Christian Winther Christensen In Touch (2020–21) for five musicians Dur. 10′
For Klangforum Wien Commissioned by WDR for the Wittener Tage für neue Kammermusik
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Christian Winther Christensen In Touch (2020–21) for five musicians Dur. 10′
NOTE The piece is written for Klangforum Wien as a piano quartet. In addition to the pianist and the three string instruments, there is an additional musician who plays the MIDI keyboard. The music is built on subtle clichés from the classical and new music world. Perhaps this is the reason for the traditional 4 movements, which are connected to each other in a tonal and structural context. A tribute or a critique? Or both? Or actually something else. In a review of Christensen’s Piano Concerto, a journalist described his music as one big bombastic cliché. Although it was meant as a criticism, it is probably the most apt description of his music.
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A sign for mute. A sign formute. mute. A sign for mute. A sign for A sign for mute. A sign for mute. A sign for mute. A sign for mute. A phrasing slur or aaway way to show the length on aaglissando. glissando. A phrasingslur sluror oraaaaaway wayto toshow showthe thelength lengthon onaaaaaglissando. glissando. A phrasing slur or to show the length on A phrasing slur or way to show the length on glissando. A phrasing A phrasing slur or way to show the length on glissando. A phrasing slur or way to show the length on glissando. A phrasing slur or a way to show the length on a glissando. (For the strings: It's never a bowing slur) (Forthe thestrings: strings:It's It'snever neveraaaaabowing abowing bowingslur) slur) (For the strings: It's never bowing slur) (For the strings: It's never bowing slur) (For (For the strings: It's never slur) (For the strings: It's never bowing slur) (For the strings: It’s never a bowing slur.)
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Harmonic. The note head shows the position (not the pitch).
2) Soft pressure on the string (but no harmonic). A notated muting. 2) Soft pressure on the string (but no harmonic). A notated muting. 2) Soft pressure on the string (but no harmonic). A notated muting. 2) Soft pressure on the string (but no harmonic). A notated muting. 2) Soft pressure on the string (but no harmonic). A notated muting. 2) Soft pressure on the string (but no harmonic). A notated muting. 2) Soft pressure on the string (but no harmonic). A notated muting. 2) Soft pressure on the string (but no harmonic). A notated muting. 2) Soft pressure on the string (but no harmonic). A notated muting. 2) Soft pressure on the string (but no harmonic). A notated muting.
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1) Harmonic. The note head shows the position (not the pitch). 1) Harmonic. The note head shows the position (not the pitch). 1) Harmonic. The note head shows the position (not the pitch). 1) Harmonic. The note head shows the position (not the pitch). 1) Harmonic. The note head shows the position (not the pitch). 1) Harmonic. The note head shows the position (not the pitch). 1) Harmonic. The note head shows the position (not the pitch). 1) Harmonic. The note head shows the position (not the pitch). 1) Harmonic. The note head shows the position (not the pitch). 1) Harmonic. The note head shows the position (not the pitch).
3) Arpeggio version of the above. Position your fingers aa little higher or lower on the strings to avoid harmonics. 3) Arpeggio version of the above. Position your fingers little higher or lower on the strings to avoid harmonics. 3) Arpeggio version of the above. Position your fingers little higher or lower on the strings to avoid harmonics. 3) Arpeggio version of the above. Position your fingers higher or lower on the strings to avoid harmonics. 3) Arpeggio version of the above. Position your fingers alittle little higher or lower on the strings to avoid harmonics. 3) Arpeggio version of the above. Position your fingers alittle little higher or lower on the strings to avoid harmonics. 3) Arpeggio version of the above. Position your fingers aaaaalittle higher or lower on the strings to avoid harmonics. 3) Arpeggio version of the above. Position your fingers higher or lower on the strings to avoid harmonics. 3) Arpeggio version of the above. Position your fingers little higher or lower on the strings to avoid harmonics.
3)Arpeggio Arpeggioversion versionof ofthe theabove. above.Position Positionyour yourfingers fingersaaalittle littlehigher higheror orlower loweron onthe thestrings stringstoto toavoid avoidharmonics. harmonics. Arpeggio version of the above. fingers little higher or lower on the strings avoid harmonics. 3. 3)3) Arpeggio version of thePosition above.your Position your fingers a little higher or lower on the strings to avoid harmonics.
4) A glissando on the strings with no pressure in the left hand. Don't use the bow. 4) A glissando on the strings with no pressure in the left hand. Don't use the bow. 4) A glissando on the strings with no pressure in the left hand. Don't use the bow. 4) A glissando on the strings with no pressure in the left hand. Don't use the bow. 4) A glissando on the strings with no pressure in the left hand. Don't use the bow. 4) A glissando on the strings with no pressure in the left hand. Don't use the bow. 4) A glissando on the strings with no pressure in the left hand. Don't use the bow. 4) A glissando on the strings with no pressure in the left hand. Don't use the bow. 4) A glissando on the strings with no pressure in the left hand. Don't use the bow. 4) A glissando on the strings with no pressure in the left hand. Don't use the bow.
on no left bow. onthe thestrings stringswith nopressure pressureininthe lefthand. hand.Don't usethe bow. 4. 4)4)AAglissando Aglissando glissando on the with strings with nothe pressure inDon't theuse leftthehand. Don’t use the bow.
5) Hammer on. 5) Hammer on. 5) Hammer on. 5) Hammer on. 5) Hammer on. 5) Hammer on. 5) Hammer on. 5) Hammer on. 5) Hammer on.
5)Hammer Hammeron. on. Hammer on. 5. 5)5) Hammer on.
6) Phrasing slur (no bowing). Must be made on the same string in the same position. 6) Phrasing slur (no bowing). Must be made on the same string in the same position. 6) Phrasing slur (no bowing). Must be made on the same string in the same position. 6) Phrasing slur (no bowing). Must be made on the same string in the same position. 6) Phrasing slur (no bowing). Must be made on the same string in the same position. 6) Phrasing slur (no bowing). Must be made on the same string in the same position. 6) Phrasing slur (no bowing). Must be made on the same string in the same position. 6) Phrasing slur (no bowing). Must be made on the same string in the same position. 6) Phrasing slur (no bowing). Must be made on the same string in the same position. 6) Phrasing slur (no bowing). Must be made on the same string in the same position.
Must the same Phrasingslur slur(no (nobowing). Mustbe bemade madeon thesame samestring stringininthe sameposition. position. 6. 6)6)Phrasing Phrasing slurbowing). (no bowing). Mustonbe made on thethesame string in the same position.
7.
7) A soft hammer on without the strings touching the fingerboard. 7) A soft hammer on without the strings touching the fingerboard. 7) A soft hammer on without the strings touching the fingerboard. 7) A soft hammer on without the strings touching the fingerboard. 7) A soft hammer on without the strings touching the fingerboard. 7) A soft hammer on without the strings touching the fingerboard. 7) A soft hammer on without the strings touching the fingerboard. 7) A soft hammer on without the strings touching the fingerboard. 7) A soft hammer on without the strings touching the fingerboard. 7) A soft hammer on without the strings touching the fingerboard.
A soft hammer on without the strings touching the fingerboard.
8) Like the previous example but with the whole hand on all strings 8) Like the previous example but with the whole hand on all strings 8) Like the previous example but with the whole hand on all strings 8) Like the previous example but with the whole hand on all strings 8) Like the previous example but with the whole hand on all strings 8) Like the previous example but with the whole hand on all strings 8) Like the previous example but with the whole hand on all strings 8) Like the previous example but with the whole hand on all strings 8) Like the previous example but with the whole hand on all strings 8) Like the previous example but with the whole hand on all strings
Like the example but the whole hand all 8)and Like the previousposition. example(It butiswith with the whole handon allstrings strings not aa previous specific also more powerful). 8. 8) Like the previous example but with theonwhole hand on all strings and not a specific position. and not specific position. (It is also more powerful). and not specific position. (It is also more powerful). and not position. (It isis also more powerful). and not aspecific specific position. (It is also more powerful). and not aspecific specific position. (It is also more powerful). and not aaaaaspecific position. (It is also more powerful). and not position. (It also more powerful). and not specific position. (It is also more powerful). No bowing. No bowing. No bowing. No bowing. No bowing. No bowing. No bowing. No bowing. (It is also more powerful). No bowing. No bowing. No bowing.
9) Make aa downward glissando on the strings (a bit like example 4) but in aa scrubbing motion. 9) Make downward glissando on the strings (a bit like example 4) but in scrubbing motion. 9) Make downward glissando on the strings (a bit like example 4) but in scrubbing motion. 9) Make glissando on the strings (a bit like example 4) but in motion. 9) Make adownward downward glissando on the strings (a bit like example 4) but in ascrubbing scrubbing motion. 9) Make adownward downward glissando on the strings (a bit like example 4) but in ascrubbing scrubbing motion. 9) Make aaaaadownward glissando on the strings (a bit like example 4) but in aaaaascrubbing motion. 9) Make glissando on the strings (a bit like example 4) but in motion. 9) Make downward glissando on the strings (a bit like example 4) but in scrubbing motion.
9)Make Makeaaadownward downwardglissando glissandoon onthe thestrings strings(a(a (abit bitlike likeexample example4) 4)but butinin scrubbingmotion. motion. Make glissando on the strings bit like example 4) but aascrubbing scrubbing motion. 9. 9)9) Makedownward a downward glissando on the strings (a bit likeinaexample 4) but in a scrubbing motion.
10) Left hand pizz. Always on open strings. 10) Left hand pizz. Always on open strings. 10) Left hand pizz. Always on open strings. 10) Left hand pizz. Always on open strings. 10) Left hand pizz. Always on open strings. 10) Left hand pizz. Always on open strings. 10) Left hand pizz. Always on open strings. 10) Left hand pizz. Always on open strings. 10) Left hand pizz. Always on open strings.
10)Left Lefthand handpizz. pizz.Always Alwayson onopen openstrings. strings. 10) Left pizz. Always on open 10.10) Lefthand hand pizz. Always onstrings. open strings.
11) Knock on the side of the neck with your left hand. 11) Knock on the side of the neck with your left hand. 11) Knock on the side of the neck with your left hand. 11) Knock on the side of the neck with your left hand. 11) Knock on the side of the neck with your left hand. 11) Knock on the side of the neck with your left hand. 11) Knock on the side of the neck with your left hand. 11) Knock on the side of the neck with your left hand. 11) Knock on the side of the neck with your left hand.
11)Knock Knockon onthe theside sideof ofthe theneck neckwith withyour yourleft lefthand. hand. 11) Knock on the side the neck with your left hand. 11. 11) Knock on theof side of the neck with your left hand.
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12) Place the bow on the strings (usually just the two middle strings)
percussion sound. 12.so it makes Placea the bow on the strings (usually just the two middle strings) so it makes a percussion sound.
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14) Soft bow stroke without pressure vertically on the string.
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important. 14.The pitch Softisbow stroke without pressure vertically on the string. The pitch is important.
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15) Like the prior example but scrubble with the bow. The pitch is important.
15.
Like the prior example but scrubble with the bow. The pitch is important.
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16.
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17.17) Lachenmann Lachenmann notation, which youbow place bow on the strings. notation, in whichin you place the on thethe strings. In this case you slide vertically from ponticello to sul tasto. In this case you slide vertically from ponticello to sul tasto. Always mute the strings with your left hand. Always mute the strings with your left hand.
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13) Speed up at the end of the bowing and release the string
muting with your leftof hand. 13.just before Speed up at the end the bowing and release the string just before muting with your left hand.
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16) A mixture between example 4 and 15. The pitch is not important (because of the note head).
A mixture between example 4 and 15. The pitch is not important (because of the note head).
18) Like the prior example but in very small scrubbing motions
18. (andLike example but in small scrubbing motions in thisthe caseprior the opposite way from sulvery tasto to sul ponticello). (and in this case the opposite way from sul tasto to sul ponticello).
19) Bow on the bridge.
19.
Bow on the bridge.
col legno 20) Col legno on the bridge (percussion effect).
20.
veryvery softlysoftly with thewith rightthe foot.right foot. 21.21) Tramp Tramp
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Col legno on the bridge (percussion effect).
22) Play with your nails. Don't push the key down.
22.
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Play with your nails. Don’t push the key down.
23) A glissando with your nails.
23.
A glissando with your nails.
24) A silent note. Press the key down softly so you don't get sound.
24.
A silent note. Press the key down softly so you don’t get sound.
25) Play normally. The note head just shows you that the pitch is prepared. –– 25. Play normally. The head shows you that the pitch is prepared. 25) Play normally. The note head just note shows you that just the pitch is prepared. 25) Play normally. The note head just shows you that the pitch is prepared. –– 25) Play normally. The note head just shows you that the pitch is prepared. 25) Play normally. The note head just shows you that the pitch is prepared. – 25) Play normally. The note head just shows you that the pitch is prepared. –– 25) Play normally. The note head just shows you that the pitch is prepared. M 25) Play normally. The note head just shows you that the pitch is prepared. –– M 25) Play normally. The note head just shows you that the pitch is prepared. M ––M –– 26)Play Mordent. Always a prepared 25) normally. Theon note head justnote. shows you that the pitch is prepared. 25) normally. The note head justdown. shows you that the pitch is prepared. 26) Mordent. Always on prepared note. As Play fast as posible. Only aasemitone ––– M 25) Play normally. The note head just shows you that the note. pitch is prepared. 26. Mordent. Always on a prepared As fast as posible. Only a semitone down. 26) Mordent. Always on a prepared note. As fast as posible. Only a semitone down. M 26)fast Mordent. Always asemitone prepared note. 25) Play normally. Theon note head just shows you that the pitch is prepared. As as posible. Only a down. – M 26) Mordent. Always on aa semitone prepared down. note. As fast as posible. Only M–– 26)fast Mordent. Always onaasemitone prepared down. note. As as posible. Only M 26) Mordent. Always on aa semitone prepared down. note. As fast as posible. Only –pizz. M 26) Mordent. Always on a prepared note. As fast as posible. Only a semitone down. M –– As fast as posible. Only 26) Mordent. Always onaasemitone prepared down. note. M pizz. 27)fast Inside piano: Pizz the string.down. 26) Mordent. Always ononaa semitone prepared note. As as posible. Only pizz. – M ± 27)Mordent. Inside piano: Pizz on the string.note. 26) Always on prepared As as posible. Only aaasemitone pizz. –±± 26) Mordent. Always on prepared note. 27)fast Inside piano: Pizz on string.down. As fast as posible. Only a the semitone down. pizz. 27) Inside piano: Pizz on the string. 27. Inside piano: Pizz on the string. 26) Mordent. Always on a prepared note. As fast as posible. Only a semitone down. ± pizz. 27)fast Inside piano: Pizz ona the string.down. As as posible. Only semitone ± pizz. 27) Inside piano: Pizz on the string. pizz. 27) Inside piano: Pizz on the string. ±±± pizz. 27) Inside piano: Pizz on the string. pizz. 27) Inside piano: Pizz on the string. pizz. ± 28)Inside Insidepiano: piano:Pizz A glissando on the strings. 27) on the string. pizz. ±± ± 27) on the string. 28)Inside Insidepiano: piano:Pizz A glissando on the strings. ±± ±R ±±pizz. 27) Pizz on the string. 28) Inside piano: A glissando on the strings. R 28) Inside Inside piano: piano: Pizz A glissando on the strings. 27) on the string. ± ±± ± R±R 28. Inside piano: on A glissando 28) Inside piano: A glissando the strings. on the strings. 28) Inside piano: A glissando on the strings. ±± ± R 28) Inside piano: A glissando on the strings. 28) Inside piano: A glissando on the strings. ±±± ±±RRR 28) Inside piano: A glissando on the strings. 29)Inside Insidepiano: piano:AMute the string with a finger. 28) glissando on the strings. — ± 29)Inside Insidepiano: piano:AMute the string with a finger. 28) glissando on the strings. ±±± —— RR±R± 28) Inside piano: A glissando on the strings. 29) Mute the string with a finger. 29) Inside piano: Mute the string with a finger. 28) Inside piano: A glissando on the strings. ±— ± 29) Inside piano: Mute the string with a finger. ± — RR 29. piano: Mute string with a finger. 29) Inside Inside piano: Mute the string with the a finger. 29) Inside piano: Mute the string with a finger. ——— 29) Inside piano: Mute the string with a finger. 29) Inside piano: Mute the string with a finger. ——y y 30)Inside Insidepiano: piano:Mute Playthe on string the strings on a guitar. 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Inside glass across the strings. 31)31. Inside piano: Rubpiano: the glassRub acrossthe the strings. ––– . -––RRR 31) Inside piano: Rub the glass across the strings. 32)Inside Insidepiano: piano:Rub Knock theacross stringsthe with the glass. 31) the on glass strings. . -– 31) the on glass strings. 32)Inside Insidepiano: piano:Rub Knock theacross stringsthe with the glass. ––– .. J -- JR–RR– 31) theon glass across the 32) Inside piano: Rub Knock the strings withstrings. the glass. 32) Inside Inside piano: piano: Rub Knock on the across stringsthe with the glass. 31) the glass strings. – . J J – 32) Inside piano: Knock on the strings with the glass. – ..J J --J JRR 32) Inside piano: Knock on the strings with the glass. 32) Inside piano: Knock on the strings with the glass. . J J - J J 32) Inside piano: Knock on the strings with the glass. . Inside piano: onthe the strings with the glass. 32)32. Inside piano: Knock on theKnock strings with glass. jj.. JJ -- JJ jj 33)Inside Pedal:piano: Notation for the sustain pedal. 32) Knock on the strings with the glass. 33)Inside Pedal:piano: Notation for the sustain pedal. 32) Knock on the strings with the glass. ‡‡j .J .‰‰ ŒŒ- - J ——j 32) Knock onsustain the strings with the glass. 33) Inside Pedal: piano: Notation for the pedal. jJJ‰ Œ JJ —*j ° 33) Inside Pedal:piano: Notation for the sustain pedal. ‡° 32) Knock on the strings with the glass. j j ‡ ‰ Œ *— 33) Pedal: Notation for the sustain pedal. ° ‡jjJJ‰‰ ŒŒ JJ **——jj 33) Pedal: Notation for the sustain pedal. ° 33) Pedal: Notation for the sustain pedal. ‡‡j ‰ Œ *—j ° 33) Pedal: Notation for the sustain pedal. ° ‡jjj‰‰ ŒŒ ——**jjj 33) Pedal: Notation for the sustain pedal. ° 33. 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Pedal: Likeslap the example but with noise from the pedal. 35) Pedal:Like Makethe a quick by previous leaving 34) Pedal: previous example but the withpedal noisequickly. from the pedal. >>‡‡jj‰‰‡‡ŒŒjj >—*>—*jj ‡° 34) Pedal: Like the previous example but with noise from the pedal. 35) Make a quick slap by leaving the pedal quickly. > j j j ‰ Œ — ° * ‡ 35) Pedal: Make a quick slap by leaving the pedal quickly. ‡ 34) Pedal: Like the previous example but with noise from the pedal. >‡> ‰>>‡Œj *>—> ° 35) Pedal: Make a quick slap by leaving the pedal quickly. ° > >‡jj *>* 35) Pedal: Make a quick slap by leaving the pedal quickly. ° 35) Pedal: Make a quick slap by leaving the pedal quickly. ‡ > j ° * 35) Pedal: Make a quick slap by leaving the pedal quickly. R ‡>‡>LLLjj BBB R 35) Pedal: Make a quick slap by leaving the pedal quickly. R 36)Pedal: Pedal:Make A short trampslap on the (don't push quickly. it down). R = Right foot (sustain pedal), 35) a quick by pedal leaving the pedal ––RR ‡>>‡––LLjj ––BB 35) Make a quick byBpedal leaving the 36) Pedal: A short tramp on the (don't push = Right foot (sustain pedal), L =Pedal: Left foot (soft pedal)slap and = Both feetpedal (softitquickly. &down). sustainRpedal). 35) Pedal: Make a quick slap by leaving the pedal 35. Pedal: Make a quick slap by leaving quickly. 36) A short tramp on the pedal (don't push it =the Rightpedal foot (sustain pedal), ‡ L = Left foot (soft pedal) and B = Both feet (soft quickly. &down). sustainRpedal). ––R >>––‡Lj ––B 36) Pedal: A short tramp on the (don't push = Right foot (sustain pedal), 35) Make a quick by leaving the L =Pedal: Left foot (soft pedal)slap and Bpedal = Both feetpedal (softitquickly. &down). sustainRpedal). 36) A short theBpedal (don't = Right foot (sustain pedal), L =Pedal: Left foot (softtramp pedal)onand = Both feetpush (softit&down). sustainRpedal). –RR >–‡>LL –BB 36) A short theBpedal (don't = Right foot (sustain pedal), L =Pedal: Left foot (softtramp pedal)on and = Both feetpush (softit&down). sustainRpedal). ––R ––L –B– 36) A short theBpedal (don't = Right foot (sustain pedal), L =Pedal: Left foot (softtramp pedal)onand = Both feetpush (softit&down). sustainRpedal). 36) Pedal: A short tramp on the pedal (don't push it down). R = Right foot (sustain pedal), L = Left foot (soft pedal) and B = Both feet (soft & sustain pedal). √ –RRR –LLL PIANO: –BB Muted with sticky PREPARED tackfoot – L =Pedal: Left (softtramp pedal) and = Both feetpush (softit&down). sustainRpedal). 36) A short on theBpedal (don't = Right foot (sustain pedal), √ B PREPARED PIANO: Muted with sticky tackA short – andtheBpedal √ 36) (don't = Right foot (sustain pedal), L =Pedal: Left (soft pedal) = Both feetpush (softit&down). sustainRpedal). PREPARED with sticky tackfoot ## ––tramp –––R –––L PIANO: –––B Muted 36) A short tramp theBpedal (don't = Right foot (sustain pedal), √––onononand L = Pedal: Left (soft pedal) = Both feetpush (softitit&down). sustainR pedal). PREPARED PIANO: Muted with sticky tackfoot 36) Pedal: A short tramp the pedal (don't push down). R = Right foot (sustain pedal), √ L = Left foot (soft pedal) and B = Both feet (soft & sustain pedal). # – ? # – – – – PREPARED PIANO: Muted with# –sticky tack – 36. Pedal: A short tramp on the pedal (don’t push it down). # – 36) Pedal: A short tramp on the pedal (don't push it down). R = Right foot (sustain pedal), L = Left foot (soft pedal) and B = Both feet (soft & sustain pedal). √ # – ? & # –pedal) – – – PREPARED PIANO: Muted# –with# –sticky tack – – L# = Left foot (soft and B = Both feet (soft & sustain pedal). # – ? √ & –√ – foot (sustain pedal), L = Left foot (soft pedal) ## –– tack PREPARED PIANO: Muted with tack –– #with =#Right ––sticky ## –– Muted # – R& ? –– ## –– PIANO: – ##sticky PREPARED # –√ – – # – & # – ? √ – # – – # – # – – ## –– Muted PREPARED PIANO: with sticky tack B&=#Both feet (soft & sustain pedal). # – # – # – ? √ √ – # – – – – # ––tack PREPARED PIANO: Muted#with ––– – ##sticky – √ # – √ ? & – – # – – # – PREPARED PIANO: Muted with sticky tack # # – √– #– & √– # – PIANO: – # ––sticky ?√ &# – √ PREPARED Muted tack – # – Muted # – tack – ##with –with # – ? PREPARED PIANO: sticky – # – – # – – # – # – # – 4 √– # – – # – – # – ##–– # – ##–– & # – – ? 4 √ ? # – 4 ?√–– ##–– –– ##–– –– # – ##–– ##–– ## –– & & 4 & ?√– # – – # – – ##–– # – # – Prepared Piano: Muted with sticky tack 4 & – # – – √ # – – # – 4 √ – √– # – – # – – 4 4 √ 4
4 4 4 4
VIOLIN: E string tuned a half second down to Eb VIOLA: C string turned a large second down to Bb
q = 108
5 –. 8 J ‰ ∏ col legno
Violin
‰
58 –. ‰ J ∏ col legno
Viola
Œ
‰
5 –. 8 J ‰ ∏
&
Œ
B
?5 8 Piano
realized sound from midi piano
f
‰
‡ ‡‡.‡ ‡ ‡‡.‡ Piano sound œ. . ?5 œ . 8 b œ. œ ? 85
?5 8
‡‡.‡‡ œ.
