Bára Gísladóttir: Nið(ur) (2016) by Edition·S

Bára Gísladóttir Nið(ur) (2016) for soprano, flute, clarinet in Bb, violin, cello and piano Dur. 6′

Text: Stefán frá Hvítadal

SCORE

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Bára Gísladóttir Nið(ur) (2016) NIÐ(UR)

for soprano, flute, clarinet in Bb, violin, cello and piano

NIÐ(UR)

Dur. 6′

Explanations

NIÐ(UR) NIÐ(UR) Explanations NIÐ(UR) Explanations Explanations

Voice ord. - ordinario

Flute

Explanations

Voice gradually change techniques indicated in score gradually change techniques indicated in score ord. -Voice ordinario Voice continuity of given technique continuityord. of given technique - ordinario ord. - ordinario gradually change techniques indicated in score Flute gradually techniques indicated in score ofchange given technique gradually changecontinuity techniques indicated in score

NIÐ(UR) NIÐ(UR) Explanations NIÐ(UR) Explanations

continuity of given technique NIÐ(UR) Flute continuity of given technique Explanations VoiceFlute

Flute

Explanations

NIÐ(UR)

Voice Voice Explanations ord. - ordinario whistle tones whistle tones ord. - ordinario Voice ord. ordinario NIÐ(UR) PERFORMANCE NOTES ord. - ordinario gradually change techniques indicated in score gradually change techniques indicated in score Explanations Voice gradually change techniques indicated intones score whistle NIÐ(UR) ord. ordinario continuity of given technique gradually change techniques indicated in score continuity of given technique Voice NIÐ(UR) Explanations whistle tones continuity of given technique NIÐ(UR) Voice harmonic timbral trills continuity of giventimbral technique Explanations techniquesExplanations indicated in score whistle tones change harmonic trillsgradually ord.Flute - ordinario Flute Flute ord. – ordinario Voice continuity of given technique Voice harmonic timbral trills Flute gradually change ord. -techniques ordinario indicated in score Voice ord. - ordinario harmonic timbral trills continuity ofchange given technique ord. - ordinario of given technique Gradually change techniques indicated incontinuity score Flute gradually techniques indicated in score gradually techniques indicated in score continuity of givenchange technique of given technique harmoniccontinuity timbral trills gradually change techniques indicated in technique score continuity of given continuity of given technique Flute Continuity of given techniquejet whistle whistle Flute whistle tones tones continuity of givencontinuity techniqueof given technique whistle tones Flute jetwhistle whistletones Flute Flute jet whistle of given technique NIÐ(UR) continuity whistle tones jet whistle Explanations harmonic timbral trillswhistle tones harmonic timbral trills multiphonic-tremolo harmonic timbral trills Whistle tones whistle tones harmonic timbral trills Voice jet whistle multiphonic-tremolo multiphonic-tremolo Clarinet ord. - ordinario whistle tones harmonic timbral trills Harmonic timbral trills harmonic timbral trillsof given technique continuity whistle tones continuity of given technique multiphonic-tremolo of given technique Clarinet continuity gradually change techniques indicated in score Clarinet circular breathing continuity given technique timbral of trills Continuity of given technique harmonic NIÐ(UR) continuity of given technique Clarinet continuity of given technique multiphonic-tremolo continuity of given technique circular breathing circular breathingharmonic timbral trills jet whistle Explanations jet whistle jet whistle slap tongue harmonic timbral trills Jet whistle circular breathing jet whistleFlute jet whistle technique Clarinet continuity of given Voice jet slap tongue ord. -whistle ordinariocontinuity of given technique slap tongue Multiphonic-tremolo multiphonic-tremolo circular breathing slapoftongue multiphonic-tremolo continuity given technique multiphonic-tremolo multiphonic-tremolo gradually change techniques indicated in score jet whistle multiphonic multiphonic-tremolo Clarinet ClarinetClarinet Clarinet whistle tones continuity of given technique jet whistle Clarinet multiphonic-tremolo multiphonic Clarinet jet whistle