Christian Winther Christensen Nachtmusik
(2010-11)
ohne eine aufdringliche Nachtstimmung for alto flute, bass clarinet, violin, violoncello & piano Dur. 8’
SCORE
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Edition·S publications are supported by the Danish Arts Council Music Committee / Edition·S udgivelser er støttet af Kunstrådets Musikudvalg
– ˜.
Christian Winther Christensen Nachtmusik
˜.
(2010-11)
Knock with one of you right hand's nails soft on the 1) With open keys. 2) Close as many keys as possible with your left han
ohne eine aufdringliche Nachtstimmung
j ‹
for alto flute, bass clarinet, violin, violoncello & piano Dur. 8’
Key clicks
= Make the accent with as much sound as possible. Used when you play with particuæar techniques = Make the accent with as much sound as possible. Used when you play with particuæar techniques
j –
[only flute] Jet-whistle
+ performing techniques Notation and performing techniques œ the score is transposed
Notation and NOTATION & PERFORMING TECHNIQUES The score is transposed
the score is transposed
f "p "
" "
= loud as possible as loud as possible
f "p "
" "
= loud as possible
= as less sound as possible = as possible asless lesssound soundasas possible
WOODWINDS Woodwinds
[only flute] Tongue-pizzicato
Y
WOODWINDS
[only flute] cover the entire mouthpiece with the lips
+
–
keys theright right frequency. Air.Air. UseUse thethe keys to to getgetthe Air. Use the keys to get the right frequency. frequency
[flute only] Tongue-ram [only flute] Tongue-ram(Pizz.) (Pizz.)
Y.
–
Glissando with Use thekeys keys. – Glissando with air.air. Use the – Glissando with air. Use the keys.
˜.
Knock with one of your right hand fingernails softly on the instrument’s ~~~~~ ˜. œ . (u) body (not the keys) Knock one of you right hand's nails soft on the instrument's body (notwith the keys) ˜. [only clarinet] Bisbigliando 1) With open keys. [clarinet only] Bisbigliando 1) With open Knock with one of you right hand's nailskeys soft on the instrument's body (not the keys) 2) Close as many keys as possible with your left hand. 1) With open keys. 2) Close as many keys as possible with 2) Close as many keys as your possible left with handyour left hand.
j ‹ Key clicks j –
[only flute] Jet-whistle
Key clicks Key clicks
[only flute] Jet-whistle [flute only] Jet-whistle
+
[only flute] Tongue-pizzicato [flute only] Tongue-pizzicato œ Tongue-pizzicato [only flute]
[flute only] cover thethe entire [only flute] cover entire mouthpiece with the lips Y mouthpiece [only flute] cover the entire mouthpiecewith withthe thelips lips
+
#– æ
[only flute] Tongue-ram (Pizz.)
R.
j ‹
j –
[flute only] a weak flutter [only flute] a weak fluttertongue tongue together with a glis It havewith to beavery articulated together glissando down.I It have to be very articulated
· œ
[only clarinet] Multiphonics (Sung) [clarinet only] Multiphonics (Sung)
‡.
[only clarinet] Slap-Tongue [clarinet only] Slap-Tongue
L.
j
‹
[clarinet only] Noise from thethe key. [only clarinet] Noise from key. As many keys as As 1) many keys as possible with your right hand, 2) left hand 1) right hand 2) left hand
WOODWINDS STRINGS
œ.
STRINGS
Strings
Knock directly on the string softly with the back of th The pitch are important.
œ œ
˘ ‹
>‹
‹.
+œ
“Hammer on” while making fast movements between tastofast andmovements sul "Hammer on" while sul making between ponticello. Always col legno sul tasto and sul ponticello. Always col legno. II
! ÓÓ J
Bowatattailpiece tailpiece Bow
Ó
j Ó
Ó!!!!!!!!
j Ó
1. 1. Bow from sulsul ponticello Bow from ponticellototosul sultasto tasto 2. 2. Mute Muteupupbowing bowing Bow fromsulsultasto tastototosul sulponticello ponticello 3. 3. Bow from
Bow fast between Bow fast betweensul sulponticello ponticello to sul tasto to sul tasto
Left hand pizz. Left hand pizz.
‡ R
Make a glissandowithout withoutbow. bow. Make a glissando Don't make a hard attack on the string, but Don’t make a hardwith attack the string, make the sound youronnails. but make the sound with your nails
œ.
Knock directly thestring stringsoftly softlywith with the back of the bow. Knock directly onon the pitch are important. theThe back of the bow. The pitch are important
‹.
Knock on the wood. Sometimes the action for the fingers in the left hand are noted.
–
Bow at the bridge
—
! ÓÓ J
Ó
Bow at the bridge Bow at the bridge
—
Hammer on.on. With a repercussions Hammer With a repercussions on on the open string. the open string
!!!!!!!!!!!!!!!!!!!!!! 3 3 3 ‹. # ‹. ‹. ‹. ‹ ‹ ‹ . ‹ ‹. . . .
Ó
Knock onon thethewood. Knock wood.Sometimes the action for the fingers infor thethe leftfingers hand in the left hand a Sometimes the action are noted
Hammer on. – 1) Keep youon. fingers on the Hammer 1) Keep you strings fingers after on the strings after the attack. Move you finger away from the strings after the attack. the2)attack. = mute the strings with your left hand. 2) Move your finger away from the strings after the attack
„
‡
‹.
Bowpressure.NoNopitch pitchonly onlynoise noise. Bowpressure.
Bow at tailpiece
Ó
j Ó
j Ó
1. Bow from sul ponticello to sul tasto 2. Mute up bowing 3. Bow from sul tasto to sul ponticello
III
Piano
PIANO
·
Silent note. Pressthe thekey keydown down without sounds. Silent note. Press without sounds
‡ R
‡
Make a glissandoabove abovethe thewhite white keys. Make a glissando Don't press the keys down. keys. Don’t press the keys down. Use your fingernails. Use your fingernails
Like previous examplebut butmake make the action below the keys. Like thethe previous example the action below the keys
!!!!!!!!!!!!
‚
Inside piano: Mute the Inside piano: Mute thestring stringwith withyour you finger. finger
".
Inside piano: Pizzicato. Inside piano: Pizzicato
—.
Inside piano: Knock thenoted notedstring string softly with your pads of your fingertip Inside piano: Knock the softly with your pads of your fingertip
Inside piano: Play as on a guitar, butInside use the pads of your piano: Play as onfingertip. a guitar, but use the pads of your fingertip. Play stringsthat thatare are used used on Play onon thethe strings on the keyboard. the keyboard
"! "" "! "" """" – R
–
Rub glassacross acrossthe thestrings strings in in the the piano. Rub thethe glass piano
‹. J
Beat theglass glasssoftly softlyagainst against the the strings. Beat the strings
M œ
Mordent. AsAs fast asaspossible. Mordent. fast possible.Always Alwaysaa semitone down. semitone down.always (in thisa piece a (in this piece G and always a F sharp) G and a F sharp) You have to mute 7 strings with IV sticky tack or tape
!
soft
Mute with a weak kind of pitch.
œ
œ
#œ
œ
bœ
Mute without any kind of pitch.
#œ
œ
M œ
Piano
Mordent. As fast as possible. Always a semitone down. (in this piece always a G and a F sharp)
You have to mute 7 strings with sticky tack or tape M œ You have to as mute 7 strings with sticky tack or tape Mordent. As fast possible. Always a semitone down. (in this piece always a G and a F sharp) MuteMute withwith a weak kindkind of pitch without anyofkind of pitch a weak of pitch. MuteMute without any kind pitch.
M œ œ
!
!
soft
œ
!
Mordent. As fast as possible. Always œ down. # œ a semitone b œ a G and a F sharp) œ always # œ(in this piece
œ
You have to mute 7 strings with sticky tack or tape
Mute with a weak kind of pitch. Mute without any kind of pitch. You have to mute 7 strings with sticky tack œ or tape
œ
The soft sidewith of the glasskind withof thepitch. fabric. Mute a weak
Glass Theœ other side. œ glass
soft
glass
#œ
bœ
œ
#œ
#œ
œ
Mute without any kind of pitch.
#œ
bœ
œ
Move theofglass awaywith the fabric. The soft side the glass soft The
other side. Thesoft softside side glass with fabric The ofof thethe glass with thethe fabric.
glass Move
the glass away Theother other side The side. Move away Movethe theglass glass away
Three pictures of the glass needed in the piece. On the one side it has a little piece of fabric. The glass has to be 6,5-7 cm high so that it is possible to spread it over a major third on the strings inside the piano.
V
V
V
INSTRUMENTATION
Alto Flute in G Bass Clarinet in Bb Piano Glass
Violin Violoncello
NACHTMUSIK
the score is transposed
ohne eine aufdringliche Nachtstimmung
Very fast q = 220
Alto Flute [in G]
÷ 43 ˜ ˜ ˜ . . . !
˜. ˜. 3 ˜. ˜. 2 ˜. ˜.
. —— 3 &4 ! · & 43 ·
—— ——
. .
. . 32 ——. ——. —— —— ——. ——.
. . . 34 —— —— ——
44 ——. ——. ——. ——.
. . . . . .. —— —— —— —— .. 78 ——
——
——
·· ··
32 ·· ·· ·· ·· ·· ··
· · · 43 · · ·
44 ·· ·· ·· ··
.. ·· ·· ·· ·· .. 78 ··
··
·· ..
"
32
43
44
..
˜. ˜. 32 ˜. ˜. ˜. ˜.
÷ 43 ˜ ˜ ˜ . . . !
Bass Clarinet [in B b]
RIGHT HAND INSIDE PIANO
Piano
ã 43
q & qq == q
÷ 43 ‹. ‹. ‹. !
Violin
q & qq == q
q & qq == q
? qq == qq
? qq == qq
"
÷ 43 ‹. ‹. ‹. !
A. Fl.
B. Cl.
Pno.
{q = c 165}
÷ 44 ˜ ˜ . . !
. 4 b —— Œ b &4 # & 44 b b ·· Œ ã 44
Vln.
Vc.
#q & # qq == q
˜.
43 ˜. ˜. ˜.
44 ˜. ˜. ˜. ˜.
.. ˜. ˜. ˜. ˜. .. 78 ˜.
˜.
˜.