1
Midi Piano
4 Vln.
5 &8
≤ ‹ ·. – – ∏ 3
≤ B 85 – – ‹ · . ∏ 3 III
Vla.
Vcl.
Pno.
R.S.
M.P.
III ≤ ?5 ‹ ·. 8 – – 3 ∏ . ‡‡‡‡ 5 Œ. &8 R ≈ ‰
& 85
œ.
& 85 R ≈ ‰ ? 85 œr ≈ ‰ (√)
∑
Œ.
‡‡‡‡ ‡‡‡‡ . .
‡‡ & ‡.‡
– –
43 – – arco
b ‹ ·≤
3 j ≈ ‰ 8 ·R Po 38 ≈ ‰ R Po j ·
œ &= =
3 ·j ≈ ‰ 8 R Po ?
?
3 8
. ‡‡‡‡ 3 4 R ≈ ‰
38
4 8
‰
&= =
·
j ·
78 ≈ ‰ R Po
nœ
&
Œ
Œ
∑ Œ
Œ
Œ
Œ
– – ∏
48
r ≈ ‰ #œ 2
5 8
‰
Œ
Œ
85
‰
Œ
Œ
5 8
‡‡.‡‡ ‡ ‡‡‡ ‡‡‡‡ . &.
7 8
‡ ‡‡.‡‡ ‡‡.‡ ‡ ‡‡.‡
‡‡ ‡‡‡‡ ‡‡‡‡ ‡.‡ . .
‡‡‡‡ .
‡‡‡‡ ‡‡‡‡ ‡ ‡‡.‡ . . & ‡‡‡‡ . . # œ. # œ. . œ . . œ. œ œ œ b œ. œ.
7 œ 8 b œ . œ. & œ œ . . . 7 8 œ#œ œ#œ œ #œ œ œ # œ œ # œ œ œ #œ √
3
‹ ·≤
II
∑
48 œr ≈ ‰ .
Œ
?
‹ ·≤ 4 8 – – 3 ∏
&
Œ
78
≤ ‹ ·
48 r‡ ≈ ‰ ‡ .‡‡
‰
?
III
‡‡.‡‡ ‡ ‡‡‡ ‡‡‡‡ 4 . &. 8
œ #œ œ œ #œ œ √
?
II
‰
œ. œ & bœ b œ. . œ. œ. .
j
7 · ≈‰ 8 R Po
3
48 – – ∏ 3
‰
‡ ‡‡.‡‡ 38 ‡‡ ‡‡.‡‡ ‡. 38
nœ
7 ·j ≈ ‰ 8 R Po
·
≤ == · b ‹ · 3 4 – –
3 r ≈ ‰ 4 œ œ #œ œ œ#œ
œ &= =
8
II
II
. . œ œ . . œ œ 3 R . ≈ ‰ & b œ œ. 4
œ &= =
&= =
3
‡‡.‡‡ 3 & ‡‡‡‡ 4 .
?
Œ.
?
Œ
œ #œ œ œ#œ √
IV
3 4
≤ b‹ · III
arco
‡‡.‡‡ ‡ ‡‡‡ .
" "
arco
Christian Winther Christensen
8
3
col legno
Cello
IN TOUCH I nœ
œ &= = œ
&= =
j ·
43 R ≈ ‰ Po
œ &= =
j
3 · ≈‰ 4 R Po ?
Œ
?
Œ
?
Œ
3 4 ·j R ≈ ‰ Po
3 4 43
‡‡.‡‡ ‡ ‡‡‡ .
‡ ‡‡ ‡‡.‡‡ ‡.
5 8 85 5 8 5 8
Œ
Œ
5 8
Œ
Œ
85
Œ
Œ
5 8
‡‡‡‡ ‡‡‡‡ ‡ ‡ . . ‡ & ‡.
‡‡.‡‡ & ‡‡‡‡ ≈ .
‡‡‡‡ .
‡‡‡‡ .
5 8
‡‡.‡‡ 85 √
. œ. œ. œ. œ œ œ. œ & 5 . b œ œ 43 8 b œ. . œ. œ. . . 5 43 8 œ # œ œ œ #œ œ #œ œ œ #œ œ #œ √
8 Vln.
Vla.
Vcl.
Pno.
R.S.
M.P.
5 &8 B 85 ? 85
Vla.
Vcl.
Pno.
‹ ·≤ – – – – 3 3 8 4 ∏ 3
∑
38 – – – – ∏ 3 ‡‡.‡‡ 38 R ≈ ‰ ‰
∑
√
‡‡‡‡ ‡‡‡‡ ‡ ‡ ‡ ‡ ‡ ‡ ‡‡.‡‡ ‡.‡ . . . 5 &8 √ ‡‡.‡‡ ‡‡.‡‡ ‡‡.‡‡ ‡ ‡ ‡ ‡ ‡‡.‡ ‡. 38 & 85
(√) . . . # œ. . œ . # œ . . œ. œ. # œ # œ n œ # œ . # œ # œ 5 3 R ≈ ‰ &8 8 ?5 8
3 r ≈ ‰ œ #œ 8 œ œ œ # œ œ # œ œ #œ œ
12 Vln.
3 – – – – ‹ 3 ·≤ 8 4 3 ∏
∑
2 &4
∑
B 42 ?2 4
√
& 42
M.P.
?2 4
‡‡.‡‡ ‡‡.‡‡
‡‡‡‡ .
‡‡‡‡ .
‡‡.‡‡
œ
&= =
43 43 3 4
‰
3 4
‰
·
·
·
·
·
Œ
Œ
2 4
≈ ‰ R Po
Œ
Œ
2 4
≈ ‰ R Po
Œ
Œ
42
‡‡ ‡‡‡‡ ‡.‡ .
42
j ·
j ·
∑
?
∑
?
∑
≈ ‰ R Po
j ·
?
∑
‡‡‡ ‡‡‡‡ ‡. .
‡ ‡‡.‡ ‡ ‡‡.‡
‡‡‡‡ ‡ ‡ . & ‡.‡
‡‡.‡‡ & ‡‡‡‡ .
r≈ ‰ #‹ >
Œ
Œ
∑
Œ
Œ
∑
1 #>‹ œ. 8 F ‡‡.‡‡ 81 R ≈
3 4 # ‹r ≈ ‰ >
Œ
Œ
∑
# œ. 81 R
∑
? ?
≈
1 r ≈ 8 œ œ #œ œ œ #œ œ #œ œ
?
43 3 4
‡‡.‡‡ ‡ ‡‡‡ .
‡ ‡‡.‡ ‡ ‡‡.‡
‡‡‡‡ ‡ ‡ . & ‡.‡
‡‡.‡‡ & ‡‡‡‡ .
‡ ‡‡‡‡ ‡‡.‡ . ‡‡‡‡ ≈ .
‡‡‡ ≈ ‡.
‡‡.‡‡ 42
√
. œ. œ . œ. œ œ. 2 œ. œ b œ œ 4 b œ. . & œ. œ. . . 2 4 œ œ #œ œ #œ œ #œ œ œ #œ œ #œ √
3 4
‡‡‡‡ . 1 8
(√) . # œ. # œ. n œ. . . # œ . # œ. # œ œ œ
·≤
œ &= = 8
·
1 8 # ‹ œ. > F
col legno
∑
43
∑
col legno > # ‹ œ. 3 r ≈ ‰ 1 8 4 #‹ > F
∑
‡‡.‡‡ & 42 √ ‡‡.‡‡ 2 &4
R.S.
col legno
‹
œ &= = 8
√
‡‡.‡‡
‡‡.‡‡
‡‡.‡‡ √ ‡‡.‡‡ ‡‡.‡‡
√
‡‡‡‡ .
‡‡‡‡ .
‡‡.‡‡
‡‡‡‡ .
‡‡‡‡ ‡‡‡‡ . . ‡‡‡‡ .
‡‡.‡‡
. . # œ. . œ. œ. . # œ . . . . . # œ . œ œ œ. # œ. # œ. œ œ # œ n œ # œ œ œ œ. œ & b œ. œ. . 43 . œ. œ. b œ. 3 4
œ #œ œ #œ œ œ # œ œ # œ œ œ #œ √ 3
œ #œ œ #œ œ œ # œ œ # œ œ œ #œ
A
o & œ.
IV
Vln.
Vla.
B
o œ.
Pno.
R.S.
M.P.
o ? œ.
œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. R ≈ ‰
(√) .‡ ‡‡‡ & R≈ ‰ Œ &
œ. & R≈ ‰ Œ
Œ
Vla.
∑
? r≈ ‰ Œ œ
Pno.
R.S.
M.P.
‡ ‡‡.‡ ‡ ‡‡.‡
?
Œ
?
&= III ≤ = j n – – B 48 b‹ · 43 · R ≈ ‰ ∏ 3 Po
nœ &= = ≤
? 4 n– – b ‹ · 8 3 ∏
Œ
?
& 48 Œ
Œ
?
. 4 œR ≈ ‰ &8
Œ
?
?4 r ≈ ‰ 8 œ (√)
‡‡.‡‡ 85 R ≈ ‰
‡‡.‡‡ 5 8
Œ. ∑ Œ. Œ
nœ
IV
Œ
3 j 4 · R ≈ ‰ Po
43 ≈
‡‡.‡‡
3 œ 4 ≈bœ . . 3 4 ≈
42 ?
42
?
2 4
?
42
‰ 42
≈‰ R Po
Œ
4 8
≈‰ R Po
Œ
4 8
Œ
48
j ·
j ·
j ·
≈‰ R Po
‡‡.‡‡ ‡ ‡‡‡ .
‡ ‡‡.‡ ‡ ‡‡.‡
‡‡‡‡ 4 ‡ ‡ . 8 ‡ & ‡.
‡‡.‡‡ & ‡‡‡‡ .
4 8
n œ. 4 œ. œ & b œ œ 8 b œ. . œ. œ. . . œ #œ œ œ #œ œ #œ œ √
48
Œ
Œ
∑
48 – – – – – –– – ∏
Œ
Œ
∑
48 – – – – – – – – ∏
Œ
Œ
∑
4 – – – – – –– – 8 ∏
‡‡‡‡ ‡‡‡‡ ‡‡‡‡ . . 4 ‡‡ ‡ ‡ . 8 &. ‡‡‡‡ ‡‡.‡‡ ‡‡ ‡‡‡‡ ‡‡.‡‡ ‡‡.‡‡ ‡‡.‡‡ 4 ‡‡.‡‡ . ‡.‡ . ‡‡.‡‡ & ‡‡‡‡ 8 . √ . . # œ. . œ. . # œ . . . . . #œ nœ #œ œ. œ. œ œ œ. # œ. # œ. œ œ # œ 4 œ. & b œ. œ. 8 œ. œ.
‡‡‡‡ ‡ ‡‡‡ . .
3 4 ≈
2 4
#œ &= =
II
. √ . œ œ œ. œ. œ. 5 # œ. ≈ ‰ œ. œ & b œ œ 8 R b œ. . œ. œ. . .
&= = ≤ & 48 n – – b ‹ · 43 ·j R ≈ ‰ ∏ o 3 nœ P
.‡ ‡ 4 ‡‡R ≈ ‰ &8
‡‡‡‡ .
&
≤ 58 # – – ‹ · . 3 ∏ arco
Œ
‡‡.‡‡ & ‡‡‡‡ ≈ .
2 4
== ‹ ·≤ .
II
5 r ≈ ‰ 8 œ œ #œ œ # œ œ œ # œ œ # œ œ #œ œ √
Œ
III
Vcl.
?
5 #– – 8 ∏ 3
‡‡‡‡ ‡ ‡ ‡ ‡ ‡‡ ‡.‡ ‡.‡ . ‡ ‡ &.
&
III
arco
Œ
Œ
‡‡.‡‡ ‡ ‡‡‡ .
== ≤ 5 8 #– – ‹ ·. 3 ∏ #œ arco
Œ
Œ
œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. R ≈ ‰
20 Vln.
Œ
III
III
Vcl.
≈‰ œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. R
#œ
‡‡ ‡‡‡‡ ‡‡‡‡ ‡.‡ . .
‡‡.‡‡
‡‡.‡‡ ‡‡.‡‡
. ‡‡‡‡ R ≈ ‰ œ. R ≈ ‰
4 r ≈ ‰ 8 #œ œ œ œ # œ œ # œ œ œ œ # œ œ # œ œ#œ œ œ#œ #œ œ#œ œ œ #œ √ 4
Œ Œ Œ
‹ 3 ·≤ & – – – – – – 4
24 Vln.
3
Vla.
B – – – – – –
‹
I
3
Vcl.
? – – – – – – 3
Pno.
R.S.
M.P.
Vla.
Vcl.
Pno.
P.
R.S.
M.P.
‹ I
3 4 3 4
·
·≤
·
·
·≤
·
·
3 4
1 4 1 4 1 4
&
∑
&
∑
43
∑
?
&
∑
3 4
∑
?
?
∑
3 4
∑
o 1 œ &4 . œœœ F . . . col legno o II œ. B 41 œ. œ. œ. F col legno o II œ. ? 41 œ. œ. œ. F
29 Vln.
·
II
col legno III
?1 4 ? 41
∑ ∑
f r 41 –. ≈ ‰
?1 4 ? 41
∑ ∑
3 16 R ≈ ≈ 3 ≈ ≈ 16 R 3 ≈ ≈ 16 R
3 16
3 4
∑
j ·
j ·
43
f r 43 –. ≈ ‰ Œ
43
∑
‡‡‡‡ .
≈
41
≈
1 4
≈
1 4
≈
≈
f ≈
" "
∑ Œ ∑ ∑
4 – – ‹ ·≤ 8 3 ∏ ‡‡.‡‡ 4 R ≈ ‰ Œ 8 II
≈ ‰ R Po
1 4
‡‡.‡‡
‡‡.‡‡ 48
≈ ‰
4 8
œ #œ œ √
&
œ
œ &= =
Œ
œ. 4 R ≈ ‰ 8
œ. œ . b œ.
Œ
r ≈ ‰ œ
Œ
3 16 ·j R ≈ ≈ Po
1 4
3 ·j ≈ ≈ 16 R Po
1 4
j
3 · ≈ ≈ 16 R Po
1 4
3 16 # –. p 3 #– 16 . – √ .
1 4
3 16
∑
1 4
3 16
∑
1 4
41
Œ
Œ
3 8
∑
7 16
Œ
Œ
38
∑
7 16
Œ
Œ
38
∑
7 16
‡‡‡‡ ‡ ‡‡‡ . .
‡ ‡‡.‡ ‡ ‡‡.‡
&= =
≤ == ‹ · 4 – – 8 3 ∏ II
≈ ‰ R Po
œ. . . . . .. . . .. . 43 o œ œ œ œ œ œ œ œ œ œ œ R ≈ ‰ 3 4
3 16
?
III
≈ ‰ R Po
o 3 œ 4 . œ œ œ œ œ œ œ œ œ œ œ R ≈ ‰ . . . . .. . . .. . o œ. . . . . .. . . .. . 43 œ œ œ œ œ œ œ œ œ œ œ R ≈ ‰
3 16 # –. p 3 #– 16 . – √ . 3 16 ∑ ∑
∑
≤ 4 8 – – ‹ · ∏ 3
j ·
œ
‡‡
& ‡.‡
‡‡.‡‡ & ‡‡‡‡ . ∑
‡‡‡‡ .
‡‡‡‡ .
‡‡‡‡ . 3 8
‡‡‡‡ .
‡‡.‡‡
‡‡.‡‡
‡‡‡‡ . 7 16
‡‡.‡‡ 38 ‡‡.‡‡ ‡‡.‡‡ ≈ 16 7 38
∑
7 16
√ . . œ. # œ. . œ .œ œ. œ. œ . œ. œ 3 œ. # œ # œ 7 ≈ b œ œ &œ 8 16 . . . b œ. . œ. 38 7 ≈ 16 œ œ œ #œ œ #œ œ œ #œ œ #œ #œ œ #œ œ œ #œ √ 5
B
arco
7 . & 16 # œR ≈ ‰ p ( II ) # œ. 7 R ≈ ‰ B 16 p
Vln.
Vla.
. # œ ?7 R ≈ ‰ 16 p
Pno.
R.S.
M.P.
‡‡‡‡ .
?7 16
& ‰
B ‰
œ.
# ‹ œ. # ‹ œ.
col legno
œ.
R.S.
M.P.
≈ ‰ R ‡‡.‡‡ ‡‡.‡‡
r ≈ ≈ # œ.
col legno
‡‡‡‡ .
‡‡‡‡ .
‡‡ ‡‡‡‡ ‡‡.‡‡ ‡.‡ .
‡‡.‡‡ ‡‡.‡‡
& &
col legno
# ‹ œ. œ. ‡‡‡‡ .
‡‡‡‡ .
‡ ‡‡‡‡ ‡‡.‡‡ ‡‡.‡ .
(√.) # œ . # œ. # œ. œ. œ. # œ. œ
?
œ #œ œ #œ œ œ #œ
œ #œ œ #œ œ œ #œ
arco
≈ #– arco
≈
#–
col legno
œ.
‹ œ. ‹ œ.
col legno
œ.
arco
? ‰
&
œ #œ œ #œ œ œ #œ
arco
col legno
arco
Pno.
‡‡‡‡ .
‡‡ ‡‡‡‡ ‡‡.‡‡ ‡.‡ .
œ #œ œ #œ œ œ #œ
arco
Vcl.
arco
‡‡‡‡ .
# œ. ≈ ≈ R
≈ # ‹ œ.
col legno
≈ ‰ R
col legno arco
≈ ‰ R
‰.
≈ ≈ # œ. R
arco
arco
# ‹ œ.
col legno
≈ ‰ R
≈
col legno
# ‹ œ. œ.
≈ ‰ R
arco
œ.
≈ ‰ R
arco
arco
col legno
≈ ‰ R
≈ # ‹ œ. ‡‡‡‡ .
‡‡.‡‡ ‡‡.‡‡
‡‡‡‡ .
‡‡ ‡‡‡‡ ‡‡.‡‡ ‡.‡ .
# ‹ œ.
col legno
col legno
≈ ‰ R
œ.
# ‹ œ.
‡‡‡‡ .
‡‡.‡‡ ‡‡.‡‡
‡‡‡‡ .
‡‡ ‡‡‡‡ ‡‡.‡‡ ‡.‡ .
(√) # œ. . . # œ. œ. œ. # œ. # œ. . . # œ. œ. œ. # œ. # œ. . . # œ. œ. œ. # œ. # œ. . . # œ. œ. œ. # œ. # œ. . . # œ. œ. œ. # œ. œ #œ œ #œ œ #œ œ #œ œ #œ 7 & 16
arco
Vla.
‰.
‡‡.‡‡ ‡‡.‡‡
‡‡ ‡‡‡‡ ‡‡.‡‡ ‡.‡ .
7 & 16
39 Vln.
‡‡‡‡ .
≈ ‰ R
arco
# œ. R ≈ ‰
‰.
‡‡ ‡‡ 7 ‡.‡ ‡.‡ & 16
‰.
# œ. R ≈ ‰
‰.
( II )
Vcl.
# œ. ≈ ‰ R
‰.
( III )
col legno
≈ #– ‡‡.‡‡ ‡‡.‡‡
col legno
‹ œ. œ. ‡‡‡‡ .
‡‡‡‡ .
‡ ‡‡‡‡ ‡‡.‡‡ ‡‡.‡ .
# œ. . # œ. # œ. œ. œ. # œ. œ œ #œ œ #œ œ œ #œ
‚ ‚j ‹ œ. ‚ ‚ #– ‚‚ œ. col legno
‚ ‚‚j # – col legno ‹ œ. ‚ ‚‚ œ.
œ #œ œ #œ œ œ #œ
arco
‚ ‚j ‹ œ. ‚ ‚ #– ‚‚ œ. col legno
‚ ‚‚j # – col legno ‹ œ. ‚ ‚‚ œ.
œ #œ œ #œ œ œ #œ
arco
‚ ‚j ‚ ‚ # – ‹ œ. ‚‚ œ.
