Elaine Wong's Architectural Portfolio 2019

Page 1

Elaine Wong Architectural Assistant elwong@design.upenn.edu



Izmir Folkart Basemane Shangdong Weihai Clubhouse Le Meridian Hotel Inpira Greenfield Hospital

Professional work_Architecture

Island Pier and Dubai Lighthouse Saint Gobain Parklet Competition Cresskill Japanese Pavilion Book Cloud

Professional work_Pavilion/ Window Display

Ascend Program

Yokohama Redux_ Yokohama Port Terminal Post Scientific Museum of Geology Mixed Used Hotel and Residential Pollution Research Center Material Studies Personal Work

Academic + others

Revit Studies


Izmir Folkart Basemane Design International

Head Designer: Rizki Nindito Design Team: Loredana Aru, Filippo tatini, Irene Botta, Hearan Kim etc. Izmir Folkart Basamane is a project based in the heart of Izmir Turkey. It is a development of 67,000 sqm includes a shopping center, municipality building and a residential tower. The idea behind the development is to draw the landscape (the park from the right) into the property, creating a jungle feel environment while taking in the idea of terracing from the traditional turkish houses to reinforce the idea. SITE ANALYSIS_Location

Distinctive shape of the bay window or balcony is laid out in a way to accentuate the vertical extension. Exposure to the public area creating notion of every building along the linear block arrangements. At the same time, more optimal visibility is obtained through the sides.

Embracing the surroundings are implemented by introducing neighbouring park into the scheme. The green elements are climbing throughout the terraces as they will be experienced between the human scaled retails built around them.

Going higher to the upper level of the scheme, cantilevered balcony is interrupting the setback nature of the building to create surprises with different experiences along the horizontal circulation.

Panoramic sea view next to the site, contributes another hierarchy of visual connection for the higher level of the scheme. That makes the journey start at any level for Folkart Alsancak.

Every gesture of the balcony is appreciated as places where people could enjoy the articulated space of the scheme, and have the better view towards the surroundings from Folkart Alsancak.

by

The strong character of Izmir traditional house, has justified its Turkish architecture influence on the proposed scheme as a concept.

Gesture of gradual setback at different heights creating the dynamic movement of vertical connectivity to be easily experienced through the horizontal journey. At the same time, visual connection between each terracing level are guaranteed to be maintained with better visibility angle.

min

Man-made Inspired

Inspired by the beauty of Turkey’s landscape, the proposed scheme gladly celebrates terracing form in nature to be adopted as a concept.

25

Landscape Inspired

car

CONCEPT_

CONCEPT_

Izmir Adna Menderes Airport


7.60

ROOF TOWER LEVEL SSL +204.95 m

3.80

RESI 4

7.60

3.80

40TH LEVEL SSL +170.75 m

39TH LEVEL SSL +166.95 m

3.80

41ST LEVEL SSL +174.55 m

3.80

42ND LEVEL SSL +178.35 m

3.80

43RD LEVEL SSL +182.15m

RESI 4

A-A` TOWER ROOF SSL +208.75 (+215.75 ACTUAL GROUND)

TECHNICAL RESI 4

RESI 3

3.80

44TH LEVEL SSL +185.95 m

RESI 4

TERRACES 7F SSL +38.50 (+45.50 ACTUAL GROUND)

RESI 4

RESI 3

3.80

3.80

38TH LEVEL SSL +163.15 m

3.80

39TH LEVEL SSL +166.95 m

3.80

40TH LEVEL SSL +170.75 m

45TH LEVEL SSL +189.75 m

3.80

41ST LEVEL SSL +174.55 m

46TH LEVEL SSL +193.55 m

3.80

42ND LEVEL SSL +178.35 m

47TH LEVEL SSL +197.35 m

3.80

43RD LEVEL SSL +182.15m

ROOF TOWER LEVEL SSL +204.95 m

3.80

44TH LEVEL SSL +185.95 m

3.80

45TH LEVEL SSL +189.75 m

3.80

46TH LEVEL SSL +193.55 m

3.80

47TH LEVEL SSL +197.35 m

RESI 4

RESI 3

A-A`

TERRACES 5F SSL +33.00 (+40.00 ACTUAL GROUND)

