ R
43
#
B
3 4
#
?
(col legno)
Ó p Œ
Ó"‰ Œ R * ¬
3 ¬. 4
r" ‹ ‰ fl "f " #˘‹ " R ‰ "f "
Ó
p Ó
p
r ‹ "‰ Ó fl p "f " – R "‰ Œ
22
œ (u) )
j ‰ –&
œ R "‰ Œ Œ
œ (u)
‡. ‰ Œ J
j ‰ Œ –-
%
r Ó "‰ & ‹r " ‰ Ó fl p "f " r B #˘‹ " Ó "‰ R ‰ Ó p "f " r ? r Ó "‰ ‹ " ‰ Ó fl p "f " * – – R "‰ Œ
j‰ –&
98
b œ (u)
#
‚ 4 R" 4 ‰ Fo
#
œ (u)
43
( (col legno) ' sul tasto œ. œ. œ. œ. œ. œ. 44 Œ B 38 p 3 8
œ R "‰ Ó
b œ . (u)
œ 9 R "‰ 8
Œ
9 Π8
b ‡. ‰ Œ . J
9 j ‰ 8 – -
Œ
%
Ó "‰ & 98 r " ‰ Ó R b‹ fl p "f " ˘ Ó "‰ B 98 ‹R " ‰ Ó R "f " p Ó "‰ ? 98 b ‹r " ‰ Ó R fl p "f " * – 9 – 8 R "‰ Œ
j ‡. ‰ ( œ R "‰
3 4
j ‡. ‰ 43 3 4
j ‰ ‰ Œ –&
* –.
43
–
3 4
rall. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
& 43
#
120
A.Fl.
B. Cl. (in B b)
Bsn.
3 &4 ?3 4
b˙. Ø
?3 j ‰ Œ 4 – -
2 4
˙.
#
%
Hn. (in F)
42 Œ
#
Œ
˙. )
2 4
?3 4 j ‰ Œ ± fl !"f " ? 43 · ! 3 ã 4 #
Pno.
120
Vln.
Vla.
Vc.
D.B.
with the thumb
3 4 ÓR " ‰ Œ 43 ÓR " ‰ Œ 3 4 ÓR " ‰ Œ 3 – 4 R "‰ Œ
Œ
Œ
85 Œ
#
˘ ˘ ‹ ‰ ‹
f
" "
U
3 4 r"‰ Œ œ p 3 4 r"‰ Œ œ p
œ U œ
U œ
#
5 8 Œ
Œ
#
5 8 Œ
Œ
#
5 8
‹ "f " ‹ "f "
‹ ‹
‹ ‹
˘ ˘ ‹ ‰ ‹
38
Œ
‹
‹
3 8
‹
3 8
‹
Œ
‹
‹
U Œ
&
3 $# $$ $# $$ $# $$ $# $$ $# $$ $# $$ $# $$ $# $$ $# $$ $# $$ $# $$ $# $$ 5 $# $$ $# $$ $# $$ $# $$ $# $$ $# $$ $# $$ $# $$ $# $$ $# $$ 3 4 $ $$$$$$$$$$$ $$$$$$$$$$$$ 8 $$$$$$$$$ $ $$$$$$$$$ $ 8
42 Œ
U Œ
&
2 4 Œ
U Œ
43 ··
2 4 Œ
U Œ
42 Œ
U Œ
2 4 Œ
U Œ
2 4 Œ
U Œ
Π# # # #
3 4 œr " ‰ Œ p
Œ
Œ
2 4 Œ
!
Œ
#
#
r"‰ Œ °
Œ
43
2 4 #œ (
·
Œ
œ
U Œ
#
drop the glass
120
œ
L q = 78
Ø
3 r 4 " ‰ Œ * 3 4 Œ
B
. . . . . œ.. . . . 34 œ – P "f "
Œ
+ b œ. . . . . œ P p
f
œ. . . . . œ.. . . .
c.l. bat.
P
–
f
s.t.
#
23
-·' œ
c.l.
5 8 b‚ P
. . . "f "
j –
˘‹ J ‰ Œ
j –
˘‹ s.t. J ‰ Œ
sul G + ..... j ‰ 85 œ >‹ œ P "f " p
#
' ·œp
arco
c.l.
5 ‚ 8 P 5 8
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!
Œ.
J
Œ. #
38
Œ. b ··· b ···
!
J
3 8
#
Œ.
c.l. bat.
" "
3 4
5 8 Πarco
c.l. bat.
" "
c.l. bat.
85 b ··
·· · #
>‹
&
3 4
· ··
Œ
"
?
b· ··
· ··
··
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. . .
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Sp.
‹ ‹ ‚ > "f "
r " b>‹ ‹ ‚ ‹ St.
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>‹ Sp. b‹ ‚ St.
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3 8
r 3 ‚" 8 ‚ " 38 R ‚ 3 R" 8 3 8
& 38
#
43 ‰
3 &8
#
3 4 ‰
?3 8
#
3 4 ‰
?3 8
#
3 4 ‰
127
A.Fl.
B. Cl. (in B b)
Bsn.
Hn. (in F)
9 16
j – ¬ (
9 16
j – ¬ (
9 16
j b– ¬ (
43
3 ã 8
3 4
#
3 & 8 ‰ #‚ P
127
Vln.
Vla.
Vc.
D.B.
B 38
#–
?3 ‰ 8 3 8
j –
‚
j
j ‹ 43 fl j
P #
3 4
?
3 4 J ‰ Œ P
Œ
#
Œ
#
3 4 j ‰ Œ ˜ fl "f "
Œ
#
– – – –.
3 4 r" ‰ Œ –
11 16 11 16 11 16
9 16
#
3 $# $$ $# $$ $# $$ $# $$ $# $$ $# $$ $# $$ $# $$ $# $$ $# $$ $# $$ $# $$ $# $$ $# $$ $# $$ $# $$ $# $$ $# $$ 11 4 $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ 16
#
9 16
#
43 ··
#
9 16
#
3 4
#
9 16
#
9 16
# # ä‹
– – – –.
3 4 r" ‰ Œ –
˘ ˘ ‹ ‰ ‰ ‹ Œ J J "f " j ‰ ‹ ‰ ‹ ‹ ‹ J "f " j ‹ ‹ ‹ ‰ ‹ ‰ J "f "
Œ
#
3 4
#
9 16
3 $# $$ $# $$ $# $$ 3 $# $$ $# " Œ &8 $ $ $$$$ 4 $$$ & 38 j # · # ·· ··
Œ
Œ
j Œ #˜ fl "f "
127
Pno.
– – – –.
43 r " ‰ Œ –
Œ
#
#
Ø
b ·· ·
·· ·
·· ·
#
3 ' 4 · (
arco
' 34 · (
arco
St.
· ·
9 16
#
3 ˙. 4 (
9 16
#
3 4
˘ r " ‰ b‹ ‚ "f " fo ˘‹ ‚ " ‰ R "f " fo
Sp.
#
24
#
·· #
col legno
œ. 3
œ. p
œ.
col legno
œ. p
3
œ J ‰ Œ "f "
œ.
j ·· ‰ ·
j . ‰ . "f "
.
!
!
!
..... œ F P œ. ˘‹ ‰ J "f " F bat.
..... œ bat.
P #
‰ ·j Œ ··
>‹
f
" " sul D arco
·'
p
>‹
f
%
˘‹ ·' œ J
11 16
‰ j .
11 16
+ j œ ‰
11 16
!
j ‹
11 16
sul A
f p
" "
%
" "
#
j ‹
˘‹ 11 J 16 "f "
+œ J ‰
11 16 11 16
˘ 11 & 16 ‹ ‰ Œ J
‰.
44 ‰
¬
78 r " ‰ Œ –
Œ.
11 j ‰ Œ & 16 ‹
‰.
4 ‰ 4
¬
7 r"‰ Œ 8 –
Œ.
? 11 j ‰ Œ 16 ‹
‰.
4 ‰ –j – 4 (
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7 –r " ‰ Œ 8
Œ. Œ.
11 $# $$ $# $$ $# $$ $# $$ $# $$ $# 4 $$ $# $$ " Π& 16 $ $ $ $ $ $ $ $ $ $ $ 4 $ $ $
7 j ‰ Œ 8 ˜ fl "f "
Ó
133
A.Fl.
B. Cl. (in B b)
Bsn.
Hn. (in F)
? 11 16
11 · & 16 b ··
·· ·
j 11 ã 16 . ‰ Œ !
11 & 16 ‚ P
133
Vln.
Vla.
Vc.
D.B.
sul D
* 11 n -· B 16 p
? 11 b ‚ 16 P ? 11 16
J
' b œ· p
J
j ·· ..
44
‰.
4 4
j ‚. P ‚. J P
Œ ' b ·œ-
‚. J
p
P #
j – – (
4 ‰ 4 j Œ ˜ fl "f "
#
133
Pno.
j – – (
j
j
j
4 4 44 4 4 ä‹ 4 4 J ‰ Œ P
Ó
Ø
78 · ·
#
7 8 7 ‹ 8 > "f " 78 >‹ "f "
#
7 >‹ 8 "f "
# Ó
9 r " ‰ ‰ ‰. 16 –
3 ‰ – 8 p
9 16 –R " ‰ ‰ ‰ .