? qq == qq
3 ‹. ‹. ‹. ‹. ‹. ‹. 2
"
4 ‹. ‹. ‹. ‹. 4
? qq == qq
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extremely static
÷ 44 ˜ ˜ . . !
x3 . . . . .. ˜ ˜ ˜ ˜ .. 78 ˜.
q & qq == q
slower 7
4 ˜. ˜. ˜. ˜. 4
q & qq == q
3 ‹. ‹. ‹. ‹. ‹. ‹. 2
? qq == qq
Cello
Christian Winther Christensen
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‚‚ œœ ‚‚ œœ ‚‚ œœ ‚‚ œœ ‚‚ 98 . . . . . . . . . Ó
Ó
9 8
col legno battuto
32 b ‹ ‹ ‹ ‹ ‹ ‹ 98 œ. fl œ. fl œ. fl œ. fl œ. fl œ. >
sul D
col legno battuto
3 9 2 œ ‹ œ ‹ œ ‹ œ ‹ œ ‹ œ ‹ 8 . fl . fl . fl . fl . fl . >
sul G
j & 98 œ ‰ ‰ Œ . F
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sul D sul G
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8 8
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98
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a moderate tempo
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$
5 "" "! "" "! "" 28 ÷ 16 """""
$
42
$
2 8
$
4 2
$
2 8
$
$
&5 16 J– ‰ . p
5 — —. 16 J J
&
28
sul G L. pizz.
+
œ >‹ #
2 —!‰ 8 R
% 4 -j ‰ Œ 2 ° Q & ==
sul G L. pizz.
Ó
9 16 9 16
arco
9 16
&– J p
—. J
+ j 6 Y 8 . ‹ Y Y ‹j ‰ ‰ "f " fl fl j 68 – j ‰ ‰ ‡. "f " ‹ – ‹ fl fl
LEFT HAND UNDER THE KEY
$
4 & 2#· #
II
Ø 6
·· .. b ·· .. J J $
very fast q = 220
&bq == #
#
#
42 & bI·I Ø
arco
Q & == 8
38 — ! ‰ ‰ R
4 2
5 · ·. & 16 ·J b ·J.
sul D
± ..
+ +
$
5 ‰ œJ . & 16
·· .. b ·· ..
œ. ‰. J Ø
5 16 5 16
$
b ··
·· .. b ·· ..
+ 28 r ! ‰ œ %
‰.
28 r ! ‰ ‡. %
‰.
9 b ·· .. 16 J
··
arco
Vc.
œ
+r Y. ! ! ‰ . p
$
5 ã 16 Vln.
Œ
9 16
38
# b· 7 &8 ·
43
Pno.
‰.
‰.
9 16
Vc.
B. Cl.
‰.
‰.
V == q
$
col legno batt.
A. Fl.
‰.
+ 38 r ! ‰ ‰ bœ %
"! "" "! "" "! "" "! "" "! "" "! "" "! "" ÷ "! "" "! "" "! "" "! "" "! "" "! "" "! "" 3 7 &8 " " """""""""""" " " """""""""""" 8
7 ã 8 Vln.
‰.
+r b Y. ! ‰ Œ
! ‰.
‰.
&
—. —. J J
4 4 44
+ œ
‹ fl f
" "
2 8
sul G L. pizz.
+
œ >‹ #
28 — ! ‰ R + bœ
+ + œ bœ ‹ ‹ ‹ fl fl fl
5 16 5 16
–. –. –. –. b ‹ ‹ b‹ "f " fl fl fl fl‹ ( ‚. 68 44 J ‰ Œ Ó RIGHT HAND ON THE KEY % 6 Œ. 4 j ‰ Œ LEFT HAND ? . 8 4 ON THE KEY ''''''''''''''''''''' '''''''' p 6 1 ‰ ‰ Œ. 4 $ 8 J 4 * j ‡ . ‡ ‡ ' j ‡ 4 ¬ – 68 r ! ‰ ‰ ‡‡ .. ‡ 4 ‡. · p f "f " j ‡ ‡. ‡ ' j ‡ 4 6 r ! ‰ ‰ ‡‡ .. ¬ – ‡ 4 8 · ‡. p f "f "
+ j & œ ‰ Œ
Ó
j – & . ‰ Œ
Ó
48
A. Fl.
B. Cl.
Vln.
Vc.
5 ·· # ·· 8 ·· # ·· j˘ j˘ j˘ j˘ 5 ã - 1 ‰ - 1 ‰- 1 ‰- 1 ‰ 8 "f "
? ‹ b‹ fl œ fl "f "
52
A. Fl.
B. Cl.
Pno.
85
? · b· # ··· n b b ···
& ‹ b‹ fl œ fl "f "
& ¬ p
& j‰ Œ b –.
j –
œ
œ
‹ fl ‹ fl
œ
œ
‹ fl ‹ fl
j –
¬ Ó
¬ ƒ ¬ p
œ
œ
(u.c.)
& b qq ==
" p"
5 8
!
j –
4 4 ¬ 44
4 & œ‹ œ ‹ œ ‹ œ‹ œ‹ œ‹ 4 . fl . fl . fl . fl . fl . fl
Vc.
? #‹ ‹ ‹ ‹ ‹ ‹ 4 œ. fl œ. fl œ. fl œ. fl œ. fl œ. fl 4
Ó
Ó
! œ. fl‹ œ. fl‹ œ. fl‹ œ. fl‹ œ. fl‹ œ. fl‹
32 ‹ œ. fl œ. fl‹ œ. fl‹ œ. fl‹ œ. fl‹ œ. fl‹
j –
¬ ¬ ƒ
j –
j –
3 2 ¬ 32
j –
j –
¬
!
3 Ó 2
Ó
|
¬
&
Ó
!
32
!
!
3 2
! 7
¬
j –
¬ Ó
3 -j ‰ Œ 2 °
j –
¬
!
Ó
œ. # fl‹ œ. fl‹ œ. fl‹ œ. fl‹ œ. fl‹ œ. fl‹ E
32 Ó
4 1 ‰ Œ 4 J
Vln.
‚‚ œœ ‚‚ œœ ‚‚ œœ ‚‚ œœ ‚‚ # œœ ‚‚ œœ ‚‚ œœ ‚‚ œœ ‚‚ œœ ‚‚ œœ ‚‚ . . . . . . . . . . . . . . . . . . . . .
col legno battuto
j –
b¬
‰ ‹. ‰ ‹. ‰ ‹. ‰ ‹. ‰ ‹. ‰ ‹.
3 b‹ 2 œ œ ‹ œ ‹ œ ‹ œ ‹ œ ‹ . fl . fl . fl . fl . fl . fl
j 85 b ‹ ‰ Œ . fl
j –
‹. ‰ ‹. ‰ ‹. ‰ ‹. ‰ ‹.
& # qq ==
col legno battuto
j ‰ Œ. b‹ fl
4 & # œœ. ‚‚. œœ. ‚‚. œœ. ‚‚. œœ. ‚‚. œœ. ‚‚. œœ. ‚‚. 4 !
{q = c 192}
Ó
Ó
32 ‰ ‹. ‰ p 3 & 2 b œœ ‚‚ œœ b ·· ·· .. . . . b ·· ·· .. p r j j˘ - 1 ‰ - "‰ ‰1 3 ‰ Œ J ° *J 2 una corda RIGHT HAND INSIDE PIANO
÷ ‰ ‹. ‰ ‹. ‰ ‹. ‰ ‹. ‰ ‹. ‰ ‹. 44
ã
slower
D
–. –. 32 85 –. "f " ‹ ‹ b ‹ –. –. –. –. –. –. –. –. –. –. –. b –. –. –. –. –. –. –. –. –. –. –. –. fl fl fl Ø soft
!
÷ Pno.
+ + + 85 b œ ‹ œ ‹ b œ 32 ‹j ‰ Œ "f " fl fl fl
#
Œ
j –
!
j –
!
‚
$ œŒ Œ 3 $ Œ Œ 1‰ J 3 * 3
arco
arco
‚ J ‰ Œ œ. J ‰ Œ
#
Ó
Œ
œ-
‚
3
Œ
Ó
3
Œ
j -‰Œ Œ Œ 1 ‰ J ° 3 arco * col legno batt. Ÿ~~~~ ~ ~ ~ ~ . ~ ~~ b· · sul E œ · | · · ·Œ Œ J ‰ #· · 3 3 $ #· $ p % batt. ‡ ‡j b· · colsullegno G arco · · Œ œ. # ·œ n ·œ # œ· ‰ ‡‡ ‡ · · @ @ @J ‡ ‡‡ # · 3 $ p $ % "f " Ó
( )
56
A. Fl.
B. Cl.
Pno.
j –
&¬ ƒ &
¬ ƒ ‚ J & ‰ Œ œ. &J ‰ Œ ã Ó
j –
j –
¬
j –
¬ Ó
Œ
Ó
j - ‰ Œ °
3 &2 ¬ ƒ
60
A. Fl.
B. Cl.
& 32 & 32
Pno.
¬ ƒ
Vln.
Vc.
& 32 3 &2
3
#
j –
42
#
‚
‚ 42 J ‰ Œ
# œ. Œ 42 J ‰ Œ
22 ¬ ƒ
Ó
Ó
Ó
Ó
Ó
#!
j –
¬ ƒ ‚ 22 J ‰ Œ
‚
Œ
3
Œ
# œ-
Œ
3
+ . 3 3 4 Y ‹ Œ Y "f " fl
F j –
j –
¬
j –
¬
¬ ¬
j –
5 4
#
j –
45
#
#
45
#
#
5 4
#
Ó
5 j 4 - ‰ Œ °
Ó # #
arco
œ. + œ œ œ 45 F p
col legno batt. L. pizz.
?
arco
. + 5 œ œ œœ 4 F p
col legno batt. L. pizz.
j –
22
( )
3 &2 3 ã 2 1J ‰ Œ *
# œ-
42
j Œ Œ 1 ‰ 42 Ó -‰Œ Ó Œ Œ 1 ‰ J J ° 3 3 * * sul A col legno batt. arco ~ . . Ÿ ~ b· · sul E # œ >‹ œ · | ~~~~~~~ arco 4 · · · Ó 2 #· · Œ Œ Œ J‰ 3 3 # · 3 " p $ " col legno batt. arco ‡ ‡j sul D sul A b · · arco . . . ‡ # · n · 42 · · Œ œ >‹ œ œ @ @ @· ‰ ‡ ‡‡ Ó ·· J ‡ ‡ # 3 3 " · " $ "f " p
col legno batt.
