Adrianna Kubica-Cypek Reflection Nebulae (2021) for orchestra Dur. 15′
SCORE
T/ (+45) 3313 5445 · E/ sales@edition-s.dk · W/ www.edition-s.dk
Edition·S publications are supported by the Danish Arts Foundation / Edition·S udgivelser er støttet af Statens Kunstfond
Tr Tu Pe
C Pe T C G Ti G P
Adrianna Kubica-Cypek Reflection Nebulae (2021)
Pi H
for orchestra
H V V V V V C V D C D
Dur. 15′
General explanation: General explanation:
Score in C Piccolo flute Score insounds C one octave higher than written.
Bass clarinet and Double basses sounds one octave lower Piccolo flute sounds one octave higher than written. Bass clarinet and Double basses sounds one octave lower
Dashed line with an invert indicates oscillation 1/4 to Dashed line with an invert indicates oscillation 1/4 ton
GENERAL EXPLANATIONS Dashed line with an inverted flat accidental indicates oscillation 1⁄4 tone up/down.
An arrow indicates a gradual, fluent change of the articulation; this applies to all the groups of instruments. Woodwinds Square noteheads indicate air sound (non pitched). Brass Mute — always straight if only marked as “mute”. Horn: “+” — indicates stopped sound (with hand).
An arrow in change of th An arrow in change of th Percussion:
Three players required:
Three players required: Woodwinds: Square is used to indicate the air sound (non pitche Perc. 1: note Vibraphone, Timpani Woodwinds:
Perc. 1: Vibraphone, Timpani
Square note is used to indicate the air sound (non pitche Perc. 2: Suspended cymbal, Marimba, Grancassa
Percussion:
Percussion Three players required: Perc. 2: Suspended cymbal, Marimba, Grancassa PercBrass: 3: Tam-tam, Triangle, Crotali: Perc. 1: vibraphone, timpani Mute — always straight if only marked as „mute”. Brass: Perc. 2: suspended cymbal, marimba, gran cassa Perc 3: Tam-tam, Triangle, Crotali: Horn, when „+” — indicates stopped sound (with a hand Mute — always straight if only marked as „mute”. Perc 3: tam-tam, triangle, crotales: Horn, when „+” — indicates stopped sound (with a hand)
Slide on a Suspended cymbal with a
Slide (with circular movement) on a suspended cymbal with a metal triangle beater. Piano One should keep in mind that the piece requires playing directly on the piano strings.
Slide on a Suspended cymbal with a triangle’s metal stick with (circular m
Piano: Strings One should have in mind that the piece requires playing The violin I, violin II, viola, and cello sections are divided into two independent parts. Piano: Occasionally, there are also subdivisions within thoseOne sub-parts. the that the piece requires playing directly on the piano strings. shouldTherefore, have in mind piece requires the following minimum of string players: Violin I: 12 Violin II: 12 Violas: 8 Cellos: 8 Double Bass: 6 (two with 5 strings)
Strings:
The Violins I, Violins II, Violas and Cellos sections are there are also subdivisions in the frame of one part. T The Violins I, Violins II, Violas and Cellos sections arefirst divided in two independent parts. O considered as the part, the second as the second one there are also subdivisions in the frame of one part. The first row of desks on each section 12 one, etc. Therefore, the piece requires (mi considered as the first part, the secondViolins as the I:second Violins II: 12 Violins I: 12 Violas: 8 Violins II: 12 Cellos: 8 Violas: 8 Strings:
Cellos: 8
Double 6 (with two 5-string)
INSTRUMENTATION Piccolo 2 Flutes 2 Oboes 2 Clarinets in Bb Bass Clarinet in Bb 2 Bassoons 4 Horns in F 2Percussion: Trumpets in Bb 2 Trombones Three players required: Tuba Perc. 1: Vibraphone, Timpani Percussion (3 players): Perc.Perc. 2: Suspended cymbal, Marimba, Grancassa 1: vibraphone, timpani Perc. 2: suspended cymbal, marimba, gran cassa Perc Perc 3: Tam-tam, Triangle, Crotali: 3: tam-tam, triangle, crotales: Piano Harp Violin I (12) Violin II (12) Viola (8) Cello (8) Double Bass (6)
Slide on a Suspended cymbal with a triangle’s metal stick with (circular move).
