Mads Emil Dreyer Miniature 4 (2022) for two performers Dur. 14′
Commissioned by HAV Duo
SCORE
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Mads Emil Dreyer Miniature 4 (2022) for two performers Dur. 14′
PERFORMANCE NOTES PERFORMANCE NOTES PERFORMANCE NOTES This piece is written for two performers playing on a miniature glockenspiel, a guitarlele, two melodicas and two MIDI keyboards. PERFORMANCE NOTES This piece is written for two performers playing on a miniature glockenspiel, a guitarlele, two melodicas and two MIDI keyboards. This piece is written for two performers playing on a miniature glockenspiel, a guitarlele, two melodicas and two MIDI keyboards. PERFORMANCENOTES NOTES PERFORMANCE
Player Player 2:glockenspiel, a guitarlele, This piece is written for1: two performers playing on a miniature two melodicas and two MIDI keyboards.
Player 1: playing on a miniature glockenspiel, a guitarlele, Player 2: andand This piece pieceisiswritten writtenfor fortwo twoperformers performers two melodicas keyboards. This melodicas twotwo MIDIMIDI keyboards. Player 1: playing on a miniature glockenspiel, a guitarlele, twoPlayer 2: Player 1:1: Player
Player 1
Player Player 2: 2:
Player 2
The score is written in transposition:
The score is written in transposition -the glockenspiel sounds one octave above written. -the sounds octave above - glockenspiel The glockenspiel sounds onesounds octave written. -the glockenspiel oneabove octave above written. -the glockenspiel soundsone one octave abovewritten. written. -the glockenspiel sounds one octave above written. The guitarlele transposes according to this chart: -the guitarlele transposes according to this chart: -the -the guitarlele guitarleletransposes transposesaccording accordingtotothis thischart: chart:
The score is written in transposition: The The score scoreisiswritten writteninintransposition: transposition: The score is written in transposition:
-the guitarlele transposes according to this chart: -the guitarlele transposes according to this chart:
- Keyboard 1 sounds one octave above written except for the pitches in the chart below. The pitches in the chart are transmitted through the audio exciter mounted on player 1's melodica, -keyboard 1 sounds one octave above written except for the pitches in the chart below. The pitches in the chart are transmitted through the audio ex whereas all other pitches on keyboard 1above are transmitted through theinaudio exciter mounted on -keyboard sounds one octaveall for the 1pitches the chart below.the The pitches in the chart are through the audio exc mounted on transmitted the glockenspiel. player 1's1melodica, whereas otherwritten pitchesexcept on keyboard are transmitted through audio exciter -keyboard 1 sounds whereas one octave above written except for the pitches in the chart below. The pitches in mounted the charton are transmitted through the audio ex the glockenspiel. player 1's melodica, all other pitches on keyboard 1 are transmitted through the audio exciter the glockenspiel. player 1's melodica, whereas all other pitches on keyboard 1 are transmitted through the audio exciter mounted on the glockenspiel.
-keyboard 1 sounds one octave above written except for the pitches in the chart below. The pitches in the chart are transmitted through the audio exciter mounted on -keyboard 1 sounds one octave above written except for the pitches in the chart below. The pitches in the chart are transmitted through the audio exciter mounted on player 1's melodica, whereas all other pitches on keyboard 1 are transmitted through the audio exciter mounted on the glockenspiel. player 1's melodica, whereas all other pitches on keyboard 1 are transmitted through the audio exciter mounted on the glockenspiel.
-keyboard 2 sound as written except for the pitches in the chart below. The pitches in the chart are transmitted through the audio exciter mounted on -keyboard 2 sound as writtenallexcept for the on pitches in the2 chart below. Thethrough pitchesthe in the chart aremounted transmitted through the audio exciter mounted on player 2's melodica, whereas other pitches keyboard are transmitted audio exciter on the guitarlele. player 2's melodica, whereas all other pitches on keyboard 2 are transmitted through the audio exciter mounted on the guitarlele.
- Keyboard 2 sound as written forexcept the pitches in the chart below. pitches in chart the chart -keyboard 2 soundexcept as written for the pitches in the chart below. The The pitches in the are transmitted through the audio exciter mounted o 2melodica, sound aswhereas written except forpitches the pitches in the chart below. The pitches in the chart are transmitted the audio exciter mounted on player 2's all other on keyboard 2 are transmitted through the audio exciter mountedthrough on the guitarlele. are transmitted-keyboard through the audio exciter mounted on player 2's melodica, whereas all other -keyboard 2 sound as writtenallexcept the pitches in the 2chart below. The pitches theaudio chartexciter are transmitted through the audio exciter mounted o player 2's melodica, whereas other for pitches on keyboard are transmitted throughinthe mounted on the guitarlele. player 2's melodica, whereas allthrough other pitches keyboard 2 aremounted transmittedon through the audio exciter mounted on the guitarlele. pitches on keyboard 2 are transmitted the on audio exciter the guitarlele.
