February
NICHOLS CONCERT HALL
2023-2024
The Music Institute of Chicago is grateful to all its funders and partners, whose generous support helps us to entertain, inspire, and educate through live music performed by both new emerging artists and the most established artists of our time.
Special thanks to these annual institutional funders: Paul Galvin Memorial Foundation, John R. Halligan Charitable Fund, Irving Harris Foundation, ITW, Negaunee Foundation, John D. & Alexandra C. Nichols Family Foundation, Northern Trust, Sargent Family Foundation, and many others.
We acknowledge the generous support of the Illinois Arts Council Agency as well as the support of the Highland Park Community Foundation and the Evanston Arts Council, a city agency supported by the City of Evanston; the Illinois Arts Council, a state agency; and the National Endowment for the Arts, a federal agency.
Thank you to our technical sponsor
This program is partially funded by the Illinois Arts Council Agency.
Sponsorship opportunities range from concerts and performances, to the annual Gala, special capital projects, and community engagement initiatives. For more information contact the Development Office: 847.448.8327.
Dear Friends,
Welcome to the Music Institute of Chicago, a place where generations of families have come for music lessons and classes. Welcome also to Nichols Concert Hall, a premier performance space where we feature world-class artists right here in downtown Evanston.
Tonight, we are pleased to present Imani Winds, one of the finest chamber music ensembles of our time. We can join Imani this evening in celebrating their 2024 Grammy Award in the category of Best Classical Compendium. For decades, this ensemble has blazed a unique musical trail with adventurous programming and imaginative collaborations, revolutionizing the repertoire for the wind quintet.
This concert series is only one part of our mission. As a top-tier, nonprofit community music school, we offer music lessons and classes to thousands of students of all ages and levels each year. We are also deeply committed to making music and music education accessible to people and communities who might not otherwise have access. You can learn more about lessons and classes, upcoming concerts, or, how to support this concert series, at musicinst.org.
I look forward to seeing you and your friends again at Nichols Concert Hall!
Mark George President and CEO Music Institute of ChicagoIMANI WINDS MASTER CLASS
Saturday, February 24 at 2 pm
Flute Concertino in D major, Op. 107
Carmen Yanguas, flute
Mary Drews, piano
Cécile Chaminade (1857 – 1944)
Music Institute of Chicago - student of Meret Bitticks
Clarinet Concerto in A major, K. 622
Sarah Morris, clarinet
Wolfgang Amadeus Mozart (1756 – 1791)
Lyudmila Lakisova, piano
Chicago Musical Pathways Initiative - student of Leslie Grimm
Hungarian Pastoral Fantasy
Linden Wadsworth, flute
Mary Drews, piano
Albert Franz Doppler (1821 – 1883)
Music Institute of Chicago - student of Meret Bitticks
IMANI WINDS BLACK AND BROWN
A CELEBRATION OF COMPOSERS OF COLOR
Saturday, February 24 at 7:30 pm
I Said What I Said* Damien Geter
Giants† Carlos Simon
I. Bessie Smith
II. Cornel West
III. Herbie Hancock
Selections from Aires Tropicales Paquito D’Rivera INTERMISSION
Rubispheres No. 1 Valerie Coleman
(For flute, clarinet & bassoon)
I. DROM
II. Serenade
III. Revival
BeLoud, BeLoved, BeLonging ‡ Andy Akiho (b. 1979)
I Wish I Knew How It Would Feel To Be Free Billy Taylor (1921-2010) arr. Mark Dover
*Written for Imani Winds. Commissioned by Anima Mundi Productions, Chamber Music Northwest and the Oregon Bach Festival. Premiered April 28, 2022 in Portland, OR.
†Commissioned by Imani Winds and Shriver Concert Hall Series. Premiered May 14, 2023.
‡ Commissioned by Imani Winds with support from the Concert Artists Guild Richard Weinert Award, the Imani Winds Foundation and the Kaufman Music Center. Premiered October 26, 2022 in New York City.
IMANI WINDS
Imani Winds is the 2024 GRAMMY® winner in the Classical Compendium category for Jeff Scott’s Passion for Bach and Coltrane released on their recently formed record label, Imani Winds Media.
