Bára Gísladóttir NAT (2020) for SATB choir and double bass Dur. 6′
Written for the Danish National Vocal Ensemble, 2020.
SCORE
T/ (+45) 3313 5445 · E/ sales@edition-s.dk · W/ www.edition-s.dk
Edition·S publications are supported by the Danish Arts Foundation / Edition·S udgivelser er støttet af Statens Kunstfond
Bára Gísladóttir NAT (2020) for SATB choir and double bass Dur. 6′
About the piece When I was asked to write for the Danish National Vocal Ensemble, I was told they were searching for a short, thoughtful, piece which sort-of depicted the nativity scene. More specifically a piece NOTE that should portray the quiet stillness that remains after the angels, shepherds, and animals have
gone and there is for justthe a peaceful meditative calmness,I was bathed in the strange and mystical light Whenhome, I was asked to write Danish National Vocal Ensemble, told they were searching for a short, thoughtful piece which sort-of depicted the nativity scene. More
ofspecifically the star. aThese circumstances were something that truly spoke to me and I started to play with piece that should portray the quiet stillness that remains after the angels, shepherds, and animals have goneled home, and piece there isNĀT. just a peaceful different ideas that eventually to the The titlemeditative is in the calmness, form of a word stem that can bathed in the strange and mystical light of the star. These circumstances were something
refer to the latinto natura natus (Perfect active participle of nāscorled- to ‘I the am born’). In Danish, nat that truly spoke me and Iand started to play with different ideas that eventually
piece NAT. The title is in the form of a word stem that can refer to the latin natura and means night, which I found especially suitable. From these ideas I went on to natus (Perfect active participle of nascor - ‘I am born’). In Danish, nat means night, which I found especially suitable. From these ideas Iloaded went onpiece to write simpleand and fragile, fragile, but simultaneously a somewhat fora choir doublebut bass. simultaneously a somewhat loaded piece for choir and double bass.
write a simple and
EXPLANATIONS NAT is built on a multilayered texture of trills and tremoli. These are indicated in three different ways: 1. A freely drawn irregular line This type is the freest one when it comes to speed and register. Feel free to interpret it in your own way, but remember that it’s a trill, so its register should not become too broad.
~~~~~~~~~~~~~~~~
2. A regular rapid wavy line This type of trill should be sung very rapidly and only boasts a tiny register, it’s basically almost like a wide vibrato, just a bit more trill-like. 3. A steady trill/tremolo
w
bw
This type is the most precise in terms of pitch and tempo. The trill should be static in speed and pitch, where a tremolo of four lines indicates the fastest possible. This type can also increase and decrease in speed, indicated in the following way:
Notation
U
This notehead indicates an approximate range in the given register.
Voice Samples There are voice samples of the techniques in the following bars: Alto + Tenor 1 and 2, bar 1 Bass 4 and 5, bar 1
Commissioned by the Danish National Vocal Ensemble
q = 60 Bára Gísladóttir 2020
S1 aeolian p
p mp
° / 44 w
˙™
œ ˙
œ ˙™
˙
S...
w
˙
S...
S2 aeolian p
˙
3 4
w
3 4
S... p
mp
4 /4w
Œ ˙™
˙™
F...
œ ˙
˙
w
F...
w
F...
F...
S3 aeolian p
Soprano
w
o p Œ œ 43
mf
4 /4w
w
˙
Th [as in thunder]... S4+S5 aeolian p
4 /4w
˙
w
œ ˙
Th...
Th...
˙™
w
Ch...
˙™
œ w
Th...
˙
Ch [as in 'Bach']...
˙™
˙
Ch...
3 4
œ ˙™
œ w Ch...
Ch...
screeching shivering humming (reminding a bit of the overtones of the wind) ppp Alto
4 /4w
w
w
Ó
˙
N...
w
3 4
Œ ˙™
w
N...
N...
