Simon Steen-Andersen – Pretty Sound by Edition·S

Simon Steen-Andersen Pretty Sound (Up and Down)

(2008)

for amplified piano solo (pianist or percussion player) Dur. c. 7′30″

SCORE

T/ (+45) 3313 5445 · E/ sales@edition-s.dk · W/ www.edition-s.dk

Edition·S publications are supported by the Danish Arts Foundation / Edition·S udgivelser er støttet af Statens Kunstfond

Simon Steen-Andersen Pretty Sound (Up and Down)

(2008)

for amplified piano solo (pianist or percussion player) Dur. c. 7′30″

PERFORMANCE NOTES Tremolo: unmeasured, as dense as possible. Thin arrows (dotted or solid): gradual transistion or movement between possitions. Amplification and dynamics (*):

ion and dynamics (*): 1. Either the piano should be amplified to the point where the mezzo-forte of the e piano should be amplified to the point where the mezzo-forte of the beginning is as beginning is as loud as possible without being unpleasant. ssible without being unpleasant. 2. Or the piece should start unamplified and the pianist should play as loud as iece should start unamplified and the pianist should play as loud possible instead of mezzo-forte – and when the diminuendo comesas (m.possible 12–24) instead of e – and whenthe the diminuendo comes (m. 12-24) the sound technician should gradually sound technician should gradually turn up the amplification, until (at m. 24) amplification, (at m. 24) is asbeing loud as possible (without being theuntil amplification is asthe loudamplification as possible (without unpleasant). ). Several microphones should be used to cover the inside of the piano as well as the keys, close to actions possibleof(without getting the way). crophones should beasused tothe cover theasinside the piano asinwell as the keys, as close ns as possible (without getting in the way). Objects used: “Cluster board”: A board with the measurements 121–122 cm x ~15 cm x ~1 cm and two handles (attached as on the picture) that presscm. downxall~1 thecm. keysand of thetwo piano board with the measures 121-122 cm.can x ~15 handles at the same time.

sed: ard”: A as on the picture) that can press down all the keys of the piano at the same time.

ard” (Placed on strings inside the piano, activating strings when lifted): ard with a“Sticky handle (like(placed the handles on the board) withstring thewhen approximate measures board” on the strings insidecluster the piano, activating lifted): 1 cm. andAmasking side outcluster (seeboard) preparation). small boardtape with aunderneath, handle (like thesticky handles on the with the approximate measurements 18 cm x 11 cm and masking tape underneath, sticky side out (see preparation). (Placed on strings inside the piano, activating strings when lifted):

ect” ect, flat underneath, easy to grab, with masking tape underneath, sticky side out (see “Sticky object” (placed on the strings inside the piano, activating string when lifted): n). A small object, flat underneath, easy to grab, with masking tape underneath, sticky side outgradually (see preparation). damp by rolling it onto the strings):

(used to t paint roll with the approximate width of 11 cm.

“Paint roll” (used to damp gradually by rolling it onto the strings): A small, soft paint roll with the approximate width of 11 cm

ed to make 2-tone harmonies by tapping the edge on a string): Metal tube (”bottleneck”). “Slide” (used to make 2-tone harmonies by tapping the edge on a string):

n: Metal tube (“bottleneck”). ng tape, sticky side out” is meant: Attach a piece of masking tape with the sticky side out own its edges (with other pieces of tape, sticky side down)).

preparation).

A small object, flat underneath, easy to grab, with masking tape underneath, sticky side out (see preparation).

”Paint roll” (used to damp gradually by rolling it onto the strings): ”Paint roll” (used to damp gradually by rolling it onto the strings): A small soft paint roll with the approximate width of 11 cm. A small soft paint roll with the approximate width of 11 cm.

Preparation: ”Slide” (used to make 2-tone harmonies by tapping the edge on a string): Metal tube (”bottleneck”). (used to make 2-tone harmonies by tapping edgeside on aout string): Metal tube (”bottleneck”). “Masking tape, sticky ”Slide” side out”: Attach a piece of masking tape with thethe sticky by tapingPreparation: down its edges (with other pieces of tape, sticky side down).