Vc.
Π3
+œ >‹ & ‰ ‰ Ó p œ. ?‰ J Œ "
¬
#!
L. pizz.
Vln.
¬
j –
43 ‡. "f " ‹ fl ! 34 Œ 3 " œ 3 Œ 4 3 " 3 4 Œ Œ 3
Œ
–
‚ ‚
# œ. 22 J ‰ Œ 22 Ó
j –
¬ ¬
j –
43
#
32
j –
43
#
32
b! J 43 ‰ Œ $
Ó Ó
j - ‰ Œ °
22 ‰ Jœ. Œ "
col legno batt. sul D
Ó
43
#
32
43
#
32
œ. 3 J 4 ‰ Œ "
+ 2 œ ‰ ‹ ‰ Ó 2 p > L. pizz.
32
Œ
col legno batt.
&
. 43 Jœ ‰ Œ
Œ
3 2
Œ
32
j Y
4 2
#
2 2
j –
42
#
22
‚ 42 J ‰ Œ Ó
!
Ó
Œ
3
‚
œ. œ. œ. œŒ œ. œ. 42 R% ‰ Œ Ó Ó Œ Œ 3 $ " j 4 Ó 1 ‰Œ -‰Œ Ó Œ Œ 1‰ 2 J J ° 3 3 * sul D * col legno batt. arco œ b · · sul E œ. >‹ œ. Ÿ ~~~~~~3~~ œ ·| j 42 · · Œ Œ Œ 43 J ‰ Œ Œ #· · n· ‰ 3 " #· p 3$ " col legno batt. arco ‡ ‡j b · · sul G sul D ‡ œ 3 œ‰Œ Œ 4 · · Œ œ. >‹ œ. œ. # · n · · ‡ ‡‡ 4 J 2 ·· @ @ @J ‰ ‡ ‡ 3 " #· 3 p " $ "f "
Ó. ˙. ˙.
( )
˙. ˙. 8
22 2 2 2 2 22 2 2
& 22 ¬ ƒ
64
A. Fl.
B. Cl.
Pno.
j –
& 22
¬ ƒ ‚ J 2 &2 ‰ Œ
j –
45 .. Ó .
Ó
Ó
%
? 22 ‰ œ. Œ J "
45
.. œ. ‰ Œ J
Œ
Ó
. .. 42 œJ ‰ Œ Ó
%
Ó Ó
j -‰Œ °
Ó
&
5 8
B. Cl.
& ‹ "
# & J ‰ Œ Pno.
%
& 㠌 Vln.
Œ
Œ
# œ. & J ‰ Œ
Œ
% %
$
œ+ œ+
"
more slowly q = c 166
+ G + bœ œ ‰ ‰ J 44 J ‰ Œ
b ‡. ‡.
85 j ‰ b‹ "
a slightly air
85
RIGHT HAND ON THE KEY
5 8
LEFT HAND INSIDE PIANO
‰ 44
÷
85
%
col legno (without batt.)
Vc.
j & # œ. ‰ Œ
Œ
?
j œ
43
%
Ó
p j Œ - ‰ 43 °
Ó
œ. 3 J 4 ‰Œ "
–- –- Œ. Œ P
44 # œœ ‚‚ œœ ‚‚ œœ ‚‚ œœ ‚‚ œœ ‚‚ . . . . . . . . . . soft p & # qq ==
4 ‰ ‹. ‰ ‹. ‰ ‹. ‰ ‹. ‰ ‹. 4 5 p 5 4 -j ‰ Œ Ó 1 4 J " p" col legno battuto una corda
˘‹ # ˘‹ n ˘‹ ˘ ˘ ‹ b‹ . 44 œ œ. œ. œ. œ. 5 5 "f "
- 1 ‰ -1 ‰ Œ Ó > J >J "f " œ. ‰ Œsul A J
‚ ‚. .
‚.
" 9
3
Œ
Œ Œ –
3 4
Œ
43
˙~~~~~~~ | ( )
3
# ‚. n ‚. J‰Ó Œ
43
3
arco ~~~~~~j Ÿ~~~~~~~ ' · ·| Ó
3 4 3 4
Ÿ ~~~~~~~~~j 3 · 4 ·| Ø
$
Œ
j - 1J ‰ Œ >
&
sul D
( )
. #‚ .
Œ
3
Ó
œ. œ. b œ. œ. J ‚. ‚ ‰ Œ
String I II & III
œ. ‰ Œ J
Œ
%
3
|
œ. J‰ Œ
Œ
%
sul E
col legno batt.
%
( )
‰ Œ
Œ
%
3
! b ‚. . ‚ J Œ Œ 3 $
5
%
# J‰ Œ
Œ – Ó " ˙~~~~~~~ | Ó 3 $
3
j –
%
œ. 43 J ‰ Œ "
3
P
#¬. æ $
34 #J ‰ Œ Œ " % 43
œ- œ- œ- œ- œ- œ-
–- –- Œ. Œ
Ó
%
‚ ‚ ‚ ‚ ‚ ‚
%
&&&&&&&&&&&&&&&&&&&&&&&&&& 5 ‹ ‹. ‹. ‹. 4 ‹. ‰ Œ 8 ‹. . 4 J P f
43
Ï
Ó
5
5 -j1 ‰ Œ . 1 8 J J * "f>"
Œ
Ó
col legno batt.
&
%
69
Œ
45 ..
col legno batt.
A. Fl.
.. 42
j œ
Ï
Œ
# J 45 .. ‰ Œ $ 45 ..
¬
j –
¬ F
2 + &2 œ ‰ ‹ ‰ Ó p > L. pizz.
Vc.
¬
x4 .. 42
œ. 5 .. J ‰ Œ 4 $
œ. & 22 J ‰ Œ
¬
45 .. Ó .
j –
¬ F ! b# ‚ .. 42 J ‰ " b œ.. 42 Œ $ .. 42 Œ 1 ‰ J * .œ .. 42 J ‰ Œ
ã 22 Ó Vln.
j –
¬
j –
( )
3
# œ. n œ. $
Œ
Œ
&
3 4
æ & 43 ‹ # – fl # "f " $ & 43
A. Fl.
B. Cl.
& 43 Pno.
Vln.
j –
‹ b‹ & fl "f "
$
! b% b% 3 J Œ Œ ‰ J Œ &4 ‰ & p j 34 -j ‰ Œ Œ 1 ‰ Œ ã J > > ° * ° >‹ œ. col legno batt. . > b‹ œ 3 Œ Œ Œ &4 p # p # 3 > . & 4 b‹ œ Œ p #
>‹ œ.
B. Cl.
‰
2 4
& 38 j ‰ & ‡.
‰
&# œ == q
Pno.
Vln.
Vc.
p #
3 j & 8 œæ ‰
79
A. Fl.
Œ
j
– ÷ 38 – . & Ÿ~~~~~~~~~~~~ œ . #œ ?3 8 & 3 $ ã 8 ( __ )
j 38 ' ‰ """ j 3 ' ‰ 8 """
Œ
‰
&
B
÷
f
Œ
˜.
34 ˜J. ‰ Œ
Œ
˜.
˜.
34 ˜J. ‰& ‹ "f "
'
3
3
43 Ó
" Right hand 44 b >‹ œ. b ·œ- ˘‹ ÷ -‹ ‰ Œ J p # p arco
Œ
˙æ.
42 # ˙· Ø
43
j œ· ‰
42
$
43
2 4
$
· 3 # ··· 4
2 4
$
3 4
Ÿ~~~~~~~~~~~~~~~~~~~ 42 ˙· (œ|) 43 # j ·
3 4
j -
f
˘1 J
" "
Œ
‰
j ‰ ‡. &
Œ
·· ··
·· ··
$
Œ
Œ
$
43
&
3 b ‡‡ 4 "f " b‡ ‡ 43 "f "
sul D sul G
?
˘‹ ‹ ‰ Œ J &
j b‡ ‡
˘‹ ‹ ‰ Œ J &
j ‡ b‡
f
·· ··
˘1 ‰ Œ J
Œ
sul D sul G
38 38
Ó"""""""""""""""""""""" 38 P
38 j ‰ ‡.
‰
42 # ˙· Ø
j
– 38 –. & Ÿ~~~~~~~~~~~~ œ . #œ 3 8 & ( __ )
$
38
col legno (without batt.)
2 4
j 3 ' Ó""""""""""""""""""""""" 8 """" ‰ P
÷
Ó""""""""""""""""""""""" 38 P
‰
j ' 3 Ó"""""""""""""""""""""""" 8 """ ‰ P
glass
·· ··
3 j ‰ 8 œæ
3 8
38
Œ
" " sul A col legno (without batt.) sul D
3 4
$
43
42
$
43
2 4
$
3 4
2 4
$
3 4
Ÿ~~~~~~~~~~~~~~~~~~~ 42 ˙· (œ|) 43 # sul D arco
col legno
10
· # ···
?
‰
&
col legno
Œ
j ‰ Œ b‹
j -
$
sul A sul D
38
˙æ. Ø
RIGHT HAND INSIDE PIANO
LEFT HAND ON THE KEY
43
1 J
Œ
&
( not with any kind of air )
" "
44 -j ‰ Œ 1 Ó J > * ° arco * " b>‹ œ. ·- ˘‹ Right hand bœ 4 ÷ -‹ ‰ Œ 4 J p # p
Œ
H
˜.
$
3 4
2 4 · Ø
f ˜.
44 ‰ b J% Œ
$
sul D arco
˜.
" "
44
$
sul D arco
‰
÷
44 j Œ . b‹
a slightly air
( col legno batt. )
Vc.
44 Ó
$
74
‰
B
sul D arco
2 4 · Ø
j ·
3 4
j ‰ j #–. æ bœ ‹ æ fl % "f " Œ j‰ Œ b ‡.
& 43 b ˙æ.
84
A. Fl.
B. Cl.
j & 43 œ· ‰ j ‰ Œ ‡. # ÷ 43
Pno.
&
·· ··
3 &4 Œ
·· ··
col legno
Vc.
