Nodearkivarkongres

Nordisk Nodearkivarkongres Presentation (2011) Parts & Notation Dur. 90â&#x20AC;&#x2122;

PARTS

it has been a source of information about Danish music. The substantial number of orchestral works, for which Edition SAMFUNDET has published scores and parts has led to important performances by radio and concert orchestras all over the world – partly due to the fact that such materials are printed and for sale, while most of the commercial publishers offer similar works for hire only. The immediate access to excellent recordings of Danish music has been evaluated by numerous lecturers and radio stations abroad. It seems that the bold ideas of the founders of Edition SAMFUNDET when they planned the activities more than 130 years ago have come true to a remarkable degree. The society is in its second century as active as ever, and it has greatly contributed to the spreading of Danish musical culture wherever these unique possibilities have been appraised.

The composer, Peter Arnold Heise (1830-79), co-founder of the Society for the Publication of Danish Music (later Edition SAMFUNDET) in 1871

Jacob Fabricius (1840-1919), bookkeeper in the National Bank of Denmark and talanted amateur composer. Co-founder and driving force behind the establishing of the Society for the Publication of Danish Music (later Edition SAMFUNDET) in 1871

Sources: [Fabricius, J.] Beretning om SAMFUNDET til Udgivelse af dansk Musiks 25 Aars Virksomhed 1871-1896. Kbh. 1896. Krogh, Torben: SAMFUNDET ... in “Musik”, 1921, Kappel, Vagn: SAMFUNDET ... in “Dansk Musiktidsskrift”, Dec. 1946. Lunn, Sven.. SAMFUNDET ... in “Musik in Geschichte und Gegenwart”, Bd. XI, 1333. 1963. Heyer, Anna H.: SAMFUNDET ... in ’Historical Sets, Collected Editions, and Monuments Of Music”. 2nd ed., Chicago, 1969, P. 278-282. Fog, Dan: A Century in the Service of banish Music, in “Musical Demnark” no. 22, 1971. SAMFUNDET til Udgivelse af dansk Musik 1871-1971. Festskrift. København 1971. (cf. Page 85).

· Gråbrødrestræde 18, st. · DK-1156 Copenhagen K · Denmark T/ (+45) 3313 5445 · F/ (+45) 3393 3044 · E/ sales@edition-s.dk · W/ www.edition-s.dk

Strygekvartet nr. 1

Violino I

Rued Langgaard

I Andante ma non troppo (e = 132)

#### 6 j œ j j œ. œ œ œ œ œ ‰ œ œ œ œ j j œ œ & 8 œ œœœ œ œ J J œ œœœœœœ œ dolce p # # # # œ œ œ œ œ œ œJ ‰ ‰ &

a tempo

####

œ . œ. œ. œ.

œœ œ

J ‰ ‰

# # # # œ œ œ œ œ œ œJ ‰ ‰ &

poco rall.

œ œœœœ J ˙. dolce p

∑

˙.

œ . œ œj

œ. œ ‰ ≈ œ. œ. œ . œ œ œ œ œ œ œ œj œ. œ œ œ œ œ ‰ œ œJ œ œJ dolce

œ œ. œ œ œ. œ œ œ œ ‰ œ ‰ J œ. J œ. cresc.

cresc.

˙.

#œ . nœ

œ J

#œ œ œ œ œ ‹ œ œ œ œ nœ œ œ œ œ œ # # # # œ œJ œ ‹ œ œ # œ œ # œ ‹ œ œ œ #œ œ œ œ œ œ # œ ‰ ‰ Œ ‰ & J

cresc.

dolce

più tranquillo

# # # # œ œ. œ. œ . # œ œ œ œ œ œ œ œ #œ & dim.

####

œ #œ œ œ œ

dim.

œ œ #œ œ #œ œ

p dolce

espress.

cresc.

œ œ b >œ œ œJ nœ . ‰ ≈ n œ ≈ . œ n œ . œ b# œœ .

#### Å œ œ œ œ nœ # œ œ nœ œ nœ . &

œ J

œœ .. œœ n œœ ≈ n œ·

dim.