slap tongue circular breathing multiphonic Flute circular breathing Circular breathing multiphonic circular breathing circular breathing multiphonic-tremolo Clarinet circular breathing slap tongue harmonic timbral trills Slap tongue Clarinet circular breathing multiphonic-tremolo multiphonic-tremolo slap tongue slap tongue multiphonic-tremolo slap tongue multiphonic slap tongue Clarinet Multiphonic multiphonic circular breathing multiphonic-tremolo whistle tones Clarinet continuity oftongue given technique slap multiphonic-tremolo multiphonic-tremolo circular breathing multiphonic Multiphonic-tremolo multiphonic circular breathing multiphonic slap tongue Violin and cello multiphonic jet whistle harmonic timbral trills multiphonic-tremolo Violin and cello slap tongue Violin andmultiphonic cello s.p. – sul ponticello slap tongue multiphonic-tremolo m.s.p. – molto sul punticello Violin and cello s.p. – sul ponticello ord. –multiphonic Violin ands.p. cello – sul ponticello ordinario m.s.p. – molto sul punticello m.s.p. – molto sul punticello continuity of given technique multiphonic-tremolo Violin and cello s.p. –techniques sulmultiphonic-tremolo ponticello multiphonic-tremolo gradually change indicated in score multiphonic multiphonic-tremolo ord. –m.s.p. ordinario s.p. – sul ponticello ord. – ordinario – molto sul punticello multiphonic-tremolo multiphonic s.p. – sul ponticello Clarinet m.s.p. –played molto sul ord. –punticello ordinario m.s.p. – molto sul punticello gradually change techniques indicated in score harmonic, as notated jet whistle multiphonic-tremolo Violin cello ord.ord. – and ordinario – ordinario Gradually change techniques indicated in score gradually change techniques indicated in score circular gradually breathing change techniques indicated in harmonic, played asscore notated indicated in score gradually change techniques multiphonic-tremolo Violin and cello – sul ponticello ViolinViolin ands.p. cello harmonc trill effect Harmonic, played as notated and celloharmonic, played as notatedharmonic, played as notated m.s.p. – molto sul punticello Violin and cello multiphonic-tremolo multiphonic-tremolo slap tongue s.p.ponticello – sul ponticello played as notated s.p. – sul – ordinarioharmonic, harmonc trill effect multiphonic-tremolo s.p. –ord. sul ponticello Violin and cello harmonc trill effect Harmonc trill effectm.s.p. m.s.p. – molto sul punticello –ponticello molto sul punticello s.p. – sulm.s.p. – molto sul punticello Clarinet harmonc trill effect ord. – ordinario gradually change techniques indicated in score ord. –– molto ordinario m.s.p. sul punticello ord. – ordinario s.p. – sul ponticello Violin and cello Circular movement bow, further details in harmonc trill effect ord.of–the ordinario circular movement ofscore thechange bow,–further details ininscore gradually techniques indicated in score circular breathing gradually change techniques indicated score multiphonic m.s.p. molto sul punticello gradually change techniques indicated in score harmonic, played as notated Violin and cellodetails in score circularchange movementtechniques of the–bow, further s.p. – sul ponticello ord. ordinario gradually indicated in score circular movement of the bow, further details in score Violin and cello harmonic, played as notated Screech with bow m.s.p. – harmonic, playedplayed as notated moltoharmonic, sul punticello as notated techniques indicated in score with bow s.p. – sul ponticello slapgradually tongueofchange the bow, further details in score ord. –screech ordinario screech with harmonic, played asbow notated circular movement s.p. – sul ponticellom.s.p. – molto sul punticello harmonc trill effect change techniques indicated in score harmonic, played as effect notated screech with bow ord. – ordinario m.s.p.gradually – molto sul punticello trill trill further effect circular movement harmonc of theharmonc bow, details in score harmonc trill effect ord. – ordinario multiphonic-tremolo screech withgradually bow harmonc trill effect change techniques indicated in score harmonic, played as notated multiphonic gradually change techniques indicated in scoreharmonc trill effect