T1+T2 screeching shivering humming (reminding a bit of the overtones of the wind) ppp
4 /4w
œ Œ Œ œ w
w
N...
œ Œ Œ œ w
w
N...
3 4
N...
T3 aeolian p Tenor
4 /4w
˙
Ch [as in 'Bach']... T4 aeolian p
4 /4w
˙
w
˙™
w
Ch...
œ w
Ch...
w
Ch...
Ch...
p mp
Œ ˙™
˙™
F...
œ ˙
˙
w
F...
˙
F...
3 4
œ ˙
o p Œ œ 43
F... mf
w
˙
Th [as in thunder]... B3 aeolian p Bass
w
˙
B1+B2 aeolian p
4 /4w
4 /4w
3 4
˙
˙™
˙™
œ w
Th...
Th...
Th...
p mp
˙™
œ ˙
˙
S...
œ ˙™
w
˙
S...
˙
w
3 4
S...
B4+B5 Indisticnt shivering humming in low reg. pp
?4 ¢ 4U
3 4
U U U
N...
U
U U
N...
N...
U
U
N...
N... IV m.s.p.
q = 60 Double Bass
°? 4 ¢ 4
∑
∑
∑
∑
∑
Ó
≤ Œ œ w pp
3 4
TUTTI *individual breathing
3 8
S.
° / 43 ˙ ™
4w 4
3 4 ˙™
4w 4
3 4 ˙™
4 w 4
3 4 ˙™
4w 4
3 4 ˙™
4w 4
3 4 ˙™
4 w 4
3 4 ˙™
4 4
S1: S... S2: F... S3: Th... S4+S5: Ch...
3 / 4 ˙™
A.
mp
N... p
T1
3 / 4 ˙™
N... mp
4 w Bw 4
3 ˙™
4 4
&4 ‹
∑
4 &4
4 œb œ œ œ œ œ œ œ œ œ œ œ œ 3 ˙™ 4 4
3 ˙™ 4
4 4
6
Nat p
T2
3 / 4 ˙™
4 4
N...
3 ˙™ &4
∑
Nat
4w 4
Na mp
N...
4b w 4
3 ˙™ 4
3b˙ 4
w
™
4 4
‹ Nat
N...
N... N...
Nat
Na mp
T. p T3
4w ∑ &4
3 /4
3 ˙™ 4
3 Œ ˙b˙ 4 w 4 4
4w 4
bw
3 ˙™ 4
4 4
‹ Nat p
N...
N... Na
T4
4w
3 /4
∑
3 ˙™ 4
&4 ‹ Nat
4w 4
3 ˙™ 4
4 w 4
N...
Nat
N...
3 ˙™ 4
4 4
Na B1+B2+B3 *individual breathing
3 / 4 ˙™
4w 4
3 4 ˙™
4w 4
3 4 ˙™
4 w 4
3 4 ˙™
4 4
4 4U
3 4
4 4
3 4
4 4
3 4
4 4
B1+B2: Th... B3: S... B4+B5
B.
?3 ¢ 4 U™
U™
N... Db.
°? 3 ¢ 4 ˙™
U™
U
U
N...
4 O™ 4 w
3 4 ˙™
U™
N...
4 4 bw~
3 4 ˙™
4 4 w
3 4 o
∑
4 4
= *breath indicated with slurs p
pp
15
S.
° / 44
3 ∑ & 4 ˙™
∑
3 4 ˙™
4 4w
3 4 ˙™
Na
spp
4 &4 w
A.
4 4w
N...
4 4w
3 4
˙™
4 4w
3 4
˙™
4w 4
3 4
N...
3 4 ˙™
w
˙™
N... N...
TUTTI p
4w &4 ‹
T.
w
o 4 4
3 ˙™ 4
pp
3 ˙™ 4
∑
N... N... pp
4 /4
∑
∑
3 4
∑
4 4
3 4 U™
4 4
3 4
∑
?4
∑
∑
w
3 4
4 N...
B.