3 ‰ 8 – p
9 r 16 – " ‰ ‰ ‰ .
3 ‰ 8 j ‰ ˜ fl "f "
9 16 j ‰ ‰ ‰ . ˜ fl "f "
7 $# $$ $# $$ $# $$ $# $$ $# $$ $# $$ $# $$ 3 $$ $# $$ " ‰ 8 $ $$$$$$$$$$$$$ 8 $$$
#
#
38 ‰ – p
7 8
· b ··
·· ·
j 3 ·· 8 3 8
# ‚ P
J
' ·
p
b‚
J
P
' b œ· p
j 3 ‚ 8 P
Œ
38
b ·œ'-
p
#
25
‚ J P
j ‚ 38 P
9 16 · b ··
#
9 16
#
3 j 4 ˜ ‰ Œ fl "f "
9 16 ‚ P
j 3 ·· ·· ·· 4 ‰ ·j ·j ‰ · · · b ·· · ·
j j 3 4 . ‰ ‰ . Œ "f "
# J
!
!
'j R b œ· ‰ ‚r 43 ‹ p P "f>" j
-·' ‰ ‰ ‰ ‚ 3 >‹ J R 4 p P "f " J -' R b · ‚ 3 >‹ œ 9 b‚ J ‰ R 4 16 P p P "f " 9 16
R
j
j
#
ä‹ 3 8 J ‰ ‰ P
Œ
85 5 8 5 8 5 8
9 $# $$ $# $$ $# $$ $# $$ $# 3 $# $$ $# $$ $# $$ $# $$ $# $$ $# $$ 5 16 $ $ $ $ $ $ $ $ $ 4 $ $ $ $ $ $ $ $ $ $ $ $ 8
#
#
34 ˘‹ ‰ Œ Œ J "f " 3 j ‰ ‰ ‹ Œ 4 ‹ J "f " ‹ 3 j Œ 4 ‹ ‰ ‰ J "f "
9 16
#
' ‰ j >‹ p·-
+ b œ. . . . . ‰ œj p P
+ ..... ‰ œ œ J p P
ä‹ 3 4 J ‰ Œ P
Œ
85 5 8 5 8 85 5 8 5 8
˘ 5 &8 ‹ ‰ ‰ Œ J
˘ 3 16 ‹ " " 43 R
139
A.Fl.
B. Cl. (in B b)
Bsn.
Hn. (in F)
3 r 3 16 ‹ " " 4
?5 j ‰ ‰ ‰ ‹ 8‹ J ?5 8
#
&
# $ # $ #
5 & 8 ‹j > "f "
139
D.B.
b¬. ( 3 r 4 ·@ " ‰ Œ œ
!
!
Vc.
¬. (
r 3 "" 3 16 . 4
!
Vla.
4 j ‰ Œ 4 – f
‚ B 85 ?5 ‚ 8 ?5 8
' b œ· p
* ‹ n· > "f " p
sul D
J
J
-·' ‰ ‚ J J p P J
J 'j ‚ b b œ-· ‰ J p P
#
3 16 j
j
3 16 3 16 3 œ. 16 œ . J ƒ
# # #
3 4 43 3 4 3 œ 4 œ"‰ Œ R
4 – 4 J f
Πrigth hand on the key
Œ
$ # $ #
j j 5 ã 8. ‰ ‰ ‰ .
Vln.
3 j 16 ·@ . œ. ƒ
44 Ó
#
5 $$$$$$$$$ ? 3 3 & 8 $ $ $ $ $ $ $ $ $ " 16 j 4 r"‰ Œ . ‡ '''''''''''''''''''''' ƒ ? 3 # & 85 16 j 43 ·. · ·
139
Pno.
3 r" " 3 16 ‹ 4
5 j ‰ ‰ ‰ ‹ &8 ‹ J
M q = 104
· #
&
‰ Œ
œ. œ. .œ œ. ‰.
r 2˘""––"‰ ‡. 4 ‹ R "f " r 42 r " ‰ ‹ ‡. – fl "f " p – 42
#
2 4
#
f
œ. 2 ‰ . R 4
44 r " ‰ Œ ·
Ó
42
4 4
#
2 4
..... 44 ‰ J Œ "f " 4 ‰ 4 Œ
r – . p
+. . œ œ 4 œ. " Œ 4 )
c.l. bat.
#
‰.
‰.
#
..... 4 J ‰ Œ 4 "f "
#
Œ
4 4
c.l. bat.
#
–. p
– ‰. f
4 4
' – – J p
arco
..... J ‰ ‰. –"‰ R f #
26
‰. ..... R R"‰ ‰.
œ. R œ. " ‰ R
left hand inside piano
' – 2 –. R 4 p 2 4
f
5 16 b ‡. ‹ ‰ . "f " fl
2 8
5 16
2 8
5 r 16 – " ‰ . f
2 8
5 16 b ·@ ·@. b œ œ. ƒ
2 8
5 16
#
5 16
..... RR"‰ –
28
#
..... ..... R 42 R " ‰ J ‰ 42 ‰ .
?
5 16 b ‡. ‹ ‰ . "f " fl
Π#
b· ·.
28 % . b ‡ ''''''''''''''''''' ƒ #
keep the bow on the string
2 8
5 16 R " ‰ . p
2 8
5 R " ‰. 16 p
28
5 16
2 8
keep the bow on the string
#
5 bœ œ. 16 b œJ œJ . ƒ
2 8
& 28
A.Fl.
q = 160
44 ‰ Œ b ‡. ‹ fl
#
145
3
B. Cl. (in B b)
Bsn.
Hn. (in F)
‹ 4 2 & 8 ‰ b‡ ‹ 4 . "f " w Ø ?2 ‡‰ 4 8 ‹. 4 b ‡. ‹ ‰ Œ fl fl r 2 @" ‰ 4 @ Œ &8 · 4 · bœ œ ƒ ?2 8
4 4
145
Pno.
·
44
2 ã 8
4 Π4
#
Vla.
Vc.
D.B.
b ‡ '''''''''
#
? 2 œœ " ‰ 8 R
?
Ó
Ó 3
3
3
!
!
!
!
!
!
!
Ó
f
3
Sp.
4 b b œœ 4 ƒ
Œ
Ó
#
78
#
43
#
#
#
7 8
#
3 4
#
#
#
7 8
#
3 4
#
#
#
7 8
#
3 4
#
#
#
7 8
#
#
#
#
78
#
!
!
!
!
!
. ‹. # ‹. . ‹ # ‹ ‹ R"‰ Œ ‹. ‹. . 3 "f " Sp.
3
3
St.
. . ‹. ‹. ‹. ‹. ‹# ‹
Sp.
f
" "
B
3
. . . . . .
!
. . .‹ ‹. ‹.# ‹. ‹. ‹ ‹R " ‰ Œ
" "
#
3
Sp.
. 4 ‹. ‹. ‹. # ‹. ‹. ‹. ‹R "‰ Œ 4 3 3 "f " St.
!
St.
St.
#
Ó
... . . . ... "f " !
b ·. 2 ‰ 4 · R "‰ Œ &8 # ·. . 4 # ·. F p 3 b ·. · B 28 ‰ ·. . 44 R "‰ Œ # ·. F p 2 8
Ó
Œ
3
145
o
b·
? 28 r " ‰ ''''''''
Vln.
Ó
b œœ J ‰ Œ ƒ
Ó
3
3
3
Ó
3 !
!
b œœ J ‰ Œ ƒ
!
!
!
St.
Ó
‹. R "‰ Œ
St.
. . ‹. ‹. ‹. ‹. ‹# ‹ Sp.
f
3
3
" "
?
. . . ‹. .‹ ‹. ‹. # ‹ ‹ ‹ R " ‰ Œ
St.
f
Sp.
3
3
" "
#
#
27
7 Π. . . . . . 8
Ó
. . . .. .
!
3
B
!
3
!
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3
‹. R"‰ Œ
b œœ J ‰ Œ ƒ
3 . . . .. 4
Œ
!
Œ.
Ó #
!
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3 4
Sp. .‹ ‹. ‹.# ‹. ‹. 3 4 3 3 "f "
St.
Sp.
?
3
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. . .‹ ‹. ‹.# ‹. ‹. ‹ 7 ‹R " ‰ Œ 8 3 3 "f "
St.
3 4 43
3
b œœ 7 J ‰ Œ 8 ƒ
. ‹. # ‹. . ‹ # ‹ ‹ R"‰ Œ ‹. ‹. . 3 "f " Sp.
&
Sp. . 7 ‹. ‹. ‹. # ‹. ‹. ‹. ‹R " ‰ ‰ 3 8 4 3 3 "f " St.
7 8
#
3 4
N
& 43
A.Fl.
B. Cl. (in B b)
Bsn.
Hn. (in F)
44
#
3 &4
#
4 4
#
?3 4
#
4 4
#
3 & 4 #· œ â Ï
· œ â
Ó
3
˜ R "‰ Œ
4 4
Ó left hand on the key
3
3
. ‡. ‡. ‡ b ‡ ‡ ‡. . .