Piano

Piano Piano

gliss. with spatula* the tip of a cake spatula* Piano gliss. up string with theuptipstring of a cake Piano Piano Piano gliss. up string with the tip of a cake spatula* gliss.tip up string with the tip of a cake spatula* with spatula the of a cake spatula gliss. down stringgliss. withdown the tipstring of a cake gliss. up string with the tip of a cake spatula* Gliss. up string with the tip of a cake spatula* gliss. up string with the tip of a cake spatula* gliss. down string with the tip of a cake spatula gliss. down string with the tip of a cake spatula rapid gliss. up and down within Gliss. down string the tip of awithin cake spatula rapid gliss.with up and down a thin pitch rangea thin pitch range gliss. down string with the tip of a cake spatula rapid gliss. up and down within a with thin pitch gliss. down stringrapid therange tipupofand a cake spatula gliss. down within a thin pitch range Rapid gliss. up and down within a thin pitch range

rapid gliss. up and down within a thin pitch range with spatula the tip of a cake spatula hit with the tip ofhit a cake Hit with the tip of a cake spatula hit with the tip of a cake spatula rapid gliss. up and down within a thin pitch range Harmonic harmonic

hit with the tip of a cake spatula harmonic

harmonic

hit with the tip of a cake spatula hit with the tip of a cake spatula harmonic

* The cake spatula should look somehow*like this:spatula should harmonic The cake look somehow like this: harmonic * The cake spatula shouldlike look somehow like this: * The cake spatula should look somehow this: * The cake spatula should look somehow like this: * The cake spatula should look somehow like this: * The cake spatula should look somehow like this:

Nið(ur) Stefán frá Hvítadal

Bára Gísladóttir 2016

q = 40

ppp pp

Fl.

Soprano Solo

ppp

Pno.

° 5 Ó™ ¢& 4 O™

5 œ™ œ œ œ œ œ œ œ 7b˙ 4 8

3 4 ˙˙˙ ™™™ ∑

Ó‰ œ™

Sól - in bless -uð síg -ur rauð til

œ™ 3 8

4 œ 4

∑

við - ar,

#œ

3 4

glóa'

loft - i

gull

ský,

W.T.

Flute

o œo œo œ o ° 5 œo œ 3 & 4 O™ 4 O™ O

5 4 O™

œ™ œ™ w 3 4 ‚™ 8 ‚ ™ b‚ ™ 4 ~

7 8 O

w b~

3 4

ppp pp

#5 & #4

Clarinet in Bb

- n˙ ™ 3 4 j˙ ™

∑

˙™

5 4 ˙™

7 8 ˙

œ™

3 œ™ 8 œ™

4 4 w

3 4

III m.s.p.

s.p. m.s.p. 7 5 9

III m.s.p. Violin

° 5 & 4 O™

s.p.

3 4 O™

5 4 O™

7 8 O

4 ® ‚ ® ‚ ® ‚ ® ‚ ®‚ ®‚ ®‚ ®‚ ®‚ ®‚ ® ‚ ® ‚ ®‚ ®‚ ® ‚ ®‚ ® ‚ ® ‚ ® 3 4 w 4

∑

ppp

ppp II m.s.p

? 5 O™ Violoncello ¢ 4

3 ‚™ 8

II s.p.

s.p.

3 ™ 4O

5 ™ 4O

‚™ 3 8

7 8 O

4 ~ 4

∑

ppp

3 4

ppp r.h. slow gliss. from the bottom of the F-string 3

Piano-strings

5 & 4 Ó™

‰ 1™

31 5 4 Œ Œ ? 4 Ó™

‚ ‰ Œ

7 &8

∑

3 8

∑

3 4 ˙˙˙ ™™™

œ ‰ Œ J

7 8

∑

3 8

∑

4 Ó 4

‰™

‚ ‚‚ ‚ ‰

™

3 4

4 Ó

‰™

œ œœ œ ‰

™

3 4

q = 40 l.h. Piano

5 & 4 Ó™

{

‰ œ™ mp

4 Ó™

R °

ppp

screeching 7

ppp Pno.