Celebrating over a quarter century of music making, the three-time GRAMMY® nominated group has led both a revolution and evolution of the wind quintet through their dynamic playing, adventurous programming, imaginative collaborations and outreach endeavors that have inspired audiences of all ages and backgrounds.
The ensemble’s playlist embraces traditional chamber music repertoire, and newly commissioned works from voices that reflect historical events and the times in which we currently live.
Recent projects include a Jessie Montgomery composition inspired by her great-grandfather’s migration from the American south to the north, socially conscious music by Andy Akiho, reflecting on mass incarceration, and a work by Carlos Simon celebrating iconic figures of the African American community. These works and more have been commissioned as a part of the Legacy Commissioning Project.
Twenty-six seasons of full-time touring has brought Imani Winds to virtually every major chamber music series, performing arts center, and summer festival in the U.S. They regularly perform in prominent venues including Carnegie Hall, Lincoln Center, and the Kennedy Center and have a presence at festivals such as Chamber Music Northwest, Chautauqua Institution and Banff Centre.
Imani Winds thoughtfully curates unique residencies that include performances, workshops, and masterclasses to thousands of students each year at institutions such as the University of Chicago, Eastman School of Music and Duke University.
Their international presence includes concerts throughout Asia, Brazil, Australia, England, New Zealand and Europe.
Appointed in 2021 as Curtis Institute of Music’s first ever Faculty Wind Quintet, Imani Winds commitment to education runs deep. The highly successful Imani Winds Chamber Music Festival launched in 2010, is an annual summer program devoted to musical excellence and career development for pre-professional instrumentalists and composers. The curriculum includes mentorship, masterclasses, entrepreneurial workshops, community engagement activities and performances, with the goal of fostering the complete musician and global citizen.
In 2019, the group extended their mission even further by creating the non-profit organization, Imani Winds Foundation, which exists to support, connect and uplift their initiatives and more.
Imani Winds’ travels through the jazz world are highlighted by their multi-faceted association with luminary musicians and composers Wayne Shorter, Paquito D’Rivera and Jason Moran. Their ambitious project, "Josephine Baker: A Life of Le Jazz Hot!" featured jazz songstress René Marie in performances that brought the house down in New York, Pittsburgh, San Francisco, Los Angeles and St. Louis.
In 2021, Imani Winds released their 9th studio album, “Bruits” on Bright Shiny Things Records, which received a 2022 GRAMMY® nomination for “Best Chamber Music/Small Ensemble Performance.” Gramophone states, “the ensemble’s hot rapport churns with conviction throughout.”
Imani Winds has recordings on Koch International Classics and E1 Music, including their 2006 GRAMMY® nominated recording, “The Classical Underground”. They have also recorded for Naxos and Blue Note and released an acclaimed arrangement of Stravinsky’s "Rite of Spring" on Warner Classics. They are regularly heard on all media platforms including NPR, American Public Media, the BBC, SiriusXM, the New York Times and the Wall Street Journal.
To date, one of Imani Winds’ most humbling recognitions is a permanent presence in the classical music section of the Smithsonian National Museum of African American History and Culture in Washington DC.
For more information visit: www.imaniwinds.com
2024 GRAMMY® Winner Best Classical CompendiumBRANDON PATRICK GEORGE, FLUTE
Brandon Patrick George has been the flutist of Imani Winds since 2018 and has appeared with the group around the United States and Europe, and on the Grammy-nominated album Bruits. He has been praised as “elegant” by The New York Times, as a “virtuoso” by The Washington Post, and as a “knockout musician with a gorgeous sound” by The Philadelphia Inquirer. His debut album was released by Haenssler Classics in September 2020; The New York Times has described it as “a program that showcases the flute in all its wit, warmth and brilliance.”