3.80 3.80 3.80 3.80 3.80 3.80 3.80 3.80 3.80 3.80 3.80 3.80 3.80 3.80 3.80 3.80

RESI 1

TECHNICAL

RESI 1

OFFICES

RESI 1

OFFICES

RESI 1

OFFICES

TECHNICAL OFFICES OFFICES

OFFICES

OFFICES

19

20

21

8.50

T3

4.00

T4

5.30

T5

7.55

T6

4.00

T7

5.24

T8

4.80

25

8.50

26

8.50

27

8.50

8.50

6TH LEVEL SSL +38.50 m

19

20

8.50

21

8.50

22

8.50

8.50

23

24

8.50

25

8.50

8.50

26 8.50

27 8.50

6TH LEVEL SSL +38.50 m 4TH LEVEL SSL +22.00 m 5.50

18 8.50

11.00

8.50

section jump

17

8.50

KIDS PLAY AREA

MALL

8.50

11

8.50

12

4.35 3.35

5.50 5.50

5.50

4.35

5.50

5.50

5.50

2.15 3.35

2ND LEVEL SSL +11.00 m

5.50

2.40

5.50

3RD LEVEL SSL +16.50 m G LEVEL SSL +-0.00 m

MSU

5.50

LOWER G LEVEL SSL -5.50 m

PARKING

20

21

8.50

16

3.50 3.50

8.50

18

8.50

19

3.50 3.50 8.50

25

26

27

30 m

PARKING

50 m

PARKING

8.50

21

8.50

22

5.50 3.50

8.50

24 PARKING

8.50

20

5.50

5.50

4.30 4.00

3.50

3.00

3.50

8.50

17

23

10 m

PARKING

8.50

1.50

0m

PARKING

15

5.50

22

8.50

LOWER G LEVEL SSL -5.50 m

B5 LEVEL SSL -23.00 m

3.50

19

8.50

PARKING 8.50

B4 LEVEL SSL -19.50 m

3.50

18

8.50

G LEVEL SSL +-0.00 m B3 LEVEL SSL -16.00 m

8.50

23

0m

8.50

24

3.50

17

8.50

PARKING

3.50

8.50

PARKING

B2 LEVEL SSL -12.50 m

F&B

ANCHOR

3.00

8.50

PARKING 8.50

3.50

PARKING

SHOPPARKING

3.00

PARKING

PARKING SHOP

3.50

F&B KIOSK

SHOP

3.00

SHOP PARKING

3.00

3.50

PARKING

MALL

1ST LEVEL SSL +5.50 m

B1 LEVEL SSL -9.00 m

3.50

ANCHOR

3.50

MALL

5.50

5.50

4.30 1.20

PARKING

F&B

4.30

F&B KIOSK

ANCHOR

PARKING

4TH LEVEL SSL +22.00 m 1ST LEVEL SSL +5.50 m

MSU

1.20

MALL

5.50 5.50

SHOP F&B KIOSK

MALL

3.50

SHOP MALL

SHOP

1.50

MALL

3.00

KIDS PLAY AREA

3.50

MALL

MALL

3.00

PARKING

8.50

14

KIDS PLAY AREA

section jump

5.50 3.50

3.00

3.50

3.00

3.50

8.50

13

PARKING

MALL

3.00

2.40

16 PARKING

4.55

0.95

15

8.50

3.50

PARKING

3.00

SHOP

3.50

SHOP

PARKING

8.50

5.50

INFO DESK

4.30

2.40

3.50

3.00

3.50

3.00

5.50

F&B KIOSK

PARKING

10

3.10

5.50

2.40

SHOP

PARKING 8.50

14

F&B KIOSK

3.10

5.50

4.30 0.95 4.55

5.50

F&B KIOSK

8.50

13

2ND LEVEL SSL +11.00 m

ANCHOR

4.30

MALL

F&B KIOSK

3.00

8.50

MSU F&B

MALL

4.00

F&B KIOSK

3.00

8.50

3RD LEVEL SSL +16.50 m

2.40

5.50

2.40 3.10

5.50 5.50

MALL

3.00

3.50

PARKING

3.50

PARKING

3.00

PARKING F&B KIOSK

8.50

9

3.10

2.40 8.50

8

PARKING

3.50

EXHIBITION SPACE

3.00

2.40 5.50

12

SHOP F&B KIOSK PARKING

MSU

11.00

MALL

5TH LEVEL SSL +33.00 m

5.50

MALL

5.50

KIDS PLAY AREA

2.15

MALL

2.40

1.50

5.50

4.05 0.95

5.50

3.35

SHOP

3.35

5.50

2.15

MALL

4.30

3.50

3.00

3.50

3.00

5.50

8.50

7

INFO DESK

1.20

4.30

11

3.50

3.00

1.50

10

RAMP

8.50

16

8.50

SEATING AREA

3.00

9

8.50

3.50

8

8.50

3.00

8.50

4.00

3.50

3.00

3.50

3.00

3.50 8.50

3.50

PARKING

8.50

7

15

8.50

3.00

RAMP

T8

4.80

F&B KIOSK

4.30

1.20

PARKING

T7

5.24

3.00

RAMP

24

8.50

0.95 4.30

F&B KIOSK

3.00

T5PARKINGT6

4.00

3.00

3.00 3.00

RAMP

7.55

8.50

T2

S.MARKET

3.00

RAMP

PARKING 5.30

23

8.50

4.61

1.50

5.50

4.05

MALL

3.00

PARKING

22

8.50

5.50

8.50

section jump

T1

SECTION A-A`

S.MARKET

ANCHOR

section cut

6.85

4.05

8.50

0.95

0.95 3.35

5.50

SHOP

EXHIBITION SPACE

3.00

B5 LEVEL SSL -23.00 m

10.04

3.35

5.50

1.20 2.40 4.30 1.20

MALL

section cut

RAMP

SHOP LOADING

F&B KIOSK

MALL

1.20

5.50

ANCHOR

3.50

S.MARKET

4.10

4.15

1.35

T4

3.50

T3 RAMP

3.00

4.00

3.50

B4 LEVEL SSL -19.50 m

8.50

3.00

T2

RAMP

3.50

8.50

3.50

PARKING RAMP RAMP

3.00

RAMP

3.50

-1.30 m RAMP

PARKING

3.00

PARKING

3.00

5.50

18 8.50

14

8.50

F&B KIOSK

4.30

ANCHOR

5.50

MALL 4.30

ANCHOR

3.00

S.MARKET ANCHOR

MALL

3.00

RAMP

4.30 1.20 1.50

ANCHOR

3.00

PARKING

FITNESS

4.00

5.50

4.00 1.50

5.50 5.50

RAMP

MALL

SHOP

SHOP

13

8.50

SEATING AREA

CINEMA

3.50

MALL

3.00

MALL CINEMA

ANCHOR

ANCHOR

12

8.50

2.15

4.30

ANCHOR

ANCHOR

1.20

ANCHOR

F&B

1.50

ANCHOR

PARKING

3.50

SECTION A-A`

B3 LEVEL SSL -16.00 m

17 8.50

F&B

1.20

MALL

11

8.50

4.30

FITNESS

BOH

4.00

LOADING

3.50

T1

3.50

B2 LEVEL SSL -12.50 m 8.50

16 8.50

FITNESS

1.20

0.85 11.00

10.05

CINEMA

1.50

ANCHOR

3.50

B1 LEVEL SSL -9.00 m

3.50

B5 LEVEL SSL -23.00 m

3.00

5.50 3.50

LOWER G LEVEL SSL -5.50 m

3.50

RAMP

3.00

RAMP

3.50

B4 LEVEL SSL -19.50 m

GF LEVEL SSL +-0.00 m

3.50

3.50

B3 LEVEL SSL -16.00 m

RAMP

3.00

3.50 3.50

B2 LEVEL SSL -12.50 m

15 8.50

0.95

FITNESS F&B

10

8.50

1.50

1ST LEVEL SSL +5.50 m

14 8.50

0.95 1.20

FITNESS

9

8.50

CINEMA

4.00

4.05

RAMP

8

4.80

10.04

GYM CINEMA

1.50

5.50

ANCHOR

4.00

5.50

5.50

4.15

3.50

B1 LEVEL SSL -9.00 m

13 8.50

5TH LEVEL SSL +33.00 m

7 5.31

4.30

5.50

5.50

1.50

BOH

5.50

3.50

3.00

3.50

5.50

LOWER G LEVEL SSL -5.50 m

3.00

-1.30 m

2ND LEVEL SSL +11.00 m

12 8.50

FITNESS

T3 8.50

1.20

7.05 11.00

T2 8.50

CINEMA

1.50 1.35

5.50

GF LEVEL SSL +-0.00 m

6.85

5.50

3RD LEVEL SSL +16.50 m

11 8.50

4.61

FITNESS OFFICES

4.10

5.50

4TH LEVEL SSL +22.00 m

1ST LEVEL SSL +5.50 m

10 8.50

3.50

3.80 1.20

1.55 1.00

5.50 3.80

FITNESS

4.00

11.00

5.50

2ND LEVEL SSL +11.00 m

9 8.50

OFFICES

4.00

5.50

8 8.50

OFFICES

1.50

3RD LEVEL SSL +16.50 m

7 4.80

GYM

3.00

5.31

section jump

OFFICES

T3

3.50

T2

3.00

OFFICES

10.05

11.00 5.50

RESI 1

RESI 1

4TH LEVEL SSL +22.00 m 5TH LEVEL SSL +33.00 m

RESI 1

RESI 1

T1 SHOPPING C. ROOF 6TH LEVEL SSL +38.50 m

RESI 1

RESI 1

4.30

07TH LEVEL SSL +45.35 m

RESI 1

RESI 1

1.55 1.00

5TH LEVEL SSL +33.00 m

TECHNICAL

RESI 1

4.15

7.05

08TH LEVEL SSL +49.15 m

RESI 2

RESI 1

8.50

09TH LEVEL SSL +52.95 m

RESI 2

RESI 1

8.50

5.50

SHOPPING C. ROOF 6TH LEVEL SSL +38.50 m

RESI 2

RESI 1

4.15

10TH LEVEL SSL +56.75 m

T1

RESI 2

TECHNICAL

3.80

11TH LEVEL SSL +60.55 m

RESI 2

RESI 2

3.80

12TH LEVEL SSL +64.35 m

RESI 2

RESI 2

3.80

13TH LEVEL SSL +68.15 m

RESI 2

RESI 2

3.80

14TH LEVEL SSL +71.95 m

RESI 2

RESI 2

3.80

15TH LEVEL SSL +75.75 m

RESI 2

RESI 2

3.80

16TH LEVEL SSL +79.55m

`

RESI 2

RESI 2

3.80

17TH LEVEL SSL +83.35 m

A-A

RESI 2

RESI 2

3.80

18TH LEVEL SSL +87.15 m

SKY BAR 4F SSL +22.00 (+29.00 ACTUAL GROUND)

