Jabinina

Klaus Ib JĂ¸rgensen Jabinina (2004) for mezzo-soprano & chamber ensemble Dur. 23â&#x20AC;&#x2122;

Text: Lene Henningsen Commissioned for the Esbjerg Ensemble by the Danish Arts Foundation - in connection with the Music-Poetry Project 2003-04.

SCORE

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With support from the Danish Arts Foundation and KODA. Støttet af Statens Kunstfond og Kodas nationale midler.

Edition·S publications are supported by the Danish Arts Council Music Committee / Edition·S udgivelser er støttet af Kunstrådets Musikudvalg

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— — —

—

˙ z

— — — —

etc.

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œ œ œ œ œ œ

— — —

œ œ œ œ œ

etc.

œ œ œœ

Voice:

All:

— — — As— œhigh œetc.œ œ œ — — œas possible

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œ œ œ œ œ

Playing directions

— — —

˙ z

etc.

— As high as — possible, but different (indefinite) pitches — — etc.

œ œ œ œ œ œ œ œ œ µœ —

œ œ œ œ œœ ˜œ œ œ œ œœ

J as possible As fast

— —

etc.

œ œ œ œ œœ œ œ œœ œ œ œ œ

µ „ „ „ etc. „ „ „

˜ ˙

Sprechgesang The vocal part includes improvised sections. These section may be decoded as follows:

o œ œ œ œ œœ o o œo o o œ o o Notes floating above the staff: As fast asµ possible, by accelerandi / ritar-+j — — — ˙ J but ˜relativized œ œœ œ œ œ œ ˙ etc.z J œ µ ˜ œ etc. Middle to high tones (free pitch) dandi z œ œ— „œ œ„ œ „ „ œ œ œ œ œœ — ˙ „µ— —„ etc. J œ µ etc. ˙ œJ ˜ J œ µ ˙ ˜ ˜ z Notes hanging below the staff: uncontrolled tremolo „ „ wild, z „ „ Fast, „ œ œ œ œ œ œ„ „ „ œ „ œ „ œ œ œ etc. ˙ 9 Middle to low tones (free pitch) 5 „ etc. „ ˙ µ o A quarter-tone ˜ upœ˙ oJ etc. œ „ + o o o o o o œ œ „œ œ„ œ„ „ „ zj„ „ œ„ „ etc. œ œ œœ œœœ œ œ„ „ œ „ „ o ^ œ Notes on the staff: Exact pitch ˙œo o etc. etc. œ „ „ ˙ œoo œo œo œ œo o ˙ +j „ „ #^ œetc. o œ œ œ ˙ J œ µ + ˜ o o o o o o œ œ œ œ down A quarter-tone œ œ j etc. œ œ z „ œ„ o etc. o j oœ +o oµ„ o „ œo„ o J o œo „ œetc. o˜œ o œ œo œo ˙ o ˙+ o œo œ œoup o œo o œœ . . . . . . . . .µœ. o œj œ œ o œ o œ œ + 3 quarter-tones œ Relative pitch j œ zj œ œ œ œ œœ etc. œ œ etc. etc. „ „ „ „ „ „ 9 + etc. 5 9 o o o ˙ œ5o o o freely on a quarter-tone scale within the tone 9 —o œo— — œ5 œImprovise — j œ œ œ œ etc. „ „ „ œ etc. etc. „ Tones with same pitch (tone repetitions) range shown in the frame, playing the rhythm shown etc. „ etc. etc. „ o ˙^ 9 ^ 5 oœ œo œ^o# ^o œ œo 9o above.5Very legato and with no crescendo, unless otherœ œ œ œ œ œ œ œ o 9 5+ etc. j#—^ — #œ ^ etc.œ œ etc. wise indicated. etc. œ — etc. etc. oœ ^ o j ^ +j Quarter-tones (“deliberately out of tune”) # ^ œœo œo 9œ œ œœo œo œ œœo 5œo j# ^ ^ jœ œœœ . . .œ . . . œ. . œ. œ. µ œ œ etc. . œ œ . ∑ . . . . . . . . . . . . . . . . .µœ. œœ etc. & µ œ j j j 5^ 9 . œ œ . . . . . .. Even glissando J — — —œœ ˜. . . . . . . . .µœ. œ œ œ œœ . #. ^. . ˙ . . . . .µœ. œ etc. œ œ œ — µ .œµœ . œ etc. z Flute: 9 ^5 ∑ j & œœœœœ œœœ œœ œ. . . œ. . œ. . œ. . µœœ. œ œ œ etc. etc. # ^ etc. Un-even glissando Alternative way of producing the tone (air sounds, over^ „ „ #^ œ œ œ œ œœ — — „ „ œj„ œ œ œ œœ œ„œetc.œ œœ œ etc.œ œ œ œetc.). Klaus Ib Jørgensen: Moon-pain, viola - 1 œ œ œ œ˙Audible œ œ etc. pitch not necessary. Improvise, alterœ œ œ œ œ µ—œ œ œetc.etc.œ œœœ œ.J . . œ. . œ. . .œ .µœœ. œ˜ etc. tones ∑ & nating between different ∑ styles of playing. Or stick with j & œœ . . . . . +. . . .µœ. œ œ œ œ œ œo œo œœo the Extremely un-even glissando with an uncontrolled amplisame style! œo œo œo œo œo µ∑ œ etc. j ˙ J œ ˜ œ ∑ & tude ∑ & ∑ œ etc. & z „ „ „ „ etc. ∑ “Ghost-tones” – see direcAir only, no pitch (sometimes & œ œ œ œ œ œ œ œ œ œ œ œ &œ œ œ œ œ etc. ˙ ∑ tions in score)∑ &— — — „ „ „ ∑ As high as possible œ9œ etc. &œ œ œ œ œ œ etc. etc. ∑ viola - 1 „ ∑„ „ ˙ Moon-pain, 5& Klaus Ib Jørgensen: o ∑ & o o œ o o o œ o o Klaus Ib Jørgensen: Moon-pain, viola - 1 & etc. œ∑ ˜ Clarinet: œ œµ œ œ œJ œ ^ ∑ o o etc. & #^ + ∑ KlausviolaIb-Jørgensen: o œo o oviolaœ - 1o Klaus o Moon-pain, Durations are relative, from: Ib Jørgensen: Moon-pain, viola - 1 Klaus Ib Jørgensen: Moon-pain, 1 j œœ œ œ œ œ œ œ œ © 2003 by Edition SAMFUNDET, œ Copenhagen œ œ œ œ œSlap Klaus tongue etc.viola - 1 Ib Jørgensen: Moon-pain, j ∑ & ultra short note, to œ œ . . . . . . . . . . Klaus Ib Jørgensen: Moon-pain, viola - 1 „ µ œ „ „ „ Air only, no pitch (sometimes “Ghost-tones” or in combi„ etc. ˙ ∑ 5 very long note nation with vocal sounds – see directions in score) 9 Klaus etc. µ — J ˜ Ib Jørgensen:5œMoon-pain, viola - 1 — — etc. etc. o ^ Moon-pain, viola - 1 oœ œo Ibœ#Jørgensen: o œo œo œo o œ œKlaus œ œ œ œ œ Horn: etc. œ œ ^ œ œ œ œ œ