3
3
3
#
#
#
# œ. J ‰ Œ
œ. J ‰ Œ
3
. ‡. ‡. ‰ Œ . ‡ ‡ J ‡. ‡. b ‡.
3
&. œ J ‰ Œ )
j‰ Œ ‚ ‚ ‚ . ‚. ‚. b ‚. ‚. . .
3
. ‡. ‡. ‰ Œ . ‡ ‡ J ‡. ‡. b ‡. 3 (
Ó
#
j‰ Œ ‚ ‚ ‚ . ‚. ‚. b ‚. ‚. . .
3
#
· œ â
#
j‰ Œ ‚ ‚ ‚ . ‚. ‚. b ‚. ‚. . . (
# #
· œ â
#
?
3
5
5
– – – – – – – – b– – fl . . . fl . . . fl . ( # œ. J ‰ Œ
œ. J ‰ Œ
œ. J ‰ Œ
#
44
#
#
3 ã 4
#
4 4
#
#
#
#
#
#
#
#
#
*
3 & 4 #·· #·
Vla.
B 43
Vc.
D.B.
· œ â
–. –. – – Œ . . –. –. – ( .
q = 160
? 43
151
Vln.
· œ â
4 4 #· œ â
rigth hand use the inside piano glass
3 & 4 ˜. p
151
Pno.
q = 132
#
151
F
' b· ·
·
*
·
· 4 · · 4 ··
b ·'
#
44 b– p
?3 4
#
4 Ó 4
ä ? 3 œœ 4 Ï
äœ œ
äœ œ
ä 4 œœ 4
·
#·
* #· ·
·
·
· ·'
·
·
j3 b–
Ó
3
b– p
äœ œ
* ··
äœ œ
·
ƒ
j –
– j b–
·
·
Ó
Ó
b– äœ œ
j b–
3
b– j b–
&
Ó
Ó
3
– "f "
b– "f " j –
#
Ó
j b–
Ó 5
5
b– #
28
j b–
–
%
Œ
Œ
j b–
Ó
5
b– p 5
b– p
j b–
#
Ó
j –
# col legno
Ó
(
j Ó
Œ
Ó 5
#
&
j Ó
Œ
Ó
j Ó
A.Fl.
B. Cl. (in B b)
Bsn.
Hn. (in F)
&
Ó
3 4
#
‰
Œ
Ó
3 4
#
? ‡. J ?
5
5
b –. –. – –. –. –. b – –. –. –. fl fl ˜
p (& ) b œ. & J ‰
Œ
Vc.
7 16
‡. (
‰
3 4
7 16 ˜r ‰
– –. –. –. – –. –. –. b – –. –. –. fl fl f fl
– – – – b– – – fl . . . . . . Œ
4 r" ‰ 8 –. –. (
#
Ó
Œ ? ‹. J p
f
)
(
‰
j Ó
Œ
Π5
Ó Ó
j Ó
Œ
3 4 ÓJ f 3 4
j Ó
‰
jj Ó Ó‰ #
j Ó Ój ‰
7 16 Ój 7 16 j œ. p
col legno
29
j Ó
r " . Ó % Ój "
j# – ‰ . #– "f " j
#
#
3 16 ‡. ‹ p fl œ ) 3 16 " " r ‡. (
r" ‰ Œ #œ œ ) j 4 " r 8 r" ‹ Œ ‡. ‡. fl ( "f "
"
!
3 16
#
4 8
‹ fl
8:7
7 16
#
‡. p
" ‹ "" fl "f "
7 16
#
sul E
D.B.
j 7 16 ‹ fl "f "
48
#
3 j ‰ Œ 7 r Œ 4 16 ‰ Œ ° * col legno Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ sul E · (O) col legno j >‹ %‚ . arco · ‚ 157 ‹ ‚ ‚ 3 7 % Ó ‚‚‚ " & R"‰ Œ 4 16 R " bb ‹‹ ( ) J J f Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ p ) sul A col legno ~~~~~ arco · (O) . j · 3 7 R " ‰ ‰. Œ Œ & 4 16 ã
Vla.
7 16
3 4
43
Ó
O e = 176
#
Œ
&
Vln.
43
& ‡j ‰ .
157
Pno.
q = 100
#
157
Œ
r " " #œ r " " ‡.
3 16
#
#
4 8
#
3 16
#
#
48
#
3 16
#
#
4 8
#
3 16
#
#
˘‹ 4 ‰ b ‹‹ 8 b‹ J p 48
4 " 8 Ój Ój ‰ (
˘‹ ‹ ‹‹ J
>‹ ‹ ‹‹ J
# Œ j –
4 j j # –j – ‰ 8 J œ. # – p "f "
%‚ ‚ ˘‹ 3 b‚ ‚ ‚‚ " b ‹‹ " " 16 b ‚ b‹ J R ) p 3 16
#
#
3 16
#
#
3 j 16 b –
j b–
"
r " " œ. p
2. sats A.Fl.
B. Cl. (in B b)
Bsn.
Hn. (in F)
q.= 60
6 j & 16 b Y. (
163
6 & 16 ? 6 16 ? 6 16
" j Y.
j Y.
"
j Y.
‡. " ‡. ‡. " ‡. )
· b ··· .... J
b·. b b ··· ... J
? 16 6
j ·· .. ·.
j bb ·· .. b· .
j nn ·· .. n· .
!
!
rj" " rj" " ƒ !
"
"
n·. n # n ··· ... J
j b ·· .. b· .
rj" " r j " " "
"
28
j n · # · .. n· .
rj" " r j " "
!
"
"
!
#
SORDIN
#
·· 2 ·· 8
#· n # # ··· .... J
"
j 43 Y. ‰ Œ
#
2 r"‰ 8 #‚ P
2 8
#
·· .. ·· .. J
!
j Y. "f "
2 8 " " ‡. ‡. ‡. ‡. P
#
. ? 6 # # ## ···· ... 16 J
j # · # · ... #·
"
#‚ ‹ ‚ ‚ ‹ ‚ fl fl
‡. " ‡. ‡. " ‡.
#
163
6 ã 16
j Y.
"
‡ ‹ ‚ #‚ ‹ ‚ #‚ ‹ ‚ ‚ ‹ ‚ fl fl fl fl fl )
drop the rigth hand glass on the key
Pno.
"
q = 132
28 · ··
&
3 4 #˙. ( ˙. 3 4 (
4 r" ‰ Œ 4 œ F
Ó
43
Ó
3 4
Ó
3 4
Ó
3 4
·· 3 ·· " ‰ Œ 4 R
Œ
4 4
#
&
3 4
34 ·r " ‰ Œ ··
Œ
44
#
&
43
4 4
#
3 4
2 8
3 4 Ó
"
44 – – . . –. –. – – – Œ .. ( . 4 r" ‰ Œ 4 œ F œ 4 R "‰ Œ 4 F
3 4 #˙. (
2 rj"‰ 8 !
Œ
#
3 4
(col legno)
Vln.
6 & 16
Vla.
6 B 16
163
Vc.
D.B.
? 6 16 ? 6 16
‚% ‚ ‚% ‚ ‚ ‚ ‚ ‚ b b‚‚‚ " ‚‚‚ " J J ) # # #
%‚
‚ ‚% ‚ ‚ ‚ ‚ ‚ b ‚b ‚ ‚ " ‚ ‚ ‚ " J J # # #
%‚
sul C arco
sul G arco
sul D arco
&
‚ %‚ ‚ ‚ ‚ ‚ ‚ b ‚b ‚ ‚ " ‚ ‚ ‚ " J J P ' ·. o ' ·. o ' œo . o
#
28 · 2 · 8 2 8
30
œ
sul D
r 43 ‚ " ‰ Œ (o 3 r 4 ‚ "‰ Œ (o
sul D
sul G
‚ 3 R "‰ Œ 4 (o
· o ·
4 4 · )
3 4
o
44 · )
43
b· o
4 · 4 )
3 4
Œ
4 4
Q & ==
#
3 4
˙ . (u)
& 43 Ø ˙ . (u) 3 &4 Ø
169
A.Fl.
B. Cl. (in B b)
Bsn.
Hn. (in F)
˙ . (u)
5 16
œ.
œ . (u)
5 16
œ œ.
œ 44 R " ‰ Œ
œ œ.
œ 4 R "‰ Œ 4
5 16
#
4 Ó 4
Œ
3 &4
#
#
5 16
#
4 Ó 4
Œ
U Œ
Œ
U Œ
& # œœ ==
4 ˜R " ‰ Œ 4
5 16
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ r j j 3 5 4 œ ( ) # ˙ ˙ œ œ œ . . . &4 16 4 "‰ Œ Ø #
3 & 4 ·.
169
D.B.
3 4
#
3 ã 4
Vc.
3 4
#
3 &4 ˜
Vla.
Œ
U Œ
?3 4
169
Vln.
Œ
U Œ
U Œ
use the glass
Pno.
