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EDITOR’S LETTER

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Your daily renovation and design goals @insideoutmag

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Eliza O’Hare EDITOR / FOLLOW ME @ELIZA_OH

6 | INSIDE OUT

PHOTOGRAPHY: KRISTINA SOLJO. ELIZA IS WEARING BASSIKE, BASSIKE.COM. HAIR & MAKE-UP: ELSA MORGAN. SHOT ON LOCATION AT IN BED, PADDINGTON, NSW

s I write this Editor’s Letter I’m working from my dining table at home, while the rest of the Inside Out team is scattered across the city putting this issue together from theirs. It’s strange – the world is in shutdown but I am totally amazed at the spikes of kindness appearing all around. There are Facebook groups popping up to identify people in the community who need food and medicine delivered by volunteers, neighbours checking in on each others’ toilet-paper situations, and families who are determined to see this time as positive. It may be enforced, but there is something lovely about staying home, spending time together, cooking and eating and enriching the homes we live in. Now is the perfect time to sow a kitchen garden, finish the back deck or paint the front room so that, when this all passes, we will have more to love about our homes than ever. After all, a house is never really finished, is it? Need ideas? We have plenty: a gorgeous brunch plan, sure-fire decorating tricks from our favourite designers, and pages of newly renovated homes. But what has me most excited is the story on p44 (Deep Impact), a celebration of the new maximalism – the antidote to minimalism – where we throw everything we’ve got at a room to fill it with colour and texture and fabric. It’s an explosion of stylish positivity, which is just what the world needs this month. Stay home and make it beautiful x

Be inspired by our curated moodboards @insideoutpins

contents

April 2020 the cut 13 14 16 18 20 22 23 24

50 RELAX FACTOR Armed with a considered $200,000 budget,

THE CUT Ancient Greece inspired the new collection of

standalone pieces from L&M Home NEWS Our round-up of the hottest design finds plus places to check out, things to try and pieces to buy BEST BUYS: THROWS Unfolding looks for bed or sofa PERFECT PAIRS The right mirror and dresser combination can really set you up for the day ahead DESIGN PROFILE: HUNTER AMOS At the age of 18, the Byron Bay artist is making waves with his distinctive work STYLE TREND Wonderful wabi-sabi treats COLOUR TREND It’s all here in black and white MASTERCLASS: TOM DIXON The iconic UK designer talks about his role in a new Melbourne residential development, and offers insights into his creative genius THE GETTING OF WISDOM Leading designers Tamsin Johnson, Léo Terrando, Romaine Alwill, Nicole Rosenberg and Simone Haag share some secrets of their success CULT CLASSIC Design writer David Harrison casts his expert eye over the PH5 pendant and Normann Copenhagen’s Ikono design

60 68 78

104 110

inside: homes & renovation

114

44 DEEP IMPACT This month’s decorating special encourages you

116

to explore maximalism by creating unlimited interior interest with layers of visual and tactile texture and accessories

117 118

Sydney interior designer Kristy McGregor practices what she preaches in the renovation of her family’s beach-suburb home COLOUR CRAZE Designer Jacinta Woods pushed the boundaries of colour and style way out in her stunning Sydney semi DESERT HAUS A long-time fan of passive housing dedicates years of research to building his dream house in Perth’s Scarborough TRAVEL LIGHT Mediterranean magic relocates to a shack on Queensland’s Sunshine Coast after a two-year renovation by its well-travelled, limewash-loving owners SINGULAR SENSATION Famed for developing luxury brand identities, Paris-based creative Jean-Christophe Aumas applies his genius to a grand basement apartment DETAIL DRIVEN A Melbourne medical couple revive their Federation worker’s cottage with the help of a well-connected builder neighbour and careful planning BUYER’S GUIDE: CARPETS Jump feet-first into the world of floorcoverings and discover what’s hot in carpet and why DECORATE LIKE A PRO Shannon Vos reveals his no-fail game plan for any job, regardless of size, complexity and budget I’VE ALWAYS WANTED… A WALK-IN ROBE Give your clothes and shoes the surroundings they deserve in five easy steps KITCHEN NEWS Nice things for your prep space BEDROOM NEWS Bedroom beauties you can order online ASK AN EXPERT You have the problems, we have the answers

22 104 This month Soft furnishings are more important than ever so reassess your nest and layer up in style!

131 68 out: gardens, entertaining & travel 121 FAN CLUB Hats off to this tiny garden in Sydney’s east, which

does an awesome impression of a tranquil tropical paradise 128 CONSCIOUS LIVING Melbourne landscape designer Phillip Withers leads the way in water-free gardening 131 PICK OF THE BRUNCH A beautiful autumn day and a special menu — what could be better? 140 ULURU Australia’s Red Heart at its breathtaking best

regulars 12, 96 & 120 SUBSCRIPTION OFFERS Spoil Mum with a magazine

subscription and you could win pampering beauty treatments 146 LAST WORD Matteo Downtown serves up Italian style

on the cover 13 16 26 44 104 114 128 131

Time To Settle In And Embrace Your Place Purchase With Joy: Delicious Rugs, Graphic Black & White Pieces, Luxurious Throws And A Little Bit Of Wabi-Sabi Smart Rooms By Smart Designers Plus All Their Tricks The New Maximalist: Crushing On Rooms Bursting With Colour, Texture And Layers Carpet Dreams: The Pile, The Cut, The Colours A Walk-In Robe? Yes, Please! Tips For Gorgeous Water-Free Gardens Brunch Is Back! Stay Home And Make It Special

121 our cover look “The location was love at first sight, but the house needed a huge amount of vision,” admits Kristy McGregor of the task she and husband James faced in renovating their family’s Sydney home. Not a problem for interior designer Kristy, who applied all her skills and talent to the job. The result is a relaxed beachy look that everyone feels comfortable with. See more on page 50.

Photography: Maree Homer Styling: Kerrie-Ann Jones

This home embraces seamless indoor-outdoor living in clever ways MOST TAPPED THIS MONTH

EDITORIAL EDITOR Eliza O’Hare CREATIVE DIRECTOR Mia Daminato HOMES GROUP COORDINATOR Matilda Ringrose

ART & STYLE ART DIRECTORS Josie Smith, Katrina Yaxley JUNIOR DESIGNER Sophie Wilson IMAGE RETOUCHER Matus Kundrat MARKET EDITOR Natalie Johnson

FEATURES & COPY SENIOR COPY EDITOR Deborah Grant HOMES GROUP PRODUCTION EDITOR Tamarah Pienaar SENIOR DIGITAL WRITER Christina Rae

THANKS TO Darren Christison, Anisha Gittins, Kate Hassett, Sarah Pickette ADVERTISING & PRODUCTION HEAD OF BRANDS Anna Mistilis (02) 9282 8111 HOMES COMMERCIAL MANAGER Rhonda Maunder (02) 9282 8687 HOMES BRAND MANAGER Kimberly Anderson (02) 9338 6103 ADVERTISING PRODUCTION MANAGER Kate Orsborn (02) 9282 8364 VICTORIA, SA AND WA SALES DIRECTOR Jaclyn Clements (03) 9823 6341 DIRECTOR OF SALES — NSW Karen Holmes (02) 9282 8733 VICTORIA HEAD OF DIRECT SALES Will Jamison (03) 9823 6301 QUEENSLAND HEAD OF SALES Judy Taylor (07) 3101 6636 CLASSIFIEDS ADVERTISING Nick Carson (02) 9282 8369 NEW ZEALAND INQUIRIES +61 2 9282 8505 GENERAL MANAGER — PRODUCTION SERVICES Ian McHutchinson PRODUCTION CONTROLLER Sally Jefferys ADVERTISING PRODUCTION CONTROLLER Dominic Roy (02) 9282 8691 SENIOR EVENT MANAGER Cate Gazal (02) 8226 9342

MARKETING & CIRCULATION HEAD OF RETAIL AND CIRCULATION Andrew Cohn MARKETING DIRECTOR Louise Cankett SENIOR MARKETING MANAGER Jillian Hogan BRAND MANAGER Sarah Webster CIRCULATION MANAGER Nicole Pearson SENIOR SUBSCRIPTIONS CAMPAIGN MANAGERS Ellie Xuereb, Jesvin Vincent HEAD OF CREATIVE | STORY 54 Clare Catt

BAUER MEDIA CORPORATE CHIEF EXECUTIVE OFFICER Brendon Hill CHIEF FINANCIAL OFFICER Andrew Stedwell EXECUTIVE GENERAL MANAGER, PUBLISHING & DIGITAL OPERATIONS Sarah-Belle Murphy ASSOCIATE PUBLISHER Shane Sutton COMMERCIAL DIRECTOR Paul Gardiner GENERAL MANAGER, SUBSCRIPTIONS & E-COMMERCE Sean McLintock BUSINESS MANAGER Georgina Bromfield SYNDICATION syndication@bauer-media.com.au

The original plan for the Victorian terrace was a small renovation, but the owners ended up undertaking a major revamp. For more design inspiration, follow us on Instagram

@insideoutmag

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Published by Bauer Media Pty Limited (ABN 053 273 546), 54 Park Street, Sydney, NSW 2000. The trademark Inside Out is the property of Bauer Media Pty Ltd. © 2020. All rights reserved. Printed by Ovato Warwick Farm, 8 Priddle Street, Warwick Farm NSW 2170. National distribution by Gordon and Gotch Australia Pty Ltd. 1300 650 666. ISSN 1835-9631 (print). No material may be reproduced in part or in whole without written consent from the copyright holders. Bauer Media Pty Ltd does not accept responsibility for damage to or loss of freelance material submitted for publication. Allow several weeks for acceptance or return. For enquiries regarding subscriptions, phone 136 116, Monday-Friday, 8am-6pm AEST, email magshop@magshop.com.au or mail letters to: Inside Out Reply Paid 5252, Sydney, NSW 2001, or subscribe online at magshop.com.au/insideout. Subscription rate*: Australia $69.95 (one year, 12 issues); NZ A$79.95 (one year, 12 issues); other countries A$159.95 (one year, 12 issues). All overseas subscriptions sent air speed. *Recommended price

10 | INSIDE OUT

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Food to Love Tasty vegan, Cooking for two +Pie maker perfection!

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Is the fertility industry putting proﬁts before people?

MONDAY MORNING COOKING CLUB cooks for you

TRUE CRIME

WHO KILLED BRENDA? The adventurer who disappeared without a trace

Special

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GRACE KELLY’S LEGACY Can her grandchildren

return Monaco to glory?

COMING UP ROSES

Our pick of what to plant now

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DESIGN | SHOP | PLACES | PEOPLE | SPACES

THE CUT the rite stuff Restore and rebalance by engaging in the ritual art of arrangement with the new Ancient Greeceinspired collection from L&M Home. Handcrafted using stone and concrete with the soft, familiar forms of ceremonial vessels, each piece – (from left) Artemis, Zeus, Ares and Orpheus – offers a chance to create a soothing silhouette at home. Style as standalone pieces or fill with abundant fruit, dried foliage or striking blooms. lmhome.com.au

PHOTOGRAPHY MARTINA GEMMOLA STYLING TONI BRIGGS

THE CUT COMPILED BY ELIZA O’HARE

TOP

5 THE BEST OF

STO C K H O L M F U R N I T U R E FA I R

Anton Assaad, founder of Great Dane furniture, shares his top five picks from this year’s Stockholm Furniture Fair.

GREATDANEFURNITURE.COM

1 Ten Table This piece is indicative of co-designer Jacob Plejdrup’s incredible understanding of wood. The textured legs feel connected to trees and nature, while the substantial yet understated pieces of timber that make the table top are more like a piece of architecture. 2 Borge Mogensen Canvas Chair Re-released by Fredericia, the canvas and wood combination is a signature look for Mogensen. 3 String System Brown The addition of the softer brown rails may seem obvious, however, as with all things String, it’s the detail of colour and finish that will ensure success. 4 String Pocket Neon I know it’s two String products, but Neon will be an interesting addition to the range. The size means it’s perfect for injecting a pop of colour into a space or room without it becoming overbearing. 5 Asplund Tokyo Collection It consists of four unique storage pieces with veneers in rare types of wood. The result is a striking series for the centre of a room.

WRAP ME UP

HALCYON ATELIER Halcyon House’s covetable beach style is now available through its new online boutique, Halcyon Atelier. First to launch is this luxe limited-edition Frette beach towel, $165. HALCYONATELIER.COM.AU

NEW SPACE

great outdoors STAND OUT

RISE OF THE SCONCE Wall sconces are having a moment and this travertine sconce with exposed bulb is perfectly simple. Celeste Wall Sconce by Daniel Boddam, $2172.50. DANIELBODDAM.COM

Cassina has brought the rock stars of design together for its new outdoor collection, with pieces by Patricia Urquiola, Charlotte Perriand and Philippe Starck (his gorgeous outdoor Fenc-e Nature lounge, above, has an adjustable woven-rope backrest and is priced at $23,270). SPACEFURNITURE.COM.AU

POSH WASH Hand and body wash is more important than ever and The Block’s Alisa and Lysandra have a delicious new body range that includes fig, sage, kaffir lime and wild orange, from $38. ALIVEBODY.COM.AU

14 | INSIDE OUT

UTILITY CHIC

GOOD ALL OVER

{

OPEN NOW

LIVING EDGE

Officially open for business, the gorgeous new Living Edge space in Melbourne’s Richmond design precinct is on our list to check out. Designed by Bates Smart, the timber, brick and glass store is a seemly flagship for all the lovely Herman Miller, Knoll, Muuto and Tom Dixon pieces you’ll find there. 650 Church St. LIVINGEDGE.COM.AU

STAR LIGHT

Worktones make the simplest, most perfect aprons and have now collaborated with Business and Pleasure to create these utilitarian coveralls, $150, made with coated-cotton canvas in navy, pink and sage stripes. And they deliver.

