d e c 16’
PORTFOLIO Luz Olivares
Academic
CONTENTS
Holyday Houses
4
House of music
12
L a Cantera Soup K itchen
20
Triqui Urban Housing
26
T he Organic L andscap e
42
Archite c tural Drawing
48
LOCATION TEMIXCO MORELOS MEXICO 18.819879, 99.212393
Holiday Holidayhouses housesininTemixco Temixco
““Mo M oddeerr nn aarchi rc h i te te c c tt uu-re o ee ss n n ot ot re ddo m n tt h m ea e an he e u uss ee of ate -of nnew ew m mate rriials a l s,, bbuutt to to uus se ex i stt ing in g e e x is m ate r iials a l s in in aa mater m um a n ee mo o re re hhuman way.” w ay.” A A llva v arr A A aall to to
DECEMBER 2016 ACADEMIC
Lo c ate d in aa municip re -municipalit alityy of of M Moore los , tthe h e sset et of oliday o us e s ininTemi xco los, of hho liday hhouses Temixco ulfills ills dif di fferent ferent ffunc un ctions t io ns. . In In the t h e f firirsst t p la ffulf p la ce, h e h o uswere e s were d e sigdn to e d enjoy to enjoy ce, the t houses designe so scial o cial a c t i v i t ie s o u tdo o r s , t ak ing a d v an ac tiv ities outdo or s , t ak ing advant age t age t h e wweather ar m we at h erlas t hat las tts of m os t of theofwarm that t s mos the of t h; eb ye ar ; b ethe sid econditions s , t h e co n dit ns of year esides, ofiothe place twere h e p ab la ce in ci te d to dr aw up o n t h e le to cho ose a lo c al material c alle d
“sillar ” ial (compresse th db “sillar lo ck ) ”which cha mater of t h e sidte ear c alle (co mpwas re s s euse d edaras t h ab lo ck )rac teris tic for the main combine with w hich w ascomp us e donent as a char a c ter is t ic walls co mpand on ent for t h ed main materials such as glass for large and w alls an d combin ed w i t hthe mater ialswindows su ch as lar gealuminum w in dow s mullion, make a mo dern building with traditional materials an d aluminum mullio n , make an a c t ual b uilding w i t h t r a di -. O n the other hand, the group of cus tomer s , hadt io spnal e cifmater ic s reials qui -. rem ent s , like e quit ab le dis tribution of sp aces , b oth for the f a mily forh er thehan gues the or le indiv idual O n tand h e ot d , t s, h esog ro upmas of ter cus ro toom m eridea s , p e op de dic ab athro oms were disc arde d, hence, p ar t of the challenge of the te d to t h e f iel d of t h e humani t ie s , ha d sp e ci f ic s re qui
ment s , like e quit able space s , bot h for t he rement s , like e quit able space s , bot h for t he mily and for t he gue s t s , so t he mas ter room rement s , like bot h for he f amily and fore quit t he able gue s tspace s , so st,he mas ter troom ea or archite individual bat hrooms were disc arde d, tural brief hierarchies fidea amilyorcand for t hewas gue s tavoid s , so spatial twere he mas terarde room individual batto hrooms disc d, . nce par t of t he challenge of t he archite c tu A s p ar t ofindividual the demand they ne ewere de d thre b e - d, idea bat hrooms discearde henceorpar t of t he challenge of t he archite c tu l br ief dro was to avoid spat ial hier archie s. oms , t wo b athro oms, a dining ro om, a T V hence parwas t oftot he challenge t hearchie archite r al br ief avoid spat ialofhier s. c tu ro om, and a k itchen . r al br ief was to avoid spat ial hier archie s. T he third condition for the building was it s f uture use as a retirement house, so it was ne -
A s p ar t of t h e deman d t h ey n e e de d t hre e b e dro oms , t wo toilet s , dining ro o m , T V ro o m , a kT itch en . cess ar y to use the ground f lo or as a lof t, an so dthe V ro om e t hird dit ion for tthe h e bhathro o us eom w as it shave fucould bTeh use d as acon b e dro om near and thea amenities on h the t ure usall e as ret irem ent o mground e, s o itf lowor. as