B. Cl.
+œ 1 J ‰ Œ &2 P
Pno.
b‹
‰
3 4 b ˙æ. Ø
b ‡. ‡. ‡ . p
$
>‹ b>‹ b>‹ >‹ 1 ‰ &2 5 "f " sul A
sul G
?1 ‰ 2 b‹ b‹ ‹ b‹ > > > > "f " 5
Vc.
43 43 ?
j ‰ Œ b ‡.
b· 3 b b ··· 4 3 4
j -
f
·· ··
˘1 ‰ Œ J
" " col legno
j ‹. ‹ # fl ‚ J
>‹ œ. ‡ ‡ J p %
glass
÷
·· ·· Œ
& ‚ ‰ J J
‰ Œ
". #œ J
p %
Π$
a slightly air
j - ‰ 1J Œ > ° * >‹ œ. ‡ ‡ J
I
5
$ & 21 " Mœ 1 J ‰ Œ &2 P 1 ã 2
Vln.
Œ
j Ó!!!!!!!!!!! & b ‹ œ. ‡ b j ‰ Œ > ‡ ‡ P p % ‡
B 43 Œ
& 21
‰ Œ
col legno batt.
89
A. Fl.
j‰ b‹ fl "f " "# & ‰ J
# . œ J ‰ Œ & Œ p % j ‰ Œ Œ - ‰ 1J Œ Œ > ° * col legno col legno batt. b>‹ œ. ‡ b j ‡ ‡‡ ‰ Œ Ó!!!!!!!!!!! & J P p %
b· ? 43 b b ···
j ˘ ã 43 - 1J "f " Vln.
$
& ‚ ‰ J J
j ‰ j #æ– . ‹ ‹ fl fl % "f " Œ j‰ Œ b‹
$
j –
‰ Œ
Œ
j - ‰ 1J Œ > ° * b>‹ œ. ‡ ‡ J p %
Œ j ‡ ‡
j ‡ ‡
œ. J
‰ Œ
3 j ‰ ‰ 8 b œæ
2 4
38 j ‰ ‰ # b ‡.
42 b ˙· Ø
j
– 38 –. # bŸ~~~~~~~~~~ œ. œ 3 8 # (__)
3 8
$
j 34 Ó 38 ' ‰ ‰ !!!!!!!!!!!!!!!!!!!!!!!!!!!!!! !!! P col legno
j 3 Ó 3 ' ‰ ‰ 4 !!!!!!!!!!!!!!!!!!!!!!!!!!!!!! 8 !!! P 11
21
‰ Œ ‰ Œ
44 Œ
‰ Ó
21
Ó
21
‰ Ó
1 2
‰ Œ
2 4
$
2 4
$
&
2 4
· Ø
Œ
43
b· 3 b b ··· 4 "f " 3 j˘ 4 - 1J ‰
Ÿ~~~~~~~~~~~~~~ # · 42 ˙ (# œ|) 43 % sul A arco
?
3 4 b ˙æ. 43
$
j ‡ ‡
21
44 b ‹ œ ‡j ‰ Ó j > . ‡ ‡‡ p %
$
42
œ. J
44 -j ‰ 1 Œ > J ° * > . 4 b ‹ œ ‡‡ 4 J p %
sul A arco
&
21
$
44 j ‰ ‹ " b‹ ‹ f" fl fl "f " & ‚ 44 ‰ ‰ Ó
Œ j ‡ ‡
44
( not with any kind of air )
j b>‹ œ. ‡ j ‰ Œ ‡ ‡‡ p %
‰ Œ
&b œ == q
j –
j ·
3 4
21
3 8 j ‰ Œ n ‡. # ·· ·· Œ
$
·· ·· Œ
38 38 3 8 3 8
col legno
Ó!!!!!!!!!!!!!!!!!!! 38 P
col legno
Ó!!!!!!!!!!!!!!!!!!! 38 P
Œ
Œ
j & 38 b œæ ‰ ‰
42
& 38 j ‰ ‰ b ‡.
42 b ˙· Ø
94
A. Fl.
B. Cl.
Pno.
(__)
3 ã 8
#
j 3 $ ‰ ‰ 8 !!!
Vln.
j 38 $ ‰ ‰ !!!
Vc.
B. Cl.
Pno.
Vln.
Vc.
& j ‰ Œ b‹
42
#
42
#
42
#
&
j ‰ Œ b ‡. "
44
· 44 ···
·· ··
44 -j ˘1 ‰ Œ J "f "
42
j ·
sul A arco
· Ø
j ‡ ‡
‰ ‡ f
j ‡
" "
Ó Ó
#
Œ Œ
5 4 Œ
col legno
Ó!!!!!!!!!!!!!! ? P
Œ j Ó
j Ó
Œ Œ
&
?
5 j 4 >- ‰ 1J Œ ° * >‹ œ. ‡ ‡ 54 P
f >‹ œ. ‡ ‡ 5 4 P "f "
j ‡
f
" "
j ‡ ‡
Ó
" "
j ‡ ‡
Ó
j Ó&
3 4 Œ
Œ
( not with any kind of air )
Œ
‰
%
f >‹ œ. ‡ ‡ j? P
12
˜.
5 ˜. ˜. ˜. ˜. ˜. 4
#
#
‡
45
Œ
3 4
#
#
5 4
3 4
#
#
5 4
j ‡
Ó
j Ó
Œ
! > col. legno batt. · ‹ œ ‰ Œ 43 J "
sul A
&
arco
!!!!!!!!!!! r 3 4 œ ‹. # ‹. ‹. ‹. ' ‰ Œ "
col legno (without batt.)
" "
5 ˜. ˜. ˜. ˜. ˜. 4
43
f
j ‡ ‡
˜.
Œ
" "
f
˜. ˜. ˜. ˜. "
43 j ‰ ÷ ˜. ˜. ˜. ˜. b‹ "
" "
j ‡ ‡
÷
j ‹ ‹ fl " ‰
œ.
j - ‰ 1J Ó > ° * >‹ œ. ‡ ‡
P
Ó
# j #æ– j ‹ – fl % "f " a slightly air Œ j ‰ ‰ j ‹ 43 j ‰ Œ b‹ ‹ ‡. fl fl " "f " & ‚ b& ‚ J J ‰ Œ ‰ J J ‰ Œ 43 ‰ " œ. ‡ j . bœ ‡ ‡ 34 Œ j Œ Œ ‡ Œ % "f " % "f " pj j 34 - ‰ 1 Œ Œ ‰ 1Œ Œ > J > J ° * ° * >‹ œ. ‡ j >‹ œ. ‡ j ‡ ‡ ‡ ‡ j j 3 ‡ Ó Œ & ‡ 4 Ó Ó ÓŒ & P P " " "f " f >‹ œ. ‡ j >‹ œ. ‡ j ‡ ‡ j j Ó Œ & ‡ 43 ‡ ‡ Ó ÓŒ & Ó ‡ P P "f " "f "
#
& ‚ ‰ J J
‡
%
&
Ó!!!!!!!!!!!!!! & P
‰
b œ.
·· ··
col legno
44 Ó
45 j ‰ Œ b‹ fl "f " b& ‚ 54 ‰ J J
·· ··
&
Ó
Ÿ~~~~~~~~~~~~~~ 2 # ·˙ (# œ|) 4 Ó 4 4 %
Œ
b& ‚ & ‰ J J b œ. & Œ % j ã >- ‰ 1J Œ ° * >‹ œ. ‡ j ‡ ‡ & ‡ P "f " > . & ‹ œ ‡‡ P "f "
44 Ó
sul A arco
&
43 œæj ‰ ‰
j #æ– j 45 ‹ – fl %
& ‹j ‰ ‰ fl
99
A. Fl.
j
– ÷ 38 – . " bŸ~~~~~~~~~~ œ. œ ? 38 "
44 ˙æ
#
Ó
j Ó
Œ
col legno batt. ·œ!- >‹ œ. J ‰ Œ
arco
!!!!!!!!!! r ‹ ‹ ‹ # ‹ œ . . . . '‰ Œ
45 5 4
A. Fl.
÷ 45 ˜ ˜ ˜ ˜ ˜ ˜ ˜ ˜ ˜ ˜ . . . . . . . . . .
B. Cl.
÷ 45 ˜ ˜ ˜ ˜ ˜ ˜ ˜ ˜ ˜ ˜ . . . . . . . . . .
44 j ‰ Œ ˜. "f "
103
Pno.
44
"
& 45
"
44
"
"
44 Ó
! j 5 · & 4 œ- ‹ œ. ‰ Ó > sul D
Vc.
col legno batt.
Œ
!!!!!!!!!!! r ? 45 #‰ Ó ‹ ‹ œ ‹. # ‹. . .
+ & b Yr # ‰ .
Œ
‰.
‰.
B. Cl.
& Œ
œ
‰.
‰.
Pno.
& ··
··
arco
Vc.
b ·· .. "
'– J p
'± ..
‰
Œ
‰.
‰.
‰
38 r # ‰ b ‡. %
·· ..
‰
· æ
· æ
42
j œ
3 8
"
2 4
"
3 8
"
2 4
"
8 Q & == #
! + 38 b · · œ $ œ
sul G L. pizz.
#
3 —#‰ 8 R
' 24 –J p
arco
>‹ ‰
2 4
f
"
‰
&
Π"
13
1 2
f
42
&
V == q
78 +r # ‰ Œ b Y. p
œ
78 Œ
Ø
‰.
‰.
‰.
‰.
12 · ‰ ‚ ‚ ‰ ÷ 78 &! &" &! &" &! &" &! &" &! &" &! &" &! &" & &&&&&&&&&&&&& 5 % $ 12 ‰ œ- ‰ œ. ‰ 78 ·· ·· b ·· .. ·· .. %5 12 ‰ ‰ 1 ‰ -j1 78 " J >J 5 * "f "
j œ
¬ p
&
7 œ. # ‰ Œ 8 R
"
&
?
3 4
"
43
"
3 4 Œ p 3 j 4 >° #>‹ 43 P 3 4
#>‹
P
‰.
' 78 ± ..
fast q = 164
43 ‰
‰.
sul D col legno batt.
· 12 æJ ‰ Œ
2 4 ¬ p
"
sul D
&
Ó
arco sul A
3 +r # ‰ 8 bœ %
! " ! " ! " ! " ! " ! " ! " ÷ && && && && && && && && && && && && && && 38
ã Vln.
