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EDITORIAL Editor April Ossington Editor-at-Large Peter Maddison Deputy Editor Louise Smithers Sub-Editor Michelle Segal Contributors Peter Colquhoun, Chris Knierim Crystal Amesbury, Nishi Amaratunga Karsha Green, Carrol Baker Art Director Kate Podger Plans Anthony Allars COVER IMAGE Lockleys SA by DC Architecture Photography by David Solm ADVERTISING ENQUIRIES AND BOOKINGS NSW Advertising Team Leader Anthea Hamilton P: (02) 9887 0311 M: 0414 319 271 E: ahamilton@umco.com.au Business Development Partnerships Consultant David Strong P: (02) 9887 0623 M: 0411 366 656 E: dstrong@umco.com.au Vic, SA, Tas, Qld Advertising Manager Natalie Grosso M: 0420 477 422 E: ngrosso@umco.com.au Vic Kitchens, Bathrooms & Heating Specialist John Oliver P: (03) 9694 6430 M: 0417 316 820 E: joliver@umco.com.au Advertising Production Brendan Alder Advertising Art Director Martha Rubazewicz

Chairman/CEO Prema Perera Publisher Janice Williams Chief Financial Officer Vicky Mahadeva Associate Publisher Emma Perera Circulation Business Development Manager Mark McTaggart Creative Director Kate Podger This magazine is printed on paper produced in a mill that meets Environmental Management System ISO14001. Grand Designs Australia issue 10.2 is published by Universal Magazines, Unit 5, 6-8 Byfield Street, North Ryde NSW 2113. Phone: (02) 9805 0399, Fax: (02) 9805 0714. Melbourne office, Level 1, 150 Albert Street, South Melbourne Vic 3205. Phone: (03) 9694 6444, Fax: (03) 9699 7890. Printed in Singapore by Times Printers, timesprinters.com. Retail distribution: Gordon and Gotch, Australia. Distributed in Singapore and Malaysia by CARKIT (FE), Singapore, Phone: 65 62821 960. This book is copyright. Apart from any fair dealing for the purpose of private study, research, criticism or review as permitted under the Copyright Act, no part may be reproduced by any process without written permission. Enquiries should be addressed to the publishers. The publishers believe all the information supplied in this book to be correct at the time of printing. They are not, however, in a position to make a guarantee to this effect and accept no liability in the event of any information proving inaccurate. Prices, addresses and phone numbers were, after investigation, and to the best of our knowledge and belief, up to date at the time of printing, but the shifting sands of time may change them in some cases. It is not possible for the publishers to ensure that advertisements which appear in this publication comply with the Competition and Consumer Act 2010 (Cth) and the Australian Consumer Law. The responsibility must therefore be on the person, company or advertising agency submitting the advertisements for publication. While every endeavour has been made to ensure complete accuracy, the publishers cannot be held responsible for any errors or omissions. * Recommended retail price ISSN 2200 – 2197 Copyright © Universal Magazines MMXXI ACN 003 026 944 umco.com.au Please pass on or recycle this magazine.

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by FremantleMedia Australia. All rights reserved.

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GRAND DESIGNS

Taking Food & Wine Preservation to a Whole New Level Quality, Design and Innovation

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CO NTENT S

42 REGULARS 22 Credits 28 Editor’s Letter 30 Editor-at-Large CREATIVE EDIT 34 Social 36 Book Club 38 Architecture Shorts 40 What’s Hot 44 Travel Inspo 48 Win Big

58

IN PROFILE 50 Neale Whitaker and Luxaflex 52 Art Lovers Australia 54 Lix North SPECIAL FEATURE 58 Working From Home THE SOURCE 149 Doors & Windows 160 Modern Home Security EXPERT ADVICE 180 Architecture 182 Building 184 Ask our Architect

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CON TENT S

124 HOUSES 72 Ascot Angle TV House Boomerang House 84 Mt Tamborine TV House AKA the Mountain House 95 GDA Mag House Of The Year Awards 2021 Two of our finalists 102 Lockleys SA TV House Black, geometric, steel facade 114 Hebe Tough exterior 126 Alexander Street Not your average semi

KITCHENS & BATHROOMS 140 Cutting-edge Design Take note before your next kitchen project 142 A Textural Delight Shades and textures 144 A Timber Love Affair Reduce, reuse, recycle 146 A Bathroom Symphony Monochrome magic

126

OUTDOORS 167 Camberwell 2 Blending old with new

48 84

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GRAND DESIGNS

G RAND DE S IG NS EDITOR’S LETTER

From the Editor

Mentionables Ascot Angle house by Joe Adsett Architects. joeadsett.com.au Rust Objekt mirror. lifeinteriors.com.au Ferdinand lounge chair by Brdr. Krüger. danishred.com.au

his issue we are having a TV house extravaganza with three houses from the TV show: Ascot Angle from the latest series (9), and Mt Tamborine and Lockleys SA from the previous series (8). Ascot Angle, referred to by the homeowners as “Boomerang House”, is one impressive family home. Just as we saw in our previous issue in the North Perth House, Hawthorn Iceberg, Cliff House and Small Grand Apartment, the curves trend is continuing to gain momentum in both architecture and interior design.

A definite standout of Ascot Angle is the striking helical staircase. Also featuring a few curves, another standout is the kitchen benchtop that is partly comprised of marble “flutes” for a really unique look. For homeowner Hayley, her favourite part of the dwelling is the library. “It’s such a dramatic focal point in the house, yet also puts at the heart of the home something that’s very important to our family — a love of reading and learning,” she says. “The journey up the helical stair, slowly spiralling out towards the edges of the double-height space, lined with row upon row of books, is truly remarkable.”

Not many people use spiral staircases in their homes anymore, but I’m seeing curved staircases popping up everywhere. I love a good curved staircase; not only does it serve its obvious function, but it doubles as an architectural feature and focal point — the architectural heart of the home if you will. Speaking of helical staircases, we have another one for you to check out this issue. The one in Alexander Street by DKO Architecture is really quite something.

If there is one positive outcome from COVID for many people, it’s the move away from the traditional office setting. Like myself, people around the world have moved away from cities to gorgeous coastal and regional areas. The tree or sea change is becoming increasingly popular as there is now less of a need to cluster around big cities. Thank you, Zoom! In our special feature this issue, we take a look at how homes have adapted to this growing trend and we hone in on how to set up your workfrom-home lifestyle in a new location.

April

APRIL OSSINGTON EDITOR

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G RA ND DESI GN S EDITOR-AT-LARGE

From Peter Maddison

Inverloch Sand Dune House from Grand Designs Australia Series 4 Episode 1

Rank Episode

Series Architect

1

Mystery Bay, NSW

9

Architecture 54

2

Mt Tamborine Tent House, Qld

8

James Russell

3

Hamilton Japanese, Qld

7

Yo Shimada, Phorm

4

Verrierdale Tent House, Qld

7

Sparks Architects

5

Long House, Vic

7

Tim Hill

6

Mini Skyscraper, Vic

6

Craig Chatman, Arkit

7

Yackandandah Sawmill House, Vic

5

Chris Gilbert

8

Inverloch Sand Dune House, Vic

4

James Stockwell

9

Hunters Hill Textural, NSW

4

Graham Nottle, Arkhefield

10

Ocean View House, Qld

3

Martin Chant

11

Callignee Bushfire House, Vic

1

Sean Hamilton

12

Ocean Shores Chipboard House, NSW

7

Atelier Chen Hung

A FEW OBSERVATIONS ABOUT THIS LIST:

ustralia is coming alive again. GDA is back, gathering stories from around Australia. In fact, I’m off to Coober Pedy to update a story of an underground house which, like so many others, was put on hold in 2020. But does a subterranean house mean it’s going to be good, or just quirky? What separates an interesting human story from an important piece of architecture and what’s more important — emotive memory or bricks and mortar?

I’m often asked which episodes are my all-time favourites. After lots of consternation, I’ve come up with a hero list that represents the breadth of Australia. You may well recognise some famous architects’ names.

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First, it is not just the architect’s name or built outcome that influences my list. There are many criteria on which you could judge an exemplar home. For example, sustainability, connection to place, respect for the land, original and significant design, ideas that change the way we see architecture, the way we live, inventiveness, construction ideas, an appropriateness that matches design brief. For me, connection to place is super important because it anchors a home’s identity. It ensures the physical result, made of materials and labour and intelligence, responds to its climate.

For example, my number-one pick, the Mystery Bay House, is significant on many levels. The main materials it’s made from are rammed earth and timber, sourced locally. In fact, many of its components are custom-made by craftspeople in the area, such as the pivoting screens, ply internal lining, joinery and black steel detailing. The form is low and discreet, following the contours of the land — roof separated from body much like sea eagles that soar over adjacent Lake Tilba. The design is original and inspiring, taking its form from the climatic influences of seasonal wind and sun.

Craft is evident in its assembly, with original, one-off carpentry and care taken with every detail of the house. Joy is celebrated with cheeky elements including a conversation pit, cascading downpipes, a barbecue statement entry, tactile handles, taps and edges, plus elements that need to be trimmed and adjusted, much like a yacht. Budget is considered and not lavished. There is a respect and humbleness in every element of the house.

Although highly finished, it’s not gaudy.

Respect to our indigenous past is embodied in this home. Embedded, low lying and its parts fragmented, it almost disappears when viewed from a distance. Sitting on Yuin land with Mt Gulaga determining its axis, there is much depth of thinking around the first peoples and care of the land.

Mystery Bay House is on Episode 1 of Series 9. I can thoroughly recommend catching it on Foxtel’s Lifestyle Channel.

my blue heaven!

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Creative

Edit Take a look at what’s happening in the world of architecture and interior design 34 Get Social 36 Book Club 38 Architecture Snapshot 40 What’s Hot 44 Travel Inspo 48 Win Big 50 In Profile

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GRAND DESIGNS

DES IG N FO R U M

01

02

Get Social Click to explore the wonders of our architectural environment E D I T E D BY LO U I S E S M I T H E R S

04

03

01/ Comoda Modular Sofa By Biasol Sink into the new Comoda modular sofa collection, a statement seating range available in a carefully curated selection of fabrics and leathers. The timeless pieces subscribe to the Danish cultural expression Hygge, which translates to a mood of cosiness and comfort with resulting feelings of contentment and overall wellness. The collection is a triple threat, offering unrivalled comfort, aesthetic integrity and technical precision. Made in Australia in collaboration with local manufacturer Molmic, Comoda is like a big, warm hug — and who couldn’t use one of those? biasol.com.au

02/ Frenches Interior, Melbourne Frenches Interior by Sibling Architecture makes accessibility stylish. Turning up its nose at stock-standard wheelchair turning circles and grabrail details, this project puts domestic accessibility front and centre, rather than as an afterthought tacked on to meet certain requirements. The space is in an existing Melbourne terrace and is used as a home office for the clients’ work. They deal with individuals who have suffered extreme physical or mental suffering and assist in their healing through a level of care and physical surroundings that help them live as normally as possible. A circular table, wheelchair-accessible modular couch with pink powder-coated handles, and smooth detailing promote easy access and solidify the circular motif. siblingarchitecture.com 03/ Grand Designs Kitchen Introducing the Grand Designs Kitchen collection, available in Australia from August 2021. The inaugural kitchen collection captures the essence of a modern kitchen. Incorporating a range of durable materials, including charming Beechwood and stainless steel, the product story successfully marries form and function. These quality products are sophisticated, unique and exceptionally well designed. With an entire collection of kitchenware products, there’s something for everyone. The subtle colour palette intertwines throughout the range, offering style and practicality. You will be proud to leave these pieces on your kitchen bench. isalbi.com.au 04/ Tantri Mustika Ceramics, Collingwood Yards, Melbourne Twenty-twenty was a doozy. Not a lot of good came out of the COVID-infected year, but one silver lining was the opening of Melbourne-based ceramicist Tantri Mustika’s new shop, workspace and studio at Collingwood Yards. The ceramics whisperer forged ahead with the self-designed multi-purpose space, which is a hub of creativity and community spirit. The artist’s signature mountain-shaped terrazzo vases are on display, as well as her more recent works that exude a distinct “modern relic” vibe.

Tantri also uses the store to host workshops, which can be booked online. Tantri Mustika Ceramics can be found at Unit 4/30A Perry Street, Collingwood Yards, Melbourne. Photography by Amelia Stanwix. tantrimustikaceramics.com

F: facebook.com/granddesignsaustraliamagazine I: instagram.com/granddesignsau T: twitter.com/granddesausmag P: pinterest.com/granddesignsau

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SIMPLICITY AT HOME YUMIKO SEKINE & JENNY WAPNER CHRONICLE BOOKS | $45 This one is for those of us who lust over impeccably organised cupboards, picture-perfect flower arrangements and curated open shelving. Penned by Yumiko Sekine and steeped in Japanese tradition, the book reveals how readers can create an elegant home that nourishes, rejuvenates and inspires all year round.

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HOW TO MAKE A HOUSE A HOME ARIEL KAYE PENGUIN RANDOM HOUSE | $39.99 More than ever, homeowners are looking for mindful, functional and nurturing dwellings.

Discover how you can achieve these qualities in your home as Ariel Kaye teaches readers how to find their own personal design aesthetic via tips and guidance. Looking at everything from colour palettes to organisation, house plants, furniture and ambience, this publication will make your home will feel like a wellness retreat in no time.

MADE FOR LIVING AMBER LEWIS PENGUIN RANDOM HOUSE | $69.99 Learn the secrets behind the art of layering with designer Amber Lewis. From decorating an entire home to jazzing up a single room, Amber shares her tips for mixing textiles and pillows, blending neutrals, finding the perfect white wall paint and so much more. Whatever your project looks like, don’t forget to layer the things you own for a cohesive, stylish home.

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GRAND DESIGNS

THE KITCHEN JOHN OTA APPETITE BY RANDOM HOUSE | $42.99 In a bid to better his own kitchen, John Ota embarked on a journey across North America to find and analyse some of the best designs throughout history so he could apply their lessons to his own kitchen restoration. Visiting the homes of pilgrims and presidents, John’s extreme research has culminated in a book that any homeowner, interior designer, armchair historian or enthusiastic cook would love.

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All Austroflamm fires come with the unique Keramott Lining, a material that excels by offering an exceptional ratio between thermal insulation and heat conduction. As a consequence, the combustion chamber reaches higher temperatures sooner, meaning the glass stays cleaner and the bricks maintain their light appearance.

Austroflamm are one of Europe’s most respected manufacturers and now available in Australia.

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120-45S

CR E ATI VE EDIT 01

ARCHITECTURE

01

CASA MAGUE, MEXICO

Snapshot Standout architecture that goes above and beyond E D I T E D BY LO U I S E S M I T H E R S

02

Casa Mague by Mauricio Ceballos X Architects is a dwelling that perfectly embraces contemporary language within a pre-Hispanic context. Resting within Aztec ancestral lands in Malinalco, Mexico, the structure is cocooned in lush vegetation on the slope of a hill and utilises a material palette of chukum (ancient Mayan stucco) wood and stone. Working with the site’s unique microclimate and large trees, the design celebrates the natural and cultural environment in which it sits. Informed by the Mesoamerican worldview where trees have a ritual meaning, the project is divided into three levels, symbolising the roots, trunk and branches of a tree. Incredibly, no existing trees were affected during the build, with the volumes placed like a jigsaw puzzle around them. The resulting labyrinth of multifunctional spaces change perception with the changing of the light. mcxa.group

02

VILLA FIFTY-FIFTY, NETHERLANDS

Half garden, half house, Villa Fifty-Fifty is all class.

Completed in 2020, the 240sqm private residence in Eindhoven comprises a number of “open” and “closed” pavilions that boost visual and family interaction. “You’re neither inside nor outside, you move from inside to outside to return inside and end up somewhere outside,” says lead architect Jurjen van der Horst from Studioninedots. Pushing the boundaries of the typology of a transparent house and intended to complement the minimalist lifestyle of its owners, the home is at one with nature, proving that indoor and outdoor spaces are equally vital to the success of a functioning family residence. Two horizontal planes connect the pavilions, which create

38

GRAND DESIGNS

03

a “patchwork” of connections linking the enclosed and open areas. Designed by Studioninedots.

Photography by Frans Parthesius. studioninedots.nl

04

03

BELLBRAE, VICTORIA

Bookended by Torquay and Anglesea on Victoria’s rugged surf coast, Bellbrae House is the alteration and addition of an existing home once thought unsalvageable due to the poor building practices used to erect the dwelling in the 1970s.

Wiesebrock Architecture were not deterred, and have created a home featuring two pavilions divided by a spacious deck, which acts as the informal point of entry while framing views of the farm and valley beyond. With a corrugated galvanised steel façade and plywood-lined interior, the home adopts a Triple Bottom Line approach, meaning it can serve its retired owners, extended family and friends or even host a wedding with 100 guests. Photography by Ben Hosking. wiesebrock.com.au

04

fmM HOUSE, BELGIUM

Geometric brick volumes by Blaf Architects? Yes, please! “Architecture has an influence on nature, and nature has an influence on our architecture,” a spokesperson from Blaf explains.

“Art also influences our work and a sculpture forms the basis of this residential volume.” The team at Blaf built this single-family home as an experiment in buildability and affordability, taking advantage of circular, energetic and economic efficiency under the guidance of geometric abstraction. Circle and square masonry forms support the roof of fmM House, while an insulated wooden structure outlines the three volumes that create a combination of open and enclosed outdoor zones. blaf.be

GRAND DESIGNS

39

Hanale mirror. uniqwacollections.com.au

Levya bookcase. designnation.com.au

Maximum porcelain panels in Verde Alpi. artedomus.com.au

Jarrah freestanding wood combustion heater. cannonappliances.com.au

d. an t s ok bo m.au k o c bla blic.c e t u ci Lu orep c co

Dane accent vase. cocorepublic.com.au

Ligne Roset Oxydation low table. domo.com.au

Ferdinand lounge chair by Brdr. Krüger. danishred.com.au Ligne Roset Cinetique light. domo.com.au

FADE TO “Black on black” is the new black. Embrace the darkness with this modern, moody and contemporary interior design aesthetic that promises to transform your home into a sophisticated abode. From statement lighting to luxurious furnishings and striking art, black is back!