Electronics: The electronic sounds are broadcast through audio exciters mounted on the glockenspiel. No extra loudspeakers are needed. Electronics: Each audio exciter needs amplification. Please make that mounted the gain control the amplifiers not exceed 50% are needed. The electronic sounds are broadcast through audiosure exciters on theonglockenspiel. Nodoextra loudspeakers The produced a sine wave generator builtsure in Max/MSP. Eachsounds audio are exciter needsby amplification. Please make that the gain control on the amplifiers do not exceed 50% The sounds are produced by a sine wave generator built in Max/MSP. Tech rider: 1Tech x table (size approx. 200 x 100 cm) Electronics: rider: 2 x chairs 1 x table (size approx. 200 xElectronics: 100 Thecm) electronic sounds are broadcast through audio exciters mounted on the glockenspiel. No extra loudspeakers are needed. Electronics: 1 x Apple MacBook Pro withThe Max/MSP electronic sounds are broadcast through audio exciters mounted on control the glockenspiel. No extra are needed. 2 x chairs Each audio exciter needs Please make sure that the gain on the amplifiers do loudspeakers not exceed 50% 1 x audio interface with minimum 4electronic outputs The sounds are amplification. broadcast through audio exciters mounted on the glockenspiel. No extra loudspeakers are needed.
Electronics The electronic sounds are broadcast through audio exciters mounted on the glockenspiel. No extra loudspeakers are needed. Each audio exciter needs amplification. Please make sure that the gain control on the amplifiers do not exceed 50%. The sounds are produced by a sine wave generator built in Max. Tech rider 1 × table (size approx. 200 × 100 cm) 2 × chairs 1 × Apple MacBook Pro with Max 1 × audio interface with minimum 4 outputs 4 × PUI ASX03608-R audio exciters (+ Schertler contact mic putty) 4 × Dayton DTA-1 amplifiers 2 × Nektar SE25 MIDI keyboards 1 × Sonor alto glockenspiel (w. rubber mallets) 1 × Yamaha Guitarlele GL1 2 × Hohner Student 26 melodicas
For technical questions regarding either hardware or software please contact the composer at madsemildreyer@gmail.com
Mvt. 1 melodica + keyboard
3 4 °
∑
&
Highest C≥ on glockenspiel + keyboard
Player 1 glockenspiel + keyboard
q = 50
¢&
#œ ‰ #œ ‰ œ ‰
∑
∑
∑
#œ ‰ #œ ‰ œ ‰
#œ ‰ #œ ‰ œ ‰
#œ ‰ #œ ‰ œ ‰
ppp sempre Highest F on melodica ppppp sempre (as soft as possible)
melodica + keyboard
° &
œ˙ ™ J .
∑
˙™
˙™
Highest F on keyboard f4
c#4
Player 2
g#4
Highest D on keyboard keyboard +guitarlel e
¢&
be ‚
e ‚
ne ‚
ne ‚
be ‚
e ‚
ne ‚
be ‚
e ‚
ne ‚
sul iii
sul iv
sul v
be ‚
e ‚
ppp sempre
=
- Diamond-shaped notes: right-hand harmonics played on open strings at 12th fret. - Small round notes: pitches played on keyboard - The boxed pitches above the staff are the actual sounding guitarlele and keyboard notes
° & 5
∑
∑
∑
∑
∑
œ ‰ #œ ‰ œ ‰
œ ‰ #œ ‰ œ ‰
œ ‰ nœ ‰ œ ‰
œ ‰ œ ‰ œ ‰
˙™
˙™
Pl 1
#œ ‰ œ ‰ nœ ‰ & ¢
Highest G on melodica
° ˙™ &
œ˙™ J .
∑
Pl 2
Highest G on keyboard
e ¢& ‚
be ‚
ne ‚
e ‚
be ‚
ne ‚
e ‚
be ‚
ne ‚
e ‚
be ‚
ne ‚
e ‚
be ‚
ne ‚
=
5 8
A
° & 10
∑
∑
∑
∑
œ #œ ‰ #œ ‰ ‰
œ #œ ‰ #œ ‰ ‰
∑
Pl 1
œ ‰ œ ‰ œ ‰ & ¢ ° &
Highest F on melodica
˙™
œ˙ ™ J.
∑
‰ nœ Œ
#œ
˙™
œ #œ ‰ #œ ‰ ‰ ˙™
Pl 2
e ¢& ‚
be ‚
ne ‚
e ‚
be ‚
ne ‚
Highest F on keyboard
e ‚
be ‚
ne ‚
Mads Emil Dreyer: Miniature 4 - 5
e ‚
be ‚
Œ
e ‚
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Version 1.0, 14.04.22
5 Highest G on melodica 8 œœ œ™ °
3 4 ˙™
15
&
˙™
5 8œ
Ϫ
Œ
#œ
J.