Constellations The highlight in Spence & Lyda’s Sydney showroom this month are these handcrafted crystal pendant lights from Bomma – destined to light up someone’s life and their room. Available in a handmade set.

WORKTONES.COM

SPENCEANDLYDA.COM.AU

IN BLOOM

HENRI MATISSE ROSE

INDOOR/OUTDOOR

CONCRETE ESSENTIALS They are durable, lightweight and we really love the stitched seam on these concrete pots by Blinde, from $595 each. BLINDEDESIGN.COM.AU

With its signature variegated petals, this unusual hybrid tea rose has a strong 1970s vibe and makes beautiful cut ﬂowers with a particularly heady fragrance. Insta image by ﬂower lover

Match the personality of your fur pal with a sassy collar charm by Growlees, from just $18.

@SOPHIA_KAPLAN

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PUPPY LOVE

INSIDE OUT | 15

THE CUT

BEST BUYS

throws

GRUNT MULTIPURPOSE 9MM ROPE IN GREEN AND BLUE, $16.40 PER 30M, BUNNINGS

Get the hang of colour with these eye-catching finishing touches

PHOTOGRAPHY NIC GOSSAGE STYLING SOPHIE WILSON

TOP ROW (from left) Crinkle Plaid cotton throw in Light Blue, $240, and Mono wool blanket in Sky Blue, $170, both Hay. MIDDLE ROW (from left) Large Pansy cotton throw, $159, and Gelato Bumble mohair blanket, $139, both Castle. Lavender Fields cotton tassel throw, $269, Kip&Co. Habitat ‘Florencia’ cotton throw in Mustard, $99.95, Pillow Talk. BOTTOM ROW (from left) Mono wool blanket in Verdi Green, $170, Hay. Vintage linen fringe throw in Cinnamon, $149, Aura Home. Love Rainbow cotton baby throw, $99, Castle.

INSIDE OUT | 17

THE CUT

The mirror plays a starring role in the bedroom of this Melbourne home.

1 MATCH MAKER

Why it works The black colour and arched elements bring them together. Middle Of Nowhere ‘Mira’ arched mirror with frame in Coal, $369, Life Interiors. Slim Compact drawers in Black Oak, $799, Brosa.

mirror & dresser

Four great bedroom looks to make prepping a pleasure every day

CANE & ABLE

Why it works Stylish but hard-wearing, cane is awesome for a relaxed setting that will say current for years to come.

Alfie cane mirror, $99, McMullin & Co. Arden rattan drawers, $899.99, Adairs.

4 LIGHTLY OAKED

TEAM TERRAZZO Why it works The minimalist MDF-framed mirror is perfect for the Deco-style dresser.

Why it works This dresser’s lightly bronzed metal legs subtly echo the oak-framed mirror. Gazzda ‘Ena’ oak mirror, $510, Curious Grace. Gemini walnutveneer dresser in White Lacquer, $699, West Elm.

Dylan mirror, $199, Freedom. Mod resin and wood terrazzo commode in White, $3500, Fenton & Fenton.

18 | INSIDE OUT

COMPILED BY SOPHIE WILSON

PHOTOGRAPHY: DEREK SWALWELL (MAIN SHOT). STYLING: RACHEL VIGOR (MAIN SHOT). ADDITIONAL PRODUCT SOURCING: ANISHA GITTINS

PERFECT PAIRS

Serving style always. That’s freedom. CALLIE 220x95cm dining table + Ash timber, rounded edges and natural satin fnish + Hand placed rattan seat and rope suspensions

Rounded edges and rattan, it’s all in the details. From the robust Ash timber and natural stain fnish, the Callie dining table will play a starring role when entertaining guests or the entire family – it seats six to eight people easily. Pair with the Callie dining chairs to complete a stylish ensemble.

Shop in-store or online at freedom.com.au

THE CUT

PROFILE

hunter amos

Growing up in Bryon with artistic parents rubbed off on this remarkable teen, whose ‘portraits’ are causing a sensation

WORDS KATE HASSETT PHOTOGRAPHY JESSIE PRINCE

Tell me about yourself and why you were drawn to the art world. I grew up with an artist residency

program at my family’s property (the Atlantic Byron Bay) so I was given the opportunity to learn from other artists and their practices while growing up, a unique opportunity for a child. In regards to why I am drawn to the art world, I’m still trying to work out where I stand in regard to my art. What/who influences you? I am interested in the story behind the artist – that’s how I can engage more deeply with art. Basquiat living in NY as a black artist; you can feel it communicated through his art. Rothko’s struggles; I feel it in his art. Understanding them more inspires me, but I am still trying to ﬁnd how I can clearly communicate my life through my art as well as they do. What are you working on at the moment? I am working on moving to NYC, because of the energy and the lifestyle. I’ve been there twice before and I found it rich with diversity. The challenge to make it work as an artist there will be simultaneously an amazing opportunity and a struggle, I’m sure. As an epicentre of art, it will give me so much access to galleries and shows and I can continue to learn. What excites you about the Australian art world at the moment? I think it’s great that our artists are

acknowledging the raw culture of Australia and questioning what our nation stands for. Why is art so important? For me, art is important because when creating it, it’s the most free I feel as a human. Art is a conduit for artists to express themselves. I love the thought of my art having an immortal existence. As Keith Haring once said, “Art is more important [than life] because it is immortal.” Art provides a gateway into the human condition, whether making it or viewing it. Bacon and Rothko used it as a gateway into their human conditions. Art allows an insight into the artist’s life.

ARTWORK PHOTOGRAPHY: MATT SHARP

What do you feel when you are drawing/painting?

It’s at the same time a sense of nothing, with a little spark to it. Once I’m in ﬂow and am in that meditative space, I can be completely present with the art. I like that so much time can pass and I haven’t felt a thing yet have completed something. What is your chosen medium and why? I work primarily with acrylic on canvas. I used to work with oils, but I got sick of cleaning them up. How would you describe your art? With my inﬂuences, everyone automatically assumes my art is Cubist but I prefer to call it Impressionist. Art movements were not just the look; it was more the intrigue behind the movement. For example, the Cubists were trying to distort reality. Impressionists were trying to express their impression of reality. That connects with me, as that’s what I am trying to achieve with my art.

What do you hope that others feel when they see your work? I hope that, regardless of whether

they like the work or not, they are engaged. How did it feel to sell out your first solo show?

I worked really hard on it and sacriﬁced and invested a lot. It was a huge risk and I was truly nervous, so to see it pay off was incredible. You’ve had interest in your pieces from all over the world, including names like Kelly Wearstler — how does that make you feel? I’m grateful and

honoured. I’ve had a lot of mentoring and my family are creative, so it’s shaped my art and I’m excited to see that coming into frame.

“I instinctively know when a work is ﬁnished, and at that exact moment I let it be” HUNTER AMOS

When you’re not painting, what are you doing?

Watching great ﬁlms is something I love, and also experimenting with other mediums, like clay and sculpture. I keep a very broad approach to all creative practices. @hunteramosart

Opposite Hunter Amos in his Byron Bay studio. Though abstract in nature, his works operate via layers of clarity whereby the subjects — usually well-known creative people — become more recognisable the longer you look at them. The works pictured are (clockwise from far left) Wright, inspired by Jeffrey Wright; O’Keeffe, inspired by Georgia O’Keeffe; Washington, inspired by Kerry Washington; Hopkins, inspired by Anthony Hopkins; and Rush, inspired by Geoffrey Rush.

INSIDE OUT | 21

THE CUT

4 3 5

TOP 10 PICKS

wabi-sabi

Be inspired by the humble simplicity of organic patterns and pieces

10 9

1 Shelf wallpaper in Bronze, $72 per lineal metre, These Walls. 2 Kawai woven timber pendant light, $695, Gypset Cargo. 3 Litoral woven chaguar basket, $95, Pampa. 4 Custom-made Tunisian natural-stone mosaic tile artworks (25cm x 25cm; other sizes available on request), $275 each (comes in a whitewashed oak frame), Specified Store. 5 Ticking Mud linen cushion, $147, Walter G. 6 a4 Design ‘Tumi-isi’ beech balancing blocks, $185 per set, Provider Store. 7 Vida & Co ‘Holler’ suar wood stool, $162.95, Zanui. 8 Etnico Argentinian sheep’s wool rug in #1378 (205cm x 260cm), $1640, Pampa. 9 Uashmama ‘Extra Extra Large’ washable coated-paper bag, $119, Elph Store. 10 Papier Labo ‘Cedar Rope’ incense, $25, Provider Store.

22 | INSIDE OUT

COMPILED BY NONCI NYONI

THE CUT

3 2 4

*CURRENCY CONVERSION CORRECT AT TIME OF PRINTING

COLOUR TREND

black & white In every corner of every room, at eye level, above and below, opposites certainly do attract

9 10

1 Nau ‘Bell’ pendant light, $840, Cult Design. 2 Chess wool rug from the RCR Samarkand collection (185cm x 275cm), $4950, Robyn Cosgrove. 3 Lemnos ‘Mono’ clock, $229, Ginkgo Leaf. 4 Natural Curiosities abstract artwork by Paule Marrot (137cm x 106cm), $1495 (unframed), Coco Republic. 5 Gubi ‘Pedrera ABC’ metal table lamp, $429, Criteria Collection. 6 MatterMade ‘Slon’ timber and plywood dining table (W129cm x H74cm), $19,195, Criteria Collection. 7 Ultra lounge chair (W79cm x D94cm x H97cm), $3161*, Jonathan Adler. 8 Rossi marble tile, $389 per sq m, Greg Natale. 9 Stripes cotton and linen cushion, $90, Greg Natale. 10 Missoni Home ‘Sigmund 601’ wool throw (140cm x 200cm), $983, and cushion, $550, Spence & Lyda. 11 Taj stool with bone inlay (W52cm x H61cm), $1445, GlobeWest. 12 Chalk Dot On Black resin bottle vase (W16cm x H15cm), $220, Dinosaur Designs. 13 Op Art Bar glass and brass cabinet (W91cm x D45cm x H147cm), $7284*, Jonathan Adler.

COMPILED BY NONCI NYONI

INSIDE OUT | 23

THE CUT

elbourne-based property developer Above

Zero has partnered with architecture and interiors ﬁrm Cera Stribley and renowned international designer Tom Dixon to deliver a landmark residential development called Rondure House in Studley Park, Kew. We caught up with the busy British designer to talk about his inspiration for the apartments, and why it’s more important than ever for residences to be designed with quality of life in mind. How did the collaboration begin? What attracted you to the Rondure House project? Seeking to implement a lifestyle rarely

MASTERCLASS

tom dixon In an Australian ﬁrst, the design luminary brings his discerning eye Down Under

EDITED BY KATE HASSETT

found in Australian developments, Above Zero ran a design competition to find an architecture and interior design firm to work with after securing the site in Studley Park. One of Melbourne’s most innovative firms, Cera Stribley, created the facade and building design, which celebrates the Modernist architectural history of the area. Cera Stribley was intent on delivering a product that had never been seen in Australia before, so they engaged our team at Design Research Studio to create the interiors in conjunction with the team at Cera Stribley. The best collaboration is when different people bring different skills to the project and this is why the relationship worked. The process of any job is collaborative, particularly in the creative industry, therefore I like working with teams that have a wide variety of skills – like the team working on Rondure House. What was the inspiration behind the design of the project?

The starting point was the architecture by Cera Stribley. It is a reference to Brutalism, concrete and soft curves, and is nestled in an amazing natural landscape. The palette of materials is really reacting to the architecture. We concentrated mainly on the lighting and some key elements, such as the Lobby, Opal Bar and Lounge, and the custom bar and fireplace units in each apartment. We worked with managing principal Dom Cerantonio and creative director of interior design Lucy Marczyk from Cera Stribley to implement this, along with the rest of the interiors designed by their team. The geometry of gemstones and how they capture and reflect light also have a degree of influence.

My objective is to create objects that look amazing in lots of different states, whether it’s at night or during the day, whether it’s on or off. We want each one to really capture the light, refracting, distorting and illuminating. Talk us through the look and feel of the development. There are deﬁnitely places that you want a heroic intervention or statement piece, like in the Rondure House lobby. We wanted it to not only illuminate but also create different atmospheres according to the different types of lights. What we do is try to make large statements that don’t feel like they occupy too much space. The Spring light, for example, diffuses light through a series of pliant stainless-steel ribbons, leaving a geometric pattern on the wall. How did you want the residents of Rondure House to feel? Too often the residents in modern developments don’t really meet each other a great deal. The communal Opal Bar and Lounge at Rondure House was designed to entice people away from their couches and kitchens and form a community space where they can work, relax, or just enjoy each other’s company. I believe the people looking to purchase in Rondure House are social people, so this space allows for several different functions. The Vaults [extra 10 sq m spaces] are also an interesting addition and provide each resident with extra space to use as they like. For example, they could wish to use theirs as an office, wine cellar or cinema. What is it like designing a residential project like this? It’s always more challenging as a typology, as you are dealing with someone who will encounter your work every day for a decade or even a lifetime, so it’s a serious responsibility. The challenge in designing display apartments is also the problem of not having an actual client – you have to balance having enough character to stand out with a broad enough appeal, yet work to make it popular among a variety of unknown owners. How different is that process to designing a commercial space?