E D I T E D BY LO U I S E S M I T H E R S

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GRAND DESIGNS

W HAT ’S HOT

Planner coffee table. fritzhansen.com

cocorepublic.com.au

Alvaro modular sofa in graphite. cocorepublic.com.au

Bolvardi bench. bykoket.com

Piers timber stool. cocorepublic.com.au

Nobu Burnt Flower wood coffee table. cocorepublic.com.au

Egg chair and footstool. fritzhansen.com

Icelandic sheepskin, Wild Black. danishred.com.au

GRAND DESIGNS

41

je k t

mi r ro

r. l ife r te in

io r s .c om .au

Amber Petite Pauline candle holder. bonnieandneil.com.au

W HAT ’S HOT

Rust Ob

CRYSTAL AMESBURY crystalamesbury.com

Sweet TOOTH

Panier stools by LEN. stylecrafthome.com.au

Inspired by Neapolitan-coloured memories, it’s time to sprinkle on some guilt-free sugar! Invite those pillowy marshmallow silhouettes, ribbons of caramel and flecks of vanilla into your home and envelop yourself in soft, sugary swirls of sweet strawberry and milk chocolate while you’re at it

White and beige fluff y cushion. houseoforange.com.au

E D I T E D BY C RY S TA L A M E S B U RY Terracotta Ridge vase by Muuto. surrounding.com.au

Barnaby

42

GRAND DESIGNS

y Sancal. lounge b

.au kezu.com

Speckle white side table. bonnieandneil.com.au

Rose Ambit pendant by Muuto. surrounding.com.au

Pebble natural rug. jardan.com.au

Ivory Boulder bookend

by Wang & Söderström. hayshop.com.au

Mare Romance sofa by ARTIFORT. kezu.com.au

GRAND DESIGNS

43

TR AV EL INS PO CRYSTALB R O O K ALBI ON

Little Albion: BIG PERSONALITY Sited on holy ground, this boutique hotel in Sydney blends 1920s Art Deco style with an underlying 1970s vibe WO R D S LO U I S E S M I T H E R S

f the Crystalbrook Albion was a person, it would be Andy Warhol in a flapper dress and rosary beads, either heading to Sunday Service or a super-secret underground rave… he’ll never tell.

This hotel gem was originally built in 1903 as a convent for the Marist Brothers precinct on Albion Street in Surry Hills, just outside the Sydney CBD. It’s hard to believe the vibrant and luxurious room I stayed in on a warm autumn night in April was once part of a dark and dilapidated boarding house, neglected and left to lose its lustre until architects Terence Yong and Chris Haughton

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stepped in. Affectionately referred to as the Little Albion, the hotel’s official moniker is Crystalbrook Albion. As part of the Crystalbrook family of bespoke luxury accommodation, the entire experience — from the furnishings to the service — was impeccable.

Coloured with art-lined walls and vibrant furnishings, Crystalbrook Albion’s interior design is a far cry from its inconspicuous red-brick facade.

When I entered the brick building I was confused.

My eyes were unprepared for the grandeur, tricked by the nonchalant exterior. Strolling past fetching foiled wallpaper and ‘70s pink terrazzo

to the lift lobby, brass-clad lift doors reveal a steel and glass lift shaft.

Alighting from the stunning glass elevator I headed to the Big Albion — my room for the night. As the name suggests, it’s huge. Soaring ceilings overlook custom-designed armchairs, a solid walnut bedhead and a steel and brass open robe unit. The interior design can be credited to the wildly talented Connie Alessi and Cressida Kennedy. The subtle dance between refurbished heritage elements and new custom-designed features is impossible to miss. Original mouldings, arches and fireplaces are complemented by

bespoke architraves, skirtings and mouldings that match the existing heritage profiles. With herringbone oak floors, Big Albion makes a bold statement using a mix of paisleys, geometric patterns and an unexpected gold-tiled shower reminiscent of a Gustav Klimt painting. Bespoke vanity frames with Elba stone tops and customdesigned mirrors nod to the Art Deco era, as does the custom door hardware in glass and antique brass. Elba solid marble floors feel fabulous underfoot and the whole setting is truly an experience in luxury.

Marrying heritage and contemporary details at every turn, a modern free-standing bath beckons near the bed, while a pair or original fireplaces bookend the room and suggestive art wraps the space and seduces the eye. In the middle of it all, rich blue furnishings and a statement pendant light with more arms than an octopus make their presence felt without dominating the aesthetic.

When the sun rests its weary head, the hotel’s rooftop garden is the place to be. Found at the top of the glass lift, the mini oasis boasts views over Surry Hills and the city. Head to the gourmetappointed Honour Bar near reception before you make your way to the rooftop. Here you can stock up on tasty treats and top-shelf beverages while admiring the striking emerald-green joinery and

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TR AV EL INS PO CRYSTALB R O O K ALBI ON

ARCHITECTS Terence Yong (Terence Yong Architecture) Chris Haughton (Shed Architects) INTERIOR DESIGNERS Connie Alessi, Cressida Kennedy (Space Control Design) ART CURATOR Nicholas Samartis LIGHTING DESIGN Connie Alessi in collaboration with Adam Edge

custom-designed drinks cabinet. The bar can be accessed 24/7 and you can always find a friendly host roaming the corridors if you need a hand choosing between the sweet and savoury nibbles.

Despite the opulence, playful elements keep the mood unpretentious. Art, in particular, offers an injection of fun. From the poetry “room” (a series of books opened up behind a glass panel and inspired by the Pantheon) to the photographic art, one of the most memorable pieces is the “All You Need Is Love” sign that welcomes guests to the premises. Featuring 65 hand-made and individually coloured resin blocks in a font sourced from Dutch master graphic designer Jurriaan Schrofer, the 5m x 2m piece was designed by Nicholas Samartis and a talented team of artisans. Taking cues from a Brutalist 1960 frieze by Picasso, it provides a colourful vista visitors can enjoy from the sunken lounge on the ground floor.

Crystalbrook Albion provides a blueprint for adaptive re-use of heritage architecture.

From convent to modern boutique, the building masterfully merges heritage charm with modern style, sprinkling surprises around every corner. Are you in the 1920s? Or are you grooving in the ’70s?

It doesn’t matter; you’re in the Crystalbrook Albion and life is good. Rooms: 35 | Rates: From $247 | crystalbrookcollection.com/little-albion

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Playful creator Eye for design Indulges in flavour Savours the moment Rocket People Join the movement THE ROCKET ESPRESSO MOVEMENT FOR BETTER ESPRESSO IN THE HOME STARTS HERE

espressocompany.com.au

Grace by Fern Siebler

Tika lantern by Vincent Sheppard

Premier online art gallery Art Lovers Australia is giving away a special limited-edition print. Hand-embellished with a sparkly 24-karat-gold leaf and measuring 120x85cm, Grace by Melbourne artist Fern Siebler is framed in oak and ready to hang in your home. It’s valued at $1200. See more of Fern Siebler’s artworks at artloversaustralia.com.au

By casting diffused light on its surroundings, Tika will make your outdoor area glow. Thanks to its shell in synthetic rattan, the handwoven lantern creates a stunning shadow play. Tika is solar-powered so you can charge it during the day and illuminate the cosy evenings wherever you like, be it near your pool, in a terrace corner or hanging in a tree, no strings attached. Available at Cotswold InOut Furniture. RRP $895. cotswoldfurniture.com.au

$9800

Vivid Slimline Oval sink mixer 220mm gooseneck in Brushed Gold

GIVEAWAY! Love getting your hands on free stuff? Who doesn’t! This issue, we are giving our wonderful readers the chance to win one of 11 amazing prizes

i

n this issue of Grand Designs Australia, we’ve got 11 prizes to give away to 11 lucky readers — from premium coffee machines and trendy art to hang on your wall to cutting-edge kitchenware and stylish tapware. To be in with a chance to win one of these home must-haves, all you have to do is visit completehome. com.au/win-big and write, in 25 words or less, why you think this issue of the magazine is a great read. Good luck! Terms and conditions are available online at completehome.com.au

Taking its cue from the sophisticated Vivid family of products, Vivid Slimline Oval brings a fresh, new aesthetic to the kitchen. A first look may reveal a distinctive oval shape embedded in each design, but a closer inspection will show these elegant contours mark delicately merging surfaces, creating a soft, flowing form for an elegant designer look. RRP $616. phoenixtapware.com.au

$700 architectural hardware voucher Genevieve’s Wave © by Matthew Cusick Maps and nautical charts are more or less relegated to objectivity. What these to-scale illustrations are lacking is exactly what Matthew Cusick gives them: impulsiveness, emotion and power. In his Map Works, Matthew Cusick puts together pieces of maps like a puzzle, creating an intoxicating and “roaring” new image. Massive waves rise up where there would otherwise only be numbers and lines. This artwork measures 30x40cm and is mounted under acrylic glass. Valued at $219. au.lumas.com

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With more than 600 products, Marina Isles has beautiful architectural hardware for your kitchen, bathroom and laundry. To help you renovate your home, Marina Isles is giving one lucky reader a voucher for $700 to use for the Modena Range from the online shop (any unused amount is not redeemable for cash). The Modena Range covers contemporary designs but can be used for many styles, from Industrial to Hamptons. (Please note it doesn’t include the Linea Italiana Range or other products). To choose what you love from the Modena Range, check out the website marinaisles.com/ product-category/all/cabinethardware/modena/

WI N B IG

NYC Balloons © by Robert Jahns In his NYC Balloons series, Robert Jahns creates surreal, almost fairytale moments in New York. Through countless balloons, the real world of Manhattan transforms into an exultant fantasy world. It is astonishing to see the Empire State Building towering out over a sea of colourful balloons. The surprising artworks are bursting with joy and vivacity. The artwork measures 40.4x30.4cm and is mounted under acrylic glass in an aluminium ArtBox. Valued at $339. au.lumas.com

Field designed by Helen Kontouris Field is a multi-purpose tiered food serving tray. Designed by Australian designer Helen Kontouris, this contemporary rotating lazy Susan elicits an emotional response from the user, inviting a tradition of food sharing and bringing people together. Field’s design inspiration is the agriculture landscape; from an aerial view, the natural timber grains represent the stratum forms of landscaped terrains. RRP $575. madebypen.com

$1000 lighting voucher Queen pin-tucked bedhead Papillion Furniture is renowned for its individually hand-crafted furniture and has a beautiful queen pin-tucked bedhead upholstered in a black faux leather up for grabs. Measuring L1600 x H1400, the prize includes delivery to Melbourne metro only. With more than 25 years of manufacturing experience, Papillion Furniture is a leader in custom design and quality manufacturing. This gorgeous bedhead is available for purchase Australiawide. RRP $1980. papillion.com.au

Exclusive to Alpha Lighting, the Allure Collection is made up of neverseen-before designs produced to the highest quality. Now you can give your home the wow factor with a $1000 voucher (RRP) for one lucky reader to choose lighting from the Allure Collection. Any unused voucher amount is not redeemable for cash. What will you choose? The gorgeous Duo Contemporary Pendant, RRP $795, or two wall sconces valued at RRP $400 each? There is so much to choose from. To see the range visit alphalightingandelectrics.com.au/collections/allure-collection

Rocket Fausto An essential for great coffee at home is the ability to freshly grind coffee. The Fausto by Rocket Espresso simplifies the grinding process for effortless, clean and consistent grinding.

With a touchscreen interface, two programmable portion controls can be adjusted easily for grind time and dose volume. Each time you grind, the programmed dose will be efficiently ground through 65mm flat burrs, ideal for flavour, and delivered with a clean finish directly into the porta filter.

Paired with stepless grind adjustments, Fausto brings all the features and functionality of a professional grinder in a lighter footprint. The model offers total control to explore and adapt your grind setting to enjoy high-quality and delicious coffee in your own home.

RRP $1599. espressocompany.com.au

CROSSRAY electric barbecue with trolley Plug in, preheat and prepare for the “sizzle” of the most powerful electric barbecue on the market! The CROSSRAY electric barbecue provides a cooking experience like a traditional gas barbecue, via the unique highintensity electric infra-red element technology. It’s just like cooking over red-hot coals. The added trolley provides a sleek, high-end presentation with foldable stainless-steel side shelves, and extra under-bench shelves for plenty of cooking and storage space. The barbecue also lifts out so you can take it anywhere. RRP $799. To see the full range visit crossray.com.au

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I N P RO F I LE

How and why did you get into the design industry?

I hate to ‘fess up but I’m not a designer! I began my interior design career in magazine publishing, after working in fashion and food publishing. I edited Belle from 2006 to 2014 and Vogue Living from 2014 to 2017. I have also worked in TV since 2009, as a judge on Nine’s The Block and co-host of Foxtel’s Love It or List It Australia. I am currently a national brand ambassador for Luxaflex.

Describe yourself in three words.

Curious, impulsive, romantic.

From where do you draw your inspiration?

As an editor, I took inspiration from everywhere. Primarily from travel, but also from literature, cinema, arts, fashion and music. And history — I’m intrigued by the social and cultural history of the 20th century.

What does Australian design look like to you?

Optimistic. We are a relatively young country in terms of design, but I see growing confi dence in a signature that is uniquely ours. We look at what is happening overseas but only allow ourselves to be influenced by what is relevant and appropriate for our landscape, our climate and our lifestyle.

What is your philosophy on design and life?

I believe in individuality. Nothing depresses me more than cookie-cutter interior design. I believe our homes are an expression of our true selves and the lives we live in them, and I love seeing unique choices that tell a story. I think that is particularly relevant in these difficult times we are all living through. We have never demanded more from our homes than we do now.

What are your design dreams and goals?

Australians have a very unique relationship with their homes.

For some of us it’s about renovation, for others it’s about real estate, but there is an obsession with property, about owning a home — however modest, however grand — and personalising it. In my opinion, the success of TV programs such as Grand Designs Australia, The Block and Love It or List It Australia is a true reflection of our passion for property.

And the rest of the world loves watching; our Australian shows are popular around the globe, from the UK to Canada, South Africa and Brazil. I hope I can continue to bring my own passion for homes — and the experience gained through many years as a magazine editor — to the medium of TV. There are so many stories to be told!

Neale Whitaker Get to know this journalist, design expert, TV host and, more recently, Luxaflex Australia brand ambassador 50

GRAND DESIGNS

When and how did your ambassadorship with Luxaflex come about?

Luxaflex is a brand with great integrity, and one that I’ve admired and respected since my days as a magazine editor. Working as I do today in the interior design world, I trust Luxaflex for the quality and innovation of its window coverings.

Why did you choose Luxaflex when choosing window coverings for your own home?

The Luxaflex range is fashion-forward — especially in its use of technology — but it retains a timeless sense of style that makes it the ideal choice for a broad range of interiors and aesthetics. I guess all of those qualities combined makes Luxaflex a perfect fit for me.

Which Luxaflex products have you gone with and why?

For our kitchen, laundry and home office (all windows running along the same side of the house) we chose Luxaflex PolySatin shutters in white that allowed us to combine classic style with modernity and functionality. These plantationstyle shutters have always been a design go-to for me as they’re timeless and complement almost any interior style.

PolySatin shutters have a tactile matt lustre and are made from a durable polyresin compound that makes them ideal for wet areas like kitchens, laundries and bathrooms.

In our guest bedrooms, we opted for Luxaflex Pirouette shadings that blend the look of sheers with the functionality of blinds, and a silhouette reminiscent of shutters, providing continuity of style both internally and externally. What we love about our Pirouette shadings is their versatility. Fully opened, they allow us to enjoy the magnificent country views, but they can be adjusted for a soft-focus view or closed for privacy at the touch of a button on the PowerView Pebble remote.

What is your process when it comes to choosing window coverings?

I guess the honest answer to that question is an instinct for what is right for our home in terms of function and aesthetics.

Our home blends classic and contemporary — and we have never shied away from strong design statements — so that guided us in our window covering choices. We also needed to maximise the beautiful views from our property and the abundant natural light.

What have you noticed in terms of window covering trends?

How have they changed over the years?

I think the role of window coverings has evolved with the greater emphasis on indoor/outdoor living in contemporary homes, and with a better understanding of the transformative effect of light. Add to that the benefits

NEALE SAYS “The Luxaflex range is fashion-forward — especially in its use of technology” of energy efficiency, temperature regulation and privacy control, and it’s easy to see why window coverings have become a priority.

Light has the ability to transform a room and change its mood and that is particularly relevant to us here in Australia, where natural light is abundant but often harsh. To my mind, window coverings are one of the key choices in any interior design scheme, from both an aesthetic and functional perspective.

What advice would you give to those looking at purchasing window coverings that will remain in style for years to come?

Opting for custom-made blinds or awnings means you get the added benefit of expert advice and support, which is vital — especially in the planning stage of a new build or reno. The trained Luxaflex professionals will consider factors that are often overlooked, such as window positioning, structural and electrical requirements and energy effi ciency. They will ensure you end

up with the best window covering solution for your space and that your blinds fit perfectly. The Luxaflex range is fashion-forward in its use of technology, design and materials, but from an aesthetic perspective, the range — to me — feels timeless.

That’s one of the things I like most about the Luxaflex brand and what makes it the perfect choice for a wide range of aesthetics. Trends will always come and go, but the right window coverings can be a perfect backdrop for almost any look. For guaranteed future proofing, I would always opt for clean, simple lines in neutral shades. To my mind that’s a great investment in style.

What are your pet peeves when it comes to window coverings?

I don’t have too many peeves to be honest, but I guess anything that feels too heavy and oppressive for our climate and lifestyle would get the thumbs down. I’m not a fan of heavy, European-style curtains in Australia — unless they’re in the theatre! luxaflex.com.au

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Nancy Donaldson & Jarrod Knight This artistic duo is at the helm of Art Lovers Australia, an online art gallery established to connect artists with those who love art WO R D S C A R R O L B A K E R

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NANCY SAYS he idea behind Art Lovers Australia was born five years ago when Nancy and Jarrod saw a gap in the marketplace. “We knew so many incredible artists who weren’t getting the exposure they deserved,” says Nancy. Both have artistic backgrounds and by utilising their combined skill set and remaining relevant and responsive in the ever-changing world of art, their business has gone from strength to strength.