Piano: One should have one in mind that the piece requires playing directly on the piano strings. Piccolo sounds octave higher than written. Bass clarinet and double basses sound one octave lower than written. Score in C Strings: The Violins I, Violins II, Violas and Cellos sections are divided in two independent parts. Occasionally, there are also subdivisions in the frame of one part. The first row of desks on each section should be considered as the first part, the second as the second one, etc. Therefore, the piece requires (minimum): Violins I: 12 Violins II: 12 Violas: 8 Cellos: 8 Double 6 (with two 5-string)
Duration: 15 min
Reflection Nebulae Piccolo
I Flutes II
Oboes I, II
I Clarinets in Bb II
Bass clarinet
Bassoons I, II
I, II Horns III, IV Trumpets I, II Trombones I, II Tuba
Percussion I
Percussion III
Piano
oscilation - quater tone up/down half air/half pitch
air only
air only
Violins II
Violas
Cellos
Double basses
I
oscilation - quater tone up/down half air/half pitch
oscilation - quater tone up/down half air/half pitch
Tam-tam closer to the edge medium-hard mallet L.v.
sempre L.v.
ricochet
motor on
5
non vibrato sul pont.
solo non vibrato sul pont.
solo
solo ricochet
solo
L.v.
Suspended cymbal metal stick
Vibraphone motor off, medium-hard mallets
Sempre non arpeggiato
Violins I
Harp
oscilation - quater tone up/down half air/half pitch
air only
Percussion II
calmo = 40
Adrianna Kubica-Cypek (1996*)
oscilation - quater tone up/down
Picc.
I Fl. II
Ob. I Cl. in Bb II
7
Bn
Hn I, II
I Tpt II
Tbn Tba
Perc. I
Perc. II
Perc. III
P-no
Vn-s I
V-ns II
Va-s
Cel- s
D. b.
2
()
Crotali soft stick
frull.
air only
poco a poco
ord.
sul tasto
sul tasto
sul pont. non vibr.
sul pont. non vibr.
sul pont. non vibr.
molto vibrato
sul tasto non vibr.
mute
sim.
mute
solo sul tasto non vibr.
sim.
Tam-tam soft mallet L.v.
mute
motor on
molto vibrato
sul tasto non vibr.
Triangle
div.
frull.
ord.
poco a poco
frull.
ord.
pitch
air only
pitch
air only
pitch
()
Hp
.
A
B. cl.
molto vibr.
sim.
12
Picc.
I Fl. II
I
Ob. II
I Cl. in Bb II
B. cl.
Bn
Hn I, II
I Tpt II
Tbn
Tba
Perc. I
Perc. II
Perc. III
P-no
Hp
V-ns II
Va-s
Cel- s
D. b.
Crotali
L.v.
()
tutti non vibr.
tutti non vibr.
gliss.
Tam-tam
solo gliss.
solo gliss.
solo gliss.
tutti
tutti non vibr. oscilation - quater tone up/down sul tasto half air/half pitch
non vibr. oscilation - quater tone up/down sul tasto half air/half pitch
non vibr. sul tasto
gliss. down
tutti non vibr. sul tasto
Marimba soft mallets
gliss. up
air only
poco with air
air only
poco with air
motor on
Vn-s I
3
I Fl. II
I Ob. II
I Cl. in Bb II
18
B
Bn I, II
III, IV Hn III, IV
Tpt I
I Tbn II
Tba
Perc. I
Perc. II
Perc. III
P-no
Vn-s I
V-ns II
Va-s
Cel- s
gliss.
sim.
sim.
gliss.
sim.
gliss.
gliss.