#### nœ ‰ ≈ œ b œ ‰ ≈ # œ œ œ œ . & · J J

˙.

œ œ œ œ . œ # œ . œ œ œ œ # œ œ. œ œ œ œ œ œ œ # œ . œ ‹ œ J 3 3 3 π

œ œ œ. œ œ.

dim.

˙.

dolce

œ ‹ œ œ œ # œ œ ‰ ≈ œ # œ ‰ ‰ ‰ ≈ . # œ œ . œ. # œœ J J

Reud Langgaard: Strygekvartet nr. 1 - (Vl. I) - 2

œ J

Shunting in a Peaceful Morning

Violini 1-2

for 20 strings Finn Savery 1977

A 1

#### 4 & 4

q = a72

∑

#### w

#### ˙

(a tempo)

.. œ œ œ œ

cantabile

œ F

˙.

####

#### ˙ .

œ>œ .. œœ ˙˙ n n n n div. ≈ J & Sf F #˙ Œ & F

˙.

˙ Nœ F

œ œ

.. œ œ œ œ a tempo

˙.

˙ #œ

˙.

nnnn

cresc.

unis.

pochiss. rit.

œ #œ œ œ

#### ˙ &

˙.

ww ˙

#˙

ww w

Finn Savery: Shunting in a Peaceful Morning, vl. 1+2 - 1

˙.

Old Century/Susato

Shunting in a Peaceful Morning

Violini 1-2

for 20 strings Finn Savery 1977

A 1

#### 4 & 4

q = a72

∑

#### w #### ˙

˙ œ

(a tempo)

.. œ œ œ œ

cantabile

œ F

˙.

####

#### ˙ .

œ>œ .. œœ ˙˙ n n n n div. ≈ J & Sf F #˙ Œ & F

˙ Nœ F

.. œ œ œ œ

œ œ

˙.

˙ #œ

nnnn

cresc.

unis.

˙.

a tempo

pochiss. rit.

œ #œ œ œ

#### ˙ &

˙.

ww ˙

#˙

ww w

4 œ

Finn Savery: Shunting in a Peaceful Morning, vl. 1+2 - 1

˙.

(Times/Maestro)

Shunting in a Peaceful Morning

Violini 1-2

for 20 strings

Finn Savery 1977

A 1

q = c.72

#### 4 & 4

∑

#### w #### ˙

˙ œ

(a tempo)

.. œ œ œ œ

cantabile

œ F

˙.

####

#### ˙ .

œ>œ .. œœ ˙˙ n n n n div. ≈ J & Sf F #˙ Œ & F

˙ Nœ F

.. œ œ œ œ

œ œ

˙.

˙ #œ

nnnn

cresc.

unis.

˙.

a tempo

pochiss. rit.

œ #œ œ œ

#### ˙ &

˙.

ww ˙

#˙

ww w

4 œ

Finn Savery: Shunting in a Peaceful Morning, vl. 1+2 - 1

˙.

(Arial/Maestro)

Violin 1

Double Up for sampler and small orchestra

q =60 S

(noise by bowing along the string at the frosch)

sempre sostenuto + legato possibile (slide hands/nails along (noise by bowing along the strings for a soft noise, the string at the frosch) quasi breathing) ARCO

SENZA ARCO

& 81 ® – ® ≈ –. F

m Oœ. . 1 m ≈ &8≈

SENZA ARCO

F 1 & 8 ≈ . µ µ œO >. f

|. π

‰

SENZA ARCO

3 4

|. π

41 ® – ≈ . ‰ –. F 14 ≈m m Oœ.

ARCO

Oœ. ‰

‰

(slide hands/nails along the strings for a soft noise, quasi breathing)

.O SENZA ARCO | œ 34 ‰ |. π f

P ARCO

1 4 ≈ µ µ œO . > f 1 4Œ

34 | Œ

SENZA ARCO

|. π

34 | Œ

|. π

3| Œ 4

≈ O ≈ 38 œ |. >. π

.O SENZA ARCO | 3 œ 38 Œ 4 · |. f π

DIV. A3

5 8

ARCO

(noise by bowing along the string at the frog)

ARCO

SENZA ARCO

(slide hands/nails along the strings for a soft noise, quasi breathing)

1 &8‰

|. π

‰

(slide hands/nails along the strings for a soft noise, quasi breathing)

DIV. A4

Simon Steen-Andersen 2010

Simon Steen-Andersen: Double Up - (Vl. 1) - 2

5 8

|. |. |.