RESI 2

RESI 2

3.80

19TH LEVEL SSL +90.50 m

`

RESI 3

RESI 2

3.80

20TH LEVEL SSL +94.75 m

A-A TERRACES 4F SSL +22.00 (+29.00 ACTUAL GROUND)

RESI 3

RESI 2

3.80

21ST LEVEL SSL +98.55 m

TERRACES 5F SSL +33.00 (+40.00 ACTUAL GROUND)

RESI 3

RESI 2

3.80

22ND LEVEL SSL +102.35 m

RESI 3

RESI 2

3.80

23RD LEVEL SSL +106.15 m

SKY BAR 4F SSL +22.00 (+29.00 ACTUAL GROUND)

3.80

24TH LEVEL SSL +109.95 m

TERRACES 4F SSL +22.00 (+29.00 ACTUAL GROUND)

RESI 3

RESI 3

3.80

25TH LEVEL SSL +113.75 m

3.80

07TH LEVEL SSL +45.35 m

26TH LEVEL SSL +117.55 m

RESI 3

RESI 3

0.85

08TH LEVEL SSL +49.15 m

3.80

09TH LEVEL SSL +52.95 m

3.80

10TH LEVEL SSL +56.75 m

3.80

11TH LEVEL SSL +60.55 m

3.80

12TH LEVEL SSL +64.35 m

3.80

13TH LEVEL SSL +68.15 m

3.80

14TH LEVEL SSL +71.95 m

3.80

15TH LEVEL SSL +75.75 m

3.80

16TH LEVEL SSL +79.55m

3.80

17TH LEVEL SSL +83.35 m

3.80

18TH LEVEL SSL +87.15 m

3.80

19TH LEVEL SSL +90.50 m

3.80

20TH LEVEL SSL +94.75 m

3.80

21ST LEVEL SSL +98.55 m

27TH LEVEL SSL +121.35 m

3.80

22ND LEVEL SSL +102.35 m

28TH LEVEL SSL +125.15 m

3.80

23RD LEVEL SSL +106.15 m

29TH LEVEL SSL +128.95 m

3.80

24TH LEVEL SSL +109.95 m

30TH LEVEL SSL +132.75 m

3.80

25TH LEVEL SSL +113.75 m

31ST LEVEL SSL +136.55 m

3.80

26TH LEVEL SSL +117.55 m

32ND LEVEL SSL +140.35 m

3.80

27TH LEVEL SSL +121.35 m

33RD LEVEL SSL +144.15 m

3.80

28TH LEVEL SSL +125.15 m

34TH LEVEL SSL +147.95 m

3.80

29TH LEVEL SSL +128.95 m

35TH LEVEL SSL +151.75 m

3.80

30TH LEVEL SSL +132.75 m

36TH LEVEL SSL +155.55 m

3.80

31ST LEVEL SSL +136.55 m

37TH LEVEL SSL +159.35 m

3.80

32ND LEVEL SSL +140.35 m

38TH LEVEL SSL +163.15 m

3.80

33RD LEVEL SSL +144.15 m

3.80

34TH LEVEL SSL +147.95 m

3.80

35TH LEVEL SSL +151.75 m

SSL +208.75 (+215.75 ACTUAL GROUND)

TECHNICAL

RESI 3

TERRACES 7F SSL +38.50 (+45.50 ACTUAL GROUND)

3.80

36TH LEVEL SSL +155.55 m

3.80

TOWER ROOF

37TH LEVEL SSL +159.35 m

8.50

25

B1 LEVEL SSL -9.00 m

B2 LEVEL SSL -12.50 m

B3 LEVEL SSL -16.00 m

B4 LEVEL SSL -19.50 m

B5 LEVEL SSL -23.00 m

8.50

26

27

30 m 10 m

50 m

Residential Tower Section and typical floor plans


Design Options for Municipality Tower


COMPARATION Current Facade

Proposal - Option 1 -

Proposal - Option 2 -

11

COMPARATION Current Facade

Proposal - Option 1 -

Proposal - Option 2 -

13

COMPARATION Current Facade

Proposal - Option 1 -

12

Proposal - Option 2 -


Shangdong Weihai Clubhouse_Shangdong China 10 Design In collaboration with Benoy, 10 design won the project to design the Shangdong Weihai clubhouse along with the 3 residential/ SOHO towers. I have taken charge in with the interior of the clubhouse which the basement consists of a swimming pool along with various training pools and changing rooms on the side. As to the 1/F, there is a platform overlooked the main swimming pool with a gym and a rock climbing wall close to the entrance. The second floor continues with the gym as well as the rock climbing wall with an outdoor tennis court.

Weihai Club house area/ image provided by local renderer

Weihai clubhouse/ image provided by local renderer


M .0 R 10 下

R

道 CK 跑 TR A 外 G 室UNNIN

Clubr House Roof Plan ROOF LEVEL .0 M

R6

消防水池

下方训练池 TRAINING POOL BELOW

消防泵房 消防水池

下方游泳池 下方康复池

SWIMMING POOL BELOW

AA’

RECOVERY POOL BELOW

会所/影院换热机房

公寓生活水泵房

RECEPTION

看台 SPECTATOR SEATING

SEATING

RECEPTION

垃圾房

攀岩

CLIMBING

Entry

1/F

Retail and Residential Section AA’

Image provided by Local Renderer


image provided by local renderer


Le Meridian Hotel_Doha 10 Design, Lead Consultant Situated at the heart of Doha, Le Meridian is a 33 Level hotel tower with a swimming pool located on the top floor. The facade has adopted a unique fenestration which goes from a spade to a more regular vertical seam once it progresses to the top. The project was entering into Detail Design when I came on board so I have taken charge of the Door schedule as well as hardware schedule while over looking the plans and RCP for the project.