‚ ‚‚j # – col legno ‹ œ. ‚ ‚ ‚ œ.
arco
arco
arco
arco
arco
arco
‚‚ # – ‹ œ. ‚ œ. j ‚ ‚ ‚
‡‡.‡‡
col legno
‡‡.‡‡
‡‡‡‡ ‡‡‡‡ . .
‡ ‡‡‡‡ ‡‡.‡‡ ‡‡.‡ .
# œ. . # œ. # œ. œ. œ. # œ. œ œ #œ
œ #œ œ œ #œ 6
‚‚ # – ‹ œ. ‚ œ. j ‚ ‚ ‚
‡‡.‡‡
col legno
‡‡.‡‡
# œ. . # œ. # œ. œ. œ. # œ. œ œ #œ
‚‚ # – ‹ œ. ‚ œ. j ‚ ‚ ‚
‡‡‡‡ . ‡‡‡‡ . . ‡‡‡‡ R≈
‡ ‡‡‡‡ ‡‡.‡‡ ‡‡.‡ .
œ #œ œ œ #œ
col legno
# œ. R≈ r≈ œ
col legno
‰
‰.
∑ ‰
‰.
‰
‰.
C arco
Vln.
arco
arco
‚ ‚ # – ‹ œ ‚ ‚ # – ‹ œ. 85 ≈ ‰ . & ‚ œ. ‚ œ. R
44
j ‚ ‚ ‚
col legno
j ‚ ‚ ‚
col legno
arco ‚ ‚j col legno . arco‚ ‚j col legno. ‚ ‚‚ # – . ‹ œ ‚ ‚‚ # – . ‹ œ 5 B ‚ œ ‚ œ 8 ≈ ‰ R
‰
Œ
4 4
‰
Œ
‰
Œ
4 – –– – –– – – –– – –– – –– 3 4 16 ∏
arco
Vla.
arco
arco
arco
j j ? ‚ ‚‚ # – ‹ œ ‚ ‚‚ # – ‹ œ 5 ≈ ‰ ‚ ‚ 8 R . ‚‚ œ. ‚‚ œ. . col legno
Vcl.
Pno.
R.S.
M.P.
&
∑
∑
?
&
∑
∑
?
&
∑
∑
?
?
∑
∑
48 Vln.
Vla.
Vcl.
col legno
3 & 16
3 4
∑
3 B 16
Pno.
P.
π œ 3 ≈ J & 16
—
3 3 16 ‡ ≈ — 4 ° *
R.S.
3 & 16
∑
43
M.P.
? 16 3
∑
43
Œ
Œ
Œ
Œ ∑ ∑ ∑
‡‡‡‡ .
‡‡.‡‡ 4 & ‡‡‡‡ 4 .
44 r ≈ ‰ œ œ #œ œ #œ œ œ #œ œ #œ œ √
– – – – – – – – – – – –
— 3 R ≈ ‰ 4 œ. 43 R ≈ ‰
‡‡‡‡ .
4 – –– – –– – – –– – –– – –– 3 4 16 ∏ . ‡‡‡‡ 4 R≈‰ Œ 3 Ó 4 16
œ. . œ. œ. œ œ. œ & 44 R ≈ ‰ . b œ œ 85 . œ œ . b œ. . . 85
right hand inside piano pizz.
3 & 16
‡ ‡‡.‡‡ ‡‡.‡ ‡ ‡‡.‡
–.
–. ¿ ¿ R ≈ ≈&
col legno
9 16 ‰ .
π
–. ¿ ¿ –. ≈ ≈ R π
col legno
B
–. ¿ ¿ –. ≈ ≈ ? R π
col legno
9 ‰. 43 – – – – – – – – – – – – 16
∑ y
85
9 ‰. 43 – – – – – – – – – – – – 16
∑
? 16 3
5 8
‡‡‡ ‡‡‡‡ ‡. ‡‡‡‡ . &.
– –– – –– – – –– – –– – –– ∏
— ≈ ≈ yy yy yy R p . ≈ œ œ ≈ ≈ ·j . 9 œ 16 ·· .. R 9 16 — y
pizz.
9 16 ‡ ≈ — ‰ . ° *
‰.
3 16
∑ Œ
Ó
3 16
Œ
Ó
3 16
o. œ 2 4 œ. œ. Fo œ. . . 24 œ œ F o œ. . . 24 œ œ F
3 ≈≈ 2 œ. œ. œ. œ. œ. 16 4 R œ. œ. œ. œ. œ. 3 16 R ≈ ≈ 42 œ. œ. œ. œ. œ. 3 ≈ ≈ 2 16 R 4
2 y 4 y ≈‰ Œ R 24 ·r ≈ ‰ Œ ·· 2 4 ∑
9 16
∑
42
∑
9 16
∑
42
∑
7
3 16
3 16
∑
2 4
3 16
∑
42
3 16
∑
42
3 ∑ 42 16 fL R L 3 2 16 –. –. –. 4
53 Vln.
2 &4
arco
– – – – – – – – ∏ arco
Vla.
B 42 – – – – – – – – ∏ arco
Vcl.
Pno.
M.P.
Vla.
Vcl.
Pno.
P.
R.S.
M.P.
¿ ¿
π –.
col legno
6 16 ‰ .
¿ ¿
π –.
col legno
6 16 ‰ .
2 &4
6 — ≈ ≈ 16 — y R π 6 œ. ≈ œ œ ≈ ≈ 16 R
& 42
∑
& 42
∑
?2 4
6 16
∑
o . . ‰ – ¿ 38 – ≈ & œ & 48 . œ R – – – – p . ∏ π III col legno arco o. . . œ B 48 – – – – ‰ – ¿ 38 – ≈ B œ. R ∏ π p arco o col legno III ? 4 – – – – ‰ –. 3 –. ≈ ? œ. 8 ¿ 8 R œ. ∏ p π 4 &8 Œ
& 48 Œ R 48 –.r ≈ ‰ & 48 ?4 8
y
pizz.
π ≈ œ
r ‡ ≈ °
∑ ∑
3 8
≈
≈
‰.
&
–. R
≈
≈
‰.
B
–. R
≈
≈
‰.
?
y y y y p # ···· ... .
y y
y y
≈ 32 R ≈ R ≈ R
∑ ∑
y y
y y
o 1 œ 4 . F o œ. 1 4 F o œ. 1 4 F
5 ≈ ‰. 16 œ. œ. œ. R
4 8
5 ≈ ‰. œ. œ. œ. 16 R
4 8
5 ≈ ‰. œ. œ. œ. 16 R
4 8
5 16
∑
1 y 4 y ≈ ‰ R 14 ·r ≈ ‰ ··· 1 4 ∑
∑
1 4
5 16
41
∑
II III
— ≈ 38 yy yy yy ≈ ‰ R π p r ? #– œ ≈ 38 ·j· · ·· ··· ≈ . # – . r — ≈ 38 ∑ * 38
–. R
∑
IV
col legno
arco
π
6 16 ‡ ≈ — ‰ . ° * 6 ∑ 16
Œ
R
¿ ¿
pizz.
∑
2 –r ≈ ‰ 4 .
58 Vln.
6 16 ‰ .
?2 – – – – – – – – 4 ∏
P.
R.S.
–.
col legno
≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤
D
≤≤≤≤≤≤
∑ ∑
5 ∑ 16 f L R L R L 5 16 –. –. –. –. –. 5 16
32 r ≈ ‰ Œ –. 32
45 Ó
II III
3 2
∑
Ó
Ó ∑
32
∑
3 œ #œ œ #œ œ œ #œ œ #œ œ #œ œ 2 & 8
48 4 8 48 4 8
∑
≥ · œ · œ · œ· œ · œ· œ
3 ≤≤≤≤≤≤≤≤≤≤≤≤ 2 ≤ ≤ ≤ ≤≤≤≤≤≤ π 3 ≤≤≤≤≤≤≤≤≤≤≤ 2 ≤ ≤ ≤ ≤≤≤≤≤≤≤ π
II III
∑
4 8
II
arco
45 R ≈‰ Œ ∏ Ø arco I ≥ · · œ œ 5 ≈‰ Œ 4 R Ø ∏ arco I ≥ #· · œ œ 5 4 R ≈‰ Œ Ø ∏
π
∑
right hand on the keyboard
5 4 ‡‡‡ . P. 54 ‡‡‡
‡‡ ‡. ‡‡. ‡
45 # œœœ # œœ œ 5 4 œ
œœ œœ œœ œ
· · · · œ œ œ œ · · · · œ œ œ œ
‡‡ ‡. ‡‡. ‡
‡‡ ‡. ‡‡. ‡
‡‡ ‡. ‡‡. ‡
œœ œœ œœ
œœ œœ œœ
œœ œœ œœ
r ‡ ≈‰ Œ °
œ
œ
Œ
œ
62 Vln.
Vla.
Vcl.
Pno.
P.
R.S.
M.P.
· & R ≈‰ Œ
III
· B R ≈‰ Œ
II
#· ? R ≈‰ Œ ‡‡ ‡. ‡‡. ? ‡ &
r
II
‡‡ ‡. ‡‡. ‡
&
#œ
œ
œ
Vla.
‡‡ ‡. ‡‡. ‡
‡‡ ‡. ‡‡. ‡
Œ
Œ
œœ œœ œœ œ
6 ‡‡. 4 ‡ ‡‡‡. 46
‡‡. ‡ ‡‡‡.
6 ‡r≈ ‰ Œ 4 * 46 œœœœ œœœœ œœ œœ 46 œ œ
œœ œœ œœ œ
arco
66 Vln.
∑
& B
∑
Pno.
R.S.
M.P.
?
& &
∑ ‡‡.‡‡ ‡‡.‡‡ ‡‡.‡‡
‡‡‡‡ . ‡‡.‡‡
‡‡. ‡ ‡‡‡.
Œ Ó.
œœœ Œ Œ œœœ
œ œ
III
III
5 4 Ó
‡‡. Œ Œ ‡ ‡‡‡. Œ Œ
œœœ œœœ
IV
Œ Œ
5 ‡‡. 4 ‡ ‡‡‡. 45
‡‡. ‡ ‡‡‡.
45
œœœ œœœ
5 4 Ó
œœœ œœœ
≥ 3 4 r≈ ‰ · œ·œ·œ·œ·œ·œ · ≥ · · · · · · 43 · ≈ ‰ œ œ œ œ œ œ R ≥ · · · · · · 43 · ≈ ‰ œ œ œ œ œ œ R ‡‡. ‡ ‡‡‡.
Œ
Œ
Œ
Œ
r ‡ ≈‰ Œ ° œœœ Œ œœœ
45 œ œ œ arco
j IV ‚ ‚ ‚
‡‡‡‡ .
‡‡.‡‡ ‡‡.‡‡
‡‡‡‡ ‡‡‡‡ . . ‡‡‡‡ .
?
Œ Œ
Ó
col legno col legno III ‚ 7 ‚ – ‹ œ ≈ ‰ ≈ œ 16 ‚ œ. > . R œ. . π j f arco ‚ arco ‚ III col legno II ‚ ‚‚ – col legno III . . > ‹ œ œ 7 ‚ ≈ ‰ ≈ . . 16 œ œ R π f
? ?
‡‡.‡‡ 7 16
j ‚ ‚ ‚
III
arco
col legno
‡‡ ‡‡‡‡ ‡‡.‡‡ ‡.‡ .
III II
‡‡‡‡ ‡‡.‡‡ .
‡‡‡‡ .
Œ
Œ
Œ
Œ
Œ
Œ
‡‡‡ ‡‡‡‡ ‡. .
‡‡‡‡ ‡‡‡‡ . .
‡‡‡‡ .
3 ‡‡ 4 ≈ & ‡.‡ "f " ‡ 34 ≈ ‡‡ ‡‡.‡‡ & ‡ ‡‡.‡ ‡ ‡‡.‡ ‡‡.‡‡ ‡. 3 ‡r ≈ ‰ Œ Œ 4 * .œ œ. œ. œ. 43 ≈ œ. œ. & œ b œ. œ. b œ. . œ. 43 ≈ œ# œ œ œ # œ œ œ# œ œ # œ œ √
œ. R ≈ ‰ π II
I œ. R ≈ ‰ π
I . œ col legno 7 ‚‚ – ‹ œ. ≈ ‰ ≈ œ. R ≈ ‰ 16 ‚ œ. > œ. R π f 𠇇 ‡‡ ‡‡.‡‡ ‡‡.‡‡ ‡‡.‡‡ ‡.‡ ‡‡.‡‡ ‡‡.‡‡ ‡‡.‡‡ ‡.‡ ‡‡.‡‡ ‡‡.‡‡ 7 16 arco
Vcl.
5 4 Ó
≤ · · · · · · 6 · œ œ œ œ œ œ 4 R ≈ ‰ Œ Œ Ó.
r ‡ ≈‰ ° œœ œœ œœ
œœ œœ œœ
5 4 Ó
≤ · œ·œ·œ·œ·œ·œ 6 · 4 R ≈ ‰ Œ Œ Ó.
‡‡ ‡. ‡‡. ‡
— ≈‰ Œ
* & # œœœœ # œœ
≤ 6 r · œ·œ·œ·œ·œ·œ 4 · ≈ ‰ Œ Œ Ó.
‰.
œ. R ≈ ‰
‰.
‰.
œ. R ≈ ‰
‰.
‰.
œ. R ≈ ‰
‰.
‡‡.‡‡
‡‡‡‡ .
‡‡‡‡ .
‡‡‡‡ ‡‡.‡‡ .
‡‡‡‡ .
‡‡‡‡ .
‡‡.‡‡
‡‡‡‡ ‡‡.‡‡ .
‡‡‡‡ .
‡‡‡‡ .
√ . . œ. . . # œ. . # œ. . œ. . œ. # œ. . # œ. . œ. . œ. # œ. . # œ. . œ. . œ. # œ. . # œ. . œ. . . # œ œ . # œ . . œ . œ. # œ # œ n œ # œ œ #œ œ œ #œ œ œ #œ œ œ #œ œ . œ . # œ #œ 7 & 16 ?
7 16 œ #œ œ #œ œ œ #œ nœ #œ œ #œ œ œ #œ nœ #œ œ #œ œ œ #œ nœ #œ œ #œ œ œ #œ nœ œ #œ œ œ # œ œ # œ œ #œ œ #œ 9
œ. & R ≈‰
71 Vln.
Vla.
Vcl.
Pno.
œ. B R ≈‰ œ. ? R ≈‰ & &
P.
R.S.
M.P.
& ?
‡‡.‡‡
Vla.
Vcl.
Pno.
R.S.
M.P.
‰. ‡‡‡‡ .
‡‡.‡‡
œ. R ≈‰
‰.
œ. R ≈‰
‰.
œ. R ≈‰
‰.
‡ ‡‡.‡‡ ‡‡.‡
‡‡‡‡ .
‡ ‡‡‡‡ ‡‡.‡‡ ‡‡.‡ .
‡‡.‡‡
œ. R ≈‰
‰.
œ. R ≈‰
‰.
‡ ‡‡.‡‡ ‡‡.‡
‡ ‡‡‡‡ ‡‡.‡‡ ‡‡.‡ .
‡‡‡‡ .
‡‡.‡‡
‰.
œ. R ≈‰
‰.
‡ ‡‡.‡‡ ‡‡.‡
‰.
œ. R ≈‰
‰.
œ. R ≈‰
‰.
œ. R ≈‰
‰.
‡‡‡‡ .
‡ ‡‡‡‡ ‡‡.‡‡ ‡‡.‡ .
‡‡.‡‡
‰.
‡ ‡‡.‡‡ ‡‡.‡
‡‡‡‡ .
‡ ‡‡‡‡ ‡‡.‡‡ ‡‡.‡ .
œ. R ≈‰ Ø œ. R ≈‰ Ø œ. R ≈‰ Ø ‡‡.‡‡
π
Ved ikke hvornår det starter. Nu starter det her.Skal tjekkes.
# œ. R ≈‰
‰. ‰. ‰.
‡‡.‡‡
‰.
# œ. R ≈‰
‡ ‡‡.‡‡ ‡‡.‡
‡‡‡‡ .
‰.
# œ. R ≈‰
‡‡‡‡ .
‰.
‡‡‡‡ ‡‡ . ‡‡.‡‡ ‡‡.‡‡ ‡.‡
r ≈ ‰ ‰. ‡ ∑ ∑ ∑ ∑ ∑ ° œ. # œ. œ. # œ. # œ. œ. œ. œ. # œ. œ. # œ. # œ. œ. œ. œ. # œ. œ. # œ. # œ. œ. œ. œ. # œ. œ. # œ. # œ. œ. œ. œ. # œ. œ. # œ. # œ. œ. œ. œ. # œ. œ. # œ. # œ. œ. œ.
‡‡‡‡ .
‡‡.‡‡
‡‡‡‡ .
‡‡‡‡ .
∑
œ. # œ. œ. # œ. # œ. œ. œ.
# œ œ# œ œ œ # œ n œ # œ œ# œ œ œ # œ n œ # œ œ# œ œ œ # œ n œ # œ œ# œ œ œ # œ n œ # œ œ# œ œ œ # œ n œ # œ œ# œ œ œ # œ n œ # œ œ# œ œ œ # œ n œ
œ. B R ≈ ‰ œ. ? R ≈ ‰ ‡‡.‡‡
‡‡.‡‡
‰.
# œ. R ≈ ‰
‰.
# œ. R ≈ ‰
&
‰. ‡‡‡‡ .
‡‡ ‡‡.‡‡ ‡ ‡ & . œ. # œ. œ. # œ. # œ. & ?
œ. R ≈‰
‡ ‡‡‡‡ ‡‡.‡‡ ‡‡.‡ .
œ. & R ≈ ‰
&
œ. R ≈‰
‰.
‡ ‡‡.‡‡ ‡‡.‡
78 Vln.
œ. R ≈‰
‰.
E
‡‡‡‡ .
# œ. R ≈ ‰
‡‡‡‡ . ‡‡.‡‡
œ. œ.
‡‡.‡‡
‰.
œ. R ≈ ‰
‰.
œ. R ≈ ‰ œ. R ≈ ‰
‰. ‡‡‡‡ .
‡‡‡‡ ‡‡.‡‡ . œ. # œ. œ. # œ. # œ.
‡‡‡‡ .
‡‡‡‡ .
‡‡.‡‡
‡‡.‡‡
‰.
œ. R ≈ ‰
‰.
œ. R ≈ ‰
‰.
&
‡‡‡‡ .
‡‡‡‡ .
‡‡‡‡ ‡‡.‡‡ . œ. œ. œ. # œ. . # œ. . œ #œ
‡‡‡‡ .
‰.
# œ. R ≈ ‰
‰.
# œ. R ≈ ‰
œ. ≈ ‰ R
‰.
‡‡.‡‡
‡‡‡‡ .
‡‡.‡‡
‡‡‡‡ ‡‡.‡‡ . œ. œ. œ. # œ. . # œ. . œ #œ
# œ. ≈ ‰ R
‡‡‡‡ .
‡‡‡‡ . ‡‡.‡‡
œ. œ.
‡‡.‡‡
‰.
œ. R ≈ ‰
‰.
‰.
œ. R ≈ ‰
‰.
‰.
œ. ≈ ‰ R
‰.
‡‡.‡‡
‡‡‡‡ .
‡‡‡‡ .
‡‡‡‡ ‡‡.‡‡ . œ. # œ. œ. # œ. # œ.
‡‡‡‡ .
‡‡‡‡ .
‡‡.‡‡
‡‡‡‡ ‡‡.‡‡ . œ. œ. œ. # œ. . # œ. . œ #œ
‡‡‡‡ .
‡‡‡‡ .
œ. œ.
#œ œ #œ œ œ #œ nœ #œ œ #œ œ œ #œ nœ #œ œ #œ œ œ #œ nœ #œ œ #œ œ œ #œ nœ #œ œ #œ œ œ #œ nœ #œ œ #œ œ œ #œ nœ 10
‰.
œ. R ≈ ‰
‰.
œ. R ≈ ‰
# œ. ≈ ‰ & R
‰.
‡‡.‡‡
‡‡‡‡ .
# œ. & R ≈ ‰
84 Vln.
Vla.
Vcl.
Pno.
R.S.
M.P.
# œ. & R ≈ ‰
& & & ?
‡‡.‡‡
‡‡‡‡ .
‡‡.‡‡
Vla.
Vcl.
Pno.
(√) œ. & R ≈ ‰ œ. & R ≈ ‰
&
P.
R.S.
M.P.
&
?
‰.
œ. R ≈ ‰
œ. ≈ ‰ R
‰.
‡‡.‡‡
‡‡‡‡ .
‡‡.‡‡
‡‡‡‡ .
‡‡.‡‡
‡‡‡‡ .
‡‡‡‡ .
‰. ‰.
# œ. R ≈ ‰
œ. ≈ ‰ R
‰.
# œ. ≈ ‰ R
‡‡.‡‡
‡‡‡‡ .
‡‡.‡‡
‡‡‡‡ .
‡‡.‡‡
‡‡‡‡ .
‡‡‡‡ ‡ . ‡‡.‡
‰.
√. œ R ≈ ‰
‰. ‡‡‡‡ .
‡‡.‡‡
‡‡‡‡ .
‰.
√ œ. R ≈ ‰
‡‡.‡‡
‡‡‡‡ .
‡‡‡‡ .
‰.
# œ. R ≈ ‰
‰.
‰.
# œ. R ≈ ‰
‰.
œ. R ≈ ‰
‰.
# œ. R ≈ ‰
‰.
‡‡.‡‡
‡‡‡‡ .
‡‡.‡‡
‡‡‡‡ .
‡‡.‡‡
‡‡‡‡ .
‡‡‡‡ ‡ . ‡‡.‡
œ. # œ. œ. # œ. # œ. œ. œ. œ. # œ. œ. # œ. # œ. œ. œ.
‡‡.‡‡
‡‡‡‡ .
‡‡‡‡ . ‡‡.‡‡
‡‡‡‡ .
‡‡‡‡ .
œ. # œ. œ. # œ. # œ. œ. œ.
#œ œ #œ œ œ #œ nœ #œ œ #œ œ œ #œ nœ #œ œ #œ œ œ #œ nœ #œ œ #œ œ œ #œ nœ #œ œ #œ œ œ #œ nœ #œ œ #œ œ œ #œ nœ
(√) œ. & R ≈ ‰
&
‡‡‡‡ .