From pop to photography, Aboriginal art to abstract, nudes to nature, sculptures to still life, Art Lovers Australia represents all artistic styles. Jarrod says Art Lovers Australia is about sourcing the best of Australia’s emerging and mid-career artists and curating their work, making it easy for collectors to buy.

“We focus on original art as that is the best way to support artists,” he says.

With today’s busy lifestyles, it’s not always possible to dedicate the time needed to peruse art galleries to source art you love and can afford. This is where Art Lovers Australia comes to the fore. It has something to suit every taste and budget. Among the most popular pieces are Petra Meikle De Vlas and her oceanscape series, Kate Owen and her joyful abstracts, and Maria Rudan for portrait commissions.

Both Jarrod and Nancy come from artistic backgrounds. Nancy’s mother encouraged her to look for the beauty in nature, she studied at university and was a visual arts teacher for more than 20 years. Jarrod grew up doodling and drawing cartoons as a child, then went on to study at the Queensland College of Arts. Jarrod says art is a very important part of their lives. “It’s very fulfilling to share this with our collectors,” he says.

Their own tastes in art are diverse; in their personal collection they have works by artists ranging from photorealistic portrait paintings to still life photography, Aboriginal art and urban art. The commonality is that they are all Australian artists.

Jarrod and Nancy have achieved so much but still feel there’s more work to be done to raise the profile of Australian artists. Nancy says their goal is to see artists recognised for their valued cultural contribution. “The images and objects they are creating today are a reflection of contemporary life,” she says. artloversaustralia.com.au

“We knew so many incredible artists who weren’t getting the exposure they deserved”

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IN P R O F I LE

Lix North This hyperrealist painter works on an artistic plane where real and imagined worlds collide WO R D S C A R R O L B A K E R

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ix North’s work is an intoxicating, heady mix of eccentricity and metaphor. “I love the interplay between contemplative space and ornate detail, the juxtaposition of the commonplace with the wonderfully strange,” says Lix of her work.

Lix spent her childhood in the lush green landscape of New Zealand’s hill country. While most kids are perplexed when adults ask what they want to be when they grow up, Lix says she always knew. “I have been an artist for as long as I can remember,” she shares. “I never had any other ambitions in life. It is a part of who I am.” She’s worked as a photographer, illustrator and artist since arriving in Brisbane in 2007. “Each work, each incarnation of self, explores my journey in a genetically compromised body through an increasingly toxic world,” says Lix. The process of making a piece of art is almost cathartic for this creative. It begins with vivid imagery that gains clarity as it bubbles up to the surface of her consciousness. Each element is deeply etched in Lix’s psyche and fine-tuned until it is purged onto canvas.

“The painting part of it is when I can really relax. I have gone through that very turbulent time of strategy and preparation and now my mind can just let go and follow the plan,” she says.

Props like goggles, animals and birds, headdresses and skulls are integral to her work. All have deep meaning. The goggles, for example, metaphorically represent viewing the world through a different lens. The canary, says Lix, has always been her totem.

“Since I was a teenager, I’ve struggled with an autoimmune condition. My doctor said it’s made me very sensitive to all things. I’m like a canary in a mine shaft,” she reveals.

Lix’s work touches on photorealism, a type of art that emerged in the 1960s. It’s characterised with painstaking detail and precision. The intricate detailing on a single large piece of art can take Lix up to 400 hours to paint. At first glance, many of those who view her work might think it’s a photograph, such is the level of detailed finesse in each brush stroke. “When somebody knows it is done by hand, the fascination goes off the chart and that helps make my concepts more accessible and engaging,” she says. artloversaustralia.com.au

SPONSORED P ROD UC T

IT’S ALL IN THE

DETAIL Pay attention to the finer detailing when it comes to your home

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W

hen it comes to completing your home, there are certain details that will add the perfect finishing touches, taking it from a standard new build or renovation to a bona fide grand design.

Intrim was founded in 1993 by the Quinsey family in Picton, NSW, and has grown to become one of Australia’s leaders in finely crafted, quality timber mouldings, skirtings, architraves and handrails for residential homes and commercial buildings. The company’s customers span all sectors, from business clients such as architects, interior designers, builders and carpenters to residential homeowners who engage trades and DIY renovators.

The product range includes a large selection of timber mouldings and profiles to suit Australian home designs from a wide range of styles and different eras, including Hamptons, French Provincial, Edwardian and Georgian, Colonial, Victorian, Modern Contemporary and Art Deco. So what products are available for your home? Skirting boards, skirting blocks, architraves, picture rails, dado rails, chair rails, hand rails, inlay mould for wainscoting, DIY wainscoting kits, timber cornice, sill nosing, corner blocks, wall panelling options such as VJ Board Pro, lining boards, wall battens, and decorative timber mouldings such as concave and half rounds.

Skirting is Intrim’s largest product category.

Check out the website where there is plenty of information on how to choose the design, size, shape, profiles (and more) to get the look you are after. Go to the website to find out things like, “Do skirting and architraves have to match?”

The company’s timber mouldings are available in a selection of materials and finishes, from FJ Pine to MDF, in both primed and un-

primed options. Primed is usually preferred as machine-primed timber seals all sides and saves a lot of time on site. Intrim’s primed finish is superior to the commodity offerings as it is easier to work with, cutting cleanly without chip-outs, so the tradies love it.

After some wall panels to really make your interiors shine? Intrim has significantly grown its selection recently. VJ Board Pro is a very popular choice right now and Intrim’s large sheets provide quick and easy installation to get the look. They are available in a range of different lengths up to 5.4m so you won’t have joins or a lot of wastage.

Lining boards give the look of VJ Board Pro but in narrower boards. They have a tongue and groove and clip together. They are perfect for wet areas or places where you want that specific look but the larger panels of VJ Board Pro are not practical. (Both VJ Board Pro and lining boards will give you the same type of appearance and can be run vertically or horizontally on a wall and also as a ceiling lining.)

What about wainscoting? This look is very popular and is being used in many Hamptons homes, in addition to the more traditionalstyled residences. The inlay mould choices here and styles of wainscoting allow for some stunning creativity.

Wall battens and timber mouldings have really taken off, with different types and shapes of wall battens and mouldings available to create artwork treatments on walls and furniture facings. This is definitely a growing trend.

Although Intrim is based in Picton, on the outskirts of Sydney, the company has people on the ground in Melbourne and Brisbane and supplies nationwide. intrimmouldings.com.au

MAKING INTERIORS

r a l u c a t c Spe

IN09 Inlay Mould

IN09 Inlay Mould CR99 Chair Rail

SK56 Skirting

Timber Mouldings | Skirting | Architraves | VJ Board Pro | Wainscoting | Timber Handrails DĂŬĞ LJŽƵƌ /ŶƚĞƌŝŽƌ ^ƉĞĐƚĂĐƵůĂƌ ǁŝƚŚ ĮŶĞůLJ ĐƌĂŌĞĚ /Ŷƚƌŝŵ dŝŵďĞƌ DŽƵůĚŝŶŐƐ͘ ƌĞĂƚĞ ĨĞĂƚƵƌĞ ǁĂůů ƉĂŶĞůƐ͕ tĂŝŶƐĐŽƟŶŐ͕ ŽīĞƌĞĚ ĐĞŝůŝŶŐƐ Žƌ ĨƌĂŵĞ LJŽƵƌ ĚŽŽƌƐ ĂŶĚ ǁŝŶĚŽǁƐ ǁŝƚŚ ƐƚLJůŝƐŚ ĂƌĐŚŝƚƌĂǀĞƐ ĂŶĚ ŵĂƚĐŚŝŶŐ ƐŬŝƌƟŶŐ͘ ǀĂŝůĂďůĞ ŝŶ Ă ůĂƌŐĞ ƌĂŶŐĞ ŽĨ ĚĞƐŝŐŶƐ͕ ƐŝnjĞƐ͕ ŵĂƚĞƌŝĂůƐ ĂŶĚ ĮŶŝƐŚĞƐ͘ 'Ğƚ ŵŽƌĞ ŝŶƐƉŝƌĂƟŽŶ ĨƌŽŵ ŽƵƌ ǁĞďƐŝƚĞ ŐĂůůĞƌLJ͕ ŽƌĚĞƌ ĨƌĞĞ ƐĂŵƉůĞƐ͕ ƌĞƋƵĞƐƚ Ă ƋƵŽƚĞ Žƌ ŵĂŬĞ ĂŶ ĞŶƋƵŝƌLJ ĂŶĚ ůĞƚ ƵƐ ŚĞůƉ LJŽƵ ĐƌĞĂƚĞ LJŽƵƌ ĚƌĞĂŵ ŚŽŵĞ͘

intrimmouldings.com.au www.fsc.org ®

FSC C133356 The mark of responsible forestry

1800 622 081

Image Courtesy of Delightfull. delightfull.eu/uk

AMONG THE

gum trees In the wake of COVID-19, families are packing up their lives in the ‘burbs and relocating to leafy or seaside locations — and they’re taking their jobs with them WO R DS CA RROL BA K E R

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SP E CI AL FE AT UR E WORKING FROM HOME Image courtesy of Tom Tailor. tto.de

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SPEC IA L FEATU RE WORKING FROM HOME

Image courtesy of Cosh Living. coshliving.com.au

Photography

by Jan Steiner. pixabay.com

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t began with a trickle of collective consciousness during COVID-19 lockdowns as many decided that this working-from-home gig wasn’t too bad at all. From getting more of a sleep-in of a morning to saving on travel time and spending more time with the family, there was a lot to like about leaving the office behind. No longer needing to commute to city workplaces, thousands upon thousands of city dwellers began creating a whole new lifestyle, living the dream.

Research by The University of Sydney Business School shows commuting activity will continue to decline by an estimated 25 to 30 per cent and before too long, almost one third of all workers will work from home. It mirrors what’s happening in other countries like the USA, with Global Workplace Analytics predicting the same 25 to 30 per cent of the workforce will be home-based by the end of 2021.

Imagine being able to jump in the pool and have a swim with the kids in your lunchbreak, or sit on your leafy deck sipping a cuppa at morning tea. No in-house office politics to contend with or listening to idle gossip by the water cooler. And when the day’s done, no commute, so you can spend time relaxing in your outdoor entertaining area or sip a cool drink while you tend the garden or play with the kids.

a Parkwood have led the way as groundbreakers in the Australian prefabricated modular building industry for over 30 years. We are leaders in innovative and eco-friendly design, while delivering the best quality construction.

We provide the highest building standards using the best materials available without

act compromising on value for money. In our purpose-built factory, we deliver safe, efficient and sustainable building standards, and achieve key efficiencies in construction, waste limitation and material recycling.

But don’t take our word for it, come and visit our A-class complex and quality displays.

9 Kangoo Rd, Somersby NSW 2250 Web www.parkwood.com.au Email info@parkwood.com.au Tel 02 4340 4077

UNLIKE A WORKPLACE OFFICE WHERE YOU’RE LIMITED BY WHAT YOU CAN DO, ONE ADVANTAGE OF A HOME OFFICE IS THAT YOU CAN DECORATE IT ANY WAY YOU LIKE LEFT His and Hers by FMD Architects.

Photography by Derek Swalwell. fmdarchitects.com.au BELOW Image courtesy of Essential Home. essentialhome.eu

BALANCING WORK AND PLAY Having the right home office setup is key to your success, and it all starts with a little planning.

While the idea of staying in your jammies, sipping your morning coffee and flicking through social media with one eye on your laptop might work for some, it probably won’t be all that effective and you might find yourself working even longer hours to get the job done.

Getting organised and creating an at-home workspace allows you to be more productive, whether that’s a shared space, a dedicated home office or just a tiny nook you can call your own.

Organisational psychologist Dr Joanne Abbey, founder of the Centre for Corporate Wellbeing, says there’s no right or wrong way to set up an office — it depends on what works for you. “I work from home and have a large loungeroom with a desk in the corner and windows behind.

It’s comfortable, spacious and I feel connected to where I live. It doesn’t compromise my professionalism at work — I think it enhances it,” she says.

Preparing yourself for a work day with your usual morning rituals and routines, such as getting dressed for work, helps with motivation and productivity. Dr Abbey says adopting a workplace mindset is key. “It’s not a morning TV and coffee fest, a talkfest with friends or thinking I can cruise through it because I’m at home,” she says.

On the flipside, when working from home you might be tempted to power through your work day to finish sooner. But according to Dr Abbey, making sure you take breaks is important. “It gives your brain time to down tools and to reflect a little bit on the work you have accomplished.

Moving your body and fuelling your body is important too,” she says.

The social aspect is significant for some, but it’s an individual choice, she adds. “People need to be reflective of where they are at in their head and heart; some people need to be around others, while others don’t.”

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SP E CI AL FE AT UR E WORKING FROM HOME

Image Courtesy of Norsu Interiors. norsu.com.au

CREATING YOUR HOME WORKSPACE Whether you’ve had to start from scratch or your very occasional work-from-home office has become your primary workspace, there are many conventional and not-so-conventional types of home offices. Maybe you have a tiny nook at the end of a hallway with a cosy chair and petite desk, a cool office built into a space under the stairs, an ultra-chic attic office or a pretty desk under a bedroom window — there are many options.

No matter what sort of home office you choose, there are many things to consider and lighting is an important one. Jess Hunter from Jess Hunter Interior Design says natural lighting is always the best type of light, but when it isn’t available, adjustable artificial light can work well.

“There are some great LED desk lamps available that allow you to change the type of light. For example, you can go from ‘natural’ to ‘cool’ to ‘warm’ with a tap of your finger,” she says.

Unlike a workplace office where you’re limited by what you can do, one advantage of a home office is that you can decorate it any way you like.

Jess says it all begins with your desk and chair. “It may be a trestle-style table, a modern metal frame or a solid-timber traditional-style desk — there are so many options available,” she says. She adds that when choosing your chair, make sure you consider ergonomics.

“Once you’ve got that sorted you can layer your personality and style,” she says. Begin with functional pieces like stationery storage solutions, desk lighting and pen holders. “Make your

Image Courtesy of Mind the Gap. mindtheg.com

Image Courtesy of George & Willy. georgeandwilly.com

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“A COMMON TREND FOR HOME OFFICE DESIGN IS CUSTOM JOINERY TO CREATE A FUNCTIONAL SPACE THAT CONNECTS WITH THE REST OF THE HOUSE” — JESS HUNTER FROM JESS HUNTER INTERIOR DESIGN LEFT Image Courtesy of Jess Hunter Interior Design. Photography by Natalie Hunfalvay. jesshunterinteriors.com BELOW Image Courtesy of LUXXU. luxxu.net

workspace your own by adding artwork, a rug, an occasional chair and a pot plant to bring life and energy into the space,” she adds.

With more and more people gravitating to home offices for work, Jess says there have been some innovative changes in function and design. “A common trend for home office design is custom joinery to create a functional space that connects with the rest of the house,” she says, “whether the office is a nook in an open-plan living space or in its own separate room. Another new request is to create a beautiful backdrop for Zoom meetings. We consider what the wall or space behind the computer looks like; it may be a piece of art or beautifully styled shelving.”

If your home office is part of another room, like a bedroom, you need to take a little extra care to ensure it will work. How do you create a cosy space that is also a restful one? Jess says work and sleep should be separate to allow you to switch off, but if space doesn’t allow that, you can work around it. She recommends using a piece of furniture or joinery that can be closed off when the working day is over. “For example, have a drawer or a cupboard that allows you to pack the equipment away at the end of the day — out of sight, out of mind,” she shares.

Jess adds that soft furnishings and simple styling pieces will help make the workspace feel like it is not out of place in a bedroom.

“For example, an upholstered desk chair or a cushion, a nice desk lamp or vase will make the space more fitting. Even a little artwork on the desk will make it feel more like it belongs,” she says.

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@backyardcabins

Backyard Cabins offers a range of detached garden room solutions for the home. In over 30 years of family owned and operated business, we are continually seeing an increased demand for alternative solutions to the never-ending need of an extra room. Difficulties in business related to the COVID-19 pandemic, has seen a huge demand for working from home and Backyard Cabins is placed strongly to offer a wide range of Cabins, studios and Garden Sheds which offer that separate, quiet office space where you can maintain the productivity in your employment without the distraction of a busy home. Our product range is defined by smart and economical designs and we pride ourselves on speed, quality, reliability and customer service. Being detached in their form, construction of our Backyard Cabins brings no disruptions upon the home, create a multipurpose space and are a value-adding development on your property. GIVE US A CALL FOR A FREE BROCHURE.

ATTRACTIVE MULTIPURPOSE SPACES 622 Barrenjoey Road, Avalon NSW 2107 | info@backyardcabins.com.au | www.backyardcabins.com.au

02 9973 1691

RIGHT Image Courtesy of Sonya Winner Rug Studio. sonyawinner.com

WORKING FROM HOME REDUCES CARBON EMISSIONS GENERATED

BY CARS AND TRANSPORT, IT CUTS BACK ON AIR CONDITIONING AND OTHER UTILITY COSTS FOR LARGE OFFICE BUILDINGS.

ECO-FRIENDLY HOME OFFICE Working from home reduces carbon emissions generated by cars and transport, it cuts back on air conditioning and other utility costs for large office buildings, and of course there are less lunch take-away meal and coffee containers. The list goes on. Your home-based office can play a very proactive role in creating a cleaner, greener planet — another working-from-home bonus.

When you can, use natural lighting if you need more light. Reconfigure the room if possible so you can move your desk under a window. Throw open the window to catch cooling breezes rather than rely on air conditioning, and dress in layers at home to keep comfortable. If your toes get cold you can put on some socks — provided you don’t pop your feet up on a desk during a Zoom meeting, your boss will never know! Turn off your computer and printer when you aren’t using them — at the wall — to save on energy costs.