Highest D on keyboard (sounds a perfect 4th above)
Pl 1
#œ
¢&
‰
‰
° &
œ
Ϫ
¢&
e ‚
be ™ ‚™
œ #œ
‰ #œ
‰
œ
#œ
‰
‰ #œ
‰
∑
œ
#œ
‰
∑
4 4
‰ #œ
∑
Pl 2
be ‚
e ‚
ne ‚
be ‚
e ‚
ne ‚
e™ ‚™
be ‚
= B
4 4 °
3 4
19
2 4
∑
∑
∑
∑
‰ œ ‰ nœ ‰ #œ ‰ œ
#œ ‰ nœ ‰ œ ‰
#œ ‰ œ ‰ œ ‰
#œ ‰ #œ ‰ œ ‰
˙™
˙™
&
Pl 1
¢&
Highest G≥ on melodica
° ##œw & J.
∑
Highest G≥ on keyboard
Pl 2
¢&
be ‚
e ‚
ne ‚
e ‚
be ‚
e ‚
ne ‚
be ‚
e ‚
ne ‚
be ‚
e ‚
ne ‚
=
2 4 °
3 4
23
5 8
∑
&
3 4
∑
5 8
∑
∑
∑
‰ œ #œ
#œ ‰ #œ ‰ œ ‰
#œ ‰ #œ ‰ œ ‰
œ
Ϫ
˙™
e ‚
be ™ ‚™
e ‚
Pl 1
¢&
Œ
‰ #œ
#œ ‰ #œ ‰ œ ‰
‰
#œ
Highest C≥ on melodica
Pl 2
° ##œ˙ & J .
˙™
Highest C≥ on keyboard
¢&
e ‚
Œ
e ‚
be ‚
ne ‚
Mads Emil Dreyer: Miniature 4 - 6
∑ be ‚
ne ‚
e ‚
be ‚
ne ‚ Version 1.0, 14.04.22
C
5 28 8 °
4 4
3 4
∑
&
∑
∑
∑
‰ œ ‰ nœ ‰ #œ ‰ œ
#œ ‰ nœ ‰ œ ‰
#œ ‰ œ ‰ œ ‰
˙™
˙™
Pl 1
#œ ‰ #œ
Œ
¢&
Highest G≥ on melodica
° &
##œw J .
∑
Highest G≥ on keyboard
Pl 2
e™ ‚™
¢&
be ‚
be ‚
e ‚
ne ‚
e ‚
be ‚
e ‚
ne ‚
e ‚
be ‚
ne ‚
=
U 10''
° & 32
∑
∑
∑
∑
∑
∑
∑
∑
6 8
Pl 1
#œ ‰ œ ‰ #œ ‰ & ¢
Œ
‰ #œ Œ
Highest C≥ on melodica
° &
##œ˙™ J.
∑
Pl 2
˙™
˙™
˙™
Highest C≥ on keyboard
¢&
e ‚
be ‚
ne ‚
e ‚
Œ
Œ
∑
Mads Emil Dreyer: Miniature 4 - 7
∑
∑
Version 1.0, 14.04.22
Mvt. 2 e = 100
6 8 °
7 8
37
6 8
∑
&
∑
∑
7 8
∑
Lowest G on glockenspiel + keyboard
Pl 1
¢&
8 8 Ϊ
‰ ≈œ ‰ Ó
∑
Œ
≈œ
∑
ppp sempre Highest G on melodica ppppp sempre (as soft as possible)
° &
Ϫ
œ˙™ J .
Pl 2
˙
˙™
∑
Highest G on keyboard g#4
¢&
c#4
a#3
ne b e e e e e ‚ ‚ ‚ ‚ ‚ ‚
sul iii
=
f4
sul iv
sul v
ppp sempre
ne b e ‰ e e e b e ‚ ‚ ‚ ‚ ‚ ‚
41
∑
&
b ej ‚J
ne b e e e ej Œ ‚ ‚ ‚ ‚ ‚J
sul vi
D
7 8 °
ne b e e e e b e ‚ ‚ ‚ ‚ ‚ ‚
Pl 1
Highest C on melodica ppppp sempre (as soft as possible)
6 8 ˙œ ™
J . Highest A on keyboard
˙™
3 8
˙™
6 8 ∑
(sounds a minor 3rd above)
¢&
‰ ≈œ ‰ Ó
Ϊ
‰™
Ϫ
Œ
œ Œ™ J
Ϊ
‰ œ ‰
‰ ≈œ ‰
Highest B on melodica
° &
∑
∑
Ϫ
œ˙™ J .
∑
Pl 2
Highest B on keyboard
¢&
ne b e ‰ e e e b e ‚ ‚ ‚ ‚ ‚ ‚
ne b e e e e b e ne b e e e e b e ne b e e Œ ™ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚
∑
=
6 Highest G on melodica 8 ˙™ ° œ 46
&
Pl 1
J.
