Christian Winther Christensen Sextet (2010, rev. 2014)

Christian Winther Christensen Sextet (2010, rev. 2014) for clarinet, trumpet, inside piano, violin, viola, cello Dur. c. 6′

SCORE

T/ (+45) 3313 5445 · E/ sales@edition-s.dk · W/ www.edition-s.dk

Edition·S publications are supported by the Danish Arts Council Music Committee / Edition·S udgivelser er støttet af Kunstrådets Musikudvalg

Christian Winther Christensen Sextet (2010, rev. 2014) for clarinet, trumpet, inside piano, violin, cello = Makeviola, the accent with as much sound as possible.

Used when you play with particuæar techniques

Dur. c. 6′

PLAYING TECHNIQUES

PLAYING TECHNIQUES The score is transposed

CLARINET in Bb

Clarinet B bis played without mouthpiece.

The wholein piece Cover the entire barrel with the lips.

The whole piece is without mouthpiece.

Cover the entire barrel with the lips.

Air. Use the notated fingering in order to obtain thefrequency. right frequency.

Air. Use the notated fingering in order to obtain the right The note is white if it's ifa it's halfanote a whole note (without a note stem) The note is white half or note or a whole note (without a note stem)

– –

– 

A glissando air.inAs the previous example the fingering A glissando with with air. As theinprevious example use theuse fingering to obtain the frequency. right frequency. to obtain the right



� – � â – â

A kind of breath accent.

MoveMove your head to left righttoand from left. to left.

A kind of breath accent. your from headleft from right andright fromtoright

˜ fl

˜ fl

Hitopening the opening the barrel withright yourhand. right hand.

Hit the to thetobarrel with your thehand left hand as usual.

Use Use the left as usual.

‹

j ‹

Make a glissando only with key-noise.

Make a glissando only with key-noise.

Trumpet in C TRUMPET in C

Use a straight mute in the ending of the piece.

Use a straight mute in the ending of the piece.

Air. Use the notated fingering in order to obtain thefrequency. right frequency.

Air. Use the notated fingering in order to obtain the right The note is white if it's a half note or a whole note (without a note stem) The note is white if it's a half note or a whole note (without a note stem).

– –

�

˜ fl



#– 

– â # â–

˜ fl

�

A glissando air.inAs the previous example the fingering A glissando with with air. As theinprevious example use theuse fingering to obtain the right frequency. to obtain the right frequency.

A kind of breath accent. Move your head from left to right and from right to left.

A kind of breath accent. Move your head from left to right and from right to left.

onmouthpiece. the mouthpiece.

Use the to valve to get the pitch.

SlapSlap withwith youryour rightright handhand on the Use the valve get the pitch.

PIANO (INSIDE PIANO)

Piano (inside piano) Piano (inside piano) Piano (inside piano) #œ Mute theMute string soft tape. #œstring thethe strings with soft tape. #œ soft Mute the string Mute tape. with soft tape. #œ �& & �&#œ #œwith � with & In the piece you have to use a glass with a cylinder form.

In theA piece have tohave useglass atoglass a with cylinder form. form.

In theyou piece you use awith glass a cylinder cylindrically formed is also required. · ·

! !

·

Silent note. Press the key down without sounds. note. the key down SilentSilent note.

Press the key down sounds.sounds.

Silent note.Press Press the keywithout downwithout without sounds.

! !! !! ! !! ! ! ! ! !! !! ! !! ! ! !

– –

–

InsideMute piano: string your finger.

Inside piano: theMute stringthe with you with finger.

Inside piano: Mute the string with you finger.

Inside piano: Mute the string with finger.

The note is white if it's a half note a whole notea (without a note stem) The note is white if it's a half note or a wholeoryou note (without note stem) The note is note whiteisifwhite it's a if half ornote a whole (without a note stem) The it'snote a half or a note whole note (without a note stem)

‡~~~ ‡~ ~~~~~~ j ‡~~~~ ~~~~~~ j ~~~ j ‡ ~~ ‡ ~~ ‡ – – r � " �‰r " ‰Œ °° 



j –

j –

–

rŒ "�r ‰ r Œ � � °* * 





Play as on a guitar, use the pads of your fingertip.

Play as ononbut a aguitar but use the your asPlay on a as guitar, but use the pads ofpads yourof guitar, but use the pads offingertip. your fingertips. fingertip.

PlayPlay on the strings that are used on the keyboard.

Play on the strings that are used on the keyboard.

Play onPlay the strings that arethat usedareonused the keyboard. on the strings on the keyboard.

Make a glissando on the key.

Don'tkey. press the key down. key down. a glissando press MakeMake aMake glissando on theon key.

Don't press keythe down. a glissando onthe the key.Don't Don'tthe press the key down.

Rub the glass across the strings in theRub glass across the strings in glass across thestrings strings in the middle register of the piano.

Rub thethe glass across the in the Rub middle register of the piano. the middle register of the piano. the middle register of the piano.

Rubstrings on thethat strings thaton arethe used on the keyboard.

Rub on the are used keyboard.

Rub onRub the strings that arethat usedareonused the keyboard. on the strings on the keyboard.

j –

rhythmic notation for the pedal. r A precise A precise rhythmic notation forup. the for pedal.

A precise rhythmic notation the pedal.

Sustain pedal down Sustain pedal down and up. and � SustainSustain pedal down up.and up. pedaland down *

A precise rhythmic notation for the pedal.



II

II

II

Strings STRINGS L.H. pizz.

j œ >

Left hand Left pizz.hand pizz. j ‡ ‡ ‡ ‡

‡ ‡ ‡ ‡

Make a glissando the left hand bow).

Make a with glissando with the(without left hand (without bow).

Refrain from a hard attack on the first note.

Refrain from a hard attack on the first note.

Make the sounds with the fingernails.

Make the sounds with the fingernails.

>‹ J ·#

$

Hammer on.

Hammer on.

� R po j ·

œ.

J

Damp the Damp stringsthe lightly withlightly the left hand micro second after the strings with thea left hand a micro-second after the bow resignbow the leaves string. Accelerate the tempo in the bow before the action. the string. Accellerate the tempo of the bow before the action.

col legno

s.p.

œ 

œ

s.t.

Strike the Strike string with the back-side the the string with theofback-side of the bow. The pitch is very important. bow. The pitch is very important. s.p.

1. Bow from sul ponticello to sul tasto.

1) Bow from sul ponticello to sul tasto.

2) Bow from sul tasto ponticello.

2. Bow from to sulsul tasto to sul ponticello.

The strokeThe should be exactly (not skew). (not skew). stroke should perpendicular be exactly perpendicular This figureThis is always with col legno. figure is always played col legno.

j  œ ‰ œ J

Almost as previous eksemple but with ordinary arco Almost with the previous (not col legno but as a soft bowing with noexample pressure)but with ordinary arco (not col legno but a soft bowing Just a little quicker and with more emphasiswith no pressure) on the beatJust thana the littleprevious quickerexample. and with more emphasis on the beat than the previous example.

############## ˙

A quick uncontrolled bowing between ponticello sul tasto.

A quick uncontrolled bowingsulbetween suland ponticello and sul tasto.

Like the previous example, a soft bowing without pressure.

As with the previous example – a soft bowing without pressure.

s.t.

s.p.

- - - -j – � . – – –� J

from theonleft on to thethe brigde the right side.

Bow fromBow the left side theside brigde right to side. yourfrom left hand from the of beginning of the fingerboard Move yourMove left hand the beginning the fingerboard to the end to of the the fingerboard close to the nut. end of the fingerboard close to the nut.

III

INSTRUMENTATION Clarinet in Bb Trumpet in C Inside Piano Violin Viola Cello

The score is transposed

Sextet Very Mechanical q = 60

Clarinet in Bb

Trumpet in C

Piano

"

x4 .. ..

4 &4

"

.. ..

4 &4

"

..

4 &4

"

.. ..

4 &4

"

x4 .. 45

"

.. 45

Christian Winther Christensen komp. 2010 re-komp in 2014

"

4 ..