1/2 tone up
L.v.
non vibr. sul tasto
non vibr. sul tasto
Tam-tam
()
Hp
4
.
B. cl.
D. b.
22 Picc.
Fl. I
I Ob. II
I Cl. in Bb II
B. cl. Bn I, II
Hn Tpt Tbn Tba
Perc. I Perc. II Perc. III
P-no
1/2 tone up
Cel- s
D. b.
tutti gliss.
Va-s
soli, div a 2 non vibr.
non vibr. tutti
non vibr.
div.
molto vibr.
sul tasto non vibr. tutti
fast irregular repetition
sul tasto non vibr. tutti
tutti div. non vibr.
tutti div.
ord.
frull.
tutti div.
frull.
tutti div.
soli, div a 2 non vibr.
tutti gliss.
ord.
frull.
.
ord.
frull.
ord.
frull.
soli, div a 2 non vibr.
V-ns II
Vn-s I
Hp
molto vibr.
solo
5
Picc.
I Fl. II
26
I Cl. in Bb II
I Bn II
I, II Hn III, IV
Tpt I
I Tbn II
Tba
Perc. I
Perc. II
Perc. III
P-no
V-ns II
6
Cel- s
a1
3
mute
ord.
frull.
frull.
Va-s
frull.
D. b.
Vn-s I
()
Hp
B. cl.
Ob.
ord.
G. cassa hard mallet
L.v.
Tam tam soft mallet
L.v.
4
L.v.
non vibr.
non vibr.
solo
solo
C
Picc.
Fl.
Ob.
Cl. in Bb
B. cl.
Bn
Hn
Tpt
Tbn
Tba
Perc. I
Perc. II
Perc. III
P-no
30
G. cassa hard mallets
()
Hp
solo gliss. harm.
Vn-s I
V-ns II
Va-s
Cel- s
D. b.
I
solo gliss. harm.
I
tutti gliss. harm.
ricochet col legno
5
solo
s
5
I
solo ricochet col legno
tutti gliss. harm.
( )
5
sim.
5
5
5
( )
gliss. harm.
( )
ricochet col legno
ricochet col legno
I
solo ricochet col legno
tutti I ord. gliss. harm.
solo gliss. harm. I
( )
7
Fl.
Ob.
Cl. in Bb
B. cl.
Bn
Hn
Tpt
Tbn
Tba
Perc. I
Perc. II
Perc. III
P-no
34
Va-s
Cel- s
on the strings L.v.
8
on the strings L.v.
sempre L.v.
a2
D. b.
V-ns II
tutti
Vn-s I
()
Hp
tutti
( )
II
II
III
II
III
( )
( )
( )
38
Picc.
I Fl. II
Ob.
I
I Cl. in Bb II
Bn
Hn I, II
I Tpt II
Tbn
Tba
Perc. I
Perc. II
Perc. III
P-no
Vn-s I
V-ns II
Va-s
Cel- s
non vibrato
non vibrato
non vibrato
non vibrato
non vibrato
non vibrato
non vibrato
non vibrato
tutti ord.
D. b.
a 2 (only 5-string)
s
gradually open
mute
mute
gradually unmute
gradually close
gradually unmute
half air/half pitch
ord.
frull.
half air/half pitch
L.v.
()
Hp
Tam-tam soft mallet L.v.
half air/half pitch
half air/half pitch
half air/half pitch
half air/half pitch
B. cl.
half air/half pitch
D = 60
gliss.
9
43
Picc.
I I Fl.
I I
II
Hn I, II
Tbn
Tba
Perc. I
Vn-s I
V-ns II
I
Va-s II
(sempre non arp.)
sempre L.v.
gliss. molto lento
gliss. molto lento
gliss. molto lento
gliss. molto lento
Marimba hard mallets
gliss. molto lento
gliss. molto lento
Vibraphone motor off. medium-hard mallets
gliss. molto lento
gliss. molto lento
Hp
P-no
Perc. II
Perc. III
ord.