Preparation: (By ”masking tape, sticky side out” is meant: Attach a piece of masking tape with the sticky side out (By ”masking tape, sticky side out” is meant: Attach a piece of masking tape with the sticky side out by taping down its edges1–3 (with otherofpieces of tape, sticky side down)). Sticky board and object: Attach tape, sticky side out, side down)). by taping down pieces its edges masking (with other pieces of tape, sticky

underneath the board and the object – the tape underneath the board should go Sticky board and object: Attach 1-3 pieces of masking tape, sticky side out, underneath the board board and object: Attach 1-3 pieces of masking tape, sticky side out, underneath the board across the width (~10Sticky cm). and the object – the tape underneath the board should go across the width (~10 cm.). and the object – the tape underneath the board should go across the width (~10 cm.).

on these(+/-) strings (+/-) the inside the (long piano length (long length along strings): Place thePlace boardthe onboard these piano strings): Placestrings the board oninside these strings (+/-) inside the along piano (long length along strings): Place the object on the strings about 2,5 octave higher.

Place the object strings abouteasily 2,5 octave higher.inside Place the paint roll and the bottle neckononthe cloth or foam, accessible the piano. Place the paint roll and the bottle neck on cloth or foam, easy accessible inside the piano.

otation, cluster board:

Place the paint roll and the bottle neck on cloth or foam, easy accessible inside the piano.

very highest undampened tones so they don’t ring on. Damp theDamp very the highest undampened tones so they don’t ring on.so they don’t ringtake Damp the very highest undampened tones on. the indicated board on complete cluster; lift the pressed down hand off the the 6 positions the 4 strings that produce theseboard harmonies the keys on inMark the the airon with all tones playedMarkboard 6 positions produce on the 4 strings that produce these harmonies Mark the 6 positions on the 4 strings these harmonies when with the edge ofthat the slide (pedal down). Inthe thelap score (sticky) handle (depressed) atapped sudden movement at the same time when tapped with the edge of the slide (pedal down). In the score each with harmony is referred toslide by the number. TheIntones vary at least when tapped theeach edge of the (pedal down). the score harmony is referred to by the number. The tones vary at least 1/8 of a try to find the the number. perfect intervals, notvary the exact pitches. each harmony is tone; referred tones at least 1/8 oftoaby tone; try to find The the perfect intervals, not the exact pitches.

of a tone; trya to findofthe pure intervals, notside the out, exact Notation,1/8 cluster board: Attach piece masking tape, sticky onpitches. each handle of the cluster board.

Attach a piece of masking tape, sticky side out, on each handle of the cluster board. put the indicated take the indicated all keys pressed 3ofareas ofplace masking tape, sticky side out, the closed From to theback right;on (gently) board on the middlehand board onslide Attach a Make piece lift masking tape,board sticky side out, on eachon handle cluster board. board aof thekey-lid. the pressed down complete cluster; Make 3 areas of masking tape, sticky side out, on the closed key-lid. From the middle to the right; approx. 1 xin7 on cm.the (1 being the the width), 2) 5 x bit 7 cm., 3) board 15 x 7 cm. down1)(no tones) keys (after the handle keys onthe fronthand off the to the board the air with all tones played 1) approx. 1 x 7 cm. (1 being tiny the width), 2) 5 x 7 cm., 3) 15 x 7 cm. (sticky) handle being in the air) of the piano (depressed) the lap side and a sudden movement at the Make same3time areas of masking tape, sticky side out, on the closed key-lid. From the middle to the right; 1) approx. 1 x 7 cm (1 being the width), 2)back 5 x 7again cm, 3) 15 x 7 cm

Notation, Notation, cluster cluster board: board:

Notation, cluster board:

put the indicated take theindicated indicated indicated board boardon on lift liftlift the the pressed down down(gently) complete complete cluster; cluster; all keys pressed take the the complete cluster; thepressed pressed-down place board board ontake hand back on slide board a hand hand off off the the(the strike same board on board on the keysbit to the board handstrings off the all tones played(no tones) boardin inon the air with a (after the thekeys keys board on on board board in the the air air with with all alltones tones played played down the keys the front the handle tiny Notation, actions inside the piano: the lap lap (sticky) handle at the sametime time sudden movement (sticky) (sticky) handle handleby the area as covered (depressed) (depressed) the lap aasudden sudden movement movement at atthe the same same time being in the air)(depressed) edge ofof the piano sidepress and the the tube (slide) on the sticky board) with backthe again put sticky string at the possition fingernail(s) sticky board just next to the object back premarked with the lift sticky board on the metal stops (as sharp on the strings put putthe theindicated indicated indicated number from the strings place board (gently) board on put the indicated frame place a on sound as poss.) all allkeys keyspressed pressed hand hand back back on on place board board (gently) (gently) board board on slide slide board board a a on the keys (after the front of hand back on slide board a tiny all keys pressed down down (no (no tones) tones) strike strings (the same the the handle handle on on the the keys keys (after (after the the front front tiny tiny bit bit to to the the being in the air) the piano the handle bit to the side down (no tones) Notation, actions inside the piano: being beingin inthe theair) air) ofthe thearea piano pianoas covered by the side side and and and back again press the edge ofof back back again theagain tube (slide) on the sticky board) with Notation, actions in side the piano: press the edge of strike strings (the same area as fingernail(s) put sticky string at(slide) the possition the tube on the string covered by the sticky board) put sticky sticky object lift slide pressed put sticky board lift sticky object back sticky board just nextdamp to theringing premarked with the sticky board at the possition premarked with fingernail(s) object back onthe metal lift stickyback board strings gradually on on string (making on the strings object fromon onthe the metal stops (astosharp on lift sticky board strings indicated with the indicated number just next the stops (as sharp thethe strings number from the strings by rolling frame the open string ring) frame a asound asposs.) poss.) the paint metal framethe strings from the strings sound as roll onto(the thesame strings strike strikestrings strings (the same

Notation, Notation, actions actions inside inside the the piano: piano:

area areaas ascovered coveredby bythe the press pressthe theedge edgeof of sticky sticky board) board) with with the thetube tube(slide) (slide)on onthe the fingernail(s) fingernail(s) put putsticky sticky string string at at the the possition possition sticky object lift sticky sticky lift slidepressed pressed just damp ringing strings putsticky sticky board damp ringing sticky object lift slide sticky stickyboard board justnext next to tothe the put board lift objectback back premarked premarked with the lift liftsticky stickyback board board on the metal object from object onwith stringthe (making the gradually by rolling the on the strings strings on the metal onnumber string (making on onthe themetal metal stops stops(as (as sharp sharpgradually back on the strings object from onthe thestrings strings indicated indicated number frame the strings on open string ring) paint roll onto the strings from the thestrings strings otation,from pedals, key-lid: frame press the palm of frame the open string ring) frame the strings aasound soundby as asrolling poss.) poss.)the paint the indicated hand roll onto the strings press the palm of the against the indicated Notation, pedals, key-lid: indicated hand against the sticky area indicated stickyon areathe on closed the closedlid lid close lid close lid damp dampringing ringing pedal down, upup sticky stickyobject object lift liftslide slidepressed pressed put put sticky stickyboard board lift liftsticky sticky pedal down, strings stringsgradually gradually on onthe themetal metal on onstring string(making (making back backon onthe thestrings strings object objectfrom from Notation, pedals, key-lid: the palm of byrolling rollingthe thepaint paint frame the theopen openstring stringring) ring) by the thestrings strings press frame the indicated hand roll rollonto ontothe thestrings strings liftthe hand from tape tape open lid hand from indicated open lid againstlift 1) forte pedal (right) sticky area on the 1) forte pedal (right) 2) sustenuto (middle) closed lid 2) sustenuto (middle) 3) una corda pedal (left) close lid 3)pedal una corda pedal (left) down, up

Notation, Notation, pedals, pedals, key-lid: key-lid:

press pressthe thepalm palmof of the theindicated indicatedhand hand

q =~90 –

CLUSTER BOARD (all keys)

† 41 (F) t*41

6 16

–

‰ ..

x15

‰ ..

sim. cluster board

... ‰ . ..x31 .. –– ‰ ..x72 –– ‰ –– ‰ –– ‰ 1 .. –– ‰ x5 ... ‰ . x3 6 6 – – . . . .. 42 .. ––– – – . . . 16 – 4 – 4– – – 4 – 16 – 3

(don't lift board in the breaks)

––– ... ‰ . 43 ––– ‰ ––– ‰ ––– ‰ ––– 16 9 ‰ . ––– ... ‰ . 42 .. ––– J J

OOO ¿¿ ..x3––– ¿ ﬂ

OOO ¿¿ 16 9 ––– ¿ ﬂ

(slowly push down to the "point", then look and syncronize hammers)

(push down the last bit with a sudden movement)