? 44 ¢ U
3 4
˙™
U™
U
4 4w
3 4
U Na
Db.
p
O™
~
I
°? 4 m.s.p. w ¢ 4
w
3 ˙™ 4
4w 4
3 ˙™ 4 spp
~ ˙™
4 4
w
3 4
4 22
S.
o
° 3 ppppossibile & 4 ˙™ ˙™
4 4w
N... A1 ppppossibile
3 & 4 ˙™
w
N...
˙
3 4 ˙™
N... ppppossibile
4 4w
N...
˙™
N...
3 œ bœ 4 ˙ ™ b˙ ™ b˙ ™ N... pp
4w 4
3 4 ˙™
N...
N... ppppossibile
4 4w
˙™
N... A3 ppppossibile
3 & 4 ˙™
˙™
N...
A2 ppppossibile
A.
4 4˙
pp
˙™
3 & 4 ˙™
3 4 ˙™
˙™
N...
3 œ bœ 4 ˙ ™ b˙ ™ b˙ ™ N... pp
4w 4
3 4 ˙™
N...
N... ppppossibile
4 4w
˙™
N...
N...
A4 (C.T.)
solo mp
˙™
3 œ bœ 4 ˙ ™ b˙ ™ b˙ ™ N...
4w 4
3 4 ˙™
N...
N...
mp pp
3 &4
∑
∑
4w 4
T.
Na
4 4w
˙™
4w 4
∑
Nat
ppppossibile
3 & 4 ˙™ ‹ N...
˙™
3 4
w
3 4 ˙™
w
N...
3 4˙
tum
-
4 4w
˙™
Œ
N...
3 4 ˙™
N...
ppppossibile
? 43 ˙™
˙™
4w 4
w
N...
3 ˙™ 4
Na
˙™
4w 4
3 ˙™ 4
N...
N...
B. ppppossibile
?3 ¢ 4 ˙™
4 4w
˙™
N...
Db.
3 4 ˙™
w N...
˙™ O™ 4 w 4
°? 3 ˙™ ¢ 4
~
4 4w
˙™
3 4œ ˙
N...
~
O™
3 4
p
pp
N...
O™ ˙™ w 4 4
~
˙™ O™
3 4
p
= spoken voice mf mid reg.
30
S.
° &
∑
∑
∑
∑
˙™
∑ /
2 4
∑
4 4
R [r]... A1+A2 A3
p
∑
∑
∑
∑
2 ˙~~~~~~~~~~~~ 4 ˙™ ~~~~~~~~~~~~~~~~~~~~~~ 4 ˙™ ~~~~~~~~~~~~~~~~~~~~~~ ˙ ~~~~~~~~~~~~ 4
∑
& A.
A4 (C.T.) fp
N... f
™ & ˙ Na
p
ff
œ~~~~~~~ >œ~~~~ œ~~~~~~~˙ ™
b˙ ™ -
tum
N...
Na
-
o T.
& ˙™ ‹ N...
˙™
? ˙™ ¢ ˙™
˙™
∑ /
2 4
∑
2 4
∑
4 4
R [r]...
B1+B2+B3 B4+B5
B.
tur spoken voice N... mf mid reg.
∑
˙™
2 4 ˙™ ~~~~~~~~~~~~~~~~~~~~~~ 4 ˙~~~~~~~~~~~~ 4
˙™
o spoken voice mid reg.
˙™ ˙™
∑
∑
TUTTI mf
˙™
∑ /
?4
4
R [r]... N...
Db.
°? ˙ ™ ¢ pp
bO ™ ˙™
œ ‚ >œ~~~~ œ mf
f
O™ p
˙O ™™
˙™
˙™
2˙ O 4
4 4
5 37
S1+S2+S3 pp
° / 44 w
3 4 ˙™
˙™
3 4 ˙™
˙™
4w 4
˙
Ó ∑
3 4
S1: S... S2: F... S3: Th... S.