5 8

| ‰ J

3 8

| ‰ J

3 8

Double Up

Violin 1

for sampler and small orchestra

q =60 S

(noise by bowing along the string at the frosch)

& 81 ® – ® ≈ –. F F

1 & 8 ≈ . µ µ œO >. f 5

1 &8‰

(slide hands/nails along (noise by bowing along the strings for a soft noise, the string at the frosch) quasi breathing) ARCO

DIV. A4

sempre sostenuto + legato possibile SENZA ARCO

m Oœ. . 1 m ≈ &8≈

Simon Steen-Andersen 2010

|. π

‰

(slide hands/nails along the strings for a soft noise, quasi breathing)

SENZA ARCO

|. π

‰

SENZA ARCO

|. π

41 ® – ≈ . ‰ –. F 14 ≈m m Oœ.

ARCO

Oœ. ‰

(slide hands/nails along the strings for a soft noise, quasi breathing)

3 4

‰

(slide hands/nails along the strings for a soft noise, quasi breathing)

.O SENZA ARCO | œ 34 ‰ |. π f

ARCO

1 4 ≈ µ µ œO . > f 1 4Œ

34 | Œ

SENZA ARCO

|. π

34 | Œ

SENZA ARCO

|. π

3| Œ 4

≈ O ≈ 38 œ |. >. π

.O SENZA ARCO | 3 œ 38 Œ 4 · |. f π

DIV. A3

ARCO

(noise by bowing along the string at the frog)

ARCO

SENZA ARCO

Simon Steen-Andersen: Double Up - (Vl. 1) - 2

5 8

|. |. |.

58 58 5 8 5 8

| ‰ J

3 8

| ‰ J

3 8

(Arial-Susato-Maestro)

Double Up

Violin 1

for sampler and small orchestra

q =60 S

(noise by bowing along the string at the frosch)

(slide hands/nails along the strings for a soft noise, quasi breathing)

& 81 ® – ® ≈ –. F

senza arco

F 3

1 & 8 ≈ . µ µ œO >. f

|. π

3 4

|. π

& 58 ≈ – ≈ ‰ –. F arco . 5 ‰ m m Oœ ‰ &8

DIV. A3

S 5

5 &8‰

arco

® µO ≈. ‰ O Œ µ œ. œ. > > f f

arco

‰

arco

.O senza arco | œ 34 ‰ |. π f

Oœ. . ® ≈ Œ 5

14 ≈m m Oœ.

(slide hands/nails along the strings for a soft noise, quasi breathing)

Oœ. ‰

senza arco

(noise by bowing along the string at the frog)

arco

‰

41 ® – ≈ . ‰ –. F

(slide hands/nails along the strings for a soft noise, quasi breathing)

1 &8‰

|. π

‰

(noise by bowing along the string at the frosch)

arco

(slide hands/nails along the strings for a soft noise, quasi breathing)

m Oœ. . 1 m ≈ &8≈ DIV. A4

Simon Steen-Andersen 2010

sempre sostenuto + legato possibile

1 4 ≈ µ µ œO . > f 1 4Œ

Oœ. ≈ 3senza arco 8 |. π f 3 8 3 8

senza arco

|. π

senza arco

|. π

senza arco

|. π senza arco

|. π

≈ O ≈ 38 œ |. >. π

senza arco

34 | Œ 34 | Œ 3| Œ 4

.O senza arco | 3 œ 38 Œ 4 · |. f π

| |

arco

24 | 2 4

2| 4

Simon Steen-Andersen: Double Up - (Vl. 1) - 2

5 8

|. |. |.