S. Solo

° 3 ¢& 4

Pno.

voice 9 nœ œ œ œ œ bœspoken 2 ™ 8 4

∑ n˙ ™

4 4

∑

5 16

∑ Ó

‰ œ™

grát -klökk á - in nið - ar. jet

Fl.

° 3 & 4 O™

9 8 O™

‚™

œ™ œ™ 2 4 ‚ ™ b‚ ™

3K r f , ≈™

4 4~

5 16

ppp pp

<n> œ

˙™

L˙

ppp

œ™ Lœ

slap tongue

#3 & #4

Cl.

œ™

9 8 ˙™

œ™

2 4 œ™

Kr ≈ 44 Ó™

5 16

Lœ

f III s.p.

ppp s.p.

m.s.p.

s.p. 5 5 7 9

Vln.

° 3 & 4 ˙O ™™

9 8

2 4 Œ™

∑

® ® 4 ® ® ® ® ® ® ® ® ® ® ® ® ® ® ®5 ‚œ ‚ ‚ 4 ®w‚ ® ‚ ® ‚ ® ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ 16 J pppp II m.s.p.

m.s.p.

s.p.

? 3 ‚œ‚œ‚œ‚œ‚œ‚ œ‚œ‚œ‚ 4

Vc.

9 8

2 4 Œ™

∑

‚

œ 4‚ 4

‚

‚ œ ‚ œ ‚ œ ‚œ ‚ œ‚ œ‚ œ‚ 5 16

¢ 7

pppp rapid gliss. up and down at the bottom of the F-string

slow gliss. from the bottom of the B-string

5 7

Pno.-str.

3 9 & 4 1 -1 -1 -1 -1 - 1 - 1 -1 -1 -1 -1 -1 - ? 8 ‰ ™

b‚ ‰ Œ ™

Œ™

2 ∑ &4

4Ó 4

5 16

‰ 1™ .

Pno.

3 & 4 ˙™

{

8 ‰™

bœ ‰ Œ ™ R

Œ™

2 4

∑

4Ó

5 16

‰

œ™ ° mp

Vln.

screeching wispering voice

2 11

S. Solo

mp ° 5 ¢& 16

2 8

3 8

Haust -ið nálg -ast hríð og vet -rar -ros - inn, senn er ekk -i sól -ar von,

Fl.

senn er

° 5 & 16 ‚™j

j ‚

2 8‚

3 8 ‚™

œ™

œJ

2 8œ

3 8 œ™

® ˙ ™ b ‚ ® ‚ ® ‚ ® ‚ ® ‚ ® ‚∑ ® ‚ ® ‚ ® ‚ ® ‚ ® ‚ ® ‚

3 8

∑

3 4

3 8

∑

3 4 O™

3 8

™ L œe ™ L œ™

7 4

á - in fros - in

7 4

ppp

Cl.

## 5 ¢& 16 œ ™ J

3 4

7 4

∑

-j ° 5 Vln. & 16 6 ™

s.p.

m.s.p. I

slow circular bow-movements between m.s.p. and ord.

j 6

26 8

3 8 6™

3 8

® b‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ 3 ˙™ ® ® ® ® ® ® ® ® ® ® ® 7 4 4

∑

pppp II m.s.p.

s.p. m.s.p.

fast circular bow-movements between m.s.p. and ord.

9 5

Vc.

? 5 œ ‚ œ ‚ œ ‚ œ ‚ œ ‚ 2 œ ‚ œ ‚ œ ‚ œ‚ 3 œ‚ œ‚ œ‚ œ‚ œ‚ œ‚ 3 16 8 8 8 ¢

® 3 ˙™ ‚ ® ‚ ® ‚ ® ‚ ® ‚ ® ‚ ® ‚ ®‚ ®‚ ®‚ ® ‚ ® ‚ ® ‚ ® ‚ 7 4 4

∑

pppp

1 - 1 - 1 - ¿

‚

5 & 16

Pno.-str.

Pno.