NOTES

LEVELS +40.50 7 +44.10 8 +47.70 9 10 +51.30 +54.90 11 12 +58.50 13 +62.10 +65.70 14 +69.30 15 +72.90 16 +76.50 17 18 +80.10 19 +83.70 20 +87.30 21 +90.90 22 +94.50 23 +98.10

K

LEVEL 24 ROOM TAG

ROOM NAME

L24-01

01. EAST CORE

L24-02

02. LIFT L1, L2, L3 & L4

L24-03

03. STAIR 1

L24-04

04. FIRE LIFT LOBBY

L24-05

05. WEST CORE

L24-06

06. SERVICE FIRE LIFT S3/F & S4/F

L24-07

07. IDF ROOM

L24-08

08. SERVICE LIFT S2

L24-09

09. STAIR 2

L24-10

10. ELECTRICAL ROOM

L24-11

11. NON-TYPICAL KING ROOM

L24-12

12. TYPICAL KING ROOM

L24-13

13. TYPICAL KING ROOM

L24-14

14. TYPICAL KING ROOM

L24-15

15. EXECUTIVE SUITE

L24-16

16. NON-TYPICAL QUEEN TYPE 1

L24-17

17. NON-TYPICAL QUEEN TYPE 2

L24-18

18. AMBASSADOR SUITE

L24-19

19. HOUSE KEEPING

L24-20

20. CIRCULATION

L24-21

21. TYPICAL KING ROOM

L24-22

22. TYPICAL KING ROOM

L24-23

23. TYPICAL KING ROOM

4785

PODIUM SETBACK

J

TOWER SETBACK

3010 1

2010 1

231012000E 396809280N

50

230930000E 396809280N

5990

5000

I

5000

5350

H

DC1 SUBMISSION

A

DC1 SUBMISSION

-

1000 4750 AMBASSADOR SUITE

DC1 DRAFT SUBM

EAST CORE

3020

L4

G-700

W-1300 W-950

200 1850 W-1300

2280

1160

1900

W-770

W-950

2135

W-1525

3950

W-1525

9225

W-950

PODIUM SETBACK

2020 1

PLOT LIMIT

W-950

1750

W-950

U.D.D STAMP

4350

200

54.49

750

G-700

8050

G-700

NON-TYPICAL QUEEN TYPE 2 45.04 8050

750

1250

NON-TYPICAL QUEEN TYPE 1

105.45 8050

750

750

740

EXECUTIVE SUITE

5025

W-1000

G-700

W-770

W-550

1

TOWER SETBACK

W-1050

HR

3450

300

1800

L2

W-900

107.69 500

4000

3500

200

5025 NON-TYPICAL KING

REVISIONS

6465

41.50 W-950

1250 650

TOWER SETBACK TOWER SETBACK Enquiry No. : CLIENT / DEVELOPER

F

6875

650

4590

122.92

97.60

1400

W-1150

G-700

W-1000

W-1000

750

41.50

1250

40.68

4750 NON-TYPICAL KING

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4750 NON-TYPICAL KING

1600 200

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PODIUM SETBACK 231012000E 396776125N 5000

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Inspira Greenfield Hospital_New Jersey Array Architects Head Designer: Kent Doss | Head of Urban Planner: Noah M. Tolson Head of Interior: Patricia D. Malick Inspira is a 172 beds hospital situated in Harrison Township, New Jersey. The original scheme is to design a 7 story high hospital with surgery and emergency departments at the lower levels while leaving the top few levels for patient rooms. The final scheme is to build a 4 story high hospital spreading across a 100 acres land which is originally owned by Rowan University. This will be a new development to the neighboring community while another developer has already planned to build a shopping center across from our site, Interstate 55. Since Inspira has acquired a large piece of land, we got a chance to collaborate with the landscape designers to work on the park located in front of the hospital. The project itself will take about 3 years until completion and will be a great addition to the community once it is done.


Study Diagram

Sun and wind directions


Lobby Plan Image provided by local render

5 Level Floor Plans


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Urban Breeze |

Hong Kong Young Architects & Designers Competition 2017



Urban Breeze Hong Kong Young Architects & Designers Competition 2017 Team members: Ernest Pang, Jasmine Lee Urban Breeze explores the juxtaposition between the harshness of Hong Kong’s concrete metropolis with a natural oasis through utilizing contrasting materials. As inspired by the city’s origins, the pavilion addresses various issues by implementing soft and hard materiality throughout the structure. Different aspects respond to air filtration necessities and the bustling lifestyle while revealing Urban Breeze’s fragmented fishing hull form. The design takes a holistic approach to sustainability and makes the architecture an active yet calm experience. It emphasizes self and environmental awareness through a space that encourages visitors to confront their fast paced tendencies in the city. render provided by partner

Entrance Facing Nursery Park

We have taken interest in the roofing of the traditional fishing boat which is a major part of Hong Kong’s culture. After exploring various materials, we have ended with the tensile material which is the most suitable to a temporary structure. To the left are two images of the model created which explores the various forms that bifurcate into structural components.


Structure

Structure

SubStructure

Visual Effect

Social

PTFE Cabon Fiber with air filter coating

304 Stainless Steel

Cable Wire

Fabric for Sail Boat

Resue for building constuction

Recycle

Recycle

LED Strips can then be resued for other events

Recycle

Re-saleable Hammock or relocate to other part of the park

Recycle

Relocate

LED Strips

Rope Net Hammock

Relocate

Relocate the plants to other area of the park

Environment

Herb

Pallets Sustainability

Visual Effect

Relocate

Dissemble Pallet for other use such as furnitures, fishing dock or resue as moving pallets

Recycle

Fog Machine Re-salable item to events or concerts organizers

Reuse


A variety of spatial experiences are generated by the manipulation of texture, openings, and air. While air pollution has remained one of the major issues within the South East China District, the purifying fabric acts as a boundary between the interior and exterior that contains fresh air within the pavilion. Budget Sheet

Sit Sit Preliminaries Preliminaries Cost Cost Breakdown Breakdown

Item Item Site Site Staff Staff Facilities Facilities

Gardner Gardner Maintanence Maintanence Electricity Electricity

Unit Unit Cost/ Cost/ mnth mnth $15,000.00 $15,000.00 $10,000.00 $10,000.00

$10,000.00 $10,000.00 $10,000.00 $10,000.00 $20,000.00 $20,000.00

# # mnth mnth Total Total Units Units 6 6 6 6

6 6 6 6 6 6

Total Total (HKD$) (HKD$)

Construction Construction Cost Cost Breakdown Breakdown Labour Labour Cost Cost

Foundation Foundation

Item Item

Flooring Flooring

Fittings Fittings and and Fixtures Fixtures

Building Building services services

$390,000.00 $390,000.00

# # Units Units Total Total Cost Cost

$300,000.00 $300,000.00

$300,000.00 $300,000.00

Pour Pour Foundation Foundation Demo Demo

$150,000.00 $150,000.00 $50,000.00 $50,000.00

$150,000.00 $150,000.00 $50,000.00 $50,000.00

Steel Steel Structure Structure including including bracing bracing

$600,000.00 $600,000.00

$600,000.00 $600,000.00

$80,000.00 $80,000.00

$80,000.00 $80,000.00

Pallets Pallets inlcuding inlcuding cleaning cleaning + + transportation transportation Planters + Plants Planters + Plants

$869.00 $869.00 $4,000.00 $4,000.00

230 230 25 25

$20,000.00 $20,000.00 $10,000.00 $10,000.00

PTFE PTFE Carbon Carbon Fiber Fiber Fabric Fabric (/sq. (/sq. mt) mt) Hammock Hammock

$150.00 $150.00 $3,000.00 $3,000.00

2000 2000 5 5

$300,000.00 $300,000.00 $15,000.00 $15,000.00

Fog Fog Machine Machine (/unit) (/unit) LED Stripe (mt) LED Stripe (mt)