Choose green cleaning products to do your bit to save the planet. Finetune your ‘reuse, recycle and reduce’ way of thinking. Opt for sustainable office supplies, flip and reuse office paper for draft copies of documents, and only print emails you need to keep. Buy only what you need and repurpose items you already have to refurbish your new office. If you need more office supplies, like a new desk, visit a few charity shops, buy preloved and get creative.

Finally, try to source your office supplies from other companies that share your ecofriendly ethos.

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SPONSORED P ROD UC T

FOOD FOR THOUGHT Think out of the box when it comes to home heating

F

rom gas to wood burning to electric — there are a number of options when it comes to heating, but which one is right for your home? Les Sperring, national sales manager at Herschel, answers a few questions about an innovative option that is gaining popularity: infrared heating.

How does Herschel infrared work?

Herschel infrared heats your home the same way the sun heats the earth. It uses far infrared energy to warm up the fabric of the building and all the things inside it, including you.

This turns the very surfaces of your home into part of your radiant heating solution, delivering you a consistently warm and comfortable environment.

What is the difference between radiant and convection heat?

Simply put, convection heat is heating the air and moving it around the house. Radiant heat travels through the air and is instead absorbed by objects and the room materials themselves. Once the objects and room have been heated enough, they radiate the heat as well, and your whole room becomes part of the heating system, giving you a wonderfully cosy environment to enjoy.

What are the advantages of radiant heat?

Heating the air is an inefficient heating solution because air cannot hold much heat. This is why a cool draught can cool your room quickly, or if you switch off your heater or heat pump the warmth seems to disappear. Convection requires that warm air continually be created to maintain a given temperature, so it consumes more energy. Using convection to heat a room,

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you need to heat the entire volume of air, and convection heat rises, meaning most of the energy you are creating is sitting over your head where you can’t feel it. The heat that does reach you gets chilled by your windows or absorbed into the cold surfaces of the room.

This does not create an ideal environment for heating a person. If you’ve ever been in a room with a convection heater on and the air seems warm but your feet are cold, this is why.

Radiant heat, on the other hand, is ideal for heating people, as we are radiant ourselves. We absorb radiant heat into our bodies far better than when hot air is blown around us.

Once the environment around us has reached our selected temperature, it is surprisingly easy to maintain a comfortable, warm environment lower in the room where you actually sit, without losing heat unnecessarily or being forced to run your heater continually.

Have you ever sat in front of a fire and marvelled at the way it heats you all the way through? This feeling is radiant heat at work.

Herschel far infrared heaters get you this result with consistency, accuracy and the minimum of effort from you, making it a superior electric heating solution.

Something else you may not have realised is that warm air attracts moisture. Heating the air inside your home actually contributes to moisture and dampness issues. Heating the home itself dries it out, reducing damp and mould.

Does Herschel infrared cost more to run?

Actually, no. When installed and operated correctly, it can be more cost-effective to warm your home over a 24-hour period

than with a heat pump. Once your home is up to temperature, it radiates that heat back out slowly.

When operated with a thermostat, the heaters will heat the environment, then switch off and let your home radiate that warmth back, only coming back on to recharge it again. We call this running time the cycle time. Once your home is heated up, the cycle time drops dramatically over a 24-hour period. Depending on what your home is made of, this could be as little as four hours a day for a home that is warm day and night.

What about power providers?

Home heating is estimated at being as much as 40 per cent of the peak load to the power network, coming in the evenings of course, when we all get home from work and turn our heaters on high. With Herschel infrared, this load gets spread evenly throughout the day, warming up your home during the day to release that warmth into the evening.

What about solar power and free heating?

Herschel delivers exactly what you need — low wattage and the ability to heat up your home during the day while the sun is shining.

How about the aesthetics?

The good news is Herschel heaters look great — a slimline, discreet panel that can be ceiling- or wall-mounted. Available in a range of styles, from white metal to black or white glass and even mirrors. For high ceilings we have a hanging pendant version, and we also have outdoor heating so you can enjoy the feeling of the sun on the patio long after it has set. herschel-infrared.com.au

Discreet comfort heating by Herschel Infrared. Our black glass wall panels heat this large open plan space.

Herschel Infrared panels heat the building and objects, not the air. Affordably delivering a warm, comfortable, damp-free environment around the clock, while using less energy.

Discover the future of heating at herschel-infrared.com.au

Houses The cream of the crop in Australian architecture

Photography Rhiannon Slatter

72 Ascot Angle 84 Mt Tamborine 102 Lockleys SA 114 Hebe 126 Alexander Street

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INNOTECH ATIRA SOFT CLOSING DRAWER SYSTEM A modern statement piece for the home.

AVAILABLE IN THREE FINISHES

Kitchen design by @zephyr_and_stone

Follow us @hettichaustralia

TV HOU SE ASCOT ANGLE

THE TALK OF THE NEIGHBOURHOOD

From single-storey post-war house to contemporary grand design, this inspiring Ascot home suits family living to a tee WO R D S C A R R O L B A K E R P H O T O G R A P H Y R H I A N N O N S L AT T E R

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ABOVE Homeowners Joe and Hayley Adsett BELOW With its floor-to-ceiling volumes on display, the upstairs library is a family favourite for these book lovers

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elax and unwind as you stroll through this modern home that exudes warmth and character. At first glance you might think a contemporary residence in the traditional but affluent suburb of Ascot might raise a few eyebrows. But this design introduces modern architectural elements while remaining considerate and respectful of its context.

Designed by its owner, award-winning Brisbane architect Joe Adsett, the home will cater well to the family as it grows over the years. Joe says the experience of being both architect and client was at times complicated. “It was an unusual situation; we needed to be our own clients.

In some ways it was liberating and in other ways it was challenging,” he says.

Two enormous long wings hug the garden, providing a sense of connectivity. There is also prolific use of beautiful organic materials and a blend of curves and straight lines. The structures have a commanding presence but are not imposing. It was the site itself, the elevated 1215sqm corner block tucked into the leafy Brisbane suburb, that inspired its design. To take advantage of the site’s aspect, Joe saw the need to create the two long wings. But of course, in keeping with the local vernacular and not wanting to dominate its urban streetscape, Joe streamlined its bulk. “We envisioned it as a floating upper storey on a solid stone plinth,” he says.

T V H OUS E ASCOT ANGLE

DE TAI L S HOUSE Ascot Angle LOCATION Brisbane, Qld DATE COMMENCED October 2018 DATE COMPLETED November 2019 INITIAL BUDGET $2 million FINAL PROJECT COST $3 million

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WE LOV E THE SUBTLE LAYERING OF TEXTURES AND FINISHES

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“THE JOURNEY UP THE HELICAL STAIR, SLOWLY SPIRALLING OUTWARDS TOWARDS THE EDGES OF THE DOUBLE-HEIGHT SPACE THAT’S LINED WITH ROW UPON ROW OF BOOKS, IS TRULY REMARKABLE” — HAYLEY ADSETT

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E D I TO R ’ S FAVO U RI TE THE GOURMET KITCHEN THAT IS A WORK OF ART

LEFT Entertaining is a breeze with well-appointed spaces to cater for a crowd OPPOSITE TOP The dream kitchen artfully addresses both form and function with quality materials and superior craftsmanship

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T V H OU SE ASCOT ANGLE

It is by and large a family home, with a sprawling 650sqm of space consisting of five bedrooms, six bathrooms, a library, study, wine cellar, home theatre, swimming pool and tennis court. Joe and his wife Hayley have two young children, seven-year-old Julian and five-year-old Madeleine, as well as a new Burmese kitten called Zaha Hadid Adsett, named after the famous architect.

Joe says designing the house became quite a family affair, with the kids helping out. “Little Madeleine and Julian took on their roles helping to design the new house for us very seriously, drawing it out on architecture paper,” muses Joe. “Unfortunately, we couldn’t find a unicorn to live on the roof or space for 12 wheelie bins!” The idea was to build a home that would provide ample opportunity to enjoy things that were important to the family.

There’s ample room outdoors, spaces to share and private spaces to retreat to.

The library is a book lover’s dream, an elevated space to while away the hours

with volumes on display from floor to ceiling. It is both functional and beautiful.

While Hayley says there is much she loves about their home, the library is her favourite. “The journey up the helical stair, slowly spiralling outwards towards the edges of the double-height space that’s lined with row upon row of books, is truly remarkable,” she enthuses. “At the same time, the built-in seating provides a cosy space to curl up with a book, bestowing a human scale within a grandiose space.”

From start to completion, the project was complex and lengthy with the complicated geometries. “Designing the helical stair was a feat in itself,” says Joe. The most significant challenge was a structural change that saw the frame go from steel to hybrid timber and steel, requested by the builder. A light palette of materials was incorporated, including natural timbers, marble, stone and powder-coated aluminium. It’s a home that invites you to reach out and touch its smooth contours.

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TV HOU SE ASCOT ANGLE LE G E ND 1 Garage 2 Media room 3 Store 4 Cellar 5 Gate house 6 Entry 7 Guest bedroom 8 Ensuite 9 Powder room 10 Family room

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P ROJ E C T T E AM ARCHITECT & INTERIOR DESIGNER Joe Adsett Architects, joeadsett.com.au BUILDER Graya Construction, graya.com.au

STRUCTURAL TEAM Metalwork Kleencut Solutions Blocklayer Hippo’s Concreting Concrete floors Hippo’s Concreting Staircase Project Engineering Metal roof cladding DC Metal Roofing SERVICES Roof plumbing Ollie’s Plumbing Joinery Urban Kitchens and Joinery Electrical ACOT Electrical Landscaping Living4Landscapes

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FIXTURES & FITTINGS Stone benchtops and splashback Architectural Stone & Wood Stone cladding Eco Outdoor Bathtubs Abey Sanitaryware Concrete Nation Light fittings ACOT Electrical Fireplace Jetmaster Tiles Artedomus Tapware Brodware Timber doors Allkind Joinery & Glass Timber flooring Queensland Timber Flooring Wallpaper Sidonie Studio

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ABOVE A cosy sleeping space in cool white with blue accents RIGHT The home’s exterior is a delightful mix of tactile textures that exude warmth

By positioning the build with environmental considerations at front of mind, automated climate controls aren’t needed. “Building from scratch enabled us to utilise the perfect north-east aspect of our site, which in turn mitigates the need for heating and cooling,” explains Joe. The hotter western side of the home has fewer openings. The extended wings with fi xed screens allow the windows to be left open and invite in breezes to keep the house cool during Queensland’s sizzling summers.

Precision and attention to detail have underpinned every aspect of this project.

Joe and Hayley were determined to source the correctly shaped marble flutes for the kitchen as very few marble varieties allow such a precise, fine shape. “We observed many slabs of marble before we settled on our final choice,” they reveal.

There were quite a few memorable moments for the family as the project came together. “Watching the large sheet of curved glass from New Zealand being carefully manoeuvred into place, millimetre by millimetre, was extremely nerve-wracking,” says Joe.

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Mood Board

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Colour Palette Whites and soft greys are warmed by pale timber flooring and honey timber furniture. Blue throughout ties the spaces together. The result is a cool, beachy vibe

01/ Sistine rug. covethouse.eu 02/ Nelson triple bubble lamp fixture. hermanmiller.com 03/ Luxury velvet cushion. aurahome.com.au 04/ Ridge corrugated metal round dining table. beelinedesign.com.au 05/ Kelly sofa. bykoket.co om 06/ Byron Gloss ClearSto one bath. abey.com.au 07/ Morph bar stool

by Zeitraum. designnation.com.au

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The right lighting fixtures can bring so much more to your space.

At Alpha Lighting you will find everything from modern pendants, crystal chandeliers, fantastic replica lighting, globes, table lamps, floor lamps and more all in one place.

1300 344 829 | sales@alphalightingandelectrics.com.au

alphalightingandelectrics.com.au

TV HOU SE MT TAMBORINE

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Idyllic

ABODE

A holiday home with soul, The Mountain House is the perfect embodiment of rest and relaxation WO R D S N I S H I A M A R AT U N G A P H O T O G R A P H Y R H I A N N O N S L AT T E R

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DETA I LS HOUSE Mt Tamborine LOCATION Tamborine Mountain, Qld INITIAL BUDGET $800,000 FINAL COST $1,000,000 DATE COMMENCED February 2018 DATE COMPLETED July 2019

ABOVE Grand Designs Australia host Peter Maddison BELOW For the family of four and their two adorable pets who call The Mountain House their home away from home, building a holiday house that makes the most of its idyllic surroundings was a no-brainer

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pon arriving at the property on which this charming abode is located, there are things that strike you immediately.

The air is cooler all year round and the vegetation is greener and denser thanks to the volcanic soil throughout the area. You’ll notice morning dew on the spiderwebs in the trees, and the kikuyu pasture beyond the dam lights up during golden hour. Life is just that much more enchanting in Mount Tamborine.

For the family of four and their two adorable pets who call The Mountain House their home away from home, building a holiday house that makes the most of its idyllic surroundings was a no-brainer. They brought in James Russell Architect to make the magic happen, and the rest is history.

The Mountain House is located on a hill in the back corner of the property. The house is out of view when you enter the site but takes centre stage once you drive towards it. Thanks to its zincalume sheeting, it looks similar to the farm shed just adjacent. Once you enter the holiday home through the front door, however, it will leave you speechless.

The holiday haven comprises three bedrooms, four bathrooms, and a main living, dining and kitchen area.

The living room’s glass doors open out to the courtyard, blurring the boundaries between indoors and out. There is also a covered living space with a barbecue area, which acts as a breezeway in summer and a sunroom in winter. It was designed to create an outdoor living experience for the family, while keeping pesky insects out. That’s not all; the shipping container that sits adjacent to the house has been renovated into a queen-size guest bedroom, complete with a breathtaking view of the creek just beyond.

The home’s bathhouse is among its most noteworthy features. Designed to capture the property’s backdrop to a tee, its location and layout make for a bathing experience like no other. “I love it on cold, wet days, leaving the doors closed and hearing the sounds of the forest but feeling like I’m in a Japanese bathhouse,” shares David Hobart, one of the homeowners.

T V H OU SE MT TAMBORINE This holiday haven is just as creative as those who designed it

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W E LOVE THE WAY THE HOLIDAY HOME WAS DESIGNED TO MAKE THE MOST OF ITS LOCATION

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ABOVE Only natural materials and exposed finishes were utilised for this breathtaking holiday home

“James, the lead architect at James Russell Architect, provided the inspiration,” says David of the home’s conception. “Outdoor Queensland living with an Asian influence.” Needless to say, the home is just as creative as those who designed it.

The clients’ brief for The Mountain House was to bring the outdoors in, and the project team tackled this challenge spectacularly. The property overlooks a mature rainforest, which features a giant tree reminiscent of those in the film Avatar. “It would have been missed by the first settlers and loggers on the mountain because it was a strangler fig. At approximately 80m tall, it is likely to be close to 1000 years old,” reveals David. The courtyard vines succeed in bringing an aspect of the gorgeous rainforest into the home.

Interestingly, not even the smallest amount of gyprock was used for this home. Instead, only natural materials and exposed finishes were utilised. “Very little of the building materials have been covered up. Redgum timber interior walls and flooring and exposed blockwork and concrete appear in the downstairs bedrooms. Black walls and ceilings provide warmth against the natural light streaming into the house from the sliding glass doors,” notes David. Special care was taken to ensure the house is well insulated so that it is warm during winter and cool in summer.

The architects from James Russell Architect teamed up with Mitchell and Andrew Clare from Clare Build for this

The clients’ brief was to bring the outdoors in, and the project team tackled this challenge spectacularly

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The family and their guests enjoy views of the mature rainforest beyond upon waking every morning

project. “When building an architecturally designed home, it is so important having builders with high standards,” says David. “They all worked well together which, as the client, was a blessing.” Though the project team didn’t make too many structural changes as the project progressed, they did make a few changes to materials along the way. “Originally, the house was to be framed in brick with a terracotta-tiled roof. Changing to stucco rendered block work and zincalume sheeting was cheaper, but also more fitting for the rural setting,” notes David.

When asked about his favourite aspects of The Mountain House, David answers without hesitation. “Sitting on the built-in leather lounge inside the living space in the mornings, overlooking the rainforest. It feels like sitting in a cave, protected from the elements but still connected to them. Lying on the couch in the breezeway/barbecue area in summer. It looks across the block to the rainforest.

You can feel the breeze and hear the birds. It’s a rich sensory experience.”

As far as holiday homes go, The Mountain House is one that is bound to have its occupants feeling relaxed, well rested and in tune with nature with every visit.

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“When building an architecturally designed home, it is so important having builders with high standards” — David Hobart

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TV HOU SE MT TAMBORINE L EG END 1 Stairs 2 Laundry 3 Store 4 Bath house 5 WC 6 Deck 7 Bedroom 1 8 Bedroom 2 9 Bathroom 1 10 Day bed 11 Passage 12 Grate

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PR OJEC T TEA M ARCHITECT James Russell Architect, jrarch.com.au BUILDER Clare Build, clarebuild.com ENGINEER Westera Engineers, westerapartners.com.au 13

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FIXTURES & FITTINGS Hardwood floors and walls Gowan Lea Timbers Framing, hardware and materials Bunnings Warehouse Tiles National Tiles Cabinets and joinery Complete Fitouts, McMahon Cabinets Air conditioning Actron Ducted Air Baths Argent Bathroom accessories Madinoz, Access Hardware Toilets Villeroy & Boch SERVICES Earthworks Coast2Coast Concreting Cossio Concreting Waterproofing Wetfix Waterproofing Carpentry Clare Build Steel fabrications Ashmore Weld/Superior Steel

E DI TOR ’S FAVO U RI TE THE REJUVENATING BATHHOUSE

The home’s bathrooms were designed to exude tranquillity and serenity

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Colour Palette Warm reddish and natural timbers are offset with slabs of black and white.

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01/ Maximum porcelain panels in Verde Alpi. artedomus.com.au 02/ Copiosa Stretch 6C70 chair. designnation.com.au 03/ Inax Yohen Border in YB22. artedomus.com 04/ Miniforms Frattino table. designnation.com.au 05/ Lissoni sofa. fritzhansen.com 06/ Boucle natural jute rug. jameslane.com.au

MAGAZINE

HOUSE OF THE YEAR AWARDS We take a look at two more finalists

e called on Australian architects and builders to enter their best designs for a chance to win this prestigious award and huge exposure in the magazine and across its online and social media platforms.