58 58 5 8 5 8

| ‰ J

3 8

| ‰ J

3 8

(Arial-ArialNarrow-Susato-Maestro)

Double Up

Violin 1

for sampler and small orchestra sempre sostenuto + legato possibile

q =60 * noise S 3

& 81 ® – ® ≈ –. F

43 43

& 81 ≈ .

Div. A3

Oœ. 3 4

5 & 8 ≈ – ≈ ‰ –. F arco m Oœ. 5 m ‰ &8‰

5 &8‰ *

arco

** slide

‰

|. π ** slide

‰

|. π ** slide

|. π

Œ Oœ. . ® ≈ Œ 5 5

® µ O ≈ . ‰ O Œ µ œ. œ. > > f f

(noise by bowing along the string at the frog)

* noise S

arco

41 ® – ≈ . ‰ –. F

. . 14 ≈m m Oœ Oœ ‰

arco

P 3

senza arco

* noise S

arco

|. π

senza arco

µO µ œ. > f

‰

senza arco

& 81 ‰

** slide

senza arco

. m O 1 & 8 ≈ m œ ≈. Div. A4

Simon Steen-Andersen 2010

‰

arco

41 ≈ µ O µ œ. f>

41 Œ

Oœ. ≈ 3senza arco 8 |. π f 38 3 8

senza arco

|. π

senza arco

|. π

senza arco

|. π senza arco

|. π

≈ O ≈ 38 œ |. >. π

senza arco

34 | Œ 34 | Œ 43

.O 3 senza arco 3 | œ 8 Œ 4 R |. f π

| |

arco

2| 4 42

2| 4

5 8

|. |. |.

85 85 85

| ‰ J

3 8

| ‰ J

3 8

(slide hands/nails along the strings for a soft noise, quasi breathing)

Simon Steen-Andersen: Double Up - (Vl. 1) - 2

(Arial-Maestro: 27.09.11)

Double Up

Violin 1

for sampler and small orchestra sempre sostenuto + legato possibile

q =60 * noise S 3

& 81 ® – ® ≈ –. F

43 43

& 81 ≈ . µ µ œO >. f

Div. A 3

& 85 ‰

arco

Oœ. 3 4

* noise S

** slide

‰

|. π ** slide

|. π

Œ Oœ. . ® ≈ Œ 5 5

® µ O ≈ . ‰ O Œ µ œ. œ. > > f f

* (noise by bowing along ** the string at the frog)

* noise

arco

41 ® – ≈ . ‰ –. F

. . 14 ≈m m Oœ Oœ ‰

arco

P 3

‰

senza arco

& 85 ≈ – ≈ ‰ –. F arco . m Oœ 5 m ‰ ‰ &8

|. π

senza arco

arco

‰

senza arco

& 81 ‰

* noise

senza arco

. m O 1 & 8 ≈ m œ ≈. Div. A 4

Simon Steen-‐Andersen 2010

‰

arco

41 ≈ µ µ œO >f.

41 Œ

Oœ. ≈ 3senza arco 8 |. π f 38

senza arco

|. π |. π

senza arco

|. π senza arco

≈ O ≈ 38 œ |. >. π

43 43

| |

Œ Œ

34 | Œ

.O 3 senza arco 3 | œ 8 Œ 4 R |. f π

| |

arco

24 | 42

|. |. |.

85 85 85

| ‰ J

(slide hands/nails along the strings for a so6 noise, quasi breathing)

Simon Steen-‐Andersen: Double Up -‐ (Vl. 1) -‐ 2

(Version: Calibri-‐Maestro -‐ 22.09.11)

Double Up

Violin 1

for sampler and small orchestra

q =60

* noise

sempre sostenuto + legato possibile

* noise

** slide

& 81 ® – ® ≈ –. F

senza arco

F 3

1 & 8 ≈ . & 81 ‰

* noise arco

5 & 8 ≈ – ≈ ‰ –. F arco m Oœ. 5 m ‰ &8‰

Div. A3

S 5

5 &8‰

arco

|. π

3 4

|. π

** slide senza arco

Oœ. 3 4

|. π

Œ Oœ. . ® ≈ Œ 5 5

® µ O ≈ . ‰ O Œ µ œ. œ. > > f f

* (noise by bowing along the string at the frosch)