TAPE AND CLICKTRACK
·
o
? 3 ·. 4 3 &4
# · o
·. B 43
· o #
5 16
Œ
5 16
Œ
ΠΠ#
# #
4 Ó 4
4 b ˙˙ 4 Ï ˙ 44 b ˙ Ï
sul D sul G
5 16
Œ
5 " ‹. ‹. ‹. ‹. 4 ‹R. " ‰ Œ 16 R 4 "f " St.
?
43
?
Sp.
Sp. . 5 " ‹. ‹. ‹. ‹. 4 ‹R " ‰ Œ 16 R 4 "f " St.
31
q = 78
#
˙. Ø
o
#
3 4 r"‰ Œ ˜ fl P
Œ
#
85
#
5 8
#
5 8
#
5 8
3 4
#
#
5 8
Œ
U Œ
43
#
#
85
Œ
U Œ
3 4
#
#
5 8
U
sul A sul D
Œ
#
Q
œœ (sul D) œ. œ ( U œœ (sul G) œ. œ (
œ B œR " ‰ f œœ R"‰ f
U Œ U Œ
3 4 œr " ‰ Œ
>‹
f
" "
..... 34 r " ‰ œ œ – "f " œ. . . . .
c.l. bat.
?
3 4
P
3 ±. 4 "f "
œ.. . . .
+ s.t. ' b œ. . . . . j ‰ -·œ œ P p
–
f
arco
c.l. bat.
j –
˘‹ J ‰ Œ
j –
˘‹ J ‰ Œ
" "
±.
+ j œ ‰ p
-·' œ p
arco s.t.
5 8 85 5 8 5 8
& 85 Œ
175
A.Fl.
˘ ˘ ‹ ‰ ‹
f
" "
B. Cl. (in B b)
Bsn.
Hn. (in F)
5 &8 Π?5 Π8 ?5 8
D.B.
4 8 4 8
& 85
#
48
5c.l.b ‚ &8 P
. . . "f " !
Œ.
œ. . . . . >‹ B 85 P "f " c.l. ?5 ‚ 8 P
5 — 8
!
!
c.l. bat. sul G
Vc.
‹
4 Π8
#
175
Vla.
‹
5 &8
5 ã 8 Œ
Vln.
‹ "f "
‹
48 Π4 Π8
#
175
Pno.
‹ "f "
‹
Œ. —.
˘ ‹ ‰ J ‹ ‹
‹ ‹
drop the rigth hand glass on the key
# #
. .
!
!
Sp. 4 ‹j j 8 ‹ ‚ > "f " St.
r " 48 b>‹ ‹ ‚ J J ‹ St.
Sp.
Sp. >‹ b ‹ 4 J J ‚ 8 "f " St.
4 — 8
j 3 8 ‹ ‰ ‰ 3 8
#
4 Π8
38 ˘‹ ‰ ‰ J j 3 8 ‹ ‰ ‰
—
#
&M M œ œ 3 ‰ ‰ R "" R 8 p 3 ƒ +M M œ œ 38 R " ‰ R " ? j 3 8 . ‰ ‰ !
3 r"‰ ‰ 8 ‚
Œ
4 Ó 4
Œ
U Œ
4 Ó 4
Œ
U Œ
4 Ó 4
Œ
U Œ
4 Ó 4
Œ
U Œ
44 r " ‰ Œ œœ œ!P 4 Ó 4
Ó
4 4 ˙ ( sul D
38 ‚ " ‰ ‰ R
44 ˙ (
4 ‹R. " ‰ Œ 4 P ?
Œ b œœ
U œœ
b œœ
U œœ
. 4 —‹R " ‰ Œ 4 P
32
Ï œ
B œJ
q = 70
43 ..
U ‰ Œ
f œœ U J ‰ Œ f
#
œ. œ. œ. œ. œ. œ. Ø 3 . Œ 4 .. b ‡R " ‰ Œ (
œœ œ !p.
3 4 ..
œœ œ.
œœ œ.
œœ œ.
Œ
Π#
œ 3 .. œR " ‰ Œ 4 œœ 34 .. R " ‰ Œ ?
3 4 ..
r" ‰ Œ œ
#
43 ..
œ. . . . .
c.l. bat.
P
3 ±. 4 .. "f "
œ.. . . .
' # -·
>‹
sul A
p
f
" "
– "f " – "f "
5 8
œ. œ. œ. œ. œ. œ. r Œ ‡. " ‰ Œ
3 4 .. ˙ . ) 3 4 ..
85
#
3 4 ..
U U Œ
Ï
sul G
3 ‚R " ‰ ‰ 8 3 —. 8
44 Ó
U Œ
j œ
j –
#
5 8
#
85
#
5 8
..... nœ b‚ P
' sul G b ·˘‹ J ‰ Œ 3 p
±.
5 8
Œ
j
c.l. bat.
(7. harm.)
b˘‹ J ‰ Œ
5 8
sul D
‚
P
ä‹
5 8
sul D
85 j
5 8 5 8
& 85 Œ
181
A.Fl.
˘ ˘ ‹ ‰ ‹
f
" "
B. Cl. (in B b)
Bsn.
5 &8
‹
‹ œ. œ. "f " ( ‹ ?5 Œ 8 ‹ f
" "
Hn. (in F)
?5 Π8
‰ ‰
5 &8
#
181
Pno.
? 85
#
5 ã 8 Œ
. . "f " !
!
181 -' 5 #· Œ. &8 p c.l. bat. œ. . . . . b>‹ B 85
# #
‹
#
‹ j –F %
Vla.
P "f "
? 5 b -·' 8 p
sul G
Vc.
D.B.
5 — 8
j‰ ‰ –-
Œ
&
#
.. 44 Ó
U Ó
#
.. 44 Ó
U Ó
#
1-3.
!
& .. 44 j ‰ Œ –-
# r" b‹
#
#
#
# ?
bä—‹ J ‰ Œ P
# ‰
#
q = 64
43 3 4
U Ó
&
3 4
U Ó
3 4
44 Ó
U Ó
43
4 Ó 4
U Ó
.. 44 · )
sul G
·
U ·
·
U ·
) bä—‹ .. 44 J ‰ Œ P
U Ó
.. 44
(7. harm.) sul A
b·
33
85
#
5 8
·
r"‰ Œ œ
#˙. ) #
œœ œ!) 3 4
U Ó
.. 44 Ó
#
# œ. œ. œ. œ. œ. œ. # œ. œ. œ. œ. œ. œ. Ø r 3 . 5 Œ Œ 4 ‡R " ‰ Œ 8 ‡. " ‰ Œ (
4 Ó 4
4.
4.
1-3.
Œ. —.
.. 44 Ó
& Mœ Mœ Mœ Mœ Mœ Mœ Mœ ‰ ‰ J"R Œ ‰ " R " " .. p3 ƒ p3 + M M + M Mf ƒ +M œ œ œ œ œ R R ? " & ‰ J ‰ R " ? - " & " ? .. & "‰ " œœ œœ œœ œœ 3 œ. œ. œ. œ ! !P P .. # # .
sul E
Vln.
#
U Ó
4.
1-3.
œœ œ-
Œ
3 4 ·r " ‰ Œ
#
· 3 R "‰ Œ 4 3 ±. 4 "f "
..... œ
> ‹
c.l. bat.
P
f
" "
..... ..... 34 œ œ – P "f " c.l. bat.
·
Œ
– "f "
5 8
#
85
#
5 8
3
j –
˘‹ J ‰ Œ
j –
˘‹ J ‰ Œ ±.
#
arco
· p
5 8
Œ
·
' · -·
– "f " -' s.t. · p
5 8 j –
85 5 8 5 8
WITHOUT TAPE AND CLICKTRACK
˘ ‹
& 85 Œ
187
A.Fl.
B. Cl. (in B b)
Bsn.
Hn. (in F)
5 &8
# œ.
f
?5 Π8
œ. (
5 &8 Œ
‹ "f " ‹ "f " ‰
5 &8
#
? 85
#
187
Pno.
5 ã 8 Œ 5 &8 ‚ P
187
Vln.
..... B 85 œ P
. "f " !
j
Vla.
Vc.
D.B.
?5 ‚ 8 P 5 — 8
Œ. >‹
c.l. bat.
f
" " j
˘ ‹
‰
" "
Œ. —.
‹ ‹ ‰
R
?
43
#
38
#
‹
3 4
#
3 8
#
‹
3 4
#
3 8
#
3 & 4 j # –-
j # –F %
&
.
!
‰
&M œ 3 R " ‰ 4 f +M œ 43 R " ‰
Œ Œ
Œ
Œ
Œ
3 4
.
!
sul A sul D
3 4
r " 43 ‹ sul D sul G
3 4
?
Œ
b ˙˙ ..
?
?
b ˙˙ ..
3 8
Ï ‰
Œ
Œ
#
·æ. œ.
r 3 æ" " 2 16 · 4 œ Ï
)
2 4 œR " ‰ F
3 2 16 r " " 4
œœ ..
34
3 16
# œœ R " ‰
#
œ. 3 œ. 8 (
2 4
3 . 16 œJ
#
œœ ..
r 42 œ " ‰ F
œ.
. ‡ . ''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''''' ( Ï 38 3 16 j ·. ·. ·.