We looked for brilliant client outcomes in residential buildings, conversions, and significant renovations or restoration projects. The finalists offered unique or interesting elements in terms of design, use of materials and construction to deliver a project that shines.

The Grand Designs Australia Magazine House of the Year Awards are proudly brought to you by our Gold sponsor Cosh Living, Silver sponsor Rylock Windows & Doors, and trade sponsors Indi Imports, Loewe International and Geraldton Bricks.

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FEATURE GDA HOTY AWARDS

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BENDALONG BEACH HOUSE A collaboration between Sanders Construction Projects and Madeleine Blanchfield Architects, Bendalong Beach House is a home for a retired couple on the South Coast of New South Wales. The couple in question are none other than Madeleine Blanchfield’s parents, so naturally the project was very close to her heart.

The brief was for a humble, “beachy” home with a strong connection to nature,

which also tied in with the laidback community of Bendalong. A modest, singlelevel living pavilion on the street side draws on the simplicity of surrounding beach houses, many of which were owner-built over the years. This also ensures that the views of neighbouring homes are not obstructed.

Operable timber screens allow for the control of privacy and when the whole house is opened up, it almost disappears, inducing the idea of camping.

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The coastal environment and threat of bushfires also meant the home needed to be robust. The aforementioned timber screens work to control the breeze, light and heat of the front pavilion in the varying coastal climates. The design includes bushfire-resistant FC sheet cladding with vertical detailing on the outside, plus tough burnished concrete floors on the inside that are perfect for wet, sandy feet. “With the residence sitting on a solid concrete slab with no timber decking and no air spaces under the house or the covered outdoor area, there is nowhere for sparks and embers to accumulate during a fire,” explains builder Warren Sanders.

While the original brief was for a holiday home that could accommodate adult children and their partners as well as grandchildren, the homeowners have since decided to make Bendalong Beach House their forever home, and we think that speaks for itself. Photography

by Robert Walsh. sanderscp.com.au; madeleineblanchfield.com

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UPSIDE DOWN AKUBRA HOUSE What could be more Aussie than an Akubra? This home in country NSW is as true blue as they come.

Blue Eco Homes and Alexander Symes Architect joined forces to create a home that ended up becoming a conversation piece for sustainable living, while celebrating the beauty and opportunity of doing so in this amazing country of ours.

This architecturally designed, sustainable, off-grid home celebrates its natural site, which was chosen in an existing clearing on the top of a hill to take advantage of district views and natural landmarks such as Yella Rock and Hanging Rock. The floor plan, window-to-wall ratio and roof form all respond to the natural climatic conditions of the site. Extensive micro-climate analysis and weather data formed the positioning and orientation of the dwelling, window openings and window proportions.

The house is characterised by a single large-scale roof form that overhangs the house below. The roof blocks out all the summer sun, yet allows in the winter sun to warm the central thermal mass at the core of the building, comprised of concrete walls and floors.

Food-producing rural land in Australia is being impacted by climate change, with lower-thanaverage rainfall, temperature extremes and more frequent extreme weather events. This house confronts this reality by creating a self-sufficient, comfortable home for the homeowners but also by expressing the ethos of sustainable living through its form and material expression. In this way it is a tool to demonstrate and communicate the importance of sustainable living.

For example, the humble carport features a translucent canopy of LG neon bi-facial photovoltaics. These cells generate the power for the home but also express the ethos of the house by revealing this essential system. The location of the photovoltaics at the entry to the house also serves a symbolic function, announcing to visitors the importance of these systems in the running of the residence.

Similarly, the large central gutter that connects the main roof and carport roof culminates in a “waterfall” so that the capture and re-use of roof water is exposed and celebrated. Australia is the driest inhabited continent in the world and rainfall is the lifeblood of the country’s farming community. By revealing a typically concealed process, this house communicates the importance of collecting and storing water that aims to encourage its efficient use.

The internal off-form concrete walls feature the marks of Zego reusable formwork, imbuing the house with the patina of how it was constructed, again embedding, expressing and celebrating the sustainable elements of the house. Photography

by Barton Taylor. blueecohomes.com.au; alexandersymes.com.au

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HOUSE OF THE YEAR AWARDS 2021 Grand Designs Australia magazine is proud to announce that voting is now open for the inaugural Grand Designs Australia Magazine House of the Year Awards.

By voting, you will see the residential work of some of Australia’s most brilliant architects and builders. These are real projects that have been completed recently for clients who want to live well. They demonstrate bold ideas, clever innovations and good living.

The Grand Designs Australia Magazine House of the Year Awards are proudly brought to you by Gold Sponsor Cosh Living, and Silver Sponsor Rylock Windows & Doors.

RYLOCK WINDOWS & DOORS

COSH LIVING

Rylock Windows & Doors is an Australian-made-and-owned innovative leader in the design and fabrication of high-performance window and door systems. Whether the site is urban, coastal or rural, every custom window and door combines quality, style and performance for optimal comfort throughout the home. Rylock sources local materials and manufactures each product with consideration towards a project’s climatic conditions. For more than 37 years, quality custom fabrication has been the company’s driving passion and with both inspiration and knowledge, its highly skilled sales consultants work with clients to emphasise the home’s architectural features to maximise natural airflow and enhance the connection with the outdoor environment. With a solutions-based approach, Rylock specifies products for thermal comfort, acoustic, privacy and security requirements. Headquartered in Melbourne, Rylock has manufacturing facilities in Melbourne, Sydney and Adelaide, while also servicing both the ACT and Tasmania. rylock.com.au

Founded in 2008 by directors Colin Kupke and Shane Sinnott, Cosh Living has always been known for representing the world’s leading outdoor furniture brands. Today these include Tribu, Dedon, Gloster and Manutti. In 2016, Cosh moved to incorporate indoor furniture into its offering. With its own design studio led by Justin Hutchinson and the factory in Melbourne, Cosh launched Kett, a brand with an Australian soul as well as the style and quality that allow it to sit alongside prestigious outdoor brands and enhance the overall Cosh experience. Kett has been an overwhelming success and today is the company’s equal highest-selling brand, and along with supporting indoor products from renowned Italian brand Potocco, indoor furniture is now an important part of the overall Cosh Living DNA. coshliving.com.au

MEDIA TEAM

April Ossington Editor of Grand Designs Australia

Peter Maddison Editor at Large

HOW IT WORKS Grand Designs Australia magazine will showcase all entrants online, and finalists’ designs will be published in the magazine, on social media and in a specially created Grand Designs Australia House of the Year magazine.

VOTE NOW

To vote simply use the QR code above, or URL below. Consumer votes account for a percentage of the total overall result, and are a great way to see brilliant residential projecs and discover who created them.

Justin Hutchinson Design Director of Kett

Emma Truong Marketing Manager of Rylock Windows & Doors

V I S I T : H O U S E O F T H E Y E A R . CO M . AU T R A D E PA R T N ER S HOUSE OF THE YEAR AUDIENCE

Audience Vote

TV HOU SE LOCKLEYS SA

WORTH THE WAIT

The Kanellos family spent a lot of time and money on their dream home, but the results were worth the wait WO R D S K A R S H A G R E E N P H O T O G R A P H Y DAV I D S O L M

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D E TAI L S HOUSE Lockleys SA LOCATION Lockleys, South Australia INITIAL BUDGET $450,000 FINAL COST $900,000 DATE COMMENCED March 2013 DATE COMPLETED August 2018

ABOVE The fresh monochrome palette will ensure that the interior won’t date quickly OPPOSITE Homeowners Tony and Tania Kanellos

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he realisation of this family’s dream home was a long time coming and was thrown all the curveballs possible, from troubles with council approvals to budget blowouts, vandalism and robbery. But from the day they were handed the keys, Tony and Tania Kanellos haven’t left and have fallen in love with what they now get to call “our home”.

“We spent a lot of time at the house in its unfinished state, drinking coffee and just absorbing the surroundings to remind us that it’s worth it,” says Tania. “The day we got the keys from Leon, Tony wanted to stay the night and sleep on the floor because of the vandalism and theft. I suggested that if we had a mattress I’d stay too. Fifteen minutes later Tony had the mattress from our old house (just around the corner) on the roof of the car… we’ve enjoyed the place ever since.”

The Kanellos family have lived in the Lockleys area for a long time, and the nearby River Torrens holds many childhood memories for Tony. It only seemed fitting that this would be the area they would build their forever home. This site was originally occupied by a small house and remnants of a market garden that the previous owner was trying to sell in four parts. For sale for a few months

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“EVEN WHEN WE WENT OVER BUDGET, WE DECIDED THE BEST THING TO DO WAS FINISH THE HOUSE AS DESIGNED. WE ARE GLAD WE DID” — TONY AND TANIA KANELLOS

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WE LOVE THE ABUNDANCE OF NATURAL LIGHT IN THIS HOME, WHICH FILTERS IN THROUGH CLERESTORY WINDOWS AND LARGE EAVES UPSTAIRS, AND WRAP-AROUND, FLOOR-TO-CEILING WINDOWS ON THE GROUND FLOOR

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TV HOU SE LOCKLEYS SA Pop art adds plenty of personality

RIGHT The walk-in robe of our dreams

with no luck, the property was relisted with three blocks for sale, each with a 15m frontage. “This we could work with,” say Tony and Tania.

The Kanelloses had only one main request for their abode: “A modern home that would make the most of the views and surrounds.” Family friend and architect Damian Campagnaro from DC Architecture had inspired Tony and Tania with his “House for a car” design in Mount Osmond, so he and his team were given full creative freedom to “design a home that looked fabulous but wouldn’t cost a fortune”. Damian and DC Architecture set out to create Tony and Tania’s modern family home using simple, low-maintenance and affordable materials to dramatic effect. While large wrap-around windows and an 11m pool on the home’s ground floor ate into the budget, the exterior was designed and built without the use of a single brick. Instead, black-and-white Colorbond steel cladding was used. The home’s uniqueness was to come from the two-storey, black, geometric, steel facade that covers the back and front of the home and was made to measure on site.

The monochromatic theme was maintained throughout the home’s interior, the simplicity allowing for views outside of the large wrap-around windows to be the feature of residence. At just 250sqm, the house appears a lot larger than it is thanks to the minimalist, modern design. It has three bedrooms with walk-in

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L EGE N D 1 Driveway 2 Front garden 3 Lobby 4 Garage 5 Bedroom 2 6 Walk-in-robe (shared) 7 Bedroom 3 8 Laundry 9 Bathroom 10 Dining/living room 11 Kitchen 12 Patio (undercover) 13 Family retreat 14 Dressing room 15 Main Bedroom 16 Balcony 17 Ensuite 18 Study 19 Balcony

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PR OJEC T TE AM BELOW The house appears a lot larger than it is thanks to the minimalist, modern design

ARCHITECT DC Architecture, dcarchitecture.com.au INTERIOR DESIGN Homeowners, Anna Di Marco Interior Design

STRUCTURAL TEAM Builder LS Design Construct Flooring Refined Floors Cladding Revolution Roofing Cladding installation Jones Construct Pool Peressin Pools FIXTURES & FITTINGS Tiles National Tiles Window frames CCA Aluminium Windows Kitchen MIG Design Pivot/sliding doors MIG Design Bathroom cabinets, joinery MIG Design Air conditioning Climate Airconditioning FURNITURE & FURNISHINGS Carpet Zappia Carpets Bathtubs Luxe Bathroom Kitchen appliances Rawsons Elite Appliances Tapware, basins and sinks Reece, The Source Furniture, lamps Artemide, Freedom

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E DI TO R’ S FAVO U R I TE THE BLACK, GEOMETRIC, STEEL FACADE AT THE FRONT AND BACK OF THE HOME

robes, a study, a family room and two balconies on each end of the house, as well as a small bathroom and an ensuite. The living space is an open, light-filled voided area with 6.3m ceilings. This space includes a matt-black kitchen, dining table and fireplace, all with views of the adjacent trees and the pool.

“Inside the place is slick and sleek. However, there are some homely elements, such as the gallery of family photos and artworks and the library of muchloved books, ornaments and DVDs,” reveal Tony and Tania.

Tony and Tania admit that one hurdle was getting the design approved by council as it was a little out of the ordinary and the neighbours and council were sceptical. “Some people love it, many are unconvinced or undecided and a few certainly do hate this house.

We love it!” enthuse the couple.

After the cost and time spent on this build, as well as dealing with vandalism and robbery, you could only imagine the sense of relief once the house was finished. Yet Tony and Tania have an overwhelming sense of appreciation and gratitude for what they’ve created. “Even when we went over budget, we decided the best thing to do was finish the house as designed.

We are glad we did,” they say.

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TV HOU S E LOCKLEYS SA

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The light, airy shell is anchored by dark-grey terrazzo tiles and black joinery. Light timber provides contrast and bits of blue lighten the feel

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01/ Elegante Terrazzo tile. nationaltiles.com.au 02/ Grafton pendant light. gardentrading.co.uk 03/ Koila double lounge for Alki. designnation.com.au 04/ Rockwell Unscripted club chair. knoll.com 05/ ARV rectangular table. brdr-kruger.com 06/ Fleur De Lys carafe. thegreyworks.com

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PRESERVE THE TASTE UNDER LOCK & KEY The natural ageing process of wine varies depending on the environment in which it is stored. ,Q RUGHU WR SUHVHUYH WKH WUXH ÁDYRXU RI your wine, both red and white wines should be stored between 12-14ºC. There should be no vibration in the racks, no excessive UV light and a controlled humidity level. All these things are hard to control in the open air. This is where the Husky Vino Pro Wine Cabinet range comes into play, allowing you to control all these aspects as well as chill them to their ideal serving temperature.

ON ALL PARTS AND LABOUR* HUS WC168S ZY wine cabinet shown.

THE KEYS TO PRESERVING THE NATURAL TASTE OF WINE.

TEMPERATURE

HUMIDITY

LIGHTING

VIBRATIONS

AIRFLOW

All wines should be stored between 12ºC - 14ºC. Storing your wine outside of these temperatures can spoil the taste.

Storing wine at lower than 50% humidity can lead to the cork drying out and shrinking, leading to air entering inside of the bottle.

High amounts of light, particularly UV rays can affect the natural colour and tannins within the wine.

Slight vibrations can accelerate the natural ageing process of wines and lead to deterioration.

$ ODFN RI DLUÁRZ within a wine cabinet can lead to poor ventilation, stale air and sometimes mould.

www.huskybrand.com.au

P ROJECT HEBE

LIVING THE

dream

Light-filled spaces and beautiful architecture define this Brisbane family home WO R D S C A R R O L B A K E R P H O T O G R A P H Y C AT H Y S C H U S L E R

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P ROJECT HEBE The light and breezy residence connects gracefully to outdoor spaces

his quietly sophisticated family home, delivered by architect David Hansford, ticks all the boxes for modern family living. When presented with a set of draftsman’s plans that fell short of the mark in terms of the owner’s needs, David, from DAH Architecture (DAHA), took on the challenge of creating a family home that would adapt as the family grew and took advantage of the leafy outlook.

David’s key design philosophy centres on creating homes that not only respond to the site, but capture the quintessential character of those who live there. “The clients for this project had confident and bold personalities with a warmness within, which for me reflected in the form and materiality of the project,” he says.

The home is built with robust materials like concrete, brick and black weatherboard, but internally the house offers some calmer, softer moments. “There are smaller intimate spaces catering for a developing family with a need for variety,” says David.

Sprawling over three levels with five bedrooms and threeand-a-half bathrooms, with a plethora of cosy and light-filled living spaces, this three-storey abode is home to a family of four — mum, dad, and two soon-to-be teenage daughters — as well as two Golden Retrievers.

This bespoke project illustrates it’s possible to embrace a potential challenge and turn it into something unapologetically exceptional. In this case, it was the very unique configuration of the house block. David describes it as “a sector of a circle sloping heavily to the rear”, which meant a large 34m north-facing street frontage. Another major obstacle was how to draw north-easterly breezes and natural light into a south-facing block without compromising privacy. This was addressed by adding plenty of greenery and light-filled spaces through generous floor-to-ceiling glazing and roof skylights. There are many light-filled spaces to retreat to and curl up with a good book, to share some quiet conversation or boisterous family board games, to spend special moments with the family or to share with friends and extended family.

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E D ITO R ’ S FAVO U RI T E THE CHARACTER-FILLED EXTERNAL FACADE

DETA ILS HOUSE Hebe LOCATION Brisbane, Qld

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“THE CLIENTS FOR THIS PROJECT HAD CONFIDENT AND BOLD PERSONALITIES WITH A WARMNESS WITHIN, WHICH I FEEL REFLECTED IN THE FORM AND MATERIALITY OF THE PROJECT” — DAVID HANSFORD

W E LOVE THE REAR EXTERIOR LIVING SPACE THAT LOOKS LIKE IT’S NESTLED IN THE TREETOPS

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P ROJECT HEBE A beautiful contemporary kitchen in timber and stone caters well for the growing family

Inside, the design is all about clean, modern lines and family living. There’s a generously appointed kitchen with a butler’s pantry tucked in behind. A cold room and bar cater for cooking and entertaining. A mix of warm timbers and stone adds an organic flavour that is easy on the eye, while the colour palette favours neutrals with blue accents.

Colour is introduced with large abstract artworks and stylish occasional pieces dotted throughout, with custom furniture reflecting the home’s architecture.

The spacious master suite is the ultimate in comfort, with dual pendants adding a contemporary edge and a cosy sofa offering space to relax at the end of a busy day.

Sheer curtains provide privacy but open up to allow in the light. The shower spaces connect visually with the outdoors thanks to skylights above — at night it’s like showering under a star-filled sky.

This home is all about subtle sophistication and materiality that is organic and beautiful. David says the home also includes some “impressive feats”, like the 3.7m-tall sliding timber stacker doors. The brick fireplace outdoors is another striking built element; it stands at a notable two storeys high and houses the homeowners’ Brazilian barbecue.