‰.
# œ. R ≈ ‰
œ. # œ. œ. # œ. # œ. œ. œ. œ. # œ. œ. # œ. # œ. œ. œ. œ. # œ. œ. # œ. # œ. œ. œ.
90 Vln.
‡‡‡‡ .
œ. R ≈ ‰
‡‡.‡‡
‡‡.‡‡
‡‡‡‡ .
‰.
# œ. R ≈ ‰
‰.
# œ. R ≈ ‰
‰.
# œ. R ≈ ‰
‡‡‡‡ .
‡‡.‡‡ ‡‡.‡‡ ∑
‡‡‡‡ . ‡‡.‡‡ ‡‡.‡‡
œ. # œ. œ. # œ. # œ. œ. œ.
‡‡‡‡ .
‰.
œ. R ≈ ‰
œ. R ≈ ‰
‰.
œ. R ≈ ‰
‰.
‡‡.‡‡
‡‡‡‡ .
‡‡.‡‡
‡‡‡‡ .
‰. ‰.
œ. R ≈ ‰
‰. ‡‡‡‡ .
‡‡.‡‡ ‡‡.‡‡
∑
‰.
œ. R ≈ ‰
œ. R ≈ ‰
‡‡‡‡ .
‡‡.‡‡
‡‡‡‡ .
‡‡.‡‡ ‡‡.‡‡ ∑
‡‡‡‡ .
‡‡.‡‡
‡‡‡‡ .
# œ. R ≈ ‰ Øpp # œ. R ≈ ‰
‰. ‰.
‡‡.‡‡ ‡‡.‡‡ ∑
Øpp # œ. R ≈ ‰ Øpp
‰.
( col legno )
‰.
( col legno )
–. R ≈ ‰ ‰. –. R ≈ ‰ ‰.
‡‡.‡‡ R ≈ ‰ ‰. Ø ‡ ‡ ‡‡‡‡ ‡‡.‡‡ ‡.‡ ∑ . r — ≈ ‰ ‰. ∑ > * œ. # œ. œ. # œ. # œ. œ. œ. œ. R ≈ ‰ ‰.
‡‡‡‡ . ‡‡.‡‡ ‡‡.‡‡
œ. # œ. œ. # œ. # œ. œ. œ. œ. # œ. œ. # œ. # œ. œ. œ. œ. # œ. œ. # œ. # œ. œ. œ.
–. R ≈ ‰ ‰.
‰.
( col legno )
‡‡‡‡ .
‡‡‡‡ .
#œ œ #œ œ œ #œ nœ #œ œ #œ œ œ #œ nœ #œ œ #œ œ œ #œ nœ #œ œ #œ œ œ #œ nœ #œ œ #œ œ œ #œ nœ 11
r . œ ≈ ‰ ‰
q = 172 col legno
bQ & ==
Vln.
‹
œ. 8 &8 p
96
I
3
col legno III
Vla.
B 88 œ. p
‹ 3
II III
? 88
‹
p œ.
j ‚ ‚
– ‚. ‚.
j ‚ ‚
‚. – ‚.
col legno 3 IV
Vcl.
arco
–
j ‚ ‚
‚‚ . .
right hand inside piano pizz.
Pno.
b± ‰ — — ‰ ‰ J 3 p b œ- œ- ‰ ‰ 8 . ‰ &8 J & 88
S.R.
M.P.
‹
Vln.
Vla.
Vcl.
B 43 Œ ? 43 Œ
œ.
I
Œ Œ
P
3
col legno
œ.
P
‹
3
j – &
–.
j – B
–.
f
‡.
2 4 42
Pno.
P.
S.R.
M.P.
? 43
œ
V VV VV VV VV VV V V VV
∑
3
œo
œ
œ
œo
œ
– 6 ‚. 8 ‚. 6 ‚. – 8 ‚.
–
68 ‚ . ‚.
j ‰ — 68 * 68
3
68
œo
3
3
j #œ œ.
43 j œ >
. ? # # œœ J
∑
j ‚ ‚
II III
–.
j ‚ ‚
–.
j –&
j –&
43 œ
arco
j ‚ ‚
–.
∑ ∑ ∑
j –&
œo
j œ B # œ.
o # œ arco
43 œ 43
3
3
œ œ
œo 3
œ
œ
43
œo
œ
3
œ
œo œo
3
œo
3
œ
# œo
∑
2
œ √
œ > œ >
œ >
43
∑
12
Œ
42
Ø ‡ ≈ ‰ Mœ M Mœ 34 ‰ J ‰ j ‰ œ 3 3
VV VVV VVV VV V V V VV VVV VVV
43 >‡ ‰ — Œ ° * ∑ 43
œo
B
42 42
œ œ œ
œo
3
œo 3
#œ œo
3
42
œ
œo
œ
œo
œ
42
≤≤≤≤≤≤≤ 38 n n –– .. π
43
38
43
œœœ œ
∑ ∑
j ‡‡‡ ‰ ‰ fl 38 ˘‡‡ ‰ ‰ ‡ J 3 —j ‰ ‰ 8 * 38 œj ‰ ‰ b œœ 38
j ‰ ‰ œ
œo 3 4 j œ œ 3
œo 43 j œ œ 3
œ
3
∑
‡‡‡ fl ˘‡ ‡‡
œo
43 j œ 43
Mœ 3 24 ‰ ‰ J ‰ œj ‰ 43 Mj M 3 œ p 24 3 ∑ 4 ‰ 42
3 4
arco
right hand on the keyboard
∑
3
≤≤≤≤≤≤≤ 3 b–. 8 n –. π
∑
∑
# œo
43
arco
col legno
col legno
43
∑
≤≤≤≤≤≤≤ 38 n – . b –. π arco
col legno
43 j œ > 3 4 j œ >
œo
œ
arco
‹
3
œo
œ
II III
VV VVV VVV VVV V V VVV VVV VVV VVV
Œ b ± ‰. — 68 —J ‰ ‰ Œ . p 3 "f " b œ- ‰ ‰ ‡ ≈ b œ6 &R 8 J ‡.
Δ 34 ‡j ‰ Œ ‰ > ° ∑ & 43 ? 43
arco
œo 3
œo
3
∑ ∑ ‡‡‡ 43 ‡‡‡ Ø fl fl "f "˘ M 3 ˘‡ œ ‡ ≈ ‰ 24 ? ‡‡‡ ‡‡ ‰ œj ‰ 43 ∑ M 3 L L 3 p Lj j j 2 ‡ ‰ — Œ 3 ‰ – ‰ – ‰ –j ‰ Œ 4 > 4 . . . >‡ ° ° * ∑ ∑ 42 43 œœœ # # œœœ
right hand inside piano pizz.
& 43 Œ
œ
œo
œ
42
3
œ P.
œ
œo 3
42
Œ.
col legno
Œ
42
arco
∑
col legno
& 43 Œ
&
∑
? 88
101
–
" "
3
Pedal
j –
Œ.
3
8 ‡ ‰ — Œ. 8 ° * & 88
IV
II
43 43
43 3 4 43 43
j œ 44 œ.
col legno
col legno
B œœ.
4 J 4
col legno
? œœ.
44 J 44
∑ ‰ Œ
Œ
44
j j j –. ‰ –. ‰ –. 44 L
L
∑ ∑
L
44 44
≤≤≤≤≤≤≤≤ arco – Œ n b ‹‹ & 44 Œ #– π P> ≤≤≤≤≤≤≤≤ arco #– n>‹ B 44 Œ Œ – b‹ π P ≤≤≤≤≤≤≤≤ arco – > ? 44 Œ – Œ b b ‹‹ π P
106 Vln.
Vla.
Vcl.
Œ Œ Œ
y & 44 ± ‰. — —J ‰ y ‰ Œ J 3 p - œ 4 œ ‰ Œ &4 J ‰ # ··· 3
y ‰ Œ y J
pizz.
Pno.
44 ‡ ‰ — Œ ° * œ & 44 Œ #œ œœ 3
P.
S.R.
M.P.
Vln.
? 44 Œ
#œ √
Ó
Œ
Ó
Œ
43 œ
3
Vla.
o + œ œ J & 38 œ
B
3
Vcl.
& 38
œ
œo 3
& 38 Pno.
œ J ∑
3
?
43 œ 43 43 ‰
S.R.
& 38
∑
M.P.
?3 8
∑
3 4
P.
# œo 3
43 œ &
‰ & 38 œ ‰ M œ M 38 ∑ 3
œo
43 43
& 3
œo
œ œ œ
œ œ œ œ œ # œo œo œo
œ 3
œ 3
œ 3
∑
38 ‹ #>‹ P
38 #>‹‹ P
··· ∑
38
···
Ó
œo œo # œo
‰ 88
col legno
œ œ
‚. ‚.
88 b ± ‰. — —J ‰ Ó
∑
88 ‰ b œ-
œ ‰ ‰ J
3
38
∑
88
œo
3
œ
œo
3
42
‡.
VV
V VV
V VV
VV
œo 4 4 j œ œ
VV
2 4
13
4 4
∑
3
38 38 38
42
∑
38
42
38
∑
42 œ
∑
38
∑
‰ Œ J J &
# œo
3
42
3
∑
œ
3 8
42
42 œ
∑
∑
œ
3
3
‰ Œ J J
‰ Œ J J
œo
œ
œo
∑
3
44
œo
3
38
V
3
∑
&
œo
œ
œo
Ø Mœ Mœ ≈ ‰ ‡ ‰ J ‰ 42
VV
Œ.
Mœ 3 M j Ó 42 ‰ ‰ J ‰ œ ‰ 44 j ‰ Œ M 3 œ p L L j 24 4 ‰ – ‰ – ‰ Œ ‡ ∑ 4 . . > ° 44 ∑ ∑ 42
∑
VV
∑
œo 44 j œ œ œ œ œo œo œo 44 j 42 œ œ œ œ 42
B
œ
f
" "
3
œo
3
# œo
œ
42
3
∑
42
j –?
–.
∑
œo
œ 42
arco
# œo
3
88 ‡ ‰ — Œ . ° * 88 ∑
Mœ M Mœ J ‰ ‰ J ‰ j ‰ œ 3 3
–
–.
j ‚ ‚
∑
œ. F
‹
3
2 œ 4 &
j – B
œ
3
arco
pizz.
3
œ
3
38 38
Ó
F
42 œ
j –&
–.
j ‚ ‚
col legno
œo
arco
j ‚ ‚
‹ ‚. ‰ 88 œ. – ‚.
3 #‹ 8 # ‹ P>
y ‰ y ‰ 3 8 y y
Œ
b b ···
Ó
111 œo + œ J & 38 œ
≤≤≤≤≤≤ – Ó n– π ≤≤≤≤≤≤ – Ó – π ≤≤≤≤≤≤ –– Ó π
F ‹ . ‰ 88 œ – ‚ .. ‚ 3 F col legno
œ
œo
œ
# œo 3
œ
œo
3
œ
3
42
# œo œo œo
œ
3
œ
3
œ
œo œo # œo
∑
2 4
3
3
‰
38 B
38
3
Mœ Mœ 42 ‰ ‰ J ‰ J ‰ 24 —j fl * 42
38
Œ ∑ ∑
38 38 38 38 3 8
Vln.
116 œo + & 38 œ œ J 3
Vla.
Vcl.
Pno.
3 &8 œ B 38 œ
œo
3
œo
3
& 38
+œ J +œ J
M.P.
& 38 œ ‰ ‰ M œ M ∑ & 38 ?3 8
121 Vln.
Vla.
Vcl.
& 44 œ & 44 œ B 44 œ 4 4 ¬
Pno.
P.
∑
œo # œo 3
œo
3
3
3 4 œ
# œo
43 œ &
3
3
œ
# œo
œ œ
œo œo
œ œ
œo
3
œ
43
∑ 3
S.R.
43 œ
œo
# œo œo œo
œ
3
œ
œo œo
3
3
œ
# œo
œ œ
œ
3 4
∑
œ
œ
œ
&q == q
œ œ œ
œo
œ
85 J
œ
85 J
œo + œo
+ œ
85 J
‰ Œ. ‰ Œ. ‰ Œ.
5 – 8 R ≈ ‰ Œ.
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 4 &4 w 85 œr ≈ ‰ Œ . 44
S.R.
& 44
M.P.
? 44
∑ ∑ ∑
85 85 85
∑ ∑ ∑
œ
2 4
Mœ M 34 ‰ ‰ J ‰ Mœ ‰ j ‰ J œ 3 3 ∑
42
∑
43
œo
œo
3
B
œ
42
œ
œ
œo
3
42
3
œ
œo
œ
3
œ
œo
œ
œo
3
œ
œo œo œo
3
œ œ œ
42
∑
2 4
∑
Œ
?
&
∑ M ‰ Œ j œ
G ≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤ 44 b ¬ b¬ ∏ B
3 4 œ
Œ
∑
Mœ 3 24 ‰ ‰ J ‰ œj ‰ M 3
43 œ
Œ
∑
44
∑
44 b w bw b ww 44 #w √ 14
?
3
œ
3
œ
œo
3
œo
œ
# œo
3
44
œ
4 4
œ
B
44
43
∑
44
43
∑
44 44
∑
3 4
∑
4 4
right hand on the keyboard
44
œo
3
œ
œo
œ
∑
68
&
3
œ
œo
43
≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤ 44 b n ¬¬ 68 ∏ Ó
œ
# œo
œ
# œo
∑
≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤ 44 b ¬ 68 n¬ ∏
4 J ‰ Œ 4 ∏
43
œo
6 8
‡‡‡ ... . "f " 68 ‡‡. ... ‡
85
Œ.
∑
85
Œ.
>‹ ‰ J π
38
∑
85
Œ.
>‹ ‰ J π
38
5 8
‡‡‡ ... .
‡‡‡ .
‡‡‡ ... . ‡‡‡. ...
π Rj 68 – ‰ ‰ Œ . . 68 b b œœœœ .... b b œœ .. 68 œ.
‰ ‹j 38 π>
∑
œœœ .. œœœ .... œ.
85 85
‡‡‡. ...
85 b œœ .. b œœ .. b b œœ .. 85 # œ .
‡‡‡. ∑ œœœ œœœ œ
3 8 38 38 38 38
col legno 126 II III IV Vln.
& 38 œ. œ.
œ.
col legno I II III
Vla.
44 Ó
œ. œ. 3 4 B8 œ. 4 Ó col legno I II III
Vcl.
. . ? 38 œ œ . 44 Ó œ & 38
Pno.
? 38 38
P.
S.R.
& 38
M.P.
? 38
∑
44 Δ
∑
44
∑
Œ
Vla.
B 78 Œ
Œ
Vcl.
? 78 Œ
Pno.
P.
S.R.
M.P.
? 78 ΔΔ Δ. 78
‡ R≈‰ Œ
Δ
& 78 b ˙˙ b ˙˙˙ ˙ ?7 8 ˙
j — ‰ Œ fl *
. > ‰ ‰ ‹J 38 œ. œ 𠇇 ... ‡. ‡‡ ... ‡. ∑ œœœ .. œœœ ....
bœ.
38 38
II
II
œ. I œ. I œ.
( )
3
42 ¬ π
∑
44
4 4
Ó
78
j B –
4 j‰ Œ 4 œ. III
Ó
7 8
j ? –
44
j‰ Œ œ.
Ó
78
I
44 ΔΔ Δ.
98 –j ‰ ‰ Œ . .
Œ.
42
44 —j ‰ Œ fl * 44 j b œœ .. œœ œœœ b œœœ ... . œ œ 44 j œ. #œ
‡‡‡. ...
‡‡‡. ...
R
98 œœœ ... œœœ .. . 98 #œ.
œœœ ... œœœ .. .
‡‡‡. ...
œœœ ... œœœ .. .
œ. #œ.
42
42 42
‡‡‡. ‰ Œ J j ‡> ‰ Œ ° j b œœ ‰ Œ b œœœ œ ˙
∑ 15
Ó œœ œœœ œ
Œ
˙
col legno
( )
( )
‡ R≈‰ Œ
j ‡> ‰ Œ ° ∑
78
ΔΔ Δ.
( )
VV VV VV VV VV VV V V VV VV VV VV VV
∑
44 ΔΔ Δ.
85 ‰ ‹j œ. œ œ . . > π Ÿ~~~ col. legno œ > œ. œ. Œ Œ ·J œ ‰ 85 ‰ ‹J 3 π Ÿ~~ col legno b· œ œ. > J ‰ Œ œ. œ. 85 ‰ ‹J π
( )
Δ
78
ΔΔ Δ.
Ÿ~~~ 3 j ·œ‰ Œ
Œ
( )
44 —j ‰ Œ fl * 44
44 b œJ. ‰ Œ
42 ‡j ‰ Œ ‡‡.
( )
44 Ó
j – &
‡‡‡ ... .
Ÿ~~~ 3 Œ ·j ‰ Œ Ó œ ∏ III arco Ÿ~~ · ‰ Œ Ó Jœ ∏ I Ÿ~~ arco b · Œ Œ Jœ‰ Ó 3 ∏
44 Ó
bQ & ==
‡‡‡ ... .
98
( )
II col legno III
∑
98 ‡‡‡ ... .
3
2 4 ¬ π
∑
3
II III
col legno
arco
44 Ó
44 Δ
∑
Œ
9 8
( )
Ÿ~~ · J‰Œ œ
42 ¬ π
∑
Ÿ~~ b Œ ·J œ ‰ 98
r≈ ‰ Œ ‡ L j –. ‰ Œ ∑
98
II col legno III
III
∑
38 ‡j ‰ ‰ > ° 38 ∑ 3 8
VV VV VV VV VV VV VV VV VV
Ó
III
Ÿ~~ · ‰Œ Jœ
∑
V VV VV VV V VV VV VV VV V V
‰ ‰ ‹j 38 œ. > œ. π III II . > ‰ ‰ ‹J 38 œ. œ π
& 78 ΔΔ Δ.
Œ
( )
∑
Œ
Œ
( )
IV III
& 78 Œ
( )
( )
j j j ‡> ‰ ‰ 44 — ‰ Œ >‡ ‰ Œ fl ° * ° 44 ∑ ∑
132 Vln.
arco
∑
44
Ÿ~ ·œ ‰ Œ J
Ÿ~ · Œ Œ Jœ‰ Ó 3 ∏ arco III Ÿ~~ Œ ·J œ ‰ Œ Ó 3 ∏ II arco Ÿ~ b· œ ‰ Œ Ó J ∏ II
VVV VVV VVV VVV VVV VVV VVV VVV
j — ‰ Œ fl *
78 78 78
42 42 42
right hand inside piano
∑
85
∑
42
r≈ ‰ Œ ‡ L j –. ‰ Œ
85
∑
∑
58 –j ‰ ‡j ‰ ‰ . > ° ∑ 85
42
∑
5 8
R
∑
42 42 2 4
‚ ‚ ‚ ‚
137 Vln.
Vla.
Vcl.
Pno.
P.
S.R.
M.P.
& 42 Œ B 42 Œ ? 42 Œ
F
j ‚ ‚ ‚ ‚
‚ ‚ ‚ ‚
F
j ‚ ‚ ‚ ‚
‚ ‚ ‚ F‚
42 – p ? 42
j –
43 œ
34 œ
# œo 3
3 œ 4 & arco
œ
3
arco
&
œ
œo
œ
3
Œ
∑
24 —j ‰ ‡j ‰ > fl * ° ∑ & 42 ? 42
œo
j ‚ arco ‚ ‚ ‚
# œo
œ
œo
3
œo
3
œ
3
43
∑
44
&
44
≥ ‰ ‰ –.
B
4 4
?
44
68 – ≈ ‰ ‰ J ‰ ‰ & R ∏ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 68 r ≈ ‰ ‰ Œ . w œ j 6 . Œ ‰ ‰ ‡ ∑ 8 > ° 68 ∑ ∑
44
œ
44 44
Œ
44
∑
44
∑
œo
&
4 4 œ
# œo
≥ ‰ ‰ –.
44 œ
œo
œ
# œo 3
œ
œo
3
3
44 ¬
Œ
43
∑
œ
# œo
œ ∑
‰
œ
œo
œ
43 34 —j fl * 43
œo
œ
œ
œo
œ
œo
œ
œ
œ B
œo œo
œ
œ
68 J
œ
6 8 J
œ
68 J
≥ ‰ ‰ –.
&q == q
68
∑
∑
44 44 44 44
H q = 128 Vln.
Vla.
& 44 ‰
arco I
œ
∏
arco III
B 44 ‰ œ ∏
arco
?4 ‰ 4 œ ∏ IV
Vcl.
Pno.
P.
S.R.
M.P.
j œ
II ˘ . œ. # ‹J III œ ‰ ‰ ‰ col legno (I)
arco
VVVVVVV
j œ
col legno ( III )
˘ ‰ œœ‰ ‹ ‰ J . .
j j ‰ ‹ ‰ œ ‰ fl œ. œ. col legno
—. — ≈ & 44 ≈ J ∏ œ. œ. œ. œ. œ. œ. & 44 44 —j ‰ Œ * & 44
∑
? 44
∑
Ó
—. J
—
II III
arco
VVVVVVV
II III
Œ
3
Œ
3
Œ
3
Œ Œ
VVVVVV
VVVVVVV
Œ Œ
VVVVVV
VVVVVV
œ
j œ
œ
j œ
&
85 ‰
I
B
85 ‰
III
?
5 8 ‰
IV
VVVVVVV
‰
œ. œ. œ. œ. œ-
Œ Œ
VVVVVV
VVVVVV
— —. 3
œ- œ. œ. œ- œ- œ. œ. 3
˙˙ ˙ ˙
3
˙˙ ˙
3
3
˙
∑
85
#˙ 16
arco
4 œ. œ. 4 ‰ œ
j col legno œ
4 ‰ 4 œ œ. œ.
col legno
œ. œ. 4 ‰ 4
‰
col legno
‰
col legno
— œ. œ.
j œ col legno
≈.
arco
. ≈ — 4 ≈ —J 4
œ. >œ. œ.
˘ ‰ œœ‰ ‹ ‰ J . .