Site Plan
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LOCATION CAPULALPAM OAXACA MEXICO 17.306079, -96.448734 “Archite c tu re is de em e d comple te only up on the inter ven tion of the human that e xp eriences it .” Tadao Ando
House of Music
Lo c ate d in the N or th M ount ain range of Oa xac a, Capulálp am, has many p e culiari ties . A s the main at trac tion, the b eaut y of it s natural landsc ap es and c apricious forms of the terrain, make of the natural env iron ment , a b asic condition of the design. T he vernacular archite c ture and it s 17th centur y church are also icons of the pla ce. Capulálp am is also k now n for it s music b and made up of children and te enager s , that on S aturdays and Sundays , are resp on sib le for b lowing their trump et s and play the drums to s t ar t a p ar t y atmosp here in the tow n . T he comission, for the orches tra was a sp a ce for rehear s als and present ations for the b and and also to b e an at trac tion to gene rate a source of incom e for the communit y.
DECEMBER 2016 ACADEMIC
O ne of the primar y aim of the proje c t was inte gration into the conte x t . T his is e xpresse d in the ro of, which form resp onds to the t y p e of terrain, and inside, the wav y shap e improve the acous tic . Another imp or t ant asp e c t was the sc ale
and the ma ximum height of the e dif ice was pro p ose d 4 m e ter s at it s highes t level, so it do es not contras t nor comp etes with the sc ale of the place ins tead, the building adapt s to it . In addition, the materials were lo c al, mainly wo o d and s tone. T he prop os al generates p la z as and v iews where the musicians c an p lay out side or inside, mi mick ing with the sc ale and the natural landsc ap e.
p ro p os alalgen erer ate s sp la z as d dv iew s sww h ere p ro p os gen ate p la z asanan v iew h eret ht eh e musicians c an lay o u tusid e eo ro rinsid e,e,mimick ing musicians c anpof p lay t sid mimick ing T he purp ose thiso building isinsid to lis ten to the ww i t iht ht ht eh es csale an d t h e nat ur al lan ds c ap e. d t h eway, nat res ur alting lanon ds cthe ap e. orches tra in caale dif an ferent ro of or inside in the concer t hall or in the Th c tci tve ding ten the T eh eo bje o bje i veofoft ht eh eb uil b uil dingisistotolislis tento pto la ztah. e o rch e setsrtar ainina adidi f ferent ay, s tsing o rch f ferentww ay,rere t ingo no nt ht eh e roro ofofo ro r insid e einint ht eh ecoco n cer t thall. insid n cer hall.
Flo o r Pl an
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LOCATION STO. DOMINGO COYOACAN MEXICO CITY 19.318640,
La Cantera Soup Kitchen
-99.172210 “ In a vas t e xp anse of lava south of M e xico Cit y it I de cide d, enrapture d by the b eau t y of this ancient vo l c anic landsc ap e, make som e gardens that humani ze, without des troy ing a wonder f ul show.” Luis B arragán
T he soup k itchen purp ose is to pro vide fo o d for p e op le whose age, dis abili ties, or conditions of p over t y are eligib le for supp or t of nutritious fo o ds . H oping to trans formation eating habit s to have a healthy life. Likewise, the cons truc tion of the m eal cen ter has the f unc tion of b eing an inclusive place, where f amilies and s tudent s and the communit y in general c an co e xis t . T hus , a p lace where communic ation, m e eting, coincidence, motivation and p ar ticip ation are encourage d at a ver y low cons tuc tion cos t .