4

"

x4 .. 43

"

4 ..

4

"

.. 43

                                                   .. && && && && && && && && && && && && && && && && .. 45 && && && && && && && && && && && && && && && && && && && && 44 .. && && && && && && && && && && && && && && &&

'

.. 45

"

4 ..

4

"

& . 3 &. 4 .. 43

"

3 4

4 ã 4

Pedal

#- %- #- -% #- -% 4– – – – – – 4 $ $ $ $ $

Violin

! #- %- #- -% #- -% 4– – – – – – 4 $ $ $ $ $

Viola

! #- %- #- -% #- -% 4– – – – – – 4 $ $ $ $ $

Cello

!

#- -% # – – .. .. -– $ $ $

%- #- -% #- -% – – – – – $ $ $ $ $

#- -% 5 – – $ $ $ .. 4

#- %- #- -% – – – – $ $ $

#- -% # – – .. .. -– $ $ $

%- #- -% #- -% – – – – – $ $ $ $ $

#- -% 5 – – $ $ $ .. 4

#- %- #- -% – – – – $ $ $

#- -% # – – .. .. -– $ $ $

%- #- -% #- -% – – – – – $ $ $ $ $

#- -% 5 – – $ $ $ .. 4

#–

$‰ Œ

#- -% #- -% #4 – – – – – $ $ $ $ $ $ ‰ & 4 .. #–

"

.. 43

$ $‰ Ó

B

4 ..

4

"

.. 43

Ó

?

4 ..

4

"

.. 43

Œ

A

3 &4

"

"

"

"

"

"

3 &4

"

"

"

"

"

"

5 Cl. [B b]

Tpt. [C]

3 & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & &4 & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & Pno.

Pedal

!

3 &4 ·

·

··

3 $Œ ã 4 $ °*

Œ





Vln.

3 &4

Vla.

%%%%%%%%%%%%%%%%%%% >‹ ‰ B 43 ˙ '

"

Vcl.

? 3 >œ ‰ Œ 4 P

Œ

‡ ‡j ‡ ‰ ‡ ‡‡ ‡ ‡ '

‡ ‡j col legno % > ‡ ‡ œ. · ·j $ ‹ ‡‡ ‡ ‰ ‡ po ' ‡ j legno %- > ‡ ‡‡ œ. ‡ ‡ ‰ ·œ ‹ ‡ ‡ ‡ ‡ ‡ ‡ ' arco

Œ.

· · "

Œ

sul G

L.H. pizz.

· ·

· ·

col

··

··

Œ

Œ

$ $ ° * 

j ‡ ‡ ‡ ‡

· arco

L.H. pizz.

‡ %%%%%%%%%%%%%%%%%%%% ˘‹ ‡ ‡ ˙ ‡

j arco ‡ ‡ ‡ ‡

%

sul D

$‹ > po ' · J

j ‡ ‡ ‡ ‡

2

% b·

s.p.

œ

œ

s.t.

‡ s.t. > ‡ ‹ ‡ ‡

œ

œ

col legno

s.p.

j ‡ ‡ ‡ ‡

s.t.

‰ arco  s.t.

j ‡ ‡ ‡ ‡

‡ .œ ‡‡ ‡

sul A Ÿ~~~~~~~~~ ·œ · ·

œ. ‰ œ ‰

·

Œ

arco

col legno s.t.

œ. ‡ j ‡ · $œ ‰ ‡ ‡ po ' s.p. 

· ·

·· · ( "

col legno

sul D % # ‹ > ‹ b· nœ ‰  · ·J $ ' po ' P arco

·· ·

··

·· "



%%%%%%%%%%%%%%%%%%%%% > ‡‡ ˙ ‡ ‹ ‡ Œ

··

·· ·

·

(

)

‰ ‹

j ‡ ‡ ‡ ‡

·· ·

·· ·

$ $Œ ° * 

œ. ‰



arco (sul D)

% ‰ b · ·J $ œ > P ' po L.H. pizz.

$ Œ

%%%%%%%%%%%%% ‡‡ œ œ$‡ ‡

j ‡ ‡ ‡ ‡

‹

%%%%%%%%%%%%% ‡‡ œ ‹ œ $‡ ‡

j ‡ ‡ ‡ ‡

Cl. [B b]

&

"

"

"

5 8

"

3 2

Tpt. [C]

&

"

"

"

5 8

"

3 2

11

& & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & 5 & & & & & & & & & & 3 &&&&&&&&&&&&& &&&&&&&&&&&& &&&&&&&&&&&& 8&&&&&&&&&& 2 Pno.

&

··

··

·· ·

# œ. & ‹ b œ·

··

··

···

·

arco

col legno

Vln.

Vla.

Vcl.

B ?

col legno

‹

5 &8

17 Cl. [B b]

Tpt. [C]

5 &8

– –

œ. ‹

col legno

œ. ‰ œ.

$‰

Œ.

3 16

"

$‰

Œ.

3 16

"

·· ·

Pedal

Œ

$ $$ $ 85 $ $ Œ. °* °* °*

œ >‹

col legno

arco s.p. 

œ ‰

arco s.p. 

‹

·· ·

··

col legno s.p. 

Œ

‰ ‹

arco ‡ ‡j s.t. ‡ ‡ œ ‰ ‡ ‡ ‹ ‡ ‡

‹

œ.

Œ

‡ ‡j arco ‡ ‡ s.t. ‰ ‡‡ ‡ œ ‰ ‡

col legno

œ.

$‰ œ·

5 · 8·

·

œ

‰

· · 







j ‡ ‡ ‡ ‡

‡ ‰ ·œ ·œ $ ‰ ‡‡ ‰ ‡ arco

j

arco pizz. ‡ ‡‡ col legno % > ‡ ‡ ‡ ‡ œ. ‰ # · œ ‰ ‡ P L.H.

‡ ‡j col L.H. ‡ ‡j ‡ ‡ legno pizz. ‡ ‡ > ‡ ‡ ‡ ‡ œ. œ ‰ ‡‡ ‡ ‰ ‡ P '

B



# ·· ·

WITHOUT MOUTHPIECE

¬. '

¬.

#¬. '

¬.

5 8 5 8

"

"

5 8

"

5 8

3 $‰ Œ 2 #œ

Ó

3 2

"

"

5 8

3 2

"

"

5 8

3 2

"

"

5 8

Ó



%%%%%%%%%% 5 œ œj #>‹ ‰ 8œ J > ' P L.H. pizz.

arco

sul D %%%%%%%%%%%> Ÿ~~~ j 5 · œ‰ œ œ ‹ 8 J ' arco

(

)

% ·- > ‰ ‹

‡ ‡ ‡ ‡

arco col legno 3

5 8 œ. ‹

j ‡ ‡ ‡ ‡

3 4

"

"

"

"

3 4

"

"

"

"

3 & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & 5 & & & & & & & & & & 3 & & 8 & & & & & & & & & & 16 & $ $ 4 & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & Pno.

!

5 · & 8 # œ·

5 œ. ‰ &8 '

Ÿ~~~~ · 5 B8 œ ‰ ' ( )

col legno

?5 œ 8 . '‹

3

Vcl.

%%%%%%%%%%% j > œ œ #‹ J

3 ‡ 4 ‡‡ #‡

%%%%%%%%%% j > œ œ ‹ J

sul D

Vla.

3 · 3 16 ·· $ $ 4 ·

arco

col legno

Vln.

# ·· ·

·· ·

% ·-

3 16 3 16

" "

arco

‹ >

‰

j œ

 s.t.

3 16

"

‡ 3 ‡ 4 ‡‡ # ·œ 3 4

·· j ‡ ‡ ‡ ‡ j ‡ ‡ ‡ ‡

··

··

‰

%%%%%%%%%%%%%%%%%%%%%%%% > ‹ ˙

‰

%%%%%%%%%%%%%%%%%%%%%%%% >‹ ˙ b ·œ

$‰

œ.

arco col legno

‰

arco s.p. 