Brandon has performed at the Elbphilharmonie, the Kennedy Center, the Dresden Music Festival, and the Prague Spring Festival. In addition to his work with Imani Winds, Brandon’s solo performances include appearances at Lincoln Center, the Metropolitan Museum of Art, 92nd Street Y, Tippet Rise, and Maverick Concerts. His current collaborations include touring projects with harpsichordist Mahan Esfahani, pianist Aaron Diehl, and harpist Parker Ramsay. In 2021, Brandon was part of the inaugural class of WQXR’s Artist Propulsion Lab, a program designed to advance the careers of early and mid-career artists and support the future of classical music. During his yearlong residency at WQXR, Brandon guest hosted Evening Music, interviewed Ford Foundation president Darren Walker about diversity and equity in the performing arts, and recorded with pianist Aaron Diehl and harpist June Han.
Prior to his solo career, Brandon performed as a guest with many of the world’s leading ensembles including the Los Angeles Philharmonic, the Pittsburgh Symphony Orchestra, the Orpheus Chamber Orchestra, and the International Contemporary Ensemble (ICE). With the Los Angeles Philharmonic, Brandon performed at Walt Disney Concert Hall and at the Hollywood Bowl with Music Director Gustavo Dudamel. His ensemble work allowed him to work closely with some of the foremost composers of our time including John Adams, Louis Andriessen, Tania León, Steve Reich, and George Lewis.
Brandon trained at the Oberlin Conservatory of Music, the Conservatoire de Paris, and the Manhattan School of Music. He serves on the faculty of the Curtis Institute and the Banff Centre for Arts and Creativity.
MEKHI GLADDEN, OBOE
Mekhi Gladden is an oboist and English-hornist from Atlanta, Georgia who is currently based in Philadelphia, Pennsylvania. They are a recent graduate of the Curtis Institute of Music and has since been playing with numerous ensembles throughout the United States. Mekhi began studying oboe at age twelve before
entering the Talent Development Program at age fifteen under the tutelage of Emily Brebach, English horn of the Atlanta Symphony Orchestra. They later went on to study with Richard Woodhams, Toyin Spellman-Diaz, Robert Walters, Katherine Needleman, Philippe Tondre, and Elizabeth Tiscione at the Curtis Institute of Music.
Mekhi has performed with the Atlanta Symphony Orchestra, Princeton Symphony Orchestra, Symphony in C, and Memphis and Baltimore Symphony Orchestras as guest Principal. They have recently been awarded First Prize in the Eric Varner Young Artist Competition, Audience Choice in the Virtual Oboe Competition, and Winner of the Jan and Beattie Wood Concerto Competition with performance as a featured soloist with the Brevard Music Center Orchestra.
Mekhi works purposefully to further diversity, equity, and inclusion in classical music through their performance and advocacy. This has taken shape in their premiering of several new works for solo oboe, oboe and electronics, oboe and trumpet, and various other ensembles. They have recently worked at the Composers Conference at Avaloch as performance faculty and chamber music faculty. Their upcoming season includes a return to community concerts in retirement communities and youth communities through Astral Artists. Mekhi continues to explore through experimental improvised music - spearheaded by the People’s Music Supply centered in Philadelphia.
MARK DOVER, CLARINET
GRAMMY® award-winning clarinetist Mark Dover is a man of many horns, maintaining firm roots in classical music while everexpanding into the vast world of improvised music.
Born in Ann Arbor, Michigan, Mark was privileged to grow up in a town with a strong commitment to arts education, and with parents who were passionate about the arts.
In addition to performing with Imani Winds, Mark is the clarinetist with Manhattan Chamber Players, who he tours with regularly. He has performed with the Detroit Symphony, The Cleveland Orchestra at Kent Blossom Music Festival, The Knights, Nu Deco Ensemble, New World Symphony, The Spoleto Festival, Pacific Music Festival, and many other orchestras and festivals throughout the country.
Mark is on the clarinet faculty at Mason Gross School of the Arts at Rutgers University, and Queens College, CUNY. He joined the chamber music faculty at Curtis Institute of Music in
2021. He has conducted master classes at numerous academic institutions throughout the country, such as University of Michigan, Manhattan School of Music, and the University of Texas at Austin.