3 – 4 ––

OOO ¿¿¿ x2 6 .. 16 ﬂ

OO ¿¿ ... O¿ J ﬂ

3 –– OO 2 ¿¿ 8– O 4¿ J ﬂ

45 ¿¿¿ OOO 42

¿¿ ¿

OOO ﬂ

diminuendo (of cluster)

(put softly back on keys)

(lift with a sudden movement)

¿¿¿ ... 85 –––

OO 3 (>––) OO 4 ¿¿ (sim.) O 8– O 4¿ J ﬂ diminuendo (of cluster)

3 –– OO 3 ¿¿ 8– O 4¿ J ﬂ ppppp

OOO ¿¿¿ J ﬂ

OO O

3(sim.) – O 5 8 –– OO 4 J ﬂ

(keys in (lift neutral back position, up) lift)

––– ... OOO 46 ¿¿¿ OOO OOO 45 ¿¿¿ OOO OOO OOO 44 ¿¿¿ OOO OOO ¿¿¿ ... OOO ... ˜˜˜ 43 ¿¿¿ ˜˜˜ ˜˜˜ 46 J fl fl fl fl fl fl ∏ possible

(cluster only)

q =~60

46 ¿¿¿

U ˜˜ ˜

~6"

(board on keys, no sound)

U ˜˜ OO ˜˜ ˜ O ˜ ~5"

U ˜˜ OO ~3"˜˜ ˜ O ˜

q =~70

45 ˜˜˜ OOO OOO

OO O

U ˜˜ OO ˜˜ OO ˜˜ ˜ O ˜ O ˜

OO OO ˜˜ O O ˜

~3"

(slide cluster board a tiny bit to the side and back on the keys)

4 ˜˜ OO ˜˜ OO ˜˜ OO ˜˜ OO 5 ˜˜ OO ˜˜ 4˜ O˜ O ˜ O ˜ O 4˜ O ˜

˜˜ ˜

≈‰ ≈‰ 43 Œ ‡- *-

˜˜˜ OOO ˜˜˜ OOO ˜˜˜ OOO ˜˜˜ OOO

˜˜ ˜˜ ‰ ‰ ˜˜ ˜˜ (forte pedal) ˜˜ ˜ ˜ ‡ ‡ ‡.

≈‰ 44

(una corda pedal)

‡3

≈‰

4 ˜˜ OO ˜˜ OO ˜˜ OO ˜˜ OO 4˜ O˜ O ˜ O ˜ O

42 ˜˜˜ OOO ˜˜˜ OOO ˜˜˜ OOO ˜˜˜ OOO ˜˜˜ OOO 3

. . . . 43 ˜˜˜ .. OOO .. ˜˜˜ .. OOO .. ˜˜˜ 42 ‡ ≈‰ * ≈‰ 43 ˜˜˜ ˜˜˜ ‰ ‡ ≈‰ ˜˜˜ ≈‰ 44 ˜˜˜ OOO * ≈‰ OOO ˜˜˜ ˜˜˜ ≈‰ 43 ‡ - 1 3

q =~80

(press down keys slowly)

˜˜˜ OOO ˜˜˜ OOO ˜˜˜ OOO ˜˜˜ 42 ≈ ≈ ˜˜˜ ≈ ˜˜˜ ≈ ≈ ≈ 3 43 ‡- *‡- *- ‡. *. ‡. *. 2 3

˜˜˜ ...

OOO ...

42 ˜˜˜

˜˜˜ OOO 44 ˜˜˜

(press down keys slowly)

OOO ¿¿ ¿ ‡ *‡ * *. ﬂ . .. . 2 3

(middle pedal)

> ‡ 1

¿¿¿

44 > ‡. *. ‡. *. ‡- *- ‡ 3

U ˜˜˜ OOO ˜˜˜ ~5"˜˜˜

˜˜˜

‡

2 ˜˜˜ ˜˜˜ ˜˜˜ ≈ ≈ 38 4 ‡ . *‡- *3 3

24 ˜˜˜ OOO ˜˜˜ OOO 43 ˜˜˜ ≈ ˜˜˜ ≈ ≈ ≈ 3 ‡- *- ‡. *. ‡. 2 1

(press down keys slowly)

(lift left hand off the (sticky) handle with a sudden movement)

U ~3" –––

>–– –

OOO ﬂ

U Œ

~4"

(*rather hard try to match the dynamic of the unprepared cluster in m. 61)

––– OOO ¿¿¿ ﬂ *.