œ

·· ·

··

œ.

‡ ‡ ‡ ‡

j ‡ ‡ ‡ ‡

œ.

‡ ‡ ‡ ‡

j ‡ ‡ ‡ ‡

col legno

col legno

%- ‡‡ ‰ b· n‡ ‡

3

œ. œ.

‰ ‰

j ‡ col legno ‡ ‡ ‡

œ.

‰

·· ·

· ··

‹ >

% >‹ œ. ‹ ·-

‰

arco

3

b ·œ

arco

Œ > ‹

· ··

‰

L.H. pizz.

> œ

P

‰

· ·· · ‡ ‡ ‡ ‡

j  ‡ s.t. ‡ ‡ #‡

œ

·œ $‰

>‹

‡ ‡ ‡ ‡

j  ‡ s.t. ‡ ‡ #‡

œ.

col legno

'

arco

œ

·· ·

s.p. 

œ

 s.t.

œ

‰

‰

‰

col legno

s.p. 

 s.t.

œ

œ

œ.

‰

···

·

‡ ‡ ‡ ‡

j ‡ col legno ‡ ‡ ‡

L.H. pizz.

>œ

P ‡ ‡ ‡ ‡

œ.

‰ j ‡ col ‡ legno ‡ ‡

œ.

Cl. [B b]

&

"

3 8

"

3 4

"

"

4 4

"

5 16

Tpt. [C]

&

"

3 8

"

3 4

"

"

4 4

"

5 16

23

– –. ' #– –. '

& & & & & & & & & & & & 3 & & & & & & 3 & & & & & & & & & & & & & & & & & & & & & & & & 4 & & & & & & & & & & & & & & & & 5 & & & & & & & & & & & & & & 8 & & & & & & 4 & & & & & & & & & & & & & & & & & & & & & & & & 4 & & & & & & & & & & & & & & & & 16 & $ ‰ .

Pno.

& ·· ·

·· ·

3 ·.

8 ·.

·· ·

3 4 ··· Pedal

œ.

&‰ ‰ ‹ 3

Vln.

. > œ ‰ ‰ B‹ col legno

Vla.

'

3

‡ ‡ ‡ ‡

j s.p. ‡  ‡ ‡ ‡

‡ ‡ ‡ ‡

j s.p. ‡  ‡ ‡ ‡

% . ?> œ ‹ ‹ ·

arco

œ œ

·

3

29 Cl. [B b]

&

Tpt. [C]

&

– –

$ ‰.

–

$ ‰.

#–

œ

arco

arco

Vcl.

 s.t.

–.

–.

 s.t.

œ

·· ·

3 $Œ 4$ ° *

‰

$





sul D col legno

% 3 · · 8 œ > P ' L.H. arco pizz.

j ‡ col ‡ legno ‡ ‡

‡ ‡ ‡ ‡

3 ‰ 8

·

· ·

œ.

3j 4· ( $ ‰ œ ‰ . ' po œ.

3 4Œ

sul D

‰

sul D L.H. ‡ ‡j col col legno ‡ ‡ legno pizz.

3j $ ‡ ‡ 3 œ ‰ œ. ‰ 8 · ( ‡ ‡ œ. 4 po P ' '

3 16 3 16

C

– –

° * 

‡ ‡ ‡ ‡

‹ >

‰

·· ·

j ‡ ‡ ‡ ‡

L.H. pizz.

>œ

P

‡ ‡ ‹ ‡ > #‡



$‰

œ.

‰

j ‡ ‡ ‡ ‡

'

œ.

·· ·

Œ

$ $ 44 °* 

œ.

‹ >

‹

‰

œ.

‹

·· ·

arco sul D

L.H. pizz.

4‰ 4

œ > P

% Ÿ~~~

·œ ! (

)

% Ÿ~~~ 4· ‰ 4 œ

sul G arco

Œ

(

)

% Ÿ~~~ · œ 4 ‰ 4Œ sul D

œ.

···

‰

> ‹

‡ ‡ ‡ ‡ ‡ ‡ ‡ ‡

> ‹

arco

(

>‹

)

#

‰ · ·j ‡ ‡ ‡ ‡ j ‡ ‡ ‡ ‡

$

(

5 16

œ) j ‡ ‡ ‡ ‡

5 16

j ‡ ‡ ‡ ‡

%%%%%%%%%%%%% ‡‡ œ œ$‡ ‡

>‹

col legno

$$$

>‹

œ.

col legno

$$$

œ.

>‹ col legno 5 16 $ $ $ œ.

$ $ 43

"

"

"

5 8

"

3 4

$ $ 43

"

"

"

5 8

"

3 4

& $ ‰ . &

3 & 3 & & & & & & & & & & & & & & & & & & & & & & & & 16 & $ $ 4 & & & & & & & & & & & & & & & & & & & & & & & &

& & & & & & & & & & & & 5 & & & & & & & & & & 3 & & & & & & & & & & & & 8& & & & & & & & & & 4

&# ···œ ··· ...

b ···œ ··· ...

j 3 · ..

16 # ··œ .

··

3 4 ···

· ·

arco s.p. 

Vcl.

% ·

%%%%%%%%%%%% ‡ œ œ $ ‡‡ ‡

·· ·

·· ·

·· ·

··

·· ·

5 8 ··

··

3 $ $ 3 >‹ ‰ œ ‰ $ $ $ 16 4 & $$$ ‹ ‹ ‹ œ œ ' > > ! . > .

œ

> B‹ $$$

œ

œ.

> ‹ $$$

arco s.p. 

3 > 3> 16 ‹ $ $ 4 ‹ ‰ œ ‰ œ. ' !

3 3 ?‹ $$$ ‹ $$$ 16 ‹ $ $ 4 ‹ > > > œ. > œ. !

‰

arco s.p. 

œ ‰ '

 s.t.

 s.t.

 s.t.

œ

‰

s.p. 

‰

s.p. 

‰

œ

œ

s.p. 

œ

‡ ‡ ‡ ‡

j ‡ ‡ ‡ ‡

Œ ‹

‰

‹

‰ 4

% · œ.

‹

col legno

œ.

‹

col legno

j ·

po

œ. œ.

‹ > >‹

$‰ ‰ ‡ ‡ ‡ ‡

·

' œ. j s.p. ‡ ‡ ‡ #‡

œ

‡ ‡ $‡ ‡

j ·

‡ ‡ ‡ ‡



po ' j s.p. ‡ ‡ ‡ ‡

œ

s.t.

>‹

j ‡ ‡ ‡ ‡

s.t.

‰

3 4

···

·· ·

5 $ Œ.

8$ ° *

Pedal

Vla.

·-

3

& & & $ ‰.

Pno.

Vln.

5 16 b ···œ ··· ...

·· ·

·



col legno

>‹

‰

4· 4·

··

arco sul E

col legno s.p.

5 8 œ.

3 4



Ÿ~~~~ · $ œ ‰ (

3 4

‰

s.t.

)

sul D ‡ ‡jŸ~~~ ‡ ‡ · ˘‹ ‡ ‡ œ ‡ ‡ arco

5 8‰ L.H. pizz.

œ.

5> 8œ ‰ P

(

œ.

col legno

'

‡ ‡ ‡ ‡

3 4

)

j ‡ ‡ ‡ #‡

Ÿ~~~ ·œ

arco sul A (

)

3 4

3 &4

"

"

5 8

"

5 16

3 &4

"

"

5 8

"

5 16

36 Cl. [B b]

Tpt. [C]

3 & & & & & & & & & & & & & & & & & & & & & & & & 5 & & & & & & & & & & 5 & 4 & & & & & & & & & & & & & & & & & & & & & & & & 8 & & & & & & & & & & 16 Pno.

Pedal

Vln.

3 & 4 ·· 3 ã 4‰

° * 

‡ ‡ ‡ ‡

3> &4 ‹



Vla.

Vcl.

‡ ‡ ‡ ‡

? 3 >‹ 4

·· ·

··

Œ

Œ

$ Œ $ ° *

j s.p. ‡  ‡ ‡ ‡

œ

L.H. pizz.