7 8 Ϫ
˙
6 8 ˙™
7 8 Ϫ
Highest D on keyboard (sounds a perfect 4th above)
∑
¢& ° &
˙™
≈#œ Œ
Ó
Ϫ
˙
Ϊ
≈#œ Œ
∑
≈#œ Œ
˙
Ó
∑
Pl 2
ne b e e e e b e & ‚ ‚ ¢ ‚ ‚ ‚ ‚
ne b e ‰ e e e b e ‚ ‚ ‚ ‚ ‚ ‚
ne b e e e e b e ‚ ‚ ‚ ‚ ‚ ‚
Mads Emil Dreyer: Miniature 4 - 8
ne b e e e e ‰ ej ‚ ‚ ‚J ‚ ‚ ‚ Version 1.0, 14.04.22
E
6 8
° & 50
∑
#˙™ œ J .
∑
Highest F≥ on keyboard (sounds a perfect 4th above)
Pl 1
¢&
∑
Œ
∑
œ˙ ™ J .
≈ œ Œ™
≈ œ Œ™
6 8
˙
Ϊ
‰ œ Œ
˙™
Ϫ
˙
ne b e e e e b e ‚ ‚ ‚ ‚ ‚ ‚
ne b e e Ó ‚ ‚ ‚
Œ
Highest C on melodica
° &
7 8 Ϫ
Highest B on melodica
Highest C on keyboard
Pl 2
ne b e e e e ¢& ‚ ‚ ‰ ‚ e ‚ ‚ ‚
ne b e e e e b e ‚ ‚ ‚ ‚ ‚ ‚
=
6 54 8 ˙™ °
C on melodica 6 Highest 8 ˙œ ™
8 8
J .
∑
&
7 ™ 8œ
˙
Highest A on keyboard (sounds a minor 3rd above)
Pl 1
¢&
Ϊ
≈œ Œ
Ϊ
∑ Highest A≥ on melodica
° &
∑
# œw J .
Œ
≈#œ
∑
˙™
Ϫ
ne b e e e e b e ‚ ‚ ‚ ‚ ‚ ‚
ne b e e e e ‰ b ej ‚ ‚ ‚J ‚ ‚ ‚
˙
Highest A≥ on keyboard
Pl 2
¢&
ne b e e e e b e ‚ ‚ ‚ ‚ ‚ ‚
ne b e Œ ‚ ‚
e e e be ‚ ‚ ‚ ‚
= ° & 58
Ϫ
˙
6 8
Highest A# on melodica
∑
∑
Ó
≈œ Œ
Ϊ
Ϊ
4 8˙
6 8
Highest E on keyboard (sounds an augmented 4th above)
Pl 1
¢& ≈ œ Œ
# ˙œ ™ J.
‰ œ ‰
∑
∑
Highest B on melodica
° &
∑
œ˙™ J .
˙™
˙™
˙
Highest B on keyboard
Pl 2
ne b e e e e be ¢& ‚ ‚ ‰ ‚ ‚ ‚ ‚
ne b e e e e b e ne b e e e e b e nej Œ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ J Mads Emil Dreyer: Miniature 4 - 9
Ϊ
∑
Version 1.0, 14.04.22
F
6 63 8 ° <#> ˙ ™
Highest C on melodica
8 8
6 8 ˙œ ™ J .
∑
&
Ϊ
œ Œ J
ŠϪ
Œ
Ϊ
Ó
Highest A≥ on melodica
° &
# œw J .
∑
8 8
˙
Highest A on keyboard (sounds a minor 3rd above)
Pl 1
¢&
7 ™ 8œ
Œ
≈#œ
∑
˙™
Ϫ
ne b e e e e b e ‚ ‚ ‚ ‚ ‚ ‚
ne b e e e e ‰ ej ‚ ‚ ‚J ‚ ‚ ‚
˙
Highest A≥ on keyboard
Pl 2
ne b e e e e b e ‚ ‚ ‚ ‚ ‚ ‚
¢&
ne b e Œ ‚ ‚
e e e be ‚ ‚ ‚ ‚
=
8 rit. 8w °
6 8 ˙™
67
&
Pl 1
ŠϪ
¢&
Œ
Ó
Ϊ
≈ œ Œ Highest B on melodica
° &
œ˙™ J .