II
ord.
Tpt
10
I
ord.
Bn
D. b.
B. cl.
ord.
Cl. in Bb
Cel- s
I
Ob.
ord.
II
E
Picc.
I Fl. II
I Ob. II
I Cl. in Bb II
47
B. cl.
Bn
I Tpt II
Tbn
Tba
Perc. I
Perc. II
Perc. III
P-no
Hp
Vn-s I
V-ns II
()
Crotali hard stick
5
Cel- s
ord.
frull.
ord.
mute
mute
fast irregular repetition
Vibraphone
frull.
Va-s
5
D. b.
ord.
Hn
frull.
frull.
11
52
Picc.
I Fl. II
I Ob. II
I Cl. in Bb II
B. cl.
Hn III, IV
I Tpt II
Tbn Tba
Perc. I
Perc. II
Perc. III
P-no
Hp
Vn-s I
V-ns II
Va-s
Cel- s
D. b.
12
half air/half pitch
half air/half pitch
half air/half pitch
a1
Marimba hard mallets
5
5
Crotali
Vibraphone hard mallets
ord.
ord.
gradually open and close - harmon mute
frull.
gradually open and close - harmon mute
ord.
ord.
half air/half pitch
ord.
half air/half pitch
ord.
frull.
a1
I
Bn III, IV I, II
57
Picc.
I Fl. II
I Ob. II
I Cl. in Bb II
ord.
Hn I, II
Tpt
Tbn
Tba
Perc. I
Perc. II
Perc. III
I
Hp
Vn-s I
()
5
5
5
Va-s
Cel- s
ord.
frull.
frull.
frull.
without mute
a1
ord.
I
frull.
L.v.
L.v.
ord.
V-ns II
D. b.
frull.
P-no
Bn
B. cl.
13
62
Picc.
I Fl. II
I Ob. II
I Cl. in Bb II
B. cl.
Bn
Hn
Tpt
Tbn
Tba
Perc. I
Perc. II
Perc. III
P-no
Hp
Vn-s I
V-ns II
frull.
frull.
ord.
ord.
ord.
frull.
Cel- s
Vibraphone
Crotali soft sticks
Va-s
D. b.
14
66 ord.
Picc.
I Fl. II
II
I Cl. in Bb II
I Bn II
I, II Hn III, IV
I Tpt II
Tbn
Tba
Perc. I
Perc. III
P-no
Hp
Vn-s I
V-ns II
Va-s
Cel- s
L.v.
L.v.
a2
a2
without mute
L.v.
()
D. b.
ord.
frull.
()
Perc. II
B. cl.
I Ob.
15
I Fl. II
I
Ob.
F
70
Picc.
I Cl. in Bb II
I Bn II
I, II Hn III, IV
I Tpt II
Tbn Tba
Perc. I
Perc. II Perc. III
P-no
Hp
gradually close
.
mute
mute
Vn-s I
V-ns II
Va-s
Cel- s
D. b.
16
mute
mute
6
6
()
gradually close
B. cl.
tasto sul
tasto sul
sul tasto
sul tasto
sul tasto
tasto sul
sul tasto
sul tasto
75
Picc.
I Fl. II
Ob.
I
I Cl. in Bb II
I, II Hn III, IV
I Tpt II
Tbn
Tba
Perc. I
Perc. II
Perc. III
Hp
Vibraphone soft mallets
Marimba soft mallets
V-ns II
Va-s
Cel- s
D. b.
Crotali
L.v.
L.v.
slow arpeggio
without mute
without mute
Vn-s I
P-no
Bn
B. cl.
17
79 I
Fl.
II
Ob.
I
I Cl. in Bb II
B. cl. I Bn II
I, II Hn III, IV
I Tpt II
Tbn Tba
Perc. I
Perc. II
Perc. III
P-no
G
gliss. down
gliss. down
gliss. down
gliss. down
Vn-s I
V-ns II
Va-s
Cel- s
D. b.
18
mute
mute
non vibrato
non vibrato
non vibrato
non vibrato
sul pont.
sul pont.
sul pont.
non vibrato
sul pont.
non vibrato
sul pont.
non vibrato
sul pont.
non vibrato
sul pont.
sul pont.
sim.