> B 43 $ œ ‰ P

·· ·

‰ j ‡ s.p. ‡  ‡ ‡

œ

‰ >‹

Cl. [B b]

2 &2

Tpt. [C]

2 &2

– –

œ.

col legno

'

‡ ‡ ‡ ‡

‡ >‹ colœ.legno ‡‡ ‡

j ‡ ‡ ‡ ‡ j ‡ ‡ ‡ ‡

‰

œ.

‰

$‰ Œ

Ó

3 8

$‰ Œ

Ó

3 8

2 & & & & & & & & & & & & & & & & 3 &2 & & & & & & & & & & & & & & & & 8 Pno.

2 & 2 # ·œ ··

˘ ‹ ‰

–. ' #–. '

"

3 $‰ ‰ 8 #œ

%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% 3 2 w 8 &2 w !

Vla.

w%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% 3 B 22 w 8 !

Vcl.

2 4

#– –. '

– –

Œ

3 8

$ ‰

Œ

3 8

2 2

–.

2 2

#–.

2 & & & & & & & & 3 4 & & & & & & & & 8

"

5 16 # œ $ ‰ .

···

œ.

j ‡ ‡ ‡ ‡

‡ ‡ ‡ ‡

arco  s.t.

œ

œ. s.p. 

œ

‰ ‰ ‰

arco  s.t.

5 8‹

bœ

col legno

# œ

arco sul G

5 ‹ 8

#· æ

5 8 J‹

 s.t.

‰

œ

col legno

# œ

arco s.p. 

2 b· 4 # œ··

œ

"

2 bœ 4

˘ ‹ J

5 16

"

% 2 #· 4

arco s.p. 

œ

2 $‰ Œ 2 –

Ó

3 8

2 2

Ó

3 8

P –

P

$‰ Œ

2 & & & & & & & & & & & & & & & & 3 2 &&&&&&&&&&&&&&&& 8 2 2 # ·œ ··

5 16

–. ' #–. '

"

3 $‰ ‰ 8 #œ

"

%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% 2 ww 3 2 8

"

%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% 2 w 3 2 8

5

 s.t.

5 16

"

arco

%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% 3 ?2 w 8 2 !

···

%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% 2 w 3 2 w 8

arco

Vln.

j ‡ col legno ‡ ‡ ‡

‡ ‰ ‹ ‡‡ œ fl ‡ > ' P œ.

b ·· ·

– –. '

$ ‰

···

···

·· ·

2 2

"

3 8 #œ $ ‰

‰

2 2



L.H. pizz.

Œ

D

42



5 8 ···

··

··

2 4

2 s.t.œ 4 

"

col legno

# œ

arco s.p. 

# œ

arco s.p. 

œ

2 2

5 8

2 2

–

P

$ ‰ Œ.

5 & & & & & & & & & & 2 8 & &&&&&&&&& 2 5 8 # ·œ ··

·· .. ·.

"

2 2

˘ $ ‹

3 8

"

2 2

3 8

"

2 2

po '

5 8 – $ ‰ Œ.

P

3 8

œ

j œ

col legno

% œ

col legno

col legno

œ%

– ¬

–. '

P

#–. '

– P "

2 $‰ Œ 2 #œ

Ó

3 4 3 4 3 4 3 4

"

%%%%%%%%%%%%%%%%%%%%%% 5 2 œ.

8 œœ 2 œ.

"

3 4

"

%%%%%%%%%%%%%%%%%%%%%% œ.

5 œœ 2 œ.

8 2

"

3 4

"

%%%%%%%%%%%%%%%%%%%%%% œ.

5 œ 2 8 2

"

3 4

3 &4 – $ ‰

Œ

48 Cl. [B b]

Tpt. [C]

3 &4

–

$ ‰

Œ

‰



‰



5 8

– âp

5 8

– âp

3 & & & & & & & & & & & & 5 &4 & & & & & & & & & & & & 8 Pno.

3 & 4 # ·œ ··

·· ·



– â



#– â

3 8

‰ Œ.

3 8

‰ Œ.

3 8

"

5 8

·· ·

E q = 156

"

?

Pedal

Vln.

Vla.

Vcl.

%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% 5 3 ˙.

8 & 4 ˙.

Cl. [B b]

Tpt. [C]

6 & 16 .

– 6 & 16

Pno.

Pedal

6 & 16 6 ã 16

– œ.

° 

–. # –.

j –

j –

Vln.

6 & 16

>· >·

6 B 16

>·

Vcl.

?6 16

$ $ ‰.

B

° 

$ ‰ ‰

·.

3 4

Ø col legno ·.

3 4 3 4

col legno

3 8

"

>·

‚

>·

3 4

‰

œ.

>·

‚ ‚ ‚

‚ ‚ >·

6

‚

‚ ‚ ‚

‚

‚ ‚ ‚

‚ ‚ ‚

>·

3 4

‚ ‚ >·

6

‚ ‚ >· ‚ ‚

6

"

‡ ~~ * 

1 ‡ 4 ‡ ‡ ‡ 1 ‡ 4 ‡ ‡ ‡

¬

)j . œ ‡ ~~~ 43 ~ ~ ~~

œ.

œ.

œ.

˜. b˜. fl fl

–

$ $ ‰.

œ.

$ $ ‰.

2 4 ˜ fl

‰

Œ

6 16

2 4

‰

Œ

6 16

‰.

2 4

‰.

2 4

‚ ‚ ‚ 6

‚ ‚ ‚

‚ ‚ >· ‚ ‚

6

–

–

œ.

œ.

>·

S.P.

‚ ‚ ‚

‚ 9 16

6

‚ ‚ ‚

‚

9 16

6

‚ 9 ‚ ‚ 16 ‚

˜ fl –

–

œ.

œ.

‰

$ $ ‰.

>·S.P. >·

S.P.

‰.

2 4

·

6 16

‰ œ.

6 16

· ‚ ‚ ‚ 6 ‚ ‚ ‚ ‚ 16 > ‚ > ‚ >·

3 8

$ œ.

3 8

– œ.

6

6

‚

S.P.

$ $ ‰.

‰.

S.P.

2 4

>·

‚

‚ ‚ ‚ 6

S.P.

$ $ ‰.

‰.

2 4

6

3 8 . œ

)

9 16

˜. fl

6 16

6

S.T.

‰ ‰

Ø

*

>·

œ.

b˜. fl

$ ‰



S.T.

‰ ‰

·.

‰

S.T.

‰ ‰

Ø

œ.

9 16

‰

3 4 . ¬

‡ 1 4 ‡‡ ‡

S.T.

3 8

3 8

"

–

"

1 4

&

3 4

"

¬

1 4

$ $ ‰.

$ $ ‰.

9 16 . ˜ fl

3 .

8 œ

S.T.

Vla.

"

3 4 ¬.

1 4

$ $ ‰.

Ø

3 4

"

$ $ ‰.

S.T.

#– . '

9 16 ˜ . fl

1 4

1 4

$ $ ‰.

j –

"

j œ. ~‡ ~ ~ ~ ~~ 3 3 8 ‡ .~~~~~~ & 4

3 8

"

%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% ˙ 5 ?3 .

8 4

6 & 16 – .

–. '

3 4

col legno

%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%% ˙.

5 B 43 ˙ .

8

54

j –

q = 104

‚

‚ ‚ ‚

>· ‚ ‚ >· ‚ ‚

6

q = 156

3 4 3 4 ‰

‰

3 4

‰

‰

3 4

œ #œ

‚ ‚ ‚

‚ 6 16

6

‚ ‚ ‚

‚ 6 16

6

$ ‰

Œ

Œ

9 16

$ ‰

Œ

Œ

9 16

¬

–

œ.

‰

œ.

‰

9 16

‰

œ.

œ.

9 16 9 16

$ ‰ j ‡ ‡ ‡ ‡ j ‡ ‡ ‡ ‡ j ‡ ‡ ‡ ‡

>·

S.T.