A swimming pool offers respite from Queensland’s hot summers, and nearby cosy seating delivers a vantage point for a lazy Sunday with friends. For the pre-teens, the girls’ games room and rumpus give them their own personal area to entertain friends and have space of their own.

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Artworks dotted throughout the home inject splashes of colour, movement and life

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P R OJ E C T T E A M ARCHITECT DAH Architecture (DAHA), daharchitecture.com.au BUILDER Black Developments, blackdevelopments.com.au INTERIOR DESIGNER Georgia Cannon, DAH Architecture (DAHA), daharchitecture.com.au INTERIOR DECORATOR Claire Stevens Interior Design, clairestevensid.com.au

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STRUCTURAL TEAM Landscape Scuderi Services FIXTURES & FITTINGS Doors and windows Architectural Timber Joinery Cabinetry Polytec

Stone SNB Stone Tapware Astra Walker Cladding James Hardie, PGH Tiles Unica stone and tiles FURNITURE & FURNISHINGS Artwork Anuska De Luca

The master bedroom is a picture of calm and comfort with soothing blues, a padded headboard, and a plush couch under a light-filled window The shower spaces connect visually with the outdoors thanks to skylights above — at night it’s like showering under a star-filled sky

There are many eco-friendly elements in the home, including PVC solar cells and rainwater harvesting. Re-orientating living spaces from the previous set of supplied plans provided opportunities for ample cross ventilation, reducing the need for machine-driven cooling.

One of David’s favourite spaces is the sunken courtyard that’s positioned off the girls’ rumpus room. “The space has a peaceful feel to it and functionally masked some levels to keep the house grounded in elevation,” he says. There’s room for the dogs to romp and play and it’s connected visually to the leafy backdrop and streetscape.

This project came to fruition through a collaborative effort of building and design teams who worked harmoniously together, notably the styling of Claire Stevens Interior Design and the builder. “Tim Black (Black Developments) did a fantastic job pulling off this project on a difficult site with tough access and keen timeframes,” says David.

It was a project that David enjoyed planning, designing and delivering to the delighted homeowners, with a few little unexpected gratuities along the way. Among them, says David, were “the obvious perks of client meetings at a chef’s house with a sleeping Goldie on your foot”.

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Colour Palette Concrete, stone and white create a soft background for warming timber joinery. Splashes of blue and green serve to reflect the surroundings and add a soothing feel

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SMOOTH

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P R OJ E CT ALEXANDER STREET

OPERATOR From plain Jane to showstopper, this project has delivered dual family homes that look like just one WO R D S C A R R O L B A K E R P H O T O G R A P H Y TO M F E R G U S O N

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WE LOVE THE ORGANIC STACKED-STONE WALL

A duplex that looks like a stylish and contemporary single dwelling. The only ‘tell’ from the street is the letterboxes

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semi that looks anything but! With a forwardthinking design and swathes of charisma, this home is a game changer. Prior to the development, architect Nicholas Byrne described the semi as a typically arts and crafts-style dwelling. “In contrast to the current design, it had limited glazing and little connection to the outdoors,” he says.

“Materiality consisted of face brickwork and a terracotta-tiled roof.”

The brief was to make a semi not feel like a semi. “Traditionally, semi-detached dwellings are restrained and ‘closed’ on both the central dividing wall and the boundary wall,” says Nicholas. The design team rolled up their sleeves and got to work. In keeping with the brief, the first thing they did was turn the concept of a classic semi on its head by opening up spaces and designing it to connect seamlessly with the outdoor environment.

P R OJ E CT ALEXANDER STREET The timber battens facilitate clever climate control

D E TA I L S HOUSE Alexander Street LOCATION Sydney, NSW DATE COMMENCED July 2018 DATE COMPLETED May 2020 INITIAL BUDGET $8 million FINAL PROJECT COST $9 million

The project team, made up of the developer, architect, interior designer and builder, worked closely with each other to resolve any challenges as they arose. With such a complex project, communication was critical. Lara Saunders, an associate at Interior Design, says the final result was a perfect fit for what they’d conceptualised.

“The two town homes are defined by low-profile frames, uninterrupted lines and a palette fashioned from raw and authentic materials,” she says.

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Timber battens on the ceiling create warmth and work to visually extend the space

The sense of connectedness and the clean lines are apparent. That, in essence, is what makes this project so special, according to Nicholas. “The duplex typology has been explored in such a way that from the outside looking in, the two homes appear seamless, streamlined and harmonious,” he says.

The duplexes are a design triumph of light, warmth and character-filled living spaces that take advantage of their prime location in Manly, a leafy suburb on Sydney’s northern beaches. Given its elevated position, there is ample ventilation and cross-flow of natural cooling breezes. Sunlight streams into the home, infusing the living spaces that flow to the home’s exterior living areas with warmth and life. Through good design, the boundaries are effortlessly blurred.

The duplexes are home to a developer and a school friend who relocated from Hong Kong back to Australia. Both families have children and enjoy Manly’s sun-kissed beaches and laid-back lifestyle.

They are delighted with the final result.

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P R OJ E CT ALEXANDER STREET

E DI TOR ’ S FAVO U R I T E THE LIGHT-FILLED INTERIOR SPACES AND SYMMETRY OF THE DESIGN

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ABOVE A circular skylight above a stairwell allows natural light to stream in, while the stacked stone wall adds a natural and earthy element BELOW Straight lines with a few curves in the mix add another layer of interest

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P R OJ E CT ALEXANDER STREET A room with a view. The timber battens can close up to provide privacy and control the light in a bedroom

For both Nicholas and Lara, there is much to love in this project. Nicholas’s favourite aspect is the ground-floor living spaces. “I love the feel of the ground-floor living room. With doors open, this space feels like an indoor balcony,” he says. Lara likes the timber battens that offer climatic control. “I love how the building can breathe, with the batten shutters opening and closing to suit the weather,” she says. Another favourite aspect was the spiral stairs, although their delivery proved to be quite a nail biter.

“The stairs were in transit from Melbourne and went MIA for a brief period of time during the pandemic,” she says. “Watching them being craned into the building was a sight to behold and it was truly satisfying seeing how perfectly snug they fitted in.”

With ample room for growing families, there’s plenty of space, with soaring ceilings visually extending the interior living area. At the heart of the home is a large island bench where the family can gather and connect with

NICK SAYS THE CLIENTS’ LOVE OF BRAZILIAN ARCHITECTURE UNDERPINNED THE DESIGN AND IS ALSO HIGHLIGHTED IN THE HOME’S CONNECTION TO THE OUTDOORS each other. Lara says it is also the meeting point of the home, with streamlined kitchen and living room joinery connecting the living spaces in natural stone and walnut veneer.

The home is spread over three levels. The ground floor houses both formal and informal living spaces, the kitchen, pantry, powder room and garage, as well as relaxed outdoor living zones with a barbecue and sparkling swimming pool. The sweeping sculpted spiral stairwell makes a striking design statement, connecting to the bedrooms and bathrooms on level one. In

the basement, a wine cellar, laundry and theatre room round out the living and utility spaces on offer.

Organic, earthy materials add contemporary style, including warm natural timber, stone and concrete. Nick says the clients’ love of Brazilian architecture underpinned the design and is also highlighted in the home’s connection to the outdoors. “It flowed through the thinking and allowed a design that breathed and took full advantage of the beautiful Sydney climate,” he shares.

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P R OJE C T T E AM ARCHITECT AND INTERIOR DESIGNER DKO Architecture, dko.com.au BUILDER Vervebuild

STRUCTURAL TEAM Structural design Partridge SERVICES Electrical Vesh Electrical Brookvale Home automation Dynalite FURNITURE & FURNISHINGS Furniture and styling Living Edge plus clients’ own Curtains Lovelight

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FIXTURES, FITTINGS & FINISHES Lighting iGuzzini, Inlite, Est Lighting Appliances Miele, Fisher & Paykel Tapware and accessories Brodware Tapware Zip Bathware Kaldewei, Caroma Door hardware Designer Doorware GPO Zetr Stairs Rye Stairs Joinery All Aspects Joinery

Bathroom basins Corian Internal doors All Aspects Joinery Front door Sydney Woodworkers Brookvale Stone Gitani Timber veneer Ventech Interior tiles Di Lorenzo Timber floorboards Tongue n Groove Timber ceiling SupaWood Concrete screed floor and wall finish Alternative Surfaces

BBQ stone Artedomus Battens Covet Window frames Lifestyle Louvres Concrete Universal Concrete Crazy paving Eco Outdoor Stone wall cladding Eco Outdoor Pool pavers Eco Outdoor Pool tiles Surface Gallery

ABOVE There are ample comfortable living spaces indoors BELOW A contemporary bathroom in timeless neutrals packs a visual punch

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Colour Palette Neutrals of concrete, beige, sandstone, grey and stone create a contemporary backdrop for walnut and honey timbers. Pops of blue keep the feeling fresh

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Kitchens & Bathrooms

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CUTTING EDGE DESIGN Make your next kitchen project a breeze

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Founders Anders Lawaetz and Darrell Waters share a love of architecture, design and

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renovation, which is the basis of the successful business they have today. They believe that good kitchens and bathrooms are brought about through a combination of imagination, design and a sense of individuality.

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So if you are in the market for a new kitchen, why not take a trip to the Brookvale showroom to gather inspiration and chat to the team about your dream renovation?

seabreezekitchens.com.au

At Seabreeze Kitchens...

...we specialise in kitchens, bathrooms & joinery By being licensed to manage all trades and keeping all design and production under one roof, we achieve the ultimate time and quality control of every job.

www.seabreezekitchens.com.au

K ITCHEN

A TEXTURAL

Delight The perfect combination of shades and textures P H O T O G R A P H Y A R I N OZ D E M I R O F N I R A C R E AT I V E

W E LOV E THE SEAMLESS PITT COOKING COOKTOP THAT FLOWS INTO THE BENCHTOP

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mploying different textures in the kitchen must be done with care. In this room from Immaculate Kitchens, the team has married multiple elements with outstanding results.

The hero of the space is undoubtedly the hand-routered timber island. It simply begs you to run your fingers across its gently undulating ribbons.

Another element that cries out for your touch is the luxurious natural stone benchtop from CDK Stone. The Super White is the perfect choice, with its definitive lines and polished finish a balanced contrast to the island body.

A true contemporary addition to the kitchen is the brass Qasair® double

rangehood that hangs above the stove, a beacon of modern design in a room that otherwise is quite minimalistic.

The rest of the kitchen knows its job: to let the heroes shine. The matt-black finish of the cabinetry allows the ovens to blend into the background. This helps make the island a clear point of congregation in the room, which is perfect for this family.

Another feature of this space is the small bar area. This enhances the kitchen by making it multi-purpose, with designated work zones ensuring there is clear access to each station — no-one need be underfoot.

Designer Christian and Cara Waters from Immaculate Kitchens. immaculatekitchens.com.au

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Love affair Adhering to the ‘reduce, reuse, recycle’ mantra, this kitchen is full of character

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here’s something inherently loveable about timber elements in a kitchen.

Perhaps it’s the way they connect us to nature and the world outside. Maybe it’s a throwback to days gone by, when cooking with wood was the only way to survive. Whatever the reason, Smith & Smith Kitchens has truly showcased timber in this gorgeous room with impressive results.

Recycled floorboards were used in panelling and hidden doors. A further use of recycled timber is seen in the open shelving located on the back wall of the kitchen. These wooden elements help the room feel connected to the rest of the home thanks to the sloped timber ceiling that stretches overhead.

This recycled style adds warmth to the light industrial design theme present in the space, largely thanks to the Caesarstone concrete benches and the dull black cabinetry. Shakerstyle doors are a nod to the home’s countryside setting and add a balanced contrast in the space.

Functionality was front of mind for the Smith & Smith Kitchens team when designing this room. Walls were moved, creating a new doorway for the walk-in pantry area that opened up the kitchen and allowed better access to the fridge. All walkways were widened to ensure unencumbered mobility throughout, and the ovens were raised into a tower for convenient use.

Designer Lynette Yannakakis from Smith & Smith Kitchens. smithandsmith.com.au

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BAT HROOM

WE LOV E THE SIMPLE YET STYLISH UNDER-COUNTER BASIN FROM GEELONG TILES & BATHWARE

A BATHROOM

Symphony

Black and white never looked so good P H O T O G R A P H Y N I C S T E P H E N S P H OTO G R A P H Y

athroom design should feel like a symphony, with each part working in harmony to create an overall masterpiece that is visually and experientially splendid. That is certainly the case in this room, which features products from Geelong Tiles & Bathware.

The hero of this room is without a doubt the striking reeded glass, which creates a sense of space as it draws the eye up towards the high ceilings. This is perfectly complemented by the bold steelwork that makes a statement with its contemporary framing and the long planter box underneath. Once greenery is added to the space, this will lend a sense of calm to the room.

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This decision to incorporate natural elements was very deliberate. The room is a celebration of nature’s finest, with the Moroccan handmade clay tiles from Geelong Tiles & Bathware adding a real sense of connection with the earth to the space.

The custom-built marble vanity continues this theme and retains the sense of timeless luxury.

This marries perfectly with the white porcelain floor tiles from Geelong Tiles & Bathware, again keeping things simple yet high-end.

Finally, the freestanding bath offers an opulent bathing experience that is music to every luxury lover’s ears. geelongtilesandbathware.com Builder Truform Construction Designer Resident Avenue

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The

Source Get down to the nitty-gritty of the functional elements of your home 149 Doors & Windows 160 Modern Home Security

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T H E S OUR C E DOORS & WINDOWS

OPEN & SHUT With style, innovation and a generous splash of bravura, modern windows and doors are finally coming into their own WO RDS CARR OL BAKER

Pentagon by FMD Architects. Photography

by Derek Swalwell. fmdarchitects.com.au

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hese unsung heroes in home design provide far more than privacy, security and thermal comfort. A door can add a beautiful bespoke design feature to a home, creating a commanding presence as well as defining a designer look. A stunning window can transform an uninspiring space into something quite extraordinary. It can invite in warm and welcoming sunlight, or provide a beautiful frame around a picturesque view.

Statement windows and doors can elevate a home to the next level by tying a look together, and with the right window or door you’ll leave a lasting impression. Robert Parisi from Robert Parisi Architecture + Design says window styles and types have changed over the last few decades. “One of the most significant changes is the extensive use of glazing in homes,” he says. “Most houses are far more open plan than they were several decades ago. There’s a compelling desire to create a strong connection between indoors and out, as well as maximising natural light in interior spaces. Other significant changes include framing styles and material; larger singular pieces of glazing are becoming more common, and in recent years we have seen a resurgence in the use of steel windows that were previously popular in the ‘70s.” Robert says this change is linked to increasing aesthetic appeal. “Finer frames achieve a more minimal look and a more fashionable fenestration,” he says.

There are so many beautiful options when it comes to windows. Generous floor-to-ceiling varieties that capture the light can be stunning. These expansive windows create a feeling of opulence, understated style and luxury. Contemporary bay windows with a window seat create a light-filled space where one can sit and soak up the sunshine from three directions.

Modern clerestory windows not only let in lots of light and promote airflow, they also free up wall space underneath for artworks or shelving.

Window frames are another key consideration. Robert advises selecting window frame types that match or work in with the style of the home. “However, there are a number of factors that may also affect selections, such as the areas of the home they are servicing — for example, living areas that have a strong connectivity to the outdoors,” he says.

Windows and doors can indeed be used to improve the indoor-outdoor connection. Fiona Dunin, director of FMD Architects, says depending on where you live, bifolds shouldn’t always be your go-to when making a decision. “In Victoria, 70 per cent of the time the door will be closed, so it’s not the best solution. A fixed window with a smaller door is a better option,” she says. “In northern NSW or Queensland, 75 per cent of the time a bifold will be open, so it might be a more appropriate choice.”

To invite in more light, opt for windows that have less window frame or, as Fiona describes, “less distractions on the window”. This is where a beautiful fixed window comes into its own. “I always recommend having more fixed window and a smaller glazed door as opposed to having full bifold doors.

When they are closed you get a lot of frame and obstructed views,” she says.

Fiona says they often install a fixed window and a solid openable ventilation panel next to it — this lets in ventilation while the window is only letting in the light. “It works well if you have an incredible view or want to maximise the amount of light in your home,” she shares.

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Image courtesy of Robert Parisi Architecture + Design.

Photography by Tom Ferguson. robertparisi.com.au

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Image courtesy of Rylock Windows & Doors. House designed by Russell Barrett Architects and built by Capelcon. Photography by Anthony Richardson. rylock.com.au Regardless of the statement window you choose, placement is key. Fiona says it’s important to understand the site and where your views are so you can frame them when you position your windows. For example, in a home office you’ll be seated at your desk, so the window needs to be at the right height to capture the views. Fiona says the same applies to the bedroom. “Your view is much lower when lying down than sitting or standing.

Thinking about the function of the interior space where the window will be positioned is critical.”

UNDERSTANDING THERMAL COMFORT Thermal comfort is how your body feels within a specific space such as your home. Does your skin feel warm or cool to the touch? Do you feel comfortable? Windows and doors play a pivotal role in dictating thermal comfort.

Robert says the thermal performance of a building is strongly based on managing the heat loss or gain from outside to inside or vice versa.

“It’s important to balance the glazed component of a building with thermal mass such as solid walls to achieve thermal comfort without being overly dependent on the use of mechanical systems,” he explains. “Generally speaking, glazing is a primary source of heat gain or loss from a building. Large windows and doors help to warm the home in winter, but you may need to block the sun in summer.

“Window systems themselves can be quite influential when it comes to thermal performance due to the use of double glazing and enhanced glazing types such as low-e glass. Double-glazed windows are becoming more and more popular in Australia but in Europe they are pretty much standard, and in some countries they are going as far as triple glazing. With the strong focus on sustainability today, I believe double-glazed window systems will become the new ‘norm’ in Australia too in years to come.”