∑
Pl 2
Highest B on keyboard
¢&
ne ‚
be ‚
e ‚
Œ
e ‚
e ‚
be ‚
ne ‚
be ‚
e ‚
e ‚
e ‚
=
be ‚
U 10''
e = 70
° & 69
∑
∑
∑
∑
∑
3 4
Pl 1
¢&
Ϊ
‰
œ
‰
° ˙™ &
˙™
˙™
Pl 2
ne ¢& ‚
be ‚
e ‚
e ‚
e ‚
be ‚
nej ‚J
Œ
Ϊ
Mads Emil Dreyer: Miniature 4 - 10
∑
Version 1.0, 14.04.22
Mvt. 3 q = 68
3 4 ° 72
∑
&
∑
∑
∑
∑
Lowest F on glockenspiel + keyboard
Pl 1
∑
¢& ° & Pl 2
Ó
≈œ™
‰™
œ Œ
#œ
Œ
be ‚
ne ‚
ppp sempre
Middle C on melodica ppppp sempre (as soft as possible)
œ˙™ .J
‰ ™ #œ ‰ œ Œ
≈ Œ #œ ™
˙™
˙™
˙™
˙™
Middle C on keyboard a#3
¢& =
e ‚
f4
be ‚
g4
ne ‚
sul iii
sul iv
be ‚
e ‚
ne ‚
be ‚
e ‚
ne ‚
be ‚
e ‚
ne ‚
e ‚
sul vi
ppp sempre
2 4
° & 77
∑
∑
∑
∑
∑
∑
∑
∑
∑
Pl 1
™ ¢& ‰
œŒ
#œ œ
° &
∑
≈
Ϫ
Œ
Œ
Œ
≈œ™ Œ
∑
∑
Pl 2
be ‚
¢& e ‚ =
ne ‚
be ‚
e ‚
ne ‚
e ‚
be ‚
ne ‚
e ‚
be ‚
ne ‚
e ‚
be ‚
ne ‚
G
2 82 4 °
3 4 ∑
&
∑
∑
∑
∑
Pl 1
¢& ° &
Œ
#œ
œ
ŠϪ
‰ #œ
œ
Œ
Œ
Ó
‰
∑
œ
Middle C on melodica
∑
Pl 2
œ˙™ J.
˙™
˙™
˙™
Middle C on keyboard
¢&
∑
e ‚
be ‚
ne ‚
e ‚
be ‚
ne ‚
Mads Emil Dreyer: Miniature 4 - 11
e ‚
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Version 1.0, 14.04.22
° & 87
∑
∑
∑
∑
∑
Pl 1
¢& ≈# œ ™ Œ
Œ
Œ
‰ œ Œ
° ˙™ &
‰
≈#œ ™
Œ
#œ
∑
œ œ Œ
Œ
∑
Œ
≈#œ œ Œ
∑
∑
Pl 2
¢& e ‚
be ‚
ne ‚
be ‚
e ‚
ne ‚
be ‚
e ‚
ne ‚
e ‚
be ‚
ne ‚
e ‚
be ‚
ne ‚
= H
2 4
° & 92
3 4
∑
∑
∑
∑
∑
Pl 1
¢& Ó
‰™
Ó
œ
#œ
Œ
Œ
Œ
œ #œ ‰ #œ
œ
‰™
œŒ
be ‚
ne ‚
Middle C on melodica
° &
∑
œ˙™ J .
∑
Pl 2
˙™
˙™
Middle C on keyboard
∑
¢&
be ‚
e ‚
∑
ne ‚
be ‚
e ‚
ne ‚
e ‚
= ° & 97
∑
∑
∑
∑
∑
∑
∑
∑
∑
Pl 1
¢& ≈#œ ™ œ
Œ
° ˙™ &
Œ
‰
œ
Œ
˙™
#œ
Œ
Œ
∑
Pl 2
¢&
e ‚
be ‚
ne ‚
e ‚
be ‚
ne ‚
e ‚
be ‚
ne ‚
Mads Emil Dreyer: Miniature 4 - 12
e ‚
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Version 1.0, 14.04.22
I
° &
Lowest G≥ on melodica ppppp sempre (as soft as possible)
102
∑
∑
##˙œJ™ .
∑
Pl 1
˙™
Lowest F≥ on keyboard (sounds a major 2nd above)
¢& ≈ œ ™ ≈#œ ™ Œ
‰™
Œ
#œ
≈œ™
œ ‰ #œ Œ
‰ ™ #œ ≈ œ ™ Œ
∑
Middle C on melodica
° &
∑
∑
œ˙™ J.
∑
Pl 2
˙™
Middle C on keyboard
¢& e ‚
be ‚
ne ‚
e ‚
be ‚
ne ‚
e ‚
∑
be ‚
ne ‚
be ‚
e ‚
ne ‚
= ° & <#>˙ ™ 107
˙™
˙™
∑
∑
Pl 1
‰™
¢& Ó ° ˙™ &
œ ‰™
œ
Œ
≈ #œ ™
˙™
∑
∑
∑
∑
Œ
‰
#œ
Œ
∑
Pl 2
¢&
e ‚
be ‚
ne ‚
e ‚
be ‚
ne ‚
be ‚
e ‚
ne ‚
e ‚
be ‚
ne ‚
e ‚
be ‚
ne ‚
Œ
Œ
be ‚
ne ‚
= J
2 4
° & 112
∑
3 4 ∑
Pl 1
Lowest G≥ on melodica
##˙œJ™ .