3 4

>·

S.T.

3 4

>·

S.T.

3 4

‚

‚ ‚ ‚ 6

‚

‚ ‚ ‚ 6

‚

‚ ‚ ‚ 6

>·

‚ ‚ >·

‚ ‚ >· ‚ ‚

‚ ‚ ‚ 6

‚ ‚ ‚ 6

‚ ‚ ‚ 6

>·

‚ ‚ >·

‚ ‚ >· ‚ ‚

‚ ‚ ‚ 6

‚ ‚ ‚ 6

‚ ‚ ‚ 6

>·

‚ ‚ >·

‚ ‚ >· ‚ ‚

‚ ‚ ‚ 6

‚ ‚ ‚ 6

‚ ‚ ‚

>·

‚ ‚ >·

‚ ‚ >· ‚ ‚

6

‚ ‚ ‚ 6

‚ ‚ ‚ 6

‚ ‚ ‚ 6

6

>·

‚ ‚ >·

‚ ‚ >· ‚ ‚

‚ ‚ ‚

‚

3 8

6

‚ ‚ ‚

‚ 3 8

6

‚ ‚ ‚ 6

‚

>·

S.P.

>·

$ ‰

3 4

‰

S.P.

>·

$ ‰

‰

B

3 4

S.P.

3 8

$ ‰

‰

?

3 4

>· >· >·

‚

‚ ‚ ‚ 6

‚

‚ ‚ ‚ 6

‚

‚ ‚ ‚ 6

>· ‚ ‚ >· ‚ ‚ >· ‚ ‚

‚ ‚ ‚ 6

‚ ‚ ‚ 6

‚ ‚ ‚ 6

>· ‚ ‚ >· ‚ ‚ >· ‚ ‚

‚ ‚ ‚

‚ 9 16

6

‚ ‚ ‚

‚

9 16

6

‚ ‚ ‚ 6

‚

9 16

Cl. [B b]

9 & 16 ˜ . fl

Tpt. [C]

9 & 16 . ˜ fl

59

–

9 & 16 Pno.

Pedal

Vln.

Vla.

Vcl.

œ.

9 & 16 9 ã 16 9 & 16 9 B 16 ?9 16

° 

>· >· >·

˜. fl

q = 104

b˜. fl

2 4 b˜ fl

‰

Œ

6 16 – .

2 4

‰

Œ

6 16 .

–

b˜. fl

b˜. fl

$ $ ‰.

‰.

2 4

$ $ ‰.

‰.

2 4

$ $ ‰.

‰.

2 4

b˜ fl –

–

œ.

œ.

‰ $ ‰

*



$ $ ‰.

‰.

·

6

‚

> >·

‚

‚

$ $ ‰.

2 4

‰.

‚ 6

>·

$ $ ‰.

2 4

‰.

‚

‚

q = 104

Pedal

> >· >·

‚

‚

‚ 6 16 ‚

‚

‚

‚ 6

‚ 6 ‚ 16

‚

3 ã 4

œ. $

* 

>·

3 &4 Ø

‚

‚ ‚ ‚ 6

>·

S.P.

œ.

œ.

‚

‚ 6

‚ 6 16 ‚

‚

–

–

œ.

œ.

3 8

$ œ.

3 8

>·

S.P.

B3 4 Ø

6

‚

‚ ‚ ‚ 6

4 4

"

2 4

$ $ ‰.

4 4

"

2 4

"

3 4

$ $ ‰.

4 4

"

2 4

"

3 4

$ $ ‰.

4 4

–.

j –

#– .

>·

>· >·

$ $ ‰.

Œ

arco

–

–

–

–

–

–

4– 4 . p 4– 4 . p

bridge

$ $ ‰.

arco

bridge

$ $ ‰.

#œ. ‰ ‰

œ.

$ ‰

bridge

œ.

–

* 

‰ ‰

arco

4– 4 . p

2 4

Ó – J

–

– J

–

–

–

J

. . .

–

–

–

–

–

–

– J

). œ 3 4

œ.

œ.

œ.

œ.

œ.

>·

‚ ‚ >·

‚ ‚ ‚ 6

‚ ‚ >·

‚ ‚ ‚ 6

>·

‚ ‚ >·

‚ ‚ ‚ 6

>·

‚ ‚ >·

‚ ‚ ‚ 6

>·

‚ ‚ >·

‚

‚ ‚ 3 ‚ 8 6

>·

‚ ‚

6

‚ ‚ ‚ 6

>·

‚ ‚

6

‚ ‚ ‚ 6

>·

‚ ‚

6

‚ ‚ ‚ 6

>·

‚ ‚

6

‚ ‚ ‚ 6

>·

‚ ‚

6

‚

‚ ‚ 38 ‚

>· >·

$‰ ‰

3 4

‚

‚ ‚ ‚ 6

>·

S.T.

S.T.

>·

>·

S.T.

S.T.

$‰ ‰

‚ ‚ >·

‚ ‚ ‚ 6

>·

‚ ‚ >·

‚ ‚ ‚ 6

>·

‚ ‚ >·

‚ ‚ ‚ 6

>·

‚ ‚ >·

‚ ‚ ‚ 6

>·

‚ ‚ >·

>·

S.T.

3 4

‚

6

6

‚ ‚ ‚ 6

7

>·

‚ ‚

6

‚ ‚ ‚ 6

>·

‚ ‚

6

‚ ‚ ‚ 6

>·

‚ ‚

6

‚ ‚ ‚ 6

>·

‚ ‚

6

‚ ‚ ‚ 6

>·

‚ ‚

˜ fl

3 4

Œ

&

3 4

– J

2 4

"

&

3 4

– J

2 4

"

B

3 4

6 8

$ œ.

6 8 6 8 ‚

‚ ‚ 6 ‚ 8 6

œ #œ

–

6

‚

‚ ‚ 68 ‚ 6

$‰ ‰

4 4

$‰ ‰

4 4

) j ~~ œ ‰ ‰ . ~~~~~~ 44 ‡ ~

œ.

$‰ ‰ $‰ ‰ ° * 

>·



S.P.

>· >·

4 4

‰ ‰ Œ.

‡. $ ‰ ‰ ‡‡ .. ‡.

S.P.

3 ‚ ‚ ‚‚ ‚‚ ‚‚ ‚‚ ‚‚ ‚‚ ‚‚ ‚‚ ‚‚ ‚‚ 6 4 ‚‚‚ ‚ ‚ ‚ ‚ ‚ 8

S.T.

$‰ ‰

>·

3 4

"

Pedal

>·

3 4

˜ fl

2 4

6 8 .

– –

b˜ fl

$ ‰

°

3 4 . –

b˜ fl



6 .

8 –

) 3 4

˜ fl

b˜ fl

b˜ fl

3 4 ¬.

‰

3 ‚ ‚ ‚‚ ‚‚ ‚‚ ‚‚ ‚‚ ‚‚ ‚‚ ‚‚ ‚‚ ‚‚ 3 & 4 ‚‚‚ ‚ ‚ ‚ ‚ ‚ 8 Ø col legno

° 

2 4 b˜ fl

S.P.

3 8

). œ 3 &4

œ.

"

S.P.

"

col legno

Vcl.

‚

‚

·

3 &4

S.P.

Vla.

‚

–

4 4

j –

S.P.

6

3 8

col legno

Vln.

6 16

"

) 3 &4 Pno.

‚

6 16

3 &4

64

Tpt. [C]

‚

‚

S.T.

6

Cl. [B b]

‚

‚

S.T.

‚

œ.

Œ

S.T.

2 4

6 16

‰

F q = 72

$ ‰ ‰ ‡‡ .. ‡ .. ‡

S.P.

. $ ‰ ‰ ‡‡ . ‡. ‡.

j ‡ ‡ ‡ ‡

4 4

j ‡ ‡ ‡ ‡

4 4

j ‡ ‡ ‡ ‡

4 4

4 &4

G q = 72

2 4

68 Cl. [B b]

Tpt. [C]

4 &4 4 &4

Pno.