5 & 16 j œ™

{

j œ

2 8

∑

3 8

∑

3 8

∑

3 4

∑

7 4

2 8

∑

3 8

∑

3 8

∑

3 4

∑

7 4

ord. ppp S. Solo

° 7 ¢& 4

ppp mp

œœ œ œ œ œ œ œ œ œ 2 ∑ 7 œ œ œ œ #œ œ œ 3 ∑ 5 ˙ ™ 4 8 8 4

Ló - an horf -in lok -ið söng-va full -i

Fl.

° 7 ¢& 4

O™

rökk -var hér en suð-ræn sól

2 7 4 O8O

‚™

œ™

sveip

œ™ œ™ ˙™ ™ 3 b‚ ™ 5 b ˙˙ ™ 8 ‚™ 4

œ J

8 4

bb2 ˙˙˙ ™™™

˙˙ ˙

8 4

pp m.s.p. II slow circular movements between ord. and m.s.p. I

s.p. s.p. m.s.p. 9

Vln.

° 7 &4

∑

2 O7O 4 8

6 7 5

‚™

3 ‚™ 8

® 5 ˙™ ‚® ‚ ® ‚ ® ‚ ® ‚® ‚ ® ‚® ‚ ® ‚® ‚® ‚ ® ‚ ® ‚ ® ‚ ®˙ ‚® ‚® ‚®‚® ‚® ‚® ‚® ‚ ® ‚ ®‚ 8 4 4 ppp s.p. m.s.p.

s.p. m.s.p. II Vc.

?7 ¢ 4

∑

2 7 4 O8O

‚™

3 ™ 8‚

m.s.p. III

5 ® ® ® ® ® ® ® ® ® ® ® ® ® ® ® ® ® ® ® ® ®8 4 ˙™ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚˙ ‚ ‚ ‚ ‚ ‚ ‚ ‚ 4 ppp

slow gliss. from the middle of the G-string

rapid gliss. up and down at the top of the F-string Pno.-str.

Pno.-str.

Pno.

7 &4

‚ _™

7 w & 4 n#ww

{

pppp

2 ∑ 7Ó 8 1 - 1 - - 14 2 7 n#˙˙˙˙ ™™™ 4 n#˙˙˙˙ 8 Ó

1 -1 - 1 - 1 - 1 - 1 - 1 - 1 - 1 - 1 - 1-1-1 - 1 - 1-1- ‚ ‚ ‚ ‚ ‚ ‚ 8 ≈ ‚ 83 ∑ 45 4 7

6 6

≈ œ 83 ∑ 45 ˙™ ppp R °

8 œ œ œ œœ œ 4 pp

ppp

bCl. w

œ œ ° 8 ¢& 4

S. Solo

4 4

8 4

∑ ∑ jw

han

gull

jet

Fl.

œ™ œ™ 3K 4 Ó r ® b‚ ™ Œ 4 f , ‚™

bb2 w w w

bw w ° 8 & 4 w

## 8 Cl. ¢& 4 Œ

n˙ ™

L˙™

L ˙™

˙™

8 4

∑

nw slap tongue

4 Ó ® Kr‰™ 4 b8

8 4

Œ jw

pp m.s.p.

s.p. m.s.p.

7 5 5

fast circular movements between s.p. and m.s.p

® ® ® ® ® ® ® ® ® ® ® ® ® ® ® ® ® ® ® ® ® ® ® ® ® ® ® ® ® ® ® ® ® ® ® ® ® ® 4 #I~ ° 8 w‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚w ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ 4 ~ Vln. & 4 II pp s.p. II

m.s.p. s.p.

Vc.

slow circular movements between s.p. and m.s.p

~ ~

8 4

III pp

1 - 1 - 1 -1 -1 - 1 -1 -1 - 1 - 1 -1-1-1 - 1 -1 -1 - ‚ ‚ ‚ ‚ ‚ ‚- 1 - 1 - 1 -1 -1 -1 -1 - 1 - 1 ‚ ‚ ‚ ‚ ‚ 4 8 & 4 4 7 6 3 3

Pno.-str.