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y Edition SAMFUNDET, Copenhagen

j „ „ „ „ „œœetc. . . . . . . . . . µ œ.

etc.

œ œ œ

— o o o œo — o — — o œ o o etc. — &etc. œ œ œ œ —œ — œ — etc.etc. ^ J µ

j Air only, œœno . . . . . µœ. (sometimes in combination with vocal . . . . pitch ∑ – see directions in score) œ œsounds œœ

œœœœœ œœœ

Strings:

∑ œ œ œ œ œ œ œ œ etc. (“Ton-Wolf”): sordonino œ ˜Con The piece requires the use of the so-called “Ton-Wolf” Moon-pain, viola - 1 œ mute, œ œKlausalso œ IbœJørgensen: œ known as a “hotel ∑ mute”. The rubber model is œ preferred œ œ œ œ œinstead of the heavy metal kind.

etc.

œ œ ©œ2003œby Edition œ SAMFUNDET, Copenhagen j & œ œ œ œ œ œœ . . . . . . . . .µœ. 5

„ „ etc. „ „ ˙ „ etc. ^

∑

˙JTremolo œ unmeasured, unless otherwise indi˜ is always

&µ

z˙ z

Jcated ˜

∑

o ∑ Improvise freely on harmonics in a very high register. o œ œ œ œ œ „ jœœo œ„ œo œ „œ etc.œo„ œo „ œ œo œo Short, ˙fast movements, alternating between staccato, „ œœ . . . . . . „. . . µœ.„ etc. etc.

„ „ „

„ etc.

+ j œ+j œ œ œ5 œ œœ œ œ œ

legato˙and other styles of bowing. Alternate between intune harmonics and those a little out of tune. œo

o ∑o o œ o œ œ o o Sul ponticello o œ S.P.: œ œ œ etc.

Klaus Ib Jørgensen: Moon-pain, viola - 1

MFUNDET, Copenhagen

Klaus Ib Jørgensen: Moon-pain, viola - 1

o o œœ o o œœ

etc.

œo œo

etc.

S.P.+: Extreme sul ponticello to the point where the pitch ∑becomes almost inaudible (but not entirely!).

etc.

∑S.T.: Sul tasto 5 etc. ^ etc. MFUNDET, Copenhagen Klaus Ib Jørgensen: Moon-pain, viola - 1 #^ ^ j œ œ . . . . . . . . . . S.V: Senza vibrato #^ µ œ j œœ j. . . . . . . . .µœ. ∑C.L.: Col legno œœ . . . . . . . . .µœ. 9

œœœœœ œœœ

MFUNDET, Copenhagen

Saltando

Klaus Ib Jørgensen: Moon-pain, viola - 1

etc.

œœœœœ œœœ œœœœœ œœœ

AMFUNDET, Copenhagen

etc. etc.

Bowed ‘tremolo’ in accelerando / ritardando. Alternate between very slow, less slow and relatively fast, but never hectic. The number of tones in each bar is relative, ∑ but try to fit in approximately the number of tones shown. ∑

∑

∑ ∑

Klaus Ib Jørgensen: Moon-pain, viola - 1

Apart from the above, normal directions are in use (staccato, legato, accentuations, dynamics etc.). If directions are left out the singer may add them according to the immediate situation.

INSTRUMENTATION Mezzo-soprano Flute (doubling alto in G and piccolo) Clarinet in Bb (doubling bass clarinet) Horn in F Piano Percussion (one player)

Glockenspiel Vibraphone Marimba

Sizzle cymbal Snare drum Woodblocks Log drum Bass drum (Gran Cassa) Tam-tam Rain-stick

Violin Viola Cello Doublebass Stereo sound processing (MaxMSP).

Computer file on CD is provided from the publishers on request (sales@edition-s.dk). The male voice recorded on the sound file is performed by Stig Hoffmeyer. The numbers shown in the â&#x20AC;&#x2DC;tapeâ&#x20AC;&#x2122; part of the score refer to the starting cues for the indiviual sound files. Performing of the sound does not require effect processing. No piano reduction is provided for this piece.

All instruments are written in their relevant transpositions.