4 &4

¬

¬

#¬

2 4

¬

¬

–

œ.

œ.

œ.

œ.

œ.

œ.

–

–

œ.

œ. œ.

–

$

œ.

$ ‰ $ ‰

Œ Œ

Ó

2 4

Ó

2 4

– – b–

$ ‰

Œ

$ ‰

Œ

$

Œ

b œ. ‡ .~~~~ ~~~

3 8 ˜ fl !

3 8 3 8

>·

Vln.

4 &4

>·

S.P.

Vla.

4 &4

>·

‚

‚‚ ‚ 6

‚

‚‚ ‚ 6

S.P.

Vcl.

B4 4

‚

‚‚ ‚

>· ‚ ‚ >· ‚ ‚ >·

Cl. [B b]

&˜ fl

Tpt. [C]

&

˜ fl

6

‚‚ ‚ 6

‚ ‚

6

73

‚‚ ‚

‚‚ ‚

>· ‚ ‚ >· ‚ ‚ >·

‚‚ ‚ 6

‚‚ ‚ 6

‚ ‚

‚‚ ‚

6

˜ fl

˜ fl

˜ fl

˜ fl

>· ‚ ‚ >· ‚ ‚ >·

‚ ‚

6

˜ fl b˜ fl

‚‚ ‚ 6

‚‚ ‚

>· ‚ ‚ >· ‚ ‚ >·

6

‚‚ ‚

‚ ‚

6

‚‚ ‚ 6

‚‚ ‚

>· ‚ ‚ >· ‚ ‚

6

‚‚ ‚

‚ ‚

6

‰

‰

‰

‰

>·

‚‚ ‚ 6

‚‚ ‚ 6

‚‚ ‚

>· ‚ ‚ >· ‚ ‚ >·

‚‚ ‚ 6

‚‚ ‚ 6

‚ ‚

‚‚ ‚

6

˜ fl b˜ fl

>· ‚ ‚ >· ‚ ‚ >·

‚‚ ‚

‚

6

‚‚ ‚

‚

6

‚ ‚

6

>·

‚‚ ‚

‚

>·

$ ‰

Œ

Ó Ó

& 2 && 4 &

Ó

& 2 && 4 &

S.T.

>·

$ ‰

Œ

S.T.

$ ‰

Œ

Vln.

Vla.

Vcl.

?

j ‡ ‡ ‡ ‡

3 8 3 8

˜ fl

˜ fl

˜ fl

˜ fl

˜ fl

˜ fl

‰

‰

‰

‰

˜ fl ˜ fl

˜ fl b˜ fl

˜ fl ˜ fl

q = 66

‰

‰

‰

" * 

arco

"

–

p

"

arco

"

arco

–

p –

p

6

$ ‰

‰

–

–

–

–

–

–

. . .

4 4 ˜ fl

‰

Œ

Ó

"

3 8

4 4

‰

Œ

Ó

"

3 8

˜ fl

&

"

"

"

"

"

4 4

"

"

3 8

&

"

"

"

"

"

4 4

"

"

3 8

Pno.

Pedal

j ‡ ‡ ‡ ‡

3 8

° 

‰

"

‰

j ‡ ‡ ‡ ‡

˜ fl

"

$ ‰

& & 2 && 4

S.T.

