The Fall Sale

T

THE FALL SALE

Thursday and Friday, November 17-18, 2022 Both sessions starting at 9:30 a.m. Eastern

Location:

Headquarters: 1483 Route 6A, East Dennis, Mass. I 508-385-3116 I info@eldreds.com

Preview:

Wednesday, November 16, from 10 a.m. to 4:30 p.m., the sale days starting at 8:45 a.m., and by appointment

View all lots at www.eldreds.com

IMPORTANT NOTICES

Bidding Options

In-person, online, phone and absentee bidding available. To register for absentee and telephone bidding, please visit our website or call 508-385-3116. Online bidding available through www.eldreds.com.

Terms

A buyer’s premium will be added to the hammer price of all purchases. The buyer’s premium is 25 percent of the final bid price up to and including $500,000, and 10 percent of the final bid price over $500,000.

We accept checks, cash, money orders, wire transfers and major credit cards for payment. Credit cards can only be used for up to $5,000 of the invoice total and the card must have a U.S. billing address.

Bidders holding a Massachusetts or out-of-state resale number must provide the certificate or copy thereof when registering to bid or otherwise will be required to pay 6.25% Massachusetts sales tax on purchases. Items picked up in or shipped to Connecticut are subject to 6.35% Connecticut sales tax. Residents of other states may be subject to state and local sales taxes.

Condition Reports

Prospective bidders should satisfy themselves by personal inspection as to the condition of each lot. It is the bidder’s responsibility to obtain a condition report, by either visiting our website or contacting us. Although condition reports may be given on request, such reports are statements of opinion only. The absence of a condition report does not imply the property is in good condition. Regardless of whether or not a condition report is given, all property is sold subject to Item 1 of our Conditions of Sale, which provides that all property is sold as is.

All dimensions are approximate.

www.eldreds.com

ANTIQUES & FINE ART SPECIALISTS

Joshua F. Eldred

CEO and President

Head of American and European Paintings jeldred@eldreds.com

Mary Ann Giddings Eldred Chairwoman of the Board maeldred@eldreds.com

William Bourne Vice President

Head of Americana and Maritime Arts bill@eldreds.com

Eric S. Mulak

Vice President

Head of Sporting Antiques, Folk Art & Collectibles Consignment Manager eric@eldreds.com

Christine Berlane Prints and Multiples cberlane@eldreds.com

Duncan H. Gray

Head of General Merchandise dgray@eldreds.com

Glen Krawczyk

Head of Oriental Rugs glen@eldreds.com

Anne G. Lajoie

Head of Asian Arts annie@eldreds.com

Gregg Dietrich Senior Consultant and Specialist

Jennifer Lacker Mystic Representative

Mary M. Kuhrtz, Christine Leofanti and Cathelyn Scibelli Gallery Assistants

Al Gray, Jim Moynihan and Steven Martins Shipping and Inventory Associates

Headquarters I 1483 Route 6A, East Dennis, Mass.

Connecticut

PRODUCTION & ADMINISTRATIVE STAFF

Mara Alvarado Assistant Photographer malvarado@eldreds.com

Stephanie Anzivino Shipping sanzivino@eldreds.com

Wendy A. Dunford Treasurer wendy@eldreds.com

Susan Eastman Client Services seastman@eldreds.com

Devyn Henry Administrative Assistant dhenry@eldreds.com

Katie Lingoes

Auction Coordinator Assistant klingoes@eldreds.com

Beth McGoldrick Administrative Assistant bmcgoldrick@eldreds.com

Angela R. McParland Executive Assistant amcparland@eldreds.com

Madison Morris

Head of Photography mmorris@eldreds.com

Kathleen Morse Auction Coordinator kmorse@eldreds.com

Megan Nichols Shipping Coordinator mnichols@eldreds.com

Cheryl Stewart

Head of Marketing, Catalog Layout and Design cheryl@eldreds.com

Sarah Eldred Taylor

Vice President of Human Resources sarah@eldreds.com

508-385-3116 I info@eldreds.com I MA Lic. #155

I 5 Roosevelt Ave., Mystic, Ct. I 860-912-8169 I info@eldreds.com

As many of you know, 2022 marks Eldred’s 75th year of business. What a banner year it has been.

More than 12,000 lots will have crossed the block, representing tens of thousands of consignors, bidders and buyers, thousands of condition reports, millions of emails, hundreds of packages moving through our shipping department, dozens of auction days, several new auction records, and a busy year for our loyal and hardworking staff of 28 (not including the four-legged members of our team who serve as official greeters).

We are so very grateful to everyone – consignors, bidders, buyers and staff – because it is the people (and the dogs) who make Eldred’s a special place, and one that we’re proud to say has stayed in business through three generations.

Thank you, best wishes, and here’s to the next 75 years.

Josh Eldred President

INDEX

Index of Artists Page 6-7

Session I Lots 1001-1388

Session II

Lots 1501-1804

Bidder Information Page 228 Conditions of Sale Page 229

Absentee and Phone Bid Form Page 230

List of Illustrations Page 232

OF ARTISTS

ADAMS, ANSEL 1377 ALBERT, ERNEST 1534 ALVORD, MURIEL 1522 BACLE, MICHAEL 1006, 1767, 1768 BACON, CHARLES ROSELL (after) 1684 BAKER, ELISHA TAYLOR 1265 BAKER, JAMES WALLACE 1517 BARBEDIENNE, FERDINAND 1062 BAUMAN, ARTHUR (Massachusetts 1931-2019) 1750, 1751 BEAMAN, GAMALIEL WALDO 1658 BENEKER, GERRIT ALBERTUS 1731, 1732 BENSON, FRANK W. 1008 BERNATH, SANDOR 1790 BERTHELSEN, JOHANN 1665 BICKNELL, FRANK ALFRED 1221 BIDDLE, LAURENCE 1068 BLANCHARD, ANTOINE 1364 BOUCHER, WARREN 1789 BOUGHTON, GEORGE HENRY 1582-1584 BRISCOE, FRANKLIN DULLIN 1273 BROE, VERNON 1804 BUNKER, DENNIS MILLER (attr.) 1264 CAHOON, MARTHA FARHAM 1777-1779 CAHOON, MARTHA FARHAM (attr.) 1780 CAHOON, JR., RALPH EUGENE 1781 CAMINO, DENNY 1745 CHAMPNEY, BENJAMIN 1568 CHRIST, BILL 1507 CIVILETTI, VINCENT (attr.) 1294 CLARE, VINCENT 1067 COLLINS, A. 1074 COOK, JOHN ALFRED 1525 COT, PIERRE-AUGUSTE 1065

CROSS, ROY 1138,1139 CURRY, JOHN STEUART 1378 DAM, VU CAO 1501, 1502 DAVIES, ARTHUR BOWEN 1688-1690 DAVIS, CHARLES HAROLD 1603 DAVIS, DOROTHY 1801 DAVIS, WILLIAM R. 1796-1800 DE HAVEN, FRANKLIN B. 1627 DE LONGPRE, RAOUL MAUCHERAT 1064 DETAILLE, EDOUARD JEAN BAPTISTE (manner of) 1078 DETIREFORT, BELA 1666 DICKINSON, EDWIN WALTER 1728, 1729 DIEHL, ARTHUR VIDAL 1722-1725 DOWD, JOHN 1747 DREW, ATTRIBUTED TO CLEMENT (attr.) 1274

DUNBAR, HAROLD C. 1784 DYCKMANS, JOSEPHUS LAURENTIUS (after) 1053

DYER, HEZEKIAH ANTHONY 1640 EATON, CHARLES WARREN 1671 EDDY, HENRY STEPHENS 1532 EILSHEMIUS, LOUIS MICHEL 1678-1680 ELDRED, LEMUEL D. 1631-1633 ENNEKING, JOHN JOSEPH 1600 ENNEKING, JOSEPH ELIOT 1606 ERNST, MAX 1512 EVANS, FREDERICK MCNAMARA 1314 FEENEY, LORETTA 1748 FEKE, ROBERT (attr.) 1652 FERNELEY II, JOHN (JUNIOR) (attr.) 1026 FERNELEY II, JOHN (JUNIOR) 1025 FEUCHSEL, HERMANN 1604 FIELD, EDWARD LOYAL 1602 FRISHMUTH, HARRIET W. 1353 GERRY, SAMUEL LANCASTER 1624, 1625 GIGNOUX, REGIS FRANCOIS 1580 GONZALEZ, XAVIER 1726 GRAVES, ABBOTT FULLER 1634 GREEN, CHARLES EDWIN LEWIS 1607 GRUPPE, EMILE ALBERT 1524 HAGUE, J. BRADFORD (JESSE) 1526 HANDLEN, FRANK 1521 HARMON, ANNIE LYLE 1687 HAWTHORNE, CHARLES WEBSTER 1719 HAYS, GEORGE ARTHUR 1185 HEBERER, CHARLES 1670 HENSCHE, ADA RAYNER 1735 HENSCHE, HENRY 1736, 1737 HILL, JOHN WILLIAM 1655 HODGDON, SYLVESTER PHELPS 1573 HOFFBAUER, CHARLES CONSTANTINE 1536 HOLBERTON, WAKEMAN 1229 HOWES, JEROME 1787, 1788 HUBBARD, CHARLES 1144 HUNTER, ROBERT DOUGLAS 1785 INNESS, MANNER OF GEORGE 1581 INSLEY, ALBERT 1657 IRVINE, WILSON HENRY 1531 JACOBSEN, ANTONIO NICOLO GASPARO 1263 JERVAS, CHARLES 1651 JONES, HUGH BOLTON 1601 KELLY, ELLSWORTH 1514 KILBURNE I, GEORGE GOODWIN 1024 KING, PAUL BERNARD 1527, 1528 LAMBERT, JACKSON 1742 LANE, FITZ HENRY 1216 LANGLOIS, JEAN CHARLES (attr.) 1052 LANSDOWNE, JAMES FENWICK 1011

LAWLESS, CARL 1667 LELY, SIR PETER (manner of) 1045 LEVER, HAYLEY 1533

LEWANDOWSKI, EDMUND D. 1791 LEWIS, EDMUND DARCH 1626

LINSON, CORWIN KNAPP 1681, 1682

LONGNECKER, PAUL 1803 LUIJTING, HANNEKE 1375 MACY, WILLIAM FERDINAND 1628

MCCANNA, TOM 1749 MCCORD, GEORGE HERBERT 1637, 1638 MCKAIN, BRUCE 1727

MCVICKER, JIM 1518 MEESER, LILLIAN BURK 1717

MELROSE, ANDREW W. 1686 MITCHELL, ROGER 1769-1771

MONTURIOL, ENRIQUE PASCUAL 1508 MOODY, RUFUS 1383 MORLAND, HENRY ROBERT (circle of) 1049

MORVILLER, JOSEPH 1529, 1530 MUDGETT, LUCILLE 1306 MUMFORD, ELIZABETH “LIZ” 1792-1795 MURPHY, JOHN FRANCIS 1595-1597

NEIMAN, LEROY 1373 NEIMANN, EDMUND JOHANN 1040 NEWTON, SAM 1519 NOYES, GEORGE LOFTUS 1636 ODDIE, WALTER MASON (manner of) 1575

OTIS, BASS 1151 OWEN, ROBERT EMMETT 1523 PARMIGIANINO (after) 1058

PACKARD, CYNTHIA 1744

PALMER, PAULINE LENNARDS 1718

PARENT, AUBERT HENRI JOSEPH 1054 PARTON, ARTHUR (attr.) 1577

PAXTON, WILLIAM MCGREGOR 1622

PEPITONE, RICHARD 1754

PERKINS, GRANVILLE 1267

PFEIFFER, FRITZ WILHELM 1730

PHILLIPS, AMMI (after) 1177

PHO, LE 1503

PLAS, NIEK VAN DER 1786

PORTOCARRERO, RENE 1504,1505

PURYEAR, MARTIN 1511

QUINCY, EDMUND 1635

REAM, CARDUCIUS PLANTAGENET 1620

REHN, FRANK KNOX MORTON 1608

REITZ, DON (DONALD) 1752, 1753

RICHARDS, WILLIAM TROST 1629

RICHARDS, WILLIAM TROST (attr.) 1630

RICHARDSON, CHARLES L. 1783 RICKUS, JANET 1515, 1516 RIX, JULIAN WALBRIDGE 1659 ROBB, SAMUEL ANDERSON 1247 ROSEBEE 1802

ROSSITER, THOMAS PRICHARD (attr.) 1654 ROUX, FREDERIC 1143 RUSSELL, GEGEORGE HORNE 1642 RUYSCH, RACHEL (manner of) 1069 SABOL, JEFFEREY 1762 SAWYER, HELEN ALTON 1733, 1734 SCHOUTEN, HENRY 1021 SHAPLEIGH, FRANK HENRY 1569, 1570 SHATTUCK, AARON DRAPER 1571 SLOAN, JUNIUS RALSTON 1576 SLONEM, HUNT 1509, 1510 SMITH, HENRY PEMBER 1598, 1599 SMITH, JOSEPH LINDON 1538 SMITH, THOMAS LOCHLAN 1220 SMITH, VERNON B. 1755 SPRINGER, CHARLES HENRY 1639 STOCKS, LINDA NELSON 1288, 1289 STOKES, STAN 1275 STONE, DON 1766 STROBRIDGE, NELLIE (attr.) 1619 STUART, GILBERT (after) 1077 STUART, GILBERT (manner of) 1650 STUBBS, WILLIAM PIERCE 1266 SULLY, THOMAS 1653 SULTAN, DONALD 1513 TERELAK, JOHN CHARLES 1520 THAYER, ABBOTT HANDERSON 1535 THOMPSEN, ROY 1307-1309 TRIEFF, SELINA 1743 TWACHTMAN, JOHN HENRY JOHN HENRY 1669 VALENKAMPH, THEODORE VICTOR CARL 1272 VAN ELTEN, HENDRIK-DIRK KRUSEMAN 1605 VYTLACIL, VACLAV 1720, 1721 WEBBER, WESLEY ELBRIDGE 1579 WELT, MILTON H. 1782 WEYL, MAX 1691 WHISTLER, JAMES ABBOTT MCNEILL 1204 WHORF, JOHN 1738-1741 WIGGINS, CARLETON 1578 WIGGINS, GUY CARLETON 1668 WILLIAMSON, JOHN 1621 WOOLLETT, HENRY CHARLES 1038 WORES, ATTRIBUTED TO THEODORE 1537 WORTH, THOMAS B. 1237 WUERMER, CARL 1685

I

Thursday, November 17, 2022

Decoys and Sporting Art

Historic Firearms

English & Continental

Fine and Decorative Art

Militaria

Americana

Chinese Export & China Trade

Marine Art

Oriental Rugs

20th Century Design

Ethnographic & Western Art

Paintings & Furniture

More

1001. JOSEPH LINCOLN YELLOWLEGS DECOY

Accord Village, Massachusetts, 1859-1938

Circa 1890. Tack eyes. Original paint. Tail and wing chipped. Length 11”. 1,500/2,500

Provenance: Cap Vinal Collection.

1002

1002. A. ELMER CROWELL MINIATURE REDHEAD DRAKE

East Harwich, Massachusetts, 1862-1952

Circa 1930. Mounted on a glass paperweight base. Length 4”. 800/1,200

1001

Circa 1925. Set was purchased from Crowell and has been in the family since. Includes Crowell’s original typed and hand-written receipt, which lists all 25 birds and a price of $125.00. All mounted on round wooden bases. All with rectangular stamp on undersides “A.E. Crowell MAKER East Harwich Mass” and all numbered in pencil, the numbers matching the receipt. 20,000/30,000

Includes:

1) Oriole. Height 2”.

2) Downy woodpecker. Height 2”.

3) Kentucky warbler. Height 2”.

4) Blue jay. Height 3.5”.

5) Nuthatch. Height 1.5”.

6) Towhee. Height 2.5”.

7) Red-headed woodpecker. Height 2.5”.

8) Tree swallow. Height 2.25”.

9) Wood thrush. Height 2.25”.

10) Tennessee warbler. Height 2”.

11) Bluebird. Height 2”.

12) Robin. Height 3”.

13) Ovenbird. Height 2.25”.

14) Kingbird. Height 2.25”.

15) Scarlet tanager. Height 2”.

16) Brown thrasher. Height 2.5”.

17) Cedar waxwing. Height 2.5”.

Flicker. Height 2.25”.

19) Nashville warbler. Height 2”.

20) Blue catbird. Height 2”.

21) Red-winged blackbird. Height 2”.

Hooded Warbler. Height 2”.

23) Chickadee. Height 2”.

Goldfinch. Height 2”.

25) Pewee. Height 2”.

1003. RARE COMPLETE SET OF TWENTY-FIVE A. ELMER CROWELL MINIATURE SONGBIRDS East Harwich, Massachusetts, 1862-1952

1006. MICHAEL BACLE SWAN Virginia/Nantucket, Contemporary Hand-carved and painted. Signed on base “Mike Bacle”. Height approx. 27”. Length 30.5”. 800/1,200

1004. EUGENE MORELLI AND JOAN ZYGMUNT LIFE-SIZE SONG SPARROW Montana, 20th Century Perched on a branch mounted on a circular wooden base. Signed in ink by both. Dated 1988.

Height 7”. 700/900

1005. EUGENE MORELLI AND JOAN ZYGMUNT LIFE-SIZE NUTHATCH Montana, Contemporary Perched on a branch mounted on a black wooden block base. Signed in ink by both. Dated 1989. Height 7”. 700/900

1007. TWO DR. LEWIS WEBB HILL MINIATURE MALLARD DRAKES Boston, 1889-1968

Glass eyes. Carved wings. Mounted on mahogany bases. Lengths 10”. 400/700

1008. FRANK W. BENSON Massachusetts, 1862-1951

“Redheads Coming”. Signed and titled in pencil lower left. Paff 302. Etching and drypoint on paper, 11.25” x 18.25” sight. Framed 17” x 24”. 400/600

1010. TWO FRANK S. FINNEY MINIATURE FOWL

Capeville, Virginia, Contemporary

A rooster and an exotic bird. Mounted on wooden bases. Signed on undersides “Finney”. Heights 5.5” and 6”. 900/1,200

1009. AMERICAN OR CONTINENTAL SCHOOL

Late 19th/Early 20th Century

Three rabbits. Unsigned. Pastel and pencil on cardboard, 16” x 20” sight. Framed 20” x 24”. 500/1,000

1011

1011. JAMES FENWICK LANSDOWNE Canada, 1937-2008 A bevy of quail. Signed and dated lower left “J.F. Lansdowne 1970”. Framed. 2,000/3,000

1012. HANK WALKER CANADA GOOSE DECOY Newbury, Massachusetts, 1919-1995 Tack eyes. Carved feathers. Length 25”. 400/600

1013. PAIR OF MAINE EIDER DECOYS Early 20th Century Maker unknown. Lengths 16” and 17”. 500/800

1014. MASSACHUSETTS CANADA GOOSE DECOY 20th Century Maker unknown. Tack eyes. Original paint. Length 22”. 300/400

1015. PAIR OF SANDERLINGS BY STEVE WEAVER

Sandwich, Massachusetts, Contemporary

Glass eyes. Mounted together on a driftwood base. Lengths 7”. 500/800

1016. LONG ISLAND WILLET DECOY

20th Century Maker unknown. Glass eyes. Length 11”. 400/700

1017. SIX TIN SHOREBIRD DECOYS IN A TIN BOX

Late 19th Century

Includes four yellowlegs and two plovers. Lengths 10”. 400/600

1018. "SHOOTING, TRAPPING, OR FISHING" WOODEN SIGN

Early 20th Century

“Shooting, Trapping, or Fishing is Prohibited on These Premises. E.A. Darling.” in black lettering on a white ground. 12” x 24”. 150/250

1019. SHEET METAL FLYING GEESE WEATHER VANE

Early 20th Century

Three geese in flight over a directional formed as rolling hills. Painted black. Includes finders. Height 51”. Length 31.5”. 300/500

1020. “THE PLACE OF THE SWAN” HAND-PAINTED WOODEN SIGN

America, Late 20th Century

Beige lettering and several swans against a natural finish ground. Unsigned. 33” x 42”. 500/800

HENRY SCHOUTEN

Belgium/Indonesia,

1021.

Signed

1022. KETLAND & CO. FLINTLOCK MUSKET/FOWLING GUN Birmingham, 18th Century

.60 cal. Octagonal barrel marked “Ketland” in script, stamped and inset with a diamond-shaped silver owner’s plaque. Lock plate marked “Ketland & Co.” and engraved with a bird. Fine engraved brass fittings including a hinged patch box. Length of barrel 40”. Total length 55.5”. 500/800

1023. PERCUSSION SPORTING RIFLE 19th Century

.38 cal. Part octagonal, part round barrel. Back action lock. Finely grained walnut stock. Profusely embellished with stag decoration, an engraved patch box, trigger guard, etc. Length of barrel 32”. Total length 48”. 400/700

1024. GEORGE GOODWIN KILBURNE I England, 1839-1924

After the hunt. Signed lower left “Goodwin Kilburne”. Oil on board, 15” x 21”. Framed 19” x 25.5”. 500/1,000

1025. JOHN (JUNIOR) FERNELEY II United Kingdom, 1815-1862

Portrait of the horse Grand Flight and rider. Signed “John Ferneley” and dated “18[?]2” lower left. Oil on canvas, 20” x 26”. Framed 22.5” x 29”. 1,000/1,500

Provenance: Private collection, Martha’s Vineyard, Massachusetts.

1026. ATTRIBUTED TO JOHN (JUNIOR) FERNELEY II United Kingdom, 1815-1862

Portrait of the horse Prince Charlie and rider. No signature noted. Horse identified lower right. Oil on canvas, 18” x 26”. Framed 21” x 29”. 1,000/1,500

Provenance: Private collection, Martha’s Vineyard, Massachusetts.

1027. ENGLISH SCHOOL 19th Century

Portrait of a horse, sulky and rider. Unsigned. Watercolor on paper, 18” x 23”. Framed 24” x 29”. 800/1,200

1028. ENGLISH TWO-PART CAMPAIGN CHEST 19th Century

In mahogany. Upper section with two half drawers over a full-width drawer. Lower section with two full-width drawers and bun feet. Sides carved as simple columns. Height 45”. Width 42.5”. Depth 19”. 2,500/3,500

1029. ENGLISH PEDESTAL DESK Late 19th/Early 20th Century

In mahogany. Top with molded edge, inset embossed gold leather writing surface and three side-by-side drawers. Each pedestal with three drawers and molded base. Drawers with cock-bead molding and round brass pulls. Nice diminutive size. Height 30”. Width 48”. Depth 22.5”. 400/600

1030. ENGLISH BRASS-BOUND CAMPHORWOOD CHEST 19th Century

Unusual double locks. Height 20”. Width 41”. Depth 20.5”. 700/1,000

1031. FINE HEPPLEWHITE TEA CADDY

Early 19th Century

In mahogany and select mahogany veneer. Banded inlay along the perimeters. Shaped apron and flared feet. Exquisitely grained fitted interior with waste bowl receptacle flanked by compartments with oval covers. Height 8”. Width 12”. Depth 6.25”. 800/1,200

1032. ENGLISH TEA CADDY 19th Century

In maple and fruitwood. Top and front with inlaid conch shells. Height 5”. Width 7.5”. Depth 4.5”. 400/500

1033. ENGLISH SHELL TEA CADDY 19th Century

Fitted interior. Height 4”. Width 4”. Depth 3”. 700/900

1034. ENGLISH TWO-PART CAMPAIGN CHEST 19th Century

In figured camphorwood. Upper section with two half drawers over a full-width drawer. Lower section with two full-width drawers and turned wooden feet. Drawers with turned wooden pulls. Brass handles at sides of case and brass molding along edges. Height 45”. Width 38.5”. Depth 18.5”. 2,500/3,500

1035. ENGLISH WINDSOR PUB CHAIR 19th Century

In elmwood under an old brown stain. Back height 42”. Seat height 18”. 300/500

1036. ENGLISH TEA CADDY 19th Century

In maple, fruitwood and burlwood. Compartmented interior. Height 4.5”. Width 9”. Depth 5”. 300/400

1037. ENGLISH TEA CADDY 19th Century

In fruitwood. Top and sides with oval panels of heart and floral designs. Fitted interior also contains a mother-of-pearl teaspoon. Height 5”. Width 10”. Depth 5”. 600/800

1038. HENRY CHARLES WOOLLETT United Kingdom, 1826-1893

A caravan outside an inn. Signed lower left “H.C. Woollett”. Oil on canvas, 24” x 36”. Unframed. 1,000/1,500

1040

1039. ENGLISH FIVE-DRAWER CHEST

Second Quarter of the 19th Century

In mahogany and mahogany veneer. Drawers with ivory escutcheons and round brass pulls. Case with fluted quartered columns at sides, a shaped apron and plain bracket feet.

1041. SET OF SIX ENGLISH QUEEN ANNE-STYLE DINING CHAIRS

In yew wood. Spoon backs with shaped crests and vasiform splats. Balloon slip seats with blue velvet upholstery. Cabriole legs with shell-carved knees and claw & ball feet. Back heights 42”. Seat heights 17.5”. Widths 24”. 1,000/2,000

1040. EDMUND JOHANN NEIMANN England, 1813-1876

Expansive English landscape. Signed lower right “Neimann”. Oil on canvas, 21” x 36”. Framed 36” x 45”. 5,000/7,000

1042. THIRTY ENGLISH POTTERY CHILD’S MUGS

19th Century

Various transfer decoration. Heights from 2.5” to 3”. 500/800

1043. TWENTY-FOUR ENGLISH POTTERY CHILD’S MUGS

19th Century

Various transfer decoration. Heights from 2.5” to 3”. 500/800

SET OF NEOCLASSICAL ENGLISH DERBY PORCELAIN

Century

Total of 33 pieces. Includes:

plates, diameters 9.5”

shallow bowls, diameters

covered pot de cremes

1045. IN THE MANNER OF SIR PETER LELY England, 19th Century

Bust portrait of a Windsor beauty. Unsigned. Oil on canvas, 30” x 25”. Framed 38” x 33”. 500/1,000

1046. ENGLISH MOTHER-OF-PEARL TEA CADDY

Early 19th Century

Fitted interior. Bun feet. Height 5.5”. Width 10”. Depth 5”. 800/1,000

1047. ENGLISH TEA CADDY

Early 19th Century

In mahogany and mahogany veneer with satinwood inlaid conch shells, patera and quarter fans. Lid with brass bail handle. Compartmented interior. Height 6”. Width 10”. Depth 5”.