Ø
" "
#· · 44 ‰ æJ æ Ø
Œ
A. Fl.
107
& Q ==
#Q & ==
j - ‰ ° p
Œ
! 4 Œ 4 · #‹ $>
arco sul G
j 21 ˜. ‰ Œ "f "
Ó
"
arco
Vln.
44 j ‰ Œ ˜. "f "
{q = c 84}
j 21 ˜. ‰ Œ "f "
Ó
& 45
ã 45
a moderate tempo
J
& J
‚ J
% ‰
œ.
c.l. batt.
œ.
c.l. batt.
‰
œ.
‡
$ "f " 1 J
*
Œ j ‡
Œ
‡ ‡
j ‡ ‡
f ‡ ‡
j ‡ ‡
j
‰
!!!!!!!!!!!
p
Œ
Ó
j Ó ÷
‹.
arco
Ó
j Ó ÷
‹.
arco
f
&
'–
&
p
" "
" "
'–
p
a moderate tempo again
K
A. Fl.
&
#
#
85
#
B. Cl.
&
#
#
85
#
$ ‚ J ‰ J & ‰ % œ. ‡ & Œ & j ã > ‰ 1J Œ ° * c.l. batt. #>‹ œ. ‡ j ‡ ‡‡ & Ó P "f "
$ ‚ J J ‰ Œ ‰ % œ. ‡ j j Œ ‡ ‰ """""""""" & p j Œ - ‰ 1J Œ > ° * ! c.l. batt. arco >‹ œ. ‡ j -" j . – ‡ ‡ Ó ÷‹ & ‡ Ó P "f "
85
#
85
#
111
Pno.
Vln.
Vc.
>‹ c.l.œ.batt.‡ # & ‡ ‡j Ó ‡ P "f "
j Ó ÷
‹.
arco
A. Fl.
+ & b Yr ( ‰ Œ .
‰.
‰.
B. Cl.
& Œ
œ
‰.
‰.
115
÷ Pno.
Vc.
&
> c.l.. batt. ‹ œ ‡ ‡ P "f "
+ 3 b œr ( ‰ ‰ 8 % 38 r ( ‰ ‰ ‡. %
$! $" $! $" $! $" $! $" $! $" $! $" $! $" 3 $$$$$$$$$$$$$$ 8
#
3 8
#
3 8
#
& b ··
··
·· .. # ·· .. #
ã Vln.
Ø
" –-
'– ‰ Œ J p ± ..
15 Q & ==
" + 38 b · œ · ‹ œ > & #
‰.
‰.
sul D L. pizz.
sul A
&
#
3 —(‰ ‰ 8 R
Ó
j ‡ ‡
slower
Œ j ‡
78 78
‰
‹.
arco
j Ó÷
‹.
arco
7 8
'– '–
58 -j > °
‰
÷
5 . 8 J‹
'– J
÷
85 ‹J.
'– J
V ==
+ q r( ‰ Œ Y. p
1 J
*
V ==
+ bq 78 r ( ‰ Œ b Y. p 78 Œ
& 78 b ··
··
‰.
‰.
‰.
Œ
‰.
‰.
' 78 ± .. "f "
÷ ‹. ‰ ‰ J
‰.
‰.
#
' 7 –- ‰ Œ 8 J p
‰ ‰
+ r(‰ Œ Y.
‰.
·· .. # ·· ..
78
Œ. J
Ø
‰.
78 $! $" $! $" $! $" $! $" $! $" $! $" $! $" $$$$$$$$$$$$$$
÷
÷ ‹.
œ
‰.
‰.
‰.
œ
‰.
‰.
+ 3 r(‰ ‰ 8 œ %
9 16
38 r ( ‰ ‰ ‡. %
9 16
$! $" $! $" $! $" $! $" $! $" $! $" $! $" $! $" $! $" $! $" $! $" $! $" $! $" $! $" 3 $ $$$$$$$$$$$$$ $ $$$$$$$$$$$$$ 8
#
9 16
3 8
#
9 16
3 8
#
9 16
Œ
7 8 78
p
j Ó ÷
& 7 · 8 #·
arco
"""""""""
Œ
{q = c 72}
7 8
j
{q = c 84}
œ
Ø
··
# ·· .. # ·· ..
# ··
··
# '– ‰ Œ J p '± ..
14
Ø
# ·· .. # ·· .. #
‰.
‰.
'– ‰ Œ J ± ..
8 Q & ==
" L.+ pizz. sul G œ #‹ ‰ . & 38 b · · > œ & #
‰.
sul E
#
3 —(‰ ‰ 8 R
9 16 9 16
more slowry (q = c 60} V #
A. Fl.
9 & 16
B. Cl.
9 & 16
120
Pno.
9 —. 16 J
Vc.
very slow
125
5 & 16
—. J
28 — ! ‰ R
V q ==
$
28 ‡. # ‡. &
5 "" "! "" "! "" 28 ÷ 16 """"" # 5 j j & 16 b ·· ·· .. 5 ã 16
Vc.
&
+ + + r 2 5 & 16 b Y. ! ‰ ! 8 b œ œ & p {q = c 48}
Vln.
—. J
‰.
$
5 r ! ‰. & 16 · ? 5 ·r ! ‰ . 16
2 8 2 8 28 2 8
4 2 42
$
42
$
4 2
$
4 2
+
sul G L. pizz.
œ ‹ # $
42 4 2
5 16 5 16
5 16
28
$
45
$
5 16
28
$
45
$
5 16
5 16
j · b · ..
$ arco
$
5 16
$
+ 2 8 œ #‹ # >
45
$
28
% 9 –- ! ‰ . 16 J p
5 16
45
5 b j· 16 ·
sul D L. pizz.
$
$
$
$
45
"" "! "" "! "" 2 " " """ 8
28
# j j j 9 b · & 16 · .. b ·· .. b ·· ..
+ + 28 œ #œ &
! # œr œj ! 28 # ‡. n ‡. Ø &
5 16 5 16
Vln.
Pno.
+ r Y. ! ‰ . p
$
arco
B. Cl.
28 r ! ‰ # ‡. &
5 16
V #q ==
9 "! "" "! "" "! "" "! "" "! 28 ÷ 16 """""""""
9 ã 16
A. Fl.
+ 28 r ! ‰ #œ &
+. ==q Y ! ! ‰. ‰. R p ‰ . # œj . ‰ . Ø
%– J p
— J
‰. —. J
&
2 8
+
sul G L. pizz.
‹ œ > #
28 — ! ‰ R
U
8 Q & ==
% 5 4 · Ø
sul D arco
8 Q & ==
% 54 # · Ø
·
·
·
·
5 16
·
·
·
·
5 16
#
sul G
?
#
fast tempo
L q =160
4 Ó 4
$
U
44
$
‹. Ø
U
Œ
$
44
$ $
4 ‡ Œ 4 j ‡ Ø 4 4
$
44 Ó
U
V == q
Y. Y. Ø Ó
U U
sul D sul G
‡ ‡j 4 ‡ ‡Œ 4 Ø
$
15
Ó L.
L.
R. 3
# Y.
Y.
Ó
‹. ‹ ‹. .
$
$ Ó
white keys
U
V == #q
‡
j ‡
Œ
$
Ó $
' % –- ‰ –- ‰ Ó Ø
' % –- ‰ –- ‰
arco
Ó
‡ ‡
j ‡ ‡
Œ
Ó
& .. Ó
Ó
130
A. Fl.
B. Cl.
& .. ÷ ..
Pno.
Œ
‹.
& .. ‡
L.
Ó
j ‡
Œ
L.
R. 3
‡
j ‡
Œ
Ó
Œ
‡ ‡
Ó
.. 43 Œ
Œ
.. 43
Œ
.. 43
‹.
j ‡
.. 43
Œ
‡ .. 43 ‡
Ó
j ‡ ‡
Œ.
98
Œ
"
Œ
–. æ Ø
44
‹. '
44 – p 44
"
M ! Mœ œ 98 ‰ ‰ J ‰ ‰ J Œ . % 98 "
Œ
V == q
44 Ó
j –
soft
98
"
# $ –- ‰ –- ‰ .. 3 Œ 4 j ‡ ‡
98 Π.
Y.
"
.. 43 ‡
Ó "
# $ –- ‰ –- ‰ Ó j ‡ ‡
Y.
"
"
‡ ? .. ‡
# Y.
‹. ‹ ‹. .
Ó
.. Ó
Vln.
Y.
"
ã ..
Vc.
Y.
faster q =176
col legno batt.
Œ j –
A. Fl.
& .. Ó
Y. Y.
L. R. L.
& .. ‹ ‹ Ó . ‹ . .
. 5 Ó b Y. Y. . 4
Ó
Œ Œ
Œ
Œ Ó
3
B. Cl.
j
Pno.
Vln.
Vc.
÷ .. – – Œ Ó & ..
"
ã ..
"
.. Ó
‹.
j –
– Œ Ó " "
# $ –- ‰ –- ‰ Ó
‡ ‡j ? .. ‡ ‡ Œ Ó
3 .. 45 Œ Œ ‹. ‹. ‹. ‹.
L. R. L.
j
.. 45 РΠΠΠРР.. 45
"
.. 45
"
# $ –- ‰ –- ‰ .. 5 Ó 4
‡ ‡j ‡ ‡Œ Ó
Y. Y.
12 Œ . 8 12 8 j –
Œ.
Œ. "
16
–. æ Ø
j –
12 8
" M M ! Mœ œ œ 12 ‰ ‰ J ‰ ‰ J ‰ ‰ J Œ . 8 % 12 " 8
$j ‰ ‰ Œ. j ‰ ‰ – ‰ Œ & 12 8 · & · J &· · œ œ % ‡ ‡j ‡ ‡j ·œ· J ‰ ‰ Œ. .. 45 ‡ ‡ Œ Œ Œ ‡ ‡ 12 . 8 Œ % # –J
Ó "
44
"
arco ‚. . -# ‰ $–‚ 4 – . ‰ ‰ ‰ Œ ‰ j ‚ 4 j &· · ‚ œ . ' Ø % arco ‡ ‡j ·œ· &· · 98 J ‰ ‰ Œ . Jœ ‰ ‰ 44 ‡ ‡ Œ Ó ' %
# –- ‰ & 9 Œ . 8 J
Œ
Ó
Œ
more quickly 135
b Y. Y. '
col legno batt.
q =192
4 Ó 4 44 44 4 4
V == #q
Y. Y. %
‹. %
Œ Ó
45
"
45
Œ Ó
5 4
LEFT HAND UNDER THE KEY
j ############
f 4 -j ‰ 1 Œ Ó 4 J ° * " "
" p"
arco ‚. . -# ‚ – 4 ‰ ‰ ‚. 4 j ‰ Œ ‚. % Ø
‡ ·& · 4 Jœ ‰ ‰ 4 ‡ %
j ‡ ‡
5 4
Œ Ó
5 4 $–‰ 5 4 5 4
and even more quickly
& 45 Ó
140
A. Fl.
b Y.