A hotel, a restaurant or a spa should be a magical experience where you can dream and get away from the mundane everyday. A home is a place which is a haven that you can always retreat to, a place to work, play and enjoy forever. For more information, see rondurehouse.com.au

TOM’S INSPIRATION What was it that initially drew you to design? I never did get drawn to design; it kind of sucked me in by mistake. But it’s a career that allows you to refresh your own job every day by overcoming new challenges or plunging into somebody else’s universe or even exploring a new manufacturing technique, material or use. What was the best advice you received in your early years? To be honest, I never listened to much advice. What does your design process look like? It looks a little like chaos theory. I like to surround myself with possibilities and then find a pattern or a connection between seemingly unrelated possibilities. Where do you find inspiration and how does that usually translate to a piece? Well, honestly, it’s by having mild attention-deficit disorder. I have many ideas and most of them are not so great, but with practice you learn which ones to hone and develop and which ones to drop. Often the hardest part is admitting when something really isn’t working. What is your guiding design principle? Be interested in everything. What would you say to young designers who are just starting out? Find your own uniqueness, try hard not to be like anyone else, and do your best to look beyond the design itself.

Clockwise from opposite bottom Tom Dixon’s Press Small Bowl. The designer in reflective mode. Each terrace at Rondure House has views of Studley Park. The living areas are designed to provide a seamless connection to the outdoors. Some of Tom’s most iconic designs include the molten-glass-like Melt pendant, created in collaboration with Swedish design collective Front. The Scoop chair is available for residents of Rondure House. The Jack floor light is now part of the permanent collection at London’s V&A Museum. Tom’s stylish Brew Stove Top coffee maker.

INSIDE OUT | 25

THE CUT | DESIGN

the getting of wisdom A woman approached Pablo Picasso in a cafe, asking the artist to scribble something on a napkin. He did, then replied, “That will be $10,000.” The woman, shocked, replied, “But it only took you 30 seconds!” “No,” said Picasso, “it has taken me 40 years to do that.” Interior design may look effortless but is often a lifetime of learning, which is why it’s exciting for these five designers to share a few of the secrets they’ve learnt on the job

WORDS ELIZA O’HARE

Tamsin Johnson SYDNEY INTERIOR DESIGNER AND ATELIER OWNER PROJECT A 1950s home that needed to

combat small windows and rising damp

“Start with white and go from there”

PHOTOGRAPHY: SEAN FENNESSY

“The first step with clients is seeing what we can start with from their existing furniture, art or lighting. My biggest pressure point is to create space. Before I even start designing, I look for light and function. Light because this always dictates the layout and feel of a space. And function because it’s essential to first understand how a client lives and what they need the space for. I also think that every interior should have something a little strange or unexpected.” tamsinjohnson.com

INSIDE OUT | 27

“My secrets? No, you’ll have to engage me. Tricks? Yes! White space makes things feel bigger. Mirrors opposite windows. Don’t buy everything brand new, mix styles and use plants and random accessories” LÉO TERRANDO

THE CUT | DESIGN

Romaine Alwill PRINCIPAL, ALWILL ARCHITECTURE + INTERIORS, SYDNEY PROJECT A child’s ensuite inspired

by pink macarons

“I think choosing colours that have an earthiness gives them longevity” “Start by choosing one thing to be the hero of the space and create the room around it. In this instance it was colour. Also, when you enter a room, be very mindful of what you see ﬁrst – seeing the toilet is not such a good idea. Tapware really adds a visual language and can set off ﬁnishes. And a lovely wall light can make a huge difference. I prefer wall lights over pendants as they can look overstated in a bathroom.” alwill.com.au

GET THE LOOK

Léo Terrando DIRECTOR, SJB INTERIORS, MELBOURNE PROJECT Frederic bistro, inspired by Mid-Century European

cinema, French New Wave and Italian Modernism “Designing for a restaurant rather than a residential project is going to be quicker to complete so the fun factor is condensed and feels stronger. Before I start designing I look for natural light and the connection with an outdoor view. I love the connection with nature. It also extends your perspective of the space. Educate yourself about the project, its location and the local vernacular.” sjb.com.au E27 pendant light in Light Grey, $130, Living Edge. Ice Pink tumbled herringbone mosaics, $22 per 280mm x 248mm sheet, Surface Gallery. Matte Black wall mixer and spout set, from $449, Meir. Dulux Wash&Wear paint in Pinkham, approximately $91.55 per 4L, Bunnings.

INSIDE OUT | 29

THE CUT | DESIGN

Nicole Rosenberg INTERIOR DECORATOR, LIBERTY INTERIORS, MELBOURNE PROJECT An all-black nursery

in a king-size room

“I don’t follow rules at all! I’m a rule-breaker. No one would have suggested a dark , nursery but I took a risk and it’s been one of my most popular nurseries to date!” “I wanted this nursery to be completely different from the norm. I was so sick of Scandi. My biggest design saviour is paint. It’s honestly the cheapest and most effective way to create mood in a room and you can change it up every year if you like. Don’t just stop at walls; think about floors, furniture, kitchens – the list goes on. Nursery design has specific criteria to fit the purpose. Lighting is so important; you need the right light for night feeds, good daylight sources, and window furnishings that have dual light streams for blackout during the day and night.” libertyinteriors.com.au

GET THE LOOK

Toasted oakk titimber b fl floorboards, b d POA POA, R Royall O Oakk Fl Floors. Cleo velvet fabric in Jade, $38.50 per m, Warwick. Autumn Bouquet And A Finished Cup Of Tea art print, from $110, Modern Times. Ivy coffee table with Carrara marble top by Clare Cousins, from $3120, Grazia & Co.

30 | INSIDE OUT

INTERIOR DESIGNER AND STYLIST, MELBOURNE PROJECT A pint-size apartment where the designer wanted to

support local makers where possible. As it turned out, 90 per cent of the pieces were made in Australia “The client had lived in Europe and experienced the art of apartment living and how colour can make a space feel larger, not smaller. It doesn’t all have to be white! The biggest pressure point in the project was scale. Working in such a small space meant every inch had to be utilised effectively and, while we love a maximalist interior, we needed to ﬁnd the balance between creating a layered space that didn’t feel too overcrowded. Design manager Sarah Shinners and I overcame this with careful customisation. Proportions were absolutely key in maintaining balance within the home. One design trick we use regularly is the curved sofa – so much more sexy than a regular L shape – as well as rug underlays to stop edges curling up, professional art hangers and curtain makers, textured wallpaper and glowing lamps.” simonehaag.com.au

PHOTOGRAPHY: NIKOLE RAMSAY (THIS PAGE), DYLAN JAMES (OPPOSITE)

Simone Haag

“ We have a saying in the studio: ‘A little bit of posh, a little bit of pov’ – essentially high-low styling to create the look without breaking the bank” SIMONE HAAG

THE CUT

Get your online dose of design through David Harrison’s blog at designdaily. com.au

THE UP-AND-COMER

cult classic

Pendant lights are as fashionable as ever, with a sleek new design taking on a 1950s legend THE ORIGINAL

PH5 pendant lamp by Poul Henningsen for Louis Poulsen 1958 The form A three-tiered hanging light in painted aluminium with integrated

light reflector/diffuser. What makes it special Henningsen is one of the most celebrated lighting designers

of his era, creating close to 100 light fittings for the Danish company over a 42-year period. The PH5 was the culmination of years of research into directing and filtering light to avoid glare from incandescent bulbs while ensuring accuracy of colour. Henningsen was not only a lighting designer but also an architect, author and critic. A leading commentator on Danish culture, he wrote for several major newspapers before becoming editor of Louis Poulsen’s NYT magazine in 1941. His first lighting design for Louis Poulsen was simply called the PH. Premiering at the Paris Exposition in 1925, the design won a gold medal and formed the basis for the numerous designs that followed – all of which focused on the control of light, shadow and glare. While initially conceived in white, blue, red and purple, the PH5 has been re-edited by Louis Poulsen in a variety of colours since 2008. The current range, released for the 60th anniversary in 2018, incorporates eight colourways, including Hues of Green, Hues of Grey and Hues of Red, where each component is a complementary but subtly different shade of the one colour. Along with the PH5, Henningsen’s most popular designs include the Snowball, Louvre and the large feature light called Artichoke – all designed between 1957 and 1958. Expect to pay From $1600. Buy from Cult; 1300 768 626 or cultdesign.com.au 32 | INSIDE OUT

Ikono pendant light by Simon Legald for Normann Copenhagen The form A pendant light with a central

bell-shaped glass element on which sit two spun metal shades of different diameters and heights. What makes it special Taking the form of classic Danish pendants and modernising them is a delicate operation, but Legald does this successfully with Ikono and delivers something familiar but contemporary. He designed the light in 2013, just one year after graduating from The Royal Danish Academy of Fine Arts. Reducing the mechanics of the light to the bare minimum, a narrow bell-shaped core of frosted glass containing the bulb holder flares out in such a way as to support each of the two shades at predetermined points. No other mechanical fixings are required, making the manufacturing process extremely straightforward and, therefore, highly cost-effective. The light is directed down from the top shade, while the lower shade blocks glare from the bulb. It’s available in all-white with a frosted-glass interior, or with grey or red shades over the same frosted-glass core, with a textile-covered cable and white-painted ceiling rose. Expect to pay The small size (20cm diameter) is $360; the larger size (45cm diameter) is $685. Buy from HG Furniture Solutions; (02) 9693 2288 or hgfs.com.au

D O M AY N E P R ES EN T S

CUSTOMISED LIVING Choose your signature interior style through bespoke Australian Made furniture and bedding pieces designed and styled by you in collaboration with Domayneâ&#x20AC;&#x2122;s unique customisation service.

V I SI T D OM AY NE .COM . AU TO B R OWSE O U R FU L L R A N G E O F FU R N I T U R E, B ED D IN G A N D H OM E WA R ES .

CHOOSE FROM A STUNNING COLLECTION OF FABRICS & FINISHES.

TEXTURED FA B R I C S L E N D A MODERN LUXE FEEL

PREVIOUS PAGE AUDREY 2.5 SEATER IN WARWICK ‘REGIS’ IN EVERGREEN WITH GOLD LEGS $1499; MARLI COFFEE TABLE IN WALNUT $399; MARLI L AMP TABLE IN WALNUT $299; AMORA RUG (160 x 230CM) IN NAV Y $299; S&P REFINE PEDESTAL BOWL (32.8 x 18CM) IN BL ACK $89; GEOMETRIC TABLE L AMP IN BL ACK/GOLD $249; SHADY PALMS VELVET CUSHION IN GREEN $79. CURRENT TANI 3.5-SEATER IN WARWICK ‘NIXON’ IN PEONY $1499; SANTORINI LEATHER ARMCHAIR $699; COCO COFFEE TABLE WITH CERAMIC TOP $399; COCO HALL TABLE WITH CERAMIC TOP $599; SWAN VELVET CUSHION IN MUSHROOM $49; NH BASIC LINEN CUSHION (55 x 55CM) IN BABY PINK $44; ROSA PL ANTER (20 x 20 x 17CM) IN PINK $45; S&P DUALIT Y VASE IN BRASS (10 x 26CM) $29; S&P DUALIT Y VASE IN BRASS (10 x 42CM) $39; BENGAL RUG IN MULTI (160 x 230CM) $579.

CUSTOMISED DESIGN

CHOOSE

YOUR SIZE

YOUR FABRIC

YOUR LEGS

C R E AT E T H E I D E A L LOUNGE TO SUIT YOUR LIVING S PA C E W I T H M U LT I P L E C U S T O M SIZING OPTIONS.

C R E AT E A WA R M , INVITING AT M O S P H E R E W I T H R I C H, D E E P A N D CONSISTENT COLOUR CHOICES.

THE COLOUR, M AT E R I A L A N D S H A P E OF YOUR FURNITURE L E G S C A N H AV E A H U G E I M PA C T O N THE ROOM.

D O M AY N E â&#x20AC;&#x2122;S E X C LU S I V E A U S T R A L I A N M A D E C U S TO M I S A B L E LO U N G E C O L L E C T I O N A L LO W S YO U TO C H A N G E T H E S I Z E, FA B R I C, C O LO U R A N D M O R E. D E S I G N T H E S E S I M P L E, S O P H I S T I C AT E D P I E C E S I N T H E TA N I R A N G E TO YO U R L I K I N G. F R O M S O OT H I N G N E U T R A L S TO S O P H I S T I C AT E D T E X T U R E D FA B R I C A N D E L E G A N T TA P E R E D L E G S, T H E O P T I O N S TO S U I T YO U R S PA C E A R E E N D L E S S.

CUSTOMISED LIVING

CHOOSE

YOUR STAIN

YOUR SIZE

YOUR CHAIR

SELECT FROM A WIDE RANGE OF TIMBER S TA I N S , O R B R I N G I N YOUR OWN FOR AN E A S Y C O L O U R M AT C H.

BUILD YOUR DREAM DINING SETTING BY CUSTOMISING SIZE AND SHAPE TO SUIT YOUR NEEDS.

DINING CHAIRS IN S U M P T U O U S FA B R I C UPHOLSTERY LEND A TOUCH OF ELEGANCE T O Y O U R S PA C E .

M A K E Y O U R D I N I N G S PA C E T R U LY Y O U R S B Y C U S T O M I S I N G V I R T U A L LY E V E R Y A S P E C T O F Y O U R A U S T R A L I A N M A D E D I N I N G TA B L E T O C R E AT E A S O P H I S T I C AT E D S U P P E R . M I X A N D M AT C H Y O U R S E AT I N G W I T H C U S T O M I S A B L E O P T I O N S I N C L U D I N G C H O I C E O F S TA I N, FA B R I C , U P H O L S T E R Y C O L O U R A N D A R M T Y P E .