In addition to his work in the classical world, Mark has an extensive background in jazz and improvised music. He formed the multi-genre duo Port Mande with pianist/producer Jeremy Jordan in 2017. Their debut EP Is This Loss? was released in July of 2020. A frequent collaborator with American funk band, Vulfpeck, Mark was featured as a performer and arranger on their highly acclaimed album Thrill of the Arts, and in 2019, played to a sold-out Madison Square Garden. He has performed and/or recorded with musicians of many different genres, including Jason Moran, Alicia Moran, Edward Simon, Brian Blade, Scott Colley, David Binney, Bernard Purdie, Cyrille Aimée, Lawrence, Darren Criss, Theo Katzman, Joey Dosik, Dave Malloy, Phillipa Soo, Kris Bowers, Michael Thurber, Charles Yang and many more.
A graduate of Interlochen Arts Academy, Mark received his Masters of Music from the Manhattan School of Music and his Bachelor of Music from the University of Michigan. His most influential teachers include David Krakauer, Deborah Chodacki, and Jay DeVries. He lives in New York City with his wife, soprano Faylotte Crayton, and his 3 year old daughter Lulu.
KEVIN NEWTON, FRENCH HORN
Kevin Newton is the newest member of the GRAMMY® awardwinning wind quintet, Imani Winds. A native of South Boston, Virginia, he is a horn player and educator based in Manhattan. His first music teacher, his mother, instilled in him a love of musicmaking’s collaborative spirit.
As a chamber musician, he has performed with Orchestra of St. Luke’s, Metropolitan Horn Authority, Roomful of Teeth, and Tredici Bacci, among other ensembles. He has appeared professionally on the stages of Carnegie Hall, the Kennedy Center, the DiMenna Center for Classical Music, and National Sawdust.
An advocate for new music, Kevin collaborated with composer Erin Busch to premiere a solo work as a part of the Contemporary Performance Institute at the Composers Conference in 2020. He is involved with several commissions set to premiere in the 2021–22 season. Kevin formerly served as principal horn of the Waynesboro Symphony and, as an orchestral soloist, he has performed works by Gordon Jacob, Wolfgang Amadeus Mozart, and Franz Strauss.
Kevin enjoys a busy recording schedule and has recently recorded with Tredici Bacci, Metropolitan Horn Authority, Tex Crick, and Sami Stevens, as well as for commercial projects. He is currently pursuing a Doctor of Musical Arts degree at Stony Brook University. He holds a Master of Music degree in orchestral performance from Manhattan School of Music and a Bachelor of Music degree from Virginia Commonwealth University. He is a regular participant at Yellow Barn in Vermont.
Kevin joined the faculty of the Curtis Institute of Music in 2021. He is also on the horn faculty of Manhattan School of Music’s Precollege division and MSM Summer.
MONICA ELLIS, BASSOON
2024 GRAMMY® winner and three-time nominee, bassoonist Monica Ellis is a founding member of the wind quintet, Imani Winds.
As the daughter of a jazz saxophonist father and fashionista mother, she was raised in a house full of go-getters. A natural organizer, Monica is the co-artistic and executive director for Imani Winds and their annual Chamber Music Festival and treasurer for their non-profit Foundation.
A self-proclaimed “band kid”, growing up in her beloved city of Pittsburgh, Monica played clarinet, saxophone, and piano. After being introduced to the bassoon in middle school, she began studying with Mark Pancerev, of the Pittsburgh Symphony, and went on to receive her Bachelor of Music degree from Oberlin College Conservatory of Music where she studied with George Sakakeeny. While at Oberlin, her desire to connect with others flourished through her participation in the Panama Project – a month long camp for young Panamanian musicians.
She received her Master of Music degree from The Juilliard School and Professional Studies Certificate from Manhattan School of Music in the Orchestral Performance Program, studying with Frank Morelli at both institutions.
She has performed and recorded with dozens of world-renowned artists and organizations spanning genres and styles from the likes of Wayne Shorter to the Chamber Music Society of Lincoln Center. Solo bassoon appearances have been with the Los Angeles Philharmonic, The Pittsburgh Symphony Orchestra, American Composers Orchestra and the Chineke! Orchestra in London’s Queen Elizabeth Hall.