L. R. L.
B. Cl.
Pno.
3 5 Œ &4 ‹ ‹ . ‹ . .
÷ 45 & 45
Œ
j 5 ã 4 ‰ 1J Œ ° * 5 Ó 4
Vln.
Vc.
‡ ? 45 ‡
B. Cl.
Pno.
Vln.
Vc.
j ‡ ‡
Œ
Œ
Œ
Œ
Œ
! % –- ‰ –J J Œ
‹.
98
$
98
$
$
98
$
RIGHT HAND ON THE KEY
Œ.
‡ ‡
j ‡ ‡
98 Π.
#· · Jœ ‰ ‰ Œ. p
M very fast q = 220
‰ –. – "f " fl‹ (") M ‚ & 44 J ‰ Œ f 4 &4
$
4 ã 4
$
! 44 ¬ p ! 4 ¬ 4 p
–.
Ó
#– . æ Ø
j –
44 ‹ "f " fl &
b‹ fl
–.
‹ fl
?
Œ
+ œ
j 43 –. ‰ Œ
Œ
–.
43 # ·· b n ·· # ·· b n ··
·· ··
3 4 # ··· n b b ··· · b·
" ‚.
f
&
j – ?
f
43 ‹ fl "f "
·· ··
3 4 ‹ fl "f "
œ
sul G
œ
‹ fl ‹ fl
œ
œ
‹ fl ‹ fl
b‹ fl
–.
J ‰ Œ f
3 j˘ j˘ j˘ 4 - 1J ‰ - 1J ‰ - 1J ‰ "f " j –
‹ fl
+ bœ
œ
œ
Œ
Œ
Œ
Œ
! ¬
p ! ¬
p 17
+ j‰ œ ‹ fl j –. ‰
‹ fl
# ·· # ·· · # ···
j -
˘1 ‰ J
&‹
f "ffl "
œ
( sul G )
‹ fl f "f " ?
œ
43
Y. Y. P
44
$
43 æ ( ¬. ‚. ‚. Œ J ‰ 43 J ‰ Œ Œ P Ó $ 43
44
43
$
44
-! ‰ %–- 3 – ‰ Œ ‰ 4 j ‚. "f "
$
4 4
43
$
44
+ + + + j‰ Œ 5 œ bœ œ 4 ‹ œ ‹ ‹ fl fl fl
6 4
"j
Œ
Ó
#‡
44 Œ #‡ "f " 44 # ‡ Œ #‡ J
j# - ‰1J Œ ° * "f "
Ó
arco
‡ ·' · Jœ ‰ ‰ 44 ‡ "f "
·œ· J ‰ ‰ Œ.
V == q
44 Ó
M M M M " Mœ œ œ œ œ j 9 ‰ ‰ J ‰ ‰ J ‰ ‰ J ‰ ‰ J ‰ ‰ J Œ. 8 !!!!!!!! & j 44 - ‰1J 98 $ $ ° * col legno batt. ‚. . j ‰ ‰ Œ. ‰ Œ & 98 '·jœ · ‰ ‰ Œ . j ‰ ‰ ‚ ‚. 44 '· · ·' œ · œ Ø p LEFT HAND ON THE KEY
Œ
& 44
Œ.
black keys
+ + + + + j‰ Œ 4 œ bœ 3 œ bœ &4 ‹ 4 œ ‹ ‹ ‹ fl fl fl "f " fl
145
A. Fl.
Π$
j !!!!!!!!
Œ
Y.
q =208
j ‡ ‡
45 –.
Œ
b‹ fl
Ó
–.
"‚. 45 J ‰ Œ f 5 4 Ó 5 4 Ó ! 54 ¬ . p
! 5 ¬. 4 p
‹ fl
–.
Œ Œ Œ
j –. ‰ Œ
b‹ fl
46
· b· # ··· n b b ···
˘1 ‰ -j 1˘ ‰ J J
&‹
f "ffl " ‹ fl f "f " ?
œ
œ
‹ fl ‹ fl
44
46
# ·· b n ·· # ·· b n ··
j -
44
œ
œ
6 4 6 4 46 6 4
+ + + + + + + j & 46 œ ‹ b œ ‹ œ ‹ b œ ‹ œ ‹ b œ ‹ 43 œ ‰ Œ fl fl fl fl fl fl
A. Fl.
B. Cl.
& 46 –. !‚.
& 46 Pno.
? 46
–.
b‹ fl
J ‰ Œ
‹ fl
f
–.
b‹ fl
Ó
# 64 ¬ p
B. Cl.
Pno.
Vln.
b‹ fl
‹ fl
¬
¬
j & 45 –. ‰ Œ
Ó.
& 45 # ·· b n ·· # ·· b n ··
&
?
œ
?5 ‹ 4 fl "f "
œ
‹ fl ‹ fl
œ
œ
‹ fl ‹ fl
43 # ·· b n ·· # ·· b n ··
·· ··
3 4 ‹ fl "f " 43 ‹ fl "f "
œ
œ
b‹ fl b‹ fl
+ + N 2 6 4 œ ‹ bœ ‹ 4 "f " fl fl
·· ·· # # ···· n n bb ···· 5 j ˘ j ˘ j ˘ j ˘ j˘ ã 4 - 1J ‰ - 1J ‰ - 1J ‰ - 1J ‰ - 1J ‰ "f " & 45 ‹ fl "f "
Œ
œ
œ
‹ fl ‹ fl
œ
œ
‹ fl ‹ fl
–. –. ‹ "f " b ‹ fl fl !‚. J ‰ Œ f
·· ··
j˘ j ˘ j˘ 43 - 1J ‰- 1J ‰ - 1J ‰ "f "
·· # ·· b n ·· ·· # # ·· n n ··
? 5 · b· 4 # ·· n b ·· · b·
34 –j ‰ Œ .
43 # ··· n b b ··· · b·
¬
Ó.
sul G
Vc.
Ó
¬
+ 5 j‰ Œ &4 œ
153
A. Fl.
‹ fl
–.
"
# 6 ¬ 4 p
Vc.
–.
"
6 ã 4 Vln.
–.
+ + œ bœ ‹ ‹ "f " fl fl
Œ
149
œ
œ
œ
‹ fl
œ
‹ fl
$ 24 ¬ p $ 2 ¬ 4 p
&
?
46
œ
6 4
Œ
Π18
sul D sul G
œ œf œ œf
Œ
Œ
+ œ
j –. ‰
–.
# ·· # ··
j -
˘1 ‰ J
p
‹ fl f "f "
œ
p
‹ fl f "f "
œ
?
Ó
Ó
Ó
nœ # n n œœœ n b b œœœ # n n œœœ n n œœ â â â â "
‰
-
‰ ‰
-
‰ ‰
-
–.
‹ fl ‹ fl
+ œ –. Œ
5 4 ‹ fl b‹ fl
45 45
"
45
"
45
$ ¬. p
f
$ ¬. p
f
&
5 4
?
45
+ + + 3 5 4 œ ‹ bœ ‹ œ ‹ 4 fl fl "f " fl
ä ä ä ä n b b œœœ # n n œœœ n n n œœœ # # # œœœ
‰
b‹ fl
f
&
Ó
‹ fl
+ bœ
!‚. J ‰ Œ
· # ···
$ ¬
+ j œ ‰ Œ
sul A sul D
Œ
$ ¬
œ
j –. 42 –. 46 –. ‰ Œ ‹ "f " b ‹ fl fl ! ‚. 24 J ‰ Œ ? 46 n b b 䜜œ # n n 䜜œ f Î 2 6 " 4 4 n n œœ n b œœ n œ b ✠â 2 6 " 4 4
Œ
+ j œ ‰
‰ œj œ
‰ œj œ
Œ Œ
&
–. –. 43 –. 45 b‹ ‹ b‹ "f " fl fl fl !‚. Œ ? 45 43 J ‰ Œ f 3 5 " 4 4 "f " j 3 5 - ‰ Œ 4 Œ 4 ° $ 34 ¬ . p
$ 3 ¬. 4 p
f f
&
45
?
5 4
A. Fl.
B. Cl.
Pno.
Vln.
Vc.
Ó.
j 5 – &4 . ‰ Œ
Ó.
# ·· b n ·· ? 45 # ·· b n ··
·· # ·· b n ·· ·· # # ·· n n ··
? 45 · b · # ··· n b b ···
j‰ 44 – – – . . . b ‹ " "f ‹ fl fl ! ‚. # ·· 44 J ‰ Œ ? # ·· f 44 Ó · # ···
5 &4 ‹ ‹ fl œ fl "f "
" 4 ¬ 4 p
B. Cl.
‹ fl
œ
? 45 ‹ ‹ œ fl fl "f "
‹ fl
œ
+ 4 b œj ‰ Œ &4
Ó
j –. ‰ Œ
Ó
& 44
‹ fl
œ
‹ fl
œ
Vln.
Vc.
Î
?4 4 n b b œœœ # n n œœœ â â 4 ã 4 & 44 ?4 4
Œ Œ
œ œf œ œf
‰
-
œ
j -
œ
‰j œ œ
‰j œ œ
Œ Œ
Ó
Ó " ¬
· # ···
j -
f
" "
Œ
˘1 ‰ Œ J Œ
p
‹ œ Œ fl f "f " ?
Œ
Ó
Ó
Œ
Ó
Ó
74
‹ Œ œ fl f "f "
74
‹ fl
Œ
ä ä ä ä n äœ # äœ 74 n b b œœœ # n n œœœ n b b œœœ # n n œœœ n n œœ # # œœ Î 74 nœ n n n œœœ n b b œœœ # n n œœœ n b b œœœ # n n œœœ n n ✜ â â â â â
Œ
?
p " ¬
‹ fl
?