$10,000.00 $10,000.00 $11.00 $11.00

4 4 500 500

$40,000.00 $40,000.00 $5,500.00 $5,500.00

Piping Piping Draining Draining

$10,000.00 $10,000.00 $5,000.00 $5,000.00

Fastening Fastening the the Pallets Pallets

Roofing/canopy/skylight Roofing/canopy/skylight

$60,000.00 $60,000.00 $120,000.00 $120,000.00

Labour Labour

Undo Undo Super Super Structure Structure

Unit Unit Cost Cost

90000 90000 $60,000.00 $60,000.00 $60,000.00 $60,000.00

$5,000.00 $5,000.00

Total Total (HKD$) (HKD$)

$1,000.00 $1,000.00

$10,000.00 $10,000.00 $5,000.00 $5,000.00 $1,586,500.00 $1,586,500.00


render provided by group partner


Island Pier and Dubai Lighthouse RUR Team Member: Jesse Reiser, Nanako Umemoto, Shota, Drew Grandjean, Elaine Wong The new cultural center is to create a one of a kind experience to ignite the shore line of Dubai through an integration of retail, dining, cultural attraction, and outdoor reaction.





American Institute of Architects_ Saint- Gobain Parklet Competition 2016 Array Architects | Winner of Jury Award Team member: L. Kent Doss, Joe Doherty, Stephen Haulka The AIA convention took place in Philadelphia, May of 2016. For the first time, 24 parking spots were opened in the city of Philadelphia for designers to compete for the best parklet design. Along with 3 other designers, we have entered the competition. Through a series of research, we came across with Dan Buettner’s experiment on Blue Zone longevity which highligthed the fact that socialization, play, meditation does contribute to a rise in average life expectancy among certain parts of the world. Bringing it back to the city of Philadelphia, in order to bring about the aspect of healing, we have picked out - ‘socialized’ and ‘medication’ to promote healthy living.




Design procedure

The project was inspired by Richard Serra’s Hedgehog and Fox’s installation at the Yale Campus. Richard has simply manipulated a single material while creating definitive spaces- inside/ in between and outside. We have adopted this ideology and eventually morphed into an object that speaks to this idea of duality between a meditation zone and a socialization area. Inorder to differentiate between the two, we have come up with a hood to “cover up” the ones who needs some peace and quite in the city while unrolling the hood into a space for people to lounge or sit on. In other words, this model is to provide physical and mental respite in this high traffic/ large volume urban setting of Philadelphia.


Materials Applied (28) sheets ¾”x4x8 Birch Plywood (1) sheet ¼”x4x8 Birch Plywood (6) sheets ¼” underlayment / plywood (9) 2x6x16’ #2PT Joists (6) 16oz tubes Type III Wood Glue (Titebond Ultimate) (1) Case of 10oz exterior grade construction adhesive (1000) 2” stainless screws with square head (i.e. starborn) (1) gallons waterproof wood finish Competition: Site: Center for Architecture (Philadelphia) Award: Jury’s Award (1st runner-up) Exhibition: May 2016: Center for Architecture Oct 2016: CDC Kensington Community Center



Cresskill Japanese Teahouse Freelance Designer Location: Cresskill New Jersey Builder: Local contractor Situated at a wealthy neighborhood in Cresskill New Jersey, a resident has requested to design a pavilion that matches his Japanese garden. The design is an exploration of the traditional Japanese woodwork which includes a gable roof or a Dutch gable. The extension on top is to emphasize on the horizontality of the structure which is reached our towards both ends. The circular window then became an aperture which to create another “entrance� towards the back. The whole teahouse is elevated from the ground due to the slope of the site. The project is still in progress and is aiming to be done by the end of December 2017.


Process Diagrams

15’

4.5’

6’5”

6’1”

15’

6’1.5”’

6’2”’

14’

Roof Plans

Built by a local contractor, Jun 13, 2017


Book Cloud Freelance Designer_Window Display Growhouse Bookstore_Hong Kong Assitant Modeler: Helena Tse, Jhonne Obregon Robledo Wood Shop: Laser Cad Design Ltd Print shop: Granco Printing Company Ltd Contractor: Local contractor The idea behind the Books Cloud installation is a cloud of Books that was thrown off the hands of the little girl. The stack of books then grew into a cloud form which has spread all over the sky. While the little boy was sitting and reading under the cloud, he was completely mesmerized by the content of the book, ignoring the chaos around him. There are lots of books in the world and also for different age groups, but the best thing about it is that through reading, books are not boring at all, it can spark up our imagination and to challenge our thinking. The display is made for the summer season, therefore 7 summery colors were used. The books are all spray painted with acrylic while hiding the covers of the books, masking the identity of the books displayed.

Materials 200 pieces of half books 2 pieces of wooden board 7 acrylic sprays 2 dolls double sided tapes glue gun MDF




Design process

Display in parts


Ascend Mountain Freelance Designer_Window Display Growhouse Bookstore_Hong Kong Wood Shop: Laser Cad Design Ltd Contractor: Local Contractor

The Ascend is a literacy program for Growhouse Bookstore in Hong Kong. The display was made out of 6mm thick acrylic, 1.5 m (H) by .5m (W). Part of the mountain is sprayed with a matt finishing. The letters are also spray painted and were stuck onto the acrylic display with double-sided tape. Materials: Acrylic 6 mm(t) Flame Blue Spray Paint Wood Box



Yokohama Redux_ Yokohama Port Terminal Graduate Research Studio| Nanako Umemoto Team member: Julie Lee The Yokohama Port Terminal reinterpretation by Foreign Office Architects (FOA) demonstrates a field and object system closely knit together to create an interactive system. Our group have taken this idea and interpreted as a part (object) to whole (field) system. A waffle slab that is both structural and also a roof represents the field; which then turns to a Japanese garden on the roof top. Hanging rooms on the underside; are the objects connected to the field by tension cables.


The field was interpreted as a datum, connecting and influencing the object. Where the project is connected to FOA, the idea of sectioning was heavily explored. The object was interpreted as a field of lines that represented the tension of the heavily striated waffle slab above while transforming into the fenestration system.


The project started off by examing the effect of a waffle slab which creates a tight relationship to the interactive system explored by the FOA.

Surface

Waffle Grid Tension strings Reference plane

3 Layered Datum

Japanese Garden

Grass

Pathway

Continuity and Cohesiveness

Skylight

Plantation

Yokohama Port Terminal serves as a major port terminal in Japan. The idea of continuity has been an influential factor which implies the connection from the city, extending outwards. This is also a guiding trope from this period (the original competition) in which architectures reminisces the notion of continuity and cohesiveness versus the discreteness and boundedness.


The idea of a layer datum is a technique in design that one layer became the datum point influencing the layer follows. In other words, the Yokohama Port Terminal by FOA is designed to layer by layer. The waffle slab is the best interpretation of this idea because the grid allows an infinite extension along the x and y-direction. The z direction allows the slab to carry the load.