‰ ‰

arco

41 ® – ≈ . ‰ –. F

. . 14 ≈m m Oœ Oœ ‰

arco

P 3

** slide senza arco

µO µ œ. > f

|. π

** slide senza arco

. m O 1 & 8 ≈ m œ ≈. Div. A4

Simon Steen-Andersen 2010

‰ ‰

arco

1 4 ≈ µ O µ œ. f>

41 Œ

Oœ. ≈ 3senza arco 8 |. π f 38

senza arco

3 8

senza arco

|. π |. π

senza arco

|. π senza arco

|. π

≈ O ≈ 38 œ. |. > π

senza arco

43 43

| |

Œ Œ

3| Œ 4

senza arco | Oœ. 3 3 Œ 4 R 8 |. f π

| |

arco

2 4 42

| |

2| 4

5 8

|. |. |.

85 85 5 8 85

| ‰ J

3 8

| ‰ J

3 8

** (slide hands/nails along the strings for a soft noise, quasi breathing)

Simon Steen-Andersen: Double Up - (Vl. 1) - 2

(Version: CenturyOldStyle-Maestro - 27.09.11)

Percussion 1

Double Up for sampler and small orchestra Simon Steen-Andersen 2010

sempre sostenuto + legato possibile

q =60

MEGAPHONE

(breathe in and out with the mouth touching the microphone,keep GLOCKENSPIEL microphone turned on until m461) (deadstroke) (breath in) (breath out)

≤ 1≈ 3 ÷ 4 &8 –. F π

–

‰

>¿

÷ 58 ≈ ¿ ≈ ‰ & ≈ ≈ ≈ . ®¿ ≈ . ÷ 5 3 p5 F F SNARE

>¿

38 ≤ –. π

24 ≥ –

¿  ¿ & ≈ ® ‰ ≈ ® ® ≈ ®¿ ≈ ® ≈ p P F P (deadstrokes)

GLSP.

>¿

(deadstrokes)

÷‰ – ≈ ‰ ‰ ¿ ‰ æ 5 P F5 SNARE super ball

GUIRO

3≤ 8 –.

38 ≤ –.

÷ 48

GUIRO plastic card

58 ≥ Œ . –

24 ≤ ‰ ≥ Œ –. –

stick GUIRO plastic card

∑

˘‡ SANDPAPER medium ¿ ¿ 2 3 34 ‰ ‰ ≈ 8 ≈ ‰ 8 –. P ∏ F

>¿ m 2 ¿ ≈ b¿ ‰ >® ≈ ≈ 2 4 8 b ¿¿ n ¿ ¿ > p 3 3 GLOCKENSPIEL (deadstrokes)

÷ 38

∑

2 8

3≥ Œ ≤ 4 – –

SPOKEN THROUGH THE MEGAPHONE: (deadstroke) MEGAPHONE MEGAPHONE "nicht an"

(swipe the guiro and hit it with a stick)

–

MEGAPHONE

GLOCKENSPIEL

‰ ≈ Œ ‰ ÷ ≈ ¿& ≈ ‰ ≈ ¿ ‰ æ p π F

≥ ≤ ≥ 5 2 5 ÷8 Œ ‰ 4 ‰ 8 Œ. – –. –

5 8

≥ 3SNARE ‰ j 8 ≈ ¿. ≈ ¿≈ ‰ – 5 F P5

58 ≤ –.

2 ≤ ‰ 5 ≥ Œ. 4 8 –. – π

GLOCKENSPIEL 17

≤

(plastic card, quick swipe)

SPOKEN THROUGH THE MEGAPHONE: MEGAPHONE "nich"

GUIRO

(in)

GUIRO

MEGAPHONE

(sim.)