S4+S5 pp
mp
4 /4w Ch...
4˙ 4
bw
3 4
w Ó &
Ch...
Na
-
tum
-
p A1+A2
3 ™ 4˙
4 &4 w
4 4
˙™
N...
w
3 4
w
∑
A...
N...
A. p A3+A4
4 &4 w
3 4 b˙ ™
˙
Œ
4 4
3 4
∑ w
Na
tur
-
-
a
N...
T1+T2 screeching shivering humming pp
4 /4w
3 4 ˙™
w
p
˙™
4 w ~~~~~~~~~~~~~~~~~~~~~~ 4 & ~~w ~~~~~~
3 4
w
‹ N...
N...
N...
T. T3+T4 pp
4 /4w
p
3 4 ˙™
˙™
4w 4
˙
3 4
Ó & ‹
T3: Ch... T4: F...
w N...
4 B1+B2+B3 3 4 ˙™ /4w
˙™
4w 4
?3
˙
Ó ∑
4
B1+B2: Th... B3: S... B. B4+B5 Indisticnt shivering humming in low reg. pp
?4 ¢ 4
3 4 U
4 4 U™
U™
3 4 U U U
N...
Db.
°? 4 ~ ¢ 4
N...
™ 3 b˙ ™ ˙O ™ 4 pp
N...
w ˙ ™ b˙O ™™
4w 4
bw~ w p
~
3 4
shining bright mp
43
° / 43
4w
6
w ∑
&4
∑
Na p
S.
3 b˙ ™ &4
-
4w 4
M...
N...
4w 4
3 ™ 4˙
tum
Na mp
w
N...
N...
Œ
4 bw 4
Na
∑
3 4
tum
-
3 ™ 4˙
w
˙™
b˙ w
tum
-
˙
3 4
w
N..
A1+A2 A3 + A4
3 ™ & 4 ˙˙™
A.
4w 4w
w w
N...
w w
o 3 4 4 œœ ŒŒ ŒŒ 4
∑
∑
∑
3 4
∑
∑
∑
w
o 3 Œ Œ 4 4œ 4
3 4
3 4
∑
∑
∑
3 4
N...
TUTTI
3 & 4 ˙™ ‹ Na
T.
4 4w
w
N...
N...
B4+B5
o ? 43
B.
¢
Db.
4 4 U™
Ó
∑
∑
∑
4 4
U
b O™ °? 3 ˙™ ˙ ™ ¢ 4
w b w~
~
w
~
O™ w 3 ˙™ 4 4 4
4 4
~
w
~
3 4
mp
p
= 51
S1+S2 p
mf sp
°& 43 ˙ ™
˙™
˙™
N...
3 ™ 4˙
2 4˙
N...
b˙ ™
˙™
˙™
4 4
Na
S3 mf sp p
3 ™ &4 ˙
S.
˙™
˙™
N...
3 ™ 4˙
2 4˙
N...
˙ ™ b˙ ™
˙™
4 4
Na
S4+S5 mf sp
o p
3 ™ &4 ˙
∑
2 4
∑
∑
3 ™ 4˙
b˙ ™
˙™
˙™
4 4
˙™
4 4
Na A1+A2 p
3 &4
A.
∑
∑
2 4
∑
∑
3 4
œ ∑
ΠΠN... mf sp
T1+T2 p
3 ™ &4 ˙ ‹ Na
-
˙™
˙™
tum
Na
3 ™ 4˙
2 4˙ tum
-
˙ ™ B˙ ™
˙ ™ B˙ ™
4 4
N...
T. mf sp
T3+T4 p
3 ™ &4 ˙ ‹ Na
-
˙™ ˙™ tum
Na
3 ™ 4˙
2 4˙ tum
-
˙ ™ #˙ ™
? 43
p
∑
∑
∑
2 4
∑
3 4
?
∑
¢
Db.