Image courtesy of Dowell. dowell.com.au

DOORS THAT DAZZLE

Image courtesy of Rylock Windows & Doors. House designed by Green Sheep Collective and built by Bond Building Group.

Photography by Emma Cross. rylock.com.au

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There are many new statement door looks that are wowing the home design industry. New materials, sizes and additional glazing are just the beginning. Debbie Martini from Paarhammer Windows and Doors says there’s plenty to get excited about. “We are seeing larger door sizes and stylish hardware coupled with high energy efficiency and switchable glass,” she says. “The trend is towards low maintenance, which is now possible with timber entrance doors featuring aluminium cladding on the exterior.”

A boldly painted door can add a pop of colour to a neutral colour palette and go a long way to boosting your home’s street appeal. An antique door is a wonderful addition to a home as it tells a story, and sourcing a preloved door from a farflung destination like India or Morocco adds a layer of intrigue.

T H E S OUR C E DOORS & WINDOWS

Ripple House by FMD Architects. Photography

by Peter Bennetts. fmdarchitects.com.au

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TH E SOURCE DOORS & WINDOWS Image courtesy of Duce Timber Windows & Doors. duce.com.au

LOOKING FOR SOMETHING OUT OF THE ORDINARY? Uniquely shaped windows make a confident design statement, so if you are looking for something different, go beyond the rectangular, advises Fiona.

“In one project we designed a sculpted hexagonshaped window over a study desk. It’s striking — the light through that window is beautiful,” she says. “We have done the same with doors — who says doors need to be rectangular? They can certainly have an interesting shape to them as well.”

Windows can be oval, circular, virtually any shape you can imagine. Specialty window shapes create a talking point and in some cases become a timeless architectural feature of a home. A decorative palladian window, a three-part window with an arched portion in the centre flanked by two shorter sections, can look gorgeous. Lancet windows, named because of their resemblance to a lance, are very narrow high windows that become an exterior and interior focal point.

That is where windows and doors differ from other design features of a home — they can be viewed and appreciated both from within a home and its exterior.

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Image courtesy of Urban Front. urbanfront.com

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CUTTING-EDGE TECHNOLOGY New technology coupled with superior glazing properties is allowing more homeowners control over their internal environment. With the addition of beautiful and stylish louvres, you can adjust the amount of sunlight that enters your home, keeping it cooler in summer.

Some of these can be controlled via smart apps if you aren’t home.

Cutting-edge anti-condensation technology in some windows can help minimise condensation. Over time, condensation can contribute to dampness and mould, potentially creating health issues. Unless rectified, it may damage your property.

Advances in next-generation smart windows and doors can enable windows and doors to open and close when necessary. Some can be set to close if movement is detected outdoors, or they can be closed when there is a temperature drop or even smoke from a fire, for example.

THE GOOD WOOD

dowell.com.au

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Timber is timeless and beautiful. Robin Ziejka, business development manager from The Woodworkers Company, says there are five reasons why timber is a good option for windows and doors.

1 Aesthetic appeal. “Timber adds warmth that just can’t be replicated by other materials. Well-constructed timber joinery, made from quality hardwood, will look spectacular in any home and provide a refined, sophisticated ambience that not only feels good, but adds value to your home.”

2 Thermal performance. “Timber is an excellent natural insulator; it’s resistant to condensation and therefore a low thermal conductor.”

3 Maintenance. “Timber doors and windows are relatively easy to maintain. Changing the colour of timber products is as simple as a new coat of paint, while changing the colour of an aluminium door or window usually means a full replacement.”

4 Cost. “Timber doors and windows will most likely cost less in the long-term than other options as you should never have to replace timber if it’s been installed properly and maintained correctly.”

5 Sustainability. “Timber is the largest readily renewable natural resource and its reserves are growing worldwide every year, which helps counteract the increasing levels of greenhouse gases. Timber is one of the few natural building materials; it doesn’t leach chemicals and is completely safe to handle and touch.”

T H E S OUR C E DOORS & WINDOWS

Luxaflex® Duette® Shades

LOVE IS BLINDS Adding the finishing touch to my renovation WO R DS AP RIL OSS I NGTO N

fter we finished the renovation of our kitchen, living and dining area, there was no way we were putting those ugly old curtains back up, so I did a little research into the best window covering for my situation.

Below I talk to Vera Meharg, marketing communications manager at Luxaflex® Window Fashions.

I’ve got a 20-month-old toddler. What is the best window treatment for safety?

When it comes to child safety and window coverings, choose operating systems that don’t have exposed rear cords. It is also important to ensure that when being installed, the window covering operating system is installed at the right height for operation and safety. All Luxaflex Window Fashions are designed with safety in mind and are compliant with the latest ACCC Child Safety Regulations to ensure they are safe for occupants and visitors to the home.

Are motorised roller blinds a good choice in this case?

Or could you make any other suggestions?

Motorised blinds are a good choice because they are the ultimate in child safety and convenience. You can control the blinds through hard-wired or battery systems or ‘Smart Home’ automation systems. There are numerous types of window coverings such as traditional favourites like roller blinds, as well as contemporary Softshades including the Luxaflex exclusive Duette® Shades, Silhouette® Shadings, Pirouette® Shadings and Luminette® Privacy Sheers that can be motorised. The choice of window covering depends on your requirements and that is why it is best to get some advice from a Luxaflex dealer to guide you through the process.

My house is an existing build with no smart system installed. We have the Amazon Echo Show with Alexa — can it be connected?

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Luxaflex® Roller Blinds

Our innovative wireless system called PowerView® acts as an intelligent automation solution for your window shades, allowing you to create a whole-home connected experience. It can integrate with Amazon® Alexa® and Google® Assist. It can also connect to Siri® from Apple with the Apple HomeKit®.

What are the different types of motorisation?

Apart from PowerView® as mentioned above, we have QMotion®, which can power Luxaflex Roller Blinds and is remarkably quiet. It is smooth, virtually silent and completely cordless. Luxaflex Roller Blinds with QMotion ZigBee Technology is the answer to integrating QMotion into Control4™ automation systems. The QMotion

ZigBee motor communicates natively with Control4, which means no additional accessories are required for direct wireless communication.

What are some other motorised solutions?

Other options include Merger® motors (Merger Remote, Merger Integrated Lithium Battery, Merger Switch or Merger Remote 37) or the premium European motor solutions from Somfy (Somfy® Remote or Somfy® Switch).

Do they require an electrician?

Any motorisation family that uses AC 240V motors will require an electrician. The low-voltage DC motors and the lithium rechargeable motors do not require an electrician.

Luxaflex® Duette® Shades

Luxaflex® PolySatin® Shutters

What are the main benefits of motorisation?

The main benefits of motorisation are that it is hands-free and child-safe. It’s the possibility of enjoying the beauty of technology just with the tap of a button through the smart devices or even with voice commands. It’s the perfect way to make life easier with cost-efficient motorised solutions.

Which of your shutters are available motorised?

We offer PowerView® PolySatin® shutters with a patented design for coupling panels, with the motor hidden inside the rail (thanks to its hollow extrusion), and one motor can operate two panels at the same time. The operation is for tilting the louvres. If divider rails are required, each bank of louvres will have an individual motor, which means independent operation and optimal light control.

This Motor is DC low voltage and powers up with a battery wand requiring eight AA batteries. Battery life in normal usage is around six months without changing batteries and no electrician is required. luxaflex.com.au

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S P O N SOR E D P R OD UC T

CREATE A LASTING IMPRESSION Make your home stand out from the crowd and choose something bold and impressive when it comes to windows and doors

S

ometimes a Grand Designs-style house calls for custom-made windows, doors and timber products — something with high impact, out of the ordinary, aesthetically appealing and built to last.

A Queensland-based family business in operation for more than 87 years, Duce Timber Windows & Doors specialises in the production of bespoke, custom-made timber doors, timber windows and other feature timber products including high-end gates.

As a market leader in detailed joinery, Duce is often the first choice for leading architects, builders and homeowners in eastern Australia.

Duce’s skilled craftsmen use state-ofthe-art machinery to produce the most stunning timber windows and doors, and the experienced in-house designers and engineer can design just about anything.

The team custom-make every order, creating a completely unique product every time. Catering for many premier buildings and residences, Duce is passionate about creating unique, innovative, contemporary or traditional designs of the finest quality.

All Duce products are Australian-made, using a variety of hand-selected timbers, manufactured to last a lifetime. Aside from the aesthetic appeal timber doors and

windows boast, the company’s in-house production and engineer enable the production of oversized products (truly only limited by imagination) which can be used in home designs to create huge openings, resulting in immersive indoor/ outdoor living environments. Despite this design flexibility, the team is still able to ensure quality and avoid unwanted product failures.

So if you are embarking on a grand design, make sure to consider Duce when it comes to windows, doors or feature timber products so you can create something truly unique. duce.com.au

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Safe HOUSE With uber-savvy technology you can access anytime, anywhere, modern security is ramping up home safety like never before WO R DS CA R RO L BA K ER

f we’ve learned anything from the last 12 months it’s that the world can change in a heartbeat. In the grips of a global pandemic we were told to stay home, stay safe. Your home should be a safe place, a calming oasis where you can leave the stresses and pressures of modernday living behind. But some homes aren’t as secure as they could be, leaving those who live there vulnerable.

According to Australian Bureau of Statistics data, in 2019 to 2020, 238,100 homes experienced a break-in. Keeping your most valuable assets — your home and those within it — safe and secure begins with an assessment of your security needs. Home security systems have become far more streamlined in recent years, with many more flexible options on offer. The concept of home security is made up of many different components that combine to reduce the risk of unwanted intruders in your home.

To improve home security, there are DIY options to which you can add modules as your needs change. Alternatively, you can pay for a home security automation system subscription

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T H E S OUR CE MODERN HOME SECURITY Image courtesy of Urban Front. urbanfront.com

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THE SOU RCE MODERN HOME SECURITY LEFT Image courtesy of Norsu Interiors. norsu.com.au BELOW Photography by Neshom. pixabay.com OPPOSITE urbanfront.com

and have an external company monitor it. If it’s breached, they’ll alert the authorities. Another option is a fully professionally installed and monitored system, which will cost more.

For DIY options, a simple system can link to your Wi-Fi network, allowing you to monitor security aspects using smart technology and an app. For example, home hubs like Google Nest and Amazon Echo are making the job a lot easier to not only monitor and control home security, but to make the network more reliable from anywhere in your house. With Google Nest Hub the technology forms a mesh network, which is a group of devices (called points) that act like a single Wi-Fi network. It’s not just a single router that your laptop and phone can access, but a series of points that talk to each other. Just download the app, plug in the Nest Wi-Fi router, set up a Nest Wi-Fi point and you’re good to go.

Nest Detect can sense when windows and doors are opening and closing, or when someone walks past. It tells Nest Guard to sound an alarm and it can also send a notification to your phone so you can be made aware of what’s happening at your house even when you aren’t there. It can be adjusted so that if a pet walks past it won’t set off an alarm. Smart security systems can also make the lights go on if motion is detected, and you might have a camera that starts to record the action.

If you opt for a security company to take care of your needs, companies like Chubb allow you to connect the systems on the one platform. The Chubb UltraSync SmartHome Security Starter Kit includes a ZeroWire control panel with wireless mobile communicator and Z-Wave controller built in (this is a wireless communication protocol for home automation). You build the system you need by adding wireless security devices, cameras and other automation devices like lighting and door locks. The system can be controlled by an app and you can choose app-only monitoring or 24/7 professional monitoring.

Other aspects of home automation, like being able to program the lights to go on and off or the blinds to go up and down at specific times, certainly makes life easier while you are home. But it also acts as another line of defence against intruders if you are away on holiday; if blinds open and close and lights go on and off, it appears as if someone is home.

Smart security systems also work with other applications that can protect your home against environmental factors that might potentially damage your property or harm those within it. For example, you can create a smart system that incorporates not only motion sensors but smoke detectors, not to mention alerts to notify you when there is a water or gas leak.

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Image courtesy of Garden Trading. gardentrading.co.uk

Image courtesy of Beacon Lighting. beaconlighting.com.au

SAFETY AT HOME IS UP TO EVERYONE According to YourHome, Australia’s guide to environmentally sustainable homes, there are some key components that serve as deterrents. The first is territoriality. In shared accommodation spaces like apartments, residents should feel as though hallways and elevators belong to them so there is that sense of ownership. Natural surveillance is also key and should be part of the way we live. Another aspect is what is known in police and security circles as “target hardening”.

This means making access more difficult through the use of security measures like locks.

Ben Hosking, operations manager from Panoptic Solutions Risk Assessment, says home security is something we should all be taking responsibility for. “It begins with identifying all entry and access points — whether that’s the external perimeter or the internal perimeter — so you need to assess any point someone could gain access to that poses a potential risk to your family or property,” he says. This means identifying threats and risks. Are you are failing to regularly lock your doors and secure your windows, or pull the blinds so opportunistic thieves can’t see what’s inside your home?

Ben suggests getting into a routine. For example, when you go to bed, ensure the front door is locked. “Discipline and routine are the first layers of defence,” he says. It’s a very simple one that people overlook because they are at ease in their own environment — which of course they should be — but you can’t let your guard down when it comes to security.

The next step is making it more challenging to gain access to domestic property by updating old locks. “Older-style deadbolt locks can be defeated with something as simple as a cut-out from a milk

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beaconlighting.com.au

T H E S OUR CE MODERN HOME SECURITY

Image courtesy of Arlo. arlo.com.au

“IT BEGINS WITH IDENTIFYING ALL ENTRY AND ACCESS POINTS — WHETHER THAT’S THE EXTERNAL PERIMETER OR THE INTERNAL PERIMETER — SO YOU NEED TO ASSESS ANY POINT SOMEONE COULD GAIN ACCESS TO THAT POSES A POTENTIAL RISK TO YOUR FAMILY OR PROPERTY” — BEN HOSKING

Photography by Sebastian Scholz Nuki. unsplash.com

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THE SOU RCE MODERN HOME SECURITY Images on this page courtesy of Rio Sound and Vision. rio.com.au

carton,” says Ben. “Look more towards a double-barreled system, like Lockwood 530 or 930 systems with a double locking mechanism.

Not only does it lock through with the barrel, it locks through with the key. If you are looking at fortifying your property, security screens are also a good deterrent and these days you can get some amazing architecturally designed products.”

Modern automated gates are another security feature. There’s a plethora of styles available that can be custom-designed to suit your home. Ben suggests that if you aren’t sure what you need, it pays to put yourself in the hands of experts. “If you’re looking at entering the market and upgrading your level of security in a domestic setting, have a good conversation with a high-quality locksmith for ideas,” he says.

Ben adds that although security cameras are another good option to keep an eye on your property, they’re more for the convenience of telling you who is coming to your door. “For a full system of security, outside of points of access, nothing will beat a fully integrated CCTV system with back-to-base monitoring,” he says. “Top of the range is a qualified A1grade back-to-base CCTV monitoring company where all of their data is backed up and stored correctly in line with security industry standards,” he points out.

Ben says prices vary substantially. “You can get a single camera for $200 and have it installed, or a full suite of security that can cost $5000 and then you have a monthly fee for your A1 monitoring too,” he says.

ADDED BENEFITS OF HAVING A SECURITY SYSTEM Of course, a security system is about protecting property and people and giving you peace of mind. But there are also other benefits you might not have thought of. With an alarm system you could end up paying less on your insurance premiums, which is a definite bonus. It can also help you to keep tabs on the kids (no more sneaking out after curfew), your pets (you’ll discover how Fido manages to escape!) and check in when needed with elderly or unwell family members.

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COMPLETEHOME

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B E GI N your renovation, no matter how big or small

S ca n here to check it out

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Outdoors

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Photography Claire Takacs

Exceptional outdoor design and landscaping

OUT D OOR S CAMBERWELL 2

PAST TO PRESENT

Sympathetically designed gardens embrace this heritage home, blending the old with the new WO R D S K A R E N B O OT H P H O T O G R A P H Y C L A I R E TA K AC S

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uilt at the turn of the last century, this two-storey home in the Melbourne suburb of Camberwell doesn’t just brim with period charm, it’s of grander scale than most of its peers. Fortuitously, the home sits in grounds of equally impressive size, providing the owners with abundant space to unwind, entertain or simply relax and appreciate the beauty of the sensitively landscaped surrounds.

The existing gardens had much to recommend them, including a host of well-established trees, but they didn’t really suit the lifestyle needs of the family, nor frame the home in the best way possible. Ian Barker Gardens accepted the near-sacred mission of forging an effortless connection between the old and the new, and giving the heritage property a modern, but wholly respectful, spin.

“Given the size of the project, we were able to have fun creating distinct pockets in the garden that were entirely different from each other. The challenge, however, was to make sure all elements came together to form a cohesive landscape,” says Ian Barker, director of Ian Barker Gardens. “It’s a real balancing act blending the old with the new, but when done well it can be breathtaking.”

The brief was wide-ranging and the spaces in need of reinvention or rejuvenation many.

The design team was charged with creating a spectacular entrance garden, woodland garden and side lawn garden. Then there was a courtyard and a family-friendly pool area to create — and as for the rear garden which wrapped around the existing tennis court, it required a major re-think.

The homeowners love nothing more than spending time with their extended family and in this respect, they frequently entertain outdoors.

At least every week or so they host gatherings that can number 30 or more, and this informed many of the decisions made by the designers.

While the owners were happy to take the design team’s lead, they did have a few things they considered imperative. One was a large pool with welcoming surrounds, another was a play area for the younger members of the clan.

Creating spaces into which people could retreat when they wanted some private time was on the list of essentials, along with a shady area where people could relax under the canopy of trees, and a kitchen garden to provide fresh ingredients for all those alfresco family meals.

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The new pool area is a contemporary space designed for the extended family to enjoy

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OUTDOORS CAMBERWELL 2

ABOVE The well-considered planting palette, which brims with perennials, frames the home to perfection The owners gave the design team carte blanche. “Our clients were brilliant. They put their complete trust in us and allowed us to really immerse ourselves in the design,” says Ian. “We see trust as two-sided. When the designer and the client trust each other, amazing things can happen.”