Programmetic projection to grid form

Waffle Slab

3/F (Viewing Deck)

2/F (Onsanbashi Hall)

1/F (Onsanbashi Hall)

0/F (parking lot)

-1/F (aquarium)

Traveler’s path

Leisure path


Surface/ turf

Grid overlay

Field/ Waffle Slab

Tension Cable

Object/ interior

Layer Formation Field- Object


Multi-Directional Sectioning_ Light/ Shadow Studies This series of studies evolved from sectioning the [Object] following the various contours. Sectioning each part of an object with varying angles gives the object a natural field of lines. The complexity of the field generated implies a system of fenestration which is essential to a port terminal. The amount layered also speaks about the level of public versus private.


Roof Garden/ Circulation

2/F Shoppping Arcade


Aquarium Tower Section Cut



Post- Scientific Museum of Geology Graduate Studies Studio | Ferda Kolatan Team member: Somi Delano, Matt Lopez Throughout history, science has tried to better understand our world by attempting to logically explain nature. The geological object is often viewed as something that can be fully grasped and understood by various scientific means and methods. Our proposal for a “Post-Scientific Museum of Geology� aims to confront this traditional approach, by attempting to create a provocative experience that becomes a medium for a new understanding of what nature is to us.


Enlightenment vs. Romanticism Western architecture has been dominated by two distinct cultures; Neo-Classicism (Enlightenment) or Neo- Gothic architecture (Romanticism). The enlightened view believes that reality� cannot be viewed through abstraction and rather that what matters is how things appear to the mind of the observer. In contrast, the romantic mind would describe things or objects through the sensual elements. In terms of the geological museum, it primarily emphasizes on lighting, view angles, and positioning which are the component influencing the eyes. The following studies are to examine the juxtaposition between the two opposing views. On the right side, the reinterpretation of the rock shows a sense of romanticism while the object on the top left manages to maintain the simple form of the object by merely developing a set of contours. Essentially, it is what appears to the viewer’s mind.

A POST-SCIENTIFIC MUSEUM OF GEOLOGY Central Park New York, New York


175’

125’ Down

S1

Down

wall Down

Interior Relationship/ structure/ visual partition

S1

Structural development

Tension exists between all objects in nature. This tension creates connectivity between different objects. We aim to use this idea of tension to curate and organize the spaces within the museum. The curation of the exhibition seeks to give the individual the opportunity to make his own definitions of the objects on display. The building uses irregular sectional changes to give the individual the opportunity to view objects from multiple perspectives at various points in space and time.

Permanent Exhibition 2

Sectioning of the balloon structural system

Special Exhibition

Permanent Exhibition 1

Permanent Exhibition 3

Cafe

Lobby


Corrugation and Balloon structural system

Connectin between Steel Plate to Collumn

A reinterpretation of the new museum allows the set of metal fins to serve as the filler of the interior space. The area for curation was then carved out through the balloons created by the programmatic positioning within the interior. The balloon shape structures are made of concrete shells with metal rebar that reinforce the stability of the shell. Each Steel Rib 3’ X 6” X 1 1/2” Alumi Ballons are then punctured through to create apertures or in such case, ancillary exhibition space. 1 1/4” Furring Ch 5/16” Bolt

The shells consisted of the major exhibition spaces as well as the circulation. The idea of the shells as structural 1/4” Steel Plate 5/8” Gypsum Bo elements are taken from the natural wonders characterized by the hoodoo (fairy chimneys) in Cappadocia, Turkey. These are then carved out from the interior to create inhabitable space. The geological museum is an exploration of such 1/4” Wall Finis structure which opens up the opportunities to carve out the interiors of the shells to create various exhibition spaces. The exterior has used a penalized system to create a veil over the interior. The skin is sectioned according to the density of the hold which is exemplifiedPanels through the color tone. Panels Panels

20’

15’ 10’ 5’

10’

K

L

J

L

K

J

5’

H

H

D

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D E F

B

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G

10’

15’ 25’

2’ 15’ 10’ G

2’

18” Panel

10’

G

2’

3’

G

Fenestration

5/8” Exterior Sheathing

Fenestration 25’

25’

A

E

15’

Fenestration

F AA

25’

E

E

Steel Z-Plate

10’ C

3’ 3’

C C

C

25’ 25’

H

25’

15’

15’

30’

15’

G

Vapor Barrier 8’

3’

D 3’

8’

F 8’

D

D

F

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Panalization System 22

Elevation_surface unrolled Elevation_surface unrolled

30’

25’

25’

L 25’

3” Insulation

L

L

5’

30’

Elevation_surface unrolled

30’

30’

3’

2

C

10’ 7’

25’

I

10’ 20’

25’

I

B

20’

B

B

J

C

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15’ 7’

5’

A

K

L

7’

15’

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10’

30’

5’ 30’ 30’

30’

J 30’ J

30’ J

30’

5’

4” Cold-Formed Framing

Steel plates connection to exterior

K K

K

Steel plates connection to exterior

5 5/8”



Shifting Hybrid_ Mixed used Hotel and Residential TriBeCa, New York Graduate Design Studio | Hina Jamelle The main focus for this studio is to examine the part to whole system of a building. The correlations between the part; individual units is closely knitted to the whole; the whole system of the building and in this case, we are focusing on the facade condition. The project shows an interlocking system of floor plates which alludes to how each unit can relate to each other, one above or below, and one adjacent. Each unit is positioned in a radiating formation. They all behave in a field condition which doesn’t mean to be repetitive, but rather shows the transformation from one end of the building to the other.

Study Models- facade bifurcation

The principle determining the whole is... logically prior to every part and it is in the whole that the explanation (intelligibility) of the part must be sought. One cannot therefore begin from the parts that are structureless and hope to find the principle of consturction by accumlating large numbers of them. (Errol Harris. 1970)


A’

3/F Floor Plan- Typical Floor

Inter-relationship between units Radiating outward_ Residential Units

Interlocking_Hotel units

5/F Floor Plan- Mixed used Floor


8/F

Residential

Hotel

2/F

Commerical Units -total 1500sq ft Single Height Units - 360sq ft Double Height Units -630sq ft Delux Double Height Units -880sq ft Cascading units outline

1/F

Interlocking Floor Plate/ balcony

7/F

6/F 5/F 4/F 3/F

Vestry Street

shifting balconies

Greenwich Street

interlocking floor-ceiling system


Branching, Splitting, Interlocking The idea behind this hybrid mixed-used building is examined through the study of snowflake formations and the various ways of branching and splitting. The series of formal exploration have led to the creation of this petal-like geometries, which have created a field condition. The voluminous quality of the facade became the joint between the roof and flooring, creating a sense of privacy to the interior and simultaneously a sense of openness to the exterior.This hybrid building consists of residential and hotel units which were generated by the interlocking system. It also creates an energy efficient system wherein the gas and drainage of the bathrooms can share the same plumbing units.



System of furnishing The idea of branching out from an interior condition to an exterior environment is exemplified through the manipulation of floor plates as well as the shelving systems within the apartment units.

Hotel Units

Connection to balcony




Pollution Research Center Graduate Research Studio | Brennan Buck The Pollution Research Center is a project situated at the heart of a city: the Winston Churchill Garden in Miguel Hidalgo, Mexico. Pollution has been especially invasive in the financial district of Mexico City, and the Climate Research lab attempted to address the future environmental condition of the city. The focus of this project is the connectivity and disconnection between these 5 individual air chambers in the research center, and the micro-climate it creates from within.