44
j œ
—
‰
j ‰ ‹ ‰ fl œ. œ. —. ≈J
∑
44
∑
85
∑
44
∑
∑
44
—
œ. œ. œ. œ. œ. œ. œ. œ. œ. œ.
85 85
˙ ˙˙
œ
— — 58 ≈ R œ. œ.
j œ
œ
‰
arco
˘ .œ œ. # ‹J ‰ ‰ ‰
arco
col legno
∑
II III arco 145
Vln.
VVVVVVVVV
II arco III
Vla.
VVVVVVVVV
II arco III
Vcl.
VVVVVVVVV
& ‰ Pno.
& S.R.
M.P.
œ-
Œ
3
Œ
3
VVVVVVV
VVVVVVV
VVVVVVV
— 3
P.
VVVVVVV
Œ
VVVVVVV
œ-
˙˙ ˙
3
˙
˙
& 44 ‰
œ
j œ
?4 ‰ 4 œ
j œ
—
˘ .œ œ. # ‹J ‰ ‰ F col legno
˘ ‰ œœ‰ ‹ J . . F col legno
B
5 8 ‰
III
?
85 ‰
IV
‰
85
S.R.
& 44
∑
M.P.
?4 4
∑
œ
j œ
œ
col legno
œ. œ.
‰
œ. œ.
col legno ( IV )
‰
œ. œ.
—
œ. œ.
œ.
œ.
≈ —
j œ
‰
arco
œ
j œ
œ
— — ≈ R
œ. >œ. œ.
≈.
‰
arco
‰
col legno ( III )
‰
œ
j œ
arco
(I)
œ. œ.
œ.
œ.
œ. œ.
col legno
‰ ‰
col legno
‰
col legno
—
≈ —
œ. œ. œ. œ.
œ. >œ. œ.
≈.
œ
j œ
‰
arco
j œ
‰
arco
arco
‰
œ
j œ
œ
— — ≈ R œ. œ.
‰
œ.
4 œ. œ. 4
‰
col legno
‰
col legno
— œ.
œ. œ. 4 4
col legno
≈.
44
œ. œ.
≈ — 4 4
œ. >œ. œ.
44
85
∑
∑
∑
44
85
∑
∑
∑
44
œo
q = 172
‰ ‰
j ‰ ‹ ‰ fl œ. œ. F —. — J ‰ ≈J
Œ
j œ
— — 58 ≈ R
col legno
œ. œ. œ. œ. œ. œ. œ. .
44 Ó
&
œ. œ.
#˙
j œ
arco
B 44 ‰ œ
& 44
Œ
œ
85 ‰
Œ
˙ ˙˙
3
—. 4 &4 ≈ J Pno.
Œ
Œ
3
arco
Vcl.
VVVVVVVV
3
arco
Vla.
Œ
œ. œ. œ-
˙˙ & ˙ ?
j œ
I
—. œ-
149 Vln.
Œ
3
bQ & ==
43 œ
arco
œ
# œo
œ
44 œ
P o #œ œo arco œo 34 œ& œ œ œ P
3
3
3 œ 4 & arco
43
P
3
34 —j fl * 43 3 4
44 œ
3
œo œ
3
œo
œ 3
# œo
œ
B
∑ ‰
4 4 œ 44 ¬
∑
œ. R ≈ ‰ ? 43
j ‡> ‰ °
œ
œo
&
œo # œo # œo 3
œo
3
3
œ œ œ
œo œo
œ
œ
œ
&q == q
œ œ œ
œo œo œo
98 ‰ ‰ Œ . J œ
Œ.
98 ‰ ‰ Œ . J œ
Œ.
B
44
9 ‰ ‰ Œ. 8 J œ
Œ.
?
4 4
98 – ≈ ‰ ‰ Œ . R
Œ.
44
Œ.
44
Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 44 98 r ≈ ‰ ‰ Œ . w œ 44
∑
98
∑
∑
44
∑
98
∑
∑
4 4
∑
9 8
∑
Œ
Œ
17
44
44 ?
44 4 4
Vln.
Vla.
Vcl.
& 44 B 44 ? 44
‰ Œ Ó J
44 Pno.
P.
S.R.
M.P.
& 44
? 44
Vln.
ΠΠΠVVVVV
Œ Œ Œ
Vla.
3
VVVVV
VVVV
II arco III
VVVVV
Œ Œ Œ
Vcl.
3
VVVVV
& ‰
VVVV
VVVVV
M.P.
Œ
Œ
Ó
Œ
#œ √
&
85 ‰ œ
B
85 ‰ œ
?
3
#>‹ ‹ P
Œ ·· ·
b b ···
Ó
œ #œ œœ
Œ
‹ #>‹ P
#>‹‹
P
Œ
# ···
5 8 ‰ œ
œ Ó œ œœ œ
j œ
‰
j œ
‰
Ó
arco
j œ
44 ‰ œ œ. œ.
arco
col legno
j œ
arco
‰ œ œ 44 ‰ œ . .
j col legno œ
— ≈— b—. 44 ≈ J
Œ · b n ·· ∑
j œ
‰ ‹j ‰ œ. œ. fl
col legno
‰
‰ ‹j ‰ œ. œ. fl
col legno
‰
˘ ‰ œ œ ‰ ‹J ‰ . . col legno
—
—. ≈J
—
> œ- œ- œ. œ. œ- œ- œ. œ. 5 b œ. œ. œ. œ. œ. œ. œ. 4 b œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. ≈. & 8 4 # ˙˙ & ˙ ?
˙
3
˙ ˙ #˙
3
˙ ˙˙
#˙
˙
3
85
∑
85
∑
38 b ‹ ‰ 44 ‰ œ ‹ > ∏ P ? Q arco == IV 3 b>‹‹ ‰ 4 ‰ 8 4 œ ∏ P arco III
38 ‹ ‰ 44 ‰ œ ‹ > P ∏
·· ·
44
∑
44
∑
18
j œ j œ
‰ ‹j ‰ œ. œ. fl
col legno ( III )
‰
? Q
col legno == ( IV )
‰ ‹j ‰ œ. œ. fl
‰
˘ ‰ œ œ ‰ ‹J ‰ . . ( III )
col legno
38
∑
38
∑
44
∑
38
∑
44
∑
44
arco
Œ Œ Œ
∑ ∑ ∑
arco
3
VVVVV
VVVV
VVVVV
&
arco
ΠΠΠ3
VVVVV
VVVV
VVVVV
ΠΠΠ3
VVVVV
VVVV
VVVVV
85 ‰ œ
j œ
arco
B
arco
‰
j œ
b—. — —. — 44 ≈ J ≈J ∏ b œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. 44
38
Œ bœ Ó œœ bœ Œ #œ Ó
44 ‰ œ œ. œ.
col legno
III arco
y ‰ Œ y ‰ y ‰ 3 y y y 8 J
∑
b— — 58 ≈ R
— —.
3
S.R.
Œ
≤≤≤≤≤ Œ bœ Ó œ π ≤≤≤≤≤ œ Œ œ Ó π ≤≤≤≤≤ Œ b œœ Ó π
y ‰ Œ y ‰ Œ y y J J
Ó
3
VVVV
P
≤≤≤≤≤ Œ – Œ n– π ≤≤≤≤≤ Œ –– Œ π ≤≤≤≤≤ Œ –– Œ π
‡ ‰—Œ ° *
II III arco
VVVVV
P > b b ‹‹
± ‰. — — ‰ y ‰ Œ J y J 3
3
Œ Ó
œ
b‹ n‹ > P b>‹ b‹
‰ œ œJ ‰ # ·· · 3
&
II arco III
Pno.
&
∑
bw b b ww ? 44 b w bw
π
pizz.
∑
44
159
≤≤≤≤≤≤≤ – #– Œ π ≤≤≤≤≤≤≤ #– Œ – π ≤≤≤≤≤≤≤ –– Œ
≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤ b¬ Œ b¬ ∏ ≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤ b¬ b¬ Œ ∏ ≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤ b Œ b ¬¬ ∏
153
q = 128
I
?
85 ‰ œ
arco
5 8 ‰ œ
b— — 58 ≈ R
— —. 3
col legno
‰
œ. œ.
col legno
j œ
‰
j œ
col legno
œ. œ.
‰ œœ . .
— ≈—
> œ- œ- œ. œ. œ- œ- œ. œ. 5 b œ. œ. œ. œ. œ. œ. œ. ≈. 8 3
# ˙˙ ˙ ˙
3
˙ ˙ #˙
3
˙ ˙˙
#˙
˙
3
85
∑
85
∑
164 Vln.
Vla.
Vcl.
arco
& ‰ B ‰ ? ‰
arco
œ œ
b— — & ≈ R Pno.
&
b œ. œ.
M.P.
‰
j œ
‰
œ. œ.
≈.
œ
arco
j œ
œ
arco
œ. œ.
‰
≈ —
b— — ≈ R
j œ
œ
œ. >œ. œ. b œ. œ.
3 r ≈ ≈ 16 œ. œ. œ.
‰ ‰
col legno
‰
col legno
œ. œ.
r ≈ ≈ œ.
3 r œ. œ. 16 œ. ≈ ≈
— œ. œ.
3 16
≈ — 3 —R ≈ ≈ 16
œ. >œ. œ.
≈.
&
∑
∑
?
∑
∑
3 16
Vla.
B 46 64 ¿j ‰ Œ . ˘‡ . & 46 ‡ .
˘ ? 46 ‡ .. ‡ R 64 –j ‰ ‰ .
S.R.
& 46
M.P.
? 46
≤ 44 · ∏
∑
bœ. bœ. bœ. bœ. œ.
Œ ˘‡ . ‡. ˘‡ . ‡. Œ.
. #œ.
Ó. ˘‡ . ‡. ˘‡ . ‡.
Ó.
?
˘‡ . ‡. ˘‡ . ‡.
.
.
œ.
#œ.
44 ‹j ‰ Œ >
Ó
44 j ‰ Œ ‹ >
Ó
˘‡ 44 ‡ ˘ 44 ‡ ‡ 44 44 44
œ œ œ œ œ
44 r ≈ ‰ Œ œ. 4 r≈ ‰ Œ 4 œ.
∑
98 Π.
col legno I
. 98 œ
Œ
Ó
Œ
Ó
98
Œ
Ó
Œ
Ó
Œ
3
Ÿ~~ ·œ J‰Œ
44
( )
( )
arco II
Ó
( )
3
arco IV
3
Œ
right hand on the keyboard
Δ
" " VV VV VV VV VV VV VV VV VV VV V
44 —j ‰ Œ fl * 44 44
r≈ ‰ Œ ‡ j ‡> ‰ Œ °
V VV
VV
VV
VV
V
V VV
VV
VV
Ÿ~~ Œ b ·j ‰ 46 3
œ
( )
‡ R≈‰ Œ
VV
∑
j fl *
j –. ‰ Œ
L
— ‰ Œ
∑
6 4
( )
Ó
∑
46
∑
46 46 46
∑
46
∑
46
col legno
˘‡ .. ‡. 98 ‡
∑
Œ
Ÿ~~~ j ‰ Œ ·œ Ÿ~ · Œ Jœ ‰ Œ
arco
( )
98 ·j ≈ ‰ ‰ Œ . R Po col legno
&
Ÿ~~ Œ j‰ Ó ·œ IV
Ÿ~~~ 44 r ≈ ‰ Œ j ‰ Œ œ. b· œ
J
II
∑
q = 172
f . bœ Δ 3 ? 4 R ≈ ≈ 4 16
∑
Vln.
P.
col legno
‰
j œ
col legno
∑
& 46
Pno.
œ. œ.
‰
arco
r 3 16 ‡ ≈ ≈ ° 3 ∑ 16
169
Vcl.
œ. œ.
—
P.
S.R.
j œ
col legno
j œ
œ
arco
‰
col legno
98
˘‡ . ‡‡ ..
# œœœ ... 98 # œœœ ... 98 œ . 19
Œ.
Œ.
œ ‹ #‹ Œ.
Œ.
œ. ‹ ‹ Œ .
Œ.
œ. ‹ ‹ Œ .
II
‹ #‹
# œœœ ... # œœœ ... #œ.
œ. ‹ ‹
Œ.
˘‡ .. ‡‡ . ‡‡‡ ... fl
IV
˘‡ . ‡‡ ..
∑
‡‡‡ ... fl œœœ ... œœœ .. . œ.
˘‡ .. ‡‡ . ˘‡ . ‡‡ .. # œœœ ... # œœœ ... nœ.
œ. ‹ ‹
˘‡ .. ‡‡ . ‡‡‡ ... fl # œœœ ... # œœœ ... #œ.
∑
78 78
Œ.
78
˘‡ . ‡‡ ..
78
‡‡‡ ... fl œœœ ... œœœ .. . œ.
78 78 78 78
173 Vln.
& 78 Π.
Œ.
Vla.
B 78 Π.
‹ .œ ‹ ‰ 98 Œ .
Vcl.
.œ # ‹ ‹ ? 78 Œ. ˘‡ .. ‡‡ . 7 &8
Pno.
S.R.
M.P.
j 98 ‹j ‰ ‰ Œ . œ.
& 78
˘‡ . ‡‡ ..
# œœœ ... œ. & 78 # œœ ..
˘‡ .. ‡‡ .
˘‡ .. ˘‡ 9 ‡‡ . ‡‡ 8 J
˘‡ .. ‡‡ .
‡‡‡ ... fl
j ‡‡‡ fl j œœœ œœœ
‡‡‡ ... fl
# œœœ ... # œœœ ...
? 78 n œ .
˘‡ . ‡‡ ..
# œœœ ... 98 # œœœ ...
j ¿. ‰ ‰ Œ .
Œ. ˘‡ . ‡‡ ..
‡‡‡ ... fl
‡‡‡ ... fl
# œœœ ... # œœœ ...
œ 9 nœ. J 8
#œ.
j ¿. ‰ ‰ Œ .
œ ‹ #‹ Œ.
. ‹ #‹ ‰ 98 œ Œ.
98
‹ œ. œ.
œ. ‹ ‹
‡‡ ... ‡ fl
œœœ ... œœœ .. .
œœœ ... œœœ .. . bœ.
œ.
#œ.
‹ œ. œ.
‹. œ. œ. Œ. Œ.
Œ.
Œ.
B
Œ.
œ ‹ #‹ Œ.
?
œ. ‹ # ‹ Œ . ˘‡ .. ‡‡ .
Œ.
Œ.
Œ.
Œ.
˘‡ . ‡‡ ..
Œ.
Œ.
# œœœ ... # œœœ ...
Œ.
Œ.
nœ.
IV
œ. ‹ ‹
Œ.
˘‡ .. ‡‡ .
œ # ‹ 98
5 8 Œ.
. ‹ ‹ œ Œ 85
98
˘‡ ‡‡
98
85
‡‡‡ ... fl
# œœœ ... # œœœ ...
98
∑
˘‡ .. ‡. 58 ‡
˘‡ . ‡‡ ..
‡‡‡ ... fl
85
˘‡ . ‡‡ ..
# œœœ ... œ. 85 # œœ ..
98
‡‡‡ fl
# œœœ # œœœ
98
#œ
98
≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤r 43 b b ¬¬ .. 42 –– ≈ ‰ Œ
98
œœœ ... œœœ .. . œ.
#œ.
. 85 n œ
arco
II
178 Vln.
Vla.
Vcl.
& 98 ‹ œ. œ. Œ . B 98 Œ .
Pno.
S.R.
M.P.
# ‹ œ. œ. Œ .
98 ¿j ‰ ‰ Œ . . & 98
˘‡ . ‡‡ ..
& 98 ‡ . ‡‡ .. fl & 98
œœœ ... œœœ .. .
? 98 œ .
Œ.
˘‡ .. ‡‡ . ‡‡‡ ... fl
# œœœ ... # œœœ ... bœ.
78 ‹ œ œ Œ . . .
‰ 98 Œ .
IV
œ. ‹ ‹
78 Π.
# ‹ œ. œ. ‰ 9 œ. ‹ # ‹ Œ . 8
# ‹ œ. œ. 7 ? 8 Œ.
Œ.
œ. 9 # ‹J ‰ ‰ Œ . J 8
˘‡ . ‡‡ ..
˘‡ .. ‡‡ .
˘‡ .. ‡‡ . ˘‡ . ‡‡ ..
# œœœ ... # œœœ ... œ.
78
78 ‡‡‡ ... fl 78
œœœ ... œœœ .. .
78 n œ .
‡‡‡ ... fl
# œœœ ... # œœœ ... bœ.
˘‡ ‡‡ J 98
˘‡ .. ‡‡ .
˘‡ 9 ‡‡ 8 ‡‡ .. ‡. J fl # œœœ # œœ .. # œœœ 98 # œœœ .. œ .. J œ 98 # œ . J
˘‡ . ‡‡ .. ‡‡‡ ... fl
œœœ ... œœœ .. .
nœ.
Œ.
88 Π.
Œ.
88 œ. ‹ ‹ Œ .
‹ œ. ‹
œ. ‹ ‹ 8 Œ . 8
Œ.
˘‡ .. ‡‡ .
˘‡ .. 88 ‡‡ .
˘‡ . ‡‡ ..
˘‡ . ‡‡ ..
88 ‡ . ‡‡ .. fl
# œœœ ... # œœœ ... nœ.
20
. 88 # œœœœ ... # œœ .. 88 # œ .
‡‡‡ ... fl
œœœ ... œœœ .. . œ.
Œ Œ
≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤ 34 b b ¬¬ .. 24 b –– ≈ ‰ Œ R
b‹ .œ n ‹ 43 J ‰ Œ
˘‡ ‡‡ ˘‡ ‡‡
# œœœ # œœœ nœ
98
arco
Œ
24 ¿j ‰ Œ .
? j ‡
98
43
∑
42 Δ
43
∑
42
∑
98
43
∑
42
∑
98
43
V VV VV VV V V VV VV VV VV
œ # œ œ œ # œ œ 2 # œJ ‰ Œ 4
98
98
K
Vln.
Vla.
Vcl.
& 98
col legno
œ. ‹ ‹
B 98 Π. ? 98 Π. & 98 Π.
Pno.
S.R.
M.P.
& 98 ‡ . ‡‡ .. fl
Œ. Œ.
88
Œ.
œ. ‹ ‹ 88 Œ .
col legno
œ. ‹ ‹ Œ . ˘‡ .. ‡‡ . ˘‡ . ‡‡ ..
88 Π.
˘‡ .. ‡‡ .
88 ˘‡‡ ... ‡
‡‡‡ ... fl
88 ‡‡‡ ... fl
# œœœ ... # œœ .. œ. . & 98 œ . # œœ .. # œœœœ ... œœ .. ? 98 œ .
190
88
& Œ.
Œ.
Vla.
B Œ.
œ. ‹ ‹ Œ .
& Pno.
S.R.
M.P.
˘‡ .. ‡‡ .
˘‡ . & ‡‡ ..
# œœœ ... œ. & # œœ .. ? nœ.
˘‡ .. ‡‡ .
Œ. ˘‡ . ‡‡ ..
‡‡‡ ... fl
‡‡‡ ... fl
#œ.
œ.
# œœœ ... # œœœ ...
œœœ ... œœœ .. .
Œ.
‹ 9 ‹J œ 8 ‰ ‰ œ. ‹ # ‹ Œ .
˘‡ .. ‡‡ . ˘‡ . ‡‡ ..
# œœœ ... # œœœ ... nœ.
88 Π.
88 ˘‡‡‡ ...
# œœœ ... 88 # œœœ ... 88 n œ .
Œ.
˘‡ .. ‡‡ .
˘‡ . ‡‡ ..
˘‡ .. ‡. 98 ‡
‡‡‡ fl
98
# œœœ # œœœ #œ
Œ.
˘‡ . ‡‡ ..
œ.
43 Œ
œ
œ. ‹
˘‡ ‡‡
˘‡ ‡ 43 ‡
˘‡ ‡‡
# œœœ 34 # œœœ
œœœ œœœ
&
Œ
˘‡ ‡‡
43
43 œ
4 ¬ 4
9 8
44 j ‰ Œ Ó œ.
98
44 ‡‡‡ Œ Ó fl 44 ˘‡‡‡ ... ‰ Ó
98
œœœ 44 œœœ Œ Ó
œœœ œœœ
#œ
21
Œ
Œ
œ. ‹ Œ
œ. ‹
˘‡ ‡‡
‡‡‡ fl œœœ œœœ œ
œ. ‹
Œ
˘‡ ‡‡
˘‡ ‡‡
˘‡ ‡‡
˘‡ ‡‡
# œœœ # œœœ
œœœ œœœ
nœ #œ
Œ.
?
œ. ‹ # ‹ ‰ ‰ ‰ Œ .
œ. ‹
Œ
Œ. Œ.
œ. ‹
Œ
˘‡ ‡‡
˘‡ ‡‡
˘‡ ‡‡
˘‡ ‡‡
# œœœ # œœœ
˘‡ .. ‡‡ .
Œ.
Œ
œ
œ. ‹ # ‹ ‰ ‰ ‰
col legno
j ¿. ‰ ‰ Œ .
œ. ‹ Œ
œœœ œœœ
œ. ‹ ‹
Œ.
Œ
‡‡‡ fl
Œ.
B
Œ
˘‡ ‡‡
Œ.
IV
Œ.
# # œœœ # # œœœ ‰ ‰ Œ . J œ J ‰ ‰ Œ.
98
‹. œ. œ.
– R ≈ ‰ ‰ Œ.
j . ‡‡‡ ‰ ‰ Œ fl ˘‡ ‡‡ ‰ ‰ Œ . J
98
Œ
Œ
‹ œ. œ.
98
44 b œ Œ Ó
. #‹ 43 œ Œ
˘‡ ‡‡
#œ.
?
œ.
3 j‰ 4 #‹ ‹
Œ
‡‡‡ fl
?
œœœ ... œœœ .. .
#œ.
98
arco
‡‡‡ ... fl
# œœœ ... # œœœ ...
98 n œ .
‡‡‡ ... fl
# œœœ ... # œœœ ...
‡‡‡ ... fl
# œœœ ... 98 # œœœ ...
‹ ‹ œ. Œ
˘‡ .. ‡‡ .
Œ.
. 98 œ ‹ # ‹ Œ .