Recording credits include ten albums with Imani Winds (Imani Winds Media, Bright Shiny Things, Koch International Classics, EOne and EMI Classics). Monica can also be heard on: Edward Simon – Sorrows and Triumphs, Chick Corea - The Continents, Wayne Shorter Quartet - Without a Net, Mohammed Fairouz - Native Informant, Jeff Scott - Urban Classical Music Project, Brubeck Brothers Quartet - Classified, Steve Coleman – Ascension to Light and Perspectives Ensemble - Montsalvatge Mardrigal.
Continuing the lineage of great pedagogues before her, Monica is a passionate educator and mentor. She is on the faculty of Curtis Institute of Music and Manhattan School of Music and has been a visiting professor/faculty at The University of Chicago, Mannes School of Music, and The Juilliard School’s Music Advancement Program. A renowned clinician, she frequently presents master classes and solo recital performances across the country.
She is a sought-after commentator on critical issues of race, gender and entrepreneurship in classical music and serves on the Orchestra of St. Luke’s Educational Advisory Committee and is a board member for Concert Artists Guild and the International Double Reed Society (IDRS). Monica is a Fox Bassoon Artist and plays exclusively on a Model 201.
Monica religiously watches Jeopardy!, loves home decorating, and resides in the historic village of Harlem in New York City with the greatest joy of her life - her 10-year-old son, Oden.
FRIENDS OF THE
MUSIC
INSTITUTE OF CHICAGO
The Music Institute is grateful for every gift. The following friends made contributions of $5,000 or more between September 1, 2022 and January 10, 2024.
$100,000 and above
The Negaunee Foundation
Alexandra* and John† Nichols
$50,000 - $99,999
Mr. John H. Krehbiel Jr. and Mrs. Karen Z. Gray-Krehbiel
ITW
Ms. Barbara Ann Speer
$25,000 - $49,999
Paul M. Angell Family Foundation
John and Pauline Fife
KPMG and Scott* and Areta Verschoor
Jim and Kay* Mabie Family
Northern Trust Corporation
Mr. and Mrs. Patrick W. Ryan
Lee Anne* and Rich Stoddart
Jim Stone*
The Wallace Foundation
William E. Wolf and Meredith Bluhm-Wolf
$10,000 to $24,999
Anonymous Gifts
Dr. Jim Hsu and Ms. Elisa Barston
The Canning Foundation
Lester and Renée Crown
Roger and Sandra Deromedi
Craig and Janet Duchossois
John and Fran Edwardson
Evanston Arts Council
Jim and Karen Frank
Paul Galvin Memorial Foundation
Wilbur and Linda Gantz
Ronald and Christina Gidwitz
Norman and Cynthia Goldring
Mrs. Mona Golub
Dan* and Yoo Mi Hahn
Caryn and King Harris
Courtney Holohan* and Wesley Mueller
Caroline and Charles Huebner
J. Thomas Hurvis and Ann Andersen
Illinois Arts Council Agency
Anne Kaplan
Ethelle Katz
Susan R. Kiphart
Mrs. Paul Klimstra
Tom and Joyce Leddy
Diane vS. and Robert M. Levy
Molex Incorporated
Mr. Ernest Mahaffey
National Endowment for the Arts
Bill and Cathy Osborn
Ms. Renée Parquette*
Timothy Patenode* and Judy Royal
Ms. Sheila Penrose
Ravinia Festival Association
Andrew and Betsy Rosenfield
Michael and Cari Sacks
Sage Foundation
Scott and Nancy Santi
Barbara* and Peter Sereda
Lisbeth C. Stiffel
UL
Audrey L. Weaver
Mr. Miles D. White
Wintrust Commercial Banking
Tao Zhu* and Weihua Ye
$5,000 to $9,999
Anonymous Gifts
Mrs. Carol Lavin Bernick
BMO Harris Bank
Norman and Virginia Bobins
Boys & Girls Club of Chicago
Carlos R. Cardenas*
Lawrence O. Corry
Mr. and Mrs. Mark Deangelis
Thomas W. Dower Foundation
Thomas and Patricia Gahlon
Hans* and Denitta Germann
John R. Halligan Charitable Fund
Irving Harris Foundation
Highland Park Community Foundation
Dr. Erin and Dr. Wellington Hsu
Dolores Kohl Kaplan
Karen and Mark Koulogeorge
Mr. John W. Madigan
Mr. and Mrs. Charles W. Moore
Mary P. Murley
Yana Nedvetsky* and Axel Vargas
Mr. Robert Perlmutter
Mr. and Mrs. John J. Piepgras
Vikram K. Raghavan* and Shruthi Atmaram
Sargent Family Foundation
Dr. Scholl Foundation
Sidley Austin LLP
Jennifer Steans and James P. Kastenholz
Pam and Russ Strobel
Ross* and Emily Parker Updegraff
Mr. and Mrs. David F. Vitale
Frederick and Catherine Waddell
Audra Wilson*
David* and Eileen Zampa
Florian Zettelmeyer *and Meghan Busse
* Trustee † Deceased
The Music Institute of Chicago provides high-quality teaching, performing, and service activities for thousands of Chicagoland residents each year.