1048. ENGLISH LANTERN CLOCK 17th Century

Face marked “Robt. Mills Taunton”. Engraved Roman numeral dial. Height 15.5”. Width 6.5”. 6,000/9,000

1049. CIRCLE OF HENRY ROBERT MORLAND England, 18th Century

Bust portrait of a young woman in a contemplative posture. Unsigned. Similar to Morland’s “A Laundry Maid Ironing” at the Tate gallery, London, inv. no. N01403. Oil on canvas, 21” x 17”. Framed 27” x 23”.

3,000/5,000

1050. LATE GEORGIAN LIQUOR DECANTER SET

Circa 1790-1810

Elaborately inlaid mahogany box with ribbon, tassel, conch shell and banded designs. Contains six blown clear glass bottles that retain their stoppers. Box height 9.25”. Width 10.5”. Depth 7.24”.

1051. FRENCH SCHOOL 18th Century

Allegorical landscape in the manner of Claude Lorrain. Unsigned. Oil on canvas laid down on board, 16.5” x 24”. Framed 24” x 30.5”.

1,000/2,000

1052. ATTRIBUTED TO JEAN CHARLES LANGLOIS France, 1789-1870

Allegorical landscape with nude figures at a mountain waterfall. Signed lower left “Langlois”. Oil on canvas, 18.5” x 11.5”. Framed 25” x 17”.

1,000/1,500

1053. AFTER JOSEPHUS LAURENTIUS DYCKMANS 19th Century

Copy of “The Blind Beggar”. Unsigned. Boston art supply label verso. Oil on board, 20” x 18”. Framed 24” x 24”. 800/1,200

1054. AUBERT HENRI JOSEPH PARENT France/Switzerland, 1753-1835

Fine small Louis XVI cabinet painting of a woman at a desk. Oil on panel, 5.5” x 4.25”. Framed 8” x 5.25”. 1,000/1,500

Provenance: Estate of Reverend Trevor E.G. Thomas, Westerly, Rhode Island.

1055. ENGLISH SHELL TEA CADDY 19th Century

Interior with three compartments and a mixing bowl. Height 5”. Width 12”. Depth 5.25”. 1,800/2,200

1056. ENGLISH MOTHER-OF-PEARL DOME-TOP TEA CADDY 19th Century Compartmented interior. Height 4”. Width 6”. Depth 3.25”. 700/900

1057. KPM PORCELAIN PLAQUE

Late 19th Century

Depicts four men gambling at a table, after a painting by Claus Meyer (Germany, 1856-1919).

Back of plaque impressed “KPM” and with a handwritten label “gamblers after gaiser” and a paper label “Franz Xaver Thallmaier Munchen”.

Plaque 12.5” x 10”. Framed 17” x 14”. 800/1,200

1062. FERDINAND BARBEDIENNE France, 1810-1892

Two gilt-bronze plaques depicting classical women. One signed at foot “F. Barbedienne”. On red felt-covered wooden backs. Heights 19”. 1,000/1,500

1063. FRENCH TALL SECRETARY CHEST 19th Century

In walnut and burled walnut veneer. Full-width drawer over a fall-front secretary compartment over three full-width drawers. Interior in bird’s-eye maple veneer and fitted with narrow drawers. Height 52.5”. Width 27.5”. Depth 13.5”. 800/1,200

1064. RAOUL MAUCHERAT DE LONGPRE France, 1843-1911

Bouquet of roses atop a stone wall. Signed lower right “Raoul M. De Longpre”. Watercolor on paper, 9.75” x 13.25” sight. Framed 16.5” x 20”. 800/1,200

France, 1837-1883

1065. A young woman walking her dog

Signed lower right “P.A. Cot”. Oil on canvas, 19” x 11.75”. Framed 23” x 16”. 8,000/12,000

1065

1074. A. COLLINS America, 20th Century “The Piper MaKay[sic] at Waterloo”. Signed lower left “A. Collins”. Titled verso. Oil on canvas, 24” x 36”. Framed 42.5” x 30.5”. 2,000/4,000

1075. TWO-PART CAMPHORWOOD CAMPAIGN CHEST 19th Century

Upper section with a central deep drawer flanked by four smaller drawers, all over a full-width drawer. Lower section with two full-width drawers and bun feet. Typical inset brass drawer hardware, brass carrying handles at sides, and brass corners. Height 48”. Width 41”. Depth 18”. 1,800/2,200

1076. CONTINENTAL SCHOOL

Early 19th Century Portrait of an officer. Unsigned. Watercolor on paper, 12” x 9” sight. Framed 14” x 11”. 500/1,000

1077. MANNER OF EDOUARD JEAN BAPTISTE DETAILLE

France, 19th Century Military scene. Housed in a gilt frame. Oil on canvas, 9” x 6.75”. Framed 11.75” x 9.75”. 500/800

GILBERT STUART

of George Washington after the Stuart 1803-1805

MAUBEUGE

1081. RARE BROADSIDE AFTER THE BATTLES OF LEXINGTON AND CONCORD Dated June 5, 1775

Signed in print by Henry Remsen, urging for the election of Son of Liberty and patriot firebrand Isaac Sears to the New York Provincial Congress. Printed by John Holt prior to the Battle of Bunker Hill. Includes a Raab Collection portfolio folder containing a double-sided document with additional information. 4.75” x 7.75”. Framed 14” x 17”. Folder 11.5” x 9.25”. 2,500/3,500

Provenance: Purportedly owned by Henry Remsen and passed down through his descendants. Raab Collection.

1082. AMERICAN SCHOOL 19th Century

Portrait of Benjamin Franklin. Signed illegibly on left side. Housed in an Early 20th Century frame. Watercolor, 3” x 2” sight. Framed 5.5” x 4.5”.

1083. BOSTON SCHOOL 19th Century

Portrait of George Washington. Unsigned. Canvas marked verso “J.J. Adams Washington St. Boston”. Oil on canvas, 27” x 22”. Framed 34.5” x 31”. 1,500/2,500

1084. AMERICAN OR ENGLISH BLOWN GLASS PARADE CANE Circa 1800

Rare surviving example. Bulbous handle and tapered shaft with pale green, pink, clambroth and yellow barber pole design down the length. Cork ferrule plugged into hollow end of shaft. Length 52”. 600/800

1085. BRONZE CANNON 19th Century

Unmarked. Mounted on a 20th Century iron carriage. Bore diameter 1.25”. Cannon length 18”. Total length 24”. 1,500/2,500

1086. EXCEPTIONAL MASONIC MOTIF SHAVING MIRROR ON STAND

Early 19th Century

In mahogany with fruitwood inlay. Deep spiral turnings throughout. Lead inset into the circular base. Height 32”. Width 12”. Base diameter 9”. 900/1,200

1087. ASTON CONTRACT U.S. MODEL 1832 PERCUSSION PISTOL 19th Century

.54 cal. Lock plate dated 1852. Double stamped cartouches on left side. Length of barrel 7.75”. Total length 14.5”. 800/1,000

1088. U.S. SPRINGFIELD MODEL 1824 MUSKET

19th Century

.69 cal. Converted to percussion. Marked “U.S.” with an impressed eagle. Various cartouche stamps on stock. Length of barrel 42”. Total length 58”. 600/900

1089. MASSACHUSETTS MODEL 1864 CONTRACT MUSKET

19th Century

.58 cal. Made under contract for the state of Massachusetts by S. Norris & W.T. Clements, Springfield, Massachusetts. Maker’s mark on lock plate and also marked with a spread-wing eagle over “U.S.”. Barrel marked with an eagle’s head and the V.P. eagle proof, and stamped “1864”. Marked “I.C.” on the barrel and stock. Retains original bayonet and sheath. Length of barrel 39”. Total length 56”. 1,000/1,500

1090. ANDREW JACKSON SIGNED CHECK

Dated February 8, 1831

“Office of Bank U. States, Washington” check made out to Noyes Barber, a Connecticut congressman, for the amount of $174. Signed lower right “Andrew Jackson”. Signed verso “Noyes Barber”. 2.25” x 6” sight. Framed 7.5” x 10.75”. 1,500/2,500

1091. CHESTER A. ARTHUR AUTOGRAPHED LETTER SIGNED

Dated July 31, 1861

Seeking 25,000 additional New York state troops for the Civil War. Housed in a Raab Collection portfolio folder also containing a double-sided document with additional information. 9.75” x 7.75”. Folder 11.5” x 9.25”. 1,000/1,500

Provenance: Raab Collection.

1092. CHESTER A. ARTHUR AUTOGRAPHED LETTER SIGNED

Dated April 3, 1862

Written after the Battle of the Monitor and Merrimack, pertains to a steel-plated projectile to use as a future tactical advantage. Housed in a Raab Collection portfolio folder also containing a double-sided document with additional information.

8.125” x 5.125”. Folder 11.5” x 9.25”. 2,000/3,000

Provenance: Raab Collection.

Provenance: A Lexington, Kentucky estate.

1093

1093. CHINESE SCHOOL

Early 19th Century

After the popular print (1800-1802) by John James Barralet and Simon Chandron of Philadelphia. Shows Washington rising from his tomb guided by figures representing Genius and Immortality as figures of Faith, Hope and Charity look on. Mourning at the base of the tomb are symbols of America, including an eagle, shield, Lady Liberty and a Native American man with headdress, quiver and tomahawk. Tomb inscribed “Sacred to the Memory of Washington OB 11 Dec. AD 1799. AE XXXX". Nearly identical to the painting in the Peabody Essex Museum collection, which was originally commissioned in Canton by Captain David Ockington. Reverse painting on glass, 27.5” x 20”. Framed 33” x 25.5”. 20,000/30,000

1094. CHINESE EXPORT ROSE MANDARIN PORCELAIN VASE

Mid-19th Century

In baluster form, with rolled scalloped rim and gilt serpents and foo dogs at the neck and shoulder. Exceptional paneled scenic and figural decoration, with blue bats over some cartouches. Height 23.5”. 1,000/2,000

1095. LARGE CHINESE EXPORT ROSE MANDARIN PORCELAIN PUNCH BOWL

Mid-19th Century

Paneled scenic and figural decoration surrounded by gilt Greek key borders. Rim with bird, flower and blue bat decoration against a gilt ground. Height 6”. Diameter 16”. 1,500/2,500

1096. PAIR OF CHINESE EXPORT PORCELAIN CRANES 19th Century

Mirror images, standing on brown rockery bases. Heights 22”. 400/600

1097. CHINESE EXPORT BLACK AND GOLD LACQUER SEWING BOX

Late 19th Century

Octagonal form with four gilt feet. Figural landscape decoration on the cover. Compartmented interior contains some small sewing implements. Height 4.25”. Width 11”. Depth 8”. 600/800

1098. PAIR OF CHINESE EXPORT ROSE MEDALLION PORCELAIN VASES

Late 19th Century

Gilt mounts at necks and shoulders. Paneled figural, bird, butterfly and floral decoration. Heights 25”.

2,500/3,500

1099,

1098,

1099. SET OF EIGHT CHINESE EXPORT PITH PAPER PAINTINGS

19th Century

Six depict butterflies and flowers and two depict exotic birds in a floral landscape. Watercolor and gouache on pith paper, 7” x 9.5” sight. Framed 13” x 15”.

1,000/1,200

Provenance:

Thierry de Maigret Auction, Paris, Lot #14023.

Private Collection, France/Cape Cod, Massachusetts.

1105. CHINESE EXPORT FAMILLE ROSE PORCELAIN JARDINIÈRE

Early 19th Century

Lion’s-mask handles at sides. Carved wood stand. Total height 9.5”. Jardinière diameter 8.25”. 500/800

1106. PAIR OF CHINESE CELADON PORCELAIN VASES

Late 19th/20th Century

Paneled decoration of figures in a landscape. Heights 13.5”. Mounted on rosewood vases as table lamps, total heights 23.5”. 400/600

1107. CHINESE EXPORT IRON RED AND GILT CANTON PORCELAIN BALUSTER VASE Circa 1850 Gilt foo dogs at the flared neck and gilt serpents at the shoulder. Profuse decoration of figural and decorative objects amongst interior scenes framed within Greek key borders. Height 25”. 1,000/2,000

1108. CHINESE EXPORT SEPIA FITZHUGH PORCELAIN HOT WATER DISH

First Half of the 19th Century

Central monogram of Richard Renshaw Thomson of Philadelphia. Richard, son of prominent Philadelphia merchant Edward Thomson, traveled to Canton on behalf of his father and later was the U.S. consul to Canton from 1822 to 1824. Length across spouts 11”. 800/1,000

Provenance: Polly Latham Collection.

1109. CHINESE EXPORT ROSE MANDARIN PORCELAIN

PUNCH BOWL

Mid-19th Century

Exterior with an allover Mandarin design. Interior with four Mandarin cartouches, gilt Greek key surrounds and a central interior scene. Height 6”. Diameter 13.25”. 500/700

1110. CHINESE EXPORT SALMON AND WHITE PORCELAIN COVERED URN

19th Century

Shield-form body on an attached sqare plinth. Swag and raised garland decoration surrounds central reserves depicting a house within a landscape. Raised beaded and berry decoration at neck and applied upswept “pistol” handles. Cover with gilt chestnut knop. Height 14”. 700/900

1108

1109

1110

1111. CHINESE EXPORT ROSE MEDALLION PORCELAIN BOUGH POT 19th Century

Figural decoration. Height 10”. 600/800

1113. CHINESE EXPORT ROSE MEDALLION PORCELAIN PUNCH BOWL 19th Century

Bird, flower and butterfly decoration. Height 6”. Diameter 15”. 500/800

1112. RARE CHINESE EXPORT BROWN AND GREEN FITZHUGH PORCELAIN PLATE

First Half of the 19th Century Central brown enameled decoration surrounded by a green butterfly and brocade border. Diameter 9.75”. 1,000/1,200

A similar example sold at Sotheby’s, Chinese Export Porcelain from the Private Collection of Elinor Gordon, New York, January 23, 2010, Lot #107.

1114. CHINA TRADE

19th Century

A three-masted schooner flying the American flag. Unsigned. Housed in a hand-carved frame. Oil on canvas, relined, 18” x 23”. Framed 23” x 28.5”.

1115. CHINA TRADE 19th Century

A three-masted schooner flying the American flag. Unsigned. Oil on canvas, relined, 16” x 24”. Framed 22” x 30”.

1116. DOUBLE SAILOR’S VALENTINE

19th Century

Composed of multicolored shells. Left side with central heart and flower. Right side with central flower. Octagonal hinged wooden case. Each side 9” x 9”. 2,000/2,500

1117. EXCEPTIONAL DOUBLE SAILOR’S VALENTINE

19th Century

Composed of multicolored shells. Left side with central heart and flower. Right side in a floriform pattern. Octagonal wooden case. Each side 9.25” x 9”. 2,000/2,500

1118. AMERICAN SCHOOL

Mid-19th Century

Half-length portrait of Capt. Stephen Topham seated in an Empire chair and holding his telescope. Sitter identified on frame plaque. Oil on canvas, 30” x 25”. Framed 34” x 30”. 1,000/1,500

1119. CANE WITH WHALEBONE HANDLE

“L”-shaped handle. Silver collar chased with oak leaves, acorns and a flower centered with a pink gemstone, possibly pink tourmaline. Wooden shaft with metal ferrule. Length 35.25”. 400/600

1120. CANE WITH WHALEBONE HANDLE Probably America, 19th Century

Handle in the form of a woman’s head, with black inset eyes and red lips. Octagonal whalebone collar with carved bands. Maple shaft. Length 38.25”. 300/500

1121. ROSEWOOD CANE WITH WHALE IVORY CAP England, Early 20th Century

Square tapered rosewood shaft with conforming whale ivory cap and horn ferrule. Length 36”. 400/600

1122. CANE WITH WHALEBONE HANDLE

Globular handle with deeply carved lobes. Wooden shaft with brass collar and metal ferrule. Length 35.5”. 250/350

1123. TWO WHALEBONE-HANDLED CANES

1) “L”-shaped whalebone handle. Brass collar initialed “J.F.G.” in cursive. Tapered wooden shaft with brass ferrule. Length 35.5”.

2) “L”-shaped whale ivory handle with alternating carved nodules at the base. Silver collar. Tapered wooden shaft with brass ferrule. Length 36.25”. 700/1,000

1124. TWO CANES WITH WHALE IVORY HANDLES

1) Flared knob handle with a baleen band near the base. Ebony shaft with whalebone ferrule. Length 36.25”.

2) Bulbous knob handle. Mahogany shaft. Length 34.75”. 600/800

1125. WHALE IVORY AND EBONY CANE America, 19th Century “L”-shaped handle made of ebony with a central whale ivory section. Shaft made from six pieces of whale ivory. Ebony ferrule. Length 33”. 500/700

1126. CANE WITH WHALE IVORY CLENCHED FIST HANDLE America, Late 19th Century

Handle formed as a clenched right fist, with an alternating whalebone and baleen “arm”. Wooden shaft with metal ferrule. Length 33.5”. 250/350

1127. COLLECTION OF FORTY-EIGHT WHALEBONE BODKINS 19th Century

Also includes ten assorted whalebone sewing items. Lengths from 1.5” to 6”. 500/800

1128. HAND-CARVED BURL WOOD WHALE America, 20th Century Height approx. 15”. Length 45”. 500/700

1129. SPERM WHALE-FORM PAINTED WOODEN SIGN Contemporary “Nye Sperm Oil” in red and black lettering on a white and gray ground. Length 46”. 400/700

1130. SAILOR’S VALENTINE

20th Century

Composed of multicolored shells. Heart at center surrounded by geometric patterns. Housed in a 19th Century gilt and walnut frame. Framed 20” x 23.25”. 1,500/2,500

1131. SAILOR’S VALENTINE

Mid- to Late 20th Century

Composed of multicolored shells surrounding a central medallion with a portrait of a woman. Octagonal frame. 15” x 15”. 1,000/1,500

1132. DOUBLE SAILOR’S VALENTINE

Early 20th Century

Composed of multicolored shells. Left side with “Forget Me Not”. Right side with central heart and flowers. Octagonal hinged wooden case. Each side 9” x 9”. 1,000/1,500

1133. TWO MARITIME LITHOGRAPHS

“U.S. Auxiliary Steam Frigate Merrimac” and “Clyde S.S. Company Boston. New York. Charleston. Jacksonville, Fla.”. Framed 28.5” x 36” and 30.75” x 38.75”. 500/700

1134. MARITIME LITHOGRAPH

“Bark Vernon on Lynn Beach”. After the painting by Clement Drew. 21” x 28.75”. Unframed. 1,500/2,000

1135. SIX-BOARD SEA CHEST

Early 19th Century

In pine. Grain-painted ground with decoration of a whaleship on the top and a sperm whale on the front. Height 19”. Width 44”. Depth 19”. 300/500

1136. CAMPAIGN CHEST

19th Century

In mahogany. One-part construction with a deep full-width drawer over two half drawers over two full-width drawers. Brass and iron hardware. Height 46”. Width 39”. Depth 23”. 1,200/1,400

1137. BRASS-BOUND CAMPHORWOOD TRUNK

19th Century

Fitted with brass casters. Height 19”. Width 40”. Depth 20”. 700/1,000

ROY CROSS

England, b. 1924

1138. The Baltimore clipper Grecian

Signed lower left. Gouache and watercolor on paper, 23.5” x 32.5”. Framed 29” x 37.5”. 3,000/5,000

1139. “The Ship John of Salem, 1803”

Signed and dated lower right “Roy Cross 1978”. Titled on label verso. Gouache and watercolor on paper, 21” x 29” sight. Framed 30” x 38”. 3,000/5,000

1140. AMERICAN SCHOOL

Mid-19th Century

Portraits of Captain Ira Bursley and his wife Isabelle. Ira was captain and part-owner of the Liverpool packet Hottinguer of the Swallowtail Line. He and 13 crew members were lost at sea when the Hottinguer sank off of Arklow Bank in the Irish Sea in January 1850. Unsigned. Oil on canvas, 30” x 26”. Framed 36” x 31”. 2,000/3,000

1141. SAILOR-MADE MODEL OF THE LIVERPOOL PACKET HOTTINGUER 19th Century

Together with a print of the vessel. Model length 38”. Print framed 19” x 27”. 800/1,200

pair

1142. PORTRAIT OF AN AMERICAN GUN SHIP Early 19th Century

Unsigned. Housed in a period gold leaf frame. Watercolor, 10.5” x 15” sight. Framed 14.5” x 19”. 1,000/1,500

1143. FREDERIC ROUX France, 1805-1870/74

“Brig Palmer, Capt’n Rob Marshall represented in a gale of wind lat. 45 50, Lon. 38 20, on the 9 December, 1834. Capt. & crew, taken off by the English Bark Ann of Rofs, Captn. Kays, after having remaind [sic] on the wreck 5 days”. Signed and dated lower right “Frederic Roux au Havre 1844”. Watercolor on paper, 17.5” x 24”. Framed 21.5” x 28”. 1,500/2,000

1144. CHARLES HUBBARD Massachusetts, 1801-1876

An exceptionally early 19th Century seascape.

off Gay Head, Martha’s Vineyard, Massachusetts. Signed and dated lower right

Hubbard 1838”. Oil on panel, 14” x 17”. Framed 18.5” x 22.5”. 1,000/2,000

1145. AMERICAN SCHOOL 19th Century

Portrait of a gentleman seated in front of a red velvet curtain and holding a cane. Unsigned. Oil on canvas, 34” x 27”. Framed 41” x 35”.

1146. ELDRED WHEELER PIPE BOX Massachusetts, 20th Century

In tiger maple. Single low drawer with shell carving. Eldred Wheeler label on back. Height 17”. 250/350

1148. CARVED WOODEN POINTER OR STRAIGHT EDGE

Possibly 18th Century

Rectangular rod with different carvings on all four faces, some geometric and some floral. One face carved with the letters of the alphabet, minus the letter “J”, an ampersandlike character and numerals “758”, possibly the date 1758.

Another face carved “Margkretha Spinglerin”. Deeply incised lines at unevenly spaced intervals on all four faces. Pierced hole for hanging loop at one end. Length 24”.

1147. BLANKET CHEST 19th century

In pine under blue paint. Shaped base. Height 23.5”. Width 42”. Depth 19”.

1149. HISTORICAL BLUE STAFFORDSHIRE PLATTER AND TWO PLATES 19th Century

“Landing of Gen. LaFayette”. Platter length 19.25”. Plate diameters 10.25”. 400/700

1150. THREE BLUE STAFFORDSHIRE PLATES First Half of the 19th Century All with American scenes. Includes “City Hall New York” by Ridgway, diameter 9.75”, “Bank of the United States” by Stubbs & Kent Longport, diameter 10”, and a New York plate marked “Excelsior” with an eagle and an “E Pluribus Unum banner” on the reverse, diameter 10”. 200/300

1153. NEW ENGLAND CHIPPENDALE BUREAU

Circa 1780

In tiger maple. Four graduated full-width drawers. Flat bracket feet. Height 34”. Width 39”. Depth 20.75”. 800/1,200

1154. FEDERAL CANDLESTAND 18th Century

In cherry under an old red wash. Octagonal top with fruitwood inlay. Turned pedestal raised on spider legs. Height 30”. Top 18.5” x 14.25”.

1155. PAIR OF QUEEN ANNE BRASS CANDLESTICKS

18th Century

With a near-pair of later clear glass hurricane shades. Candlesticks with scalloped bases. Candlestick heights 9.5”. Shade heights 17.25”.

1151. BASS OTIS Pennsylvania/Massachusetts, 1784-1861

Portrait of Hanna Huxley. Unsigned. Sitter identified on frame plaque. Artist’s label verso. Oil on canvas, 30” x 25”. Framed 39” x 33”. 800/1,200

1152. ENGLISH SHELL TEA CADDY 19th Century

Compartmented interior. Height 4.75”. Width 5”. Depth 4.75”. 1,200/1,400

1156. ELDRED WHEELER MINIATURE CHEST-ON-FRAME Massachusetts, 20th Century

In tiger maple. Top drawer simulates three side-by-side drawers with central fan carving. Four full-width drawers below. Frame with shaped apron and cabriole legs ending in pad feet. Height 42.5”. Width 23”. Depth 14”. 1,000/2,000

1157. TOLE TRAY America, 19th Century

Central decoration of a white and blue bird amidst a bright yellow, orange, white, blue and green bouquet. Gilt floral and foliate border. Unsigned. 20.75” x 28”. 300/500

1158. PAIR OF MINIATURE FAMILY PORTRAITS ON PORCELAIN 19th Century

One depicts a mother and son and the other depicts a father and daughter. 4.5” x 4”. Framed 7” x 6”. 500/1,000

1159. ENGLISH FRUITWOOD TEA CADDY 19th Century

Inlaid oval panels in fruit and floral designs. Fitted interior. Height 5”. Width 7”. Depth 4”. 600/900

1160. SULTANABAD DESIGN RUG: 9’1” x 11’10”

Early 21st Century

Robin’s-egg blue field contains a delicate tan vine suspending bold stylized blossoms in shades of gold, olive green, dark red, marine blue and dark mahogany. Light olive green guard borders. Light gray main border. 900/1,200

1161. KAZAK DESIGN RUG: 9’1” x 12’4”

Early 21st Century

Ivory, marine blue and slate blue geometric medallions are arranged in typical symmetrical fashion throughout a bright red field. Medallions contain a variety of stylized elements rendered in red, blue, green, ivory and a subtle khaki. Blue, green and ivory borders.

1162. MESHED RUG: 9’6” x 12’4”

Late 20th/Early 21st Century

1,000/1,500

Central sandy gold and navy blue medallion occupies a rich red field framed by navy blue spandrels. Elaborate scrolling vines, bouquets and branches throughout in shades of blue, gold, pink, subtle orange and ivory. Colorful borders echo the field.