GIVE YOUR FAVOURITE SHAPES & FABRICS A PLACE AT THE TABLE.

COMBINE STRUCTURED SHAPES WITH ORGANIC FINISHES

CURRENT ORANA RECTANGUL AR CHESTNUT TIMBER DINING TABLE (270CM) IN FRENCH GREY $2999; ORANA BUFFET IN FRENCH GREY $2499; ORANA DINING CHAIR UPHOLSTERED IN ZEPEL ‘BOLT’ IN SILVER $399EA; MUSEUM RUG (160 x 230CM) IN CHARCOAL $299; THUNDER GEO PRINT WITH BL ACK FRAME IN GREY/BL ACK $299; S&P TOTEM TWO PIECE PL ANTER (19 x 15CM) IN WHITE $39; S&P ARTISAN PEDESTAL (32 x 27CM) $159; GT SIGNATURE CAKE PL ATE WITH RIM VANILL A $60; GT SIGNATURE SIDE PL ATE VANILL A $35; GEMMA VASES SET OF 2 IN BL ACK/GOLD $49. INSET FROM FAR LEFT KIMBERLEY FABRIC DINING CHAIR UPHOLSTERED IN ZEPEL ‘UNOS’ IN SNOW $699; KALBARRI DINING CHAIR WITH STUDS UPHOLSTERED IN ZEPEL ‘AMPERSAND’ IN CREAM $499; KALBARRI CARVER CHAIR WITH STUDS $599.

DESIGN YOUR BEDROOM RETREAT FROM AN INSPIRING PALETTE OF TEXTILES & TRIMS.

D A R K FA B R I C S C R E AT E A S E N S E OF SANCTUARY

CURRENT TIFFANY QUEEN BED FRAME UPHOLSTERED IN WARWICK ‘ESSENCE’ & ‘ADORE’ FABRICS STARTING FROM $1999; TIFFANY RECTANGUL AR STORAGE BL ANKET BOX $799; JUBELL GL ASS PENDANT IN WOOD/CLEAR $179; AMORA RUG (160 x 230CM) IN EMERALD $299; ‘MIDNIGHT HOUR’ QUEEN QUILT COVER SET $279, KING SIZE $309, UBER KING SIZE $349; PIN VELVET EURO PILLOWCASE IN INK $79EA; ATHENA COVERLET IN SEAFOAM $329. TOP RIGHT INSETS TIFFANY RECTANGUL AR STORAGE BL ANKET BOX $799; TIFFANY FABRIC BEDROOM CHAIR $899; CUSTOMISED BEDHEAD WITH WINGS ON.

CUSTOMISED DESIGN

CHOOSE

YOUR HEIGHT

YOUR COLOUR

YOUR STORAGE

CUSTOMISE YOUR BEDHEAD BY SIZE TO FIT WITH SURROUNDINGS, AND WITH WINGS O N O R O F F.

C R E AT E A S L E E K S I G N AT U R E C O L O U R WAY F O R Y O U R BEDROOM FROM D O M AY N E ’ S VA S T PA L E T T E R A N G E .

EXTRA STORAGE IN THE BEDROOM HAS THE BENEFITS OF BEING CONVENIENT A N D F U S S-F R E E .

T H E I D E A L B E D R O O M S U I T E S H O U L D E F F O R T L E S S LY R E F L E C T Y O U R S T Y L E A N D S U I T Y O U R S PA C E . W I T H D O M AY N E ’ S R A N G E O F CUSTOMISABLE PIECES, FROM BEDHEAD SIZE TO STORAGE OPTIONS A N D A W I D E VA R I E T Y O F U P H O L S T E R Y C O L O U R S A N D FA B R I C S , Y O U ’ L L H AV E S U I T E D R E A M S E A C H A N D E V E R Y N I G H T.

CUSTOMISED DESIGN

CHOOSE

YOUR COLOUR

YOUR STORAGE

YOUR HEIGHT

VA R Y Y O U R T I M B E R S TA I N, B E D H E A D C O L O U R A N D FA B R I C COLOUR TO GET THE L O O K Y O U WA N T.

OPT FOR AMPLE S T O R A G E S PA C E U N D E R N E AT H Y O U R M AT T R E S S W I T H A H A N D Y G A S-L I F T BED BASE.

MAKE A VISUAL S TAT E M E N T W I T H A TA L L E R B E D H E A D, OR GO LOWER TO FIT AVA I L A B L E S PA C E .

D O M AY N E ’ S C U S T O M I S A B L E O P T I O N S D O M O R E T H A N A D D S T Y L E – T H E Y A L S O O F F E R P R A C T I C A L S O L U T I O N S , L I K E G A S-L I F T B E D B A S E S FOR MAXIMUM STORAGE. THIS AUSTRALIAN MADE HAMPTONS SUITE MIXES CL ASSIC DESIGN WITH CONTEMPORARY FINISHES, ALLOWING Y O U T O C H O O S E T H E F I N E R D E TA I L S T O M A K E Y O U R M A R K .

ON THE SIDE T H E S E S TAT E M E N T-M A K I N G H A M P T O N S 2-D R AW E R B E D S I D E TA B L E S F E AT U R E C O M P L E T E LY CUSTOMISABLE STONE COLOUR, T I M B E R S TA I N A N D H A N D L E F I N I S H .

CURRENT HAMPTONS QUEEN BED FRAME WITH LEATHER INSERT STARTING FROM $2999; HAMPTONS 2-DRAWER BEDSIDE TABLE WITH STONE TOP (SMALL) $1299; SARI SILK HARPER RUG IN GREY (200 x 290CM) $799; ZENA FROST BALL TABLE L AMP $149; GAETAN CERAMIC VASE POWDER GREY (23CM) $34; ‘MAISON FRINGE’ QUEEN QUILT COVER FLINT $199; DRIFTWOOD GREY COVERLET $319. INSET LEFT CUSTOMISABLE BEDHEAD FABRICS AND COLOURS; GAS-LIFT BED BASE OFFERS HIDDEN STORAGE.

V I SI T D OM AY NE .COM . AU TO B R OWSE O U R FU L L R A N G E O F FU R N I T U R E, B ED D IN G A N D H OM E WA R ES . Doma y ne st ores a re o perated by independent franchisees. Ad vertised pri ces valid at New South Wale s store s only. Pr ices ma y va r y bet ween states d ue to ad diti onal frei ght co sts. Mattress b ed li nen and accessories shown are option al extra s. Pr ic es ref l ect product as shown. Pr ic es may v ar y d ue to custo misatio n. Pro motion en ds 26/04/ 20.

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take us there

The transporting nature of art can turn a mantel into a portal to paradise

INSIDE

Paintings of natural environments allow a blissful moment of pause in which the viewer is lost in the landscape. In this work for Curatorial+Co, artist Ingrid Daniell has used stylised and abstracted forms to build depth and dimension, drawing the eye beyond a fringe of trees to a sun-dappled sea. Blinded By The Light Over Paradise also hints at the beach down the road from Kristy McGregorâ&#x20AC;&#x2122;s eastern Sydney home. Joining it on the interior designerâ&#x20AC;&#x2122;s mantelpiece is a large Asymmetry vessel by Kerryn Levy and glinting brass-ring candleholder from Great Dane.

See page 50 for more details of the home.

WORDS DEBORAH GRANT PHOTOGRAPHY MAREE HOMER STYLING KERRIE-ANN JONES

impact

PHOTOGRAPHY NIC GOSSAGE STYLING NATALIE JOHNSON

STYLING ASSISTANTS: ANISHA GITTINS, KRYSTEL ROBINSON. FLOWERS BY MY VIOLET; MYVIOLET.COM.AU

deep

Step away from all that minimalism and take a dive into the new maximalism. Itâ&#x20AC;&#x2122;s all about layering rich textures in delicious, unexpected ways that take cocooning to the next level. Rugs sit over rugs, multiple wall lights add sources of warmth, rich wallpapers encase rooms and sculptural candles give them form

INSIDE | DECORATE

THIS PAGE Humphrey Peak three-seater sofa in Tan leather, $7380, GlobeWest. Flores quilt in Sage, $345, Walter G. Cord cushion in Lilac, $79, Kip & Co. Anjuna Pista cushion, $147 (including insert), Walter G. Checkers Aqua cushion, $165, Bonnie and Neil. Vintage tub armchairs, $5250 each, Tamsin Johnson. Fineline side table, $1145, Spence & Lyda. Spice dish (on side table), $19.95, Batch. Ella Bendrups ‘Faceted Bud’ vase in White, $80, Modern Times. Aerin ‘Footed Deco’ serving bowl, $295, Becker Minty. Merricks Oval console, $1215, GlobeWest. Raffia wall sconces, $395 each, Tigmi Trading. Otto wallpaper in White on Camel, $72 per lineal m, These Walls. A Midday Movie And A Friend Called Red artwork by Rachael McCully, $4000, Curatorial & Co. (On console from left) Handpainted vase, $145, Bonnie and Neil. Cream Stoneware urn, $185, Mordern Times. Column brass candleholder, $49, and candle, $14, Black Blaze. Natalie Rosin ‘Art Deco Noir’ object, $360, Jardan. Lisa Peri stoneware oil burner, $35, Jam Factory. Pyrgos sandstone vessel, $180, Modern Times. Glass vase, stylist’s own. Sculptural terracotta vase, $65, Bonnie and Neil. Merino looped rug in Ivory/Sand (200cm x 300cm, at top), $4200, Cadrys. Egyptian rug in Russet (240cm x 300cm), $4000, and Agra Knot rug in Byzantine (270cm x 360cm), $4300, Armadillo & Co. OPPOSITE Billie rattan coffee table, $3191, Jardan. Tricolore SH1 vase (with flowers), $650, Cult. Kristel Britcher low vase, $285, Jam Factory. Ella Bendrups vase (as before). Checked vase, $32, Jones & Co. Circa incense burner, $295, Becker Minty. Soft Spot leather bowl, $285, Jam Factory. The First Morning candle, $80, Jardan. Rugs (as before).

INSIDE OUT | 45

INSIDE | DECORATE

THIS PAGE Shibo ceramic vase, $154, Modern Times. Cinnamon Projects ‘Circa’ incense burner, $295, Becker Minty. Normann Copenhagen ‘Salon’ tray, $165, Designstuff. Rebecca Hartman Kearns ‘Memento’ orb in Desert, $99, and Jordan Leeflang ‘Soft Spot’ leather bowl, $285, Jam Factory. Ella Bendrups ‘Faceted Bud’ vase, $80, Modern Times. Column brass candleholder, $49, and pillar candle, $14, Black Blaze. Wallpaper (as before). Eggshell Acrylic paint (on shelf) in Extra Virgin, $130 per 4L, Porter’s Paints. OPPOSITE Gazzda ‘Muse’ oak room divider, $2270, Curious Grace. Wallpaper (as before). Dry Land artwork by Giorgia Bel, $480 (unframed), Fenton & Fenton. (Top shelf, left to right) Groove pot in Dusty Grey, $26, Jones & Co. Vintage still-life artwork, $245, and Aerin ‘Footed Deco’ serving bowl, $295, Becker Minty. Concrete Staircase paperweight, $70, Studiokyss. Pyrgos ceramic vessel, $180, Modern Times. Jon Ferguson ‘Ring’ vase, $90, Jam Factory. (Middle shelf) Csongvay Blackwood ‘Moderne’ stoneware vase, $440, Modern Times. Lisa Peri stoneware oil burner, $35, Jam Factory. Handpainted matt-white vase, $145, Bonnie and Neil. Natalie Rosin ‘Art Deco Noir’ object, $360, Jardan. (Bottom shelf) Poseidon tumblers, $100 for six, Jardan. Peta Armstrong ‘Flowing Halcyon’ stoneware dish, $190, Modern Times. Anjuna Pista cushion cover (folded in dish), $147, Jardan. Books, stylist’s own.

Comforting earth- or spice-based palettes need energising so add contrasting tones of olive, lilac, chartreuse and a hint of brass

46 | INSIDE OUT

INSIDE | DECORATE

THIS PAGE (from left) Rebel Walls ‘Happy Hills’ wallpaper in Vanilla, $85 per sq m, Scandinavian Wallpaper & Decor. Jungle wallpaper in Rust, $72 per lineal m; Otto wallpaper in White on Camel, $72 per lineal m; The Strokes wallpaper in Caramel, $72 per lineal m; and Grasstree wallpaper in Rust, $72 per lineal m, all These Walls. Engblad & Co ‘Geo Tribe’ wallpaper in Cream, $200 per 10.05m roll, Wallpaper Trader. Jonah terracotta stoneware object by Kristiina Haataja, $1400, Curatorial & Co. Raku vessel, $580, Jardan. Egyptian rug in Russet (240cm x 300cm), $4000, Armadillo & Co. Eggshell Acrylic paint (on columns) in Extra Virgin and Andalusian Olive, both $130 per 4L, Porter’s Paints. OPPOSITE Vintage Tub armchair, $5250, Tamsin Johnson. La Pipe Lounge chair, $6347, Fred International. Velvet pea cushion in Blood Orange, $79, Kip & Co. Elk Lilac cushion, $190, and Luna Eggshell cushion, $200, Jardan. Flores Moss cushion, $147, Walter G. Counterbalance No.13 sculpture by Odette Ireland, $1950, Curatorial & Co. Marula Beni Ourain (patterned) rug (265cm x 187cm) $2700, and Juan Beni Handira rug (210cm x 170cm), $4400, Tigmi Trading. Other rugs (as before). Wall is Eggshell Acrylic paint in Andalusian Olive (as before).