38
#
3 16
#
3 8
3 8
Ï
3 j 16 œ.
rigth hand inside piano
3 8
#
ä‹ 3 — 4 J P
&
3 æ. 8 ·. œ (
œ. )
‰ #
œœ R " ‰ œ .. œ
‰
3 8
#
#
?
Œ
r 2 3 16 " " Ó 4 ÓR œj" ‰ "f "
38 3 8
#
col legno
3 8 3 8
#
2 4
3 8
Œ
42 r " ‰ · #
38
Œ
Œ
3 8
Ÿ~~~~~~~~~~~~~~~~~~~~~~~ · 38 42 ˙ ( œ ) p Ÿ~~~~~~~~~~~~~~~~~~~~~~~ b 2 ·˙ 3 4 (œ) 8 p arco
3 16
#
3 16
#
œ 3 œ " " 2 16 R 4 Ï
#
3 8
& 38
#
193
A.Fl.
B. Cl. (in B b)
Bsn.
Hn. (in F)
3 &8 ‰ ?3 ‰ 8 ?3 8 –. (
p
D.B.
3
–. –. –. –. –. –. F p &
Œ
? 38
#
43
#
&
Œ
3 ã 8
#
3 4
#
' 3 ¬. 4 p
J
~~~~~~~~~~~~~~~~~~ ‚ 3 B 8 ·œ .. 43 œ ( J ~~~~~~~~~~~~~~~~~~ ? 3 ·œ .. 3 ‚œ 8 4 (
?3 8
#
' 3 ¬. 4 p
‚œ ‚œ
œ 43 R " ‰ Œ
b ˙ (u)
. 5 œJ (u) œJ 16
3 œR " ‰ Œ 4
Œ
#
3 4 –R " ‰ Œ
Œ
#
. 5 16 –J –J P
5 16 –j –j . P
3 4 –r " ‰ Œ
Œ
5 16
3 ˜ 4 R"‰ Œ
Œ
œ
Ø
Πuse the glass
Œ
#œ
‚œ " R ‰ F ‚œ R"‰ F
¬ ‰ J "f "
˜
Œ
P
¬ J ‰ (
P
¬ J ‰ (
¬ J ‰ "f "
Œ
5 16
#
Œ
* ¬
Œ r" ‰ ‡. p Œ
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ r j j 5 3 œ ( b œ) ˙. œ œ œ . 16 4 "‰ Œ Ø
Œ
* ¬
(u )
& b œœ ==
#
arco
#
p
œ œ. 5 J J 16
œ (u)
Œ
3
#
J
Vc.
"
F
˙
Ø
. . . . . . "––– – – – Œ
3 4 –J ‰ Œ ƒ
3 4
3 8
œ (u)
Œ
Œ.
Œ
3 4 –j ‰ Œ ƒ
J
Vla.
3 j 4 – ‰ Œ ƒ
#
193
Vln.
–
Œ
Œ
?3 8
193
Pno.
‰ –j P
43 b –J ‰ Œ ƒ
q = 96
&
B
?
j ‰ Œ ‹. p
– "f "
35
5 –R " ‰ . 16
j ‹. ‰ – "f " p
– R"‰
5 16
– "f "
Œ
5 . 16 ‹J ‰ . p
– R"‰
– R"‰ Œ
?
– "f "
#
Œ
#
5 . 16 ‹J ‰ . p
3 4
Π#
. 3 "‰ Œ 4 R p pizz.
' 34 ¬ ( ' 3 ¬ 4 ( ' 3 ¬ 4 (
Œ – R"‰ P – R"‰ P – R"‰ P
#
199
A.Fl.
B. Cl. (in B b)
Bsn.
Hn. (in F)
& &Œ
Œ
? r" ‰ Œ ‡. p ?
r" ‰ ‡.
Œ
Œ
r" ‰ Œ ‡.
#
&
Œ
Vc.
D.B.
#
3 4 ‡r " ‰ Œ .
Œ
3 r" ‰ ‰ 8 ‡.
3 4
#
3 8
3 4
#
3 8
#
# #
3 4
42
# Œ
2 4
q = 72
b ˙ (u)
#
43
#
. 3 ˙ (u) 4 Ø
Ø
3 2 3 4 r" ‰ ‰ j ‰ 4 ‡. ‡. p
2 4 Π2 4
#
‰
#
3
– p
œ (u)
#
3 4 –r " ‰ Œ F
Œ
& # œœ ==
3 4 ˜
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~ 43 # ˙ . (œ ) Ø
&
#
#
38
#
43
#
42
#
ã
#
#
3 8
#
3 4
#
2 4
#
3 4
#
. 3 4 R "‰ Œ p
Œ
43 –R " ‰ Œ
Œ
3 – 4 R "‰ Œ
Œ
3 – 4 R "‰ Œ
Œ
#
199
Vla.
43
3 8
Pno.
Vln.
#
r" ‰ ‡.
#
#
199
38
#
S
& ' ¬
#
(
– R "‰ P
(
– R "‰ P
' ¬ ' ¬
(
3 8
– R "‰ P
' ¬
(
– R "‰ P
(
– R "‰ P
' ¬ ' ¬
(
– R "‰ P
' 38 – . ( ' 3 –. 8 ( ' 3 –. 8 (
#
3 4
2 4
#
43 –R " ‰ Œ P
Œ
3 – 4 R"‰ Œ P
Œ
3 – 4 R"‰ Œ P
36
Œ
* 24 ¬ p * 2 ¬ 4 p * 2 ¬ 4 p
# ( pizz. )
205
A.Fl.
B. Cl. (in B b)
Bsn.
Hn. (in F)
& &
œ œ
œ
œ # œ (u)
# ˙ (u)
D.B.
Œ
#
Œ Œ
Œ
Ø
b œ (u)
Œ
#
3 4
#
#
#
?
#
5 16
#
3 4
#
#
#
3 ˜ 4 R"‰ Œ
Œ
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 5 j j . 43 r" ‰ Œ & ˙. 16 œ œ œ
Œ
205
Vc.
3 œR " ‰ Œ 4
#
5 16
ã
Vla.
5 œJ œJ . 16
Œ
b œ (u)
#
5 16
&
Vln.
œ 34 R " ‰ Œ
?
205
Pno.
œ œ. 5 J J 16
&
5 16
#
#
3 4
3 - - - - - 4– – – – – – P
#
5 16
#
#
5 16
#
# #
St.
?
?
arco
- - - - - 43 – – – – – – P
Sp.
5 r 3 . 16 " ‹. ‹. ‹. ‹. 4 ‹R " ‰ Œ "f " Sp.
#
#
5 r 3 . 16 " ‹. ‹. ‹. ‹. 4 ‹R " ‰ Œ "f " St.
#
Œ Œ
Ø
& b œœ ==
Œ
˜
œ.
œ . (u)
. 6 œ 8
œ . (u)
68
43 3 4
6 8
#
3 4
6 8
#
3 4
6 8
3 4
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 6 43 œ (bœ ) 8 ˙ . Ø
Œ
6 8
#
–- –- –- –- –- –-
–- –- –- –- –- –-
6 –- –- –- –- –- –8
3 4
–- –- –- –- –- –-
–- –- –- –- –- –-
68 –- –- –- –- –- –-
43
6 b –R " ‰ ‰ Œ . 8
3 4
6 8
3 4
Œ
#
Œ
Œ
Œ
#
Œ
b– "f "
37
b– "f " b– R"‰
#
3 4
#
#
œ
œ œ
A.Fl.
3 œ &4
œ œ
B. Cl. (in B b)
Bsn.
Hn. (in F)
Vc.
D.B.
# #
3 4 ..
#
.. Œ
Œ
U Œ
3 4 ..
#
.. Œ
Œ
U Œ
Œ
U Œ
Œ
U Œ
#
Œ
U Œ
#
3 - - - - - - 6 - - - - - 4 – – – – – – 8 – – – – – –
- 3 - - - - - 4 .. – – – – – – .. – – Œ
U Œ
–- –- –- –- –- –-
–- ‰ Œ J
Œ
- - - - - - - - - - 43 – – – – – – 68 – – – – – –
- - - - - - 43 .. – – – – – – .. – – Œ
U Œ
–- –- –- –- –- –-
–J ‰ Œ
Œ
#
..... J ‰ Œ "f "
‰ Œ
68 6 Œ. 8
#
?3 4
#
6 8
˜‰ Œ R
6 8
~~~~~~~~~~~~~ 3 &4 œ œ œ‰ Œ
68
?3 Π4 ?3 Π4
* –. "J "f "
b–. Ø
r ‹ "‰ ‰ P r ‹ "‰ ‰ P r"‰ ‰ –
!
–
p –
p
6 –. 8 6 –. 8
3 4 ..
#
3 4 ..
#
43 ..
6 j ‰ ‰ j ‰ ‰ 8 ° *
#
* –. "J "f "
43 ..
#
6 Œ. 8
3 ã 4
Vla.
#
#
3 &4
Vln.
Œ
U Œ
.. Œ
‰ Œ
?3 4
211
#
#
& 43
211
Pno.
Œ
U Œ
x 12 .. Œ
211
"
– R "‰ ‰ – R "‰ ‰
3 4 ..