1163. KAZAK DESIGN RUNNER: 3’0" x 19’0”

Early 21st Century

Bright red field with small stylized blossoms of light blue, dark blue, ivory, dark red, subtle salmon pink and celadon green. Blue and ivory borders. 650/850

1164. HAMADAN RUG: 11’7” x 15’8”

Second Half of the 20th Century

Abrashed gold and dark charcoal medallion occupies the center of a bright red field. Numerous colorful branches and blossoms throughout rendered in bright pink, aqua, olive green, dark blue, brown and subtle orange. Multiple floral borders. 500/1,000

1165. SERABEND RUG: 4’1” x 6’4”

Early 20th Century

Traditional blue boteh cross a red field in staggered rows. Similar pattern in ivory and red on the blue subfield. Broad ivory border with traditional red and blue meandering vine. 100/200

1166. CAUCASIAN SEICHOUR RUG: 2’10” x 6’0”

Late 19th Century

Red and dark blue serrated leaves form a lattice pattern that encloses stylized roses and flower branches on an ivory field. Multiple narrow red, pink and blue borders. 200/400

1167. KURDISH GALLERY RUG: 5’1” x 9’8”

First Quarter of the 20th Century

Columns of red, blue, pink, gold, brown and ivory elements blanket a navy blue field. Simple stylized elements repeat throughout dark red and blue borders. 400/800

1168. NORTHWEST PERSIAN: 3’4” x 6’0”

First Quarter of the 20th Century

Two columns of blue and ivory stylized flower branches traverse a dark red field. Red and blue borders. 150/300

1169. PESHEWAR RUG: 5’0” x 6’7”

Early 21st Century

Three rust red and marine blue geometric medallions are orbited by various red and navy blue smaller medallions and blossoms on a camel’s hair-colored field. Red main border with elegant blossoms and meandering vine. 300/500

1170. SULTANABAD DESIGN RUG: 8’0” x 10’0”

Early 21st Century

Bright ivory field with a symmetrical arrangement of bold light blue, copper, moss green, olive green, teal, red and pink stylized blossoms. Khaki guard borders and ivory main border in floral motifs. 650/850

www.eldreds.com

1171. NORTHWEST PERSIAN RUG: 4’10” x 10’9”

Late 20th Century Navy blue field with mirror images of bold dark red geometric medallions that contain smaller light brown and navy blue geometric elements and stylized floral blossoms. A variety of additional elements are arranged about the perimeter. Faded orange and red borders.

1172. INDIAN RUG: 11’8” x 17’9”

Late 20th Century Red field with a delicate dark blue and light tan lattice containing a variety of floral elements rendered in subdued shades of blue, green, peach, dark teal and subtle brown. Broad dark blue main border with traditional turtle motif.

1175. CAUCASIAN DESIGN RUNNER: 2’8” x 9’6”

Early 21st Century

Bright red field with a series of repeating stylized vines arranged in bracket patterns, rendered in bright yellow, bright ivory, marine blue, mint green and subtle salmon pink. Bright ivory border with a repeating stylized element in colors to echo the field.

1173. KESHAN RUG: 10’0” x 14’7”

Third Quarter of the 20th Century

Dark blue field with overlapping white, blue, ivory and bright red central medallions, which suspend white pendants. Spandrels echo medallion. Scrolling flowering vines and blossoms in blue, gold, brown, red and ivory throughout. Ivory, light blue and bright red borders.

1174. INDIAN RUG IN PERSIAN DESIGN: 10’0” x 14’0”

20th or 21st Century

Dark gold and dark copper medallion occupies the center of an onyx field filled with a quatrefoil arrangement of gray and tan garrus vines bearing delicate branches and blossoms. Narrow tan and gold guard borders. Broad copper main border.

1176. SAROUK RUG: 3’5” x 5’0”

Early 20th Century

Red field with overlapping dark blue and gold central medallions, quartered medallions forming spandrels, and colorful blossoming garrus vines and branches throughout.

and dark blue borders.

1177. AFTER AMMI PHILLIPS

Early 20th Century

A mother holding a floral sprig and a child holding a doll. Unsigned. Oil on panel, 13.75” x 14.25”. Framed 17.25” x 17.75”. 1,000/1,500

1179. COLONIAL SPONGE-PAINTED BLANKET CHEST

Late 18th/Early 19th Century

In pine. Two drawers below blanket compartment. Period, probably original, oval brass hardware. Remarkable state of preservation. Height 36.5”. Width 38.75”. Depth 17.5”. 1,000/2,000

1178. NEW ENGLAND BANISTER-BACK ARMCHAIR

Mid-18th Century

Retains early black painted surface. Back with five splats. Later rush seat. Back height 45.5”. Seat height 17.5”. 800/1,000

1180. CHIPPENDALE BUREAU

Late 18th Century

In tiger maple and maple, with four graduated full-width drawers and a shaped bracket base. Height 37”. Width 40”. Depth 20”. 600/900

1181. GILT COPPER AND ZINC TROTTING HORSE WEATHER VANE 19th Century

Full-bodied. On a wooden base. Height 21”. Length 33”. 800/1,200

1182. TAVERN TABLE

Connecticut, Mid-18th Century

Pine one-board top with breadboard ends. Cherry base with single drawer in apron and block and turned legs joined by an H-stretcher. Old finish with rich patina. Height 29.75”. Width 45”. Depth 31.5”. 1,200/1,800

1183. RARE WILLIAM BUSHNELL STONEWARE WATER COOLER 19th Century

Stamped “William Bushnell Salisbury Center”. Cobalt blue “1845” and banded and swag decoration. Height 15”. 400/700

1184. FLETCHER & NORTON THREE-GALLON STONEWARE JUG 19th Century

Stamped “Fletcher & Norton Dealers in Hardware, Paints, Groceries & C. Westfield Mass”. Cobalt blue floral decoration. Height 16”. 300/500

1185. GEORGE ARTHUR HAYS

Rhode Island/Massachusetts, 1854-1945

Portrait of a bull. Signed lower left “G.A. Hays”. Oil on canvas, 36” x 30”. Framed 40.5” x 34.5”. 1,000/1,500

1186, six

1186. SET OF SIX WARREN CHAIR WORKS BOW-BACK WINDSOR CHAIRS Warren, Rhode Island, 20th Century

Antiqued black and red finish. Warren Chair Works brand on undersides. Back heights 38.5”. Seat heights 17.5”. 1,500/2,500

1187. TWO-PART CORNER CUPBOARD 19th Century

In cherry. Upper half with a shaped cornice and a twelve-panel glass door. Lower half with two paneled doors and flat feet. Height 85.5”. Width 44”. Depth 23”. Takes a 27” corner. 800/1,200

1188. AMERICAN SCHOOL 19th Century

Portrait of a gentleman. Unsigned. Pastel on paper, 19” x 15” sight. Framed 23” x 19”. 400/700

1189. THREE WARREN CHAIR WORKS WINDSOR PUB CHAIRS Warren, Rhode Island, 20th Century

In maple. Branded under seats. Back heights 40”. Seat heights 26”. 400/600

1190. BLANKET CHEST 19th Century

Painted green. Top attached with snipe hinges. Interior with ditty box. Height 22.5”. Width 44”. Depth 17.5”. 250/350

1191. SHEET METAL HORSE WEATHER VANE 19th Century

Painted black. Made from multiple pieces braced together. Center support pole. Height 29”. Length 29”. 400/600

1192. FOUR PIECES OF CHARLESTOWN STONEWARE POTTERY 19th Century

Two crocks and two ovoid jugs. All marked “Charlestown”. Three with impressed heart designs. Heights from 11” to 15”. 500/1,000

1193. AMERICAN SCHOOL 19th Century

Portrait of a girl wearing a white dress and holding a bonnet. No signature noted. Oil on canvas, 38” x 28”. Framed 43” x 32”. 800/1,200

1194. SHERATON TWO-DRAWER DROP-LEAF STAND Circa 1820

In mahogany with tiger maple drawer fronts. Turned legs. Height 31”. Width 16.5” plus two 9.5” drop leaves. Depth 18”. 400/600

1195. CONNECTICUT NEEDLEWORK SAMPLER Dated 1829

“Prudence Anne Spicer’s Sampler made in the 8 Year of her age 1829”. Central panel with maker’s inscription and verse “This work of mine My friends may have When I am dead and in My Grave”. Alphabets and numerals in upper panel. Script alphabet in lower panel surrounds a house. Strawberry vine border. Research indicates Spicer was born in New London, Connecticut, May 19, 1821. 17.5” x 11.5” sight. Framed 20” x 14.5”. 800/1,200

1196. SANDWICH GLASS TRIPLE CUT OVERLAY LAMP Mid-19th Century

Font in pigeon blood cut to white cut to clear in star and elliptical patterns. Brass fluted stem on a double-stepped marble base. Height 12.5”. 700/1,000

1197. PAIR OF SANDWICH GLASS FLUID LAMPS Mid-19th Century

In opaque blue and white. Acanthus leaf designs. Heights 12”. 700/1,000

1200. MAINE NEEDLEWORK SAMPLER

Circa 1835

Wrought by “Martha An [sic] Nutter Born March 18 1825 Aged 10”. Upper half with alphabets, numerals and maker’s inscription. Lower half with a stately home flanked by flowering trees, baskets of fruit and flowering vines. Line borders. 13.75” x 17.25” sight. Framed 15.75” x 19.5”. 500/800

1201. UNUSUAL NEW HAMPSHIRE NEEDLEWORK SAMPLER

Dated 1814

Wrought by “Frances Wilson Aged 10 1814”. Dense and colorful arrangement of alphabets, small emblems, numerals, rows of initials all ending in “W”, presumably the initials of Wilson family members, and the maker’s inscription surround a crewelwork-style depiction of two birds on branches flanking a potted plant. Fruiting vine and line border. Research indicates Frances Wilson was born in 1804 in Lancaster, Coos County, New Hampshire. 12.5” x 11” sight. Framed 15.25” x 13.75”. 500/800

1198. NEEDLEWORK SAMPLER FAMILY RECORD Maine, Dated 1830

Stevens family record “Wrought by E.H. Stevens AE 13 years. 1830”. List of family members, including maker Eliza H. Stevens, above a house flanked by birds and flowering trees. Floral vine and line borders. Research indicates the Stevens family was located in Gorham, Maine. 12.75” x 10” sight. Framed 14.75” x 12”. 500/800

Exhibited: Saco Museum, Saco, Maine: “'Industry and Virtue Joined’: Schoolgirl Needlework of Northern New England”, May 8-October 4, 2015.

1199. NEW HAMPSHIRE NEEDLEWORK SAMPLER Dated 1830

Wrought by Maria Reynolds. Rows of alphabets above a mostly illegible one-line phrase. Abundant display of birds, flower blossoms, acorns, flower baskets, a building, etc. surround the maker’s inscription. Line dividers and borders. Research indicates Mary Ann (Maria) Reynolds was born in 1818 and lived in Derry, New Hampshire. 8.5” x 16.25” sight. Framed 10.25” x 18”. 500/800

Exhibited: Saco Museum, Saco, Maine: “'Industry and Virtue Joined’: Schoolgirl Needlework of Northern New England”, May 8-October 4, 2015.

1202. AMERICAN SCHOOL 19th Century

Maiden at a window. Unsigned. Marked “Fay” verso. Oil on canvas, 22” x 18”. Framed 29” x 24”. 500/1,000

1203. ENGLISH SHELL TEA CADDY 19th Century

Domed top with silver ball finial. Fitted interior. Height 6”. Width 4.5”. Depth 3.5”. 1,000/1,200

1204. JAMES ABBOTT MCNEILL WHISTLER

Massachusetts/England/France, 1834-1903

Bibi Lalouette, 1859. Depicts a curly haired little boy sitting on the edge of a bed. Known by the pet name “Bibi”, the child was a son of J.M. Lalouette, who ran a small hotel and restaurant at 5 rue de l’Odéon in Paris. From a series of portraits Whistler made in 1858-59. Etching and drypoint on paper, plate 9” x 6”. Framed 17.5” x 14”. 700/1,000

1205. SHERATON TWO-DRAWER STAND

Circa

In maple with tiger maple drawer fronts. Height 30”. Width 22”. Depth 19”. 400/600

ELDRED WHEELER TWO-PART LINEN PRESS

20th

In tiger

section with two

doors enclosing

BUST PORTRAIT OF A GENTLEMAN

interior

a

Lower section with three

full-width drawers and an ogee bracket base. Eldred Wheeler

OF APPROX. FIFTEEN PERIOD

ROSEWOOD LAP DESK

Brass

8th

MINIATURE PORTRAIT OF A GENTLEMAN

Seen

“Porter 1805”.

wearing white

and dated lower

3.5”

3”.

7”

6”.

1213. CAST IRON ROOSTER-FORM WINDMILL WEIGHT 19th Century

On a contemporary wooden stand. Rooster height 21.5”. Length 21”. 800/1,200

1214. AMERICAN SCHOOL 19th Century

Portrait of a gentleman seated by a window, with his books, a stack of papers and a quill pen. Unsigned. Oil on panel, 29” x 23.5”. Unframed. 500/1,000

1215. SHERATON ONE-DRAWER STAND Circa 1810

In strongly figured tiger maple. Tapered legs end in button feet. Height 28.5”. Width 22.5”. Depth 19”. 1,000/1,500

1216. FITZ HENRY LANE Massachusetts, 1804-1865

View of Norwich, From the West Side of the River, 1849. Published by A. Conant. Sketched by Lane. Printed in colors by Sarony & Major, 117 Fulton St., New York. Marked “Entered according to Act of Congress year 1849 by A. Conant’s in the Clerk’s office of the District Court of the Southern District of New York”. Colored lithograph, 12.25” x 17” sight. Framed 20.5” x 24.5”.

1217. PAIR OF BRASS ANDIRONS ATTRIBUTED TO R. WHITTINGHAM

New York, Circa 1815

A left and right, with elaborate finials, column plinths, arched spurred legs and fine pierced galleries. Iron dogs. Heights 24”. Depths 24”. 800/1,200

1218. CHIPPENDALE MIRROR

Last Quarter of the 18th Century In mahogany and mahogany veneer. Beautifully scrolled frame with gilt phoenix crest and gilt liner. Height 53”. Width 29.5”. 800/1,200

1219. QUEEN ANNE WING CHAIR Pennsylvania, Mid-18th Century

Nicely scrolled arms and arm supports. Some yellow pine frame woods. Walnut cabriole legs end in pad feet. Back height 47.5”. Seat height 17.5”. 1,200/1,800

1220. THOMAS LOCHLAN SMITH

New York/Scotland, 1835-1884 Stagecoach on Albany Post Road. Signed lower right “T.L. Smith”. Oil on canvas, 7.5” x 7.5”. Framed 11.75” x 11.75”. 1,000/1,500

1221. FRANK ALFRED BICKNELL Connecticut/Maine, 1866-1943

Landscape with ducks. Signed lower right “Frank A. Bicknell”. Oil on panel, 5.5” x 8.5”. Framed 14” x 17”. 600/900

1222. EIGHT-PIECE PAINTED BEDROOM SET America, Mid-19th Century

Gilt and floral designs against a beige ground. Includes a sleigh bed, dressing table with backsplash, a bedside cabinet, a hexagonal table, a bureau with glove boxes, two cane-seat chairs and a rocker. Signed and dated 1846 on interior drawer of dressing table. 2,000/3,000

1223. FEDERAL POLE SCREEN

Fourth Quarter of the 18th Century

In mahogany. Shield-shaped needlework screen. Ring- and baluster-turned pole raised on three arch-carved legs ending in pointed padded slipper feet. Height 57.5”. 400/600

1224. AMERICAN SCHOOL

19th Century

Portrait of a boy and girl, likely siblings. Unsigned. Oil on canvas, oval 28” x 23”. Framed 36.5” x 33”. 500/1,000

1225. SHERATON ONE-DRAWER WORK TABLE

Early 19th Century

In maple and tiger maple. Turned legs end in button feet. Height 29.25”. Width 39”. Depth 24”. 500/700

1226

1226. ELDRED WHEELER HARVEST TABLE

Massachusetts, 20th Century

In maple. Eldred Wheeler paper label and brand on underside. Height 29”. Length 74”. Width 19” plus two 11.5” drop leaves. 800/1,200

1227. RARE NEW ENGLAND MENDING OR DARNING SAMPLER

Dated 1832

Wrought by “Gisey Burns aged 10 years 1832”. Upper half with rows of alphabets. Lower half with maker’s inscription, a bird in a tree, a basket of flowers, a deer and a row of several different stitch patterns that exemplify the meticulous stitchwork required for mending, reweaving and advanced embroidery. 12” x 12” sight. Framed 14” x 14”. 600/900

1228. MASSACHUSETTS NEEDLEWORK SAMPLER Dated 1821

Wrought by Phebe Snow, Leominster, and dated July 13, 1821. Rows of alphabets and numerals separated by sawtooth and acorn borders above verse “May I govern my passions with absolute sway And grow wiser and better as life wears away The vile love virtue tho they never practice”. Maker’s inscription, baskets of flowers and a flowering tendril below. 9” x 15.5” sight. Framed 12” x 18.5”. 500/800

1229. WAKEMAN HOLBERTON

New York, 1839-1898

Just hatched. Signed and dated lower center “W. Holberton”. Oil on board, 7” x 7”. Framed 12.5” x 12.5”. 1,000/1,500

1230. QUEEN ANNE HIGHBOY Mid-18th Century

In mahogany with burled walnut front facings. Upper case with four graduated full-width drawers. Lower case with two half drawers over three side-byside drawers, and cabriole legs ending in pad feet. Height 65”. Width 41”. Depth 19”. 1,000/2,000

1231. HEPPLEWHITE ONE-DRAWER STAND Circa 1820

Under old red paint. Drawer with turned wooden pull. Square tapered legs. Height 29”. Width 24”. Depth 20”. 300/500

1232. ONE-DRAWER BLANKET CHEST 19th Century

Yellow sponge-painted decoration. Height 32”. Width 41”. Depth 18”. 400/600

1233. EAGLE POTTERY THREE-GALLON STONEWARE HANDLED JUG

Palatine, West Virginia, 19th Century

Blue stenciled decoration of an eagle, shield and banner above “Palatine W. Va. 3”. Height 16.5”. 300/500

1234. CHARLES G. BUSH PARLOR KALEIDOSCOPE

Circa 1870

Mounted on a turned wooden stand. Height 14”. Length 10”. 600/800

1235. STEVENS EAGLE AND EAGLETS MECHANICAL BANK

Late 19th Century Includes original stopper. Height 6.5”. Length 8”. 200/300

1236. PAINTED WOODEN GAME BOARD

Late 19th century

Checkerboard at center. 29” x 29.5”. 400/600

1237. THOMAS B. WORTH New York, 1834-1917

“Travel in America in the Olden Time Before Rail Road”. Two scenes showing the Benjamin Bean (Barton) House and the Old National Pike. Signed lower right “Thomas Worth”. Titled verso. Watercolor on illustration board, 14.5” x 22.5”. Unframed.

1238. PAIR OF ELDRED WHEELER ONE-DRAWER STANDS Massachusetts, 20th Century

In maple and tiger maple. Square tapered legs. Heights 23.75”. Widths 17.75”. Depths 17.75”.

1239. B. LEJA, OPTICIEN EYE EXAMINATION MACHINE Paris, Circa 1860

Mahogany box with eye cups, adjustment knobs, hinged top, inset ivory name plaque (blank) and maker’s card inset at the bottom “B. Leja Opticien de la Majesté Le Roi de Suede & Norwegi et Fournisseur Brevetié de la Majesté Le Empereur des Français 1 Rue de 1 Echelle en face le Palais des Tuileries. PARIS”. Height 18”. Width 9.5”. Depth 10.75”. 600/800

Provenance: Dan Morphy Auctions, Denver, Sale no. 78, Lot #2393.

1241. ELDRED WHEELER FOUR-DRAWER SERVER Massachusetts, 20th Century

In tiger maple. Square tapered legs. Lower left drawer with original Eldred Wheeler paper label and a handwritten note “Sarah and Bill with thanks from Eldred Wheeler Best Wishes November 1989”. Height 38.5”. Width 44”. Depth 21.5”. 1,400/1,800

1242. UNUSUALLY SMALL GILT RUNNING HORSE WEATHER VANE

Late 19th Century Height 12”. Length 16”. 300/500

1240. "OPTICIAN" TRADE SIGN

Late 19th Century

Brass letters on a brown-painted wood board. Height 7”. Length 54”. 300/500

1243. ELDRED WHEELER KING-SIZE BED Massachusetts, 20th Century

In strongly figured tiger maple. Still in original packing box. Headboard width 78”. 3,000/3,500

1244. NATIONAL MAZDA LAMPS DISPLAY Minneapolis, Circa 1920 Wood base with the company name supports a tin arch painted and decorated with the trade name and fitted with 11 light bulbs. Mazda was a trademarked name registered by General Electric in 1909 for incandescent light bulbs. The name was used from 1909 to 1945 in the United States by G.E. and Westinghouse. Height 12.5”. Width 27.5”. Depth 6.5”. 1,200/1,800

Provenance: Morphy Auctions, Denver, Sale no. 69, Lot #1201.

1245. D.R. DIMES HARVEST TABLE

New Hampshire, 20th Century In maple. Original paper label and brand on underside. Height 31”. Length 37”. Width 32”. 1,000/1,500

“LORILLARD’S CLIMAX PLUG TOBACCO” ADVERTISEMENT

Century

Head of Everything”. Copyright 1885 by P. Lorrillard & Co. 31.5” x 21.5” sight. Framed 39.5” x 29.5”. 400/600

1247. SAMUEL ANDERSON ROBB New York/Pennsylvania, 1851-1928

Carved and painted wooden cigar store Indian princess, circa 1890, New York. Early painted surface. Indian princess wearing a feather headdress, large necklace and dress with feather belt, and holding a rose and multiple boxes of cigars. Roses were carved on Robb’s later maidens to honor the death of his wife. Height 62”. Width 16”. Depth 14”. 10,000/15,000

Provenance:

Collection of Robert Shelton, owner of Old Tucson Studios. Said to have been used on many Western movies of the 1960s shot there.

1248. “WARD’S PAPER COLLARS” ADVERTISEMENT

Late 19th Century

Chromolithograph, 16.5” x 21.5”. Framed 26.5” x 31.5”. 300/400

1249. “PHELPS’S ARCANUM” ADVERTISEMENT 19th Century

Designed by G.L. Brown. Dated 1887. Lithograph, 20.75” x 24.75” sight. Framed 25” x 29.75”. 300/500

1250. “KEEP YOUR PANTS ON WITH ATWOOD SUSPENDER” ADVERTISEMENT

Late 19th Century

Depicts three men standing near a looking glass. By Americana Lithographic Co., New York. Lithograph, 15.5” x 10.5” sight. Framed 22” x 17”. 250/350

1251. TWO LITHOGRAPHS FEATURING WOMEN

Early 20th Century

A fashion print depicting a woman wearing a red dress seated in a garden, and an advertisement for “A.C. Sousa Carnes, Grocerias, & Provisoes”, Bristol, Rhode Island, with an attached 1914 calendar. Largest framed 27.5” x 17.5”. 300/500

1252. GRAIN-PAINTED PINE BOX 19th Century

“O.B.No.6” painted on the font. “Old Letters prior to 1865” written in ink on inside of lid. Height 13.5”. Width 25”. Depth 12”. 300/500

1253. TWO IRON AND COPPER LIGHTNING RODS

19th Century

One with glass globe. Heights approx. 69”. 500/800

1254. WROUGHT IRON FOURTH OF JULY CELEBRATION DISPLAY

First Half of the 20th Century

A spread-wing eagle set on a pole. Purportedly paper was wrapped around the eagle and lit on fire. Height approx. 71.5”. Eagle width 19.25”. 300/500

1255. “LIBERTY BELL BRAND OF JELLY” ADVERTISEMENT

Late 19th Century

Depicts a waterfront scene of a ship, the Liberty Bell, an American flag, four demons, two young women, boxes and baskets of fruit, and barrels of jelly. By Crump Label Co., New York. Lithograph, 14.75” x 11” sight. Framed 19.5” x 15.75”.

1256. "SAILORS SNUG HARBOR" BRONZE BELL

Dated 1859

Purportedly from the Sailors’ Snug Harbor home for sailors in the Germantown section of Quincy, Massachusetts, near Boston, and made by the Henry N. Hooper & Co. bell foundry. Bell with raised lettering “Sailors Snug Harbor Oct. 1 1859.”. Retains original hanging mount and includes a contemporary custom-made mahogany floor stand. Height on mount 18”. Width 24.5”. Bell diameter approx. 16”. Stand height 19”. 1,500/2,500

The Sailors’ Snug Harbor of Boston was founded in the 1850s as a retirement home for elderly, infirm or impoverished sailors who could no longer serve as active seamen. The facility was first located in the Germantown section of Quincy and then moved to Powder Point, Duxbury, Massachusetts, where it merged with the National Sailors’ Home. When the need for such a retirement home diminished in the 1970s, the property was sold and the contents sold at auction. The proceeds established a charitable foundation that provides financial assistance in support of seamen and fishing families of Massachusetts. This bell is believed to have been made by the Hooper foundry, given the Hooper’s connection with the original Germantown location, and sold at auction in the 1960s or 1970s as the Duxbury location was being disbanded.