‹ œ fl f "f " &
Œ
j –. ‰ Œ
74
7 4
‹ fl f "f " œ
j –. ‰ –.
–.
–.
˘1 ‰ Œ J
&
" 44 ¬ p
f bfl‹ ‹ fl !‚. J ‰ Œ Ó & f " "
#
-
œ
‹ fl
–.
n n n œœœ # # # œœœ â â ‰
œ
‹ fl
44 Ó
+ + + + œ b œ œj ‰ n œ ‹ ‹ ‹ fl fl "f " fl
ä ä ä n äœ ? 44 # n n œœœ n n n œœœ # # # œœœ n n œœ Pno.
&
·· # ·· n b ·· ·· # ·· n b ·· ˘ j˘ j ˘ j˘ j˘ ã 45 1J ‰ - 1J ‰ - 1J ‰ - 1J ‰ - 1J ‰ * "f "
161
A. Fl.
+ + + + 44 œ b œ œj ‰ n œ 74 b œj ‰ Œ ‹ ‹ ‹ "f " fl fl fl
+ j 5 &4 œ ‰ Œ
157
#
Œ
œ œf
Œ
œ œf
‰ ‰
-
‰ ‰
‰
-
‰
-
-
‰ ‰
-
+ + + 43 œ ‹ b œ ‹ œ ‹ 44 fl fl "f " fl
n n n 䜜œ
&
# # # œœœ â ‰ œj œ
‰ œj œ
43 –. b‹ "f " fl !‚. J 43 ‰ f 43
–.
#
44
43
#
44
Œ
‹ b‹ fl fl Œ
" 3 ¬. 4 p
Œ
" 34 ¬ . p
Œ
–.
?
f f
44 44
4 4 44
+ j bœ ‰ Œ
Ó
7 4
#
4 4
j –. ‰ Œ
Ó
74
#
44
ä ä ä n äœ # n n œœœ n n n œœœ # # # œœœ n n œœ
ä ä ä ä n äœ 74 n b b 䜜œ # n n 䜜œ n b b œœœ # n n œœœ n n n œœœ # # # œœœ n n œœ
n b b œœœ # n n œœœ n n n œœœ # # # œœœ â â â â
7 4 n n œœ n b œœ # n œœ n b b œœœ # n n œœœ n n n œœœ # # # œœœ n œ b ✠n ✠â â â â â 7 # 4
Î
#
Œ Œ
œ œf œ œf 19
‰ ‰
-
‰ ‰
-
‰j œ œ
‰j œ œ
74 7 4
œ œœ œ-
‰ ‰
-
‰ ‰
-
‰ ‰
-
44 4 4 4 4
‰
‰ $ ‰ ‰ œj 4 - - œ 4
‰
‰ $ ‰ ‰ œj 4 - - - œ 4
A. Fl.
B. Cl.
Pno.
Vln.
Vc.
O
& 44
"
& 44
"
n äœ # äœ ? 44 n n œœ # # œœ
n n n 䜜œ
ä n b b œœœ
n n n œœœ # # # œœœ â â
n n n œœœ â
165
‹
j ‹
f
" "
? 44 n œ # n œœ â ã 44 4 &4
œ œ-
? 44
œ œ-
‹
"
‰ ‰
‰
-
‰
-
‹
j ‹
‹ j
‹ j
p
-
‰
‹
j ‹
‹ j
"
j - ‰ Œ
Ó
una corda
‰
j ‹
j ‹ ‹ ‹ ‹ f !. . . . . . . . ‚ . ‚ . ‚ . ‚ . ‚ ‚. ‚ ‚. ‚ ‚. ‚ ‚. ‚ ‚ ‚ ‚
" "
&
‹
j œ œ
Œ
sul D
j œ œ
Œ
sul G
43 ‹
j ‹
43 ‹
‹ j
43
‹
j ‹
‹
‹ j
‹
‹
j ‹
j ‹
‹
j ‹
‹
‹
j ‹
‹ j
‹
j ‹
‹ j
‹
j ‹
‹
‚. . ‚. . ‚. . ‚. . ‚. . ‚. . ‚. . ‚. . ‚. . ‚. . ‚. ‚. ‚. ‚. ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚
44 44 44
43
"
"
44
43
"
"
44
col legno battuto
3 4 œ ‹ œ ‹ œ ‹ . fl . > . >
‹ 4 ‹ ‹ œ. fl œ. fl œ. fl 4
col legno battuto
43 œ ‹ œ ‹ œ ‹ . fl . > . >
‹ 4 œ. fl‹ œ. fl‹ œ. fl 4
‹ ‹ ‹ ‹ œ. fl œ. fl œ. fl œ. fl "f " ‹ ‹ œ. fl‹ œ. fl‹ œ. fl œ. fl "f "
slower
x3 4 .. ‹ ‹ ‹ ‹ j ‹ j .. 78 ‹ &4 j j j ‹ ‹ ‹ ‹ ‹
169
A. Fl.
5
B. Cl.
Pno.
& 44 .. ‹
j ‹
‹
j ‹
"
(u.c.)
‹
j ‹
‹
j ‹
78 7 8
‹
j ‹
‹
‹ j
‹
‹ 5 r jJ 4 ‹ # ‰ Œ ‹
Ó.
j ‹
‹
j 5 ‹ 4 ‹r # ‰ Œ j
Ó.
‹
‚. . ‚. . ‚. . ‚. . ‚. . ‚. . ‚. . ‚ ‚ ‚ ‚ ‚ ‚ ‚
p
.. 78 Œ
" Œ
45 Œ
n n n œœœ # # # œœœ Î â â 5 4 n b b œœœ # n n œœœ n n n œœœ â â â
‰ ‰ . 1 45 R |
˘‹ ˘‹ ˘‹ ˘‹ ˘‹ # 4 . œ. œ. .. 78 œ ‹ œ ‹ œ ‹ œ 45 Œ & 4 . œ. œ. œ. . fl . fl . fl . 5 sul A
sul D
˘‹ ˘‹ ˘‹ ˘ ˘ ‹ ‹ ? 4 .. œ. œ. œ. œ. œ. .. 78 œ ‹ œ ‹ œ ‹ œ 45 Œ 4 . fl . fl . fl . 5 sul D
Vc.
‹
.. 78 ‹
(!) ‚. ‚. ‚. ‚. ‚. . ‚. . ‚. . ‚. . ‚. ‚. ‚. ‚. ‚. ‚. b ‚ ‚ ‚ ‚ ‚. ‚. .. & 44 .. 5 P ? 4 .. .. " 4 4 ã 4 ..
Vln.
j ‹
5
‹ j
sul G
20
"
arco sul A sul D
arco sul D sul G
œ œf
œ œf
‰ ‰
-
{q = c 164}
3 4
˙.
$
#˙. 43 $ n n n œœœ â
n b b œœœ â
# # # œœœ n n n œœœ â â ‰ ‰
-
‰j œ œ
‰j œ œ
Œ Œ
43 n œ # n œœ â 3 4 n b b œœœ â 3 4
Œ
Œ
Œ
Π"
>‹ c.l.œ. batt. arco ‡ j %‡ ‡ j . – 34 ‡ Ó Ó ÷‹ P p "f " arco >‹ c.l.œ. batt.‡ j % j ‡ ‡ Ó ÷ ‹. –3 4 ‡ Ó P " " p f
&
?
173
A. Fl.
B. Cl.
Pno.
& &
#˙.
˙.
˙.
#˙.
˙.
˙.
&
!
!
!
?
!
!
!
ã
!
!
!
#>‹ œ. ‡ j arco ‡ ‡ Ój ÷ ‹. & ‡ Ó P " " f
"–
c.l. batt.
Vln.
>‹ œ. ‡ j arco # ? ‡ ‡ Ó Ój ÷ ‹. ‡ P " " f
"–
c.l. batt.
Vc.
A. Fl.
4 &4
B. Cl.
& 44
177
Pno.
Vln.
Vc.
P very fast q = 220
&
?
arco " >‹ c.l.œ. batt.‡ j j . ‡ ‡ Ó Ó ÷‹ – ‡ P "f "
>‹ œ. ‡ j j . ‡ ‡ Ó Ó ÷‹ ‡ P "f " c.l. batt.
arco
÷
"–
÷
!
7 4
!
!
74
!
‹.
"–
‹.
"–
P P
÷ ‹. ÷ ‹.
"–
?4 4 # n n œœœ n n n œœœ # # # œœœ n n n œœœ â â â â 4 ! ã 4
7 4 n b b œœœ # n n œœœ n n n œœœ # # # œœœ n n n œœœ n b b œœœ # n n œœœ â â â â â â â 7 ! 4
?4 4
œ œ-
‰ ‰
-
‰ ‰
-
‰ ‰
-
‰j œ œ
‰j œ œ
74 7 4
œ œœ œ-
‰ ‰
-
‰ ‰
-
‰ ‰
-
Ó.
44
74
œ J‰Œ
Ó
Ó.
44
䜜 # n 䜜 n n 䜜 # # 䜜 n n n 䜜œ ä ä b b œ n œ n 74 n b œœ # n œœ b œ n œ n œ # œ Î 74 nœ #œ n n n œœœ n b b œœœ # n n œœœ n b b œœœ # n n œœœ n n ✜ # # ✜ â â â â â
÷ ‹.
"–
÷ ‹.
"–
÷
÷
‰ ‰
-
‰ ‰
21
‰ œj œ
‰ œj œ
Œ Œ
&
44 44 44
!
sul A sul D
7 4
‹. ‰ Œ J
& œœ
sul D sul G
74
‹. ‰ Œ J
+ + + + j 4 œ bœ 4 ‹ ‹ œ ‰ nœ ‹ "f " fl fl fl
äœ n n 䜜 # # 䜜 n n 䜜 n b b 䜜œ # n n 䜜œ n b n 䜜œ n 74 # n œœ n œ # œ n œ
œ œ-
Ó
74 "–
äœ # äœ n n 䜜 n b 䜜 n n ? 44 n œœ # # œœ n œ b œ
& 44
?