DECEMBER 2016 ACADEMIC
T he site chosen for the building is in the neighb orho o d of S anto D omingo, the mos t p opulate d and with the highes t criminal rate in Coyo ac án area, another charac teris tic of S anto D omingo is the lack of urb an f acilities like p ark s or gre en areas; in addition another p ar ticular trait is it s proximit y to Ciudad Univer sit aria (Univer sit y Cit y). T he area that was chosen for the soup k it-
University City
Santo Domingo
l o c at i o n
Santo Domingo
Projec t
area
University City l o c at i o n
Santo D o m i n g o ’s Pa r k
Projec t
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chen, is propitious to prov ide supp or t to neigh b or s and s tudent s who ne e d fo o d at a ver y low cos t . For this proje c t was vit al to conser ve the larges t natural area p ossib le, for tunately, the top o gra p hy of the place allowe d to t ake advant age of the ge olo gic f ault , and place the building there,
so the ro of of the building could b e use d for the normal ac tivities of the p ark , as a v iew p oint or as a me eting p oint for the communit y. D ue the budget , the Proje c t it self is ver y simple made of s te el co lumns and b eams , lat tice p a ne ls in the f ac ade to contro l the sunlight and brick walls .
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LA MERCED MEXICO CITY 19.436349, -99.118839
DECEMBER 2016
“ So cial hou sing is b orn of an inte res t of the cons truc tion comp anies to get into a f ield where they did not do business b e fore. W hat they do is lower s t an dards , but they continue with their s am e midd le - class pre conceptions . It is fo cuse d in the supply, not in the ne e d ”
ACADEMIC
J o an MacD o nald
Triqui Urban Housing
T he proje c t lo c ate d in the neighb orho o d of L a M erce d, contemplates the inter ven tion of a housing building of 7 levels newly built by the INV I (H ousing Ins titute) for the triquis f amilies (indigenous group liv ing in the wes tern p ar t of the M e xic an s t ate of Oa xac a) set tle d irre gularly (in a squat ter area) in the s tre et s Juan de la G ranja and Candelaria, whose migration to the Cit y is only one of the at tempt s of this communit y to leave the marginaliz ation. B y the s am e token, the building was cons truc te d in a generic way with lack of f unc tional and sp atial charac teris tic s that don’t resp ond to the lifes t y le and traditions of these f amilies , the prop os al aims to res truc ture the sp aces in t wo sc ales: the interior of the building in each dep ar tm ent, and out side in the pub lic square, Candelaria In this way, the inter vention result s in a building that inte grates housing, indo or communal sp aces and also e x ternal com munal pub lic sp aces , through the removal and rep lacement of som e elem ent s of the prop er t y, and with the addition of the buil ding ne x t do or. T his addition made p os-
S u b w ay S q ua
Invi Projec t
S q u at t e r Area
J uan
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C u r r e n t S i t u at i o n
J uan
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Projec t
sib le to enlarge the pub lic sp ace of the square, the placem ent of a commercial p ass age, and a new building with f ive more ap ar tm ent s adde d to the original idea prop ose d by the INV I , obt ai ning a tot al of 8 0 ap ar tment s . T hus, the pro gram go es f rom a pub lic square, and a comm ercial p ass age on the ground f lo or that p ene trates the vo lume, which not only helps to s ale the craf t s and triquis’ pro duc t s , but also is one of the sp ace generates more inte rac tion with the building inhabit ant s, p e ople f rom the square, bu yer s and seller se etc . provo k ing a mi x ture of so cial d y namic s .
B e f o r e , E a s t E l e v at i o n
P r o j e c t E a s t E l e v at i o n
Projec t E ast West
M ore over, in the interior, there is a communit y dining ro om that could b e use d as a p layground for p ar ties and celebrations . N e x t to the p atio there is a classro om - librar y for children and young p e op le. T he communit y sp ace is ver y imp or t ant to s tren gthen the b onds of this communit y and to forge their identit y through co e xis tence, it also ser ves
as a p oint of e xchange of pro duc t s and informa tion, as well as b eing a p lace of work and craf t pro duc tion; that is why the proje c t contemp la te d internal yards surrounde d by the dwellingsin 3 of 7 levels of the building, that allow the com munit arian use f lor b ack s trap lo om for e xample.