1257. ADMIRAL DEWEY’S LAMP

Early 20th Century

Copper and brass font in the form of a naval artillery shell supported by four cast iron crossed cannon legs. Font impressed on one side “Admiral Dewey’s Lamp” and with the battleship Maine, and on the opposite side with crossed flags, a wreath and “Remember the Maine”. Retains original glass shade depicting the Maine at sea. Total height 15.25”. Length 8.75”. 700/1,000

1258. GILT AND PAINTED WOODEN SPREAD-WING EAGLE

Late 19th/Early 20th Century Height 15.5”. Length 44.5”. 700/1,000

1261. SAILOR-MADE MODEL OF A TWO-MASTED SCHOONER

Late 19th Century

Black hull with green bottom. Mounted on a paneled wooden box/stand. 1,200/1,800

1259. MARITIME MOTIF WALL PLAQUE

First Half of the 20th Century

Applied carved and painted spread-wing eagle, with a red and white striped shield at its breast and red, white and blue striped banner in its talons, is perched on a shield emblazoned with stars and an American flag. Ropes and cleat pulley along the borders. Height 45.25”. Width 25.25”. 700/1,000

1260. U.S. NAVY OFFICER’S SWORD AND SCABBARD

Early 20th Century

Made in Boston. Blade etched with an anchor, eagle and shield. Includes sword knot. Blade length 31”. Total length 37”. 200/300

1262

1262. ELDRED WHEELER “SHIP MODEL” TABLE

Massachusetts, 20th Century

In tiger maple, with two half drawers, a stretcher base and bun feet. Original Eldred Wheeler paper label inside a drawer. Height 29.5”. Width 48”. Depth 19”. 1,500/2,000

1263. Portrait of the U.S. steamship Morro Castle

Signed and dated lower right “A. Jacobsen 1901 West Hoboken, N.J.”. Oil on canvas, 18” x 30”. Framed 23.75” x 35.75”. 5,000/7,000

ANTONIO NICOLO GASPARO JACOBSEN

New York/New Jersey/Denmark, 1850-1921

Built in 1899, Morro Castle was named after the fortress at the entrance of Havana Bay, Cuba. She was active during the Mexican Revolution and retired in Brooklyn in 1924.

1264. ATTRIBUTED TO DENNIS MILLER BUNKER

Massachusetts, 1861-1890

By the sea. Signed lower left “Bunker”. Oil on canvas, 11” x 18”. Framed 19.25” x 24”.

1265. ELISHA TAYLOR BAKER

New York/Connecticut, 1827-1890

“View of New London Harbor in the Fog”. Unsigned. Oil on canvas, 12” x 20”. Framed 19.25” x 27”. 8,000/12,000

Provenance: Frederick Elisha Baker. William Elisha Baker. William Avery Baker. Private Collection, New York.

1266. WILLIAM PIERCE STUBBS

Maine/Massachusetts, 1842-1909

White-hulled clipper at sea. Signed and dated lower left “W.P. Stubbs 85”. Oil on canvas, 26” x 42”. Framed 32” x 48”. 5,000/7,000

1267. GRANVILLE PERKINS

New York/Maryland, 1830-1895

New York Harbor and Castle Island in the distance. Signed and dated lower left “Granville Perkins 1892”. Oil on canvas, 12” x 18”. Framed 19” x 25”. 6,000/8,000

1268. MOUNTED HALF HULL MODEL OF A STEAM SHIP

First Half of the 20th Century

Hull light blue above the waterline and natural finish below.

Plaque mounted on backboard lower right “The Caledon Shipbuilding & Engineering Company, Limited Dundee”. Walnut backboard 12.5” x 75”. 800/1,200

1270. MOUNTED BUILDER’S HALF HULL MODEL OF A SAILING VESSEL

Late 19th/Early 20th Century

Built up in 13 lifts. Applied skeg and rudder. Backboard with molded edge. Marked on bow “4451. AC.”. Pine backboard 11.75” x 36.5”. 500/700

1269. MOUNTED BUILDER’S HALF HULL MODEL

OF A FISH STEAMER

Late 19th/Early 20th Century

Built up in approx. 12 lifts. Vessel type identified on backboard. Backboard 10.25” x 64”. 500/1,000

1271. BROADSIDE “PROVIDENCE LINE BETWEEN NEW YORK AND BOSTON”

Late Quarter of the 19th Century

Depicts the sidewheeler Massachusetts flying an American flag. Printed by Phoenix Lith. Framed 14.5” x 17.75”. 200/300

1272. THEODORE VICTOR CARL VALENKAMPH Massachusetts/Sweden, 1868-1924

Boats at sunset. Signed lower right “T.V.C. Valenkamph”. Oil on canvas, 16” x 20”. Framed 20” x 24”. 800/1,200

1273. FRANKLIN DULLIN BRISCOE Pennsylvania/Maryland, 1844-1903

Out on a choppy sea. Signed and dated lower right “FD Briscoe 92”. Oil on board, 13.5” x 21.5”. Framed 16.5” x 25”. 1,500/2,500

1274. ATTRIBUTED TO CLEMENT DREW Massachusetts, 1806-1889

Ships off a rocky coast. Unsigned. Oil on canvas, 20” x 30”. Framed 27” x 37”. 1,200/1,800

1275. STAN STOKES America, b. 1950 “U.S.S. Princeton at New York”. Depicts the vessel in New York Harbor by the Brooklyn Bridge, surrounded by a tugboat, sidewheeler and other vessels. Signed lower right “Stokes”. Titled on plaque. Includes two vintage photographs, one of the Princeton and the other of her crew. Oil on canvas, 36” x 48”. Framed 42.75” x 54.75”.

1276. CARVED AND PAINTED WOODEN SPREAD-WING EAGLE

Mid-20th Century

Gold-painted eagle clutching a red, white and blue shield in its talons above draped flags. Unmarked. Height approx. 21.5”. Width approx. 41”. 700/1,000

1277. REVERSE-PAINTED GLASS CHECKERBOARD

Early 20th Century

Marked on frame “U.S.S. Nevada” in yellow block letters. Board with alternating black and mottled green, yellow, white, red and black squares. 17” x 17.25” sight. Framed 21.5” x 21.5”.

1278. DOUBLE-SIDED HANGING SIGN “LUNCHEON. TEA. DINNER. OVERNIGHT GUESTS”

Early 20th Century

Black lettering on a white ground. Signed “Newton”. Height 11”. Length 39”. 400/600

1282. POST OFFICE MAIL SORTING BOX

Early 20th Century

From Orleans, Massachusetts. Wooden, showing traces of yellow paint. Fifty-four compartments. Height 38”. Width 35”. Depth 7”. 400/600

1279. PAINTED WOODEN SIGN FROM MASSACHUSETTS

Early 20th Century

“Padanaram Village” in black block lettering on a yellow ground. Padanaram is a village in South Dartmouth. Sign discovered in Fall River, Massachusetts. Height 8”. Length 63”. 500/800

1283. TWO WOODEN CRANBERRY SCOOPS

Early 20th Century

One stamped “Pratt Bog Co.”. Other from Wareham, Massachusetts. Heights 18” and 21”. 300/500

1280. METROPOLITAN INSURANCE COMPANY TIN SIGN

20th Century

Painted black and red lettering and emblem. Height 22”. Length 28.5”. 300/400

1284. FIFTEEN BRASS CRANBERRY STENCILS

Late 19th/Early 20th Century

Several from New York and Boston. Lengths from 6” to 12”. 500/800

1281. PHOTO COLLAGE OF FAIRFIELD, MAINE

1920s

“A Story of 6 Years Told In Pictures”. Also marked “Lou Ward Austin”. Six pictures in a common frame, all annotated. Framed 25” x 37.5”. 300/500

1285. RARE LARGE BRASS CRANBERRY STENCIL

Late 19th Century

“Horace E. Stillman 208 4 Fulton Mkt. New York”. Stencil 12” x 16”. Framed 18” x 22”. 400/700

1286. GIBSON SUNBURST ACOUSTIC GUITAR Circa 1930

Includes case and a photocopied photograph depicting the original owner playing it circa 1930. Length 39”. 1,400/1,800

1287. DOUBLE-SIDED PAINTED WOODEN ART STUDIO SIGN Early 20th Century “J. Randolph Brown Studio” in black lettering against a yellow ground. Discovered in Gloucester, Massachusetts. Height 17”. Length 46”. 500/800

1288. LINDA NELSON STOCKS America, 1938-2011 Halloween scene. Signed and dated lower left “Linda Nelson Stocks 1995”. Oil on canvas, 18” x 24”. Framed 22” x 28”. 1,200/1,800

1289. LINDA NELSON STOCKS America, 1938-2011 Winter holiday scene. Signed and dated lower right “Linda Nelson Stocks 1995”. Oil on canvas, 20” x 24”. Framed 24” x 28”. 1,200/1,800

1290. MENNONITE APPLIQUED QUILT Circa 1930

Red and green sunflower design on a cream ground. Red trim. 86” x 67”. 300/500

1291. DOUBLE-SIDED PAINTED WOODEN SIGN

"NEWLY DECORATED 3-ROOMS ..."

Early 20th Century

“Newly Decorated 3-Rooms Fire Retarded Reasonable Apply Supt. or J. Lemle & Sons 163-East 87th St. At. 9-6100” in yellow lettering against a green ground. Height 20.5”.

16”.

1292. ELDRED WHEELER QUEEN ANNE-STYLE COFFEE TABLE

Massachusetts, 20th Century

In tiger maple. Top with porringer corners. Shaped apron. Tapered legs end in pad feet. Eldred Wheeler brand on underside. Height 19.5”. Length 48”. Width 23”. 600/800

1293. ELDRED WHEELER QUEEN-SIZE PENCIL POST BED

Massachusetts, 20th Century

In cherry. Includes rails, canopy holder, finials and bolts. Eldred Wheeler label on back of headboard. Height 82”. Width between bolt holes 65”. Rail lengths 80”. 800/1,200

1294. ATTRIBUTED TO VINCENT CIVILETTI America, 1924-1999

Santa Claus. Unsigned. Oil on canvas, 35” x 20”. Framed 36” x 21”.

8,000/12,000

Vincent Civiletti was an American illustrator in the vein of Norman Rockwell. Many of his works were reproduced for Brown & Bigelow calendars. He also painted portraits of baseball players for the Baseball Hall of Fame.

1295. J.F. FRANTZ MFG. LONG SHOT ARCADE SKILL MACHINE Chicago, Circa 1950

Model 400, with a basketball theme. Oak case, the partial glass front marked “Long Shot” and “Shoot Until You Miss”, coin slot marked “25¢”, and two hand controls at the front. Arched metal sign attached to the top of the case with “Test Your Skill” and the maker’s name below. Height 26.5”. Width 15”. Depth 8.25”. 1,500/2,500

Provenance: Morphy Auctions, Denver, Sale no. 69, Lot #723.

1296. EARLY EXHIBIT SUPPLY CO. PIN-UP GIRL TRADE CARD VENDING MACHINE Chicago, Circa 1930

Painted red metal case displaying the two cards offered of women in provocative poses, two coin slots marked for 1¢, and embossed at the bottom with the maker’s information. Height 12.5”. Width 7”. Depth 9.5”. 700/1,000

Provenance: Morphy Auctions, Denver, Sale no. 69, Lot #827.

1297. LAWRENCE MFG. CO. DOUBLE 5¢ NUT DISPENSER VENDING MACHINE Chicago, Circa 1950 Metal case, the receptacles finished green and the front glass on each side marked “5¢” and “Important To Get Full Portion Agitate Handle Insert Coin Turn Handle Slowly”. Coin slots and nut dispensers below. Suction cup feet. Height 13.5”. 600/800

Provenance: Morphy Auctions, Denver, Sale no. 69, Lot #1116.

1298. EARLY EXHIBIT SUPPLY CO. PIN-UP GIRL TRADE CARD VENDING MACHINE Chicago, Circa 1930

Painted red metal case displaying the two cards offered of women, one dressed in a naval uniform with the caption “Wouldn’t I Make A Good Petty Officer”, two coin slots marked for 1¢, and embossed at the bottom with the maker’s information. Height 24.5”. Width 7”. Depth 9.5”. 700/1,000

Provenance: Morphy Auctions, Denver, Sale no. 69, Lot #827.

1299. NORTHWESTERN CO. "GET YOUR BEATLES! BUTTONS HERE!" BUBBLE GUM DISPENSER Morris, Illinois, Circa 1960 Painted yellow metal case with a glass reservoir with two applied stickers “Get Your Beatles! Buttons Here!”. Height 16”. Width 6.5”. Depth 7.5”. 700/1,000

Provenace: Morphy Auctions, Denver, Sale no. 69, Lot #928.

at www.eldreds.com

1300. NATIONAL ADVANCED VENDING CO.

"NATIONAL HUNTER BALL GUM VENDOR"

Dubuque, Iowa, Mid-20th Century

Blue-painted base with two viewing ports that show the gumballs. Plastic-covered shooting gallery with a row of three ducks lined up to be shot with the pistol at the opposite end. Surmounted by a decorative white metal molded duck. Affixed label details the instructions and the cost of 1¢. Height 18.5”. Width 9.25”. Depth 19.5”. 1,000/1,500

Provenance: Morphy Auctions, Denver, Sale no. 69, Lot #737.

1301. INDOOR AMUSEMENT CO. 1¢ BALL GUM STRIKER ARCADE GAME

Los Angeles, Circa 1930

Countertop striker game with wooden base, cast aluminum front and sides, copper playing field, directions and other details. A penny dispenses balls, which the player shoots with a finger striker to achieve the highest score possible and win a prize. Gumball dispenser at side. Marked with serial number “2018”. Height 19.25”. Width 9.25”. Depth 11”. 700/1,000

Provenance: Morphy Auctions, Denver, Sale no. 69, Lot #721.

1302. INTERNATIONAL MUTOSCOPE REEL CO., INC. "WORLD’S FAIR POSTCARD VENDER"

Long Island City, New York, Mid-20th Century Maple case with decorated sides and maker’s plaque at the top. Inset behind glass “A Machine Full Of Glorified Glamour Girls” above three sample cards and “You Will Require A Complete Set For Your Private Collection” followed by the vending instructions for obtaining the 1¢ cards. Height 22”. Width 17”. Depth 9.5”. 800/1,200

1303. THREE COIN-OPERATED 1¢ NAPKIN DISPENSERS

“Ask Swami” and “The Answer Box” by Shipman Manufacturing Co., Los Angeles, and “Wise Owl Quizette” by Continental Service & Equipment Co., St. Louis, Missouri, in which you can “Test Your IQ”. Chrome cases with paper napkin dispensers on both sides. Largest height 10”. Width 7”. Depth 5”.

3,000/5,000

1304. PIUS LANG FIFTY-BLADE KNIFE Germany, Circa 1970

Polished stainless steel blades and tools, each providing a unique function, including a prominent blade designed to clean horse hoofs, which provided this knife the nickname “the horseman’s knife”. Mother-of-pearl grips with steel screws and central thin steel plate divider. Signed “P Lang Germany” below the thumb notch and stamped “stainless” at base of one blade. Length closed 4.75”. Width 1.5”. 3,000/5,000

The Pius Lang Cutlery Company was founded in 1852 and is considered one of the greatest and longest-operating knife companies in the world.

1305. ENGLISH LEATHER RHINOCEROS FOOTSTOOL ATTRIBUTED TO DIMITRI OMERSA FOR ABERCROMBIE & FITCH

Last Half of the 20th Century Hand-stitched. Leather loop eyes, upturned horn and ears and long tassel tail. “Made in England” label on chest. Height 16”. Length 31”. Width 9”. 1,000/1,200

1306. LUCILLE MUDGETT

Maine/North Carolina, 1911-2003

Fish under water. Signed lower right “Lucille Mudgett”. Housed in a Newcomb-Macklin frame. Oil on canvas, 30” x 25”. Framed 34” x 29”. 4,000/6,000

1307. Lone wolf

Signed lower right “Roy Thompsen”. Oil on board, 20” x 24”. Framed 27” x 31”. 2,000/3,000

1308. Cheetah on the plains of Mount Kilimanjaro.

Signed lower right “Thompsen”. Oil on masonite, 18” x 24”. Framed 26” x 31”. 2,000/3,000

1309. Bengal tiger in the grass

Signed lower right “Roy Thompsen”. Mixed media on paper, 18” x 27.5”. Framed 30.5” x 40.25”. 2,000/4,000

ROY

New York/Florida, b. 1928

1310. RARE SIGNED COPY OF THE FUN OF IT BY AMELIA EARHART 1932

New York: Brewer, Warren & Putnam, 1932 first edition. Signed in blue ink “Amelia Earhart”. Hardcover volume with dust jacket and slipcase. Included in the back of the book is a Silvertone record “From Amelia Earhart’s International Broadcast in London May 22, 1932”. 8” x 5.5”. 700/1,000

1311. CHELSEA M1 U.S. ARMY MESSAGE CENTER CLOCK Boston, Circa 1942 Brass case. Diameter 5.75”. Face diameter 4”. 300/500

1312. U.S. MARINE FLYER’S BOMBER FLIGHT JACKET

Vietnam Era

Leather jacket with three unit patches and leather name tag. Squadron patch on right shoulder sleeve is HMM162, which operated in Vietnam from 1963 to 1965. Squadron patch on right side is HMR(L)-262 “Flying Tigers”, which operated in Vietnam from 1966 to 1971. Squadron patch on left side is HMM-264 “Black Knights”. Size 42. 500/800

COLLECTION OF ITEMS RELATING TO THE DEEP SUBMERGENCE

ALVIN

Includes a framed technical drawing that shows a cutaway view of the Alvin systems, a vest with several Alvin dive and WHOI cruise patches, a DSRV Alvin t-shirt, a user manual for Alvin technical systems, WHOI technical memorandum 67-67 technical guide to DSRV Alvin, two photos of the Alvin, and several other articles relating to the Alvin Alvin drawing 23.5” x 34” sight. Framed 26” x 38”.

1318. POCHER K75 SCALE MODEL OF A 1934 ROLLS ROYCE PHANTOM II TORPEDO Italy, 1966-2000

In 1:8 scale. Finished in orange and silver. Diecast plastic body with aluminum details and under carriage. Wire wheels with rubber tires. Rear seat canopy, side windows and engine canopy are all operational. Equipped with dual side mounts and running board spotlights. Height 9”. Length 27”. Width 9”. 800/1,200

1320. POCHER K71 SCALE MODEL OF A 1931 ALFA ROMEO 8C 2300 MONZA RACE CAR Italy, 1966-2000

In 1:8 scale. Finished in white. Assembled from more than 1,300 plastic, brass, stainless steel, aluminum and assorted other parts. Removable engine hood. Operational steering wheel and suspension components. Rubber tires on wire wheels. Height 5.5”. Length 19”. Width 8.5”.

1319. POCHER K77 SCALE MODEL OF A 1907 FIAT F-2 GRAND PRIX DE FRANCE RACER Italy, 1966-2000

In 1:8 scale. From Pocher’s Classic Line of cars, this racer is like model K88 but without the spare tire in the rear. Contains 144 high-resistance plastic parts, 173 brass and 506 steel, copper, leather, rubber and aluminum. Height 7”. Length 19”. Width 7.5”.

1322. ORIGINAL BOOK ILLUSTRATIONS FEATURING JIM HENSON’S SESAME STREET MUPPETS

Original illustrations by Sammis McLean for Sherlock Hemlock and the Creatures from Outer Space by Ray Sipherd (Western Publishing Company, Inc. in conjunction with Children’s Television Workshop, 1981). Unsigned. Inscribed “O” lower left margin and “11” lower right margin. With registration marks for printing. Mixed media on heavy cream wove paper, 15” x 22”. Unframed. 2,000/3,000

1321. ORIGINAL BOOK ILLUSTRATIONS FEATURING JIM HENSON’S SESAME STREET MUPPETS

Front and back cover illustrations by Sammis McLean for Sherlock Hemlock and the Creatures from Outer Space by Ray Sipherd (Western Publishing Company, Inc. in conjunction with Children’s Television Workshop, 1981). Unsigned. Inscribed “Cover” in pencil lower right margin. Mixed media on heavy cream wove paper, sheet size 15” x 22”. Unframed. 2,000/3,000

1322A. ORIGINAL BOOK ILLUSTRATIONS FEATURING JIM HENSON’S SESAME STREET MUPPETS

Original illustration by Sammis McLean for Sherlock Hemlock and the Creatures from Outer Space by Ray Sipherd (Western Publishing Company, Inc. in conjunction with Children’s Television Workshop, 1981). Unsigned. Inscribed “24” lower left margin and “25” lower right margin. With registration marks for printing. Mixed media on cream wove paper, 15” x 21.75”. Unframed. 2,000/3,000

1322B. ORIGINAL BOOK ILLUSTRATIONS FEATURING JIM HENSON’S SESAME STREET MUPPETS

1981

Original illustrations by Sammis McLean for Sherlock Hemlock and the Creatures from Outer Space by Ray Sipherd (Western Publishing Company, Inc. in conjunction with Children’s Television Workshop, 1981). Unsigned. Inscribed “20” lower left margin and “21” lower right margin. With registration marks for printing. Mixed media on heavy cream wove paper, 15” x 21.75”. Unframed. 2,000/3,000

1324. ORIGINAL BOOK ILLUSTRATIONS FEATURING

JIM HENSON’S SESAME STREET MUPPETS

1981

Original illustrations by Sammis McLean for Sherlock Hemlock and the Creatures from Outer Space by Ray Sipherd (Western Publishing Company, Inc. in conjunction with Children’s Television Workshop, 1981). Unsigned. Inscribed “16” lower left margin and “17” lower right margin. With registration marks for printing. Mixed media on heavy cream wove paper, 15” x 21.75”. Unframed. 2,000/3,000

1323. ORIGINAL BOOK ILLUSTRATIONS FEATURING JIM HENSON’S SESAME STREET MUPPETS

1981

Original illustrations by Sammis McLean for Sherlock Hemlock and the Creatures from Outer Space by Ray Sipherd (Western Publishing Company, Inc. in conjunction with Children’s Television Workshop, 1981). Unsigned. Inscribed “16” lower left margin and “17” lower right margin. With registration marks for printing. Mixed media on cream wove paper, 15” x 21.75”. Unframed. 2,000/3,000

1326. CUSTOM-MADE SEVEN-PART ENTERTAINMENT CABINET

Late 20th Century

In tiger maple. Shaped cornice and flat base. Side sections with fluted side moldings and three shelves over a paneled cupboard door that encloses a single interior shelf. Upper central section with arched paneled double doors that enclose a single interior shelf. Lower central section with two paneled doors that enclose a single interior shelf. Height 84.5”. Width 92”. Depth 23.5”. 1,500/2,500

1325. ELDRED WHEELER TWO-PART ENTERTAINMENT CABINET Massachusetts, 20th Century

In tiger maple. Both sections with four paneled doors. Shaped bracket base. Eldred Wheeler brand under bonnet. Height 75”. Width 55.5”. Depth 22”. 2,000/3,000

1327. SULTANABAD DESIGN RUG: 8’10” x 12’1”

Early 21st Century

Bold stylized blossoms in shades of salmon red, pink, slate blue, light green, ivory, smoke gray and graphite are scattered about a light gray field. Marine blue guard borders and gray main border contain flowering meandering vines, flower blossoms and leaves to echo the field. 900/1,200

1328. HERIZ RUG: 9’4” x 12’3”

Circa 1915-25

Navy blue central medallion contains bold and colorful blossoms and suspends light blue pendants across a scarlet red field traversed by traditional blue flowering vines. Ivory subfield and pink and green pendants. Blue and yellow borders. 500/1,000

1329. SULTANABAD DESIGN RUG: 9’0” x 12’1”

Early 21st Century

Smoke gray field with a symmetrical arrangement of bold stylized blossoms, palmettes and vines in shades of dark slate blue, pearl gray, forest green, dark gold, dark red and coral. Aqua, pale yellow and pearl gray main border. 900/1,200

1330. HERIZ RUG: 9’8” x 12’10”

Third Quarter of the 20th Century

An abrashed charcoal, bluish gray, gold, red and bright ivory oversized medallion occupies a dark red field above an ivory subfield. Red, gray, gold and charcoal spandrels and borders.

700/1,000

1331. HAMADAN RUG: 8’9” x 11’7”

Second Quarter of the 20th Century

Dense array of flower branches and bouquets, rendered in blues, gold, brown, pink, olive green and ivory, fill a rich red field. Blues and dark rust red borders.

1332. SAROUK RUG: 4’0” x 6’4”

Second Quarter of the 20th Century

700/1,000

Traditional arrangement of colorful flowering branches surround a central quatrefoil element on a red field. Traditional gold and midnight blue borders. 250/350

1333. SERAB DESIGN RUNNER: 2’6” x 9’6”

Late 20th Century

Ivory field with five tan and blue linked geometric medallions that contain colorful stylized elements. Reddish brown and bright ivory borders. 300/400

1334. QASHQAI RUG: 5’6” x 8’6”

21st Century

Traditional geometric medallions throughout the center of a red field and the corners of a blue subfield. Variety of small stylized elements throughout. Multiple narrow borders with repeating elements. 400/600

1335. MALAYER RUG: 4’2” x 6’2”

Second Quarter of the 20th Century

Dark blue field with a pink vine entwining bold medallions centered by stylized floral elements, rendered in ivory, light and dark red, ice blue, pale jade green and pink. Red guard borders and ivory main border with serpentine serrated leaves. 350/450

1336. TURKISH RUG: 6’6" x 10’1"

Late 20th Century

Small medallions and floral bouquets compose a central medallion on an otherwise empty cream-colored field. Quartered medallions echoing the center compose the spandrels. Main border consists of a garden of neatly arranged stylized elements. 400/600

1337. KAZAK PRAYER RUG: 3’2” x 4’6”

Mid-20th Century

Dark blue field with a narrow red ribbon forming a mihrab above two columns of octagonal red, green and blue medallions, each containing traditional stylized elements. Borders with sawtooth pattern and simple repeating stylized elements. 600/800

1338. KAZAK RUG: 3’6” x 6’10”

Late 19th Century

Red field with three square panels containing bold geometric medallions surrounded by small red, blue, teal and subtle tan flower blossoms. Geometric borders in matching colors. 300/500

1339. HERIZ RUG: 3’10” x 10’10”

Late 20th/Early 21st Century

A series of five stylized blossoms constitute red, ivory, blue, pink, and yellow medallions on a red field featuring meandering blue vines and blossoms. Bright ivory subfield at each end of field. Rich yellow and blue borders. 400/600

1340. TRIBAL STORAGE BAG FACE: 2’7” x 4’11”

Late 19th Century

A dark blue, ivory and dark teal geometric design stretches across a brick red field. Complimentary repeating element through red main border. 250/350

1341. BOKHARA RUG: 6’0” x 9’8”

Mid-20th Century

Crimson red field with four columns of Tekke guls and rows of quatrefoil elements rendered in red, brown and ivory. Geometric medallions repeat throughout the main border. 350/450

1342. KAZAK DESIGN RUNNER: 2’7” x 16’1”

Early 21st Century

Alternating geometric medallions of blue, gold, ivory, scarlet and dark yellow run the length of a light blue field. Narrow scarlet, blue, ivory and pale yellow borders. 450/650

1343. LILLIHAN RUG: 5’3” x 6’7”

First Quarter of the 20th Century

Faded red field with a gold, dark red and blue quatrefoil motif and similar laurels at each corner. Serpentine vine and blossoms throughout gold guard borders. Navy blue floral main border. 300/500

1344. SULTANABAD DESIGN RUG: 5’0” x 7’0”

Early 21st Century

Marine blue field with a symmetrical arrangement of stylized blossoms, leaves and arching vines in shades of green, bright orange, dark red, subtle violet and gray. Narrow light gray guard borders. Olive green main border. 300/500

1345. BIDJAR DESIGN RUNNER: 2’6” x 11’9”

Early 21st Century

Scarlet red field with a varied gray and celadon green pattern. Scarlet red guard borders. Celadon green main border with floral cartouches faintly rendered in ivory and salmon red. 500/700

1346. BAKHTIARI RUG: 6’6” x 9’6”

Second Quarter of the 20th Century

Ivory field filled with staggered rows of a composite floral element comprising urns, torches and rose blossoms, all rendered in blue, red, brown, tan and salmon pink. Midnight blue and bright ivory borders. 600/1,000

1347. WILLIAM MORRIS DESIGN RUG: 8’0" x 9’10"

21st Century

Graceful floral bouquets rendered in mauve, deep burgundy, green and pastel shades of ivory, yellow and pink are arranged in diagonal rows across a light celadon green field. Narrow green and pastel yellow borders in a spiral motif. 800/1,000

1348. KAZAK DESIGN RUG: 8’1” X 10’0”

21st Century

Three columns of bold red, blue and ivory geometric medallions containing stylized elements run the length of a khaki field. Light blue, dark blue, red and salmon pink guard borders. Bright ivory main border. 750/950

1349. ROOKWOOD FREDERICK ROTHENBUSCH PORCELAIN TILE PAINTING "ROLLING HILL"

Dated 1914

Signed lower right “RF”. Rookwood stamp, XIV date mark and “V” verso. 9.25” x 12”. Framed 15” x 18”. 2,000/3,000

Frederick Rothenbusch worked for Rookwood from 1896 to 1931.