˜ b˜ fl fl

‰

3 8

˜ fl

˜ fl

~~~~~~ 38 $ ‰ ~~~~~~ ~‡ Pedal

S.P.

˜ fl !

˜ fl

ã

° 

– – –

$ ‰ ‰ ‰ ‰

‰

* 

‰

–

‰

–

‰

–

. . .

$ ‰

‰

–

–

–

–

–

–

–

–

–

° 

$ ‰ ‰ ‰ ‰

‰

* 

‰

–

‰

–

‰

–

. . .

$ ‰

‰

4 4

–

‰

‰

4 4

¬

3 8

–

–

‰

‰

4 4

¬

3 8

–

–

‰

‰

4 4

¬

3 8

$ ‰

‰

–

–

– –

° 

8

* 

3 8

$ ‰

3 &8 ˜ fl

80 Cl. [B b]

Tpt. [C]

Pno.

Pedal

3 &8

˜ fl

˜ fl b˜ fl

˜ ˜ fl .

˜ fl ˜ fl

˜ ˜ fl .

‰

‰

‰

‰

˜ fl ˜ fl

‰

‰

‰

‰

H

3 4 3 4

q = 60

#˜ fl ˜ fl

‰

Œ

Œ

"

4 4

"

‰

Œ

Œ

"

4 4

"

3 &8

"

"

"

3 & & & & & & & & & & & & & & & & & & & & & & & & 4 & & & & & & & & & & & & & & & & 4 &&&&&&& &&& && & & & & & & & & & & & & 4& & & & & & & & & & & & & & & &

3 &8

"

"

"

3 4 ···

3 ã 8

° 

$ ‰

3 – $ ‰ 8

Vln.

3 – $ ‰ 8

Vla.

3 – $ ‰ 8

Vcl.

‰ ‰ ‰

–

‰

–

·· ·

·· ·

· ·

·· ·

4· 4

·· ·

· ·

·

··

Œ

‰

‡ ‡ ‡ #‡

j s.p. ‡  ‡ ‡ ‡

> ‹

# -·

‰

Œ

$ ‰

*



–

!

. . .

–

–

–

–

–

–

–

–

–

‰

‰

‰

‰

‰

‰

&

B

?

%%%%%%%%%%% > ‡‡ 3 œ ‹ ‡ 4 ‡ '

%%%%%%%%%% >‹ 3 œ ‰ 4 ' 3 > 4 ‹ ‰ '

 s.t.

œ ‰

j ‡ ‡ ‡ #‡

‰ œ

 s.t.

‰

 s.t.

œ ‹ œ. ‰ >

‹ ‰ œ.

col legno

‡ ‡ ‡ ‡

j ‡ ‡ ‡ ‡

‡ ‡ ‡ ‡

j ‡ ‡ ‡ #‡

(

arco Ÿ~~~ ·œ (

(

arco Ÿ~~~~ ·œ

‰

)

Ÿ~~~~ 4 ·œ œ ‰ 4

arco Ÿ~~~~ ·œ œ Œ

col legno

3

)

‰

(

)

Ÿ~~~ ·œ 4 4Œ

‰

(

)

Ÿ~~~~ ·œ ‰

Œ

)

(

)

4‹ 4 >

‰

# ·-

‰

œ

>‹

Œ

œ.

col legno

Cl. [B b]

&

"

11 j j j j j 5 16 – – – – – . 4 – $ ‰ Œ '

Œ

Ó

9 4 $‰ Œ 16 j j j j . 4 – – – – –

Ó

6 8

Tpt. [C]

&

"

11 5 16 j j j j j . 4 $ ‰ Œ – – – – – – '

Œ

Ó

9 4 $‰ Œ 16 j j j j 4 – – – –.

–

Ó

6 8

86

& & & & & & & & & & & & & & & & 11 & & & & & & & & & & & & & & & & & 16 Pno.

& ·· ·

Vln.

Vla.

Vcl.

&‹ >

·· · % -·

· ·

· · j

‡ ‡‡ s.t.  ‡ ‡œ œ ‰ ‡ ‡ ‹ > ‡ s.p.

j

11 16 b œ $ ‰ ‰ ‰ ‰ .

11 16

> B‹

‡ s.p. % b -· >‹ ‡‡ ‡ s.t. œ ‰ ‡ ‡œ #‡ ‡

11 16

?‹ >

% ‡ ‡‡ s.t.  # -· ‹ ‡‡ ‡ œ n œ ‰ > ‡ ‡

11 16

arco

j

s.p.

"

5 & & & & & & & & & & & & & & & & & & & & 9 4 & & & & & & & & & & & & & & & & & & & & 16 5 4 b ··œ

 s.t.

"

5 4 œ

"

5 œ 4

"

5 œ 4

 s.t.

 s.t.

·· ·

‰ ‹ > > ‰ ‹ ‰ ‹ >

· ·

· ·

·· · % -·

j s.p.

‡ ‡‡  s.t. ‡ ‡œ œ ‰ ‡ ‡ ‹ > ‡ j

‡ s.p. % b -· >‹ ‡‡ ‡  s.t.œ ‰ ‡ ‡œ #‡ ‡  % s.t. ‡ ‡‡ s.p.  # -· ‹ ‡‡ ‡ œ n œ ‰ > #‡ ‡

j

9

"

9 16 # œ $ ‰ ‰ ‰ .

9 16 9 16 9 16

" " "

4 & & & & & & & & & & & & & & & & 6 4 & &&&&&&&&&&&&&&& 8 4 · 4 # œ·

6 8

· · · ·· ·

· ··

6 8

s.p. 

 s.t.

s.p. 

 s.t.

s.p. 

 s.t.

s.p. 

 s.t.

s.p. 

 s.t.

s.p. 

 s.t.

s.p. 

 s.t.

s.p. 

 s.t.

6 8

s.p. 

 s.t.

s.p. 

 s.t.

s.p. 

 s.t.

s.p. 

 s.t.

6 8

4 œ 4 4 œ 4 4 œ 4

œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

6 8

6 &8

"

4 4

"

3 8

"

6 &8

"

4 4

"

3 8

"

91 Cl. [B b]

Tpt. [C]

6 & 8 Œ.

4· 4·

j · ·· ·

6 ã 8

··

4Π4

" Ÿ~~~~

6 & 8 Œ.

Vla.

B 68 Π.

Vcl.

? 6 Œ.

8

‰  s.t.

œ

 s.t.

œ



Tpt. [C]

œ

( )

s.p. 

œ

Vla.

Vcl.

col legno

4‰ 4

s.p. 

œ

œ

3 4

5 & 16

‰.

3 4

˜ fl

œ.

#˜ fl #˜ fl

3 >– 4

>‹

$ $‰ ° *



‰



‰



Ÿ~~~~~~~~~ · œ · (

‡ ‡ ‡ ‡

3 8 ··

·· ·

arco sul E

> œ. ‹

)

$‰

j L.H. ‡ pizz. col legno ‡ ‡ ‡

> œ. ‹

œ

P'

‡ ‡j col legno ‡ œ. >‹ œ ‰ ‡ ‡‡ ‰ ‡ ‡ P ' L.H. pizz.

4Π4

 s.t.

‰.

˜ fl ˜ fl

#˜ fl #˜ fl

˜ fl ˜ fl

˜ fl #˜ fl

#˜ fl ˜ fl

‰

3 $ $‰ 8 ° * 



L.H. pizz.

3 8 œ ‰ P 3 # ·% 8

arco

j ·

po

3 ·% 8

arco

j ·

po

–

$ ‰

Œ

Œ

$ ‰

Œ

Œ

3 4

"

7 16 # œ $ ‰ ‰ .

3 4

"

7 16

3j $ ‰ 4

"

7 $ 16

3 4

2 4 #˜ fl

5 16

‰.

2 4

#˜ fl

2 >– 4

‹ > !

Œ

$ ‰

Œ

3 4 ‹ $ ‰ > !

"

‰.

Œ



3 > 4 ‹ $ ‰ !

"

7 $ 16

5 16 –



"

5 16 ˜ fl ˜ fl

–

3 4

"

7 16

‰

3 4

˜ fl ˜ fl

˜ fl #˜ fl

Œ

#˜ fl ˜ fl

#˜ fl !

˜ #˜ fl fl

#˜ fl !

˜ #˜ fl fl

>–

˜ fl

5 16

˜ #˜ fl fl

˜ #˜ fl fl

5 16

˜ fl

5 16

5 # œ # œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ 16 Œ

$ ‰

Œ

Œ

5 16

$ ‰

Œ

Œ

5 16

> ‹ $ ‰

Œ

Œ

5 16

Œ

Œ

5 16

˜ fl

#˜ fl

#˜ fl

˜ fl

° 

col legno

‰.

œ. >‹

col legno

‰.

œ.

col legno

‰.

‹ $ ‰ œ. >

5 16 ˜ fl

‰.

3 8 ˜ fl

5 16

‰.

3 8

˜ fl

˜ fl

3 >– 8

5 16 –

8 8 8 3 5 2 5 3 5 & 16 # œ # œ œ œ œ œ œ œ 4 # œ # œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ 16 # œ # œ œ œ œ œ œ œ 4 # œ # œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ 16 # œ # œ œ œ œ œ œ œ 8 # œ # œ œ œ œ œ œ œ œ œ œ œ

5 ã 16

Vln.

 s.t.

œ

5 & 16 – Pno.

$ 44 ‹ · >

col legno

5 & 16 ˜ fl

97 Cl. [B b]

·

··

$ $‰ ° *

sul G

Vln.

7 16 j j j #– – – . '

& & & & & & 4 & & & & & & & & & & & & & & & & 3 & & & & & & 7 & & & & & & 4 & & & & & & & & & & & & & & & & 8 & & & & & & 16

6 & 8 Œ.

Pno.

7 16 j j j – – –. '

I

5 & 16

* 

‹ >

$ ‰.

3 4

$ $ $

3 4

5 >‹ $ $ $ B 16

œ. œ.

$ ‰

Œ

Œ

5 16

$ ‰

Œ

Œ

5 16

3 > 4 ‹ $ ‰

Œ