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Ruffle floors with as much rug texture as you can handle. Itâ&#x20AC;&#x2122;s all about the way everything feels so see

how softly you can go

relax factor Comfort and ease are vital for designer Kristy McGregor, who lives and breathes the beach and her own brand of coastal cool

KITCHEN Kristy leans into her limewash oak-veneer cabinetry with custom bronze-rod detailing. The benchtop is 20mm Carrara marble and the splashback is recessed Carrara finger tiles. Flooring, large-format rough-sawn limestone from Onsite Supply & Design. Brass pepper mill and chopping board, The DEA Store. Artwork by Maria Kostareva, through Curatorial+Co. DINING (opposite) Thonet chairs pair beautifully with the Classique oak dining table from GlobeWest. The fireplace is clad in a triangular wall tile with a three-dimensional surface from Di Lorenzo. Candleholders, Great Dane. Gervasoni â&#x20AC;&#x2DC;Bell 95â&#x20AC;&#x2122; pendant light, Anibou.

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cheat sheet Who lives here Interior designer Kristy McGregor; her husband James, who works in marketing; their daughters, Ella, 10, and Florence, seven; plus rescue cat Indie. Style of home A double-storey, semi-detached, four-bedroom 1900s house in Sydneyâ&#x20AC;&#x2122;s Bondi. The couple bought the property in 2013 and renovated for five months in 2017, then added joinery upstairs in 2019. Approximately $200,000 for the $$$$ renovation (excluding furniture and art).

WORDS CARLI PHILIPS PHOTOGRAPHY MAREE HOMER STYLING KERRIE-ANN JONES

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he-worst-house-on-the-best-street adage is one long spruiked by real-estate aficionados. After all, location is permanent but potential limitless. “We had been looking for a long time and I remember driving past this place and thinking it was close to the beach but in very bad shape,” says Kristy, an interior designer with her own practice. “The location was love at first sight, but the house needed a huge amount of vision. It had zero street appeal and was covered in greyish-brown 1970s pebble-concrete render with rotten timber trims. The landscaping was a series of long weeds and the inside was even worse.” However, the house still ticked a lot of boxes for Kristy and her husband James: generously sized bedrooms, a north-facing living area, a grassy spot out the back for the kids, lots of storage, space for a home office, and a working fireplace. The couple lived in the house for a couple of years before commencing renovations. Kristy, who did all the plans and specifications, had anticipated having to change the footprint, but the buffer of time between moving in and building made her rethink things. “We decided not to change the floor plan after living in the space as we liked the way it worked with two young children. It really simplified the construction and allowed us to focus on material selection as a priority.” Kristy and James had renovated before and were looking forward to sinking their teeth into a new project. Modernising the communal space at the rear (Kristy estimates it was an early 2000s add-on) was the primary goal, and installing large-format

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“I love the colour and texture of this room. The paper lantern was meant to be temporary but I really like it” KRISTY McGREGOR, INTERIOR DESIGNER/OWNER

STUDY “This is my home office,” says Kristy. “It’s also where I keep random furniture and styling finds I’ve collected over the years.” Wall colour, Dulux Mossa. Saarinen table with antique and op-shop chairs. Desking, Ikea. Shelves, Bunnings. The flooring is sisal and the blinds are bamboo. Vase, an old family piece. STAIRS (opposite) Beyond the treads is a pantry and storage disguised with custom oak joinery. It also hides the fridge and microwave. Stools, James Lane.

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LIVING AREA Budget cuts almost ruled out the stunning ceiling treatment, which is prefinished limewash lining board. Lazytime sofa, Camerich. Cushions, The Vignette Room. Mirror and stool, MCM House. Dark side table, Koskela. Moooi floor lamp, bought in the early 2000s. Linen blind, Simple Studio. Carpet, Whitecliffe Imports. Artwork by Maria Kostareva. VELVET SEAT (opposite) Florence — aka Lolly — sitting opposite mum in the kitchen. Print, Pablo Picasso.

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raw-cut limestone on the floor was a game-changer. This was complemented by a muted palette and simple, warm materials such as Carrara marble benchtops and limewashed oak cabinetry. For an injection of colour, Kristy designed a custom rose-velvet upholstered nook. “It’s a bit of fun and a great spot for the kids to sit and do their homework,” she says. “That little corner gets heaps of sun as well so the cat also loves it.” The only structural change was the removal of an internal wall dividing the kitchen and living area, but the effect of that was transformative. “Though it was a very small change, it really opened up the space,” says Kristy. The standard 2.1-metre doors leading outside were also raised to streamline with the generous ceiling, creating better proportions and access for more light. Naturally, then, the house felt like it was in two parts, so rather than trying to make it something it wasn’t, Kristy enhanced the division, stripping out the original details in the light-filled northern living spaces but enhancing them at the other, southern end. Skirtings, ceiling roses and cornices were kept and Dulux Mossa green was painted on the study walls for a moody vibe. This clever dance between old and new is most obvious on the facade. “It was relatively easy to achieve,” says Kristy of the

changes that were strictly cosmetic. The period light fitting was replaced with a modern fitting and a new house number spray-painted on with a custom stencil. “I chose not to highlight any of the unremarkable Federation-style details… instead I painted everything Dulux Natural White. To contemporise the finer details, I replaced all the bottle-green gutters and downpipes with a very light grey and removed the stained glass from the windows and doors. This made the traditional detailing disappear.” Alterations to the rear were a different story. “The wall is fake sandstone so it would have been a huge job to chip it off and render. I ended up running bougainvillea across the whole thing instead,” she says of the innovative disguise. Although Kristy is always looking for “little things to add”, she says it’s what money can’t buy that she truly relishes. “What makes this a home is sentimental pieces. I blew up photographs of our parents taken in the 1970s and had them framed, and I have curated a selection of the kids’ artwork up the stairs. They have grown up through all the changes and loved seeing the house transform. They always say they never want to move.” Kristy McGregor Interior Design is at kristymcgregor.com.au. The builder was Ecobuild Construction; ecobuildconstruction.com.au

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7 15

6 14 5 13 4 12

FIRST FLOOR

GROUND FLOOR

3 11

1 Entry 2 Office 3 Bedroom 4 Bathroom 5 Living area 6 Dining area 7 Kitchen 8 Built-in seat 9 Deck 10 Garage 11 Attic 12 Bedroom 13 Bathroom 14 Bedroom 15 Main bedroom

LESSONS LEARNT

“Have a contingency plan” KRISTY McGREGOR, INTERIOR DESIGNER/OWNER

“We realised pretty early on that we needed to rewire the entire house. We had no option but, while it did affect the budget, we had allowed a contingency plan for unforeseen circumstances, which really helped with our stress levels. However, unanticipated rising damp was a surprise. Although it wasn’t a huge issue (easily overcome with a damp-proofing injection into the brickwork), we hadn’t budgeted for it.”

MAIN BEDROOM Timber was left over from the living-room ceiling so Kristy used it for the extended bedhead. Linen, In Bed. Throw, Pampa. Wall colour, Dulux Vivid White. Side table, one of the first pieces Kristy bought as a young designer. Matin table lamp, Hay. Signature Jaro carpet in Mata 101, Carpeteria. Artwork by Sophia Szilagyi. BATHROOM (opposite top) Subtle Carrara marble on the vanity allows the Fibonacci Terrazzo in Dove Grey from Onsite to feature. Ecru towels, Loom Towels. ENSUITE (opposite bottom) Kristy ramped up the white in here with finger tiles from Teranova. Duomo wall light, Nightworks Studio.

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GREAT FINDS

ELLA'S ROOM Suspended from the ceiling is a net on a bamboo structure from Mosquito Nets Online. The wardrobe has a timber-look laminate finish; leather handles from MadeMeasure. Linen, Cultiver. BACK GARDEN (opposite) Kristy, with Lolly and Ella, says this area is still a work in progress. She opted to keep the sandstone cladding and trail bougainvillea over it to minimise the expanse of stone. On the left is a jasmine hedge. Outdoor furniture from Wintons Teak.

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ADDITIONAL PRODUCT SOURCING: NATALIE JOHNSON

CLOCKWISE FROM ABOVE LEFT Stevie lava and bone vessel, $310, Marloe Marloe. Matin polished-brass lamp, from $390, Hay. After A Snowfall oil on canvas artwork by Maria Kostareva, $910, Curatorial+Co. Cashmere rug in Grey, POA, Cadrys. No.18 chair in Natural Oak, $220, Thonet. Classique natural ash dining table, $2300, GlobeWest. Klong ‘Gloria’ brass-ring candleholders, from $275 each, Great Dane.

colour craze

Sydney interior designer Jacinta Woods let her imagination run wild at home with a bespoke look from front door to garden studio

CHEAT SHEET Who lives here Jacinta Woods, a Sydney-based interior designer; her husband Mark Oâ&#x20AC;&#x2122;Halloran, a PE teacher; and their son Toby, two. Style of home A two-bedroom 1930s semi thatâ&#x20AC;&#x2122;s been reconfigured into a three-bedroom home with a more generous living area. Jacinta and Mark designed the family-friendly house themselves. The build took about a year, from planning stage through to completion. Jacinta brought in the renovation at $700,000 $$$$ (including furniture and accessories).

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KITCHEN/DINING “We changed the shape of the island bench to accommodate a pipe, and we use it as a buffet when we entertain,” says Jacinta. The striking centrepiece’s colour is Resene Fahrenheit, the blue cupboards are Dulux Winter Waves and the chairs are Taubmans Terra Dust. Piper stools, DesignByThem. Laurent lights, Living Edge.

WORDS KATHERINE CHATFIELD PHOTOGRAPHY SIMON WHITBREAD STYLING WOODS & WARNER

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“I wanted to use shapes and styles that really pushed me as a designer” JACINTA WOODS, INTERIOR DESIGNER/OWNER

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ARTWORK ON LEFT WALL: SHARON CANDY. ARTWORKS ON FACING WALL, CLOCKWISE FROM LEFT: KATE BANAZI, KEVIN PERKINS, PAULA DO PRADO, SEFTON SEGEDIN, PAUL McINTYRE, HELEN McCULLAGH, CHRISTINE WEBB, PAULA DO PRADO, MARIA KOSTAREVA, INGRID DANIELL

LIVING AREA This creative corner features Dulux Winter Waves on the walls. A Rew sofa from Ke-zu and Salt Plains rug from Stylecraft add even more pizazz to the space. Patterned cushion, L&M Home. Gubi ‘Gräshoppa’ floor lamp, Cult.

f you understand the Sydney property market, you’ll

appreciate that when Jacinta Woods of interior-design firm Woods & Warner and her husband Mark O’Halloran found an agent who offered them a pre-auction property in the creative inner-western suburb of Lilyfield, they leapt at the chance, even though the house was derelict. “The home was in a desirable location but needed gutting,” says Jacinta. “There were only two bedrooms and the bathroom was outside, but I knew I could work with the space. I believed we could reprogram the footprint so I could fully express myself as a designer.” The couple drew up all the plans themselves as they considered a second storey that would make the house five bedrooms, then decided to leave it at a three-bedroom house with a larger living space – using clever techniques to make the 270-square-metre house (including studio) seem larger. “Our place is a semi and the light was compromised, so we made an effort with the intricate details to ensure the illusion of space across the house,” says Jacinta. “For example, we widened the hallway by 150mm to create a feeling of space as you enter. All the internal doors are 2.8m-tall cavity sliders, which make the property feel grander without cluttering up the rooms. We also added a glass front door and a skylight to filter light through.” Other space-saving techniques included creating a laundry in the hallway, adding built-in wardrobes to the bedrooms, and opening up the dining space for entertaining. Jacinta and Mark also built a studio in the garden with a bedroom, bathroom and kitchenette. This faces the end of the kitchen/living space in the main house, which has a horizontal bifold door that opens up like a garage and prevents a stack of doors on one side. The couple worked closely with their builder at Raguz Building Services but used their own trades, including a joiner, a floorer and a landscaper. Most of the fittings, fixtures and even colours were inspired by a holiday they had taken to Palm Springs in the US, and a work trip Jacinta took to Milan. “We fell in love with the simplicity of the shapes in Palm Springs, and I loved the rich bold colours you see in Milan,” says Jacinta. “I wanted to intertwine the two.” The pairing of simplicity and boldness is also reflective of the couple’s relationship. “Mark likes everything neat and orderly,” she adds, “but I need lots of colour and energy around me. We wanted the house to represent us both.” Everywhere you look, there’s colour and pattern. “I wanted each space to be bespoke and unfold like a unique canvas,” Jacinta explains. “In our ensuite, for example, you only see the patterned wallpaper when you walk around the corner. I like patterns to be surprising.” Using contrast to ensure colours aren’t overwhelming is another technique. “In the guest room, the blue walls are dark but the bedspread lifts them. Some people are afraid of colour, but I don’t always want to sit in a plain white space. Different colours evoke different feelings and I want constant change.” Jacinta and Mark love the house and say there’s only one thing they’d do differently. “I wish we’d put in a motorised bifold door [from the house to the studio] to make our lives easier,” she says. “But really, I couldn’t ask for anything else.” Woods & Warner is in Cammeray, NSW; woodsandwarner.com.au

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LESSONS LEARNT “BE ON TOP OF WHAT’S HAPPENING SO YOU DON’T PAY FOR MISTAKES” JACINTA WOODS, INTERIOR DESIGNER/OWNER

“The build was delayed by about four months because the certifier hadn’t previously worked in the area, then after the flooring had been laid there was a leak due to an incorrectly installed pipe. This meant that about five square metres of flooring had to be replaced. Once I realised what had happened, I knew we weren’t responsible for the cost — but it could easily have been added to our bill.”