1350. TIFFANY STUDIOS BRONZE AND GLASS "PINE NEEDLE" FOUR-PIECE DESK SET

1899-1900

Includes a pen tray, an inkwell with liner, four blotter corners and a rocker blotter. Stamped “Tiffany Studios New York”. 600/1,000

1351. TIFFANY & CO. 18KT YELLOW GOLD TRAVEL CLOCK Stauffer, Switzerland, Circa 1900

White porcelain Arabic numeral dial marked “8 Days” and “Tiffany & Co”. Case monogrammed “FAC” and marked “Tiffany & Co. 18K”. Case exterior and dial surround with an acid-etched Hispano-Moresque design. Approx. 5.25 total oz. Case 3” x 2.5”. Dial diameter 2” across bezel. 9,000/11,000

1352. DAVENPORT DESK ATTRIBUTED TO HERTER BROTHERS

Circa 1870

In rosewood. Secret pop-up compartment at top. Inlaid serpentine lid conceals a fitted interior. Overhanging top with urn-form supports. Paneled sides opens to reveal four drawers. On casters. Height 38”. Width 24”. Depth 23”. 700/1,000

1353. HARRIET W. FRISHMUTH

New York/Connecticut, 1880-1980

“The Star”. Signed on base “Harriet W. Frishmuth” and dated 1918. Patina restored by Patrick Kipper of Loveland, Colorado. Bronze on a marble base, height 19.5”. Base diameter 4.5”. 4,000/6,000

1354. ENGLISH CANE WITH A PARROT-FORM HANDLE

Early 20th Century

Carved parrot head finished in green and with amber-colored glass eyes. Thin silver collar. Tapered wood shaft with brass ferrule. Length 34”. 400/600

1355. CANE WITH SILVER AND AMETHYST HANDLE

Triangular silver knob handle topped with an inset triangular amethyst. Mahogany shaft with metal ferrule. Length 35.75”. 400/600

1356. CANE WITH 14KT GOLD HANDLE

19th Century

Handle with floral and scroll engraving and engraved inscription “Rev. T.J. Sullivan from St. Thomas Parish Palmer Jan.19th 1889”. Hardwood shaft. Length 36”. 500/800

1357. ENGLISH MACASSAR EBONY WALKING STICK WITH STERLING SILVER HEAD

Late 19th Century

Head with inset mauve-colored guilloche cap. Macassar ebony tapered shaft with horn ferrule. Length 36”. 400/600

1358. ENGLISH CANE WITH GOLD HANDLE

19th Century

Handle with elaborate chased and cast foliate design and script inscription on top “O.A. Christy, Dec. 25th, 1879.”. Tapered ebony shaft with brass ferrule. Length 33”. 400/600

1359. CANE WITH HORN AND GOLD HANDLE

“L”-shaped horn handle capped in gold at both ends; caps with stylized shell and foliate designs. Collar inscribed “J.P. Dillon”. Tapered bamboo-style wooden shaft with metal ferrule. Length 35.5”. 400/600

1360. GERMAN CANE WITH CARVED BLACK FOREST BEAR HANDLE

Early 20th Century

Handle carved in a Black Forest style with a bear atop a tree. Wooden shaft with a solid silver band inscribed with a script “C”. Metal ferrule. Length 34.5”. 600/800

1361. CANE WITH ANTLER HANDLE

Handle made of four slices of antler stacked atop each other. Brass collar. Wooden shaft. Length 35.25”. 250/350

1362. CANE WITH CHAMPAGNE BOTTLE-FORM HANDLE

Wood handle carved in the form of a champagne bottle with a copper cork cover initialed “G M” in cursive. Tapered wood shaft with silver cuff band showing four maker’s marks. Metal ferrule. Length 34”. 250/350

1363. PAIR OF ELDRED WHEELER ONE-DRAWER STANDS Massachusetts, 20th

In

QUEENSWARE PARCEL-GILT MANTEL CLOCK

1364. ANTOINE BLANCHARD France, 1910-1988 “Paris”. Signed lower right “Antoine Blanchard”. Retains original W.T. Burger Co. label verso, registry number 55696. Canvas ink-stamped with Burger name and “All Rights Reserved”. Oil on canvas, 13” x 19”. Framed 19.25” x 24.25”.

3,000/5,000

1366. MOORISH MASHRABIYA THREE-PANEL SCREEN

19th

Lattice panels fitted with small hinged doors. Height 70.5”. Width 70”.

1367. FIGURAL METAL DOORBELL

to Mid-20th Century

Wrought iron mounting bracket supports a bell and figure of a man in a broad-brimmed hat and long coat. Height approx. 20”.

approx.

1368. GARDEN SCULPTURE IN THE FORM OF ATHENA KEYSTONE

19th Century

400/700

1369.

Carved cement bust and two pillars. From the Brooklyn Museum prior to renovation. Athena, from Greek mythology, is the daughter of Zeus and the the goddess of war. Bust height 24”. Width 13”.

11”.

17”.

11”.

WOODWARD TERRESTRIAL GLOBE

9”. 500/800

Lithographed globe set within a brass meridian on a mahogany three-legged stand. Marked.

approx. 40”. 300/500

1370. MARBLE BUST OF A MAN Height 21.5”. 1,000/1,500

1371. CAST PLASTER BUST OF A MAN

Late 19th/Early 20th Century Draped in robes. On socle. Height 31”. 800/1,200

1372. ELDRED WHEELER-STYLE PEDESTAL DESK 20th Century Stamped “Mark T. Emirzain Master Craftsman Wilbraham, MA”. In rampant figured tiger maple, fitted with three drawers and two doors. Height 60”. Width 30”. Depth 30”. 3,000/4,000

1373. LEROY NEIMAN New York/Illinois/Minnesota, 1921-2012 Red Goal, circa 1973. Signed in margin lower right “Leroy Neiman” and marked A/P (artist’s proof). It is believed the artist intended to depict Detroit Red Wings player Henry Boucha (#16) scoring a goal during the peak of his career in 1973. Serigraph in color, image 19” x 23.75”. Framed 28.75” x 33.25”. 1,200/1,800

1374. MAURICE SENDAK AUTOGRAPHED LETTER SIGNED AND THREE COPIES OF “WHERE THE WILD THINGS ARE” 1963, 1991

Handwritten signed note on personalized stationery with an image of Jennie the Dog with a mop. Note written to a student and Sendak describes himself “... I’m 41 years old-5ft. 7”- born in Brooklyn, N.Y. The youngest of 3 children - I weigh 153 pds + have brown hair + green eyes and I love to work!”. Includes a first edition of Where the Wild Things Are (N.Y.: Harper & Row, 1963), title page reading “Copyright 1963 by Maurice Sendak. Printed in the United States of America. All rights reserved. Library of Congress catalog number; 63-21253”. Oblong quarto. Half gray cloth with pictorial boards. Missing dust jacket. Other two copies are 25th anniversary editions, copyright renewed by Sendak in 1991, one with Caldecott Medal dust jacket and the other missing the dust jacket. Stationery 3” x 5.5”. Stapled to cardstock. 1,500/2,500

1375. HANNEKE LUIJTING

Norway, Contemporary Starry Night, a winter landscape showing a forest lit up by a starry sky. Acrylic photo print, 36” x 54”. Unframed but with mounting holes.

600/800

1376. BAUSCH & LOMB BRASS "HARBORMASTER" TELESCOPE ON STAND

Late 20th Century Mahogany tripod stand. Height 60”. 500/1,000

1377. ANSEL ADAMS California, 1902-1984

“Moon and Half Dome, Yosemite National Park”. Unsigned. Silver print, 24” x 19”. Framed 32” x 26”.

3,000/5,000

1377

1378. CYRUS DALLIN Massachusetts/Utah/France, 1861-1944

“Appeal to the Great Spirit”. Signed on base “C.F. Dallin”. Illegibly dated. Bronze, height 9”. Length 9”. 500/1,000

1379. RARE MAINE NATIVE AMERICAN SPLINT WORK FEATHER BASKET

Early 20th Century

With domed top and ring handles. Height 38”. 800/1,200

1380. NATIVE AMERICAN THROWING STONE

Early 20th Century

Leather-wrapped handle with beadwork at center and ends. Length approx. 24”. 500/800

1381. NATIVE AMERICAN BEADWORK BAND

First Half of the 20th Century

Multicolored butterfly design. Length 14.25”. 250/350

1382. PAIR OF MIDWEST PLAINS BEADWORK SLEEVE BANDS

First Half of the 20th Century White, blue and green beadwork in a geometric design. Red cloth binding. Bands 3.75” x 11”. 400/600

1383. RUFUS MOODY

British Columbia, 1923-1998 Carved argillite totem. Inscribed under base “Carved by Rufus Moody Skidgate Mission”. Height 20.5”. 4,000/6,000

1384. TWO NORTHWEST COASTAL WALRUS IVORY AMULETS

Early 20th Century

One in the form of a whale and the other in the form of a hawk with mask element on the back. Both inlaid with abalone eyes. Lengths 2.5” and 2.75”. 500/1,000

1385. SOUTH SEAS CANOE PADDLE

Probably Fiji, 19th/Early 20th

with extensive

handle and relief-carved

at end of

SOUTH SEAS WAR CLUB

Probably

19th/Early 20th

and geometric-carved

16.5”.

SOUTH SEAS CLAM

1386. SOUTH SEAS WAR

19th/Early 20th

1908-2000

1501. Mother and child

Signed and dated lower left “Vu Cao Dam 69”.

on canvas, 14” x 10.5”. Framed 20.5” x 17”.

Provenance:

artist to the parents of the consignor.

Born in Hanoi, Vu Cao Dam was one of 14 children. His father was the founder and director of the School of Interpreters of Hanoi and shared his love of French language and culture with his children. In 1926 Vu Cao Dam entered the Ecole des Beaux-Arts in Hanoi, and in addition to studying painting and drawing, he excelled at modeling bust sculptures. He received a scholarship to study in France in 1931, and he never again lived in Vietnam.

His work is influenced by Marc Chagall, Dubuffet and traditional Vietnamese paintings and folklore. They typically feature figures of his native country.

1503. LE PHO

Vietnam/France, 1907-2001

Mother and child. Signed lower left “Le Pho”. Oil on canvas, 18” x 13”. Framed 26” x 21”.

Provenance: Wally Findlay Galleries. Private Collection, Massachusetts.

1504. RENE PORTOCARRERO

Cuba, 1912-1985

Colorful bust portrait. Signed lower right. Pastel on paper. Framed. 6,000/8,000

1505. RENE PORTOCARRERO

Cuba, 1912-1985

Abstract figure. Signed and dated lower left

“R. Portocarrero 1947”. Pastel on paper, 26” x 17” sight. Framed 35” x 26”. 6,000/8,000

Provenance: Closson’s Gallery, Cincinnati (label verso).

1506. AMERICAN SCHOOL Early to Mid-20th Century

A circus. Unsigned. Oil on masonite, 19.5” x 24”. Framed 25.5” x 30”. 800/1,200

1507. BILL CHRIST America, 20th Century

Portrait of a young man enjoying a popsicle outside Loew’s theater. Signed and dated lower right “Bill Christ 73”. Oil on canvas, 30” x 20”. Framed 33.75” x 23.75”. 800/1,200

1508. ENRIQUE PASCUAL MONTURIOL Spain, 1886-1933

Seated fisherman overlooking the harbor. Signed and dated lower right “Enrique Pascual Monturiol Barcelona 1918”. Mixed media on paper mounted on cardboard, 17.5” x 16”. Unframed. 500/1,000

1511. MARTIN PURYEAR Illinois/New York, b. 1941

Untitled abstract. Signed in image lower right. Printed menu for “New York Live Arts Premiere Gala Dinner by David Waltuck at the Paula Cooper Gallery, September 15, 2011” on reverse. Woodcut on paper, 14” x 17.75”. Framed 18” x 22”. 3,000/4,000

David Waltuck is the celebrity chef of Ark Restaurants and Chanterelle of New York City. Bill T. Jones and Arnie Zane of New York Live Arts established this benefit that took place at the Paula Cooper Gallery in West Chelsea.

1512. MAX ERNST Germany, 1891-1976

Elfo III. Inscribed on back “Elfo III Max Ernst Fucina degli Angeli Venezia Natale 1966 - C. 22/300”. Corroso glass, 6” x 6.5”. 1,500/2,500

1513. DONALD SULTAN

New York/North Carolina, b. 1951

“Black Flowers”. Titled and dated 1996 along left margin. Marked “AP” lower right. Lithograph on paper, 22” x 29.75”. Framed 27” x 35”. 3,000/4,000

1514. ELLSWORTH KELLY

New York/France, 1923-2015

Cyclamen ll, 1964-5. From the Suite of Plant Lithographs. Signed lower right “Kelly”. Edition 58/75. Lithograph, 35” x 23.75” sight. Framed 37” x 25”. 8,000/12,000

1515. JANET RICKUS Massachusetts, b. 1949 Apple and pears. Signed lower right “Janet Rickus”. Oil on panel, 14” x 24”. Framed 17.25” x 27.25”. 4,000/6,000

1516. JANET RICKUS Massachusetts, b. 1949 Blue pitcher with a lemon. Signed lower right “Janet Rickus”. Oil on panel, 12” x 15”. Framed 16.75” x 19.5”. 3,000/5,000

1517. JAMES WALLACE BAKER America, Contemporary “The 6 O’clock News”, a waterfront colonial scene with several figures. Signed and dated lower left “Jas. Wallace Baker 1991”. Titled verso. Oil on canvas, 18” x 24”. Framed 23.5” x 29”. 800/1,200

1518. JIM MCVICKER

California, Contemporary “Indian Summer”. Signed and dated lower right “McVicker ‘90”. Signed, dated and titled in pen on stretcher “Steve Porter’s Porch, Indian Summer”.

Oil on linen, 48” x 72”. Framed 49” x 73”.

8,000/10,000

Provenance:

Foxhall Gallery, Washington D.C., 1990, during the artist’s solo show.

Private Cape Cod, Massachusetts Collection.

Notes:

The consignor places the location as Humboldt County, California, where the artist resides.

The artist was featured in “American Artist” magazine, December 1989.

1519. SAM NEWTON Florida, b. 1948

Florida Highwayman sunset scene. Signed lower right “S. Newton”. Oil on board, 24” x 18”. Framed 28” x 21”. 800/1,200

1522. MURIEL ALVORD

Connecticut, 1900-1960

Bill Buckbee’s Barn. Signed lower left “Muriel Alvord”. Oil on canvas, 24” x 30”. Framed 28.25” x 33.25”. 1,000/1,500

Exhibited:

The Hartford Society of Women Painters, Hartford, Connecticut, circa 1940.

The Art Association of Newport Third Annual Exhibit, Newport, Rhode Island, 1944.

The National Arts Club, New York, 1949.

The Springfield Art League, Springfield, Massachusetts, year unknown.

1520. JOHN CHARLES TERELAK

New York/Massachusetts, b. 1942

the Rockies”. Signed and dated lower left “J.C. Terelak ‘96”. Oil on canvas, 48” x 72”. Framed 59” x 82”. 2,500/3,500

1523. ROBERT EMMETT OWEN

New York/Connecticut/Massachusetts, 1878-1957

Winter landscape, Connecticut. Signed lower right “R. Emmett Owen”. Oil on canvas, 20” x 24”. Framed 29” x 34”.

1521. FRANK HANDLEN

Maine/New Jersey, b. 1916

Autumnal landscape. Signed lower right “Handlen”. Oil on masonite, 16” x 28”. Framed 23” x 35”. 800/1,000

ALBERT

JOHN ALFRED COOK Massachusetts, 1870-1936

1526. J. BRADFORD (JESSE) HAGUE Massachusetts, 1903-1994 Rockport Street, corner of Main and Beach Street. Signed lower right “J. Bradford Hague”. Oil on canvas, 20” x 24”. Framed 27” x 31”. 400/600

1527. PAUL BERNARD KING

New York/Pennsylvania, 1867-1947 “Moonlight”. Signed lower right “Paul King”. Titled in pencil verso. Oil on canvas, 30” x 25”. Framed 34.5” x 29.5”.

2,500/3,500

1528. PAUL BERNARD KING

New York/Pennsylvania, 1867-1947

Mountains viewed through a field of birches. Signed lower right “Paul King”. Oil on canvas, 30.5” x 25.25”. Framed 38.5” x 33”.

2,000/3,000

1531. WILSON HENRY IRVINE

Connecticut/Illinois, 1869-1936

Lane along a riverbank. Signed lower right “Irvine”. Oil on canvas, 12.5” x 17.5”. Framed 18” x 24”. 1,000/1,500

1529. JOSEPH MORVILLER

Massachusetts/France, 1800-1870

New England landscape. Signed and dated faintly lower right “J. Morviller 1864”. Oil on canvas, 16” x 27”. Framed 23.5” x 34.5”. 2,000/3,000

1532. HENRY STEPHENS EDDY

New Jersey/Massachusetts, 1878-1944

Mountain landscape. Signed lower left “Eddy”. Oil on canvas, 20” x 24”. Framed 29” x 33”.

1530. JOSEPH MORVILLER

Massachusetts/France, 1800-1870

Skating scene. Signed lower left “J. Morviller”. Oil on canvas, 24” x 32”. Framed 32” x 41”. 2,500/3,500

1533. HAYLEY LEVER

New York/Massachusetts/England/ Australia, 1876-1958

“Hansom Cab at the Plaza”. Signed lower left “Hayley Lever”. Oil on canvas, 24” x 30”. Framed 34.5” x 40”. 5,000/7,000

1534. ERNEST ALBERT

New York/Connecticut, 1857-1946

“Plum Colored Cloisonne”. Signed and dated lower right “Ernest Albert A.N.A 1942”. Titled verso. On canvas, 20” x 24”. Framed 28” x 32”. 2,000/3,000

Provenance: Cumberland, Rhode Island Estate.

1535. ABBOTT HANDERSON THAYER

New York/New Hampshire, 1849-1921

Self-portrait. Signed faintly upper right. Label verso for William MacBeth gallery, New York. Oil on canvas, 9” x 7”. Framed 15.25” x 13.25”. 2,500/4,000

Abbott Thayer painted numerous self-portraits, especially toward the end of his life. Judging by his appearance, it appears this work depicts the artist closer to middle age, dating the painting to circa 1890.

1536. CHARLES CONSTANTINE HOFFBAUER Massachusetts/France, 1875-1957

“Chinese New Year’s San Francisco”. Signed lower right “Hoffbauer”. Titled in pencil on upper stretcher bar. Oil on canvas, 20” x 24”. Framed 28” x 32”. 5,000/7,000

1538. JOSEPH LINDON SMITH

1537. ATTRIBUTED TO THEODORE WORES California/Hawaii, 1859-1939

Portrait of a young woman. Unsigned. Oil on board, 12” x 8”. Framed 17.25” x 13.25”. 500/1,000

New Hampshire/Rhode Island, 1863-1950

“The Great Buddha of Kamakura”. Signed lower right “Joseph Lindon Smith”. Identified in a later hand verso. Pastel on paper, 13.5” x 9” sight. Framed 20” x 16”. 1,000/2,000

1539. KAZAK PRAYER RUG: 3’7” x 5’10”

Circa 1902

Abrashed teal green field contains red and ivory medallions and is bordered in light blue. Red subfield bordered in red, blue and ivory, including a leaf and wine cup motif. Characters in upper left translate to a date of 1902. 2,000/2,500

1541. MESHED RUG: 6’0” x 8’5”

Second Quarter of the 20th Century

Bold blossoms, palmettes and Shah Abbas motifs on delicate vines, all rendered in navy blue, ice blue, gold, brown and subtle deep orange, are arranged symmetrically about the center lines of a mulberry field. Blue and faded light gold borders. 250/500

1540. OUSHAK DESIGN RUG: 6’0” x 9’2”

Early 21st Century

Light tan field and broad main border with an asymmetric arrangement of ivory, rust red and light blue stylized blossoms. Ivory interior guard border and tan exterior border. 400/600

1542. KARAJA RUG: 3’2” x 4’6”

Early 20th Century

Rust red field with traditional blue medallions outlined in gold, salmon and ivory. Medallions flanked by columns of stylized blossoms and a variety of smaller stylized elements. Narrow gold and marine blue guard borders. Navy blue main border with turtle motif. 300/500

1543. HERIZ RUG: 6’5” x 8’10”

Circa 1930-40

Blue and red gabled medallion suspends dark blue pendants on a dark red field above an ivory subfield. Pink, blue, gold, ivory and turquoise blossoming vines throughout. Dark blue main border with alternating leaves and blossoms. 400/600

1544. SULTANABAD DESIGN RUG: 8’1” x 9’10”

Early 21st Century

Marine blue field with red, navy blue, salmon pink, ivory, yellow and celadon green stylized blossoms arranged in three columns. Marine blue borders each contain a sequence of stylized blossoms and leaves. 700/1,000

1543

1545. SHIRVAN DESIGN RUG: 6’1” x 9’1”

Early 21st Century

Traditional geometric medallions with latch hook perimeters, all rendered in shades of scarlet, burgundy, salmon pink, blue, teal and pearl gray, are arranged in three columns across the length of a bright ivory field. Red guard borders contain repeating stylized motifs. Ivory main border with wine cup and serrated leaf designs. 700/1,000

1546. HERIZ RUG: 9’1” x 11’2”

Third Quarter of the 20th Century

Red field with a red and abrashed charcoal geometric medallion and typical stylized blossoms and leaves throughout. Spandrels in matching colors and motifs. Red, gold and charcoal borders. 600/900

1548. KARAJA RUG: 4’8” x 12’10”

Circa 1930-40

Tomato red field with light and dark blue traditional geometric medallions and various small pink, blue, gold, tan and ivory stylized elements throughout. Red and blue borders. 400/600

1549. KAZAK DESIGN RUG: 4’1” x 5’10”

Early 21st Century

Three octagonal ivory, marine blue and forest green medallions contain and are surrounded by neatly arrayed red, blue, green and ivory stylized elements. Khaki field with salmon pink and green guard borders and a main blue border. 400/500

1550. SULTANABAD DESIGN RUNNER: 2’7” x 20’0”

Early 21st Century

Lively pink field is scattered with a variety of violet, pink, green, blue, ivory, forest green and olive green stylized blossoms. Broad gray main border contains equally colorful blossoms. 500/700

1551. SENNA SCATTER RUG: 3’5” x 4’5”

First Quarter of the 20th Century

Rust red field with a Herati-like pattern in navy blue, marine blue, subtle ivory, brown and pink. Marine blue spandrels and guard borders. Pink main border with a dark green meandering vine. 150/300

1552. HERIZ RUNNER: 2’9” x 9’3”

Circa 1925

Abrashed red field with narrow brown branches bearing light blue, ivory, brown and pink blossoms and leaves. Light blue, abrashed gold and ivory borders. 500/700

1553. KAZAK DESIGN RUG: 5’1” x 7’0”

Early 21st Century

Ice blue field with a neat arrangement of a variety of scarlet, ivory, dark green and bright yellow stylized blossoms and geometric medallions. Ivory and scarlet floral borders. 450/650

1554. SHIRVAN RUG: 3’11” x 5’11”

Late 19th Century

Diagonal rows of a repeating ivory, blue, copper and subtle khaki latch hook element traverse a navy blue field. Floral motif throughout brown guard borders and crab motif throughout ivory main border. 400/600

1548

1556. CHIPPENDALE DROP-LEAF TABLE Boston, Circa 1780

In Cuban mahogany. Nicely formed cabriole legs end in claw & ball feet. Height 27.75”. Length 16.5” plus two 15” drop leaves. Width 45.75”. 1,000/1,500

1555. CHIPPENDALE BLOCK-FRONT SLANT-LID DESK Massachusetts, Circa 1780

In mahogany. Slant lid encloses a block and shell interior fitted with pigeonholes, drawers and a central cupboard flanked by letter drawers. Case with four graduated full-width drawers. Skirt with central fan-carved drop. Claw & ball feet. Height 47”. Width 41.5”. Depth 23.5”. 4,000/6,000

1557. QUEEN ANNE CANDLESTAND

New England, Possibly Massachusetts, Circa 1760-1780

In walnut. Thin one-board top. Pedestal with ribbed carvings above a spiral-carved urn-form knop. Three arch-carved legs with carved knees and padded slipper feet. Height 27”. Diameter of top 17”. 2,000/3,000

Provenance: Chipstone Foundation Collection, illustrated in a volume on the collection.