T he housing mo del is a result of the s tud y of the traditional Triqui way of life, and the norms of M e xico Cit y. T he dep ar tment s are f rom 55m2 to 70 m2to approximate the average dimensions of a Triqui house, ab out 50 m2; the sp aces are e x trem e ly op en and f le xib le, sometimes jus t divide d by f urniture as if the who le house f rom the dining ro om to the b e dro oms was the s am e sp ace. Ser v ices such as the b athro om and k itchen are generally found out side in the Triqui
communities in Oa xac a, however, that is not p ossib le in the cit y, as a conse quence, the k itchen had to b e reinterpre te d as a op en - covere d p atio, ventilate d with lat ticework , in c ase they wante d to co ok traditio nal fo o d.
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8.64
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PASAJE COMERCIAL
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5.50
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4.24
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N + 1.25
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6.30
48.65
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VACÍO
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G
6.30
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4.80
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SUBE
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7.55
7.55
COLINDANCIA
COLINDANCIA
N + 0.00
PLAZA METRO
CT 01
F L O O R
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8.64
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COLINDANCIA
5.50
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4.33
VACÍO
N + 3.75
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N + 3.75
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SUBE
5.50
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COLINDANCIA
SUBE
4.24
VACÍO
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6.30
48.65
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COLINDANCIA
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4.80
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SUBWAY BUILDING
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FLOOR PLAN LEVEL 1
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33.59
8.64
8.64
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7.55
7.55
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3.1106
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6.88
COMEDOR
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BAJA
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33.59
8.64
8.64
1.2000
7.55
7.55
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COLINDANCIA
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4.33
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SUBE
4.24
VACÍO
VACÍO
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SUBE
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6.30
48.65
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4.80
VACÍO
N + 6.25
PATIO
VACÍO
P L A N A N D 4 )
SUBE
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6.30
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4.80
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VACÍO
VACÍO
SUBE
N + 1.25
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I
6.88
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COLINDANCIA
1: 50 0
CT 01
COLINDANCIA
4.80
VACÍO
SUBE
I
6.88
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COLINDANCIA
1 1' 2 3
33.59
8.64
8.64
1.2000
7.55
7.55
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COLINDANCIA
5.50
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4.33
VACÍO
N + 8.75
VACÍO
N + 8.75
SUBE
VACÍO
C
5.50
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COLINDANCIA
L O O R L E V E
SUBE
4.24
VACÍO
VACÍO
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SUBE
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6.30
48.65
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4.80
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6.30
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4.80
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VACÍO
N + 8.75
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I
6.88
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COLINDANCIA
1: 50 0
COLINDANCIA
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4.80
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N
6.88
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COLINDANCIA
BAJA
1 1' 2 3
33.59
8.64
8.64
1.2000
7.55
7.55
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COLINDANCIA
5.50
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4.33
VACÍO
N + 16.25
VACÍO
N + 16.25
SUBE
5 6
7 VACÍO
SUBE
8
C
5.50