Ian Barker Gardens is known for its inspired planting palettes, in particular its use of perennials. Here, a diverse array of perennials, among their numbers Helenium ‘Mahogany’, Agastache ‘Sweet Lili’, Echinops ‘Taplow Blue’ and Calamagrostis ‘Karl Foerster’, are the stars of the show. They contribute splashes of seasonal colour and soften the lines of the house and the hardscaping elements, such as the paving.

As for the paving, the design team chose bluestone crazy paving to harmonise with the existing bluestone elements. This they supplemented with textured mottled granite,

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RIGHT The outdoor spaces that embrace the home combine modern elements with period charm which added interest and a modern touch.

Both types of stone appear throughout the grounds, creating a sense of cohesion.

Among the seemingly random, although carefully considered, placement of bluestone paving, stacked bluestone benches were built, acting as a place to sit and an architectural feature. But the most striking — and surprising — feature is a Corten steel doorway that marks a transition point in the grounds and brings the design very squarely into the 21st century.

To resolve the level issues between the lawn, pool and tennis court, steps were introduced and the lawn area was given much-needed structure with a retaining wall built of red brick to match the house.

The construction of an entertaining area was a major part of the project and it was set on the same level as the tennis court.

The entertaining area provides for every possible need. There is an outdoor kitchen with a pizza oven and separate areas for dining and lounging, the latter featuring an in-built fireplace. Although sympathetically designed to marry in with the heritage home, this is a contemporary space, as is the pool area with its buffed concrete benches and tiled negative-edge pool wall.

Uppermost in the design team’s mind was ensuring that any new elements would complement and enhance the architecture of the home, and on this count they exceeded expectations. Ian, who describes working on this project as “a true pleasure”, has, with the help of his team, created for the family a series of sympathetically designed garden spaces that will bring them many years of joy. landscape.net.au

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01

PRODUCT AND SERVICE

Review 174

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01/ HERITAGE HERO Introducing Mr Tall, Dark and Handsome. He’s your Heritage Hero, or your Modern Muse — the newest addition to Escea’s versatile DF Series.

Towering over the rest, the DF990 fireplace is a perfect fit for the grand ceilings found in heritage homes, with a sleek sophistication that complements any modern interior. escea.com/DF990

S H OP P I N G HOT PRODUCTS

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02/ ARTIST TO WATCH: KONSTANTINA

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Konstantina is the contemporary indigenous artist making a big splash in the art scene as she re-imagines the traditions of her people’s dot painters while providing a modern narrative for all Australians to better understand First Nations People. “The Raining Series of works are as viewed from my place in bed, whilst pondering motherhood, womanhood and what it’s like to be a woman. Many mothers feel a stronger connection to country and culture after the birth of a child, and for me this is absolutely the case,” explains Konstantina. artloversaustralia.com.au/artist/kate-constantine

03/ RECLINE IN STYLE The 4050 Azure sofa along with the 7051 Azure chair are available in a variety of sizes and configurations, all with the option of either motorised or manual recliner mechanisms. Motor options include separate control of the footrest, back and headrest, with “Heart Balance” availability in some sofas. Lift and rise options are also available with all three chair sizes. Himolla offers the largest and most technically advanced selection of recliner furniture in the world. Every design is custommade in Germany to your choice of size, functionality and finish to ensure superb comfort and fit every time. To explore the range today and find your nearest stockist, visit the website. himolla.com/au

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SHOPPIN G HOT PRODUCTS 04/ MUSIC MAGIC The Magico S7 floor-standing loudspeaker is an audiophile’s dream. The S7 houses three 10-inch bass drivers that have extremely powerful magnets and ultra-stiff aluminium cones that are capable of producing deep, powerful bass frequencies with speed and accuracy. The excursion rate of the voice coil is measured at 15mm linear movement and produces clean and undistorted sound pressure levels up to 120dB @ 50Hz / 1m. Towering over other S-Series models, the S7 is a fullrange, three-way loudspeaker that incorporates new tweeter, midrange and bass driver designs that are derived from the engineering triumphs in the M-Pro loudspeaker. hiendaudio.com.au

05/ IN THE DOG HOUSE The Dog Room is a beautiful collaboration with Michael Ong and Pen, made from a hand-welded aluminium frame and panels that slot together to achieve a form that strikes the perfect balance between traditional design elements and modern aesthetics. The Dog Room is manufactured in Australia through a social enterprise partnership with HELP Enterprises. HELP seeks to provide training and employment for people with disabilities. The Dog Room is made with responsibly sourced marine ply and is available in two sizes: one for small-to-medium dogs (RRP$704) and one for medium-to-large dogs (RRP$814). madebypen.com

06/ THE PITS

04

Warm up next to the fire, grill up some grub with friends, and take advantage of the unique taste and beneficial qualities of cast-iron cooking with the Hergom firepit. The customisable firepit allows you to choose either open grill or solid griddle quarters made from solid cast iron and finished with a durable food-grade enamel coating. The griddle is a flat cast-iron surface and provides the versatility of a cast-iron frying pan with wood-fired flavour. Easy to use and clean, the firepit, cooking rings and base are constructed from solid cast iron, which boasts outstanding heat conduction. castworks.com.au

05

06

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07/ TRIPLE-GLAZED GLORY With triple-glazed windows you can reduce cooling and heating requirements by around 50 per cent compared to using far less energyefficient single glazing. Three panes of glass are separated by two spaces filled with air or argon gas and combined with airtight framing to achieve high performance. Highly energy efficient and suitable for Passive House constructions, Paarhammer windows and doors are custommade in Australia to your specifications, and feature German hardware and multi-point locking for superior security and to reduce draughts.

Enjoy year-round comfort with a consistent indoor temperature, and reduced heating and cooling costs, with Paarhammer Windows & Doors. paarhammer.com.au

08

08/ BEHOLD THE BILD V The exquisite Loewe Bild V TV offers a viewing experience like no other. Combining elegance, tradition and performance, Bild V boasts the latest technology and a 4K OLED panel with HDR10, HLG and Dolby Vision™ to ensure maximum enjoyment. German engineering underpins the superior performance customers have come to expect from Loewe. With its basalt-coloured fabric cover that blends perfectly into the living environment, Bild V does not disappoint. Built-in OLED technology provides bright and natural colours for perfect contrast — from deepest black to pure white — and detailed sharpness even in very fast movements. LOEWE is available at all authorised LOEWE specialist stores, David Jones and The Good Guys. loewe.tv/au

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E XPERT ADVIC E ARCHITECTURE

01

01/ A hut made of mud and sticks overlooks mountains in rural Lesotho. Image courtesy of Getty Images 02/ Palais de Tokyo.

Image courtesy of pritzkerprize.com

THE ART OF

doing nothing Architecture must always be humane but not always heroic. Indeed, to be humble and holistic is now the greatest accolade WO R D S P E T E C O LQ U H O U N

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his year the Pritzker Prize, arguably the most prestigious award for architecture, went to Anne Lacaton and Jean-Philippe Vassal. The French-based firm has a design philosophy that is to first do nothing, effectively putting more value on the existing than building new. It’s a sustainable approach to design that understands the building industry is one of the biggest polluters on earth. If the cement industry alone was a country, it would be the third largest carbon dioxide emitter behind China and the US. The current thinking is, if it’s already standing, you’d better have a bloody good reason to tear it down and rebuild it. New stadium, anyone? The first question is: “Can it be re-used?”

The attitude that all buildings have inherent value must be understood and ideally preserved. Allow me to hand you over to this year’s laureates, whose path to the Pritzker started in the deserts of Niger, West Africa.

Here the couple was profoundly influenced by the beauty and humility of sparing resources, coming up with simple solutions within desert landscapes. “Niger is one of the poorest countries in the world, and the people are so incredible, so generous, doing nearly everything with nothing, finding resources all the time, but with optimism, full of poetry and inventiveness,” says Jean-Philippe.

02

These leading architects started out literally making straw huts from bush and branches.

They vowed to never demolish what could be redeemed, instead making sustainable what already exists.

Australia’s very own Pritzker winner was Glenn Murcutt, awarded the honour in 2002. Murcutt’s citation a generation ago acknowledges similar themes. “(Murcutt’s) houses are fine-tuned to the land and the weather. He uses a variety of materials, from metal and wood to glass, stone, brick and concrete, always selected with the consciousness of the amount of energy it took to produce the materials in the first place. He used light, water, wind, the sun, the moon in working out the details of how a house will work, how it will respond to its environment. His structures

are said to float above the landscape, or in the words of the Aboriginal people of Western Australia, they ‘touch the earth lightly’.” — Pritzker jury 2002.

With increasing extreme weather events in conjunction with the need for more economical and social housing, sustainability in the urban landscape means re-using.

Says Anne: “The pre-existing has value if you take the time and effort to look at it carefully. In fact, it’s a question of observation, of approaching a place with fresh eyes, attention and precision… to understand the values and the lacks and to see how we can change the situation while keeping all the values of what is already there.”

The lesson here is to re-examine sustainability with a new reverence for pre-existing structures, understanding that preservation goes beyond keeping something because it’s a good example of a particular style. Instead, look to preserve because inherently the bones are good and with simple, economical interventions, improvements and additions can be made. Dare I say it — not so much “Grand Design” but the appreciation of beautiful “bland design” where aesthetics are judged not by heroics but humility and an underlying principle of re-use. Creating simple spaces that limit economic pain and environmental strain.

A valuable and timely lesson from those leading the world of design.

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EX PERT ADVI C E BUILDING

clean energy revolution is burgeoning around the world in response to the looming threat of climate change. More and more countries are moving away from fossil fuels like petroleum, coal and natural gas, towards renewable energy sources.

WHAT IS RENEWABLE ENERGY? Renewable energy is a natural energy source that is virtually inexhaustible. This includes solar, wind, hydropower, ocean and geothermal pressure. In Australia, the use of renewable energy has been on the rise since the 1970s but has shot up over the last decade. Solar, wind and hydropower now account for 21 per cent of Australia’s total energy consumption. That number is expected to double or even triple in the next 20 years.

Solar generation jumped to two per cent of all Australian electricty generation between 2016 and 2019 — an increase of 825 per cent — while wind remains the main renewable source at seven per cent. On the other hand, hydropower generation levels have declined since Australia began to diversify its energy sources.

Despite the growth of the renewable sector, Australia still relies on fossil fuels for most of its energy needs, making it one of the biggest contributors to greenhouse gas (GHG) emissions in the world. Nonetheless, the positive shift towards renewables suggests Australia is on the verge of a renewable energy revolution.

HERE ARE A FEW REASONS WHY AUSTRALIA SHOULD TRANSITION TO RENEWABLE ENERGY: It will cut down on carbon emissions Coal accounts for 56 per cent of total energy generation in Australia. The country is also one of the leading exporters of fossil fuels behind oil-rich countries like Saudi Arabia and Russia.

Climate experts are certain that transitioning to renewable energy would decrease Australia’s carbon footprint drastically in line with its Paris climate goals.

Renewable ENERGY RE VOLUTION Clean energy for the win WO R D S C H R I S K N I E R I M P H O T O G R A P H Y G E T T Y I M AG E S

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It’s cheaper and readily available Australia boasts of having the highest solar radiation on any continent (around 58 million PJ) and some of the best wind resources in the world.

Taking advantage of these abundant natural resources can allow a smooth transition to renewable energy. In addition, solar photovoltaic and wind energy sources are significantly cheaper than coal due to growing investment in the renewable energy sector, the dramatic fall in prices of renewables and rising international costs of coal.

It will lead to economic growth A 2016 report from the Climate Council suggests Australia will create 28,000 jobs if it adopts 50 per cent renewables by 2030. This will compensate for losses in the coal industry and add surplus jobs to the economy.

It will improve public health According to Environmental Justice Australia, almost 5000 Australians die annually from air pollution caused by fossil fuels which release toxic gases like nitrous oxide, methane and other particulate matter. Thousands more are left to battle cardiovascular diseases like stroke and respiratory conditions such as asthma. Adopting renewables will get rid of this problem.

CHALLENGES IN TRANSITIONING TO RENEWABLE ENERGY Regardless of the overwhelming benefits, renewables face many barriers. As such, many countries like Australia have been slow to adopt them.

These are some of the major hindrances: Costs The biggest barrier impeding the growth of renewables is cost, specifically upfront capital costs. Installation of solar and wind farms is more expensive compared to traditional energy sources. However, renewable projects have significantly lower operating and maintenance costs. Nonetheless, financial institutions view such projects as risky, which discourages investment in the sector. The federal and state governments can provide financial assistance in terms of subsidies and tax breaks.

Intermittency Reliability is often cited as one of the hurdles of renewable energy. Wind and solar sources are reliant on weather patterns. However, expansion of wind and solar farms combined with complementary energy sources like geothermal energy could ensure a steady supply of electricity. Additionally, the integration of advanced battery storage in the grid network can preserve excess power and meet fluctuating demand.

Transmission Electricity is often moved from distant rural locations with higher solar and wind capacities to concentrated urban areas. This poses transmission problems. Developers bear the brunt of the cost, which makes the

transition to renewable energy more challenging. State and institutional funding is needed to increase distribution infrastructure in order to create more stable networks.

The threat of climate change is imminent and our stock of natural resources is running out. If we don’t switch to renewables, we’ll continue heating the planet and face the consequences, some of which we are already battling today including prolonged drought, uncontrollable wildfires, rising sea levels, coral bleaching and severe heat waves.

The big question is not whether we should transition to renewable energy,

but how fast we can adopt it and what we can do to mitigate the costs of decoupling our economy from fossil fuel sources. The government can play a major role by implementing bold policies, incentivising investment and upgrading renewable infrastructure. In the end, it will be a win-win situation for Australians and our planet.

Chris Knierim is an international award-winning designer and builder. He is the national president of the Building Designers Association of Australia and sits on the board of the Australian Design Alliance. codegreen.com.au

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EX PERT ADVI C E ASK OUR ARCHITECT

Ask Our Architect Editor-at-Large Peter Maddison answers your questions

Q

My grandmother is 83 and still wants to build her dream home. What advice would you give her and what are the key items we can incorporate to future-proof the design? This will be her last home. The land she has is on the NSW coast and is modest in size (600sqm) in the centre of Kiama My advice is that if your mother has the resources and inclination, it’s never too late to build. It’s exciting! If it were my mum I’d make sure it is wheelchair- and walking frame-friendly, has no bumps or steps in the floor, and has a spare self-contained room for a carer or relative. It’s also a chance to downscale, because at her age, maintaining a big house is a liability.

A

Q

Having been around the world and visited the UK with Kevin McCloud, you must have an opinion about the best construction method for housing. We are about to add a large extension onto our Hobart terrace, and given the climate is similar to the UK, we wondered if it should be brick veneer, solid brick or some other material.

If there was a one size fits all in the construction industry, I’d be a wealthy man. Knowing Tasmania, and having watched many houses being built there, the three things I can suggest are insulation, insulation, insulation. You may also consider installing a heat recovery system. (There’s a good explanation of this on Wikipedia.) Tasmania is probably the only state where heat recovery makes sense. The other tip I could provide is that terrace houses generally have poor eave overhangs.

If there is an opportunity to design into your scheme a covered outdoor area at the back of your property, it would deliver a better complement to the terrace model.

A

Q

We have a Labrador who is literally one of the family, but we are struggling with the wear and tear he is inflicting on our house. How do you incorporate design features into an urban home to minimise a dog’s impact? PS. We are actually considering getting a second dog!

There are five things you could do to live with your canine friend/s: First, ensure the dog/s learn to sleep outdoors.

Second, a comfortable, wind-protected bed is important, plus an undercover area the dog/s can walk around and under if the weather is hot or raining.

Third, I would put heavy-duty flywire (Crimsafe or similar) on any flywire doors as dogs can’t help but tap them with their sharp paws.

Fourth, and the most expensive suggestion, install a central vacuum system with skirting ducts. These are a revelation for dealing easily with dog hair. Alternatively, get a dog that doesn’t moult!

Last, a comfortable bed inside the house is a godsend because a dog identifies with this as the place to go, as opposed to your bed, couch or favourite expensive imported handmade Persian rug that was handed down to you by your grandma.

A

King Island Whale Tail House from Grand Designs Australia Series 4 Episode 9

Q

We’re planning to sell our house soon and are obviously keen to maximise its potential appeal to a prospective buyer. Do you have any thoughts on how we might make an inexpensive upgrade to our kitchen? It’s in reasonable condition but looks a bit dated. We have less than $10,000 to allocate to this — is it worth trying with this budget?

With that budget you have one alternative. IKEA makes premade kitchens that are fully fitted and are able to be assembled by a reasonable handyman. You can do the demolition of the existing conditions yourself and the only trades you will need are electrical, plumbing and a bit of carpentry. Once installed, you can start saving up for your bespoke, architect-designed version.

A

Q&A — Need Peter ’s Help?

Email your queries to homedesign@umco.com.au

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Index

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Alexandria Tiles...............................................................35 Alpha Lighting................................................................. 83 Arisit...............................................................................14, 113 Backyard Cabins............................................................65 Castworks ......................................................................... 37 CDK Stone ...................................................................... 145 ComfortHeat.................................................................... 33 Cork Imports Australia ................................................ 12 Cosh Living ..........................................................................4 Duce.........................................................................................6 Espresso Co.......................................................................47 Geraldton Brick ............................................................. 25 Harvey Norman Bathrooms.....................................20 Hedger Constructions.................................................10 Herschel ............................................................................. 69 Hettich...................................................................................71

Himolla ..............................................................................IFC Intrim Mouldings............................................................ 57 Jetmaster ..............................................................................8 Liebherr............................................................................... 23 LOEWE......................................................................27, IBC Lux Marble....................................................................... 125 Made by Pen ....................................................................55 Paarhammer .................................................................. 155 Parkwood............................................................................ 61 Rylock Windows & Doors .......................................... 29 Seabreeze..........................................................................141 Schots Home Emporium............................................ 16 Stoke Fireplace Studio...........................................OBC The Woodworkers Co ................................................. 18 Wallpaper Direct............................................................. 31

Photography Rhiannon Slatter

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