1558. AARON WILLARD TALL-CASE CLOCK Roxbury, Massachusetts, Circa 1810

Face signed “Aaron Willard Boston”. Mahogany case attributed to John Doggett. Bonnet with pierced fretwork, brass ball and steeple finials on fluted plinths, and a glazed arched dial door flanked by full fluted columns with brass stop-fluting. Rectangular pendulum door with string and corner fan inlay. Fluted quarter columns at sides of trunk with brass caps and brass stop-fluting. Base panel with repetitive string and corner fan inlay. Ogee bracket feet. Roman numeral dial with moon phase, second sweep, calendar dial and painted floral designs at corners. Includes tin can weights and pendulum. Height 95.5”. Width 19.5”. Depth 9.5”. 7,000/10,000

1559. ELDRED WHEELER CHIPPENDALE-STYLE CHEST OF DRAWERS

Massachusetts, 20th Century

In cherry, with five graduated full-width drawers and a high shaped bracket base. Eldred Wheeler paper label inside top drawer. Height 48.5”. Width 36.5”. Depth 18”. 700/1,000

1560. DIMINUTIVE HEPPLEWHITE TWO-DRAWER WORK TABLE Boston or North Shore of Massachusetts, Late 18th Century

In mahogany and mahogany veneer with satinwood banding. One-board top. Drawers with satinwood veneer fronts, cock-bead molding and period, probably original, brass hardware. Well-proportioned square tapered legs. Height 28”. Width 19.25”. Depth 13.5”. 400/600

1561. HEPPLEWHITE TILT-TOP CANDLESTAND

Probably Newburyport, Massachusetts, Late 18th Century

In mahogany, with an oval top, leaf-carved pedestal and three arch-carved legs ending in well-shaped spade feet. According to the consignor, the table belonged to the John James Currier family of Newburyport. Height 29.27”. Height when tipped 42”. Top 23” x 14.5”. 500/700

1562. PAIR OF FEDERAL PIER TABLES

Boston, Circa 1825

In mahogany and mahogany veneer with marble tops. Mirrored backs. Column-form front supports with ormolu mounts. Heights 34”. Widths 40.5”.

20”. 5,000/7,000

1563. SHERATON MARTHA WASHINGTON LOLLING CHAIR Newburyport, Massachusetts, Circa 1790-1810

mahogany. Back with cyma-curved crest. Shaped and inlaid arms and arm supports. Tapered turned legs end in elongated feet. Off-white upholstery. Back height 43.5”. Seat height 15.5”. 1,000/2,000

1564. CONSOLE TABLE

Boston, First Quarter of the 19th Century

In mahogany and mahogany veneer. Original slab marble cut-corner top with molded edge. Turned legs fitted with original brass casters. Height 31.75”. Width 46.5”. Depth 22.5”.

1,500/2,500

1566. SHERATON SOFA

North Shore of Massachusetts, Circa 1810

In mahogany with pale blue upholstery. Reeded arm supports. Four reeded and tapered front legs. Back height 36.5”. Seat height 17.5”. Length 71”. 1,000/1,500

1565. FEDERAL SIDEBOARD

New Hampshire, Circa 1800 In mahogany and mahogany veneer. 1,500/2,500

1567

1567. HEPPLEWHITE BOWFRONT CHEST New Hampshire, Circa 1810 In mahogany with extensive fruitwood and satinwood inlay. Four graduated full-width drawers. Splayed bracket feet. Height 38”. Width 40”. Depth 20.5”. 3,500/4,500

1568. BENJAMIN CHAMPNEY Massachusetts/New Hampshire, 1817-1907 “Mountain Landscape”. Signed lower left “B. Champney”. Oil on canvas, 22” x 36”. Framed 30” x 43”. 8,000/12,000

1569. FRANK HENRY SHAPLEIGH New Hampshire, 1842-1906

“On the River at Bar Meu [...]”. Signed lower right “F.H. Shapleigh”. Titled verso. Oil on canvas, 10” x 18”. Framed 15” x 23”. 1,500/2,500

1570. FRANK HENRY SHAPLEIGH New Hampshire, 1842-1906

Farm scene with geese and flowering trees. Signed and dated lower left “F.H. Shapleigh 1890”. 10” x 16” sight. Framed 12” x 18”. 1,000/1,500

1571. AARON DRAPER SHATTUCK Connecticut/New Hampshire, 1832-1928

“Last Light, New Hampshire”. Signed with the artist’s stamp lower right “A.D. Shattuck”. Oil on paper laid down on canvas, 6.25” x 10”. Framed 12” x 15”. 1,500/2,500

Provenance: By descent in the artist’s family.

Notes: This painting will be included in the forthcoming catalogue raisonné compiled by the Salmon Brook Historical Society in Granby, Connecticut.

1572. WHITE MOUNTAIN SCHOOL 19th Century Birches along a rocky stream. Unsigned. Boston stretcher. Oil on canvas, 22” x 14”. Framed 27.5” x 19.5”. 500/1,000

1573. SYLVESTER PHELPS HODGDON

Maine/Massachusetts, 1830-1906

Mountain vista with waterfall and lake. Signed lower left “S.P. Hodgdon”. Oil on canvas, 20” x 30”. Framed 24” x 34.5”. 1,200/1,800

1575. MANNER OF WALTER MASON ODDIE America, 19th Century

Cattle watering at a mountain river. Unsigned. Stamp verso for Goupil’s New York Canvas Repairer. Oil on canvas, 14” x 20”. Framed 18” x 24”. 800/1,200

1574. AMERICAN SCHOOL

19th Century

Mountain landscape. Unsigned. Mixed media on paper, 9” x 14” sight. Framed 19.5” x 23.5”. 1,000/1,500

1576. JUNIUS RALSTON SLOAN

Pennsylvania/Illinois/California/Ohio, 1827-1900

Boating in a mountain lake. Signed verso “Junius R. Sloan”. Oil on canvas, 14” x 16.5”. Framed 24” x 27”. 1,200/1,800

Provenance: Questroyal Fine Art, New York.

1577. ATTRIBUTED TO ARTHUR PARTON

New York/Pennsylvania/United Kingdom, 1842-1914

Ox-driven cart on a mountain path.

Unsigned. Artist identified on frame plaque. Oil on canvas, 18” x 30”. Framed 27” x 39”. 3,000/5,000

1579. WESLEY ELBRIDGE WEBBER

Massachusetts/California/Maine, 1841-1914

Mountain landscape, possibly New Hampshire. Signed lower left “Wesley Webber”. Oil on canvas, 26” x 36”. Framed 42” x 51.5”. 2,500/3,500

1578. CARLETON WIGGINS

New York/Connecticut, 1848-1932

Cows in a field. Signed lower left “Carleton Wiggins”. Oil on canvas, 16.5” x 20.5”. Framed 27.5” x 33”.

1,500/2,000

1580. REGIS FRANCOIS GIGNOUX

New York/France, 1816-1882

Expansive winter landscape with skaters. Signed faintly lower right “Gignoux”. Oil on canvas, 19” x 29”. Framed 25.75” x 35.75”. 7,000/9,000

1581. MANNER OF GEORGE INNESS America, Late 19th Century Figures beneath a large tree. Unsigned. Numbered 194 verso. Label verso for E.C. Babcock, New York. Oil on panel, 12” x 15”. Unframed. 500/1,000

1582. "Winter”.

Signed and dated lower right “G.H. Boughton 1860”. Oil on canvas, 6” x 10”. Framed 15.75” x 19.75”. 500/800

1583. “Twilight Musings”

Initialed and dated lower right. Signed, titled and dated verso. Oil on canvas laid down on panel, 16” x 26”. Framed 20” x 30”. 2,000/3,000

1584. “Spring”

Signed and dated lower right “G.H. Boughton”. Oil on canvas, 5.25” x 10.25”. Framed 14.75” x 19.75”. 500/800

GEORGE

New York/England, 1833-1905

1585, pair

1585. PAIR OF FEDERAL MIRRORS ATTRIBUTED TO SIMEON DEMING Connecticut, Circa 1790-1800 Mahogany veneer frames with gilt liners and mounts. Broken arch pediment, the scrolls terminating in floral rosettes. Removable floral spray at center. Heights 66.25”. Widths 26.75”. 5,000/10,000

1586. CHIPPENDALE SERPENTINE-FRONT SLANT-LID DESK

New England, Circa 1790

In mahogany. Slant lid encloses drawers and pigeonholes. Case’s four graduated full-width drawers with wonderful molded brass hardware in a classical design. Ogee bracket feet. Height 45”. Width 41”. Depth 21”. 1,200/1,800

1588. CHIPPENDALE SLANT-LID DESK

New England, Circa 1800

In cherry. Simple interior fitted with drawers and pigeonholes. Four graduated full-width drawers retaining original beehive design brasses. Claw & ball feet. Height 44.5”. Width 39”. Depth 19.5”. 1,000/1,500

1587. CHIPPENDALE OXBOW BUREAU

New England, Circa 1780

In cherry. Molded-edge top. Four graduated full-width drawers flanked by fluted quarter columns. Ogee bracket feet. Height 33.5”. Width 38.5”. Depth 23.5”. 2,000/3,000

1589. SET OF TEN ELDRED WHEELER CHIPPENDALE-STYLE CHAIRS

Massachusetts, 20th Century

Two armchairs and eight side chairs. In maple. Slip seats with red and gold upholstery. Back heights 39”. Seat heights 18”.

2,000/4,000

1589, ten

1590. CONNECTICUT TALL-CASE CLOCK

Circa 1800

1591. CHIPPENDALE WING CHAIR

New England, Circa 1780

With delicate scrolled arms and block legs joined by an H-stretcher. Stripped of upholstery. Back height 44”. Seat height 14.25”. 500/700

1592. FEDERAL TILT-TOP CANDLESTAND

New England, Circa 1800

In mahogany and cherry, with an octagonal top and three spider legs ending in spade feet. Height 29.25”. Top 23.75” x 18”. 300/500

1,000/1,500

Cherry case. Bonnet with four urn-form finials and a broken arch pediment culminating in relief-carved sunflower blossoms. Glazed arched dial door. Trunk with arched pendulum door and extensive geometric inlay. Ogee bracket feet. Painted Roman numeral dial with floral decoration, second sweep and calendar dial. Includes pendulum and one weight. Height 96”. Width 19.5”. Depth 11.5”.

1593. ELDRED WHEELER TWO-PART FLAT-TOP HIGHBOY Massachusetts, 20th Century

In tiger maple. Upper half with three side-by-side drawers, the central with fan carving, over four graduated full-width drawers. Lower half with a full-width drawer over three side-by-side drawers, the central with fan carving. Cabriole legs end in pad feet. Original Eldred Wheeler paper label. Height 72.5”. Width 36”. Depth 19”. 3,000/4,000

1594. CUSTOM-MADE QUEEN ANNE-STYLE BONNET-TOP HIGHBOY

20th Century

In tiger maple. Upper section with a broken arch bonnet with urn finials, three side-by-side drawers, the central with fan carving, over four graduated full-width drawers. Lower section with a full-width drawer over three side-by-side drawers, the central with fan carving, and cabriole legs ending in pad feet. Height 79”. Width 34”. Depth 19”. 2,000/3,000

FRANCIS MURPHY

New York/Illinois, 1853-1921

1595. “The Fruit Farm”

Signed lower left “J. Francis Murphy”. Titled verso on upper stretcher bar. Oil on canvas, 10.5” x 14”. Framed 15.75” x 19.5”. 4,000/6,000

1596. Barbizon landscape

Signed lower right “J. Francis Murphy”. Oil on canvas, 19” x 26”. Framed 30.5” x 37”. 6,000/8,000

1597. Luminous landscape.

Signed lower left “J.F. Murphy”. Oil on canvas, 9” x 6”. Framed 12.5” x 9.5”. 2,500/3,500

HENRY PEMBER

New York/Connecticut/New Jersey, 1854-1907

1598. “Apple Blossoms, Spring Time”

Signed lower left “Henry P. Smith”. Titled on label verso. Oil on canvas, 20” x 28”. Framed 28.5” x 30”. 6,000/8,000

1599. “Morning at Grassy Hill”.

Signed lower right “Henry P. Smith”. Titled on contemporary label verso. Oil on canvas, 20” x 28”. Framed 24.5” x 32”.

4,000/6,000

1600. JOHN JOSEPH ENNEKING

Massachusetts/Maine, 1841-1916

1601. HUGH BOLTON JONES

New York/Maryland/Massachusetts/France, 1848-1927

“Autumn, Old Lyme, Connecticut”. Signed lower left “Hugh Bolton Jones”. Titled on frame plaque. Oil on canvas, 24” x 36”. Framed 35” x 46.5”. 6,000/8,000

6,000/9,000

“Sandy Cove”, Maine. Unsigned. Included in the catalogue raisonné by Pierce Galleries, no. IV-B-540, label verso. Housed in a Paul Carter Goodnow frame. Oil on canvas, 18” x 24”. Framed 29” x 34”.

Provenance: Vose Galleries, Boston.

1602. EDWARD LOYAL FIELD

NewYork/Illinois, 1856-1914

Landscape with puffy clouds. Signed lower left “E.L. Field”. Oil on canvas, 30” x 25”. Framed 40” x 39”. 3,000/5,000

1604. HERMANN FEUCHSEL

New York/Germany, 1833-1915

“Feeding the Ducks”. Signed lower right “Hermann Feuchsel”. Titled on frame plaque.

Oil on canvas, 20” x 29”. Framed 27” x 36”. 3,000/5,000

1603. CHARLES HAROLD DAVIS

Connecticut/New York/Massachusetts/ France, 1856-1933

Haystacks under an overcast sky. Signed and dated lower left “C.H Davis Paris 19[...]”.

Oil on canvas, 18” x 14.5” sight. Framed 21.5” x 18”. 2,000/3,000

KRUSEMAN

York/Europe, 1829-1904

1881-1942

“J.

CHARLES EDWIN LEWIS GREEN

1844-1915

FRANK KNOX MORTON REHN

at

1848-1914

lower right “F.K.M. Rehn”.

1609. CHIPPENDALE LOWBOY Circa 1775

In walnut with poplar secondary woods and chestnut drawer bottoms. Nicely molded top with good overhang. One full-width drawers over three side-by-side drawers. Chamfered fluted corners. Cabriole legs end in claw & ball feet. Height 27.5”. Width 31.5”. Depth 19.5”. 2,000/3,000

1610. CHIPPENDALE SLANT-LID DESK 19th Century

In strongly figured bird’s-eye maple. Slant lid encloses a fitted interior. Case with four graduated full-width drawers and a shaped bracket base. Height 42”. Width 36.5”. Depth 20”. 1,800/2,200

1611. ELDRED WHEELER QUEEN ANNE-STYLE LOWBOY

Massachusetts, 20th Century

In cherry. One full-width drawer over three side-by-side drawers, the central with fan carving. Cabriole legs end in pad feet. Eldred Wheeler paper label in top drawer. Height 30.5”. Width 33.5”. Depth 20.5”. 500/700

1612. QUEEN ANNE HIGHBOY

Circa 1790

In maple and cherry. Upper case with four small drawers flanking a fancarved central deep drawer, all over four full-width drawers. Lower case with a full-width drawer over three side-by-side drawers, the central with fan carving, and cabriole legs ending in pad feet. Height 68”. Width 39”. Depth 21”. 1,500/2,500

1612

1613. FEDERAL CANDLESTAND Connecticut, 18th Century

In cherry with fruitwood inlay along the perimeter of the top. Turned pedestal raised on cabriole legs ending in pad feet. Height 26.5”. Top 14.5” x 14.75”. 250/350

1614. SHERATON DROP-LEAF SEWING STAND Circa 1820

In mahogany with bird’s-eye maple drawer fronts. Turned legs fitted with brass casters. Height 29”. Width 16.5” plus two 9” drop leaves. Depth 18”. 350/450

1615. SHERATON TWO-DRAWER DROP-LEAF STAND Circa 1820

In maple, with tiger maple drawer fronts and turned legs. Height 28”. Width 15” plus two 7.25” drop leaves. Depth 21”. 300/400

1616. ELDRED WHEELER HIGHBOY

Massachusetts, 20th Century

In cherry. Upper section with three side-by side drawers, the central with fan carving, over four graduated fullwidth drawers. Lower section with a full-width drawer over three sideby-side drawers, the central with fan carving, and cabriole legs ending in pad feet. Eldred Wheeler paper label inside a drawer. Height 71.5”. Width 36”. Depth 20”. 1,800/2,200

1617. SHERATON TWO-DRAWER STAND

Circa 1820

In mahogany, with tiger maple drawer fronts and turned legs fitted with brass casters. Height 28.5”. Width 16.5” plus two 8.5” drop leaves. Depth 17”. 350/450

1618. CHIPPENDALE SLANT-LID DESK

Circa 1790

In tiger maple. Interior fitted with drawers, open and covered compartments, and two letter slides faced with book bindings, giving the appearance the letter slides are books. Case with four graduated full-width drawers and a bracket base greatly reduced in height. Height 42.5”. Width 40.5”. Depth 22”. 700/1,000

1621. JOHN WILLIAMSON New York, 1826-1885

Cattails with larks rising at dawn, circa 1880. Signed lower right “John Williamson”. Oil on canvas, 27” x 20”.

34.5” x 27.5”.

1622. WILLIAM MCGREGOR PAXTON Massachusetts/Maryland, 1869-1941

Pencil study of two faces. Signed “Paxton” and dated June 11, 1934. Graphite on paper, 7” x 10.5” sight. Framed 12.5” x 15.5”.

1619. ATTRIBUTED TO NELLIE STROBRIDGE Massachusetts, 1860-1947

Still life of lemons, some wrapped in paper. Inscribed on stretcher bar and verso “Strobridge”. Oil on canvas, 10” x 21”.

17.5” x 29”.

CARDUCIUS PLANTAGENET REAM Illinois/Ohio, 1837-1917

Still life of fruit and a knife. Signed lower right “C.P. Ream”.

on canvas, 12” x 16”. Framed 16.5” x 20.5”. 3,000/5,000

1623. “Kathleen”, a full-length portrait of the artist’s wife Titled lower left and signed “John Steuart Curry”. Oil on panel, 55” x 34.5”. Framed 66.5” x 46.25”. 20,000/30,000

Kansas/Pennsylvania/Connecticut/Wisconsin, 1897-1946

1624. SAMUEL LANCASTER GERRY Massachusetts, 1813-1891

Shore scene with beached dory and figures gathering kelp. Signed lower right “S.L. Gerry”. Oil on canvas, 11” x 17”. Framed 18” x 24”. 1,500/2,500

1625. SAMUEL LANCASTER GERRY Massachusetts, 1813-1891

“A Rocky Coast”. Signed lower left “S.L. Gerry”. Title on gallery label verso. Oil on canvas, 12” x 20”. Framed 19” x 27”. 2,500/3,500

Provenance: Vose Galleries, Boston. Private Collection, Connecticut.

1626. EDMUND DARCH LEWIS Pennsylvania, 1835-1910

Coastal scene. Signed and dated lower left “Edmund D. Lewis 1884”. Watercolor on paper, 8.5” x 19.5” sight. Framed 28.5” x 39.25”. 700/1,000

1627. FRANKLIN B. DE HAVEN

New York/Pennsylvania/ Connecticut/Indiana, 1856-1934

A man in a dory in a coastal inlet at the foot of the dunes. Signed and dated lower left “F. DeHaven 1890”. Oil on canvas, 24” x 36”. Framed 32” x 44”. 8,000/12,000

1628. WILLIAM FERDINAND MACY

New York/Massachusetts, 1852-1901

Sunset landscape. Signed lower left “W. Ferdinand Macy”. Oil on canvas, 18” x 34”. Framed 25” x 41”.

WILLIAM TROST RICHARDS

Pennsylvania/Rhode Island, 1833-1905

1629. Waves crashing on a rocky coast, possibly England

Signed lower left “Wm. T. Richards”. Oil on canvas, 25.25” x 38”. Framed 34” x 46”. 30,000/50,000

Provenance: William Lux, New York.

1630. ATTRIBUTED TO WILLIAM TROST RICHARDS

Pennsylvania/Rhode Island, 19th Century

“Beach Sketch”. Unsigned. Inscribed verso “Beach Sketch” and “Provenance: Painted by my Grandfather Wm. T. Richards - Edith Ballinger Price”. Oil on board, 5.5” x 8.75”. Framed 9.5” x 13”. 500/1,000

1631. Rocky coast at twilight.

lower right “L.D. Eldred”. Oil on canvas, 18” x 30”. Framed 30” x 40”. 5,000/8,000

1632. “Fairhaven Harbor, MA”

lower right “L.D. Eldred”. Titled on Vose Galleries label verso. Oil on canvas, 22” x 36”. Framed 26.75” x 40.75”. 3,000/5,000

1633. Boaters on the water, likely Maine

lower left “L.D. Eldred”. Oil on canvas, 6” x 12”. Framed 13” x 19”. 1,500/2,500

1634. ABBOTT FULLER GRAVES Massachusetts/Maine, 1859-1936

Mother and child. Oil on canvas, 15” x 18”. Framed 23.5” x 26”. 2,000/3,000

1635. EDMUND QUINCY Massachusetts, 1903-1997

Looking through a building toward a harbor. Unsigned. Estate stamped verso. Oil on board, 18” x 15”. Framed 23” x 20”. 1,000/1,500

Provenance: The Durkin Company Auction of the Quincy Estate, September 21, 1999.

1636. GEORGE LOFTUS NOYES Massachusetts/New Hampshire, 1864-1954

Houses in a landscape. Signed lower right “G.L. Noyes”. Oil on board, 12” x 10”.

Framed 15.5” x 13.25”. 700/1,000

1638. GEORGE HERBERT MCCORD

New York/New Jersey, 1848-1909

Cloudy seascape. Signed lower left “G.H. McCord”. Oil on canvas, 10.5” x 18.5”. Framed 20” x 27.75”. 1,200/1,800

1637. GEORGE HERBERT MCCORD

New York/New Jersey, 1848-1909

Sunset landscape with cows. Signed lower right “G.H. McCord”. Oil on canvas, 13.5” x 28”. Framed 24.5” x 38.5”. 2,500/3,500

1639. CHARLES HENRY SPRINGER

Rhode Island, 1857-1920

A female figure walking along the coast. Signed lower right “Chas. H. Springer Providence R.I.”. Original artist’s label verso. Oil on canvas, 12” x 24”. Framed 23” x 35”. 800/1,200

1640. HEZEKIAH ANTHONY DYER

Rhode Island/Europe, 1872-1943

“Gay Head”. Signed faintly in pencil lower right “H.A. Dyer”. Watercolor, 15.5” x 12” sight. Framed 24.5” x 20.5”. 1,500/2,500

1641. AMERICAN SCHOOL

Early 20th Century

“Newport, Rhode Island”. Unsigned. Inscribed illegibly verso “Painted by ... Vuilon[?] Newport, Rhode Island”. Oil on board, 12” x 16”. Framed 22” x 26”. 1,000/1,500

1642. GEORGE HORNE RUSSELL Quebec/New Brunswick, 1861-1933

Seascape. Signed lower left “G. Horne Russell”. 1,000/1,500

1643. QUEEN ANNE DISH-TOP CANDLESTAND

Newport, Rhode Island, Second Half of the 18th Century

In cherry. Delicate cabriole legs end in snake feet. Height 27.5”.

Top 20.25” x 20.75” with shrinkage. 700/1,000

1644. CHIPPENDALE LOLLING CHAIR Eastern Massachusetts, Late 18th Century

In mahogany. Back with cyma-curved crest. Shaped, carved and molded arms and arm supports. Square molded tapered legs joined by an H-stretcher. Striped off-white upholstery. Back height 43”. Seat height 17”. 700/1,000

Provenance: John C. Coffin, South Hampton, New Hampshire.

1645. TRANSITIONAL CHIPPENDALE PEMBROKE TABLE

Rhode Island, Circa 1790

In cherry. Drawer at one end of apron. Block legs joined by wavy cross stretchers. Height 28.5”.Width 20” plus two 8.75” drop leaves. Depth 32”. 400/600

1646. ELDRED WHEELER BLOCK-FRONT CHEST Massachusetts, 20th Century

In strongly figured tiger maple. Four graduated full-width drawers, the top drawer with shell carvings. Ornately carved bracket base. Original Eldred Wheeler paper label in top drawer. Height 34.5”. Width 38”. Depth 20.5”. 4,000/6,000

1647. HEPPLEWHITE CARD TABLE Massachusetts, Circa 1780

In mahogany. Top with nicely burnt wood banding along edge. Skirt with select wood veneer. Tapered legs. Height 29.5”. Width 36”. Depth 17.5”. 1,500/2,500

1648. CHIPPENDALE-STYLE BENCH-MADE BLOCK-FRONT KNEEHOLE DESK

In mahogany. Molded top. Case with a full-width drawer over one central drawer and inset paneled door. Three blocked drawers on each side of kneehole. Brass willow pulls appear to be original. Molded base and scroll-carved ogee bracket feet. Height 31”. Case width 33.5”. Depth 20.5”. 1,000/1,500

America, Early 19th Century

Portrait of a gentleman, possibly James Bindley. Unsigned. Similar to the 1819 mezzotint of James Bindley by William Say. Oil on canvas, 30” x 25”. Framed 39.5” x 34.5”.

FEDERAL BOWFRONT BUREAU BY JOHN BEALS

Bridgewater, Massachusetts, Circa 1800

Wonderful grain-painted finish. Four graduated fullwidth drawers. Signed in lowest drawer. Height 33”. Width 41.5”. Depth 21.75”. 1,200/1,800

MANNER OF GILBERT STUART

1651. CHARLES JERVAS England/Ireland, circa 1675-1739

“Lady Abdy”. Possibly Theodosia Bramston Abdy (1697-1732).