˘– – . Ó ‰ Œ 3 ˘ 24 > ––– OOO ¿¿ 43 ‡. *. ‡. *. ‡ J ¿ 2 1 3 1 l.h.

(*dynamic of cluster; in between dynamic of pedal and sticky board)

‰

(strings ringing)

(lift the lower sticky board from strings with a sudden movement)

¿¿

(put the sticky board down again)

(left hand back on handle)

l.h.

U 2 Ó ˜˜˜ OOO 3 ˜˜˜ ≈≈ ˜˜˜ ‰ 2 ≈ ‰ ˜˜˜ OOO ≈ ‰ ~5"Œ 4* 8 4‡ *-3 .

(open lid) lid) . Ó. (close ¿ (¿) Ó. Ó. ( ) Ó 5 OOO ¿ 3 2 (¿) ‰ (¿) 4 ¿¿¿ 8 ‡ * ¿¿ 4 3 ﬂ. . ﬂ (very soft!) 3

l.h. r.h.

r.h. l.h.

1 (place board on lap)

3 4

(lift board from lap)

(sticky board)

l.h. 3 ˘– ¿ ˘– ¿ l.h. r.h. (close lid) ¿ – – ¿ – ¿ – ¿ . – ¿ – ¿ 3 Ó Ó Ó. Ó. (¿) . ¿¿ fl 34 ≈ ¿¿¿ ˜˜˜ OOO 42 ––– ˜˜˜ J 43 24 fl ¿ ¿¿¿ ‡. *. ‡. *. ‡*- ‡ fl *. ‡ * ‡ * fl (lap) . . . . 1

(sim. in between dynamic of pedal and sticky board even though prepared - like m. 59)

(palm of hand on tape on top of the lid) r.h. 3

l.h.

(¿) Ó. Ó. ˘¬ ¬ 3 (¿) (¿) 4 ¿¿ ¿ 3 ﬂ r.h. l.h.

¿¿¿ 2 ˜˜˜ OOO ˜˜˜ OOO OOO 4 ‡. *. ‡- *5

˜˜˜ OOO ˜˜˜ OOO 38 ˜˜˜ ˜˜˜ OOO

˜˜˜ ˜˜˜ OOO 43

r.h. (sim.)

‰¿ ¿

¿¿ ¿¿

––¿ ¿

¿¿ ––

(small sticky object in the high position)

j r.h. ¿ ¿ ¿¿¿ –– ¿ ¿ ¿ ¿¿ ¿ –– ¿ ¿ ¿¿ –– ¿ 38 43 J

¿ ¿¿¿

¿¿ ¿¿

¿¿ ––

l.h.

¿¿ ––

l.h.

3 4

r.h. (frame) l.h. 1

¿¿ –– ¿¿ ¿¿

r.h. 1

œœ œœ

l.h. r.h.

>‡1

Œ ¿¿

¿¿ Œ 3

––– ˜˜Ó. Ó. 3 4 ˜

–– ﬂ

l.h.

–– g>‚‚‚ ¿¿ g

l.h.

–– gg ‚‚‚ ¿¿ g> 2 Ó. Ó. – ˜˜ OO ˜˜ –– ≈ 4 (put away . *. ‡ *. ˜ O ˜ O slide) > 1 1 ¿¿

r.h. l.h.

(first push down the right side of the cluster board, then the left)

– –– OOO ﬂ *. >‡ *. 1 3

¿¿¿

l.h.

24 ≈ Ó. ‡. 2

3 2 l.h. r.h.

rK O .

‡. *.

œœ

‡1

(lift away, making the open string ring)

œœ œœ

r.h.

3 2

Ó.

(¿)

‡-

(¿) *-

rK ( ¿)

(¿)

rK (¿ )

¬ ˘¬

(lock cluster in 2nd pedal) (press down silent (close lid) cluster from F# to C)

j & O ‡ O # –O 2. –O ﬂ (left

rK O .

(tape on lid) r.h. (open, close) 1

(close lid)

≈

("roll on")

¿. rK 3 O. ‡. *. ‡. *. ¿. 8

‰ Œ

(place board ON the front of the piano)

(open lid) ˘¬ ¬ ¬ ¬ ˘ (¿) ¬ ¬ ¬ ¬ ¬ ¬ ˘ 3 ¬ ¬ 2 fl ¬ ¬ 3 3 ¿ ‰ Œ 4 4 ‡ * ‡ fl* 8 ‡ * fl 4 ( ) . . . . . .