3 4 .. 3 4 ..
#
.. Œ
#
.. Œ
#
.. Œ
.. Œ
#
.. Œ
#
38
Œ
U Œ
Œ
U Œ
T q = 104
‰ j – – p
j – ‰ Œ â f
–. p
ä– J ‰ Œ f
‰.
#
)
– f
r – p
r"‰ – f œ. œ. .œ œ.
‰ j – – p +. . œ œ œ. " Œ
drop the rigth hand glass on the key
# #
P P
c.l. bat.
#
r"‰ – f
?
?
..... ‰ J Œ "f "
c.l. bat.
..... J ‰ .... ‰. R
A.Fl.
B. Cl. (in B b)
Bsn.
Hn. (in F)
& ‰. ?
.
?
Œ
r – –. p
– f
– ‰.
– –R " ‰ R
r ‡. "f "
r poco accelrando (until bar 219) 5 ‰ " " ‹ 43 r " ‰ Œ 68 Œ 16 b ‡. "f "
r "‰ ‹ – fl p
f
#
(+) œ. ‰ . . ‰ & R
5 16 5 16 &
œ. R œ. " ‰ R
217
#
ã
#
5 16 5 16
Pno.
&
r""" r – ‹ f fl "f " [··] bœ œ. J J ƒ j j @ bb œ· œ·@ . . ƒ
~~
& ‰.
217
?
?
6 8
b–. Ø
poco accelrando (until bar 219)
3 4
#
#
5 8
3 4
#
#
5 8
#
3 4
#
#
5 8
#
43
#
#
85
#
#
5 8
r" ‰ ‰ –
#
6 j ‰ ‰ j ‰ ‰ 8 ° *
3 4
3 - - - - - 4 – – – – – – P
6 –- –- –- –- –- –8
3 - - - - - 4 – – – – – –
–- –- –- –- –- –-
5 8
68 –- –- –- –- –- –-
- - - - - 43 – – – – – –
–- –- –- –- –- –-
85
keep the bow on the string
- - - - - 43 – – – – – – P
5 16 R " ‰ . p
3 ¬. 4 ) arco
6 –. 8
– R "‰ ‰
3 4
#
#
5 8
3 ¬. 4 )
6 –. 8
– R "‰ ‰
3 4
#
#
5 8
5 16
#
keep the bow on the string
5 16 R " ‰ . P
3 4
Œ
5 8
3 4
#
‰.
r 3 ·@ " ‰ Œ 4 œ
#
#
Vla.
D.B.
6 Œ. 8
#
68
#
.. ? R"‰
Œ
3 4
r ‹ "‰ ‰ P r ‹ "‰ ‰ P
#
r " ‰. b œ. !)
5 16
..... R R"‰
3 4 œ "‰ Œ R
85
43
5 16
#
Vc.
6 Œ. 8
#
6 8
5 16
..... ..... ? ‰. R R " ‰ J ‰
Œ
#
#
#
Vln.
217
3 4 b ‡r " ‰ Œ .
43
#
!
"
poco accelrando (until bar 219)
arco
39
B. Cl. (in B b)
Bsn.
Hn. (in F)
#
5 &8
#
?5 8
#
4 ‰. 4
#
4 4
5 &8
#
? 85
#
+. œ œ. œ. œ. œ. . . . . 4 ""œ œ œ ""œ "‰ 4 R )
5 ã 8
#
?5 8 223
Pno.
223
Vln.
Vla.
q = 104
44 r " ‰ ‰ . – â f 4 4
–. p
– ‰. f
r – . p
#
44
#
4 4
#
&
43 r " ‰ Œ ‡.
Œ
38
3 16 – " ‹ f "ffl" · 3 [· ] 16 œ . J ƒ j 3 œ@ . 16 œ . ƒ
3 4 r" ‰ Œ b ‡.
Œ
3 4 œ "‰ Œ R
3 r" ‰ ‰ 8 # ‡. p 3 # ‡r " ‰ ‰ 8 . p
9 j 5 16 ‡ ‹ ‰ " j % 16 . – "f " fl p 9 ä 5 16 –R " ‰ – – " ‰ 16 f
3 16
3 4
#
3 8
#
5 16
3 r"" 16 b œ. !) 3 16 #
43
#
38
#
+ œ. œ. . œ "‰ 9 16 R " ‰ ) 9 16
#
5 16
3 4
#
3 8
#
9 16
#
5 16
3 - - - - - 4 – – – – – – P
#
5 –- –- –- –- –8
4 –4 J ‰ Œ
Ó
3 16
#
- - - - 85 – – – – –
44 –J ‰ Œ
Ó
3 16
#
5 8
..... 4 J ‰ ‰. 4 "f "
#
?
..... R R"‰
..... ..... R R"‰ J ‰
c.l. bat.
D.B.
– f
Œ
r r ‹ "‰ ‡. – "f " fl p – ‰. – – " ‰ RR f
c.l. bat.
Vc.
r – –. p
r 3 ""‹ 16 "f "
~~
A.Fl.
U
& 85
223
5 8
#
?
4 ‰. 4
f
" "
‰.
..... R R"‰
keep the bow on the string
3 16 R " " p keep the bow on the string
3 16 R " " p
40
Œ
r 3 œ@ " ‰ Œ 4 œ
Œ
3 8
9 16
#
– p
9 16
#
r" " ‰ – f
5 16
#
5 16
3 –- –- –8
9 16 –J ‰ ‰ .
‰
5 16
- - - - - 43 – – – – – – P
38 –- –- –-
9 –16 J ‰ ‰.
‰
5 16
3 ¬. 4 )
3 – 8 R "‰ ‰
..... ..... 9 16 J ‰ " J ‰ "f "
5 16
arco
3 – 8 R "‰ ‰
arco
3 ¬. 4 )
c.l. bat.
?
..... 9 16 ‰ ‰ J " ‰ "f " c.l. bat.
?
5 16
5 & 16
B. Cl. (in B b)
Bsn.
Hn. (in F)
5 r & 16 – " f · ? 5 [·] 16 b œ J ƒ j 5 b ·@ & 16 b œ ƒ 5 & 16
229
Pno.
r 4 r "‰ Œ ‹ 4 # ‡. fl "f " 4 œ. 4 œ " ‰ Œ J R j @· . œ.
#
? 16 5
r " ‰. bœ !. )
85
#
""
~~
A.Fl.
44
#
229
Ó
5 8 ‡ ‹ ‰ Œ. . fl "f " 5 # 8
Ó
5 8
Ó
r 4 ·@ " ‰ Œ 4 œ
#
#
#
¬ æ 3
¾
–"‰ Œ æR
# rigth hand use the inside piano glass
Ó #
4 4
#
44
#
85
#
44
#
#
#
5 8
#
4 4
#
#
#
5 16
#
4 –- –- –- –- –- –- –- –4 P
Vla.
5 16
#
D.B.
4 4
¾
#
#
Vln.
44 –- –- –- –- –- –- –- –P
? 5 R " ‰. 16 p
4 4
? 5 R " ‰. 16 p
4 4
keep the bow on the string
4 4 ‹ b‡ ‰ Œ Ó . fl "f " 4¬ ¬ 4æ ¬æ æ 3 "f "
#
5 8
4 4
Vc.
#
#
#
keep the bow on the string
#
44
4 4
5 ã 16 229
#
#
‹. " ‰ Œ R p
Ó #
5 8 –J
‰
Œ.
4 4
#
#
#
85 –J
‰
Œ.
44
#
#
#
—.
4 —R 4 "‰ Œ
Ó
#
#
—.
4 —R 4 "‰ Œ
Ó
#
#
5 — 8 "f "
arco
5 — 8 "f "
arco
#
#
41
3. sats
VIDEO AND CLICKTRACK 235
A.Fl.
B. Cl. (in B b)
Bsn.
Hn. (in F)
(q = 104)
#
&
#
& ? ¬ æ "f " &
& ‹R. " ‰ Œ p
¾
3
# Ó
¾
¬ æ 3
43
#
# ¬ æ
235
Pno.
#
# ¾
¬ æ
¬ æ
¾ 3
q = 60
#
3 4 œ- # œ( 3 4 –æ
j # œ- ‰ Œ
Œ
– "‰ Œ æR + œ-
# Π#
+ j œ- ‰ Œ
85 Œ
# #
5 8 Œ
#
5 8 Œ
#
5 8
˘ ˘ ‹ ‰ ‹
f
" "
‹ "f " ‹ "f "
#
#
+ 3 4 # œ(
#
#
3 4
#
#
#
5 8
# #
Œ
Œ
?
#
#
#
43
#
#
#
85
ã
#
#
#
3 4
#
#
#
5 8 Œ
‹ ‹
‹ ‹
#
. . . "f " !
!
!
+ arco J b œ. . . . . j s.t. ' c.l. 5 œ ‰ 8 ‚ Œ. · P P p c.l. bat. ..... + sul D œ >‹ ˘‹ ‰ Œ œ ‰ 85 J J P "f " p c.l. bat.
235
Vln.
Vla.
# #
# #
# #
3 4
#
43
#
&
Œ
..... ..... œ œ
c.l. bat.