`Designing from the outside in, as well as the inside out, creates necessary tensions, which help make architecture. Since the inside is different from the outside, the wall - the point of change becomes an architectural event. Architecture occurs at the meeting of interior and exterior forces of use and space. These interior and environmental forces are both general and particular, generic and circumstantial. Architecture as the wall between inside and outside becomes the spatial record of this resolution and its drama. And by recognizing the difference between the inside and the outside, architecture opens the door once again to an urbanistic point of view.’ Robert Venturi


Submerged Air Chamber Hanging Air Chamber Varying Orientations_ Varying angles allows sunlight to filter through during different time of the day

Reaching the Edge_ Floor Plates extends to the peripheral Section through a typical chamber

Mid Day Sun Light

Mid Day Sun Light

Reflective Surface to redirect sun light

Open Top

The Cap_ Serves as a barrier to sheild off any excess light filtering through the air chamber

Roof Garden + Air Chamber

Office Space+ Air

Air Chamber


Air Chamber Air Chamber

Circulation/ Control room

Office

Circulation/ Control room

Exhibition area- projection room

The air chamber is imagined as a volume within a volume. Instead of scattering them around the whole building, the 5 chambers are placed around a center point, which became a focal point when one enters the research center.


Material Studies

Columbia University GSAPP NY/ Paris Program | Babak Bryan A series of volumetric shapes are created to investigate the spatial experience within an interior space through the technique of twisting. By creating the slits along with the increase in pressure, a flat surface is able to transform itself into various shapes. The board shows the matrix with two axes, one defining the force acting on the twist, second with level of bifurcated space


Neoprene is known for the mailability, however, it was not widely explored with architectural modeling due to the tendency to give the result a pre-determined form. The movement is limited to twisting, as a result, this proposal is to explore the various way that neoprene can be twisted as well as the level of pressured which subsequently influences the formation of the geometry.


Materials in terms of Construction Columbia University GSAPP Summer Studio | Patrick O’ Cornnor The neoprene material, alright some see it as a rigid material that gives out a pre-determined form when broken up into fragments, it gives out a sense of ephemerality which somehow resemble a dancing movement. It is interesting to see two different interpretations of construction concepts. neoprene resembling the reinforced material where the substructure is embedded within the material. While the paper model in this sense resembles the typical paneling system over a separate substructure.


(Above) Model interpretation of the layered CT scan (Below) The progression of the 12 layered CT scans


‘’If you think of Brick, you say to Brick, ‘What do you want, Brick?’ And Brick says to you, ‘I like an Arch.’ And if you say to Brick, ‘Look, arches are expensive, and I can use a concrete lintel over you. What do you think of that, Brick?’ Brick says, ‘I like an Arch.’ And it’s important, you see, that you honor the material that you use. [..] You can only do it if you honor the brick and glorify the brick instead of shortchanging it.’’ [Louis Khan]


What happened when a piece of fabric is stretched over a piece of irregular geometry and is then sectioned by layers?


Sculptural form explored through a different medium...




Time has always been the 4th element in architecture. Deterioration almost became a counter From conception to death is merely joint by elements that allows this sequential progression. What if time is paused Matured state While images are produced at the conception of an idea, what if all images are to be produced at the end life of an idea... Why does images have to be shown in its highest quality... what if they are merely show at its worst. Will that be a less convinving of an idea? Are human eyes trains to appreciate the beauty and abhor the ugliness of things....


Expression through Oil Pastel...



Revit:Philadelphia Office Tower Construction II | Lindsay Falck University of Pennsylvania The office tower is to reinforce the idea of sustainability through the exploration of building technology as well as the integration of the natural resources. The idea is to recreate the scenario through the BIM Revit modeling.

Light Shelf

1

1

2

2

A401 1

A201

A202

2

3

l

l

Roof 115' - 6"

L

elf

15' - 5 1/2"

Ducts g Sixth Floor

Level 8 100' - 6"

15' - 0"

Level 7 85' - 6"

0' - 0"

15' - 0"

A

4

Fifth Floor

Low E glazing

Level 6 70' - 6"

115' - 5 1/2"

Electrically Operable Slab Panel

15' - 0"

18” x 72” W Wide Flang- Girder Beam Level 5 55' - 6"

e

l

e-

e

Level 4 40' - 6"

e

14" 4 15' - 1 5/32"

18" 76"

15' - 0"

4” LW Concrete on 2” Metal Deck

o

e eo

2"e

l

e

Level 3 25' - 4 27/32"

Cable Duct Water Main Gas Main

14' - 10 27/32"

4" L

3’x8’ wood lagging

10"

Level 2 10' - 6" 10' - 0"

Sewer H Pile and Lagging

Level 1 0' - 6"

3'

le o

B

Line of tiebacks at rock anchor

B1 -11' - 6"

8'Graded oo crushed l o stone aggregate e on stone 6’ dia field drain e laied

L

le10'

3 ' - 6"

Partial Detailed wall section- light

le Double 10’ x 6’ Waler e

B2 -23' - 6"

6'

le

Be

3/ Detailed building section

16"



Philadelphia Row House Construction I | Franca Tribiano University of Pennsylvania | Fall 2012

Architecture

Philadelphia Row House is an exercise to use Revit to construct a set of construction documents. -

ARCH 431/531: Construction Technology 1

Addition to an Existing Philadelphia Rowhome 1/4" = 1'-0"

2

2 ADD 504

11.30.2012

---

2 ADD 202

ADD 201

1 ADD 504

Level 3 23' - 11 13/32"

Level 3 Rear 20' - 11 13/32"

Level 2 14' - 2 5/8"

Level 2 Rear 10' - 6 7/8" ---

Level 1 1' - 5 7/8"

Drawn by

Level Basment -6' - 6"

11.30.2012 Author

A105

Scale

Date

ADD 4013

UP

18' - 7 1/2"

UP

Unnamed

2

6/13/2015 3:56:26 PM

ADD 504

1

Building Section Scale

ARCH 431/531: Construction Technology 1 Section Looking east 3/8" = 1'-0"

Drawn by

Addition to an Existing Philadelphia Rowhome 1

Unnamed

Architecture

Date

Author

6/13/2015 10:19:55 PM 1-

21' - 3 1/2"

7' - 1" 11' - 1 1/2"

Additional Lvel 1 1/4" = 1'-0"

UG/F Floor Plan

1

2

A201

Adjoining Property 1

ADD 504

A202 ---

4' - 8 1/2"

27' - 0 1/2" 2-

Living Room

Kitchen

Powder Rm

Dining Room

13' - 6"

8' - 2" 1--A202

3' - 2"

4' - 11 1/2"

26' - 7 1/2"

16' - 7"

UP

17' - 1 1/2"

1/F Floor Plan

A201 ---

56' - 9"

1

3D View 2

Section Looking south 3/8" = 1'-0"


Architecture

Level 3 23' - 11 13/32"

1 ADD 502

Brick Sill

3

Level 3 Rear 20' - 11 25/32"

e Hung Wondow ar Model: A7867

---

dge

Brick 13' - 9"