Contributions of all sizes support our shared commitment to educate and inspire musicians and music lovers of all ages, abilities, and backgrounds, regardless of experience or financial means.
BOARD OF TRUSTEES
TRUSTEES
Scott Verschoor, Chair
Alexandra C. Nichols, Chair Emerita
Timothy J. Patenode, Treasurer
Barbara Sereda, Secretary
Carlos R. Cardenas, CPA, Vice Chair
Lee Anne Stoddart, Vice Chair
Paul Brourman
Hans Germann
Daniel Hahn
Courtney Holohan
Kay Mabie
Yana Nedvetsky
Renée Parquette
Vikram Raghavan
Jim Stone
Ross Updegraff
Zalman Usiskin
Audra Wilson
David Zampa
Florian Zettelmeyer
Tao Zhu
LIFE TRUSTEES
John J. Berwanger
Mitzi Freidheim
Brooks Morgan
Rachel Barton Pine
Betsey L. Puth
Priscilla F. Richman
William N. Topaz
HONORARY BOARD
Jennifer Koh
Nina Kraus
Deborah F. Rutter
EX-OFFICIO TRUSTEES
Mark George
Christopher Rintz
THE MUSIC INSTITUTE OF CHICAGO leads people toward a lifelong engagement with music through unparalleled teaching, exceptional performances, and valuable service initiatives that educate, inspire, and build strong, healthy communities.
Since its founding in 1931, the Music Institute’s commitment to innovation, access, and excellence has served as an important community resource and helps to ensure music is available to everyone. Each year, the Music Institute provides personalized music instruction to more than 2,000 students, regardless of age, level of experience, or financial means, across seven Community Music School locations in Chicago, Downers Grove, Evanston, Lake Bluff, Lake Forest, and Winnetka, as well as online.
In addition, the Music Institute brings music education, arts curriculum integration, professional development, and music performance and engagement opportunities to thousands in the Chicago area; offers scholarship opportunities to students in its Community School and its Academy, a nationally recognized training center for highly gifted pre-college pianists and string players; and welcomes thousands of visitors annually for performances, master classes, and special events at Nichols Concert Hall.
For more information: musicinst.org • 847.905.1500
NICHOLS CONCERT HALL PRESENTS
1490 Chicago Avenue, Evanston
CURTIS ON TOUR
March 9 | 7:30 PM
Acclaimed musicians Benjamin Beilman, Milena Pajaro-van de Stadt, and Oliver Herbert are joined by a trio of emerging artists from the Curtis Institute for an electrifying program.
TITUS UNDERWOOD
March 23 | 7:30 PM
Lift Every Voice and Sing
Principal oboe of the Nashville Symphony, Titus Underwood presents a multimedia performance that showcases classical music beside spoken word and film.
TIME FOR THREE
April 27 | 7:30 PM
Renowned for charismatic and energetic performances, the Grammy award-winning Time for Three shatters musical boundries and combines classical music with modern pop and Americana.