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COLINDANCIA
F L O O R ( L E V E L 5
4.24
VACÍO
VACÍO
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E
6.30
48.65
F
4.80
VACÍO
VACÍO
P L A N A N D 6 )
G
6.30
H
4.80
VACÍO
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I
6.88
J
COLINDANCIA
1: 50 0
COLINDANCIA
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7
33.66
3.84
4.87
2.57
4.93
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1.20
7.55
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33.66
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2.2500 6.2500 2.2500
WEST ELEVATON ONIENTE: JUAN DE LA GRANJA DE LA GRANJA
RBANA
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5
4
VIVIENDA TRIQUI URBANA
STREET
AGUIRRE METZLI / OLIVARES LUZ / SALGADO ENRIQUE
AGUIRRE METZLI / OLIVARES LUZ / SALGADO ENRIQUE
1: 30 0
7.55
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B
5.5000
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D
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4.3259
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5.5000
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C
E
4.2433
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F
6.3000
G
48.6481
5.5000
4.3259
5.5000
4.2433
6.3000
4.8000
6.3000
2.5000
2.5000
2.5000
2.5000
2.5000
6.2500
SOUTH ELEVATION SOUTH ELEVATION SQUARE CANDELARIA CANDELARIA SQUARE
VIVIENDA TRIQUI URBANA METZLI / OLIVARES LUZ / SALGADO ENRIQUE VIVIENDA TRIQUIAGUIRRE URBANA AGUIRRE METZLI / OLIVAR
1: 30 0
F
H
G
I
J
48.6481
4.8000
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6.3000
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4.8000
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6.8788
RES LUZ / SALGADO ENRIQUE
4.8000
6.8788
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6
7 7.55
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7.55
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4.93
2.57
1.1472 1.2000
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4.93
1'
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4.87
1.1472 1.2000
EAST ELEVATION
EAST ELEVATION CONGRESO DE LA CONGRESO DE LA UNIÓN AV.UNIÓN
QUI URBANA
URBANA
AGUIRRE METZLI / OLIVARES LUZ / SALGADO ENRIQUE
AGUIRRE METZLI / OLIVARES LUZ / SALGADO ENRIQUE
1: 30 0
1'
2
AV.
4.87
TLALPAN FOREST MEXICO CITY 19.289287, -99.203974
The organic landscape
“ I f Nature had b e en comfor t a b le, mank ind would never have inven te d archite cture”
T he work shop Carlos Le duc presente d a proje c t c alle d “ T he organic landsc ap e”, where the main idea was to create t wen t y - f ive ep hemeral p av ilions in one of the few gre en and pub lic lungs of the cit y, the T lalp an fores t , with their resp e c tive f urniture, for the visitor s of the fores t . T he limit ations help e d to narrow the inf i nite p ossibilities of design: the p av illions mus t use materials and s truc tures that dialo gue with the site, promoting prop o s als enough sensitives to adapt to a natu ral env ironm ent .
Osc ar W ilde
DECEMBER 2016
T he e xp erim ent ation of unconventional s truc tural s ys tems was an essential p ar t of the e xercise, the ins t allation had to fo llow the sc ale, the ergonomic s and the mo dulation of the f urniture in each p av i lion . T he materials were limite d to te x ti les and wo o d, b oth will dic t ate the com p osition of the p avilions and f urniture.
ACADEMIC
In the s tud y Towards A Phenom eno lo g y of Archite c ture (1979) Chris tian N orb erg -Schulz m entions that the under s t an ding of the place is ne cess ar y to compre -
hend the archite c ture. T hus, the lo gic of cons truc ting “sp ace” b ase d on the p erception of the conte x t c an generate p lace, generate archite c ture and, more imp ort ant, generate e xp eriences . D ue the nature of the proje c t and the ma terials , each p av ilion was determine d by the e xp osure to light, natural ventilation and
the views of the env ironm ent, to creating an inherent conne c tion to natural environm ent of the fores t . T his condition at trac te d p e op le in the places with ac tiv ities like leisure and re creation, and thank to the dif ferent t y p es of f urniture availab in the av ilions , p eiro ople t ionle to natpur al env nm ent could s t ay for a long tim e inhabi -
of fore s t . T his co n di t io n at t r a p e op le in t h e p la ce w h o, have
ting the place. But b eyond the formal result of the ins t allation, the grea tes t lesson obt aine d in the work shop was the “unimagine d appropriation of sp ace by p e op le.” In other words , if there is no ac tivit y there is no place; I f there is no ac tiv it y there is no meaning.
ARCHITECTURAL DRAWING
LUZ OLIVARES AC ADEMI C
DECEMBER 2016