°? 3 ˙™ ¢ 4
4 4
N...
B1+B2+B3 B4 + B5 B.
˙ ™ #˙ ™
˙O ™™
˙™
˙O ™™
O
2 4
O™
Œ Œ œ ˙™ Œ Œ œ ˙™ b ˙O ™™ ˙™ N... O™
3 4
4 4 4 4
mf sp
TUTTI p
7 58
S.
° 4 &4
3 ™ 4˙
∑
Na
3 ™ 4˙
2 4˙ tum
-
2 4˙
Na
4w 4
tum
-
o œ Œ Ó
Na TUTTI fff
pp
3 ™ 4˙
4 &4 w
A.
3 ™ 4˙
2 4˙
N...
2 4 ™ 4œ Œ 4˙
N...
œ
Na
-
tur
> w R [r]...
pp
? 44 w
3 ˙™ 4
2˙ 4
3 ˙™ 4
N...
2˙ 4
4w 4
N...
w
N...
B. pp
?4 ¢ 4w
3 4 ˙™
2 4˙
N...
Db.
3 4 ˙™
2 4˙
4 4w
˙™
˙
~
N...
w
N...
O °? 4 w ~~~~~~~~~~~~~~~~~~~~~~~~3 ˙™ ~~~~~~~~~~~~~~~~~~~ 2 4 4 ¢ 4
3 4
2 4
w
4 4
pp
=
65
S1+S2+S3 pp
° w &
3 ™ 4˙
˙™
N...
˙™
N...
˙™
2 4˙
N...
4 w 4
3 ™ 4˙
˙™
3 ™ 4˙
˙™
o 4 4
∑
3 4
N...
S. S4+S5 pp
p
3 ™ 4˙
& w N... A1+A2 A3 sp
˙™
N...
˙™
2 4˙
N...
4 w 4
N...
4w 4
3 4
N...
pp p
3 4 ˙™ ˙™
& w ∑
˙™
A...
˙™ ˙™
˙™ ˙™
N...
2 4 ˙˙
˙™ ˙™
N...
4 w 4 w
3 4 ˙™ ˙™
N...
˙™~~~~~~~~~44~~~~w ˙™ w
3 4
N...
A. A4 (C.T.) Solo mp
3 4
∑ &
∑
& ‹
-
2 4 b˙
˙™
tum
Na
˙™
˙™
-
tum
4 bw 4
3 4 ˙™
Π44
∑
˙
3 4
3 ™ 4˙
˙™
o 4 4
∑
3 4
o 4 4
∑
3 4
o 4 4
∑
3 4
o 4 4
∑
3 4
Nat
pp
3 ™ 4˙
∑
b˙ ™
˙™ Na
T1+T2
pp
˙™
N...
2 4˙
N...
4 w 4 N...
T. T3+T4
pp
3 4 ˙™
∑
& ‹ N... 3 ˙™ ? w ~~~~~~~~~~~~~~~~~~ 4 N...
˙™
˙™
2 4 4 ˙ ~~~~~~~~~~ 4 ˙ ~~~~~~ ˙ ˙™ ~~~~~~~~~~~~ N...
˙™
˙™
N...
˙™
3 4 ˙™
˙™
N...
2˙ 4
4 œ ˙™~~~~~~~~~~3 ˙™ ~~~~~~~~~~ ˙™ 4 4
N...
N...
B.
? ¢
3 4 ˙™ w ~~~~~~~~~~~~~~~~~
˙™
N...
N...
w Db.
°? ¢
~
˙™
˙™
2 4˙
4 4 œ ˙™
N...
“˙™” O™ ™ ™ ˙ O b˙ ™ ˙O ™™ O ™ 3 4
3 4 ˙ ™ ~~~~~~~~~~ ˙ ™
N...