Hp
gliss. down
ord.
ord.
ord.
ord.
ord.
ord.
ord.
ord.
G. cassa medium-hard mallets
on the string L.v.
83
Fl.
Ob. I
Bn
I, II Hn III, IV
I Tpt II
Tbn
Tba
Perc. I
Perc. II
Perc. III
P-no
B. cl.
Cl. in Bb
Vn-s I
V-ns II
Va-s
subito cresc.
subito cresc.
subito cresc.
subito cresc.
Cel- s
D. b.
subito cresc.
subito cresc.
subito cresc.
gradually open and close
molto vibr. molto vibr.
non vibr.
molto vibr.
vibr. non
molto vibr.
non vibr.
vibr. molto
vibr. non
vibr. non
non vibr.
on the string L.v.
on the string L.v.
vibr. non
vibr. non
molto vibr.
gradually open and close - harmon mute
gradually open and close - harmon mute
gradually open and close
molto vibr.
molto vibr.
subito cresc.
on the string L.v.
()
Hp
H
19
Picc.
I Fl. II
Ob. I
I Cl. in Bb II
88
I Bn II
Hn
Tpt
Tbn
Tba
Perc. I
Perc. II
Perc. III
P-no
Hp
B. cl.
frull.
ord.
frull.
frull.
frull.
ord.
ord.
ord.
ord.
frull.
ord.
.
()
V-ns II
20
frull.
D. b.
Vn-s I
Cel- s
Va-s
div.
div.
div.
gliss.
gliss.
div.
gliss.
gliss.
div.
div.
gliss.
div.
div.
gliss.
gliss.
gliss.
92
Fl.
I
Cl. in Bb
Bn
Tbn II
Tba
Perc. I
Perc. II
Perc. III
P-no
Hp
Vn-s I
V-ns II
unis.
unis.
unis.
unis.
D. b.
unis.
unis.
unis.
sul pont.
sempre div.
sempre div.
sul pont. non vibr
sempre div.
sempre div.
gliss.
sempre div.
sempre div.
mute
mute
mute
mute
mute
gliss.
div.
G. cassa
non vibr sul pont.
sempre div.
non vibr
gliss.
non vibr sul pont.
gliss.
non vibr
sul pont.
non vibr
sul pont.
sul pont.
Tam-tam soft mallet
non vibr
sul pont.
unis.
non vibr
Cel- s
Va-s
I
Tpt
Hn
B. cl.
Ob.
div.
. tutti col legno
subito cresc. gliss.
21
Fl.
Cl. in Bb I
I Bn II
Tbn
Tba
Perc. I
Perc. II
Perc. III
P-no
Hp
D. b.
22
non vibr. div.
non vibr. sul tasto
gliss.
subito
gliss.
subito tutti div.
subito
subito
gliss.
a4 non vibrato
non vibr. sul tasto
non vibr. sul tasto
non vibr. sul tasto
non vibr. div.
Cel- s
J
Vn-s I
Va-s
V-ns II
B. cl.
Tpt
Ob.
Hn
97
subito
subito
sempre non vibrato
sempre non vibrato
div.
sempre non vibrato
102
Fl.
Ob.
Cl. in Bb I
I
II
Hn
Tpt
Tbn I
Tba
Perc. I
Perc. II
Perc. III
P-no
Bn
B. cl.
V-ns II
Va-s
Cel- s
D. b.
1/4 tone
1/4 tone
1/4 tone
1/4 tone
1/4 tone
molto vibrato
molto vibrato
molto vibrato
molto vibrato
molto vibrato
molto vibrato
without mute
L.v.
without mute
Suspended cymbal
L.v.