˙™
˙™
Lowest F≥ on keyboard
¢&
Œ
‰
° &
œ
Œ
∑
‰™
#œ
Œ
Œ
∑
‰
œ
Middle C on melodica
∑
∑
Pl 2
œ˙™ J.
˙™
˙™
Middle C on keyboard
¢& e ‚
be ‚
ne ‚
∑
e ‚
be ‚
ne ‚
Mads Emil Dreyer: Miniature 4 - 13
e ‚
be ‚
ne ‚
e ‚
Version 1.0, 14.04.22
rit.
° & <#>˙ ™ 117
˙™
∑
Pl 1
¢& Œ
‰
Œ
œ
∑
° ˙™ &
‰
Œ
œ
Œ
˙™
∑
Pl 2
¢& e ‚
be ‚
ne ‚
e ‚
be ‚
ne ‚
be ‚
e ‚
ne ‚
=
U 10''
q = 50
° & 120
∑
∑
∑
∑
∑
∑
∑
5 4
Pl 1
¢& Œ
‰™
° &
œ
Œ
∑
Pl 2
¢& e ‚
be ‚
ne ‚
e ‚
be ‚
ne ‚
Mads Emil Dreyer: Miniature 4 - 14
e ‚
be ‚
ne ‚
Version 1.0, 14.04.22
Mvt. 4 q = 50
5 4 °
3 4
123
4 4
∑
&
5 4
∑
∑
Pl 1 Lowest C on glockenspiel + keyboard
¢&
∑
œ
≈
Ϫ
Œ
Œ
≈
Ϫ
Œ
Ó
Œ
Ó
ppp sempre
° & Pl 2
Middle C on melodica ppppp sempre (as soft as possible)
œ˙™ J.
˙
˙™
w
Middle C on keyboard c#4
¢&
e n‚
e ‚
∑
Œ
e ‚
Œ
sul vi
=
ppp sempre
K
5 4 °
3 4
126
∑
&
Pl 1
¢&
Œ
œ
° &
b ˙œ™ .J
w
Lowest A on keyboard (sounds a minor 2nd above)
ŠϪ
Œ
4 4
Lowest B¯ on melodica
Œ
∑
∑
œ
‰™
œÓ
∑
∑
Pl 2
¢&
e ‚
e ‚
∑
Œ
e ‚
Œ
Œ
Ó
=
5 4
° <b>w & 129
4 4
∑
∑
Pl 1
¢&
≈
Ϫ
Œ
° &
‰ œ Œ
≈ ™ œ
Œ
Œ
Ϫ
œ
Œ
œ
œ
Ó
Middle C on melodica
œw J.
∑
Pl 2
˙
˙™
Middle C on keyboard
¢& e ‚
Œ
e ‚
Œ
e ‚
Œ
Ó
Mads Emil Dreyer: Miniature 4 - 15
e ‚
∑
Version 1.0, 14.04.22
4 4 °
3 4
L
132
∑
&
∑
∑
Pl 1
5 4
Lowest B¯ on melodica
b ˙œ™ J.
Lowest A on keyboard
¢&
œ
Œ
œ
œ
° &
‰ œ Œ
Ó
≈
Ϫ
Œ
‰ œ Œ
‰™
Ó
œ
Middle C on melodica
œw J.
∑
Pl 2
w
˙™
Middle C on keyboard
¢&
e ‚
Œ
e ‚
Ó
Œ
e ‚
Ó
Œ
e ‚
Ó
Œ
Œ
=
5 4 ° <b>˙ & 136
3 4
˙™
4 4
˙™
5 4
∑
∑
Pl 1
¢&
Ó
Ó
œ
° &
‰™
œ
œ
Œ
‰™
Œ
œŒ
‰
œ
Œ
Œ
œ™ œ
Middle C on melodica
∑
∑
œw J
∑
Middle C on keyboard
Pl 2
¢&
e ‚
e ‚
∑
Œ
Œ
e ‚
∑
Œ
Ó
=
5 4 °
M
4 4
140
∑
&
∑
∑
Pl 1
¢&
Œ
° &
˙™
œ
œ
Ó
œ
œ
œ
Œ
‰ œ Œ
Ó
Middle C on melodica
˙
∑
Pl 2
œw .J Middle C on keyboard
¢&
e ‚
∑
e ‚
Œ
Ó
Mads Emil Dreyer: Miniature 4 - 16
e ‚
Œ
Ó
Version 1.0, 14.04.22
3 4
° & 143
∑
Pl 1
¢& œ
b ˙œ™ .J
6 4
˙™
˙
Lowest A on keyboard (sounds a minor 2nd above)
‰™
œ
5 4
Lowest B¯ on melodica
œŒ
‰™
Ó
° w &
Ó
œ
Ó
œ
˙™
∑
Pl 2
¢& e ‚
Œ
e ‚
Ó
Œ
e ‚
Œ
∑
= U
6 4 °
10''
146
∑
&
2 4
∑
Pl 1
¢&
Pl 2
œ
‰™
œ
∑
œ
Lowest A≥ on melodica ° # & œw™ .J
Ó
Ó™
Ó
Ó™
w™
Lowest A≥ on keyboard
¢&
e ‚
Ó
Ó™
e ‚
Mads Emil Dreyer: Miniature 4 - 17
Version 1.0, 14.04.22
Mvt. 5 q = 50
2 148 4 °
5 8
∑
&
∑
∑
∑
∑
‰ œ ‰ #œ
‰ œ ‰ #œ
2 4 ∑
Lowest F on glockenspiel + keyboard
Pl 1
∑
¢&
∑
‰ œ ‰ #œ
ppp sempre
° &
∑
∑
5 8 ∑
‰ œ Œ™
‰
# œ œ #œ
Highest A≥ on melodica ppppp sempre (as soft as possible)
∑
∑
#œ ™
#œ J .