O™
2 b˙ O˙ 4 b ~w 4 4
3 b˙ ™ O ™ 4
~
4 4
p p
3 4
75
S1 solo mp
8
2˙ 4
°& 43 ˙ ™
4w 4
3 ˙™ 4
Nat S2+S3 p
Na
3 ™ &4 ˙
S.
4˙ 4
2 4˙
3 ™ 4˙
4w 4
N...
tum
-
˙ B˙ nw M...
4w 4
N...
Bw ∑
3 4
∑
3 4
∑
3 4
∑
3 4
N...
w
M...
N....
S4+S5 p
3 ™ ™ & 4 ˙ B˙
2 4 4 n˙ B˙ 4 nw
N... A4 (C.T.) solo mp A.
3 ˙™ ¢& 4 Na
3 ™ 4˙
N...
2 4
4 4
-
tum
˙™ ˙O ™™
w
3 4
Bw
nw N...
4w 4
Na
~
‚ ‚
Bw
M...
4w 4
tum
-
O™ Db.
4w 4
N...
2 4˙
°? 3 ¢ 4 “”
3 ™ 4 n˙
Bw
w N...
w~
~
~
4 4
3 4 pp
= solo mp 82
S1
° 3 &4
∑
4Ó 4
œ œ Na
3 &4
3 ˙™ 4
˙ Ó
-
tum
Na
-
2 bœ œ 3 4 4 -
tum
-
solo mp
S2 S.
w
∑
w
4w 4 Nat p
˙ b˙ ˙ µ˙ 43 n˙ ™
bw
Nat
Nat
-
2 4 ˙ -
3 4
um
-
S3+S4+S5
3 &4
∑
4w 4
w
3 ™ 4˙
w
N...
2 4 ˙
N...
3 4
N...
p TUTTI
3 &4
A.
∑
4 4w
˙™
œ
T1+T2 N... screeching shivering humming pp
3 4 ˙™
w
N...
2 4 ˙
3 4
2 4 ˙
3 4
2 4 ˙
3 4
N... p
3 / 4 ˙™
4w 4
3 ™ 4˙
w w & ‹
N...
N...
N...
N...
T3+T4 pp
T.
p
3 / 4 ˙™
4˙ 4
˙
3 4 ˙™
w & ‹
T3: Ch... T4: F... B1+B2+B3 pp
w N...
N...
p
3 / 4 ˙™
4w 4
? 43 ¢
3 ˙™ 4
w
B1+B2: Th... B3: S... B4+B5 Indisticnt shivering humming in low reg. pp
B.
U
:“;˙ ™ °? 3 ¢ 4
p
3 4 ˙™
~
4 4
3 4
w
N...
~
w
~
b˙ O
O™
3 4 p
2 4 ˙
U N...
O™
3 4
N...
w
U™
2 ˙ 4
N...
4 4 N...
Db.
w ?
2 4 mp
3 4
9
p
solo mp
mf sp pp 88
° 3 ˙ ™ b˙ ™ b˙ ™ &4
4w 4
N...
3 ™ 4˙
2˙
4w 4
/4
R...
œ Œ Œ 42 ∑& 44 Ó #œ œ
3 4 ˙™
S...
S...
Nat
mp p pp
œ ˙™
3 &4 ˙
S.
Na
4Ó 4 -
tum
œ œ 43 ˙™
2 4˙
4w 4
3 4˙ Œ
˙™ &
S2: F... S3: Th...
Na tu - ra
2 4 bw 4˙ 4w
Na
-
tum
N...
p pp pp
3 ™ &4 ˙
˙™
4w 4
N...
3 ™ 4˙
2 /4 ˙
R...
4w 4
3 4˙ Œ
Ch...
Na
pp
˙™
4 4w N...
N...
2 4 4 ˙ 4 w µw -
tum
A1 + A2 A3 pp
A1 + A2 + A3
3 & 4 ˙™
˙™ &
3 4 ˙™
2 4
∑
4 4
∑
3 4
∑
2 4 4 ˙˙ 4 w w
˙˙™™
R... Na
-
tum
N...