To be added to the Jervas catalogue raisonné under the direction of Caroline Pegum. Oil on canvas, 44” x 35.5”.

Framed 51” x 42”.

5,000/7,000

1652. ATTRIBUTED TO ROBERT FEKE Massachusetts/Rhode Island, 1707-1751

American Colonial portrait of a seated woman holding flowers. Unsigned. Inscribed verso “Portrait by Feke Early American Painter”. Oil on canvas, 37” x 27” sight. Framed 40.75” x 33”.

5,000/10,000

Provenance:

The Estate of Martha T. Daniel of Bristol, Tennessee. Case Antiques, Knoxville, Tennessee, 2022.

Notes:

This portrait is similar to one of Miss Willamina Moore painted by Feke, illustrated in Library of American Art: Robert Feke, Colonial Portrait Painter by Henry Wilder Foote, p. 71. In both portraits the sitters hold flowers in their delicately detailed hands.

Pennsylvania/England, 1783-1872

1653. Portrait of Jared Mansfield, professor of mathematics, West Point Unsigned. By descent in the Mansfield family. According to family, Mansfield was so beloved by his students at West Point that the cadets commissioned Sully to paint his portrait. Purportedly there are three versions, one at West Point, one at Yale University and this version, which Sully gave to Mansfield as a thank-you for introducing Sully to Thomas Jefferson, who became a close personal friend. Oil on canvas, 30” x 25”. Framed 33” x 27.5”. 30,000/50,000

ATTRIBUTED TO THOMAS PRICHARD ROSSITER

New York/Connecticut, 1818-1871

The Hudson Highlands. Unsigned. Oil on canvas, 14” x 20”.

20.5” x 26”.

JOHN WILLIAM HILL

New Jersey/California, 1812-1879

“The Hudson River at Caldwell’s Landing”. Signed lower right “J.W. Hill 1873”. Titled on a gallery label verso. Watercolor on paper, 8” x 12” sight. Framed 13.25” x 17.25”. 2,000/3,000

Provenance: Christie’s New York, East, October 4, 2000, Lot #24. Sotheby’s New York, May 19, 2004, Lot #66. Thomas Colville Fine Art (label verso).

1658. GAMALIEL WALDO BEAMAN

New Hampshire/Massachusetts, 1852-1937

Sheep grazing on the banks of the Hudson. Monogram signature lower left “GWB”. Oil on canvas, 14” x 20”. Framed 18” x 24”. 1,000/1,500

1656. AMERICAN SCHOOL 19th Century

View of the Hudson River. Unsigned. Mixed media on paper, 9” x 14” sight. Framed 19.5” x 23.5”. 1,000/1,500

1659. JULIAN WALBRIDGE RIX

California/Vermont, 1850-1903

Tappan Zee at sunset. Signed lower right “Julian Rix”. Oil on canvas, 10” x 14”. Framed 15” x 18.5”. 1,200/1,800

1657. ALBERT INSLEY

New York/New Jersey, 1842-1937

Rafting on the Hudson. Signed and dated lower right “A. Insley 1877”. Oil on canvas, 14” x 21.25”. Framed 25.5” x 33.5”. 2,000/3,000

1660. SHERATON PEMBROKE TABLE

New York, Circa 1805

In mahogany. Shaped drop leaves. Single drawer at one end of apron. Beautifully tapered reeded legs fitted with brass casters. Height 29”. Width 22” plus two 10.25” drop leaves. Depth 35.75”. 1,000/1,500

1661. CHIPPENDALE PARCEL-GILT LOOKING GLASS

Second Half of the 18th Century Mahogany veneer frame with full-bodied winged phoenix crest, gilt acanthus leaves at top and sides, and a gilt liner. Height approx. 52”. Width approx. 24.25”. 2,500/3,500

1662. FEDERAL ONE-DRAWER DROP-LEAF BREAKFAST TABLE

New York, Circa 1815

In select mahogany and mahogany veneer. Shaped drop leaves. Working drawer at one end and a faux drawer at opposite end. Reeded urn-form pedestal raised on foliate and reeded legs ending in brass-capped feet fitted with casters. Height 28.75”. Width 24” plus two 12” drop leaves. Length 37”. 1,800/2,200

1663. FEDERAL CARD TABLE ATTRIBUTED TO DUNCAN PHYFE New York, Circa 1820

In mahogany and mahogany veneer. Cut-corner top. Reeded cylindrical pedestal supported by foliate-carved reverse-arched legs ending in paw feet. Height 29”. Width 36.25”. Depth 18.5”. 7,000/9,000

1664. NEAR-MATCHING PAIR OF HEPPLEWHITE PEMBROKE TABLES

Possibly New York, Circa 1790

In mahogany. Tops with coved edges. Each with a single drawer at one end of apron. Tapered legs. Heights 29”. Widths 22.5” plus two 10” drop leaves. Depths 31.5”. 1,200/1,800

1664, near-pair

1665. JOHANN BERTHELSEN New York/Connecticut/Denmark, 1883-1972

Winter scene of St. Patrick’s Cathedral, New York. Signed lower right “Johann Berthelsen”. Oil on canvas, 20” x 16”. Framed 28” x 24”. 1,500/2,500

1666. BELA DETIREFORT

New York/Florida/Austria, 1894-1993

Winter city scene. Signed and dated lower left “DeTirefort ‘49”. Oil on masonite, 16” x 20”. Framed 19” x 23”. 800/1,200

1667. CARL LAWLESS Connecticut/Pennsylvania/Illinois, 1894-1964

Cows in a wooded landscape. Signed lower right “Carl Lawless”. Oil on canvas, 15” x 15”. Framed 19” x 19”. 1,800/3,000

1668. Fifth Avenue, New York City

Signed lower

GUY CARLETON

New York/Connecticut,

N.A.”.

1670. CHARLES HEBERER Missouri, 1868-1951

Gathering wildflowers. Signed and dated lower right “C. Heberer - Paris ‘95”. Oil on canvas, 18” x 15”. Framed 26” x 23”. 6,000/8,000

1669. JOHN HENRY TWACHTMAN

New York/Connecticut/Massachusetts/Ohio, 1853-1902

Landscape study. Signed lower left “J.H. Twachtman”. Pastel, 5.5” x 4.75” sight. Framed 13.25” x 12.25”. 5,000/7,000

Provenance: The Collection of Roy Williams, Wickford, Rhode Island.

1671. CHARLES WARREN EATON

New York/New Jersey/The Netherlands, 1857-1937

“Sunrise in New England”. Signed lower right “C. Warren Eaton”. Titled on typewritten label verso. Oil on canvas, 28” x 30”. Framed 35” x 37”. 5,000/7,000

1672. AMERICAN SCHOOL 19th Century

Landscape with barn and other buildings, a pond and a figure. Illegibly signed lower right. Oil on canvas, 10” x 8”. Framed 14.5” x 12.5”. 400/600

1674. CHIPPENDALE BUREAU

Pennsylvania, Circa 1780

In walnut. Molded-edge top. Four graduated full-width drawers flanked by fluted quarter columns. Ogee bracket feet. Height 35”. Width 39.5”. Depth 20.75”. 700/1,000

1673. CHIPPENDALE WING CHAIR

Philadelphia, Circa 1780

In mahogany. Nicely arched back. Legs with beautiful foliate-carved knees and claw & ball feet. Stripped of upholstery. Back height 48”. Seat height 14”.

3,000/5,000

1675, six

1675. RARE SET OF SIX CHIPPENDALE SIDE CHAIRS

Pennsylvania, Third Quarter of the 18th Century In walnut. Cupid’s-bow crest rail with beautifully scrolled ears and central Rococo tattered shell carving. Pierced and scrolled splats. Stiles mortise and tenoned through the back. Slip seats with brown faux leather upholstery. Cabriole legs end in claw & ball feet. Back heights 38.75”. Seat heights 18.5”. 12,000/18,000

Provenance: Descended in the Nicolls family from Governor Joseph Hiester of Pennsylvania.

1676, pair

1676. EXCEPTIONALLY RARE PAIR OF HEPPLEWHITE CARD TABLES Philadelphia, Circa 1790

In select mahogany and mahogany veneer. Serpentine tops on conforming skirts. Alternating string inlay on skirt. Legs with oval panel inlay at tops, alternating string inlay down the lengths, and satinwood cuffed banding. Heights 29.5”. Widths 35.75”. Depths 17”. 5,000/10,000

1677. FEDERAL CONVEX MIRROR 19th Century

Hardwood frame with ebony liner. Carved foliate and eagle crest. Stylized sunburst and grape drop. Height 47.25”. Width 25.5”. 2,000/3,000

1678. Moonlit seascape as viewed through a trompe-l’oeil shaped window

Signed lower right “Eilshemius”. Oil on masonite, 16” x 11.5”. Framed 22” x 17.5”. 1,000/1,500

1679. Twilight seascape

Signed lower right “Eilshemius”. Oil on board, 8” x 17”. Framed 14” x 22”. 1,000/1,500

1680. Port scene with ship and figures as viewed through a window

Dated and signed lower right “1912 Eilshemius”. Oil on cardboard mounted on board, 8.25” x 17”. Framed 23” x 14”. 1,000/1,500

LOUIS MICHEL EILSHEMIUS

New York/California/New Jersey, 1864-1941

1681. CORWIN KNAPP LINSON

New Jersey, 1864-1934

Baptism. Signed, inscribed and dated lower center “Corwin Knapp Linson - to Mary Ann. 1949”. Signed, dated and extensively inscribed verso. Oil on board, 8.75” x 10.75”.

10” x 12”.

CORWIN KNAPP LINSON

New Jersey, 1864-1934

“Garden Magic”. Titled and signed lower center

Knapp Linson”. Oil on canvas, 24” x 30”.

28.5” x 35.5”.

1683. AMERICAN SCHOOL Late 19th Century

Two young women taking a break from the fields.

Oil on canvas, 27” x 22”. Framed 33” x 27”.

1684. AFTER CHARLES ROSELL BACON America, Early 20th Century

Garden scene. Signed lower right “C.R. Bacon by E.B.”. Oil on canvas, 18” x 22”. Framed 26.5” x 33.5”. 500/1,000

1686. ANDREW W. MELROSE

New Jersey/California, 1836-1901

Rocky landscape. Signed lower left “Andrew Melrose”. Oil on canvas, 18” x 32”. Framed 25” x 39”. 2,000/3,000

1685. CARL WUERMER

New York/California/Germany, 1900-1981

Spring landscape. Signed lower right “Carl Wuermer”. Oil on canvas, 26” x 28”.

30.5” x 32.5”.

1687. ANNIE LYLE HARMON California, 1855-1930

California coastal landscape. Signed lower right “Annie Harmon”. Oil on canvas, 26” x 33”. Framed 34” x 41”.

ARTHUR

New York/California/Italy,

1688

1688. Cloud-filled vista

Signed lower left “A.B. Davies”. Watercolor on paper, 10.5” x 14.5”. Framed 18” x 21.75”. 1,200/1,800

1689. “Landscape with Pine Tree, ca. 1905” Unsigned. Titled on gallery label verso. Oil on canvas, 5.75” x 9.5”. Framed 9.5” x 13.75”. 1,200/1,800

Provenance: Babcock Galleries, New York.

1690. Figures in a landscape

Signed and dated lower left “A.B. Davies

1925”. Oil on masonite, 15.25” x 19”. Framed 22” x 25”. 3,000/5,000

1689

1691. MAX WEYL Washington, D.C., 1837-1914

Birches. Signed lower right “M. Weyl”. Oil on canvas, 28” x 23”. Framed 35.5” x 30.5”. 3,000/5,000

1692. EXCEPTIONAL TRANSITIONAL QUEEN ANNE SLANT-LID DESK Mid-Atlantic States, Mid-18th Century In walnut, with poplar and American pine secondary woods and double string bone inlay to all faces. Drop-well and stepped interior features shelves, pigeonholes, small drawers and a central compartment with relief floral carving. Case with two half drawers over three full-width drawers and flat bracket feet. Vertical backboards indicative of the mid-Atlantic states of this period. Retains original brass hardware. Height 41.75”. Width 38.5”. Depth 20”. 4,000/6,000

1693. HEPPLEWHITE SIDEBOARD

Baltimore, Maryland, Circa 1790

In mahogany and mahogany veneer. Serpentine front. Deep bottle drawers flank a central drawer over a two-door cupboard. Tapered legs with bellflower inlay. Height 40”. Width 63.5”. Depth 23”. 1,500/2,500

1694. CHIPPENDALE CHEST

Possibly North Carolina, Circa 1790

In walnut with poplar and cherry secondary woods. Four graduated full-width drawers. Shaped bracket feet. Height 36”. Width 38.25”. Depth 20.25”. 500/800

1695. SET OF EIGHT FEDERAL DINING CHAIRS

Baltimore, Maryland, Circa 1790

Two armchairs and six side chairs. In mahogany. Lobed shield backs. Delicate tapered legs end in beautifully shaped spade feet. Stripped of upholstery. Back heights 38.5”. Seat heights 18”. 3,000/5,000

1695, eight

1696. BOKHARA RUG: 4’4” x 7’2”

Circa 1930-40

Geometric medallions of bright red, wine red, teal, navy blue, brown and ivory are arranged in five columns on a wine red field. Multiple borders feature a variety of repeating stylized elements in colors to echo the field. 350/550

1697. TURKISH KAZAK LONG RUG: 3’9” x 9’2”

Early 20th Century

Abrashed dark tan field blanketed by contiguous red, green and blue geometric medallions with an uninterrupted ivory perimeter. Medallions contain traditional stylized elements. Broad blue, rust red and pale yellow borders. 400/800

1698. FERAGHAN RUG: 11’11” x 15’7”

19th or Early 20th Century

Wheat-colored field with antique ivory and salmon red clusters of styled vines and four rows of pendant geometric medallions containing a blue, aqua and salmon pink Herati pattern. Borders with blossoms, boteh and serpentine branches.

2,000/3,000

1700. KAZAK DESIGN RUNNER: 2’10” x 10’10”

Early 21st Century

Smoke gray field with a series of various red, blue, green, ivory, salmon pink, bright yellow and subtle smoke gray geometric medallions. Ivory, blue and salmon pink borders. 350/550

1701. NORTHWEST PERSIAN RUG: 4’4” x 10’10”

20th/21st Century

1699. NORTHWEST PERSIAN RUG: 3’6” x 6’6”

First Half of the 20th Century

Brick red field with a central navy blue geometric medallion and red, blue, ivory, orange, pink, green and brown stylized elements throughout. Broad blue main border with colorful turtle motif. 200/400

Two bold deep crimson, dark orange, khaki, charcoal and ivory stylized elements fill a dark charcoal field. Three red and khaki borders with meandering vine motifs. 450/650

1702. TABRIZ RUG: 8’10” x 13’2”

Second Quarter of the 20th Century

Light gray field with a variety of bold red, ivory and ochre medallions that contain, and are surrounded by, blossoming branches, birds and beasts rendered in powder blue, dark blue, red, green, pink and ivory. Ivory and green guard borders. Dark blue main border. 600/900

1703. AFSHAR RUG: 3’7” x 5’1”

Late 20th Century

Stylized ivory blossoms populate the blue central medallion and the corners of the midnight blue subfield. Subfield and rich red upper field filled with ivory branches and small pink, blue, green and ivory blossoms. 350/450

1704. SAROUK RUG: 2’2” x 2’4”

Circa 1925

Navy blue field with red, pink, blue, gold and olive green floral bouquets that mirror each other across a central quatrefoil motif. Dark red main border with a meandering floral vine. 250/350

1705. SAROUK RUG: 10’3” x 13’1”

Early 20th Century

Clusters of red, blue, gold and light brown flowering branches are arranged about the center lines of a rich red field. Design includes two pairs of unusual teal cypress trees that mirror each other across the central floral element. Red, gold and navy blue borders.

1706. KARAJA RUNNER: 2’7” x 12’2”

Third Quarter of the 20th Century

1,000/1,500

300/500

Rich red field with a traditional cascade of geometric medallions and a cacophony of small stylized elements in greens, yellow, gold, ivory, blues and deep amethyst. Narrow bronze and midnight blue borders.

1707. HAMADAN RUG: 3’9” x 16’7”

Second Half of the 20th Century

Midnight blue field with a red, blue, ivory and olive green Herati pattern. Marine blue border with stylized elements.

300/500

1708. SERAPI DESIGN RUG: 8’10" x 11’7”

Early 21st Century

Yellow and navy blue medallion rests at the center of a rust red field surrounded by broad ivory spandrels. Delicate ivory scrolling vines bear peach, ivory, light green, light blue and navy blue blossoms throughout. Gold guard borders and navy blue main border. 750/950

1709. HERIZ RUG: 9’7” x 14’1”

1890-1910

Typical arrangement of medallions and pendants are surrounded by meandering vine bearing serrated leaves, flower and lotus blossoms, all rendered in red, brown, gold and ivory. Red guard borders. Brown main border with turtle motif.

1,000/1,500

1710. PERSIAN HAMADAN: 4’9” x 13’7”

Late 19th Century Navy blue field with several rows of repeated stylized elements of faded khaki, red, blue, ivory and pale green. Red, ivory and abrashed blue borders. 300/500

1711. HAMADAN SCATTER RUG: 2’11” x 4’6”

First or Second Quarter of the 20th Century Red field with a blue central medallion containing and surrounded by a variety of pink, brown, green and blue branches and blossom. Broad red main border with bold stylized elements. 150/250

1712. KAZAK RUG: 4’6” x 7’9”

First or Second Quarter of the 20th Century Bold red, blue, teal and ivory geometric medallions are surrounded by a variety of traditional elements on a red field. Red, ivory and blue traditional elements throughout borders. 150/250

1713. KAZAK DESIGN RUG: 6’0” x 9’0”

Early 21st Century

Ivory, blue, salmon pink and moss green geometric medallions are arranged down the center and about the perimeter of a bright red field. Medallions surrounded by a variety of colorful stylized blossoms. Multiple colorful borders contain a variety of stylized elements.

1715. SHIRVAN DESIGN PRAYER RUG: 5’8” x 8’1”

Early 21st Century

Red, green and gray stylized floral motifs fill an ivory field below a mihrab formed by a dark blue ribbon. Khaki panel below with motifs to match the field. Dark salmon red, khaki and midnight blue borders with a variety of stylized blossoms and other elements.

1714. BAKHTIARI RUG: 5’0” x 7’0”

Mid-20th Century

Abrashed red field with a stylized vine and ivory, tan, amethyst, orange and navy blue blossoms emanating from an ivory twohandled vessel. Navy blue subfield surrounded by orange, ivory and faded amethyst borders.

1716. KILIM RUG: 7’1” x 9’6"

Early 21st Century

Field composed of contiguous diamonds, each containing a repeated stylized motif, all rendered in blue, aqua, scarlet, moss green, forest green, orange, amethyst and ivory. Navy blue border filled with symmetrical stylized blossoms that echo the field.

1717. LILLIAN BURK MEESER

Pennsylvania/Michigan, 1864-1942

“Street in Provincetown”. Signed lower right “Meeser”. Titled in pencil on artist’s label verso. Oil on board, 18” x 16”. Framed 25” x 22”.

5,000/7,000

1718. PAULINE LENNARDS PALMER

Illinois/Norway, 1867-1938

“Street Scene, Provincetown”. Signed lower left “Pauline Palmer”. Titled and signed verso. Oil on board, 10” x 13”. Framed 15” x 18.5”.

5,000/7,000

1719. CHARLES WEBSTER HAWTHORNE Massachusetts/New York, 1872-1930

Portrait of a well-appointed woman. Signed faintly lower left “Hawthorne”. Oil on canvas, 30” x 24”. Framed 38” x 31”. 5,000/7,000

VACLAV

New York/California, 1892-1984

1720. Beach scene

Signed verso “Vytlacil”. Oil on board, 8.75” x 12”. Unframed. 2,000/3,000

1721. Vineyard church.

Signed lower right “Vaclav Vytlacil”. Oil on canvas, 28” x 28”. Framed 34.5” x 34.5”. 5,000/7,000

Vaclav Vytlacil's work is decidedly modern, with Cubist and expressionist influences.

He was born in New York City to Czechoslovakian parents. He spent parts of his childhood in Chicago, where he took classes at the School of the Art Institute of Chicago. He then went back to New York, where he studied at the Art Students League, before accepting a teaching position at the Minneapolis School of Art in 1916. During his five-year tenure there, he was able to travel extensively in Europe, deciding to settle in Munich in 1921 to study at the Royal Academy of Art. There he worked and studied with abstractionist Hans Hofmann.

Throughout the next decades he moved back and forth between Europe and the U.S., often lecturing and teaching at important art schools including the Art Students League, Queens College, the College of Arts and Crafts in Oakland, California and Black Mountain College in North Carolina. He and his wife made a home in Chilmark, on Martha's Vineyard, Massachusetts, where he also taught and exhibited.

1722. Sand dunes, likely Provincetown.

Signed lower right “Arthur V. Diehl”. Oil on board, 6” x 13”. Framed 7.5” x 14.5”. 800/1,200

1723. “Along the Docks, 1898”

Signed lower left “Arthur V. Diehl 1898”. Watercolor on paper, 9” x 9.5”. Framed 13” x 15”. 400/600

1724. Market scene.

Signed lower left “Arthur V. Diehl”. Oil on board, 11” x 14”. Framed 15” x 18”. 800/1,200

1725. Ship at sea.

Signed and dated lower right “Arthur V. Diehl 1927”. Oil on board, 9.75” x 18”. Framed 12.5” x 20.5”. 600/900

ARTHUR

Massachusetts/New York/England, 1870-1929

1728. EDWIN WALTER DICKINSON

New York/California/Massachusetts, 1891-1978

“Woods, South Wellfleet”. Signed and dated lower right “E.W. Dickinson ca. 1944”. Numbered on bottom “AC9”. Pencil on paper, 10” x 11.875”. Framed 16.5” x 18”. 800/1,200

1726. XAVIER GONZALEZ

Massachusetts/Mexico, 1898-1993

“Calador - Wellfleet”. Signed lower right “Xavier Gonzalez”. Titled verso. Label verso for Century Association of New York Member’s Exhibition. Oil on canvas, 40” x 50”. Framed 40.75” x 50.75”. 1,200/1,800

1729. EDWIN WALTER DICKINSON

New York/California/Massachusetts, 1891-1978

Rebecca Matheson, 1925. Signed under mat. Pencil on paper, 10.25” x 13.5”. Framed 23” x 19”. 1,000/2,000

Notes: Edwin Walter Dickinson drew this for Rebecca Matheson’s daughters, Orpha and Margaret, in Provincetown, Massachusetts, on September 3 and 4, following Matheson’s death on September 2, 1925.

1727. BRUCE MCKAIN

Massachusetts/Indiana, 1900-1990

Winter scene of a boat docked in front of the Ice House, Provincetown. Signed lower right “McKain”. Oil on canvas, 33” x 42”. Framed 37” x 47”. 1,500/2,500

1730. FRITZ WILHELM PFEIFFER Massachusetts, 1889-1960

Provincetown Bay scene. Signed mid-lower right. Dated 1935. Oil on canvas, 36” x 54”. Framed 39” x 57”. 4,000/6,000

1735. ADA RAYNER HENSCHE

Massachusetts, 1901-1985

“Sunlit Blue Pitcher”. Signed lower right “Ada Rayner”. Titled on The Henry Philips Gallery label verso. Oil on board, 24” x 20”. Framed 28” x 24”. 700/900

1736. HENRY HENSCHE

Massachusetts/Louisiana/Germany, 1899-1992

Still life study of a bowl and pitcher. Signed faintly lower left. Oil on board, 18” x 24”. Framed 22” x 27.5”. 1,500/2,000

1737. HENRY HENSCHE

Massachusetts/Louisiana/Germany, 1899-1992

Tabletop still life. Signed and dated lower right “Henry Hensche 1973”. Oil on canvas, 26” x 26”. Framed 29.5” x 29.5”. 2,500/3,500

1903-1959

“Boats at Sea”.

Signed lower left “John Whorf”. Titled on label verso. Watercolor on paper, 20” x 29”. Framed 30” x 35”. 5,000/7,000

Provenance: Purchased at Stewart Galleries, Palm Springs, California, 1990.

1739. Setting out the decoys

Signed lower right “John Whorf”. Watercolor on paper, 14.5” x 21” sight. Framed 22” x 29”. 2,000/3,000

1740. Fly-fishing

Signed lower right “John Whorf”. Watercolor on paper, 15” x 21”. Framed 21.5” x 26”. 2,500/3,500

1741. A heron on shore

Signed lower left “John Whorf”. Watercolor on paper, 12” x 19” sight. Framed 21” x 28”. 1,200/1,800

1742. JACKSON LAMBERT

Massachusetts/New York, 1919-2011

Landscape diorama with plate. Constructed from parts of an old roll-top desk. Signed on left panel “Lambert”. Mixed media, height 16”. Width 22”. Depth 8”. 500/1,000

1743. SELINA TRIEFF

New York/Massachusetts, 1934-2015

Portrait of a woman wearing a lace collar. Signed verso “Trieff”. Oil and gold leaf on canvas, 12” x 12”. Framed 13” x 13”. 1,000/1,200

1744. CYNTHIA PACKARD

Massachusetts/Florida, b. 1957

Contents of a cupboard. Signed and dated lower right “Cynthia Packard ‘92”. Oil on canvas, 43” x 30”. Framed 45” x 32”. 2,000/3,000

1745. DENNY CAMINO Massachusetts, b. 1972

“Ahhh Series”. Signed, titled and dated 2005-2006 verso. Oil on canvas, 36” x 48”. Unframed. 1,200/1,800

1746. LARGE RUDDER SCULPTURE

19th Century

Traces of paint. Mounted in a cast iron stand. Height 84”. 1,000/2,000

Provenance:

Purchased at a Santa Fe, New Mexico gallery.

Private Chatham, Cape Cod, Massachusetts collection.

1747. JOHN DOWD Massachusetts, b. 1960 “Still”. Signed lower right “John Dowd”. Signed, titled and dated 1985 verso. Oil on linen, 33” x 45”. Framed 41” x 52”.