˘‡ ‡‡
#‹ ‹ . œ 88 Œ. ˘‡ .. ‡. 88 ‡
44 j ‰ Œ Ó ‹ œ. ‹ ‹
Œ
.œ # ‹ ‹ Œ
88 Œ . œ. ‹ ‹
Vln.
Vcl.
œœœ ... œœœ .. .
88 œ .
œ. #œ.
‹ ‹ ? œ. Œ.
œ. ‹ ‹
98 Π.
Œ.
‹ œ. œ.
œœœ œœœ
nœ #œ
&
&
˘‡ . ‡‡ ..
# œœœ ... # œœœ ...
˘‡ .. ‡‡ .
˘‡ . ‡‡ ..
‡‡‡ ... fl
‡‡‡ ... fl
#œ.
œ.
# œœœ ... # œœœ ...
Œ.
nœ.
Œ
Œ
Œ
‹ œ. Œ
œ. ‹
˘‡ ‡‡ ‡‡‡ fl œœœ œœœ œ
Œ
œ.
Œ
˘‡ ‡‡
˘‡ ‡‡
˘‡ ‡‡
˘‡ ‡‡
# œœœ # œœœ nœ
œœœ œœœ
#œ
œœœ ... œœœ .. .
‹ Œ
42
Œ
42
œ.
‹ 42
˘‡ ‡‡ ‡‡‡ fl œœœ œœœ œ
42 ?
42 42 42
196 Vln.
& 42
2 ¿j ‰ Œ 4 .
Vla.
Vcl.
Pno.
98
∑
9 8
? 42 ‹j ‰ Œ & 42 ‡‡‡ fl ˘‡ ? 42 ‡‡ 42
P.
S.R.
& 42
M.P.
& 42 # œ
œœœ œœœ
b ‹ œ. œ.
∑
98
‡‡‡ ... fl
98
‡‡‡ ... fl
98
∑
œœœ b ? œœ bœ
98 b bb œœœœ .... b œœ ..
43
j ¿. ‰ Œ
Œ
Vla.
43
j ¿. ‰ Œ
Œ
B
48
Vcl.
3 4
j ¿. ‰ Œ
Œ
?
4 8
202 Vln.
? 43 Pno.
? 43
S.R.
? 43
M.P.
& 43
j ‡‡‡ ‰ Œ fl
&
48
Œ
48
j‰ Œ ‡‡‡ fl
Œ
48
Œ
Œ
œ
Œ
Œ
# # ## œœœœ # # œœ
# ‹ œ. œ. Œ .
Œ.
Œ.
Œ. ∑
œ. ‹ œ. ‹
?b q ==
Œ.
&
Œ.
?
43
3 4 œ. ‹ œ. ‹ œ. ‹ œ. ‹ 43
j ‡‡‡ ‰ Œ fl
Œ
&
43 43
‡‡‡ ... fl # œœœ ... # œœœ ... bœ.
˘‡ . ‡‡ .. # œœœ ... # œœœ ... œ.
j‰ Œ Œ b‹
98
j ‹‰Œ Œ
98
‹‰Œ Œ J
9 8
?bQ ==
j ‡‡‡ ‰ Œ Œ fl
j‰ Œ Œ ‡‡‡ fl 43 b b œœœ Œ Œ n b b œœœ 43
˘‡ .. ‡‡ .
#œ Œ Œ
98 98 98 98
∑
Œ.
. 8 # ‹ œ. œ ‰ Ó 8
Œ.
Œ.
Œ.
œ
‹ œ. œ. 88 Œ .
Œ.
˘‡ .. ‡‡ .
j‰ Œ ‡‡‡ fl 48 n œ Œ n n n œœœ n n œœ 48
Œ.
Œ.
Œ.
98 # œ .
œ
B
II
# ‹ œ. œ. ? Œ. Œ.
j ¿. ‰ ‰ Œ .
98
‡‡‡ fl ˘‡ ‡‡
b ‹ œ. œ.
b ‹ œ. œ.
. # ‹ œ. œ ‰ Œ
88 Œ
˘‡ . ‡‡ ..
˘‡ .. 88 ‡‡ .
˘‡ .. ‡‡ .
‡‡‡ ... fl
88 ‡ . ‡‡ .. fl 88
˘‡ . ‡‡ ..
. 88 # œœœœ ... # œœ ..
œœœ ... œœœ .. .
nœ.
‹ œ. œ.
88 b œ .
‹ œ. œ.
‹. œ. œ.
j‰ ‰ Œ. ‡‡‡ fl
j‰ ‰ Œ. ‡‡‡ fl j‰ ‰ Œ. œ # œœ # œœœ œ ‰ ‰ Œ. J
Œ. Œ.
&
. 4 8 # ‹ œ œJ ‰ . 48 Œ
#‹ ‰ J
˘‡ ‡‡
˘‡ .. 48 ‡‡ .
˘‡ ‡‡ J
‡‡‡ fl
48 ‡ . ‡‡ .. fl 48
œœœ œœœ
. 48 # œœœœ ... # œœ ..
œ.
nœ
Œ.
Œ.
Œ.
œ ‹ #‹ Œ.
∑
. 38 œJ ‰ ‰ 43 38
∑
?
43
˘‡ ‡‡ J
38
∑
?
43
# œœœ # œœœ J
38
∑
?
43
38
∑
&
43
œ J
48 # œ .
3 # œ. ‰ ‰ 3 8 J 4
38 – – – 43 . . . R L
R
L
∑
j ¿. ‰ ‰ Œ .
22
∑ # œœœ ... # œœœ ...
38 œJ. ‰ ‰ 43
. ‹ œ. 48 œJ ‰ Œ
?
&
Œ.
&
Œ. Œ.
œ. ‹ # ‹ Œ . ˘‡ .. ‡‡ . ˘‡ . ‡‡ ..
˘‡ .. ‡‡ .
&
# œœœ ... # œœœ ...
‡‡‡ ... fl # œœœ ... # œœœ ...
?
nœ.
#œ.
œ. ‹ ‹
Œ. ˘‡ . ‡‡ .. ‡‡‡ ... fl œœœ ... œœœ .. . œ.
6 4 œ. ‹ ‹
Œ.
Œ.
Œ.
œ. ‹ ‹ Œ .
œ. ‹ ‹ Œ . ˘‡ .. ‡‡ . ˘‡ . ‡‡ ..
˘‡ .. ‡‡ .
# œœœ ... # œœœ ...
‡‡‡ ... fl # œœœ ... # œœœ ...
nœ.
#œ.
46
Œ.
6 4
˘‡ . ‡‡ ..
46
‡‡‡ ... fl œœœ ... œœœ .. . œ.
46 †
46
&
46
o 68 ‹ ‰ ‰ œ. ‰ ‰ J J
II
208 Vln.
& 46 Œ Œ œ. ‹ Œ œ. ‹ Œ œ.
Vla.
B 46 Œ œ ‹ Œ œ ‹ Œ œ ‹ . . . 3 3 3
3
3
.o œ 6 ‰ j‰ ‰ J ‰ 8 œ.
Vcl.
Pno.
S.R.
M.P.
? 46
‹ Œ ‹ Œ œ. œ. œ. √ ˘‡ ˘ ˘‡ ˘ ˘‡ ‡‡ ‡‡ ‡‡ ‡‡ ‡‡ 6 ‡ ‡ ‡ ‡ ‡‡ ‡‡ &4 fl fl 3 3 ˘‡ ˘ ˘‡ ˘ ˘‡ ‡‡ ‡ ‡‡ ‡ ‡ ‡‡ ‡‡ ‡‡ ‡‡ ‡ 6 &4 ‡ ‡ fl fl 3 3 œœœ † 46 œœœ
œœœ œœœ
œœœ œœœ 3
œœœ œœœ œ œ œ œ & 46 # œ 3
3
3
˘‡ ‡‡ ‡ ‡‡ fl 3 ˘‡ ‡‡ ‡‡ ‡ fl 3
œœœ œœœ
œœœ œœœ 3
œœœ œœœ œ œ œ
˘‡ ‡‡
68
˘‡ ‡‡
68
# œœœ 68 # œœœ
œœœ œœœ œ
3
3 3 3 6 Œ Œ Œ Œ &4 œ. ‹ œ. ‹ œ.
III
B 46 Œ œ ‹ Œ œ ‹ Œ œ ‹ . . . 3
3
Vla.
Vcl.
Pno.
S.R.
M.P.
? 46
3
œ. ‹ √ ˘‡ ‡ 6 & 4 ‡‡‡ ‡ fl 3 ˘‡ ‡ 6 & 4 ‡‡‡ ‡ fl 3 6 †4
œœœ œœœ
œœœ œœœ
3
Œ
3
œ. ‹
˘‡ ‡‡ ‡‡‡ fl ˘‡ ‡‡ ‡‡‡ fl œœœ œœ œ
œœœ œœœ
˘‡ ‡‡
3
˘‡ ‡‡
3
œœœ œœœ
3
3
Œ
3
œ. ‹
˘‡ ‡‡ ‡‡‡ fl ˘‡ ‡‡ ‡‡‡ fl œœœ œœ œ
œœœ œœœ
˘‡ ‡‡
Œ ˘‡ ‡‡
˘‡ ‡‡
˘‡ ‡‡
œœœ œœœ
œœœ œœ œ
3
3 3
œ œ œ œ œ œ œ œ & 46 # œ 3
3
˘‡ ‡‡
o j j ‰ ‰ œ. ‰ ‰ j ‰ œ. œ. ˘‡ ˘ ˘‡ ˘ ˘‡ ‡ ˘‡ ‡ ‡‡‡ ˘‡ ‡‡ ‡‡‡ ˘‡ ‡‡ ‡‡ ‡‡ ‡‡ ( IV )
˘‡ ˘ ‡‡ ‡ ‡‡ œœœ œœœ
œœœ œœœ
˘‡ ‡‡ œœœ œœœ
˘‡ ‡‡
˘‡ ˘ ‡‡ ‡ ‡‡ œœœ œœœ
# œœœ œœœ # œœœ œœœ
˘‡ ˘ ‡‡ ‡ ‡‡ œœœ œœœ
œœœ œœœ
˘‡ ‡‡ œœœ œœœ
o ‰ œ.j 85 ‰ ‰
˘‡ ‡‡
˘‡ ‡‡ 5 8
˘‡ ˘ ‡‡ ‡ ‡‡ 5 8
˘‡ ‡‡ ˘‡ ‡‡
# œœœ œœœ 5 # œœœ œœœ 8
œœœ œœœ
˘‡ ‡‡
˘‡ ˘ ‡‡ ‡ ‡‡ œœœ œœœ
œœœ œœœ
˘‡ ‡‡
˘‡ ‡‡
œœœ œœœ
œœœ œœœ
3
o 68 ‹ ‰ ‰ œ. ‰ ‰ J J III
.o œ 68 ‰ j ‰ ‰ J ‰ œ. ( III )
68 ‰ ‰ j ‰ œ. ˘‡ ˘ ‡‡ ˘‡‡ ˘ ‡‡‡ ‡ ‡‡‡ 68 ˘‡ ˘ ˘‡ ‡‡ ‡‡ ˘ ‡‡ ‡ ‡‡‡ 68 # œœœ 6 # œœœ 8
œœœ œœ œ
œœœ œœœ œœœ œœœ
Œ.
9 Œ. 8
II
.o œ ‰ œj ‰ ‰ J ‰ 85 ‰ œj ‰ ‰ . .
˘‡ ‡‡
˘‡ ‡‡
˘‡ ‡‡
˘‡ ‡‡
˘‡ ˘‡ ‡‡ ‡‡
œœœ œœ œ
# œœœ œœœ # œœœ œœœ
œœœ œœ œ
œœœ œœœ œœœ œœœ
˘‡ ‡‡
46
˘‡ .. ‡. 98 ‡
˘‡ . ‡‡ ..
46
˘‡ .. ‡‡ .
˘‡ . ‡‡ ..
‡‡‡ ... fl
# œœœ ... 98 # œœœ ... 98
nœ.
œœœ œœ œ
œœœ œœ 4 œ 4
# œœœ œœœ 5 # œœœ œœœ 8
œœœ œœ œ
œœœ œœœ œœœ œœœ
23
œœœ ... œœœ .. .
†
46
œ.
#œ.
46
∑ ∑
¤ 3 – 44 b –
68 # œ œ b œ œ œ œ # œ œ b œ œ œ œ 85 # œ œ b œ œ œ 44
46
‡‡‡ ... fl
# œœœ ... # œœœ ...
j ‰ 44 ¿ ‰ Œ
˘‡ ‡‡ 44
6 4
Œ.
98 &
46
. 98 œ ‹ # ‹ Œ .
o œ. 4 J 4
o ‰ œ.j 85 ‰ ‰ j ‰ œ. ˘‡ ˘‡ ˘‡ ˘ ‡ ‡ ‡‡‡ ˘‡ ‡‡ ‡‡ ˘‡‡ ‡‡ ‡ 85 ˘‡ ˘ ˘‡ ˘‡ ˘ ‡‡ ‡‡ ˘ ‡‡ ‡‡ ‡‡ ‡ ‡‡‡ ‡ 85
œ. ‹ ‹
œ ‹ #‹ Œ.
o. o. œ 5 œ j ‰ ‰ J ‰ ‰ 8 j ‰ ‰ J ‰ 44 œ. œ.
o ‰ œ.j ‰ ‰ j ‰ œ. ˘‡ ˘‡ ˘‡ ˘ ‡ ‡‡ ˘‡‡ ‡ ‡‡‡ ˘‡‡ ‡‡ ‡ ‡ ( IV )
98 Π.
IV
I
j ‰ ‰ œ. ˘‡ ˘ ˘‡ ‡‡ ‡‡‡ ‡‡
68 # œ œ b œ œ œ œ # œ œ b œ œ œ œ 85 # œ œ b œ œ œ
II
213 Vln.
œœœ œœœ 3
68 ‰ ‰
‹ Œ
3
3
.o .o œ œ ‰ œj ‰ ‰ J ‰ 85 ‰ œj ‰ ‰ J . .
( III )
III ( III )
III ( III )
o. o. œ 5 œ j‰ ‰ J ‰ ‰ 8 j ‰ ‰ J ‰ œ. œ.
III
3
– b –
Ó –
3
– – ∑ ∑
–
3
– –
3
– –
218 Vln.
Vla.
&
∑
B
∑
(¤) 3 – b– &
S.R.
M.P.
Vla.
Vcl.
B ‰ ? ‰
& † &
√ ˘‡ ‡‡ ˘‡ ‡‡ # œœœ # œœœ #œ
–
68 ‰
3
–
–
&
o. œ & J
–
3
–
∑
Pno.
M.P.
–
†
&
S.R.
–
3
∑
223 Vln.
– b –
&
?
68
√
˘‡ ‡‡ ˘‡ ‡‡
– 6 8
# œœœ 68 # œœœ
o 58 œ. ‰ ‰ ¿j ‰ . J
∑
.o .o œ œ 6 ‰ j‰ ‰ J ‰ 5 ‰ j‰ ‰ J 2 8 8 4 œ. œ.
∑
Vcl.
Pno.
M o o 68 j ‰ ‰ œ. ‰ ‰ 85 j ‰ ‰ œ. ‰ 42 J J œ. œ.
.o œ 5 ‰ J ‰ ¿j ‰ 8 .
∑
o j ? 5 ‰ ‰ j ‰ ‰ œ.j 85 ‰ ‰ j ‰ ‰ 42 ¿ ‰ Œ 8 œ. œ. √ ¤ 3 ˘ ˘ ˘ ˘‡ 3 ‡‡‡ ˘‡ ‡‡‡ ˘‡ ˘‡ ˘ ‡‡‡ ˘‡ ˘ ‡‡ – – ‡‡ ‡‡ ‡‡ ‡‡ ‡‡ ˘‡‡ ‡‡ b– – ‡ ‡ 85 ‡ 42 85 ˘ ˘‡ ˘‡ ˘‡ ˘‡ ˘ ‡‡‡ ˘‡ ˘ ˘ ˘ ‡ ‡ ‡‡ ‡ ‡‡‡ ˘‡ ‡ ‡‡‡ ‡‡ ‡‡ ‡‡ ‡‡ b – – 5 ‡‡ ‡ ‡ 85 42 8 œœœ œœœ
œœ œœ œœ
œœœ œœœ
# œœœ œœœ 5 # œœœ œœœ 8
œœœ œœœ
œœœ œœœ
œœœ œœœ
œœ œœ œœ
œœœ œœœ 42
# œœœ 58 # œœœ
∑
68 # œ œ b œ œ œ œ 85 # œ œ b œ œ œ 42
& B
o ‰ œ.j Œ
˘‡ ‡‡ ˘‡ ‡‡
˘‡ ‡‡
¤3 – b–
˘‡ ‡‡
œœœ œœœ
b –
œœœ œœœ Œ
58 # œ œ b œ Œ
∑
‰
‰
‰
o œ. J
j ¿.
68
∑
∑
∑
∑
44
‰
j ¿.
‰
68
∑
∑
∑
∑
44
68
∑
∑
∑
∑
44
‰ ˘‡ ‡‡ ˘‡ ‡‡ œœœ œœœ
o j œ. Œ
√
¤ 3 ˘‡ b – b– ‡‡ ˘‡ ‡‡ œœœ œœœ
œ bœ
68 b –
Œ Œ
68
˘‡ ‡‡ ˘‡ ‡‡
# œœœ 68 # œœœ
˘‡ ‡‡ ˘‡ ‡‡ œœœ œœœ
˘‡ ˘‡ ‡‡ ‡‡ ˘‡ ˘‡ ‡‡ ‡‡
˘‡ ‡‡
œœœ œœœ
œœœ œœœ
œœœ œœœ
˘‡ ‡‡
˘‡ ‡‡ ˘‡ ‡‡ œœœ œœœ
68 # œ œ b œ œ œ œ
˘‡ ‡‡ ˘‡ ‡‡ # œœœ # œœœ
˘‡ ‡‡ ˘‡ ‡‡ œœœ œœœ
˘‡ ˘‡ ‡‡ ‡‡ ˘‡ ˘‡ ‡‡ ‡‡
˘‡ ‡‡
œœœ œœœ
œœœ œœœ
œœœ œœœ
˘‡ ‡‡
˘‡ ‡‡ ˘‡ ‡‡ œœœ œœœ
#œ œ bœ œ œ œ
24
˘‡ ‡‡ ˘‡ ‡‡ # œœœ # œœœ
˘‡ ‡‡ ˘‡ ‡‡ œœœ œœœ
˘‡ ˘‡ ‡‡ ‡‡ ˘‡ ˘‡ ‡‡ ‡‡
˘‡ ‡‡
œœœ œœœ
œœœ œœœ
œœœ œœœ
˘‡ ‡‡
˘‡ ‡‡ ˘‡ ‡‡ œœœ œœœ
#œ œ bœ œ œ œ
˘‡ ‡‡ ˘‡ ‡‡ # œœœ # œœœ
˘‡ ‡‡ ˘‡ ‡‡ œœœ œœœ
˘‡ ˘‡ ‡‡ ‡‡ ˘‡ ˘‡ ‡‡ ‡‡
˘‡ ‡‡
œœœ œœœ
œœœ œœœ
œœœ œœœ
˘‡ ‡‡
˘‡ ‡‡ ˘‡ ‡‡ œœœ œœœ
#œ œ bœ œ œ œ
44 44 44 44
228 Vln.
44
∑
∑
&
Vla.
4 4
∑
∑
B
44
∑
∑
?
Vcl.
Pno.
(√) ˘ ‡‡‡ & 44 ˘‡ ‡‡ & 44
M.P.
˘‡ ‡‡ 3
3
˘‡ ‡‡
˘‡ ‡‡ ˘‡ ‡‡
44
P.
S.R.
˘‡ ‡‡
œœœ œœœ
#œ 4 &4
œ
3
œœœ œœœ œ
‡‡‡ fl
3
∑
# œœœ # œœœ 4 †4
˘‡ ‡‡
‡‡‡ fl
3
‡‡‡ fl
‡‡‡ fl
3 œ œ n œœ œœ & n œœ b œœ b œœœ b œœ b œœœ #œ œ #œ
3
˘‡ ‡‡
?
3
‡‡‡ fl
?
?
b bb œœœœ b œœ œ
∑
&
Vla.
∑
B
∑
?
Pno.
? ‡‡ ‡ fl
P.
S.R.
M.P.
? &
˘‡ ‡‡ 3
3
‡‡‡ fl
˘‡ ‡‡ √
‡‡‡ fl ‡‡‡ fl
∑
‡‡‡ fl √
3
‡‡‡ fl 3
‡‡‡ fl
‡‡‡ fl ‡‡‡ fl
b bb œœœœ b œœœ œ t # # œœ 3 b œœ b œœœ b b œœœ n # # œœœ # œœœ œ œ # œœœ # œœœ b b œœ # œœ œ œ #œ √ œ #œ œ 3
3
‡‡‡ fl
‡‡‡ fl
‡‡‡ fl
∑
‡‡‡ fl √
b œœœœ b b œœœ t n # # œœœ b œœ b b œœœ # # œœœ œ #œ √ œ
3
?
3
‡‡‡ fl
‡‡‡ fl
3
‡‡‡ fl
&
‡‡‡ fl
j 98 ‹ ¬ >‹ >‹ 98 ‹ J ¬ >‹ 98 ‹ J ¬
>‹ 98 ‹ J
arco II III
¬
∑
98
∑
43 –J ‰ Œ
VVV VVVVVVVVVV VVVVVVVVVV VVVVVVVVVV
43 –J ‰ Œ
VVV VVVVVVVVVV VVVVVVVVVV VVVVVVVVVV
43 –J ‰ Œ
VVV VVVVVVVVVV VVVVVVVVVV VVVVVVVVVV
&
‰Œ Ó >‡ ° ∑
98
3
4 – 4 J ‰ Œ
Ó
†
&
Œ
B
Œ
?
j 98 ‹ ¬ >‹ >‹ 98 ‹ J ¬ >‹ 98 ‹ J ¬
44 —j * √œ # œœ 44 # œœœ
&
98
∑
43
∑
98
∑
&
98
∑
9 8
∑
43
∑
3 4
∑ 25
98 – ‡ ‰ Œ Ó fl > ° R
98
∑
9 8
∑
† ?