11 10

9 8 7

1 2

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1 Entry 2 Bathroom 3 Ensuite 4 Main bedroom 5 Bedroom 6 Bedroom 7 Living 8 Kitchen 9 Dining 10 Studio 11 Bathroom

GUEST ROOM Lush floral velvet on the bedhead picks up the walls’ Wattyl Deep Forest. Rainforest Rabble velvet, Linwood. Cushions and yellow Paloma linen, Sage and Clare. Lamp, Astro Lighting. MAIN BATHROOM (opposite top) “This is where the Mid-century Modern feel is strong,” says Jacinta. “I kept it simple, with the same Teranova tiles on the floor and wall.” Amélie bath, Rogerseller. Corian Platinum basin. ENSUITE (opposite below) The defining feature here is the glamorous Miami wallpaper by Cole & Son.

MAIN BEDROOM Jacinta chose Wattyl Red Ochre for the walls, offset by the Jardan ‘Nook’ bed covered in Elliott Clarke cornflower velvet. Cushion, Missoni. Throw, Slowdown Studio. Table and Fritz Hansen ‘Caravaggio Read’ wall lamp, both Cult. STUDIO (opposite) “Having this space in the garden makes the property so versatile,” says Jacinta. “We Airbnb it a lot, and use it for entertaining.” La Palma wallpaper in Midnight, Mokum. Sofa, Fanuli. Sancal ‘Tortuga’ lounge chair, Ke-zu.

‘‘I felt the house deserved an injection of colour and I even used it in the joinery. This is how we like to live’’ JACINTA

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ADDITIONAL PRODUCT SOURCING: NATALIE JOHNSON

GREAT FINDS

CLOCKWISE FROM LEFT Piper bar chair, $495, 5, DesignByThem. Through h The Squa Square uare Window #131 artwork by Kate Banazi, $975 (framed), Curatorial+Co. +Co. Sancal ‘Rew’ sofa, $5389, 389 Ke-zu. Ke e-zu Gubi ‘Gräshoppa’ ‘Grä Gräsho shoppa ppa’ floor lamp, $1319, Surrounding. Claire Ritchie ‘Perry’ throw, ow, w $230, Slowdown Studios Studios. Wattyl Ultra Premium I.D Interior ultra-low VOC paint in Red Ochre (at left) and Deep Forest per 4L, Wattyl. . orest (at right), both $71.90 $7

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DESERT HAUS

Based on Passive House principles, this forward-thinking home is both sustainable and sophisticated

WORDS JACKIE BRYGEL PHOTOGRAPHY JODY Dâ&#x20AC;&#x2122;ARCY STYLING LISA QUINN-SCHOFIELD

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EXTERIOR “I found the cactus plants on Gumtree two days before the last Open House Perth,” says owner Jason. “I hired a ute, pulled the plants out of pots with the seller and brought them back to the house at 8pm the day before!” Slip-resistant Bolzano crazy pavers from Eco Outdoor captures the design intent. The pool features Kayo Border tiles in Antique White from Myaree Ceramics.

cheat sheet Who lives here Jason Edmiston, the home’s project manager and owner, and his partner Lauren McGregor, a project consultant for Living Edge furniture. Style of home A three-bedroom, split-level, Desert Modernist-inspired home featuring raw and natural materials in the Perth suburb of Scarborough. Two-and-a-half years from initial design to completion in late 2018. The total cost for the new build $$$$ was approximately $400,000.

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LIVING Jason steps down amid a backdrop of Dulux Natural White. Flooded with daylight, this space is a vision of quiet luxury. Resting on an Armadillo & Co ‘Nest Weave’ rug in Natural is a Joco coffee table (neither is pictured) and Prime Time sofa, the last two by Walter Knoll from Living Edge. ENTRY (left) The concrete walls are beautiful and super low-maintenance.

his home was truly a case of thinking big

on one of the smallest of sites – and not a project for the faint-hearted. The man behind it is Jason Edmiston, who began with a compact 213-square-metre plot of sandy land in Perth’s sunny Scarborough and wanted his first home – and build – to meet a lot of criteria. “I’m a bit of a research nut,” says Jason, a contract administrator for Built, a large construction firm. “I’d grown up living in a house that was cold in winter and hot in summer – and yet we have one of the most temperate climates in the world here in Perth. It never made sense to me. I started searching for a better way of building and landed on the Passivhaus or Passive House, as it’s called in Australia. It’s focused on delivering comfortable, healthy, affordable and energy-efficient buildings. For optimum performance, it also requires a house to be as compact as possible, which aligns with the small-block concept. Simply put, it’s the house a building scientist would build.” Six months of searching, map-studying and even doorknocking finally brought Jason to the pocket of land he and his girlfriend, Lauren McGregor, would eventually call their own. However, there was a significant drawback. “A two-storey home directly on the north side casts a shadow over approximately one third of the block,” says Jason. “But I remained positive that we could overcome it. I visited again the following day at sunset and that really sealed my decision. The sky was a soft glow of orange, a fresh sea breeze was blowing and the area felt alive. I could definitely see myself living here.”

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“The block is very square, which was a little hard to work out a design for, but actually meant more creativity was required” JASON EDMISTON, PROJECT MANAGER/OWNER

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9 13

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GROUND FLOOR

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FIRST FLOOR

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1 Entry 2 Pool 3 Kitchen 4 Dining area 5 Living area 6 Laundry 7 Powder room

8 Study 9 Bedroom 10 Stairs 11 Bathroom 12 Ensuite 13 Main bedroom

DINING Above a Muuto ‘Split table and ‘Fiber’ chairs is an elegant brass Lambert & Fils ‘Dot Line Suspension’ pendant. Ball Wall Clock by George Nelson. All pieces from Living Edge. KITCHEN (opposite) In the cooking zone, white concrete benchtops are paired with Arrital matt-white laminate cabinetry by Retreat Design. The Les Basic ‘Volar’ stool in Black, also from Living Edge, offers a great spot to perch at the cantilevered bench.

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ENSUITE (this page and opposite left) This spacious wet area has hardwearing yet smart finishes, including Atlantic Granite picket wall tiles from Myaree Ceramics. Arrital vanity in matt-black Fenix surface by Retreat Design. Vitra cork stool, Living Edge. POWDER ROOM (opposite right) Highlighting Jason’s love of organic materials, the vanity is European oak with a striking Lichen basin by Lindsey Wherrett Ceramics. A Muuto ‘Framed’ mirror and Volker Haug ‘Wall Step’ light work visually and practically.

“I believed I could build a really valuable, sustainable and cutting-edge finished home to enjoy for many years to come” JASON

Deal done, it was time for Jason, who assumed the role of project manager, to assemble his team. After engaging architect Ben Caine of Leanhaus, interior designer Lara Staunton of Lahaus, Chris Evans of Passiv Building Co, and landscape designer Mon Palmer, Jason was ready to begin. Or so he thought. “Being in the building industry, I believed that what I was taking on was just another project,” Jason says. “But it turns out that building your own home is really tough! Challenge after challenge reared its head. But for anyone out there looking to do the same – passion and perseverance really do pay off.” And that they certainly did. The completed Abbetthaus, as the home is known, is a triumph in passive-house design – a remarkably energy-efficient, thermally stable and ‘healthy’ residence. Fittingly, Abbetthaus is now certified by the International Passive House Institute – one of only 20 such houses in Australia. The home has also been opened to the public – to great acclaim – as part of Open House Perth. “The entire place has been sealed with an airtight membrane, so there is no uncontrolled air leakage between inside and out,” says Jason. “It remains at a comfortable temperature, year round, day and night, which can render conventional heating and air-conditioning systems obsolete. And the best way to pay less for energy is to use less. A heat recovery ventilation (HRV) system also continually distributes filtered fresh air throughout and exhausts odours and contaminants.” Further enhanced by a garden of hardy, waterwise palms, agaves and cacti – many of which were sourced “secondhand,

for a bargain price” by Jason on Gumtree – the home pays thoughtful homage to the owners’ love of Mid-century architecture, Scandinavian design and minimalist style. “All of the materials were kept raw and natural, and the external timber cladding has been left to silver naturally,” he says. “Maximising light into the house by setting the home back as far as possible was a key driver from the start, due to overshadowing from the two-storey neighbouring home.” A seamless connection between inside and out was also a crucial part of the design brief. For this reason, grey Bolzano sandstone crazy paving, laid by Jason and his father Gary, was carried through from the core living zones to the external deck. “The house sits in a bit of a sand-dune valley, so it doesn’t have any views to speak of,” says Jason. “This created the drive to create a little oasis outlook inside itself.” A scene-stealing internal steel staircase with concrete treads makes another striking feature. “The original brief was for cantilevered treads, but the home’s timber structure made this difficult to achieve,” says Jason. “Lahaus and I workshopped it to maintain the Mid-century design but allow for simpler fabrication, installation and finishing.” Overall, the end result of this innovative design and meticulous execution is an undeniably special house. “I have no regrets,” says a delighted Jason. “The home is very fluid and is enjoyed as one space. Everything flows and is just the way it was planned to be. It’s a home that promotes life and living.” Learn more about the home @abbetthaus INSIDE OUT | 75

lessons learnt “You have to put in the hard yards” JASON EDMISTON, HOMEOWNER

“There were a lot of DIY elements that included long weekends of work, night shifts with my dad and huge support from all of my family and friends. When you do this, there is a consistent and sustained effort required over the course of the project and, by the end, you’re exhausted. But it’s definitely worth it.”

CLOCKWISE FROM ABOVE Muuto ‘Fiber’ side chair in Cognac leather, $1449, Living Edge. Lambert & Fils ‘Dot Line Suspension’ light, POA, Living Edge. Eames ‘Classic’ walnut lounge and ottoman, $9920, Living Edge. Tile wall light in Terracotta, $672, Lumil. Vitra ‘Tripod’ desk clock, $650, Living Edge. Austin queen bed with bedhead upholstered in Marco Kong fabric, $4840, Arthur G.

ADDITIONAL PRODUCT SOURCING: ANISHA GITTINS

GREAT FINDS

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MAIN BEDROOM “I used the timber upstairs to create a warmer, cosier feel,” says Jason. Hampton European oak floorboards, Woodpecker Flooring. The Arthur G ‘Austin’ bed, layered in luxe Sheridan ‘Abbotson’ linen, is flanked by a Walter Knoll ‘Oki’ side table from Living Edge. PLUNGE POOL (opposite) Having their own pool to float around in makes the compact home seem like a mini oasis.

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travel light Owners with a lifetime of overseas inspiration have turned a tired shack in Noosa into sun-soaked family home emanating global style WORDS JESSICA BELLEF PHOTOGRAPHY ANASTASIA KARIOFYLLIDIS STYLING SIMONE BARTER

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cheat sheet Who lives here Karmin Kenny, owner of Alabaster Trader; her husband Rob Chamberlain, a media director; and their two children: Nash, four, and Reid, two. The family’s pets are Maggie, a cat, and Myrtle, a dog, both rescue animals. Style of home A 1970s Besser-block beach house that’s become a rustic, Mediterranean-style home layered with international elements. The couple bought in 2013 and renovated over two years. All up, Karmin and Rob spent about $$$$ $250,000 (including furniture).

OUTDOOR LIVING Protected from the sun in a structure Rob made are a sofa from Uniqwa and coffee table from Karmin’s company, Alabaster Trader. Armchairs by Tine K Home, though Island Luxe in Bangalow. Pendant light, also Alabaster Trader. Cacti, dracaena and succulents sit in pots from Karmin’s store and local nurseries. Set into the rendered fence above the bench seat is a carved stone ‘jali’ panel from India. ENTRY (opposite) “My style can be summarised as a love of white, with global influences and a passion for natural materials,” says Karmin. Console and wall panels from Alabaster Trader.

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armin and Rob’s three bedroom home in

Noosa is a breezy oasis that invites you to travel the world. Wandering through the house is an experience akin to looking through stamps in an overflowing passport; you move across Morocco and take a dip in the Balearic Sea, float through treasures from Bali, and then spend time marvelling at the handmade textures of India. “When people visit, they say it reminds them of holidays overseas,” says Karmin, mother of two and owner of Alabaster Trader, an emporium of Indian hand-crafted furniture and homewares that has gained an adoring client base since 2017. Born in Australia, Karmin has travelled extensively since her early twenties, living overseas while collecting the inspirations that eventually drove her to quit a 15-year career in the technology industry to focus on her true passion. For Alabaster Trader, Karmin sources vintage pieces from India and works with local craftsman to refinish the finds in various shades of white. “I’ve always been drawn to India and its crafts,” she says, “and I fell in love with the use of white in interiors when I lived in Scandinavia. My style has evolved over the years, but those two elements are always at the centre.” Karmin’s strong sense of personal style carries through to the home she has renovated with UK-born husband Rob. The gap in the couple’s knowledge – construction – was bridged by their friend, builder Paul Klavins of PK Building Projects, who closely collaborated with the pair as they reimagined their spaces. The result is a curated sanctum of natural tones and textures, one where plaster, limewash and stone create a fitting backdrop for intricately carved furniture and organic decorating elements. All the sun-soaked, weathered timber and sandy surfaces are a great match for the home’s coastal location. “The house was our weekender, but within a year of buying it we’d left our rural home 30 minutes away and moved to the

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KITCHEN Karmin sourced unpolished travertine for the benchtops. “I bought damaged slabs from a stone wholesaler and had them flipped so the chalky, raw side showed,” she says, “then I found a stonemason who agreed to just hone them and knock the edges off to enhance the imperfect look.” Woven pendant from Ibiza. Handles, Fog Linen Work. Blinds, By Mölle. DINING (opposite, top left) The dining area feels fresh and casual, courtesy of its built-in concrete bench seat coated in lime plaster. Table and pendant, Alabaster Trader. Malawi chairs, Village (Stores). HALLWAY (opposite bottom) Doors sourced in India are used throughout. Artwork by Ines Brenneman. Bench, Alabaster Trader. FAMILY PORTRAIT (opposite right) Karmin and Rob with Nash (standing), Reid and Myrtle.