104

¿¿

U ~8"

l.h. just next to the stops for a very sharp sound, a bit louder than the sticky board) r.h. 3 l.h. ("roll off") (press down keys slowly) r.h. l.h.

œœ œœ œœ œœ

(sim. strike strings)

––¿ ¿

(edge of slide on string, 1st marked pos. - see preface)

(strike the strings activated by the sticky board with fingernail(s)

(slide) (sticky board)

on frame

l.h.

l.h. r.h.

U ˜˜˜ OOO ~7"OOO

43 ˜˜˜

on strings

on frame on l.h. ˘ ¿¿ ¿¿ ¿ strings – – ¿ ˘ – ¿ "roll off" ˘ ˘– ¿ fl 3 fl ¿–– –– ¿¿ ¿¿ ¿¿ – ¿ – ‰ . 24 O O. rK 34 ––– Ó˜˜˜. Ó 24 fl . ‡. *. ‡- *- ‡. *. ‡ (sim. 3 *. >1 dyn.) l.h. 3 2 2 r.h.

r.h.

(¿)

‡. 2

(tape on lid) r.h. r.h. 2 1

˘ ¿( ) 42 ¬ ˘¬ ¬ ¬ J

foot)

(grab paint roll a.f.a.p.and damp gradually by rolling it from the stops onto the strings)

–– ¿¿ 3 – ¿–¿ – ¬ ˘¬ – ¿ – ¿ –

l.h.

110

r.h.

(slide) 1 r.h.

œœ œœ

¿¿ ––

l.h.

r.h. 1

œœ œœ œœ œœ

œœ .. 3

œœ

J 3 4

œœ œœ œœ 3

U r.h. 6 l.h. œœ œœ œœ ¿¿ –– g>‚‚‚ g

3 U 3 8‡ ‡ *. 4 >1 (turn pages)

r.h. 1

117

œœ ..

œœ œœ ..

121

‡ >1

‡

139

––

œœ œœ œœ

œœ œœ œœ œœ œœ œœ ¿¿

(sim.) r.h.

l.h.

–– g>‚‚‚ ≈ ¿¿ –– g>‚‚‚ g g

œœ .. ¿ œœ .. ¿ œœ .. ¿ œœ .. ¿ œœ .. ¿ œœ

œœ

42 . ‰ *

œœ

q =~80r.h. l.h.

œœ œœ ¿¿ –– g>‚‚‚ g

œœ œœ œœ œœ

(frame) (damp with right hand)

–– g>‚‚‚ g

r.h. 6

œœ œœ

>‡ .

¿¿ –– ¿¿ g>‚‚‚ g

l.h.

>‡ *. ¿¿ ––

l.h.

> gg‚‚‚

r.h.

l.h. r.h.

¿¿

l.h.

œœ œœ œœ 3

r.h.

œœ

Ó. Ó.

l.h.

(handle)

(¿)

( ¿)

‡. *. ‡. 2 1

¿¿ ¿¿ –– . .

l.h.

r.h.

¿¿ –– ..

¿¿

(l.h. take slide) r.h. 2

(r.h. put r.h. slide away) l.h. 6 6 l.h.

œœ œœ

œ– œ– œ–œ œ–œ ¿¿ œœ

(right hand strike and damp)

–– g>‚‚‚ g

r.h.

œœ

¿¿

œœ

¿¿

(tape on lid)

l.h. 3

>‡1 *.

¬ ¬

–– g>‚‚‚ g

3 2

(sim.) l.h.

r.h.

(l.h. put slide away) l.h. r.h. r.h. l.h. 6 l.h. r.h. 2 3

¿ ¿ .Ó Ó. ¿ ¿ ¬ ¬

l.h. r.h.

r (¿ )

(sticky board (cluster on frame) (handles) board)

¿ ¿ r.h. l.h. ¿ 154 ¿ ¿ Ó. Ó. ¿¿

6 l.h.

>‡ *. ‡. *.

–– g>‚‚‚ ¿¿ –– g

¿¿

r.h. l.h.