MEGAPHONE

GLOCKENSPIEL

(deadstrokes)

SNARE

≥

GLOCKENSPIEL

(deadstrokes)

breathe in) (breathe out) ¿ > (sim. ≤ 1 ®¿ ≈. ≈ ÷ 3 3≥ Œ 4 & 4 ¿ 8 –. – π F5 P 3

GLOCKENSPIEL MEGAPHONE

(hit the frame)

∑

3 8

Simon Steen-Andersen: Double Up - (Perc. 1) - 3



≈ ‰ P

2≤ 4 –. π

‰ 58 38 – . F

SNARE super ball

∑

(tam tam on a talble/ stand, unsuspended, frontside down, wine bottle standing a the edge)

TAM TAM bottle (slide along inner edge) BASS DRUM

∑

58 Œ ¿ æ P

F –¿ . . æ

TAM TAM bottle (slide along inner edge) BASS DRUM

∑

F 5Œ 8 ¿ –¿ . . æ æ P

∑

3 4

Double Up

Percussion 1

for sampler and small orchestra

q =60

Simon Steen-Andersen 2008

sempre sostenuto + legato possibile Megaphone

¿ > ≤ 41 ® ¿ ≈ . & ≈ ¿ ÷ 38 –. π F 5 P3

(breathe in, mouth touching the mic, Glockenspiel keep mic on for the entire section) (deadstroke) (breath out)

& 81 ≈

>¿

34 ≤ –. π

‰

Glockenspiel

≥ –

Megaphone

Snare

>¿

Glockenspiel (deadstrokes)

(sim.)

Spoken through the Megaphone: "nich"

GLSP.

Guiro

24 ≥ Œ –

(sim. breathe in)



Cardb. Cardb. Box Box Snare brush 17 super ball Guiro (stick)

>¿

2 ≤ 4 –. π

58 ≤ –.

≥ ≤ ÷ ‰ – ≈ – – ‰ ¿ ¿ ≈ Œ æ P5 F5 f

(deadstrokes)

≥ ‰ 85 Œ . – ¿

3 ≤ 8 –.

≥ ≤ ≥ ÷ 85 Œ ‰ 42 ‰ 85 Œ . – –. –

3 ≤ 8 –.

5 ≥ Œ . 8 –

2 ≤ ‰ ≥ Œ 4 –. –

 

≈ ‰ P

4 8

(swipe the guiro and hit it with stick)

÷ 48

∑

˘r Sandpaper medium ¿ ¿ 2 3 ‰ ‰ ≈ 8 ≈ ‰ 8 – . 43 P ∏ F stick Guiro plastic card

>¿ m 2 ¿ ≈ b ¿ ‰ > ® ≈ ≈ 2 4 8 b ¿¿ n ¿ ¿ > p 3 3 Glockenspiel

÷ 38

∑

2 8

(deadstrokes)

(hit the frame)

∑

3 8

Simon Steen-Andersen: Double Up - (Perc. 1) - 3

–

3 ≥ Œ ≤ 4 – –

Spoken through the Megaphone: Megaphone "nicht an"

(deadstroke)

¿ & ‰ ≈ Œ ‰ ÷ ≈ æ & ≈ ‰ ≈ ¿ ‰ p π F

(plastic card,

Glockenspiel

Guiro plastic card

≤

(in)

swipe) ≥ 3Snare¿ . quick ¿ ‰ j 8 ≈ ≈ ≈ ‰ & – 5 F P5

Megaphone

Glockenspiel

34 ≥ –

(breathe out)

Guiro

Megaphone

¿ ® ≈ ® ≈ ® ≈ ≈ ® ‰ ≈ ® & ¿ p P F P

Megaphone

(deadstrokes)

Snare

≤ 5 ¿ 3 . . ÷ 8 ≈ ≈ ‰ & ≈ ≈ ≈ ®¿ ≈ ÷ 8 –. 5 5 π 3 p F F (deadstrokes)

Glockenspiel

∑

24 ≤ –. π ∑

85 Œ ¿ æ P

∑

Bass Drum

F 5Œ 8 ¿ –¿ . . æ æ P

Bass Drum

‰ 85

Megaphone

3 –. 8 F

4 8

Snare super ball

Tam Tam* bottle (slide along

F inner edge) 38 –¿ . . æ

Tam Tam bottle (slide along

∑

inner edge)

3 4

(*Tam Tam on a table/stand, unsuspended, frontside down, wine bottle standing at the edge)