B
P
..... œ œ.. . . .
c.l. bat.
Vc.
#
#
#
3 4
#
D.B.
#
#
#
3 4
#
?
P ±.
f
" "
42
Œ
‹ > "f " – "f " – "f "
j –
j #–
˘‹ J ‰ Œ ±.
' ·p
arco
s.t.
c.l.
5 8 ‚ P 5 — 8
J
Œ. —.
‹" R
˘ ˘ ‹ ‰ ‹
38
#
43 ‰
‹
‹
3 8
#
3 4 ‰
‹
3 8
#
3 4 ‰
#
3 8
#
&
#
3 8
#
3 4
?
#
38
#
3 8
#
& Œ
242
A.Fl.
B. Cl. (in B b)
Bsn.
Hn. (in F)
& Œ
‹
? Œ
‹
& 242
Pno.
㠌
>‹ ‹ Sp. ‚ & "f " St.
242
Vln.
.
!
St.
Vla.
B b‹ ‹ ‚ >
Sp.
Sp. > ? ‹ ‹ ‚ St.
Vc.
f
" "
D.B.
—
—.
‹
.
!
.
!
‚ " 38 ‰ # ‚ R P r 3 ‚ " 8 #– "f "
j –
‚ " 3 ‰ ‚ R 8 P 3 —. 8
?
j
#˘‹ J
3 4 ‰
?
9 16
j – ¬ (
9 16
j b– ¬ (
j Œ ˜ fl "f "
Œ
9 16
– – – –.
43 r " ‰ Œ –
Œ
#
– – – –.
3 4 r" ‰ Œ –
Œ
#
Œ
#
3 4 j ‰ Œ ˜ fl "f "
Œ
#
– – – –. #
3 4 r" ‰ Œ –
#
9 16
#
3 4
#
#
43
#
9 16
#
43
#
#
3 4
#
9 16
#
3 4
#
#
3 4 43
j
9 16
j – ¬ (
V
3 4 ä‹ 3 — ‰ Œ 4 J P
9 16
#
9 16
# # Œ
# #
9 16
#
9 16
#
43
' 3 4 · ( ·' 43 (
sul G St. Sp.
3 4 ˙. (
3 ±. 4 "f "
r ‚ "‰ ‹ fl fo "f " ˘‹ ‚ R"‰ "f " fo
œ.
col legno
œ. p
3
col legno
œ. p
œ. 3
œ J ‰ Œ "f " ±.
œ.
œ.. . . .
bat.
F P œ.
F
˘ ‰ ‹ J "f "
..... œ P bat.
B. Cl. (in B b)
Bsn.
Hn. (in F)
?
&
Pno.
?
‰.
11 j 16 ‹ ‰ Œ
‰.
248
Vln.
&
>‹
!
f
Vc.
' B · p ? >‹
f
" "
D.B.
‚
" " sul C arco
Vla.
%
j #‹
±.
sul A
˘‹ J "f " %
sul G
' ·p
j #‹
‚
j
11 16 ‚ P * n -· j 11 ‹ 16 fl "f " p j
44
# !
!
!
4 ‰ 4 j Œ b˜ fl "f " white key œ 4 "Œ 4 œ
#
j j j 11 ã . ‰ . . ‰ . 16 . ‰ Œ !
11 ‚ 16 P 11 — 16
' b ·p
J
ΠJ sul G
' b -·
p
—
j – – (
4 ‰ –j – 4 (
drop the rigth hand glass on the key
11 16
#
4 ‰ 4
#
11 16
#
248
11 j ‰ Œ 16 ‹
11 16
#
44 ‰ j – – (
‰.
4 4
‰. ‚. J P ‚. J P ‚. J P
—. J
f
" "
j
j
j
?
4 4 44 4 4 b ä—‹ 4 4 J ‰ Œ P
¬
78 r " ‰ Œ –
Œ.
¬
7 r" ‰ Œ 8 –
Œ.
¬
7 –r " ‰ Œ 8
Œ.
7 j ‰ Œ 8 ˜ fl "f "
Œ.
Ó
7 8
Ó
#
38 ‰ – p
9 r "‰ ‰ ‰. 16 –
43
3 ‰ 8 – p
9 r 16 – " ‰ ‰ ‰ .
3 4
3 ‰ – 8 p
9 16 –R " ‰ ‰ ‰ .
3 4
3 ‰ 8 j ‰ ˜ fl "f " white key œ 3 "‰ 8 œ
9 16 # ˜j ‰ ‰ ‰ . fl "f "
3 4
#
78
#
38
#
7 8
#
3 8
7 >‹ 8 "f "
#
78 ‹ > "f "
#
7 >‹ 8 "f "
sul G
#
7 — 8 "f "
Ó
44
‚
J
P ' · p
‚
P —
' b ·p Œ
J
9 16
#
3 4
#
9 16
#
43
#
9 16
#
3 4
~ ~ ~ ~ ~~ ~
˘ 11 16 ‹ ‰ Œ J
~
A.Fl.
~ ~ ~ ~ ~~
˘ ˘ ‹ ‰ ‰ ‹ Œ & J J "f " j ‹ ‰ ‹ &‹ ‰ ‹ J "f " ‹ ? j ‰ ‹ ‹ ‹ ‰ J "f "
248
' b -·
p
—.
J
j
J
j
J
j
‚ 38 J P ‚ 3 J 8 P ‚ 3 J 8 P ?
f
" "
# # #
ä‹ 3— ‰ ‰ 8 J P
9 16 ‚ P ·' 9 16 p 9 ‚ 16 P 9 — 16 "f "
J
'j R b ·- ‰ ‚ R p P
‚ ‰ ‰ R P R
J
' b -· ‰ ‚R J p P R
— —. J J
j
3 4
j
43
j
3 4 ?
3 4
W
˘ 3 &4 ‹ ‰ J "f " 3 j ‰ &4 ‹ "f " ?3 j ‰ 4 ‹ "f "
254
A.Fl.
B. Cl. (in B b)
Bsn.
Hn. (in F)
?3 4 j ‰ ˜ fl "f "
Œ ‰ ‰
Œ
Œ
5 j ‰ 8‹
‰
‰
Œ
5 j 8‹ ‰
‰
‰
Œ
5 8
#
˘ 3 16 ‹ " " 85 R
‹ J ‹ J &
˘ 5 16 ‹ " ‰ . R
#
3 r " " 5 Œ. 16 ‹ 8
‰
3 r 5 16 ‹ " " 8 Œ .
‰
j 3 @. 16 # · . #œ ƒ
r 5 @"‰ 8 · œ
‰
‹ J ‹ J
46
#
5 r " ‰. 16 ‹
5 8 Œ.
‰
5 r 16 ‹ " ‰ .
5 8 Œ.
‰
j j 5 ·@ ·@ . 16 œ œ . ƒ
Œ
85
r 5 ·@ " ‰ 8 œ
‰
‹ J
6 4
‹ J
6 4 6 4
Œ
#
3 16
#
5 8
#
5 16
#
5 8
#
6 4
? 43
#
85
#
3 16
#
85
#
5 16
#
85
#
46
j .
j 5 8.
‰
5> 8 ‹J "f "
' b ·p
‰
3 &4 ‹ > "f " > B 43 ‹ f
‰ ‰ ‰
" "
D.B.
‰
5 8
254
Vc.
‰
#
!
Vla.
‹ J
58 ˘‹ J
3 &4
j 3 ã 4 . "f " Vln.
‹ J
Œ
254
Pno.
Œ
? 3 >‹ 4 "f " ä‹ ?3 — ‰ 4 J P
‰ Œ
!
Œ
j ' ‹ · > p sul A . . . . . + œ œ J p P
+ ..... œ œ J p P Œ
!
85 ‚ 5 ‚ 8 5 8
‰
‰
j .
!
>‹ # *·
f
J
J
-·' J p
‰
' b -· J p
‰ #
p
j
J
j
‚ J P
5 > 8 ‹J "f "
' b ·p
3 16
J
‚ J P
‰
!
sul A
" "
r j 3 5 16 . " " 8 .
J
3 16 J
3 16
!
#
85 ‚ P
#
5 ‚ 8 P
#
#œ. 3 # œ. 16 J ƒ
œ 5 œ "‰ 8 R
45
‰
‰
j .
>‹ # *·
sul A
" " J
J
-·' J p
' b -· J p ‰
‰ ‰ Œ
J
j
J
j
‚ J P ‚ J P
5 8 Œ.
‰
j .
6 4
5 16
' 5 >‹ b · 8 J "f " p
>‹ # *·
6 4
!
!
f p
r 5 " ‰. 16 .
5 16
# #
5 16
#
œ 5 œ 16 J ƒ
œ. œ. J
85 ‚ P 5 ‚ 8 P
œ 5 œ "‰ 8 R
!
sul A
f
" " J
J
-·' J p
' b -· J p ‰
‰ ‰ Œ
p
‚ J P J
j
J
j
‚ J P
46 6 4 6 4
˘ 6 &4 ‹ "‰ Œ R
A.Fl.
B. Cl. (in B b)
Bsn.