1749. TOM MCCANNA America, 20th Century

“Provincetown”, a three-piece polychrome fountain depicting fish, houses and special landmarks of Provincetown interest. Signed inside base. Painted ceramic, height 56”. 5,000/7,000

1748. LORETTA FEENEY Massachusetts, b. 1961

Provincetown Harbor. Signed and dated lower right “Feeney '89”. Oil on canvas, 40” x 40”. Framed 45” x 45”. 4,000/6,000

ARTHUR

Massachusetts, 1931-2019

1750. Flying fish mobile

A red fish in multiple pieces suspended from one arm, blue yellow and orange discs suspended from a counter-balanced separate arm. Signed with the artist’s monogram on lowest orange disc. Painted sheet metal, height 35”. Length 42”. 1,500/2,500

Provenance: Left Bank Gallery, Wellfleet, Massachusetts.

1751. Abstract kinetic sculpture. In two parts. Signed on base. Steel, height 15”. Length 17”. Width 11”. 400/600

1752. Abstract sculpture

In the form of a baptismal font with a coiled serpent-like attachment at the top. Signed “Reitz” on base and dated “’01”. Wood-fired stoneware, height 48”. Width across top 26”. 5,000/7,000

Provenance: Private Provincetown, Massachusetts Collection.

1753. Pipe-form abstract vessel Salt-fired stoneware, height 17”. Length at base 11”. 1,000/1,500

Provenance: Private Provincetown, Massachusetts Collection.

Wisconsin/Arizona, 1929-2014

1754. RICHARD PEPITONE Massachusetts, b. 1936 Torso with head in hands. Raku ceramic with white crackle glaze. 500/1,000

Provenance: Cortile Gallery, Provincetown, Massachusetts, 2007.

1755. VERNON B. SMITH Massachusetts, 1894-1969 “Desert”. Signed lower left “Vernon Smith”. Titled verso. Numbered #62. Painted bas relief wood carving, 14” x 37.5”. 4,000/6,000

Provenance: Lost Art Salon Fine Art Gallery. Private Maine collection.

1756. PAINTED WOODEN SIGN “OYSTER BAY BEACH CLUB” Contemporary Black lettering and crossed oars against a yellow ground. Height 10.5”. Length 63”. 400/600

1757. FRANK S. FINNEY CARVED AND PAINTED WOODEN HUMPBACK WHALE Capeville, Virginia, Contemporary Stamped on base “F. Finney”. Length 8.5”. 600/900

1758. FRANK S. FINNEY CARVED WOODEN NARWHAL Capeville, Virginia, Contemporary Mounted on a hardwood base. Stamped “Frank Finney”. Length 12”. 700/1,000

1759. FRANK S. FINNEY CARVED WOODEN BELUGA Capeville, Virginia, Contemporary On a hardwood base. Carved “FF” on underside. Length 6.5”. 500/700

1760. TWO FRANK S. FINNEY CARVED WOODEN ANIMALS

Capeville, Virginia, Contemporary A snail and a seal. Both carved on undersides “FF”. Lengths 7” and 9.5”. 800/1,200

1761. ELDRED WHEELER CHIPPENDALE-STYLE CHEST Massachusetts, 20th Century

In maple and tiger maple, with a molded-edge top, four graduated full-width drawers and ogee bracket feet. Eldred Wheeler paper label inside a drawer. Height 33”. Width 36.5”. Depth 19”. 1,000/1,500

1762. JEFFEREY SABOL

Connecticut, 20th Century

“Early Snowfall, 2015”, depicting a red dinghy in the water. Signed lower right “Sabol ASMA”. Acrylic on canvas, 6” x 8”. Framed 9.75” x 11.5”.

1763. ELDRED WHEELER QUEEN-SIZE BED Massachusetts, 20th Century

In tiger maple. Eldred Wheeler paper label and brand on back of headboard. Includes rails and acorn finials. Height 84.5”. Width between bolt holes 61.5”. Rail lengths 80”. 1,500/2,000

1764. ELDRED WHEELER TWO-PART ENTERTAINMENT CABINET

Massachusetts, 20th Century

In tiger maple. Both sections with four paneled doors. Shaped bracket base. Eldred Wheeler brand under bonnet. Height 75”. Width 55.5”. Depth 22”. 2,000/3,000

1766. DON STONE

Maine/New Hampshire, 1929-2015

Boats and nets. Signed lower left “Don Stone NA”. Oil on canvas, 24” x 36”. Framed 33” x 44”. 2,000/3,000

1765. ELDRED WHEELER QUEEN ANNE-STYLE BONNET-TOP SECRETARY DESK Massachusetts, 20th Century

In strongly figured tiger maple. Upper case with a turned finial at the center of a broken arch pediment, a carved sunburst below, and two paneled doors. Doors enclose a fitted fan-carved interior. Lower case with a slant lid over four graduated full-width drawers and ogee bracket feet. Slant lid encloses an exceptional fitted interior. Original Eldred Wheeler paper label inside a drawer. Height 92”. Width 38”. Depth 21”. 6,000/8,000

MICHAEL BACLE

MITCHELL CARVED WOODEN ORCA

Massachusetts,

and painted white whale.

verso “Mike Bacle”.

approx.

BACLE

on back “R. Mitchell”.

MITCHELL CARVED WOODEN SPERM WHALE

on back “R. Mitchell”.

and painted white whale.

verso “Mike Bacle”.

approx. 13”.

MITCHELL CARVED WOODEN SPERM WHALE

Massachusetts,

on back “R. Mitchell”.

1772. BILL AND JUDY SAYLE NANTUCKET BASKET PURSE Nantucket, Massachusetts, 20th Century Oval, with swing handle. Polychrome engraved plaque on lid depicts a three-masted ship. Signed on underside “W. & J. Sayle”. Height 6”. Width 9.25”. Depth 6.5”. 1,000/1,500

1774. DIMINUTIVE MICHAEL KANE NANTUCKET BASKET PURSE Nantucket, Massachusetts, 20th Century Oval, with swing handle. Carved whale ivory double scallop shell plaque on lid. Signed on bottom “Made by Mike Kane Nantucket Island”. Height 5.5”. Width 8”. Depth 6.25”. 800/1,200

1773. MICHAEL KANE NANTUCKET BASKET PURSE Nantucket, Massachusetts, 20th Century Oval, with swing handle. Carved bone sperm whale plaque on lid. Signed on bottom “Made by Mike Kane”. Height 7.25”. Width 11”. Depth 8”. 800/1,200

1775. FERDINAND SYLVARO NANTUCKET BASKET Nantucket, Massachusetts, Early 20th Century Round, with swing handle. Typed label on underside “Made By Ferdinand Sylvaro Nantucket”. Height 4”. Diameter 8.5”. 500/800

1776. FERDINAND SYLVARO NANTUCKET BASKET Nantucket, Massachusetts, Circa 1920 Oval, with swing handle. Metal ears. Sylvaro’s (1868–1952) handwritten label on underside “Made by Ferdinand Sylvaro 97 Orange St. Nantucket Mass”. Height to rim 7”. Length 13.25”. 1,000/1,500

1779. MARTHA FARHAM CAHOON Massachusetts, 1905-1999 Mermaid and unicorn. Signed and dated lower right “Martha Cahoon 81”. Marked on frame verso “Happy Father’s Day 6-20-82”. Oil on board, 9” x 12”. Framed 10.75” x 13.75”. 800/1,200

1777. MARTHA FARHAM CAHOON Massachusetts, 1905-1999 Boy in a grassy landscape. Signed and dated lower right “Martha Cahoon 1981”. Oil on board, 10” x 8”. Framed 11.5” x 9.5”. 800/1,200

1778. MARTHA FARHAM CAHOON Massachusetts, 1905-1999 “Jack Be Nimble”. Signed and dated lower right “Martha Cahoon 1986”. Titled lower left. Mixed media, 11.75” x 9.5” sight. Framed 13.25” x 11.25”. 200/300

1780. ATTRIBUTED TO MARTHA FARHAM CAHOON Massachusetts, 1905-1999 19th Century dome-top tin trunk with painted decoration of fruit on a green ground. Unsigned. Height 18”. Width 29”. Depth 16”. 300/500

1781. RALPH EUGENE CAHOON, JR. Massachusetts, 1910-1982

“Ice Fishing”. Signed lower right “R. Cahoon”. Oil on masonite, 24” x 30”. Framed 28” x 34”.

Provenance: The artist to the parents of the current owner, circa 1977.

MILTON H. WELT Massachusetts, 1914-2011

Wharf, Chatham 1936”. Signed lower left “Milton Welt”. Titled verso. Oil on canvas board, 18” x 24”.

25” x 31”.

CHARLES L. RICHARDSON

Cod, Massachusetts, 20th Century

Cod marsh. Signed lower right “Charles Richardson”.

on masonite, 24” x 36”.

30” x 42”.

HAROLD C. DUNBAR Massachusetts, 1882-1953

Cod landscape. Unsigned. Notated verso “Harold Dunbar”. Oil on board, 16” x 20”. Framed 22” x 26”.

ROBERT DOUGLAS HUNTER Massachusetts, 1928-2014

Inlet”. Signed and dated lower left “Robert Douglas Hunter ‘98”. Titled verso. Oil on canvas board, 12” x 16”.

17.5” x 21.5”.

1786. NIEK VAN DER PLAS

The Netherlands, b. 1954

Nantucket beach scene with umbrellas. Signed lower right “Van der Plas”. Inscribed verso “Nantucket”. Oil on board, 12” x 16”. Framed 19.5” x 23.5”. 1,800/2,400

1787. JEROME HOWES

New York/Massachusetts/Vermont, b. 1955

Catboats. Signed lower right “Jerome Howes”. Oil on board, 12” x 16”. Framed 18.5” x 22.5”. 600/800

1788. JEROME HOWES

New York/Massachusetts/Vermont, b. 1955

Pilot boat 17. Signed lower right “Jerome Howes”. Oil on masonite, 20” x 30.5”. Framed 26.5” x 36.5”. 900/1,200

1789. WARREN BOUCHER Rhode Island, 1922-1999

Lobsterman rowing a Grand Banks dory, outrunning a storm. Two-masted sailing vessel off her bow. Signed and dated lower left “Warren Boucher 80”. Boucher’s business card verso. Oil on masonite, 30.5” x 48”. Framed 39” x 55”.

2,500/3,500

1790. SANDOR BERNATH

America/Hungary/Honduras, 1892-1984

“On An Upwind Beat”. Signed lower left “Sandor Bernath”. Archival framing with lined and faux marble trim on mat and a gold leaf frame. Watercolor on paper, 20.5” x 17” sight. Framed 31” x 27.25”. 700/1,000

Provenance: The Cooley Gallery, Old Lyme, Connecticut. The current owner.

1791. EDMUND D. LEWANDOWSKI Wisconsin/Florida, 1914-1998

Coast Guard Cutter - 73. Signed and dated lower right “Edmund D. Lewandowski 1987”. Archival framing with linen mat and gold leaf frame. Watercolor on paper, 17.5” x 25”. Framed 29” x 36.5”. 7,000/10,000

Provenance H.V. Allison Galleries, Inc., New York.

1950-2020

1792. “Make new friends but keep the old ...”

Signed lower left “Elizabeth Mumford”. Oil on masonite, 20” x 28”. Framed 22.5” x 30.5”. 3,000/5,000

1793. “Blueberries on the beach, the best ones are always hard to reach”

Depicts a young couple and their black lab picking blueberries in the dunes. Signed lower left “Elizabeth Mumford”. Oil on masonite, 17” x 22”. Framed 19.5” x 24.5”. 2,000/3,000

1794. “Bread never falls, but on its buttered side”

Signed and dated lower right “Elizabeth Mumford 1994”. Oil on board, 15” x 18”. Framed 17.5” x 20.5”. 1,500/2,500

1795. “He who plays golf must expect to get in touble.”

Depicts the Eastward Ho Country Club in Chatham, Massachusetts. Signed lower left “Elizabeth Mumford”. Oil on board, 15” x 21”. Framed 17.5” x 23.5”. 1,200/2,000

1798. “Plein Air”

Signed lower left “W. Davis”. Signed, titled and labeled verso “W. Woodstock, VT Oct. 2016. High 40’s. Cold raining not the best day for painting”. Oil on board, 8” x 10”. Framed 12.25” x 14.25”. 600/900

1796. “Tarpaulin Cove Gong - Naushon Island Fog Bell”

Signed lower left “William R. Davis”. Titled verso. Oil on panel, 9.5” x 13.75”. Framed 15.25” x 19.5”. 4,000/6,000

1799. “Sunrise Southwest Harbor”

Signed lower right “William R. Davis”. Titled and signed verso. Oil on board, 6” x 10”. Framed 12” x 16”. 800/1,200

1797. “Winter Night, Truro Rail”.

Signed lower left “W. Davis”. Titled verso. Oil on panel, 6” x 8”. Framed 10” x 12”. 1,500/2,500

1800. Salt marsh scene, possibly Scorton Creek, East Sandwich, Massachusetts

Signed lower right “William Davis”. Oil on canvas, 22” x 36”. Framed 27” x 41”. 9,000/12,000

1801. DOROTHY DAVIS Cape Cod, Massachusetts, 1910-1991

Two works, one depicting Dick Bourne auctioning under a tent and the other depicting figures outside a house. One signed lower left and the other verso “D. Davis”. Oils on board, the largest 15” x 20”. Framed 18.5” x 23.5”. 600/900

1802. ROSEBEE Massachusetts, 1932-2016

“The First Snow Storm”. Unsigned. Artist’s label verso. Oil on board, 12” x 24”. Framed 16.5” x 28.5”. 1,200/1,800

1803. PAUL LONGNECKER Massachusetts, 1920-2008

Floral still life. Signed and dated lower right

“Paul Longnecker 1996”. Oil on board, 30” x 40”.

Framed 36” x 46”. 3,000/5,000

1804. VERNON BROE Maine/Illinois, 1930-2011

Yachting off the coast. Signed faintly lower right

“Vern Broe”. Oil on canvas board, 14” x 18”.

Framed 21” x 25”. 1,500/2,500

GLOSSARY OF TERMINOLOGY AND ADVICE TO BIDDERS

Authorship of Paintings and Works of Art

A. LEMUEL D. ELDRED Massachusetts, 1848-1921

In our opinion, this is a work by the artist.

B. ATTRIBUTED TO LEMUEL D. ELDRED Massachusetts, 1848-1921

In our opinion, probably a work by the artist based on the style of the piece, however, the work lacks a signature, marking or adequate provenance to fully ascribe it.

C. MANNER OF LEMUEL D. ELDRED Massachusetts, 1848-1921

In our opinion, a work made in the style of the artist listed, most likely by a follower or student.

D. SCHOOL OF LEMUEL D. ELDRED Late 19th Century

In our opinion, a work executed at the time and in the style of the artist listed.

E. AFTER LEMUEL D. ELDRED 20th Century

In our opinion, a work made in the style of the artist listed, but not by the artist. Often used to describe a direct reproduction of an original work of art.

Ascribing Date of Origin

If a date and location are included in a heading, it is our opinion the piece is essentially of the period and was made in the area indicated. The inclusion of the world “style” in the heading indicates the piece was made at a later date as an intentional reproduction of the earlier style.

Dimensions

Unless otherwise specified, dimensions are formatted Height x Width. Dimensions are approximate as they are often rounded to the nearest quarter inch. Furniture and other objects are measured to the tallest and widest points. Paintings are measured by the dimensions of the stretcher or supports. A “sight” measurement is the visible size of an artwork if the piece is obscured by its frame or matting.

Condition Reports

Condition reports can be viewed at www.eldreds.com. The absence of a condition report does not imply an object is free of defects or restoration. If provided, a Condition Report may only detail flaws or restorations, and may not take into account wear, fading or other issues consistent with an object’s age. Please contact Eldred’s before bidding with any questions as to condition.

The property listed in this catalog will be offered and sold subject to the terms and conditions listed in this catalog.

Advice to Bidders

1. Carefully read the Conditions of Sale.

2. Pre-sale estimates are provided by the auctioneers for the convenience of our customers. They are not meant to be taken as a guide to the value of an item, but as a guide to its expected selling price. Estimates are prepared well in advance of a sale and are subject to revision.

3. Carefully examine any item that you might consider bidding on for any variation from the catalog description. If you are unfamiliar with auction procedure or terminology, or if you would like clarification of a catalog description, please ask for assistance from our staff.

4. If you wish to leave an Absentee Bid or request a Telephone Bid, please review the Absentee/Telephone Bid Procedure and complete the Bid Form.

5. A buyer’s premium will be added to the hammer price of all property sold, to be paid as part of the purchase price. The buyer’s premium is 25% of the final bid price up to and including $500,000, and 10% of the final bid price over $500,000.

6. Online bidding is available at www.eldreds.com and with a 25% buyer’s premium. Prospective bidders must register and be approved prior to placing bids or bidding live online.

7. Eldred’s reserves the right to refuse to issue, or to revoke, bidding credentials, or to reject any bid, if deemed necessary and proper in its sole discretion, for the conduct of the auction process, and to insure fairness to consignors and other bidders.

Shipping Information

We require prompt payment and removal of your purchases as stated in Paragraph 12 of the Conditions of Sale.

If you plan to pick up your purchases, please call ahead and we’ll make every effort to have your items ready.

We provide limited shipping services directly from our gallery; our staff can assist determining if your items qualify for in-house shipping. Shipments from our gallery may take 4-6 weeks from receipt of payment. You will be charged for carrier fees, packing and handling, and required insurance. There is a minimum handling charge for all shipments. If we are unable to ship your items we will provide you a list of alternative shipping agents. Upon your approval we will transfer your items to your chosen shipping agent once your payment has cleared. Shipping estimates can be provided only AFTER we receive payment for your invoice.

Bidding Increments

$0-$99: $10 I $100-$499: $25 I $500-$999: $50 $1,000-$2,999: $100 I $3,000-$4,999: $250 $5,000-$9,999: $500 I $10,000-$29,999: $1,000 $30,000-$49,999: $2,500 I $50,000-$99,999: $5,000 $100,000 and above: $10,000 Above $300,000 at the auctioneer’s discretion

at www.eldreds.com

1. CORRECTNESS OF DESCRIPTION: Robert C. Eldred Co., Inc. (hereinafter referred to as Eldred’s) has exercised reasonable care to catalog and describe correctly the property to be sold, but neither Eldred’s nor its consignors warrant the correctness of description, attribution, authenticity, or condition of said property. No statements shall be deemed such a warranty or representation or an assumption of liability with respect thereto, but are to be construed as opinions only. Bidders are encouraged to personally examine all property to be sold prior to the beginning of the auction.

2. Unless otherwise announced by the auctioneer at the time of sale, all bids are per lot as numbered.

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4. DETERMINATION OF HIGHEST BIDDER: The highest bidder accepted by the auctioneer shall be the buyer. In the event of any dispute between bidders, the auctioneer may determine who is the successful bidder or the auctioneer may re-offer the article in dispute and his decision shall be final.

5. REJECTION OF BIDS: The auctioneer reserves the right to reject any nominal raise or any bid or raise which, in his opinion, is not commensurate with the value of the article being offered. At his discretion, he may also reject any nominal raise or any bid that he may determine as having a detrimental effect on the item in question or the sale as a whole. Eldred’s may refuse to issue bidding privileges to any person not in good credit standing with Eldred’s, or to any person who is deemed by Eldred’s in its sole discretion, to be disruptive of or harmful to established auction practices, either before or after the acceptance of bids or the fall of the hammer.

6. TITLE: Except as herein otherwise provided, title will pass to the highest bidder as determined by the auctioneer, and the property is thereafter at the purchaser’s sole risk and responsibility.

7. PAYMENT: On title passing to the highest bidder acknowledged by the auctioneer, and subject to all the conditions set forth herein, such bidder will thereupon pay the full purchase price. Payment in full is due at the time of sale. Any bills not paid in full within 25 days of the date of the sale will accrue interest at a rate of 1.5% per month. In addition, the purchaser may be subject to one or more of the following actions: a) Any and all legal remedies available to Eldred’s and its consignors by law including without limitation the right to hold the purchaser liable for the total purchase price; b) Immediate cancellation of the sale, with Eldred’s retaining as liquidated damages all payments made by the purchaser; c) Resale of the property at public auction, wherein the original purchaser shall be liable for any deficiency, costs, and Eldred’s commission on both sales. At Eldred’s option, payment will not be deemed to have been made in full until Eldred’s has collected funds represented by checks, or in the case of bank or cashier’s checks, their authenticity has been confirmed. A buyer’s premium will be added to the hammer price to be paid by the buyer as part of the purchase price.

8. ORDER BIDS: Subject to these Conditions of Sale and to such terms and conditions as it may prescribe, but at no charge to the customer, Eldred’s will undertake to execute all order bids submitted to it by a customer who has established credit with said company. Requests for such bidding must be given in writing with such clearness as to leave no room for misunderstanding as to the amount to be bid and must state the catalog number and the name or title of the article to be bid on. Telephone bids must be confirmed in writing or by cable. All bids are kept in strict confidence. In the event of identical bids, the earliest received by Eldred’s will take precedence. Eldred’s shall not be held responsible for errors or failure to execute bids. A deposit of 10% of the total amount bid is required.

TELEPHONE BIDS: While the sale is in progress, bidding by telephone may be allowed by the auctioneer at his discretion. A deposit of 10% of the

CONDITIONS OF SALE

anticipated top bid is required. Eldred’s shall not be held responsible for any failure to properly execute such a bid whether it be due to equipment failure, loss of connection, or failure to hear or understand the bidder’s directions. Any advice or opinions provided by Eldred’s or its employees are given strictly as a courtesy and are not a warrant of condition, attribution, authenticity, or description of said property. All bidding by telephone is solely at the risk of the bidder. ONLINE BIDS: Eldred’s shall not be held responsible for any failure to properly execute bids placed online. All online bidding is solely at the risk of the bidder.

9. CONDITION: If for any cause whatsoever any article sold cannot be delivered, or cannot be delivered in as good condition as the same may have been at the time of sale, due to a failure or damage on the company’s part, the sale will be cancelled, and any amount that may have been paid on account of the sale will be returned to the purchaser. EXCEPTION: Eldred’s will not be held responsible for damage to picture frames or lampshades.

10. SALES TAX: All purchases are subject to the Massachusetts sales tax (currently 6.25%) unless the purchaser: A) possesses a Massachusetts sales tax exemption or resale number and registers that number with the company, B) is an out-of-state vendor who meets all the requirements of Massachusetts Department of Revenue GLC 64H 1(5) and Directive 89-10 and registers with the company prior to each purchase, or C) has purchases shipped out of state (with the exception of Connecticut and New York) directly from Eldred’s by a bona fide shipping agent. Connecticut residents picking items up in our Mystic branch or having purchases shipped to their Connecticut address are responsible for CT state sales tax (currently 6.35%). New York residents having purchases shipped to their New York address are responsible for NY state sales tax (currently 4.0%). Due to the 2018 U.S. Supreme Court ruling in South Dakota v. Wayfair, residents of other states may be required to pay their state sales tax on purchases as we meet each state’s nexus requirements. Dealers, museums, etc. can apply for a Massachusetts number prior to the auction by contacting the Massachusetts Department of Corporations and Taxation, 100 Cambridge Street, Boston, MA 02204.

11. RESERVES: Unless advertised as an “Unreserved Auction”, all sales may have items subject to reserve (an agreed upon price between the auctioneer and the consignor, below which the article will not be sold).

12. COLLECTION OF PURCHASES: Delivery or shipping arrangements must be made within seven (7) days from the close of the auction for all purchases. All items must be removed from Eldred’s facilities within fourteen (14) days of the end of the auction. All items remaining after fourteen days may be subject to a $5/per item/perday storage fee. No items will be released unless storage fees are paid in full. Items remaining over thirty (30) days from the close of the auction may be sold for the buyer’s account minus auction and storage fees.

13. PACKING: Purchasers are advised that packing and/or handling by Eldred’s employees is undertaken solely as a courtesy for the convenience of customers. In the case of fragile articles, it will be undertaken at the sole discretion of the company. Handling and packing by Eldred’s is at the risk of the purchaser. SHIPPING: When requested, Eldred’s may arrange shipment of paid purchases. Eldred’s will not be responsible for damage or loss once the item has been received by the shipper. In the case of fragile articles, shipping will be undertaken at the sole discretion of the shipper. Please refer to our Advice to Bidders for details.

14. These Conditions of Sale cannot be altered except in writing by Eldred’s or by public announcement by the auctioneer at the time of the sale.

15. Bidding on any article(s) indicates acceptance of the terms set forth above.

16. These Conditions of Sale and any suits arising thereunder shall be construed and governed by the laws of Massachusetts.

1. Clearly print the lot number, the item description and the highest amount you are willing to pay. Please follow our standard bidding increments.

2. Carefully review your bid form for accuracy of lot numbers, phone numbers, shipping information, etc. Although we attempt to confirm descriptions against lot number, bids are posted by lot number.

3. Please submit your bids in a timely manner, to avoid the chance of posting error. We request all bids be received by 3 p.m. the day before the auction. In the event of identical Absentee bids, the earliest received takes precedence.

4. A 10% deposit is required. If you are successful, the amount of your deposit will be applied toward your invoice. If you are not successful, the full amount will be returned promptly to you.

5. A buyer’s premium will be added to the hammer price of each lot, to be paid as part of the purchase price. The buyer’s premium is 25% of the final bid price up to and including $500,000, and 10% of the final bid price over $500,000.

6.

ABSENTEE/TELEPHONE BID FORM

the conclusion of the

will be notified if you were the successful

invoices must be paid in full within ten (10) days of the close of the auction.

accept checks, cash, money orders, wire transfers and major credit cards

payment. Credit cards can only be used for up to $5,000 of the invoice total and the card must have a U.S. billing address. We reserve the right to hold goods until

7. All purchases are subject to state and local sales tax unless you possess a Massachusetts or out-of-state sales tax exemption or resale number and register that number with us.

The Robert C. Eldred Co., Inc. offers this service as a convenience to its clients and will not be held responsible for errors or failure to execute bids.

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DEPOSIT TO THE ROBERT C. ELDRED CO., INC. P.O. BOX 796, EAST DENNIS MA 02641 www.eldreds.com info@eldreds.com Phone: 508-385-3116 Fax: 508-385-7201

see photos of all lots and view condition reports at www.eldreds.com