2 ADD 502

Metal Tie Level 2 14' - 2 5/8"

Insulation

Level 2 Rear 10' - 6 7/8"

Concrete Masonry Unit

Anchor Bolt

CMU and Bond Beam Angle Shapes Section

4 ADD 502

Flashing 0' - 1 1/2"

3/4 Gyp Board Int Wall

24" x72" Double Hung Window Pella Thermastar Model: A7867 Hung Window 24" x72" Double

Pella Thermastar Model: A7867

Level 3 Rear 20' - 11 13/32"

Level 3 Rear 20' - 11 13/32"

Flashing Drip Edge Under Sill

Flashing Drip Edge Under Sill

5-1/2" Insulation 9" Insulation

5-1/2" Insulation 9" Insulation

4" Exterior Brick Wythe Level 2 14' - 2 5/8"

1-1/2" Air Cavity4" Exterior Brick Wythe

Level 2 1-1/2" Rigid Insulation

1-1/2" Air Cavity

14' - 2 5/8"

L6" x 6" c 1

1-1/2" Rigid Insulation

L6" x 6" c 1/2 Steel Angle Support

Concrete Wall

Anchor Bolt Hook Side

Addition to an Existing Philadelphia Rowhome

ARCH 431/531: Construction Technology 1

Insulation Metal Tie

Level 3 23' - 11 13/32"

Architecture

4" Brick Wythe 2-171/256" Spacing 4" Brick Wythe 2-171/256" Spacing Weathered Mortar Joint 1-1/2" Air CavityWeathered Mortar Joint 1-1/2" Air Cavity 1-1/2" Rigid Insulation Insulation 8"x8"c8" Bearing1-1/2" CMU Rigid 8" Spacing 3 8"x8"c8" Bearing CMU 8" Spacing 5-1/2" Insulation 502 6 Mil ADD Vapor Barrier 5-1/2"Barrier Insulation 6 Mil Vapor 1/2" Metal Level 3 Furring 23' - 11 13/32" 1/2"Wall Metal Furring 3/4 Gyp Board Int

ARCH 431/531: Construction Technology 1

3 ADD 502

Addition to an Existing Philadelphia Rowhome

4' - 10"

y Wall rier ng all

4" exterior brick wythe 1 1/2" air cavity 1 1/2 rigid insulation (panels 16"high X 4 long) 8" concrete masonry block 6 mil vapor barrier 1/2 metal furring 3/4" interior finish gypsum board Brick

11.30.2

Date Drawn by

Locally Harvest Shrub 2 Rear L6" x 6" cLevel 1/2 Steel Angle 11.30.2012 Support 10' - 6 7/8" 8" x French 8" xDrain 16" Concrete Bond Bean Author Footing 1/2" = 1'-0" #4 Re Bar

Scale

Date

Date

Drawn by

Level 1 1' - 5 7/8"

Drawn b

Scale

Scale

Level 2 Rear 10' - 6 7/8"

Level Basment -6' - 6"

8" x 8" x 16" Concrete Bond Bean #4 ReUnder Bar Window Flashing Drip Edge

Flashing D 8" Top Soil Geo-Textile Drainage/ Filer Fabric 1-1/2 Sand 3.4" Bitumen Impregnated High Parapet Callout Density Protective Board

Gravel

Gravel

Footing

Level Basment -6' - 6"

2

Wall Section_N,E,S

Parapet Call out

1

Parapet Call out 1" = 1'-0"

Locally Harvest Shrub 3' 5.5" Concrete Masonry Unit ADD 401

Wall Section from East Wall 1/2" = 1'-0"

Footing

1 Copy of Wall Section 1" =from 1'-0"West Wall 1/2" = 1'-0"

1

Parapet Call out 1" = 1'-0"

1

Level 3 1/2" EPDM Membrane 23' - 11 13/32" 3' 5.5" Concrete Masonry Unit 2" Rigis Insulation 3/4" Plywood Panel Substrate 8" Top Soil

Geo-Textile Drainage/ Filer Fabric 1-1/2 Sand 3.4" Bitumen Impregnated 8" x8" x 1 High Density Protective Board#4 Re-Ba 1/2" EPDM Membrane Anc 2" Rigis Insulation 3/4" Plywood Panel Metal tie Substrate

Callout of Green Roof Section 1 1/2" = 1'-0"

Parapet Call Out

8" x8" x 16" Concrete Bond Beam #4 Re-Bar

Typical Wall Section

Level 3 1/2" Clapboard Siding Anchor Joint 23' - 11 13/32" 6 Mil Air Bond BarrierBeam 3/4" Plywood Substructure 8" x8" x 16" Concrete Metal ties @ 16" O.C 3/4" Plywood Sheathing Sheathing #4 Re-Bar Weep Holes @ 2" O.C. 6" Metal Stud Wall Weep 6 Mil Vapor Barrier Anchor Joint Vapor Barrie 1/2" GYP BD Interior Callout of Green Roof Section Metal ties @ 16" O.C 1 1 1/2" = 1'-0" 2 x 6 Wood Blocking 2" Ridig High Density Insulation Weep Holes @ 2" O.C. 3/4" Bitumen Impregnated High Density Batt Insulation Filling 2" x 10" Rood Fram Protective Board 1/2" Clapboard Siding 1-1/2" Sand Drainage Layer 6 Mil Air Barrier 3/4" Plywood Substructure 1/2" GeoTextile Drainage/ Filter 3/4" Fabrication PlywoodSloping Sheathing

Sheathing

Locally Harvest Shrub

6" Metal Stud Wall 6 Mil Vapor Barrier 1/2" GYP BD Interior

Vapor Barrie 2" Ridig High Density Insulation

6" Topsoil for Grass Planting Callout of Green Roof Section 1 1/2" = 1'-0"

2

Skylight 1 1/2" = 1'-0"

Roof Top Garden

3/4" Plywood Substructure Sheathing Vapor Barrie

1/2" Clapboard Siding 6 Mil Air Barrier 3/4" Plywood Sheathing 6" Metal Stud Wall 6 Mil Vapor Barrier 1/2" GYP BD Interior

6" Topsoil for Grass Planting 2

Skylight 1 1/2" = 1'-0"

2 x 6 Wood Blocking Batt Insulation Filling 2" x 10" Rood Framing Level 3 23' - 11 13/32"

Level 3 23' - 11 13/32"

hiladelphia Rowhome

Level 3 23' - 11 13/32"

Fabric 1-1/2 Sand 3.4" Bitumen Impregnated High Density Protective Board 1/2" EPDM Membrane 2" Rigis Insulation 3/4" Plywood Panel Substrate

Construction Technology 1

Architecture 3/4" Bitumen Impregnated High Density Protective Board 1-1/2" Sand Drainage Layer 8" Top Soil 1/2" Geo- Textile Drainage/ Filter Fabrication Sloping Geo-Textile Drainage/ Filer

1

ADD 503

Flashing Drip Edge Under Window

6/13/2015 9:52:08 PM

8' - 6"

Basement Slab

3

Au

8" x 8" x 1"16 = #4 Re Bar

Detail_Skylight



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