˘‡ ‡‡
œœœ œœœ œ
˘‡ ‡‡ 3
‡‡‡ fl
‡‡‡ fl
‡‡‡ fl
3 œ œ n œœ œœ & n œœ b œœ b œœœ b œœ b œœœ #œ œ #œ
3
Ó
– ‰ Œ J
Œ
Ó
– ‰ Œ J √˘ ‡‡‡ ˘‡ ‡‡ 54 ˘‡ ˘‡ ‡‡ ‡‡ 54
Œ
Ó
˘‡ ‡‡
˘‡ ‡‡
j
— ‰ Œ
˘‡ ‡‡ Ó
‡‡‡ fl
˘‡ ‡‡ ‡‡‡ fl Œ
* # œ # # # œœœ # # œœœ # œœœœ # œœ # œ œ œ 45 # œ # # œœœ & # œœ # œœœ ## œœœœ œ 5 4
3
√
œ
? ?
?
3
Œ
45
‡‡‡ fl
3
– ‰ Œ J
45
∑
Ó
Ó
VVV VVVVVVVVVV VVVVVVVVVV VVVVVVVVVV
98
Œ
œ
45
∑
Ó
3
VVV VVVVVVVVVV VVVVVVVVVV VVVVVVVVVV
43
34 —j ‰ Œ *
œœœ œœœ
45
∑
98 – ‡ ‰ Œ fl > °
‰ Œ
VVV VVVVVVVVVV VVVVVVVVVV VVVVVVVVVV
98
R
3
44 # œ
∑
Œ
44 – ‰ Œ J √ ˘‡ ˘ ‡‡ ‡‡ ˘ ‡ ‡‡‡ 44 ˘‡ 3 ‡‡ ˘‡‡ ˘ ‡ ‡‡‡ 44
VVVVV VVVVVVVVVV VVVVVVVVVV VVVVVVVVVV
98
98
# œœœ # œœ # œœœ # œœœ œ #œ œ
Ó
VVVVV VVVVVVVVVV VVVVVVVVVV VVVVVVVVVV
98 – fl
3
44 – ‰ Œ J
VVVVV VVVVVVVVVV VVVVVVVVVV VVVVVVVVVV
R
3
3
Vln.
Vcl.
˘‡ ‡‡ √
3
3
232
˘‡ ? ‡‡
˘‡ ‡‡
j 98 ‹ ¬ >‹ >‹arco IIIII 9 ‹ 8 J ¬ arco II III
#œ
œ
œ #œ
? ?
?
∑
N 4 & 4
Vla.
∑
B
4 4
Vcl.
∑
?
44 œ. b ‹ œ. ‹ œ. ‹ œ. ‹ œ. ‹ œ. ‹ œ. ‹ œ. ‹ 85
237 Vln.
? Pno.
P.
S.R.
M.P.
˘‡ ‡‡
˘‡ ‡‡
˘ ? ‡‡‡ # œœœ ? # œœœ ?
(√)
˘‡ ‡‡
‡‡‡ fl
‡‡‡ fl
‡‡‡ fl
‡‡‡ fl
œœœ œœœ
œœœ t n œœœœ œœ œœœ œœ b œœœ bœ
‡‡‡ fl √
∑
5 ‰ 8 j œ. b ‹ œ. ‹ œ. ‹ œ. ‹ œ. ‹ œ. ‹ œ. ‹ œ. ‹
col legno
44
∑
44
∑
44 –j fl
‰
Œ
44
∑
44
∑
Vln.
Vla.
B 44
Vcl.
? 44 œ. b ‹ œ. ‹ œ. ‹ œ. ‹ œ. ‹ œ. ‹ œ. ‹ œ. ‹ 85
œ. b ‹ œ. ‹ œ. ‹ œ. ‹ œ. ‹ œ. ‹ œ. ‹ œ. ‹
‡ 85 ‡‡ fl √ 58 ?
85
∑
? 44
∑
44 –j fl
‰
Œ
# œœœ # œœœ
j ¿. & j ‰ œ. j ¿. B œj ‰ .
j ‰ j ‰
j ¿. ? j ‰ œ.
j ‰ ‡‡‡ fl
‡‡‡ ‡ b –. b –. fl ‡‡ fl
3
‡‡‡ fl œœœ œœ œ
‡‡‡ fl
b – .
∑
œœœ œœœ
‡‡‡ fl # œœœ # œœœ
Œ
85 œ # œ œ √
Œ
j ¿. & j ‰ œ. j ¿. B œj ‰ . j ¿. ? j ‰ œ.
‡‡‡ ‡ b –. b –. fl ‡‡ fl
œœœ œœ œ
‡‡‡ fl
œ #œ œ √
44
44 b – . 44
∑
œœœ œœœ
4 4
44
3
‡‡‡ fl
44
Œ
44
Œ
44
j ‰ ¿ j . & j ‰ œ.
j ‰ ¿ j & j ‰ . œ.
j ‰ ¿ j . & j ‰ œ.
98
j? ‰ ¿ j j ‰ . œ.
j? ‰ ¿ j j ‰ . œ.
j? ‰ ¿ j j ‰ . œ.
98
58 j ‰ ¿j B j ‰ . œ. œ. b ‹ œ. ‹ œ. ‹ œ. ‹ œ. ‹ œ. ‹ œ. ‹ œ. ‹
R
P.
85
j ‰
‡ 85 ‡‡ fl
Ó
& 44
? 44
j ‰
col legno
241
Pno.
85
œ. b ‹ œ. ‹ œ. ‹ œ. ‹ œ. ‹ œ. ‹ œ. ‹ œ. ‹
R
œ #œ
œ
œ #œ
‡‡‡ fl
col legno
‡ 85 ‡‡ fl
Ó
‡ 85 ‡‡ fl √ 58 # œœœ # œœœ
‡‡‡ fl
‡‡‡ fl
‡‡‡ ‡ fl ‡‡ fl
S.R.
? 44
∑
85
M.P.
? 44
∑
85 œ # œ œ √
œœœ œœœ
b –.
26
b –. b – .
∑
œœœ œœœ
3
Œ Œ
j j ‰ ¿ B ‰ j œ . .
‡‡‡ fl ‡‡‡ fl # œœœ # œœœ
‡‡‡ fl
‡‡‡ fl
‡‡‡ ‡ fl ‡‡ fl œœœ œœœ
b –.
œœœ œœœ
œ #œ œ √
3
b –. b – .
∑ Œ Œ
j j ‰ ¿ j . B œ. ‰
‡‡‡ fl ‡‡‡ fl # œœœ # œœœ
‡‡‡ fl
‡‡‡ fl
‡‡‡ ‡ fl ‡‡ fl œœœ œœœ
b –.
œœœ œœœ
œ #œ œ √
3
b –.
98
98 98 b – . 98
∑ Œ
98
Œ
98
j 9 ‹ &8 ‹ ¬ > arco II >‹ III B 98 ‹J ¬
Vln.
Vla.
j 38 – ‰ ‰ & 98 ‹ ¬ J >‹ >‹ 3 – 9 8 J ‰ ‰ B 8 ‹J ¬
arco II III
245
>‹ ? 98 ‹ J
VV VVVVVVVVVV VVVVVVVVVV VVVVVVVVVV
VVVVVVVV
VV VVVVVVVVVV VVVVVVVVVV VVVVVVVVVV
VV VVVVVVVV
arco II III
Vcl.
Pno.
¬
38 – ‰ ‰ ? J
VVVVVV VVVVVVVV VVVVVVVVVV VVVVVVVV
? 98
∑
? 98
∑
&
98 – ‡ ‰ Œ Ó > fl °
S.R.
? 98
∑
M.P.
? 98
∑
251 Vln.
44
∑
&
Vla.
44
∑
B
44
∑
Vcl.
Pno.
P.
S.R.
M.P.
?
? 44
98
44 –j‰ Œ Ó . R
? 44
∑
? 44
∑
V
V VV
38
∑
38
∑
>‹ 98 ‹ J 9 8
∑
VV
j 98 ‹ ¬ >‹ >‹ 98 ‹ J ¬
‡ 4 J‰Œ Ó &4 V VV
38 ‡. "f " 38 ∑
V
V VV
VV
V
V VV
VV
98 – fl
R
98 98
¬
VV VVVVVVVV
‡ 98 J
VV
VV
98 – fl
44 44 44
VVVVVVVVVV
∑
4 4
∑
44 44
‰Œ Ó >‡ ° †
B
VVVVVVVV
VVVV
68 – ‰ ‰ Œ . J
?
VVVVVV
68 ‡. 68
VV VV VV VV V V VV VV VV
>‹ 98 ‹ J
‡ J ‰ ‰ 98
¬
44
3 – 8 J
‰
‰
4 4
38 – J
‰
‰
44
38 ‡.
∑ ∑
68
V
VVV
‰
VVVVVV
– ‰ Œ J
Ó
∑
∑
∑
VVVVVVVV
– ‰ Œ J
Ó
∑
∑
∑
ΔΔΔ̆ j
3
ΔΔΔ̆
3
— ‰ Œ
# # ˙˙˙˙ # # ˙˙
ΔΔΔ̆
ΔΔΔ̆
ΔΔΔ fl
ΔΔΔ fl
# ˙˙˙ # ˙˙˙
# ˙˙˙ # ˙˙˙
Ó
# ˙˙˙ # ˙˙ & ˙
3
˙
3
3
3
˙ 27
ΔΔΔ fl
3
3
#˙
ΔΔΔ̆
#˙
˙
∑
ΔΔ Δ fl # ˙˙˙ # ˙˙˙ #˙
?
ΔΔΔ̆
ΔΔΔ̆
ΔΔΔ fl
3
?
?
ΔΔΔ fl
ΔΔΔ fl
˙˙˙ ˙˙˙
˙˙˙ ˙˙˙
˙
3
3
3
˙
∑
‡‡‡ fl
‡‡‡ √fl
ΔΔ Δ fl ˙˙˙ ˙˙˙
#˙
t
b œœœœ b œœ œ
44
44
44
∑
ΔΔ Δ̆
V
∑
∑
ΔΔΔ̆
VVV
44
∑
ΔΔΔ̆
VVV
∑
Ó
√
VVV
44
‰
38
∑
VVV
∑
38 —j * 38
R
98
VVV
V VVV
VV VVV
38
∑
68 —j ‰ ‰ –j ‰ ‰ 98 – ‡ ‰ Œ Ó . fl > * ° 68 98 ∑ ∑ ∑
‰
VVVVVVV VVVVVVVV VVVVVVVV VVVVVVVV
∑
L
‰
VVVVVVV VVVVVVVV VVVVVVVV VVVVVVVV
98
∑
38 – J
VVVVVVV VVVVVVVV VVVVVVVV VVVVVVVV
– ‰ Œ J
* # # # # ˙˙˙˙ 44 # # ˙˙ 44
6 – 8 J ‰ ‰ Œ.
j 98 ‹ ¬ >‹ >‹ 9 ‹ 8 J ¬
VVVV
VVVVVVVV
VVVVVVVVVV
&
VVVVVVVV
&
VVVVVV
VVVVVVVV
‰Œ Ó >‡ °
98
VVVVVVVVVV
VVVVVVVV
∑
98
VVVV VVVVVVVVVV
∑
VVVVVVVV
VVVVVVVV
‰‰Œ Ó
VV
R
VVVVVV VVVVVVVVVV
∑
¬
98
38 —j ‰ ‰ *
R
P.
>‹ 98 ‹ J
VVVVVVVV
68 – ‰ ‰ Œ . J
Œ
Ó
Œ
Ó ∑
Œ
Ó
Œ
Ó
III
bQ & ==
q = 54
3 œ. ‰ &8 J Ø
256 col legno I
Vln.
col legno III
Vla.
B 38 œj ‰ . Ø ?3 8
col legno
Vcl.
Pno.
j œ. Ø ‡‡. 3 &8 ‡ ∏ ‡‡. ?3 ‡ 8 38
P.
R.S.
3 &8 ? 38
4
M.P.
Vla.
Vc.
‰ ‰
‡‡. ‡
‡‡. ‡
43
œœ œœœ œ
‡‡. ‡
M.P.
‡‡. ‡
‡‡. 3 ‡ 4 43
œœ œœœ œ
3 4 43
œ #œ
‡‡. ‡ ‡‡. ‡
j œ.
4
&
∑
?
∑
‡‡. ‡ ∑
‡‡. ‡ ‡‡. ‡
‡‡. ‡
∑
Strings Arpeggios 4
#œ œ #œ œ œ #œ œ #œ
( IV )
arco
–∏
3 ≈ 16 ∏ II III
3 16 ≈ ∏ II III
3 j 8 œ .
‰
‰
3 16
38
. ‡‡‡
. ‡‡‡
∑
3 ∑ 16 ∏ Rr 3 – ≈ ≈ 16 . ∑ ∑
j ‰ œ.
‰
j ‰ œ.
‰
col legno
?b q ==
col legno
3 ≈ 16 ∏
38 œ. J
‰
‰
3 16
∑
‡‡‡.
‡‡‡.
3 16
∑
‡‡‡. 38
‡‡‡.
3 16
∑
col legno
3 8 38
col legno
b œœœ b œœœ
38 œ
‡‡‡.
‡‡‡.
∑
œœœ œœ œ
œœœ œœ œ
œ
œ 28
col legno
. ‡‡‡
‡. ‡ 3 ‡ 8
‡‡‡.
38
arco
∑
4
4
?b q ==
& bq ==
6 16 ·j . j œ. Ø . arco ‚. ‚ ‚. . ‚. . 6 ‚ . . ‚ 16 ‚ ‚ 4 Ø 4
‡‡‡.
3 œœ œœ 8 œœœ œœœ œ œ 38 œ #œ 44
‚ ‚ 6 . ‚. ‚. . 16 ‚. ‚ ‚. ‚. . Ø
‰ ‰
‹ 3 16 ≈ – ∏
3 8
‰ ‰
( IV )
3 8
j œ.
col legno
3 j 8 œ.
arco
38
3 8
3 ≈ - ‹ 16 – ∏
œœ 3 œœœ 16 œ 3 16 œ #œ œ II III
-‹
( III )
arco
‡‡. ‡
3 —r ≈ ≈ 16 > * 3 ∑ 16
∑
4
‡‡. ‡
œ œ #œ
‚. . ‚. . ‚ . ‚ ? ‚ . . ‚. ‚ ‚
?
‡‡. ‡
4
B ·j .
&
‡‡. ‡
b œœ b œœœ œ
‚. ‚. ‚ ‚ . ‚ . & . ‚ ‚ ‚. . .
P.
R.S.
j –
nail
III nail
4
Pno.
3 4 b¬.
j –
( III )
3 16 ≈
j –
b¬.
4
261 Vln.
‰
‰
∑
œ √
3 4
IV nail
3 4 b¬.
‡‡. ‡
b œœ b œœœ œ
arco
6 16
∑
6 16
∑
r 6 16 >‡ ° 6 16
œœœ œœœ
6 16
œ
≈
≈ ∑
Strings Arpeggios 4
4
œ #œ #œ œ #œ œ œ #œ
nail
j –
b¬ Ø
j –
4 nail 4 b¬ Ø 44 nail b¬ Ø 4 4
‡‡‡.
‡‡‡. 44 4 4 44
b œœœ b œœœ
j –
‡‡‡. ‡‡‡.
44 œ #œ
‡‡‡. ‡‡‡.
‡‡‡.
‡‡‡.
‡‡‡.
œ #œ
‡‡‡. ∑
‰.
‡‡‡. ‡‡‡.
‡‡‡. ‡‡‡.
‡‡‡. ‡‡‡.
3 ≈ –16 ∏ arco
-‹
II ( II )
arco 3 ≈ – 16 ∏ I
arco – 3 ≈ 16 ∏ I
-‹ -‹
38 3 8 38
3 16
∑
3 8
3 16
∑
38
∑
38
3 –r ≈ ≈ 16 .
#œ 3 œœ 16 # œœœ 3 œ b œ n œ œ 16
R
∑
3 8 38
arco
3 œj ‰ ‰ &8 .
266 Vln.
col legno
œ. 3 B8 J ‰ ‰ col legno
Vla.
? 3 œJ. ‰ ‰ 8 col legno
Vc.
Pno.
. . & 38 ‡‡‡ ‡‡‡ . ‡. ‡ ‡ ? 3 ‡ ‡‡ 8 38
P.
R.S.
M.P.
. ‡‡‡ . ‡ ‡ ‡
‚ ‚ ‚ 9 . ‚. ‚. . . ‚. 2 16 4 ‚. ‚. ‚. ‚. ‚. ‚. Ø ·. 9 ·J. œ . J 16 J Ø . . ‚. ‚ arco ‚ . ‚ . ‚. ‚. . . 9 ‚ . . ‚ ‚ . 16 ‚ ‚ ‚ 9 16
42 Œ
4
4
II ( until bar 272 ) arco
Ø
4
4
4
∑
&
3 & 8 ## œœœœ œœœœ œœ œœ ? 3 #œ œ 8
Vla.
Vc.
‚ 3 . ‚. & 16 ‚. ‚.
3 4
3 œ. B 16 J
43
‚. . ‚ . ?3 ‚ . 16 ‚
P.
R.S.
M.P.
3 r ≈ ≈ & 16 ± r 3 ···· j & 16 ···· · 3 16
3 & 16
∑ ∑
Strings Arpeggios
œ #œ ? 16 3 #œ œ 4
43 3 4 43
85
∑
∑ ∑ ∑
?b q ==
j ‰ œ. ∏
III col legno
∑
6 16 œJ .
∑
3 16
2 4
∑
∑
3 16
o & œ. == J ‰ ‰
( III )
3
85 ‡ ‰ — Œ . ° * 5 ∑ 8
42 Œ
±
∑
2 4
∑
∑
2 4
Strings Arpeggios
2 4
∑
38 j œ.
‰
‰
‹
3 b œ. 8 J
‰
‰
b ‹ œ. ≈ ‰ œ. R
‰
‰
38 b —J
‰
‰
‰
b±
‰
‰
‰
‰
‰
b œ ‰
‰
‡ ‰ °
œ.
3 b œ. 8 J 38
3
3 8
∑
& 29
3 16
arco
‹
œ.
3 16
∑
4
≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤j ‚ 3 ‚. ‚ 8 ‚. Ø II III
3 16
3 ······ 16 · · 24 R–r≈ ‰ R–r ≈ ‰ 16 3 . .
4
bQ
‹
4
6 œ bœ nœ œ #œ œ bœ nœ 2 16 4
∑
?bQ ==
2 4
6 ± ≈ ≈ ‰. 16 R r j 6 ···· · · ···· 16 ···· J R ····
······ ·· 24 —r≈ ‰ R–r ≈ ‰ 16 6 . > * 2 6 ∑ 4 16
b± ‰ — — 85 J 3 π œ. 5 ‰ b œ8 J
85
·. J
. ‚. . ‚ ‚ . ‚. . 6 ‚ . . ‚ 2 16 4 ‚ ‚
± ∏
2 4
pizz.
·
4
4
5 8 œj ‰ b ‹ . ∏
∑ ·
‰
col legno
∑
43
3 4 ·
5 œ. 8 J ∏
∑
3 4
bQ
I & == col legno
4
4
Pno.
2 4
4
4
4
O
Vln.
3 16
r 9 ‰. ‡ 16 > ≈ ≈ ‰ . ° 9 œœœ 16 Strings ∑ Arpeggios œœœ œ bœ b œ n œ b œ n œ œ 9 œ # œ 2 œ 16 œ b œ n œ 4
∑
271
∑
right hand inside piano
∑
9 16
∑
‚ ‚ 6 . ‚. ‚. . 2 16 4 ‚. ‚. ‚. ‚. 4
4
∑ ∑
String Glissando
38 œ #œ œ œ #œ œ
42
r ≈ ‰ ‹ œ . œ.
pizz.
‰
3
2 4 —
2 4
3
3
∑ ∑
42
—
*
42 2 4 42
276 Vln.
2 &4
3 3 . 16 . . 4 ¿J
∑
≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤j ‚ ‚ 3 B 42 ‚‚ 16 arco
II III
Vla.
2 . 4 ¿J
‰
2 — &4 J
‰
Vc.
Pno.
2 b œ. &4 J
R.S.
M.P.
Œ
left hand inside piano
‰
2 4
P.
3 16
Œ
Œ
2 &4
?
2 œ #œ 3 & 4 #œ œ #œ œ œ #œ 16
Œ
‰
œ.
Œ
left hand on the keyboard
∑
&
∑
4 – J π M 2 j ‰ 4 œ
Œ
3
3
col legno III
r ‰ œ. . . . # œ. ≈ ‰ R 3
3
‰ Œ Ø –. –.
Œ # –.
3
2 4
∑
2 4
∑
String Glissando
‰
I
3
&q == q j 2 –
Œ
‹ œ.
‹ œ. œ. R ‰ ‰ ≈ ‰
‹ œ. . 42 ‰ ‰ œ R ≈ ‰
œ œ #œ œ #œ œ # œ œ # œ œ # œ œ 3 2 4 4
∑
II
col legno II
Œ
3 4
∑
2 ‹œ 4 œ .‰ .
≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤j ‚ ‚ 2 3 ‚ 4 ‚ 4 Œ arco
3 4
∑
&
∑
- 3 3 16 ≈ . R . 4 3 16
∑
String Glissando
∑
Œ
II III
3 ≈ ≈ 3 . 16 R 4 J 3 16
∑
43
∑
‰
col legno III 3
& qq == 3
‰ b œ. . . . R 3
3
j –
– Œ J π √–. j œ ‰ M Ø 3 ∑
∑
∑
∑
∑
≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤ j ‚ ‚ ‚ ‚
arco 281 Vln.
Vla.
& œ.
‹ œ.
‰
3 16
Œ
‹ œ. œ. R B ‰ ‰ ≈ ‰ 3
3 16
3
Vc.
Pno.
? n œr ≈ ‰ . & Œ (√) . #– &
R.S.
M.P.
& &
∑
‹ œ. ‰ œ.
III . 24 ‰ ‰ . ‹ œR ≈ ‰ œ
j
∑ ∑
3 16
3 16
‰
Œ
‰ œ. . . . œr ≈ ‰ .