Œ

5 > 16 ‹ $ $ $

Œ

Œ

° 

‹ >

3 ?5 ‹ $ $ $ 4 ‹ $ ‰ 16 > > œ.

* 

‹ >

$ ‰.

2 4

$ $ $

2 4

œ. œ.

$ ‰

Œ

5 16

$ ‰

Œ

5 16

2 > 4 ‹ $ ‰

Œ

5 > 16 ‹ $ $ $

° 

‹ >

5 2 16 ‹ $ $ $ 4 ‹ $ ‰ > > œ.

10

Œ

* 

‹ >

$ ‰.

3 8

$ $ $

3 8

œ. œ.

$ ‰

‰

$ ‰

‰

3 >‹ $ ‰ 8

‰

° 

‹ >

5 3 ‹ $ ‰ 16 ‹ $ $ $ 8 > > œ.

‰

J

103 Cl. [B b]

& ˜ fl

‰

‰

3 4

"

Tpt. [C]

&

‰

‰

3 4

"

2 4

& – $ ‰

‰

3 4

"

2 >– 4 p

3 4

" "

˜ fl

Pno.

"

& ã arco

Vln.

arco

Vla.

arco

Vcl.

* 

–

– –

. . .

$ ‰

‰

3 4

–

–

3 – 4

–

–

3 – 4

–

–

3 – 4

3 &4

"

Tpt. [C]

3 &4

Pno.

Vla.

Vcl.

Œ Œ

Œ

q = 104

‰.

3 8 ˜ fl

5 16

‰.

3 8

˜ fl

$ ‰

&

2 4

B

2 ˘ 4 ‹ $ ‰

‹ fl

5 16

Œ

$ ‰

2 4 ‹ $ ‰ fl

?

Œ

° 

* 

3 8

$ ‰.

col legno

Œ

5 16

Œ

5 ˘ 16 ‹ $ $ $

‹ fl

$ $ $

œ.

col legno

œ.

col legno

5 16 ‹ $ $ $ fl œ.

Œ

3 4 ¬. '

3 .

8 –

"

3 8

"

3 8 .

–

3 &4

"

3 8

"

3 4 . ' ) 3 4

3 &4

"

Ø

3 8 3 8

3 – ‰ 4 Œ 3 – ‰ 4 Œ 3 – ‰ 4 Œ

Œ Œ Œ

&

&

B

‡ .~~~ ° 

‡.

3 ‡.

8 ‡. ‡. Ø ‡ .. ‡ ‡ .. ‡ Ø

3 8

‡. ‡ .. ‡ ‡. Ø

3 8

) j . œ ~‡ ~~~~~ 43 ~ ~ ~ ~ ~~~~

$ ‰

˜ fl

˜ fl

‰

‰

3 4

‰

‰

3 4

– $ ‰

‰

3 4

˜ fl

#˜ fl

˜ fl

˜ fl

#˜ fl

3 >– 8

5 16 –

"

Pedal

Vln.

2 4

Œ

‰

˜ fl

#˜ fl

5 16 ˜ fl

8 2 5 3 4 # œ # œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ 16 # œ # œ œ œ œ œ œ œ 8 # œ # œ œ œ œ œ œ œ œ œ œ œ '

Œ

‰

˜ fl

#˜ fl

#˜ fl

˜ fl

˜ fl

3 8

109 Cl. [B b]

‰

2 4 #˜ fl

3 4

‰ j ‡ ‡ ‡ ‡

3 4

$

*



>·

col legno S.T.

œ.

‚

‚ ‚ ‚ 6

>·

col legno S.T.

j ‡ ‡ ‡ ‡

–

œ.

œ.

œ.

œ.

>·

>·

>·

>·

3 8

$ œ.

3 8

>·

3 4

6

‚

‚ ‚ ‚ 6

‹ fl

$ ‰

3 ‹ 8 fl

œ.

‰

$ ‰

3 ˘‹ 8

–

$ ‰

$ ‰

*



‰

arco

‰

arco

‰

arco

–

– –

K q = 60

3 4 3 4

– #–

$ ‰

‰

–

–

–

–

–

–

. . .

$ ‰

Œ

Œ

$ ‰

Œ

Œ

3 4 3 4 3 4

‰

‰

3 & & & & & & & & & & & & 4 & & & & & & & & & & & &

‰

‰

3 4 # œ· ·

‰

3 4 Œ

!

n·

· ·

‰ >·

‚ ‚ >·

‚ ‚ ‚ 6

‚ ‚ >·

‚ ‚ ‚ 6

‚ ‚ >·

‚ ‚ ‚ 6

‚ ‚ >·

‚ ‚ ‚ 6

‚ ‚ >·

‚

‚ ‚ 3 ‚ 8 6

3 ‚ ‚ ‚‚ ‚‚ ‚‚ ‚‚ ‚‚ ‚‚ ‚‚ ‚‚ ‚‚ ‚‚ 3 4 ‚‚‚ ‚ ‚ ‚ ‚ ‚ 8

col legno S.T.

j ‡ ‡ ‡ ‡

–

3 8

° 

3 4

"

>·

‚ ‚

6

‚ ‚ ‚ 6

>·

‚ ‚

6

‚ ‚ ‚

>·

‚ ‚

6

6

‚ ‚ ‚ 6

11

>·

‚ ‚

6

‚ ‚ ‚ 6

>·

‚ ‚

6

‚ ‚ ‚ 38 ‚ 6

>·

S.P.

>·

$ ‰

S.P.

>S.P. ·

$ ‰ $ ‰

‰ ‰

B

?

sul D

œ. '

3 > 4 ‹ $ ‰ ' 3 > 4 ‹

'

‡ ‡ ‡ ‡

‰

Œ j ‡ ‡ ‡ ‡

œ.

‰

j ‡ ‡ ‡ ‡

‹ >

‡ ‡ ‡ ‡

‰

‡ ‡ ‡ ‡

j ‡ ‡ ‡ ‡

> ‹

‡ ‡ ‡ ‡

j ‡ ‡ ‡ ‡

114 Cl. [B b]

&

"

"

2 4

"

3 8

"

3 4

"

3 8

"

4 4

Tpt. [C]

&

"

"

2 4

"

3 8

"

3 4

"

3 8

"

4 4

Œ

& & & & 3 & & & & 8

"

4 4

Œ

·· ·

3 8

"

4 4

& & & & & & & & & & & & & & & & & & & & & & & & 2 & & & & & & & & 3 & & & & & & 3 && & & & & & & & & & & & & & & & & & & & & & & & 4 & & & & & & & & 8& & & & & & 4Œ Pno.

Vln.

Vla.

Vcl.

&

œ.

.

Bœ ?

œ.

‰

> ‹

‡ ‡ ‡ ‡

j ‡ ‡ ‡ ‡

‰

>‹ ‡‡ ‡ #‡

j ‡ ‡ ‡ ‡

Tpt. [C]

œ.

>‹

‰

œ.

>‹

‰

%%%%%%%%%%%%% œ Œ

‰

·· ·

arco sul A

‰ ‰

·

Œ

2 · 4 ·

·

Œ ‡ ‡ ‡ ‡

arco

j ·

‰ j ‡ ‡ ‡ ‡

‰

‰

‰

‰

‰

sul D

arco s.p. 

2 œ 4

>‹

‰

2 4

œ

s.p. 

>‹ >‹

%%%%%%%%%%%%%%%%%%%% 3 œœ ..

3 8 4Œ ! %%%%%%%%%%%%%%%%%%%% 3 œ.

3 8 œ.

4Π!

"

"

3 8

"

5 16

4 &4

"

"

3 8

"

5 16

4 & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & 3 & & & & & & 5 & 4 & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & & 8 & & & & & & 16 Pno.

4 ·· &4

··

··

··

4 $$ $$ $Œ ã 4 $ °* °* °*

Ó



Vln.

Vla.

b ·œ% ..

4 &4 B 44

·% .

sul D

L.H. pizz.

Vcl.



·· ·



j · œ

(

po j ·



ΠL.H. pizz.





# > ·. · œ ' P

L.H. sul E pizz.

arco s.p. 

>œ ‰ œ ‰ po '

? 4 >œ $ œ. œ. $ ‰ 4 P ' col legno sul tastro

arco s.p. 

œ ‹

‰ œ.

·

‹

col legno

œ.

·

·

col legno

‰

·· ·

·

Œ

3 $ $‰ 8 °* ° * °*

‰





# œ œ Œ

#œ œ œ%

œ ‰

L.H. pizz.

L.H.

> œ ‰

P

3 8

MUTE

#– –. ' "

3 4 3 4

Œ

%%%%%%%%%%%%% 38 œ œ

"

Œ

%%%%%%%%%%%%% œ 3 œ 8

"

4 4

Œ

%%%%%%%%%%%% œ 3 8 œ

"

4 4

$ ‰ ‹ ‰ – p ‹J –

$ ‰

4 4

‹

œ Ø

‹ J

‰

‹

œ

‹ J

‰

‹

#œ

44

‹ J

œ

‰

Œ

‰

Œ

3 & & & & & & & & & & & & & & & & & & & & 4 & & &&&&& &&&& & &&& &&&& &Œ 3 4 # ··

· ·

· ·

·

#· ·

·

‰

Œ



38 ‰ œ > P

# pizz. œ% œ œ œ >œ 3 8 P

col arco legno arco s.p.  s.t. 



L.H. pizz.

col legno

col col arco arco legno legno s.p.  s.t. 



– –. '

5 16 # œ $ ‰ .

·· ·

col arco legno s.p.  s.t. 

% $œ œ

3 8 ·.

··



3 4Œ

%%%%%%%%%%%%%%%%%%% 3 43 Œ · ·j $ 8 œœ .. ! po

$ 42 · po ' >‹

3 ·· ..

8 ·.

·· ·

4 &4

120 Cl. [B b]

· ·

··

·· ·

·· ·

& ··

‰ " "

5 16 5 16 5 16

"

43 Πarco sul D

" "

% 3 · 4 ' 3 4 Œ

arco sul D

% · ' ·

% #·

sul A

·

j ·

sul C

j ·

% $·

po '

‡ ‰ ‡‡ ‡ p

‡ ‡ ‡ ‡ J

po

‡ ‡ ‰ ‡ ‡

$

' j ·

$Œ

‡ ‰ B ‡‡ ‡

‡ ‡ ‡ ‡ J

· ‡ ‡ ‡ ‡ J

·

po

j ·

po

‰ & ‡‡ ‡ ‡

$Œ Œ ‡ ‡ ‡ ‡ J

Œ