∑
Pl 2
˙
Highest A≥ on keyboard c#4
¢&
e ‚
f4
be ‚
e ‚
be ‚
be ‚
e ‚
be ‚
e ‚
be ™ ‚™
e ‚
be ‚
e ‚
sul iv
sul v
=
be ‚
e ‚
ppp sempre
5 155 8 °
N
2 4 ∑
&
∑
∑
∑
‰ œ ‰ #œ
‰ œ ‰ #œ
∑
∑
∑
Pl 1
¢&
#œ #œ ‰ #œ
‰ œ ‰ œ
‰
#œ œ ‰ #œ # œ œ #œ Highest A≥ on melodica
Ϫ
° <#> œ &
‰ œ Œ
˙
˙
∑
∑
# œ˙ J .
∑
Highest A≥ on keyboard
Pl 2
¢&
be ™ ‚™
e ‚
e ‚
be ‚
e ‚
be ‚
e ‚
be ‚
e ‚
f4
g#4
be ‚
ne ‚
be ‚
sul iii
ne ‚
be ‚
sul iv
=
3 4
° &
∑
¢&
∑
162
2 4 ∑
∑
∑
∑
∑
Pl 1
Œ
‰ œ œ
˙™
° <#> ˙ &
‰
#œ
‰ œ
˙
‰
#œ
‰ œ
‰
˙
#œ
‰ œ
‰
∑
#œ
Œ
∑
Pl 2
ne ¢& ‚
be ‚
∑
e ‚
be ‚
e ‚
Mads Emil Dreyer: Miniature 4 - 18
be ‚
e ‚
be ‚
e ‚
Œ
Version 1.0, 14.04.22
° & 168
∑
∑
∑
∑
∑
∑
∑
Pl 1
#œ Œ ¢& ‰ # œ œ #œ #œ
‰ #œ Œ
∑
‰
œ Œ #œ #œ œ #œ
‰ #œ Œ
Highest A≥ on melodica
° &
∑
# œ˙ J .
˙
˙
˙
˙
∑
Highest A≥ on keyboard
Pl 2
e ¢& ‚
be ‚
e ‚
be ‚
e ‚
be ‚
e ‚
be ‚
ne ‚
be ‚
ne ‚
be ‚
ne ‚
be ‚
= O
3 4
° & 175
2 4
∑
3 4
∑
2 4
∑
∑
∑
∑
‰ #œ ‰ œ
‰ #œ ‰ œ
‰ #œ ‰ œ ‰ œ
‰ #œ ‰ nœ
˙™
˙
Pl 1
¢& Œ
‰ #œ
‰ œ
Ó
Highest B on melodica
° &
∑
∑
œ˙ J .