Œ
3
∑ 42 √. b– n –. 3 2 16 ∑ 4 L Ø 3 j 3 – 16 . ≈ 42 ∑ 3 16
¿. J
3
3
‰ ––‰ J –. π 3j œ ‰ M 3
II III
Œ
3
3 r≈ ≈ 2 Œ ‰ œ. . . . 16 œ. 4 3
∑
P.
∑
2 4
IV
∑
∑ ∑
2 4 42
3
& qq ==
–.
– J πM j œ j –. R
∑ ∑
j –
‰
Œ
‰
Œ
‰
Œ
II III
B
∑
≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤j arco
‚‚
¿. J – J M j œ
j –
?
∑
6
‰
Œ
‰
Œ
‰
Œ
?
∑ ∑
String Glissando
String Glissando 5
‚ ‚
6
6
6
œ #œ œ #œ œ#œ œ#œ œ œ œ # œ œ # œ œ # œ œ # œ œ œ œ #œ œ #œ √
30
Vln.
Vla.
Vc.
Pno.
286 ‚. 6 ‰ . ‚‚ .. ¿. ‰ Œ 16 & ‚ . J "f " J ‚. ‚. 6 ‚. B ∑ 16 ‰ . ‚ . J "f " arco II ≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤≤ ‚. j III ‚ ‚. ‚ 6 ? ‚ 16 ‰ . ‚‚ .. ‚ J "f " j j – ‰ 6 – . – ‰. Œ – 16 J J p M j 6 ‰ Œ & œ 16 ∑
∑
P.
R.S.
M.P.
6 16
&
?
∑
6 16
∑
String Glissando
∑
6 œ œ # œ œ # œ 16 œ # œ œ œ# œ œ # œ
∑
6
6
291 Vln.
3 &8
Vla.
B 38
Vc.
Pno.
P.
R.S.
M.P.
‚ 4 . ‚. 4 ‚. ‚. ‚ ‚ p . . ‚. . 44 ‚ ‚. . .‚ ‚. ‚ p ‚. . 4 ‚. 4 ‚ . . ‚. ‚‚
∑ ∑
?3 8
∑
& 38
∑
3 &8
q = 96
44
p
Δ
VV
VV
V VV
V VV
VV
VV
VV
∑
V
?
P arco r ‚ ‚ ‚ 3 ‚ ≈ ‰ Œ Œ 4 . ‚. ‚. . 4 ‚ 4 ‚. ‚. ‚ π ‚. ‚. arco ‚ ‚. . ‚. . 3 ‚‚ ≈ ‰ Œ Œ 4 ‚ ‚. ‚. ‚ 4 4 ‚ ‚. ‚. R π arco . ‚ ‚ . ‚. . 3 ‚ 4 ‚. .‚ 4 ‚ ≈‰ Œ Œ 4 ‚. .‚ ‚ ‚‚ π R 34 J ‰ Œ Œ
44
right hand on the keyboard
3 4
&
∑
43
∑
3 4
Δ "f " 4 Ó 4
V
V VV
VV
V VV
VV
VV
VV
VV
V
j ‡
‚. . ‚. ‚. ‚
Δ
V VV
VV
j ‡
Ó
4 4
∑
Δ
V VV VV VV VV VV V VV VV VV VV VV
Ó ∑
j ‡ V V V
Strings & piano Arpeggios
VV
VV
V
Δ
‚‚ ‚. . . ‚. ‚. ‚. ‚. . . .‚ ‚ ‚ ‚. ‚. ‚. . ‚
j ‡
Œ
43
∑ ∑
Strings & piano Arpeggios
31
V
Δ
3 8 38
38
Œ ‡
V VV VV VV VV
j ‡
œœ
3 8 38 3 8 38
j ‡
Ó ∑
Ó Δ
VV VV VV VV V VV VV VV VV VV
∑
j ‡
3 8 3 8
∑ ∑ ∑ ∑
q = 120
≥ 2 ¬ 4 π
42
3 8
B
44
3 – ? 4 8 R≈‰ ‰ 4 ∑
2 ∑ 4 P Rj r — ≈ ‰ ‰ 42 –. ‰ Œ > * 2 ∑ ∑ 4 42
œ œ œ œ 38
38 – ≈ ‰ ‰ R
∑
∑
& œ œ œœ
3 8
3 – 4 8 R≈‰ ‰& 4
≥ 24 ¬ π ≥ 2 ¬ 4 π
œ
38 38
Strings & piano Arpeggios
œ œ œœ œ œ œ œ œ œ œ œ œœ œ œ œ œ œ œœ œœ √
V VV VV VV VV V V VV VV VV VV VV V VV
3 4 Π3 4
VV
j V ‡ V VV
V VV VV VV VV V VV VV VV VV VV
6
‚ ‚ ‚. . 3 . ‚. 4 ‚. ‚. ‚. ‚. . ‚. . .‚ ‚ ‚ . ‚. ‚ . . 43 ‚‚
43
VV
V VV
‚. ‚‚ ‚ ‚. ‚. . . ‚. ‚. . ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. . ‚. ‚. . ‚. . . ‚. .‚ ‚. .‚ ‚. .‚ ‚. .‚ ‚‚ ‚‚
. . .. . .‚ ‚ ‚ ‚. .‚ ‚ ‚ ‚. .‚ ‚ 3 . ‚. . . ‚. ‚. . . ‚. 8 .‚ ‚ ‚‚ ‚‚
Ó
. . . . . . .‚ ‚ ‚ ‚. .‚ ‚ 3 ‚ ‚. .‚ ‚ ‚ ‚. 3 ‚. . . ‚. 4 ‚. . . ‚. ‚. . 8 ‚‚ ‚‚ ‚ V VV
‚ ‚. . ‚ ‚. . . .‚ ‚ . .‚ ‚
If you don't have enough time then use your left hand.
œœœ œ œ œ 44 3 œœœœ œ 4 œ œ œœ œœœœœœ œœœœœ √ 7
V VV
‚. ‚. ‚. ‚. ‚. . ‚. ‚. ‚
44 ‡r ≈ ‰ Œ Ó > ° 4 Strings ∑& piano 4 Arpeggios
∑
3 4
‚‚ ‚. . . ‚. ‚. ‚. ‚. . . .‚ ‚ ‚ ‚. ‚. . . ‚‚
4 Ó 4
∑
38 —r ≈ ‰ ‰ 44 ‡r ≈ ‰ Œ > > * ° 3 4 ∑ &8 4 & 38
VV
q = 72
∑
38 3 8
∑ ∑
p 38 ‡ ‰ — > > ° * 3 ∑ 8 38
∑
44 4 4 44 4 4 44
‚ 4 . ‚. &4 ‚. ‚. ‚ ‚ p . . ‚. . B 44 ‚ ‚. . . ‚. ‚ ‚ p ‚. . ?4 ‚ . 4 ‚ . . ‚. ‚ ‚ p 4 &4 Δ
‚ ‚ ‚. . . ‚. ‚. ‚. ‚. . . .‚ ‚ ‚ ‚. ‚. . . ‚ ‚
297 Vln.
Vla.
Vc.
P.
R.S.
M.P.
& 44 Ó
4 ‡r ≈ ‰ 4 > ° & 44 ? 44
j ‡
Ó Δ
Œ
V VVV VVV VVV VVV V V VVV VVV VVV VVV V V V
Vla.
Vc.
Pno.
P.
R.S.
M.P.
j ‡
2 4 Δ 42 Œ
‚ ‚‚ ‚‚ 5 . ‚. ‚. . . ‚. ‚. . . ‚. &4 ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. ‚. . ‚. ‚. . ‚. ‚. . . . B 45 ‚ ‚. . . ‚. ‚ ‚ ‚. . . ‚. ‚ ‚ ‚. . ‚‚ ‚‚ ‚
3 4
∑
5 —r ≈ ‰ Œ . 8 > * ∑ 85
∑
Strings & piano Arpeggios
43
∑
‚. . ‚. ‚. . ‚. ‚. . . . ? 45 ‚ ‚. ‚. ‚ ‚ ‚. ‚. ‚ ‚ ‚. 43 ‚. ‚. ‚. ‚. ‚.
∑
& 45
∑
Δ
5 &4 Ó
VV
V
V VV
V
V VV
VV
VV
VV
VV
j ‡
Œ Δ
ΠVV VV VV VV V VV VV VV VV
j ‡
‡ Œ
j ‡ VV
VV VV
54 ‡r ≈‰ Œ Ó. > ° 5 Strings &∑piano &4 Arpeggios œ œœ œ √ œ œœ œ œ œ œ œ 5 œ & 4 œ œ œ œ œ œœ
43 3 4
∑
q = 168
‚ ‚‚ ‚ 4 . ‚. ‚. . . ‚. ‚. . 4 ‚. ‚. ‚. ‚. ‚ ‚ ‚. ‚. F .. ‚. . ‚. ‚. . ‚. . . 44 ‚ ‚. ‚. ‚ ‚ ‚. ‚. ‚ ‚. ‚. ‚. ‚. F ‚. . ‚. ‚. . ‚. . . 44 ‚ ‚. ‚. ‚ ‚ ‚. ‚. ‚ ‚. ‚. ‚. ‚.
∑
44
F Δ
V VV VV VV V VV VV VV VV VV
4 Ó 4
∑
j ‡
Ó Δ
V VV
VV
34 —r ≈ ‰ Œ Œ 44 ‡r ≈‰ Œ Ó > > * ° 3 4 Strings ∑& piano ∑ 4 4 Arpeggios 43
∑
?
44
9
œœ œ œœœ √ 32
3 4
∑
85
∑
Q
≥ 3 ¬. 4 π
∑
œ œ œ œ 5 2 œ œ œ 8 œ œ œ 4 œ œ œ œ œ œ œ œ œ œ œ œ œ œ √ 8
≥ 3 ¬. 4 π
∑
5 8
Œ
42
∑
Strings & piano Arpeggios
j ‡
≥ 3 ¬. 4 π
∑
. .‚ ‚ 5 ‚. 8
V VVV VVV VVV VVV V V VV VVV VVV VVV VVV
2 4
Ó
302 Vln.
‚ ‚. . 5 8 ‚.
. . . . . .‚ ‚ ‚ ‚. .‚ ‚ 2 ‚ ‚. .‚ ‚ 5 ‚. . . ‚. 4 ‚. . . ‚. 8 ‚ ‚ ‚ ‚
V VVV VVV VVV VVV V V VVV VVV VVV VVV V V V
Pno.
‚ ‚ ‚. . 2 . ‚. 4 ‚. ‚. ‚. ‚. . ‚. . .‚ ‚ 2 ‚ ‚. ‚. 4 ‚. ‚.
q = 144
V
œ œ œœ œ
V VV
VV
VV
V
V VV
j ‡
7 8 78
43
∑ ∑
78
∑
78
∑
7 8 78 7 8
78 œ œ œ œœ
&
5 4
3 – 8 R ≈ ‰ ‰
B
5 4
3 – 8 R ≈ ‰ ‰
?
5 4
3 8
∑
∑ 43 P Rj 3 4 –. ‰ Œ Œ 43
3 – 8 R ≈ ‰ ‰
38 ∑ p 3 ‡ ‰ — 8 > > ° * 38 ∑
∑
38
∑
q = 192
≥ 4 ¬ 4 p
44
45 45
B
43
38 – ≈ ‰ ‰ ? 43 R ∑
4 ∑ 4 P Rj r — ≈ ‰ ‰ Œ Œ 44 –. ‰ Œ Ó > * 4 ∑ ∑ 4 44
5 4
&
38 – ≈ ‰ ‰ R
∑
∑
∑
45
3 – 3 8 R≈‰‰ & 4
≥ 44 ¬ p ≥ 44 ¬ p
5 4
∑
∑
38 3 8
∑ ∑
p 38 ‡ ‰ — > > ° * 3 ∑ 8 38
∑
43 3 4 43 3 4 43
‚ 3 . ‚. ‚ &4 ‚. ‚. . F ‚. ‚. ‚. . ‚. ‚. 3 . B4 ‚. .‚ ‚‚ F. ‚ . . ? 43 ‚ ‚. .‚ ‚ ‚. ‚.
308 Vln.
Vla.
Vc.
F
Pno.
P.
R.S.
M.P.
3 &4 Δ
VV VV VV VV VV VV V VV VV VV VV VV
& 43 Œ
Vla.
Vc.
Pno.
P.
R.S.
M.P.
j ‡
3 ‡r ≈ ‰ Œ Œ 4 > ° Strings & ∑ piano & 43 ?3 œ œœœ œœœœ 4
& 48
7 4 VV
j ‡
74 Œ
‚ 3 ‚ 8 ‚ ‚ "f " J
4 . . ≈ - ≈ - ≈ - 3 ‰ &8 R R R 8 & 48 ‰
j # œ-
4 —r ≈ ‰ 8 > * & 48 4 &8
œŒ ∑ ∑
œ-
P
–-
–– Œ & Œ
–- Œ P –- Œ P
B ?
–– ––
Œ
&
–- Œ
Œ
–- Œ
Œ
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∑
···
f. ‚ . ‚. 42 ‚. . ‚‚ 2 4
right hand inside piano
···
7 4
‚ 3 ‚‚ 8 ‚ "f " J
∑
–-
‚ ‚ 2 . ‚. ‚. . 4 ‚. ‚. ‚ ‚ f . . ‚. . ‚. . 24 ‚ ‚. .‚ ‚ ‚. ‚.
f
42
···
∑
j ‚ ‚ ‚ ‚ j ‚ ‚ ‚ ‚ j ‚ ‚ ‚ ‚
‰ ‰ ‰ j – ‰
38 ‰
‰
3 ‰ 8
V
VVV VVVV
‰
‰
p p
‚. . ‚ . ‚ . 48 ‚
j ‡
∑
‚. . ‚ . ‚ . 4 ‚ 8
∑
‚. . ‚ . ‚ . 48 ‚
‚ 3 ‚ 8 ‚ ‚ "f " J
∑
& qq ==
J
j ‡ r >‡ ≈ ° ‰Strings & piano
V VV VV VV VV VV V V
j ‡
œ #œ œ œ Arpeggios
4 . . ≈ - ≈ - ≈ - 3 ‰ 8 R R R 8 48 ‰
j # œ-
4 —r ≈ ‰ 8 > * 48 4 8
œŒ
∑ ∑
33
b œ-
j ‚ 3 ‚ 8 ‚ ‚ "f "
∑ ∑ ∑
∑
j ‚ ‚ ‚ ‚ j ‚ ‚ ‚ ‚ j ‚ ‚ ‚ ‚
‰ ‰ ‰ j – ‰
38 ‰
‰
3 ‰ 8
p
&q == q
j –
38 ‰
‰
38 ‰
‰
‚. . ‚ . ‚ . 48 ‚
arco
‚. . ‚ . ‚ . 48 ‚
arco
p – J
4 8
‰
j ‡ r ‡> ≈ ° Strings &‰ piano VV
‰
V
VV
V VV
V
j ‡
‰
‰
p p
‚. . ‚ . ‚ . ‚
∑
‚. . ‚ . ‚ . ‚
arco
∑
‚. . ‚ . ‚ . ‚
arco
p
–‰ J
j ‡ r ≈ >‡ ° Strings ‰ piano & V VV
VV
VV
48 4 8 48
#œ œ œ#œ 4 ‰ 8
3 ‰ 8
Arpeggios
arco
38 ‰ 3 ‰ 8
‰
3 ‰ 8
∑
p
‰
j ‚ ‚ ‚ ‚
3 ‰ 8
∑
‰
j ‚ ‚ ‚ ‚
‚ 38 ‚‚ ‚ "f " J
‚. . ‚ . 4 ‚ . 8 ‚
arco
j ‚ ‚ ‚ ‚
‚ 38 ‚‚ ‚ "f " J
3 —r ≈ ‰ Œ Œ 4 > * ∑ 43
‚ 3 ‚‚ 8 ‚ "f " J
arco
–‰
43
j ‚ 38 ‚ ‚ ‚ "f "
arco
p
VVVV
2 œ œœœ œœœœ 3 4 4
arco
38 ‰ 3 ‰ 8
&
VVVV
43
3 4
∑ V VVVV
3 4
. .‚ ‚ 3 ‚. 4
Δ L L j j j j 7 — ‰ Œ — ‡ ‰ Œ – ‰ Œ –j ‰ 2 ‡r ≈ ‰ Œ 4 > fl fl fl 4 > p * ° F Strings & piano 74 ∑ ∑ 42 Arpeggios
j ‚ 38 ‚ ‚ ‚ "f "
∑
?4 8
VV
V VV
œœœœ
∑
B 48
74 Œ
Œ ‡
Arpeggios
7 Π4
‚. ‚. . ‚. 7 Œ ‚. 4 ‚
Œ
313 Vln.
‚. ‚. ‚. ‚. ‚. ‚. ‚. . ‚. ‚. ‚
q = 220
q = 120
V
V VV
V
j ‡
√ #œ œ #œ œ Arpeggios
∑ J
‰ ‰ ∑
r — ≈ ‰ ‰ > * ∑ ∑
318 Vln.
col legno IV 3
3 &4 B 43
3
3
3
3
3
3
œ. b ‹ œ. n ‹ œ. # ‹ œ. n ‹ œ. π
Pno.
R.S.
M.P.
3
3
3 &4
∑
∑
∑
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–
‚. ‚.
j ‚ ‚
II III
j ‚ ‚
II III
j ‚ ‚
j –
–
&
2 4
B
42 œ
IV
arco
j –
–.
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III
arco
2 4 œ III
j – ?
–.
2 4
pizz.
3
8 ‡ ‰ — Œ. 8 ° * 8 ∑ 8 3
∑
8 8
‡
42 2 4
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3
3
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2 4
œ
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3
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o œ
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3
œ
∑
3 4
∑
3 4 3 4
∑ q = 156
& 43
‰ ‰ J J œ Ø
‰ ‰ J J
‰ ‰ J J
‰ ‰ J J
‰ ‰ J J
Vla.
B 43
‰ ‰ J J œØ
‰ ‰ J J
‰ ‰ J J
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‰ ‰ J J
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∑
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P.
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M.P.
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3 ∑ &4 L L ∏ R L j 34 – – ‰ – ‰ –j . . . . & 43 & 43
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∑
∑
∑
right hand on the keyboard
∑
?
j j j j j j –. –. ‰ –. ‰ –. –. –. ‰ –. ‰ –. –. –. ‰ –. ‰ –. R
L
L
L
R
L
L
∑
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∑
∑ 34
L
R
L
L
L
∑ ∑
10
?
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˙
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R
˙ ˙ √
3 4
3
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43
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R 322
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arco
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∑
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8 b± ‰ — — ‰ ‰ Œ. 8 J 3 p "f " 88 ‰. b œ- œJ- ‰ ‰ ‡ .
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3
right hand inside piano
∑
3 4
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3
– ‚. ‚.
III
3
3
∑
& 43
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3
‹
88 . ‹ ‚‚ .. b ‹ œ – ‹ œ ‹ œ #‹ œ ‹ œ . . . . 3
3
II col legno
Vcl.
3
‹ œ #‹ œ ‹ œ #‹ œ . . . .
œ. b ‹ œ. n ‹ œ. # ‹ œ. ‹ œ. π
IV col legno
Vla.
IV
q = 172
œ #œ
327 Vln.
&
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B
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M.P.
?
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332
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arco col legno
337 Vln.
3 ‹ ‹ Œ &4 œ œ. .
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col legno
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‹
col legno
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3 ˘‡ &4 Pno.
R.S.
M.P.
&
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J
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≥ 32 ¬ .
B
43
≥ 3 ¬. 2
?
3 4
32
32
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≥ 3 ¬. 2
3 2 ∏ 32 ‡j Œ > ° 3 2
2 4 b˙ b˙ 2 4 ˙
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342
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43
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346 Vln.
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M.P.
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3 ‡. ‰ 8 J "f " 38 j ‰ ‡. ∏j 38 ‡ ‰ > °. œ 3 . 8 œ
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‹
col legno
‹
col legno
. 3 œ 4
3 4 ‡ fl
34 · . bœ.
. 43 # ˙ 37
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3 4
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43
‰
43 3 4 43
arco 356 Vln.
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Vcl.
Pno.
3 &4 B 43 ?3 4
M.P.
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2 4
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arco 365 Vln.
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M.P.
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Vcl.
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&
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370 Vln.
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R.S.
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col legno
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3 ˘‡ 4 43 · . 43
∑
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arco 385 Vln.
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400 Vln.
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col legno
≤≤≤≤≤≤≤≤≤ j ¬ – 42 Ø ≤≤≤≤≤≤≤≤≤j ¬ – 2 4 Ø ≤≤≤≤≤≤≤≤≤j #¬ #– 2 4 Ø
‰ 44 ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ 22 Œ J œ. œ. œ. œ. œ. œ. œ. œ. –- – p col legno II arco ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ 2 Œ –- – ‰ 44 œ. œ. œ. œ. œ. œ. œ. œ. 2 J p3 col legno arco ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹ 2 Œ –- – ‰ 44 œ. œ. œ. œ. œ. œ. œ. œ. 2 J p3 4 2 Œ Œ Œ Ó ∑ 4 2 ‡. ‡ œ fl ∏ 22 · Œ ‰ · 44 · J ‡. P Bj 4 2 – ‰ Œ Ó ∑ 4 ∑ 2 fl #˙. 4 nw 2 ∑ 4 2 #˙. nw >˙ . w 4 2 ∑ 4 2 3
J J J · J
‹
‹
col legno
œ.
‹
col legno
œ.
‹
col legno
œ.
‡ fl ·
∑
œ.
‹
œ.
‹
œ.
ϸ
Œ
≥ 3 ¬. 2
Œ
≥ 3 ¬. 2
Œ
≥ 3 ¬. 2
Œ
3 2
arco
arco
arco
32
Œ
32 ‡j ‰ Œ > ° 3 2
∑ ˙
˙ #˙
3 2 48
2 4
– R≈‰ Œ
Ó
Ó
– R≈‰ Œ
Ó
Ó
∑
∑
2 4
Ó
∑
∑
2 4
Ó
∑
Ó
42
– R≈‰ Œ
∑
Ó
2 4
j > *
— ‰ Œ
Ó ∑ ∑
Ó