A. A4 (C.T.)
3 & 4 ˙™
solo p
pp
˙™
4 4w N...
N...
3 4 ˙™
2 4
∑
pp
4 bw 4
3 4 ˙~™~~~~~~~~~~~~~~˙™
2 4 4˙ 4w
R... Na
-
tum
N...
N... pp
3 ˙™ &4 ‹ N...
˙™
4w 4 N...
3 ™ 4˙
2 4˙
R...
3 ™ 4˙
4w 4
N...
˙™
2 4 4˙ 4w
N...
N...
T. pp
3 & 4 ˙™ ‹
˙™
4 4w
3 4 ˙™
2 4˙
R...
4w 4
3 4 ˙™
N...
N...
˙™
2 4 4˙ 4w
N...
N...
p pp
pp
4 w~~~~~~~~~~~~~~~ 3 ˙™ ? 43 ˙™ ~~~~~~~~~~ ˙™ ~~~~~~~~~~~ 4 4
2 /4 ˙
R...
4w 4
?3
˙™
2˙ 4w 4 4
N...
B1+B2: Th... B3: S...
N...
˙™
4
N...
B. pp
? 43 ¢
˙™
˙™
4 4w
3 4 ˙™
2 4˙
R...
Db.
N...
N...
:“; ™ °? 3 ˙™b ˙O ™ ˙™ ¢ 4
˙™
N...
˙
4 4
‚ O ™ O˙ ™™ 3 2 4 4
4 3 4 w~~~~~~~~~~~~~~~~~4~~~~˙ ™
˙™
2 4 4˙ 4w
N...
O bO 4 4
O
O™
3 4
N...
O™
“O” ˙ O
O
2 4
4 4 p
mf sp
pp
p 10
mp mp p 98
° w &
˙™ b ˙ ™ b ˙ ™
b œ œ œb œ w
3 4
∑
4 4
3 4
∑
∑
Nat
Na
-
4w 4
tum
3 ˙™ 4
Nat
sp p
bw &
S.
3 4
∑
N...
4w 4
w
w
3 ˙™ 4
A...
˙™
˙™
4w 4
Nat
3 ˙™ 4
Nat
pp
& nw
3 4
∑
4w 4
w
3 ™ 4˙
w
Nat
Nat
˙™
˙™
4w 4
3 ™ 4˙
Nat Nat
A1+A2 p
pp
3 4 & w bw 4 ˙ ™ b˙ ™ 4 w N...
w
3 4 ˙™
w
Nat
Nat
˙™
˙™
4 4w
Nat
3 4 ˙™
N...
Nat
A.
A3+A4
& w
3 4 ˙™
4 4w
N...
w
3 4 ˙™
w
Nat
Nat
˙™
˙™
4 4 ˙™
Nat
N...
3 œ 4 ˙™ Nat
pp
w & ‹
3 4
∑
4w 4
w
Nat
N...
3 ™ 4˙
w Nat
˙™
˙ ™ b˙ ™ 44 w
Nat
3 ™ 4˙
N...
Nat
T. pp
& w ‹ N...
3 4
∑
4 4w
w
3 4 ˙™
w
Nat
Nat
˙™
˙™
4 4w
Nat
3 4 ˙™
Nat
pp
? w
3 4
∑
4w 4
w
w
Nat
N...
3 ˙™ 4
Nat
˙™
˙™
4w 4
Nat
3 ˙™ 4
Nat
B. pp
3 4
? ¢
∑
w
4 4w
w
Nat
Db.
:“; ™ °? w b w~ 3 b ˙ 4 ¢ pp
3 4 ˙™
w Nat
~~~~~~~~~~~~~~~w 4 4 p
~
w
˙™
˙™
4 4w
Nat
˙™
~
3 4
˙ b™ ˙O ™™
3 4 ˙™
Nat
˙™ O™
˙™ O™
w
4 4
3 4 pp