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LIVING “Having access to things from my store means I can swap out the cushions every spring and autumn, and even switch around the furniture if a piece arrives from India that I particularly love,” says Karmin. “My go-to styling trick is to add one statement piece to a room, and often it will be an extra-large mirror.” Here, the arch of the oversized Indian mirror echoes the shapes of the wall niches above Rob’s favourite old leather chair. Travertine coffee table designed by Karmin. Sofa, Eclectic Style. Pendant light, Ikea. Large artwork (next to fireplace), Dry Studios. Timber stool, Alabaster Trader. Gold table lamp, House Doctor.

LAY IT ON

The handmade finishes and natural textures of the walls and floors add to the home’s unique organic feel. Lime-based plaster covers the walls, while cement-compound floors have been hand-trowelled over the original floor tiles. “We ensured all the edges were slightly rounded to add softness to the space, and that there was movement and texture in the way the plaster was trowelled,” tells Karmin, who says the floor’s finish is spot-on for the coastal location. “It’s super hard-wearing and great for family life beside the beach.”

INSIDE | HOME

“I like to keep our home simple and uncluttered – with a few special pieces throughout, such as the extra-large mirrors and Indian dowry chests” KARMIN KENNY, DESIGNER-IMPORTER/OWNER

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beach permanently,” says Karmin. During the two-year renovation, the footprint of the 1970s besser-block structure remained the same but the layout was given a shake-up. Not a single wall or floor surface has been left untouched, says Karmin. “I had everything coated in white plaster and cement, and all the doors were replaced with old ones I had sourced in India”. The indoor living spaces open up to a gleaming courtyard reminiscent of a resort in Bali’s Ubud or Mexico’s Tulum. Enclosed by a tall rendered fence that gives the family a sense of privacy, it also allows them to comfortably lounge and even bathe outdoors. “As the floor inside and out is almost the same shade of white, it opens up the space to make it feel like one big indoor/outdoor area,” says Karmin. “The kids can scoot around on their bikes while we sit under the latte-pole roof and enjoy a glass of wine in the evenings.” The family love to travel, which is perfect for Karmin as sourcing overseas is integral to her business. She spends quite a bit of time with local craftsmen in Northern India as they transform furniture with whitewash, bleach, sand and wax. Karmin is fascinated by the process and loves to get involved, no matter how dusty or labour-intensive the work is. That willingness to roll up her sleeves came in handy when the couple were plastering their bathroom. After two sets of professional plasterers failed to produce the seamless finish the couple wanted, a frustrated Karmin took charge. She enrolled in a course on how to apply Microcement and rendered it to a high standard herself. Karmin and Rob’s attention to detail never faltered on this project. “With two babies, it was sometimes painfully slow as we wanted to do so much on our own and really cared about the details,” says Karmin. “But we wanted a home that was uniquely ours and we’ve definitely achieved that.” Find Alabaster Trader furniture and finishes at alabastertrader.com

MAIN BEDROOM The calm palette flows through into this space, where linen by Cultiver and Hale Mercantile Co adds even more softness. Bed canopy, Mosquito Nets Online. Cushions, By Mölle. Timber side table, rug and pendant, all Alabaster Trader. BATHROOM (opposite left) Every millimetre is bespoke. Karmin applied the Microcement finish on the bath and floor herself (purchased from Exclusive Finishes in WA). The tiles are Moroccan zellige tiles from Vulcano Tiles. Brass tapware designed by Karmin and made by CB Ideal. Stool, Alabaster Trader. REID’S ROOM (opposite right) An old cabinet painted white and cot from Gumtree are elevated by a bed canopy by Numero 74. Side table and pendant light, Alabaster Trader. Jute rug, AU Rugs.

lessons learnt “After I posted pics of my renovation on Instagram, I saw another business opportunity” KARMIN KENNY, DESIGNER-IMPORTER/OWNER

“Seven years ago I had my heart set on a seamless bathroom and we had an applicator use a product that was supposed to be tadelakt but failed two weeks later. We tried other products and they also failed. After years of research I did a course and shared the process of doing my bathroom on Instagram. I was inundated with requests from women who wanted help to achieve the same finish. I decided to start Alabaster Finishes (a side business to Alabaster Trader) to help educate women on the different finishes available and how to navigate the new world of specialty plasters and finishes.”

GREAT FINDS

CLOCKWISE FROM ABOVE Triple hook panel, $95, Alabaster Trader. Regolit pendant lamp shade, $6.99, Ikea. Wooden vessel, $59, Alabaster Trader. Malawi dining chair, $579, Uniqwa. Hastings cushion, $65, Alabaster Trader. Laguna cushion, $79, Alabaster Trader. Jude teak footed board, $80, Frankie+Coco.

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1 Entry 2 Outdoor living 3 Dining 4 Kitchen 5 Living area 6 Main bedroom 7 Pizza oven 8 Guest cottage

9 Outdoor bath 10 Bedroom 11 Bathroom 12 Bedroom 13 Main bathroom 14 Tea house 15 Laundry/shed 16 Paths to garden

ADDITIONAL PRODUCT SOURCING: ANISHA GITTINS

GROUND FLOOR

INSIDE | HOME

OUTDOOR LIVING This space feels like a Balinese courtyard crossed with a rooftop terrace in Marrakesh. Rob singlehandedly sanded and whitewashed each pole of the latte pole roof (also see page 83). “It took a long time to build but was definitely worth it,” says Karmin. The reclaimed beams used for the structure came from a local demolition yard. ALFRESCO BATH (opposite) Bathing outside is part of the daily activity in Karmin and Rob’s home. The handy couple re-enamelled a clawfoot tub they found on Gumtree, saving the rusty patrina on its outer shell. Doors and table, Alabaster Trader. Lantern, bought in Bali.

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INSIDE | OVERSEAS INSPIRATION

SI N G U L AR S E N SAT I O N In demand for his spectacular visual displays, Singular agency boss Jean-Christophe Aumas has gone for bold in his historical Paris apartment

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LIVING ROOM Glass doors and a skylight have ramped up the brightness in this pivotal space. The sofa is by Vincenzo De Cotiis for Progetto Domestico, while the chair is by Italian designer Carlo Scarpa. Jean-Christophe customised the blue mirror above the fireplace. Small sculpture on mantel (at left) by Olivier Millagou. Brass table and standing lamp, both found at flea markets.

cheat sheet Who lives here Jean-Christophe Aumas, art director and owner of Paris-based agency Singular, which specialises in visual identity for a range of luxury brands. Style of home A basement apartment in a former hĂ´tel particulier (grand townhouse). Built in the 18th century, its lofty ceilings and period details form the perfect setting for Jean-Christopheâ&#x20AC;&#x2122;s art collection.

WORDS MANDY ALLEN PHOTOGRAPHY GREG COX

INSIDE | OVERSEAS INSPIRATION

s artistic director of multidisciplinary Paris

agency Singular, which specialises in designing and building sets for stores, special events and pop-ups in the luxury sector, Jean-Christophe Aumas was always going to live somewhere stunning. It’s no wonder, then, that his latest pad is a thrilling combination of flea-market finds, collectible art and bold colour set against an impressive 18th-century backdrop. The amazing part is that this maker of modern fantasies resides in a home once lived in by a “sorcerer, fortune teller and magician”, he reveals. Prolific as well as passionate, Jean-Christophe is a leader in his field. Before setting up his agency, he headed the visual identity department at Louis Vuitton when Marc Jacobs was at the helm. Now his clients include Céline, Dior, Boucheron, Nina Ricci, Kenzo, Cacharel and iconic department stores Galeries Lafayette and Printemps, for which he creates mesmerising window displays. While the fantasy factor that Jean-Christophe applies to his work is dialled down in his personal space, the element of surprise is ever present. The apartment itself is a magnificent grand dame (not too far from the Moulin Rouge), set in the basement level of a former townhouse. Many of the building’s original features, such as the cathedral-like ceilings, ornate architectural mouldings, parquet floors and breathtakingly beautiful stained-glass windows, remain intact. These features bewitched Jean-Christophe when he first saw the property three years ago. “I fell in love immediately,” he says. “It was so different to my previous home, which was a small loft. From the street you could never imagine there was something like this inside. The atmosphere was wonderful. And I liked the idea of a change, of having a new space to decorate.” When renovating the apartment, Jean-Christophe took great care to preserve its classical past. A skylight was installed in the living room to banish any gloom, as well as floor-to-ceiling glass doors, both of which now ensure the interior feels light-filled and airy. The purpose of the glass doors was also to invite the outdoors in, “to create the idea that nature is entering the living room,” Jean-Christophe explains. The “deliberately chaotic” plant-filled terrace is a virtual urban jungle of lush greenery, providing a meditative view from the living room and renovated kitchen. Other updates include the installation of a bespoke wardrobe, library shelves, and a cube-like structure in the study that incorporates a mezzanine bunk bed. Although he is now the archetypal sophisticated Parisian, Jean-Christophe spent his childhood in Aix-en-Provence, southern France. This explains the Mediterranean touches in the apartment: a vast collection of quirky handmade ceramics, 90 | INSIDE OUT

â&#x20AC;&#x153;I fell in love with the apartment immediately. From the street you could never imagine there was something like this insideâ&#x20AC;? JEAN-CHRISTOPHE AUMAS, ART DIRECTOR/OWNER

DINING ROOM (this page and opposite bottom) The elaborate stained-glass windows tower over the simple timber table and 1970s leather and brass chairs. Jean-Christophe bought the light from a flea market; the vintage plaster feet appealed to his sense of humour. Red rug, Bleu De Fes. Casually propped up against a wall, behind a quirky fruit sculpture, is one of his favourite artworks. LIVING AREA (opposite top) The 1970s modular wooden cubes and planter are all flea-market finds. Turquoise lamp by ceramic artist Eric Croes.

INSIDE | OVERSEAS INSPIRATION

“My home reflects the things I like; it’s graphic, contemporary, classic, quiet, unexpected and inspiring” JEAN-CHRISTOPHE AUMAS

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including a Spanish bull figurine and vibrant Portuguese and Italian vases, sculptures and vessels. The bathrooms also have a Mediterranean aesthetic – more pared-back Corsican villa than swanky city apartment. There are also whimsical handmade objects, many with sentimental value, including a small white ceramic piece that Jean-Christophe bought on his first trip to Syracuse, Sicily. “It’s funny,” he says. “I have lots of collectible furniture and art pieces, but that little ceramic piece is probably one of the first things I’d save in a fire.” Jean-Christophe has artfully and unapologetically used bold green, cobalt blue, red, lavender, dusty rose and even electric pink against fresh white walls. The contrast of this modern approach in a period apartment is exciting and inspiring. Ceramics, books and other collectibles provide additional punches of colour. Organic textures and imperfect handmade forms work in harmony with the more classical design pieces, as well as Jean-Christophe’s extensive art collection. Each room is full of vintage decorative treasures, furniture and fittings picked up while scouring the city’s iconic flea markets, displaying a penchant for 1950s and 1970s design. “It really is the most elemental design philosophy,” he says. “My apartment reflects the things I like; it’s graphic, contemporary, classic, quiet, unexpected and inspiring.” While Jean-Christophe appreciates the “feeling of having a quiet shelter in the middle of crazy and noisy Paris”, this conjurer of creativity ultimately views his home as a “laboratory”, where he can move things around or change things up – the furniture, the decor, the colours on the walls – depending on his mood. Check out Jean-Christophe’s work at singular-paris.com

INSIDE | OVERSEAS INSPIRATION

LESSONS LEARNT

“Inspiration is everywhere” JEAN-CHRISTOPHE AUMAS, OWNER

“I find inspiration in magazines, Instagram, exhibitions, books, movies, music and on the streets. When I’m not working I’ll see the latest exhibitions, and I’m often at flea markets looking at objects for my clients or myself. I read a lot when I’m at home, too. And surf the web, of course!”

KITCHEN (this page and opposite right) This open space is right near the entrance to the apartment, so Jean-Christophe added arches to create a visual separation. The cabinets are made from upcycled timber boards, the floating table is cast from concrete, and the stools are African in origin. Vintage green glass and ceramic pieces fill the nook. GUEST ROOM (opposite far left) The day bed hails from Belgium. Ceramic lights, bought in the south of France. Artwork by Jean-Christophe.

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CLOCKWISE Marshall floor lamp in White, $299, Castlery. One-off Old Yarn rug (261cm x 356cm), $14,600, Loom Rugs. Handmade stained glass, from $2500, Legacy Stained Glass. Vintage Dutch Cleopatra day bed by Dick Cordemeijer for Auping, $1506*, Pamono. Industrial Emperor chair, $359, Vorsen.