74
œ J‰Œ
‰
‰
‰
‰
- f
?œ
œ- f
-
+ j bœ ‰ Œ
‰
‰ ‰ œj 4 - - œ 4
‰
‰ ‰ œj 4 - - œ 4
Ó
7 4
j‰ j‰ Œ Ó 44 – – – – – . . . . . ‹ "f " b ‹ ‹ fl #œ. fl fl # ·· ä ä n äœ 44 J ‰ Œ ? # ·· Œ n n n œœœ # # # œœœ n n œœ f Î 4 Ó · Œ 4 # n n œœœ n n n œœœ # # # œœœ # ··· â â â j ˘ 4 Ó - 1 ‰ Œ ! 4 J "f "
74
$ 44 ¬ p $ 4 ¬ 4 p
&
‹ f "ffl " œ sul G
?‹
fl f "f "
œ
Œ Œ
Œ Œ
œ œf œ œf
‰ ‰
-
n b b 䜜œ
74 7 4
n n n œœœ â ‰ ‰
-
7 4 ‰j œ œ
‰j œ œ
74 7 4
A. Fl.
& 74
"
44
"
74
"
B. Cl.
& 74
"
44
"
74
"
181
ä äœ n n 䜜 # # 䜜 n n 䜜 n b b 䜜œ # n n 䜜œ n b n œœœ n ? 74 # n œœ n œ # œ n œ Pno.
Vln.
? 74 b œ n œ n œ # œ n n œœ n b œœ # n œœ n b œœ # n œœ n n œœ # # œœ n œ b ✠n ✠â â â â â ã 74 " 7 &4
‰
‰
‰
‰
œ œ- -
-
‰ ‰
‰
-
‰
-
‰ ‰
44
ä ä n b b 䜜œ # n n 䜜œ n b n œœœ # n # œœœ
44 n n œœ b œœ # n œœ n b n 䜜œ n œ b ✠n ✠â 44
‰ # ‰ œj 4 - - œ 4
‰
œ œ- -
‰ ‰ œj 4 - - œ 4
A. Fl.
4 &4
+ j œ‰Œ Ó
7 4
"
B. Cl.
& 44
j –. ‰ Œ Ó
74
"
185
Pno.
Vc.
-
& 44 b œ n œ n n œœ # # œœ n b œœ # n œœ b œ n œ â â Î â â ? 4 n œ b œœ # n œœ n n 䜜 4 n n œœ b œ n œ b œ â â â 4 ã 4
Vln.
-
& 44 ?4 4
-
74 n œ # œ n œ n b œœ n n n œœœ n b b œœœ # n n œœœ n b œœ # n œœ n n ✜ b ✠â â â â â 7 # œ n œ n b œœ # n œœ n n 䜜# # 䜜 n n n 䜜œ 4 # # œœ n n œœ b œ n œ b œ n œ â â â â 7 4
"
‰ ‰ ‰j œ 7 œ Œ œ 4 - - - œ f Œ
‰ ‰ ‰j
œ œ- f
-
-
œ œ
7 4
‰
-
nœ n n n œœœ n b b œœœ # n n œœœ n b n œœœ # n # œœœ n n ✜ â â â â â 74 # œ n n œœ n b œœ # n œœ n b n 䜜œ # n # 䜜œ # # œœ n œ b œ n œ â â â â
‰j œ œ
7 4
‰ ‰ ‰ ‰j œ 7 œ œ- - - - œ 4
œ œ-
-
‰
74
74
"
? 74
Vc.
&
"
‰
œ œ- -
‰
-
‰
-
‰
‰ ‰ œj - - œŒ
Œ
44
‹ fl
44
"
44
42
"
44
$ 2 ¬ 4 p
‰ ‰ ‰ ‰ ‰ ‰ œj œ œ- - - - - - œ Œ
–.
44
42
f
$ 24 ¬ p
f
"
4 4
"
..
"
44
"
&
?
䜜 # n 䜜 n b 䜜 # n 䜜 n n n 䜜œ # # # 䜜œ n n n 䜜œ b n .. b œ n œ b œ n œ
äœ # äœ n n 䜜 n b 䜜 n n 44 n œœ # # œœ n œ b œ
.. nœ #œ n n n œœœ n b b œœœ # n n œœœ n b b œœœ # n n œœœ n n ✜# # ✜ â â â â â .. "
4 4 # n n œœœ n n n œœœ# # # œœœ n n n œœœ â â â â 4 " 4
‰ ‰ ‰ ‰ œj œ œ- - - - - - - œ .. 22
n b b œœœ â ä n n n œœœ
..
‰ ‰ ‰ ‰ ‰ ‰ # ‰ œj œ . œ- - - - - - - œ . ‰ ‰ ‰
42 –. "f " b ‹ !œ. fl J 42 ‰ f
"
Q
?
+ + 42 œ ‹ b œ ‹ "f " fl fl
‰ ‰ ‰ ‰ ‰ ‰ # ‰ œj 4 œ œ- - - - - - - œ 4 ‰ ‰ ‰ ‰ œj 4 œ œ- - - - - - - œ 4 ‰ ‰ ‰
4 4 44
‰ ‰ ‰ ‰ œj œ œ- - - - œ œ œ-
‰
‰ ‰ ‰ œj - - - œ
A. Fl.
&
!
!
74
!
45
!
44
B. Cl.
&
!
!
74
!
45
!
44
189
Pno.
ä ä ä ä ? n b b œœœ # n n œœœ n b b œœœ # n n œœœ
ä ä n n n 䜜œ # # # 䜜œ n n n œœœ n b b œœœ
?
# n n œœœ n n n œœœ # # # œœœ n n n œœœ â â â â
ã Vln.
Vc.
n n n œœœ n b b œœœ # n n œœœ n b b œœœ â â â â
& ?
!
œ œœ œ-
‰ ‰
‰
-
‰
-
-
‰
-
‰
-
74
-
‰
-
‰ ‰
-
‰ ‰
‰
-
‰
-
" -
ä ä ä ä 54 n n n 䜜œ n b b œœœ # n n œœœ n b b œœœ # n n œœœ
74 n œ # œ n n œœ n b œœ # n œœ n b n 䜜œ # n # 䜜œ n n œœ # # œœ n œ b œ n œ â â â â â 74
!
‰
䜜 n b 䜜 # n 䜜 n b n 䜜œ # n # 䜜œ n n n 䜜œ ä n # œ n # # œœ n œ b œ n œ
‰ ‰
45 # œ n n œœ n b œœ # n œœ n b b œœœ # n œœ n œ b œ n œ â â â â â 45 !
!
‰ ‰ " ‰ œj " ‰ ‰ ‰ ‰ 5 œ 4 - - -
7 4
‰ ‰ ‰ œj " ‰ ‰ ‰ ‰ 5 - - - - - - - œ 4
74
44
œ œœ œ-
‰
-
‰
-
‰ ‰
-
‰ ‰
‰
-
‰
-
-
44 44 ‰ œj œ
‰ œj œ
4 4 44
A. Fl.
4 &4
!
!
!
!
5 4
B. Cl.
& 44
!
!
!
!
45
193
Pno.
? 44 n b 䜜 # n 䜜 n b n 䜜œ # n # 䜜œ bœ nœ
n n n œœœ b b œœœ # n n œœœ â â â
?4 4
n n n œœœ n b b œœœ # n n œœœ n b n œœœ â â â â 4 ! ã 4 Vln.
Vc.
& 44 ?4 4
œ œœ œ-
‰ ‰
-
‰ ‰
-
‰ ‰
-
# n # œœœ #â ‰ œj œ
‰ œj œ
œ œœ œ-
n b b œœœ # n n œœœ n n n œœœ # # # œœœ â â â â
n n n œœœ n b b œœœ # n n œœœ â â â !
‰ ‰
-
‰ ‰
-
‰ ‰
-
ä ä n b b œœœ # n n œœœ n b n œœœ # n # œœœ â â
# n n œœœ n n n œœœ # # # œœœ n n n œœœ â â â â
bœ b œœ â
‰
23
-
‰ ‰
-
‰ ‰
‰ " ‰ -
‰
-
5 4
n n n œœœ n b b œœœ # n n œœœ n b n œœœ â â â â !
!
‰
45
‰
-
‰ ‰
-
‰ ‰
5 4
‰ " ‰ 5 4 -
‰
-
‰
5 4
A. Fl.
& 45
!
44
!
!
!
46
B. Cl.
& 45
!
44
!
!
!
46
197
Pno.
ä ä ä ä ? 45 n n n 䜜œ n b b œœœ # n n œœœ b b b œœœ # n n œœœ
ä ä ä ä 44 n b b œœœ # n n œœœ n b b œœœ # n n œœœ
ä ä n n n 䜜œ # # # 䜜œ n n n œœœ n b b œœœ
ä ä ä # # # 䜜œ n n n œœœ n b b œœœ # n n œœœ
? 45
44 n n n œœœ n b b œœœ # n n œœœ n b b œœœ â â â â 44 !
# n n œœœ n n n œœœ # # # œœœ n n n œœœ â â â â
n n n œœœ # # # œœœ n n n œœœ n b b œœœ â â â â
ã 45 Vln.
Vc.
# n # œœœ n n n œœœ â â
5 &4 ? 45
-
‰ ‰
-
n b b œœœ # n n œœœ n b b œœœ â â â !
‰ ‰
-
‰ ‰
‰ " ‰ œj 4 - œ 4 -
‰
-
‰
A. Fl.
6 &4
!
..
B. Cl.
& 46
!
..
201
Pno.
1. 2.
& 46 b n œœ # # œœ n n œœ n b b œœœ # n n œœœ n b b œœœ b œ n œ n ✠â â â â â ? 6 # n œœ n n 䜜 # # 䜜 n n n 䜜œ n b b 䜜œ # n n 䜜œ 4 nœ bœn œ â 6 ã 4
Vln.
Vc.
& 46 ?6 4
!
?
‰ ‰
œ œ- - -
44
œ œ-
‰
3.
‰
-
‰
-
-
‰ ‰
-
..
‰ ‰ ‰ œj - - - œ ..
‰
-
‰
-
-
‰
-
‰ ‰
-
‰
‰
-
‰
‰
-
-
‰ ‰
-
‰ ‰
-
‰ œj œ
‰ œj œ
46 6 4 46
!
6 4
!
2 4
!
44
!
46
!
42
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