8 4

? 8 ® ‚ ® ‚ ® ‚ ® ‚ ® ‚ ® ‚ ≈ ‚ ≈ ‚ ≈ ‚ ≈ ‚ ® ‚ ® ‚ ® ‚ ® ‚ ® ‚ ® ‚ ® ‚ ® ‚ ® ‚® ‚® ‚ ® ‚ ® ‚ ® ‚ ® ‚ ® ‚ ® ‚ ® ‚ 4 ~ 4 w 4~ w ppp

8 & 4 w

{

ppp

∑

8 4

∑

8 4

Pno.

œ œ œœ œ œ˙

3 3 4 œœ œœœ 4

ppp

= pp

ppp whispering

ord. pp

S. Solo

° 8˙ & 4 ¢

œ œ œ œ œ œ œ

Fl.

7 8 -

myrk - við oss á norð - ur strönd -

‚™

inn -ra græt -ur óð -fús þrá

eft-ir suð-ur lönd - um

œo

9 nœ œ œ œ b œ œ ™ 3 8 4

7 #œ œ œ œ œ œ œ 8

∑ nO

Ógn W.T.

Fl.

œ #œ

° œo 8 & 4~

7 8 O

7 ‚™ 8 O

‚™

9 8 O™

3 ‚™ 4

œ™

˙™

7 7 8 L˙ œ™ 8 ˙

œ™

9 8 ˙™

ppp

<n> w ## 8 Cl. ¢& 4 w

˙™

L ˙ œ™ Œ

˙™

œ™

3 4 ™ œ

pp s.p. m.s.p. s.p. m.s.p.

7 6

Vln.

° 8 #‚ œ‚œ‚œ‚œ‚œ‚œ‚œ‚œ‚œ‚œ‚œ‚œ‚œ‚œ‚œ‚œ‚ œ‚ ~ œ‚ œ‚œ‚ œ‚œ‚œ‚œ‚œ‚œ‚œ‚œ‚œ‚œ‚ 87 & 4~

∑

7 8

∑

9 8

∑

3 4

∑

7 8

∑

9 8

∑

3 4

ppp

fast circular movements between ord. and m.s.p Vc.

? 8~ 4~

~ ~

7 8

ord. p

ppp

b >œ œ™ œ œ œ 7 J 3 J 8 4

screeching spoken voice Pno.

S. Solo

° 3 ¢& 4

∑

4 4

‰ œ™

pp 5 œ œ œ œ œ œ œ œ œ œ 7 Œ œ œ œ œ œ œ œ #œ ™ ‰ 3 nœ 4 4 4

Pno.

7 4

∑ ∑ b˙ ™

W.T.

o b œo o œ b œ o b œo b œ o ° 3 bœ Fl. & 4 bO ™ ## 3 ppp ∑ Cl. ¢& 4

Eig -um við þá að -eins myrk -ar næt - ur,

4 4~ 4w 4

Fast circular movements pp between s.p. and m.s.p. II Vln.

° 3 ™ & 4O

4~ 4

pppp m.s.p. III

5 4 o

∑

5 ™ 4O

4~ 4

7 4~

O™

eng-ar raun-a bæt- ur?

3 4 O™

Him - inn yf -ir

7 4~

O™

7 8 O

3 4 ‚™

7 4

∑

3 4

∑

7 4

∑

7 8

∑

3 4

7 4

∑

3 4

∑

7 4

∑

7 8

∑

3 4

7 4

∑

3 4

∑

7 4

∑

7 8

∑

3 4

m.s.p.

s.p.

? 3 O™ 4

Vc.

5 4 O™

eng-a fró né inn-ri hvíld.

5 4 O™

Pno.-str.

3 & 4

slow gliss. from the bottom of the Bb-string

slow gliss. from the bottom of the F-string

pppp

∑

¿ 4Ó ‰ 5J ‰ Œ 4 1™ 4

Œ Ó

7 4

∑

3 4

∑

7 4∑

7 8

b‚ ™ ™ Œ Œ

3 4

b !™ p

Pno.