œ– œ– ¿ œœ¿ 3

¿¿

r.h. l.h. ¬¬ Ó. Ó. ¬ ¬ ¬ ¬ *. ﬂ ‡. *. 2 1 l.h.

(¿) 3 (¿) (¿) 3 2 Ó. Ó. Ó. Ó. (¿) (¿rK)3 Ó. Ó. Ó. Ó. 3 3 (¿) . (¿) 4 4 (¿) (¿) 4 * ‡. *. ‡. *. ‡. *. ‡. *. ‡. *. ‡. *. ‡.*. 1 2 1 2 1 2 3

(¿)

(open

148 lid)

œœ œœ

r.h.

(strike strings with left hand)

(frame)

r.h. 6

(slide cluster, across strings, random tones) l.h.

œœ œœ œœ œœ œœ œœ ¿¿ –– g>‚‚‚ 3 g 34 ‰ 3 >‡ *.

(sticky board)

r.h.

œœ

(damp with finger or soft a object when lifting the slide to avoid the sound of the open string)

acc.

132

œœ

œœ .. œœ œœ .. œœ œœ .. œœ œœ .. ¿ œœ .. ¿ œœ .. ¿ œœ

r.h.

œœ

q=60

127

l.h. r.h.

(back on keys)

24 ¿¿¿ ˜˜˜ ˜˜˜ ˜˜˜ OOO ˜˜r ˜˜ ˜ ‡. *. ‡.*. ‡.*. ‡.*. (>) ‡- *- ‡. *. ‡- *- ˜ 1 2 3 3 1 3 3

rK OO O

(roll off)

‡. . 2

*. .

rK O .

l.h. r.h.

(roll on, roll off)

rK ¿¿¿ ¿¿ ¿¿ ˜˜˜ ˜˜ ¿ O 3 . ¿ ¿ * ˜ ‡ * ‡*‡* O . 4 . . 2. . 3. . . >‡1 1 3

quasi glissando with cluster board as fast as poss. 3

160

(roll on upward)

¿ 43 ‡ * ‡ * ¿ O. ¿ ¿‡rK * 42 ¿ O. ¿ O. 38 œ ≈ ‡ *¿¿¿ ˜˜˜ ˜˜˜ 42 ‡ * O. -. . . . >1 . 2. . 2 2 ppppp 3 ‡. 1

165

5 œ. 16

‡. *. 2

q =~70

169

≈ ≈ 42

‡. *. 2

˜˜˜ OOO OOO

178

3 ˜˜˜ OOO ˜˜˜ 8 J J J

184

‡. 1

44 ˜˜˜ ˜˜˜ ‰ Œ

˘O ¿ rK 3 OO ≈‰ ¿ ‰ 4 œ ≈‰ Œ

˜˜ ˜ J

OO O J

˜˜ 3 ˜˜ OO OO ˜ 4˜ O O J

˜˜˜ OOO ˜˜˜

˜˜˜ ˜˜˜ ‰ Œ

.. ˜˜˜ ˜˜˜ ˜˜˜ J

190

≈

≈ 44 85 œ ≈ ‡. *. ‡. *. ‡- *3 2 1 3

≈

‡. 2

≈ 43 ¿ ‡. *. 2

‰

¿¿¿

≈

‡. *. 2

˜˜˜

OOO

5 ≈ œ œ 16

˘O OO ‰

(roll on)

43 œ ≈‰ ¿¿¿ ‡ * Œ . . 3

173

rK ˜˜ ˜

‡. *. 2

43 œ ≈‰ ‡

¿ ¿rK‰ Œ

˜˜˜ ˜˜˜ ‰ ‡ 1

OO O

q=~60

˘O 4 OO ≈ 4 œ ≈ ‰ Œ

x3 ≈ ≈ ‰ .. ˜˜˜ ˜˜˜ ‰ ‰ ‡- *3

‡

3 ¿ 4 ¿rK‰ Œ

44 ¿¿¿ ‰ Œ *.

‡

44 ˜˜˜ OOO ˜˜˜

OOO J

‡- *3

‰ ≈ ˜˜˜ ‰

‰Œ

≈‰ Œ

Fine CLT 13.10.08 Duration ~7'30''

˜˜˜ ˜˜˜ ‰ Œ

≈‰ Œ

≈ ≈ 38 ‡- *3

2 ˜˜ 4 ˜˜ ˜˜ ‰ Œ

¿ ¿rK‰ Œ