1/4 tone
G. cassa
Tam-tam
Vn-s I
Vibraphone motor on
()
Hp
23
106 Picc. Fl.
I
I Ob. II
I Cl. in Bb II
B. cl.
Bn
Hn
Tpt
Tbn I
Tba
Perc. I
Perc. II
Perc. III
P-no
Hp
K
()
non vibr.
Va-s
ord.
ord.
G. cassa hard mallet
frull.
non vibr.
non vibr.
24
non vibr.
V-ns II
D. b.
frull.
non vibr.
Cel- s
non vibr.
Vn-s I
110
Picc.
I Fl. II
I
Ob.
B. cl.
Bn
Hn
Tpt
I Tbn II
Tba
Perc. I
Perc. II
Perc. III
P-no
V-ns II
Va-s
L.v.
Tam-tam L.v.
div.
L.v.
div.
gradually open and close - harmon mute
gradually open and close - harmon mute
Vn-s I
D. b.
G. cassa
Cel- s
()
Hp
Cl. in Bb
25
Picc.
I Fl. II
I
Ob. II
I
Cl. in Bb
II
B. cl.
I Bn II
Hn Tpt Tbn Tba
Perc. I Perc. II
Perc. III
P-no
Hp
Vn-s I
115
()
pitch
air
Tam-tam hard mallet L.v.
Va-s
Cel- s
D. b.
26
sempre L.v.
sempre
G. cassa
V-ns II
subito cresc.
air
subito cresc.
pitch
air
pitch
subito cresc.
air only
air only
air only
L
div.
Picc.
120
Fl. II
Ob. II
I Cl. in Bb II
B. cl.
I
Bn
I, II Hn III, IV
I Tpt II
Tbn
Tba
Perc. I
Perc. II
Perc. III
P-no
I
without mute
Vn-s I
V-ns II
Va-s
Cel- s
gradually close
gradually close
L.v.
D. b.
()
.
without mute
Hp
I
I
27
126 Picc. I Fl. II
I Ob. II
I Cl. in Bb II
B. cl.
Bn
Hn III, IV
Tpt
Tbn
Tba
Perc. I
Perc. II
Perc. III
P-no
V-ns II
Va-s
Cel- s
D. b.
28
gradually open and close
.
Vn-s I
Hp
gradually open and close
I, II
Picc.
Fl. I
I Ob. II
M
I, II Hn III, IV
I Tbn II
Tba
Perc. I
Perc. II
Perc. III
P-no
Hp
Vn-s I
V-ns II
Va-s
Cel- s
()
fast irregular repetition
L.v.
Suspended cymbal arco
frull.
frull.
Tpt
I
B. cl.
D. b.
Cl. in Bb
Bn
130
subito cresc.
subito cresc.
subito cresc.
subito cresc.
subito cresc.
subito cresc.
29
135
Fl.
Cl. in Bb I
B. cl.
I Bn II
I, II Hn III, IV
I Tbn II
Tba
Perc. I
Perc. II
Perc. III
P-no
D. b.
30
.
3
(
(
(
(
(
hold the pedal until the end
4
Timpani medium-hard mallets
Cel- s
Va-s
V-ns II
Vn-s I
Hp
Tpt
Ob.
(
highest possible
)
highest possible
)
highest possible
)
highest possible
)
highest possible
)
highest possible
)
140
Fl.
Ob.
Cl. in Bb I
B. cl.
I
N
II
Hn
Tpt
Tbn
Tba
Perc. I
Perc. II
Perc. III
P-no
on the string
Vn-s I
V-ns II
Va-s
Cel- s
D. b.
sul pont.
sul pont.
sul pont.
sul pont.
sul pont.
sul pont.
L.v.
cluster - hit the lowest strings with your hand and let vibrate
()
Hp
.
Bn
L.v.
sul tasto
sul tasto
sul tasto
div.
Instruments playing the higher note slide down to the three lower notes; instruments playing the lower note slide up to the three higher notes.
a6
31