3 & 4

{

∑

4 Ó ‰l.h. 5 4 œ™ 4 ˙˙˙ ™™™ pp °

˙˙˙

7 4

∑

3 4

∑

7 4∑

7 8 b˙™ ppp

Œ™ Œ™ bœ J p

3 4

pppp screeching whispering voice

2 #œ œ œ œ 5 #œ ™ 4 16 J

j œ

4 mp 35 ° 3 bœ œ œ œ œ œ 3 8 ¢& 4

S. Solo

œ œ œ œ œ 7˙ J 8

4 bœ ™ 4

∑

hugg -ast þú sem græt - ur.

Stjörn - ur tind - ra geisl - ar

#œ ™

3 4

∑

Guðs,

gegn - um vet - rar

næt

4 4

W.T.

o œo J œ bœ™ œ™ 3 4 8 bœ ™ œ ™ 4 b~

° 3 ¢& 4<b>O ™

Fl.

b œo 3 bO ™ 4

7 8O

2 4˙

5 16 œJ ™

‚™

4 4

œ J

ppp

screeching spoken voice on inbreath pp

ord. ppp

p ™ 8 œ œJ œ œ œ œ œ œ ˙ 4

42 Fl.

° 4 ¢& 4

S. Solo

∑ ∑

∑

∑ #~

œ 3 4

∑

4 4

Vet - rar nótt -in varl-a mun oss sak - a, W.T.

o # œo # œo # œ o #œo # œ #~

jet

w b~

° 4 & 4~

Fl.

3 ≈ f Kr, ® ‰ Œ Ó

∑

8 4~

3 4 O™

4 4

ppp f pp

8 4w

slap tongue

## 4 ¢& 4

Cl.

≈™

∑

Kr ‰ Œ Ó

∑

4 4

m.s.p.

s.p. III

3 4

6 7

° 4 & 4Ó

Vln.

® ® ® ® ® ® ® ® ® ® ® b˙ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ pp m.s.p. II

∑

8 4

3 4

∑

4 4

∑

8 4

3 4

∑

4 4

∑

8 4

3 4

∑

4 4

∑

8 4

3 4

∑

4 4

s.p. 5 7

˙‚ ® ‚ ® ‚®‚ ®‚ ®‚®‚ ®‚®‚ ® ‚ ®

? 4Ó 4

Vc.

¢ pp slow gliss. from the bottom of the A-string

slow gliss. from the bottom of the A-string

‚ ‰™

4 & 4Œ

Pno.-str.

!™ Pno.

!™

4 & 4Œ

‰™

{

˙™

œ R

ppp f

ppp

œ 9 8

œ™

p pp

ord.

° 4 #œ ™ ¢& 4

S. Solo

fyrst

œ™

#œ œ œ 3 ∑ 5 œ œJ œ œ 4 8 8 4

œ œ œ 9 J 8 að ljós - in

an að

yf - ir mönn-um

˙™ vak

#œ œ œ 4 4 -

∑

Fl.

9 8 ‚™

3 8 ‚™

O™

5 8 ‚™

‚

4 4~

9 8 ‚™

O™

4 4~

#˙ ™ ˙ ™ 3 4 #˙ ™ ˙ ™

slow gliss. from the bottom of the A-string Pno.-str.

4 4

Œ™

3 5 8 ∑ 8

∑

4 4

∑

9 8

∑

3 8

4 4

∑

3 4

ppp

∑

4 4

∑

3 8

! Pno.

4 &4 w ppp

‰ ‰ #‚

9 8

{

∑

#œ ™ œ ™ 3 8 #œ ™ œ ™

4 4 #~

9 ‚ Œ Œ™ 8

4 &4

∑

Pno.-str.

° 4 ¢& 4<#>~

3 4

Œ Œ™

Œ™

3 5 8 ∑ 8

∑

4 4

∑

9 8

∑

4 4

∑

3 4

∑

4 4

∑

3 8

‰ ‰

œ J

#œ J

° °