Hn. (in F)
Ó
3 16
6 r" ‰ Œ &4 ‹
Ó
Ó
? 6 r" ‰ Œ 4 ‹
Ó
Ó
3 16 ‡ " ‡ . . "f "
6 @ & 4 b b w· .. ƒ
D.B.
#
68
#
43
#
7 16
Œ
#
6 8
#
3 4
#
7 16
Œ
#
6 8
#
3 4
#
7 16
3 4
#
#
6 8
#
3 4
#
7 16
#
3 4
#
#
6 8
#
3 4
#
7 16
? 46
#
3 16
#
43
#
#
68
#
43
#
7 16
#
j 3 4 . ‰ Œ "f "
#
6 8
#
3 4
#
7 16
#
3 ..... 4 œ · P (
6 &4
260
Vc.
3 4 æ– " ‰ Œ R
Œ
3 16
!
Vla.
3 16 –æj . "f " r 3 @ 16 œ· ""
34 ˘‹ " ‰ Œ R "f " r 3 ‹ "‰ Œ 4 fl
#
j 6 ã 4 . ‰ Œ
Vln.
#
6 &4
260
Pno.
X
Ó
260
B 46 ?6 4 bw. ? 6 b w. 4 ƒ
Ó
Ó # # #
3 16 3 16 3 16 3 16
# #
œ 3 œR " " 16
!
sul D
St.
43 ˙ . (
sul C
3 4
Sp.
œ.. . . .
P
3 ±. 4 "f "
Œ · J ‰
j
+ j œ ‹ ‚ ‰ ‚j ‰ > p "f " P J
+
j
j
j
j
‚ ‹ ‚ ‰ J ‰ œ > J "f " p "f " P · sul D sul A . . . . . œ · J Œ ‰ Œ P ( ±.
46
J
j
sul D
-' 6 · 8 p
' j · j ‹ ‹ > > "f " p "f " >‹ ˘‹ -' 68 J ‰ ‰ J ‹ · "f " p (7. harm.) ˘‹ ' > 6 J ‰ ‰ ‹ ‹ -· 8 J "f " p 6 ±. 8
3 ..... 4 œj ‰ Œ P
St.
Œ
7 16
7 43 ‹ ‹ ‹ # ‹ œ+ ‹ 16 fl fl fl fl fl "f " p "f " Sp.
3 ..... 4 œJ ‰ Œ P 3 ±. 4
Œ
7 16 7 16
38 ‰
B. Cl. (in B b)
7 & 16
#
3 ‰ 8
Bsn.
?7 16
#
3 ‰ 8
Hn. (in F)
7 & 16
#
7 & 16
#
38
7 ã 16
#
3 8
St.
Vla.
7 & 16 œ "f "
D.B.
Sp.
7 œ.. . . . B 16 P St.
Vc.
3 8
? 16 7
266
Vln.
3 ‰ 8
white key
#
266
Pno.
?
?7 16
œ
Sp.
f
– (
œ
j ‰ ˜ fl "f " œ "‰
f
" "
3 œr " ‰ 8
‰.
38
œ. J
œ 3 R"‰ 8
—. J
?
ä 3 —‹ ‰ 8 J P
‰.
38 ‰
9 16 r " " ‰ . –
‰.
3 ‰ 8
‰.
3 ‰ 8
‰.
3 ‰ 8
9 16 r " " ‰ . –
b– (
j œ.
" "
7 — 16
– (
9 r " " ‰. 16 –
9 16 j " ‰ . ˜ fl 9 16
3 8
white key
#
#
9 16
#
38
#
9 16
#
3 8
St.
‰ #
‰
– (
œ
j ‰ ˜ fl "f " œ "‰
f
" "
j œ.
3 œr " ‰ 8
9 œ.... . . ‰ . 16 J P
‰.
38
œ. J
œ 3 R"‰ 8
Sp.
œ. 9 J 16 "f "
Sp.
—. 9 J 16 f
" "
œ. J —. J
—. J
Œ
Œ
Ó
38 ‰
5 4 r" ‰ –
Œ
Œ
Ó
3 ‰ 8
Œ
Œ
Ó
3 ‰ 8
Œ
Œ
Ó
3 ‰ 8
5 4 r" ‰ –
b– (
j œ.
9 j 16 œ . "f "
St.
‰
– (
45 r " ‰ –
5 4 j ‰ ˜ fl 5 4
3 8
white key
#
#
45
#
38
#
5 4
#
3 8
St.
‰
..... 45 œ P
#
ä 3 —‹ ‰ 8 J P
47
5 4 ˙. "f " Sp.
St.
‰
5 4
‰
5 4
˙.
Sp.
f
Œ
Œ
f
" "
– (
2 4
– (
2 4
b– (
j ‰ ˜ fl "f " œ "‰
2 4
œ
#
42
#
2 4
f
" "
˙
3 œr " ‰ 8
Ó
38
˙
œ 3 R"‰ 8
±
ä 3 —‹ ‰ 8 J P
" "
±.
42
~~~~~ ~~~
#
~~~~~ ~~~
A.Fl.
~~~~~ ~~~
7 & 16
266
‰
2 4
2 4 42
# ‰
2 4
‰
2 4
A.Fl.
& 42 r " ‰ Œ –
B. Cl. (in B b)
Bsn.
Hn. (in F)
#
#
#
#
#
2 & 4 r" ‰ Œ –
3 4
#
#
#
#
#
3 4
#
#
#
#
#
?2 j ‰ Œ 4 ˜ fl
3 4
#
#
#
#
#
2 &4
#
3 4
#
#
#
#
#
? 42
#
43
#
#
#
#
#
2 ã 4
#
3 4
#
#
#
#
#
? 2 r" ‰ Œ 4 –
272
Pno.
St.
Vla.
D.B.
?2 4
˙
Sp.
f
" "
2 ± 4 f
3 4 ‹ œ Œ > "f " P
j ‹ ‰ fl "f "
œ
j ‰ ‹ fl "f "
c.l. bat.
Sp.
B 42 ΠSt.
Vc.
keep the bow on the string
2 &4 ˙ "f "
272
Vln.
Y
43
272
>‹ "f "
' 34 ·p
+
the bow sul G >‹ œ keep on the string > 3 Œ ‹ 4 "f " P "f "
3 ±. 4
c.l. bat.
J
j
j
‚ ‰ ‚J ‰ ‚ ‰ J J P
j ‹
j
‚ ‰ ‚J ‰ ‚J ‰ J P j > -·' .œ. . . . >‹ ‹ ‹ j
P ±.
f
" "
œ.
p
j
F Œ œ.
œ.
3
œ.
±.
" "
48
œ. (
col legno
3
col legno
F
St. Sp. ' ˘‹ + ‰ j ‰ j œ ‹. ‹. ‹. ·p "f " p "f " ..... ' ·- > j ‰ J ‹ ‹j œ ‰ ‹ j #‹ > p "f " P "f " sul G
col legno
j
3
œ.
œ. p œ. (
' >‹ ‰ j b ·p "f " ±.
> œ.. . . .‰ ‹ J P "f "
j #‹
j ‹
+ ' + · · ‚œ ‹ ‹ œ p o Po p sul D
'j St. Sp. ·- ‰ œ p "f "
Sp. ' œ j ‰ b ·"f " p St.
±.
j ‰ œ œ J
‰
A.Fl.
&
#
B. Cl. (in B b)
&
#
?
#
?
#
278
Hn. (in F)
Vla.
–.
–
#
#
#
r 4 r – " 8 ‹ "‰ Œ j "f " P ‹
#
#
#
#
4 8 ˜ ˜ ‰ Œ fl fl "f "
#
#
#
#
#
#
#
#
– " 48 r " ‰ Œ R ‹ j b‹ "f " P
#
j #œ
#
#
?
#
68
#
#
4 8 #œ " ‰ Œ R "f " 48 #
ã
#
6 8
#
#
4 8
& ‹ > "f " > B ‹ f
? >‹
f
" "
D.B.
–
#
6 8
" "
Vc.
6 8
–.
– " 48 R P
#
278
Vln.
6 ¬. 8 )
–
&
278
Pno.
6 8 ¬. )
–.
±.
j ‹
j
‚
P j ‹
j ‹ ‰ fl
Œ
4
Œ
+ œ
p
'-·
˘‹ J ‰
6 ·' 8 o
68 >‹ "f " 6 ·' 8 o
6 ±. 8
‚ " b· R Po o ‹ J
‚ " R b· o Po
+ j ‹ œ > p "f "
‚" R · Po o
j
‹ j
j
black key
~~ ~
Bsn.
68 ¬ . )
· r" ‚ Po o j
J
r ‚ ‰ ‚ ‚ " Po P
j
j
‚ ‰ ‚
‚ ‰ P J
‚ 4 b· R" 8 o Po
j
j
j
> 4 b‹ 8 "f "
j
?
49
‚ #· ‚ R" J R "‰ Œ Po o p o
#
‰ Œ
#
#
#
#
#
48 Œ
‚ ‰ J ‰
±.
#
ä 4 b —‹ 8 J P
#· ‰ ‰ J 3 o
‚ +œ J
j
˘‹
P p "f " ‰ Œ
· ‚
(o