∑
Pl 2
Highest B on keyboard
ne & ¢ ‚
be ‚
e ‚
Ó
e ‚
be ‚
e ‚
be ‚
e ‚
be ‚
e ‚
e ‚
be ‚
= ° & 181
∑
∑
∑
∑
∑
∑
∑
‰ #œ ‰ œ
‰ #œ ‰ œ
‰ #œ ‰ œ
‰ #œ ‰ œ
‰ #œ ‰ œ
‰ #œ ‰ œ
Pl 1
#œ ‰ œ ¢& ‰
Highest A≥ on melodica
° &
˙
˙
∑
∑
Pl 2
# œ˙ J .
˙
˙
Highest A≥ on keyboard
¢&
e ‚
be ‚
e ‚
be ‚
e ‚
be ‚
e ‚
be ‚
e ‚
Mads Emil Dreyer: Miniature 4 - 19
be ‚
e ‚
be ‚
e ‚
be ‚ Version 1.0, 14.04.22
3 4
° & 188
∑
∑
∑
∑
∑
∑
∑
‰ œ ‰ #œ
‰ œ ‰ #œ
∑
∑
Pl 1
¢& ‰ #œ ‰ œ
‰
° <#> ˙ &
˙
‰ œ
#œ
‰
#œ #œ Œ # œ œ #œ
˙
‰ #œ Œ
∑
∑
Pl 2
e ¢& ‚
be ‚
e ‚
be ‚
e ‚
be ‚
e ‚
be ‚
be ‚
e ‚
be ‚
e ‚
be ‚
e ‚
= P
3 195 4 °
2 4
3 4
∑
&
2 4
∑
∑
∑
∑
∑
‰ #œ ‰ œ
‰ #œ ‰ œ
‰ #œ ‰ œ ‰ œ
‰ #œ ‰ nœ
‰ #œ ‰ œ
˙
˙
Pl 1
‰ œ
Ó
¢&
Highest B on melodica
° &
∑
œ˙ J .
∑
˙™
Highest B on keyboard
Pl 2
e ‚
¢&
Œ Œ
e ‚
e ‚
be ‚
e ‚
be ‚
e ‚
be ‚
e ‚
be ‚
e ‚
e ‚
be ‚
= ° & 201
∑
∑
∑
∑
∑
∑
∑
‰ #œ ‰ œ
‰ #œ ‰ œ
‰ #œ ‰ œ
‰ #œ ‰ œ
‰ #œ ‰ œ
‰ #œ ‰ œ
˙
˙
Pl 1
#œ ‰ œ ¢& ‰ ° &
Highest A≥ on melodica
˙
∑
∑
Pl 2
# œ˙ J .
˙
Highest A≥ on keyboard
¢&
e ‚
be ‚
e ‚
be ‚
e ‚
be ‚
e ‚
be ‚
e ‚
Mads Emil Dreyer: Miniature 4 - 20
be ‚
e ‚
be ‚
e ‚
be ‚ Version 1.0, 14.04.22
° &
208
∑
∑
∑
∑
∑
∑
∑
‰ œ ‰ #œ
‰ œ ‰ #œ
∑
∑
∑
∑
Pl 1
¢& ‰ # œ ‰ œ
‰
° <#> ˙ &
˙
#œ #œ Œ # œ œ #œ
‰ #œ Œ
∑
∑
Pl 2
be ‚
e ¢& ‚
be ‚
e ‚
be ‚
e ‚
be ‚
e ‚
be ‚
e ‚
be ‚
e ‚
e ‚
Œ Œ
= Q
3 4
° & 215
∑
2 4
∑
∑
∑
∑
∑
∑
œ œ #œ #œ
œ ‰ #œ ‰
‰ #œ ‰ œ ‰ œ
‰ œ ‰ #œ
‰ œ ‰ #œ
‰ œ ‰ #œ
˙
˙
˙
Pl 1
¢& ‰ œ ‰ #œ
Highest A≥ on melodica
° &
∑
˙™
# œ˙ J .
∑
Pl 2
Highest A≥ on keyboard
e ¢& ‚
be ‚
be ‚
e ‚
be ‚
e ‚
be ‚
e ‚
e ‚
be ‚
e ‚
be ‚
e ‚
e ‚
be ‚
= R
° &
222
∑
∑
∑
∑
∑
‰ #œ ‰ nœ
‰ #œ ‰ œ
‰ #œ ‰ œ
‰ #œ ‰ œ
‰ #œ ‰ œ
∑
∑
Pl 1
¢&
‰
#œ
‰ œ
‰
#œ
‰ œ
Highest A≥ on melodica
° &
∑
∑
∑
Pl 2
# œ˙ J .
˙
˙
˙
Highest A≥ on keyboard
e ¢& ‚
be ‚
e ‚
be ‚
e ‚
be ‚
e ‚
be ‚
e ‚
Mads Emil Dreyer: Miniature 4 - 21
be ‚
e ‚
be ‚
e ‚
be ‚
Version 1.0, 14.04.22
° &
U
3 8
229
∑
∑
∑
10''
∑
∑
∑
∑
∑
Pl 1
¢& ‰ # œ ‰ œ
‰
° <#> ˙ &
˙
#œ
‰ œ
‰
#œ
‰ œ
‰
∑
#œ
‰ œ
Œ
∑
j œ Œ
j Œ #œ ∑
∑
∑
j #œ ∑
∑
Pl 2
e ¢& ‚
be ‚
e ‚
be ‚
e ‚
be ‚
e ‚
be ‚
e™ ‚™
Mads Emil Dreyer: Miniature 4 - 22
e™ ‚™
e™ ‚™
e™ ‚™
Version 1.0, 14.04.22