PLANT PALETTE Inspired by Jean-Christopheâ&#x20AC;&#x2122;s French collection, we bring you four species that will happily live indoors here

Parlour palm 94 | INSIDE OUT

String of pearls

Rhipsalis

Philodendron xanadu

* CURRENCY CONVERSION CORRECT AT TIME OF PRINTING. ADDITIONAL PRODUCT SOURCING: ANISHA GITTINS

GREAT FINDS

INSIDE | OVERSEAS INSPIRATION

MAIN BEDROOM Bold hues in the stained-glass window have been adopted in the decor with a little help from blue tape. Graphic throw rug by CĂŠline. Scatter cushion from The Conran Shop. The oversized artwork behind the bed is a pixelated photograph of a television screen, taken by Jean-Christophe. BATHROOM (opposite) A beige palette and soft curves sit well with the rounded edges elsewhere. The vanity is Italian marble. Vintage mirror and lights.

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With over 200 evocative colour photographs of original Australian beach houses, this intimate interior book is packed with ideas and resources to inspire you in your own home.

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BENCHTOPS, DEKTON ZENITH (WHITE) AND SIRIUS. SHELVES IN AMERICAN OAK VENEER. SINK, BLANCO SUBLINE.

RENOVATE

green boost

A black and white scheme can help bring colour into your world For this Melbourne home, interior designer Johanna Hay had a clear brief: to create continuity between the old and new parts of the house. She did so by stripping back the palette to a monochrome scheme and using light and dark tones liberally throughout. This has allowed the greenery in the neighbouring park to play a bigger part, reinforced by shots of green in onsite elements like this trailing plant. Turn the page to see more.

WORDS DEBORAH GRANT PHOTOGRAPHY MARNIE HAWSON STYLING CRANBERRY DESIGN

DREAM IT. DESIGN IT. DO IT.

detail driven This meticulously planned renovation in the Melbourne suburbs was all about maximising available space and culling clutter

hen medical specialists Kirsty

Wiltshire and Scott Williams bought a Federation-era family home in suburban Glen Iris a decade ago, they knew that they wanted to renovate it. “At the time we moved in, there were seven different shades of green in the house – and the kitchen was bright red,” says Kirsty. “It was all very dramatic.” However, life got in the way of their immediate plans: within months, Kirsty was pregnant with their first child, a girl. Shortly after baby Amelia was born, the couple conceived again. With two young daughters and demanding careers to juggle, the pair decided to put their renovation aspirations on hold. Later, when the girls were toddlers, another tentative plan to renovate was nixed after Kirsty discovered how messy young children can be. “Kids are kids; walls will be marked and things will be damaged,” she says. “I realised that I wanted to wait until I didn’t have to worry about that sort of thing.” Finally, when the children began primary school, Kirsty and Scott decided to seize the moment. “It was just in time, too,” she says. “We’d run out of storage space and were at a point where handles were falling off the kitchen drawers!” 98 | INSIDE OUT

PINK CUSHIONS, AURA HOME. GREEN CUSHION, MULBERI. LEATHER CUSHION (WINDOW SEAT), MAYVN INTERIORS

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cheat sheet Who lives here Kirsty Wiltshire and her husband Scott Williams, both radiation oncologists; their two children: Amelia, nine, and Eloise, eight; plus their dog Lulu Rose, a Cavoodle. Style of home A Federation-era workerâ&#x20AC;&#x2122;s cottage with a dual-level extension that was added in the early 2000s. Kirsty and Scott bought the home in 2009 and made small updates in the years that followed. They began planning their renovation in early 2018 and finished it in April 2019. The couple spent approximately $$$$ $300,000 (excluding furniture).

living room Pooch Lulu Rose on the Felix sofa by Arthur G. Elle marble nest of coffee tables, GlobeWest. Heat & Glo fireplace. The bench seat makes the most of the leafy outlook; itâ&#x20AC;&#x2122;s clad in engineered European-oak boards with a clear two-pack finish.

WORDS DAN F STAPLETON PHOTOGRAPHY MARNIE HAWSON STYLING CRANBERRY DESIGN

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wishlist + New kitchen Kirsty and Scott wanted a functional eat-in design. + More room outside The cluttered deck needed to be cleared. + Storage This was needed everywhere, especially in the living room.

kitchen Dekton features on the benchtops: Sirius on the island and Zenith on the facing bench, matched with cupboards in Dulux Snowy Mountains. The splashback is Neolith Estatuario from CDK Stone. Hay â&#x20AC;&#x2DC;About A Stoolâ&#x20AC;&#x2122; seats, Cult. Timber floors, custom stained.

dream it Kirsty and Scott focused on the ground floor of the home’s dual-level extension, which the previous owner had added in the early 2000s. Their priorities were to minimise wasted space, create more storage and tone down the zany colour choices. The kitchen, a narrow island divided into two unequal halves, was particularly problematic. “The side of the kitchen with the stove and fridge was very narrow, less than a metre wide,” says Kirsty. On the other side of the island, a built-in table with chairs was positioned awkwardly. “What I really wanted was a big island bench where my kids could sit and do their homework while I was preparing food,” says Kirsty. In the living/dining room, Kirsty and Scott hoped to overhaul the central fireplace and flue that divided the space into two halves. “It was supposed to be a wood-burning fireplace, but there was just a gas burner in there when we moved in,” says Kirsty. Out on the deck, the couple dreamed of making the space more practical by installing a new retractable roof and removing a pre-existing L-shaped pond.

the moodboard d

ADDITIONAL PRODUCT SOURCING: NATALIE JOHNSON

design it The couple’s neighbour, Matt Bright of MJ Bright Builders, suggested they speak to Johanna Hay of Hay Design about reconfiguring the home. “Matt had worked with us before on a couple of small projects, like refreshing our bathroom, so we trusted his recommendation,” says Kirsty. Although they had waited years to begin the renovation, Kirsty was adamant the design stage shouldn’t be rushed. “Joh drew up 22 pages of plans over a six-month period,” she says, “because I didn’t want to be making any decisions on the fly. Renovations are just too expensive to stuff up.” In the kitchen, Joh created extra space by moving the pantry towards the front of the house, into a passage that had separated the pantry from the laundry room. She and Kirsty chose a sleek pressed-porcelain island with Dulux Black Caviar base as the new kitchen’s centrepiece, and had the walls painted a crisp white. The living/dining room also needed a lot of work. “It was full of cheap-looking orangey timber veneer, which had to go,” says Kirsty. “We worked with Joh to incorporate different timber tones to give the space a range of textures.” Kirsty and Scott then installed a Heat & Glo fireplace surrounded on three sides by black cabinetry. Along the back wall of the space they added a long bench with drawers underneath for more storage.

CLOCKWISE FROM ABOVE LEFT Windsor Wool ‘Ashington’ carpet in Blyth, from $245.85 per lineal m, Choices Flooring. Bloomingville vase, $69, Royal Design. Dekton Sirius surface, POA, Cosentino. David Trubridge ‘Kina’ light, from $585, Creative Lighting Solutions. Dulux Wash&Wear acrylic paint in Black Caviar, $91.55 per 4L, Bunnings. Elle round marble nest coffee tables, $2300, GlobeWest. Bianco kitchen mixer with pull-out tap, $859, Winning Appliances.

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dining room

Kirsty and Scott’s builder neighbour Matt completed the work in stages to minimise disruption for the family. The use of different woods – including lacquered dark-wood floorboards and sleek white kitchen cabinetry – proved to be a revelation. “We watched the house ‘grow up’ before our eyes,” says Kirsty. When it came time to decorate, the couple signed up Wendy Davey and Jodie Bond from Cranberry Design. They took their cues from Johanna’s interior design, sticking with neutrals – including a range of calm greys in the living room – and adding just the occasional pop of warm colour, such as in the pink cushions. Green accents, including several green-glass vases, speak to the leafy living-room views. “Wendy and Jodie instilled a softness that had been very difficult to achieve with the original colour scheme of the house,” says Kirsty. Ten years after moving in, Kirsty and Scott finally feel at home. “A lot of people get to the end of a renovation and say ‘never again’, but I enjoyed the process,” she says. “I think that’s because we knew exactly what we wanted from the start.” The experience was so empowering that Kirsty now admits to a new dream. “I don’t think this will be the last thing we do. Part of me would love to build a house from scratch at some point.” Matt Bright is based in Glen Iris; mjbrightbuilders.com.au. Johanna Hay is in Hawthorn East; haydesignstudio.com.au. Cranberry Design is in Malvern; cranberrydesign.com.au 102 | INSIDE OUT

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FIRST FLOOR

do it

GROUND FLOOR

Keeping the centrally located fireplace and revamping it with a Heat & Glo model has maintained the delineation between the living and dining zones. Cranberry Design contemporised the owners’ table with Belinda chairs from GlobeWest. Pendant, Custom Lighting.

1 Entry 2 Main bedroom 3 Ensuite 4 WIR 5 Hall 6 Bedroom 7 TV room 8 Bathroom 9 Bedroom 10 Study

11 Deck 12 Laundry 13 Kitchen 14 Dining 15 Living 16 Garage 17 Retreat 18 Bathroom 19 Study nook 20 Bedroom

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the best bits + Working with a receptive designer “We’d heard that some designers enforce their viewpoints on clients, but Joh was very conscious of what we were trying to achieve. She helped us realise our vision,” says Kirsty. + Smart kitchen storage “Joh measured each of our appliances and made sure there was space for them in the pantry. We also used pocket sliding doors on some of the cupboards, which means we have easy access to most items but can also hide things away.” + The great outdoors “Removing the pond on the deck has made the outdoor space feel much more open, and swapping our French doors for glass sliders has created a much-needed indoor-outdoor flow. We use the deck much more now.”

bedroom Resene Truffle paint on the wall keeps the mood subdued. The bed was custom-made in Tasmanian oak a few years ago. Linen and Soho quilt cover and matching pillowcases in Lake, L&M Home. Tilt lamp, Established For Design. Photographs by Peter Turnley.

lessons learnt “You can never be too prepared” KIRSTY WILTSHIRE, HOMEOWNER

“We knew where every single power point and light switch was going to go before we started work. We were prepared and so didn’t go over budget.”

INSIDE | RENOVATE

BUYERâ&#x20AC;&#x2122;S GUIDE

WHAT LIES BENEATH Your selection of carpet lays the groundwork for the look and feel of your home

MATERIALS FROM TOP Temuka ‘Konini’ wool loop carpet in Hayes, from $292.60 per lineal metre, Choices Flooring. Cavalier Bremworth ‘Astoria’ wool chunky loop carpet in Brooklyn, $445 per linear metre, Webber’s Carpet Warehouse. Luxe Tone nylon plush carpet in Opal 695, $66 per sq m, Carpet Court. Belgian Natural Herringbone sisal rug with Belgian jute (2m x 3m), $1215, The Natural Floorcovering Centres. Rising Splendour Triexta twist carpet in Mossy Glade, $40 per sq m, Carpet Court.

H PHOTOGRAPHY: MAREE HOMER (OPPOSITE), NIC GOSSAGE (SWATCHES). *PRICES ARE PRODUCT ONLY UNLESS OTHERWISE INDICATED AND MAY VARY DEPENDING ON OTHER FACTORS

ands up if you think carpet is only good

for bedrooms. Sorry, it’s time to think again. “Carpet can bring a warm, luxurious feel to an interior,” says east-coast interior stylist Emma Blomfield (emmablomfield.com). “It’s a goodvalue option that needs minimal maintenance – and the range of colours and styles means it can be extremely versatile, too.” There are plenty of things to consider when choosing carpet. “You may really want a delicate wool carpet in a light colour, but if you’re in a busy household with pets and kids, this probably won’t suit your needs,” says Rachael Daniel, national merchandise manager for Carpet Court (carpetcourt.com.au). “The good news is, there’s a lot of choice out there, so you can have something that looks great, lasts a long time and suits your lifestyle.” From material to pile style, here’s what to think about when you decide to go feet first and buy a new carpet…

what’s on offer

Wool “These carpets are the most expensive on the market and

have a soft, luxurious feel,” says Rachael. “The unique fibre structure is strong, hard-wearing and provides natural protection to help resist staining and soiling. Wool carpets absorb noise and are flame-retardant. They keep your home cool in summer and warm in winter, as well as being renewable and biodegradable.” Wool is also a great choice for allergy sufferers. “It’s hypoallergenic and absorbs and filters airborne allergens,” says Lily Ng, product innovation designer at Cavalier Bremworth (cavbrem.com.au). “The fibres trap dust and soil particles in the top layer of carpet pile and are easily removed when you vacuum.” Wool or wool blends work well in living areas, but Rachael has advice for those planning to put one in a hallway or high-traffic area. “Look for a tightly tufted product in a 10th gauge,” she says. “This means the yarn is close together so it’s tough-wearing. These types wear exceptionally well.” Synthetic “Synthetic carpets are durable and stain-resistant, so they’re great if you have children or animals,” says Nicole Canty,

product manager at Choices Flooring (choicesflooring.com.au). “Nylon carpets set the standard for softness, beauty and durability. Solution-dyed nylon (or SDN) has colour added to the fibre during the production process, rather than applied to the surface afterwards, making it colour-fast against cleaning and sunlight.” Polyester is widely liked for its soft appearance and range of colours. “It’s highly stain-resistant and one of the most eco-friendly synthetic fibres you can purchase,” says Nicole. “It’s cheaper than nylon, making it a good option for budget-driven renovations.” Polypropylene is great if you’re working to a budget. “Anti-static plus fade- and stain-resistant, it’s often used in rental properties, garages and playrooms,” she adds. eco+ Triexta “This new fibre is made from 37 per cent renewably sourced polymer that comes from corn sugar,” says Rachael. “The emissions from the production are 63 per cent lower than nylon, making them an eco-friendly choice. It’s also extremely soft, highly stain-resistant and durable.”

WORDS KATHERINE CHATFIELD PRODUCT SOURCING ANISHA GITTINS

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NEUTRAL AND NATURAL CLOCKWISE FROM BOTTOM LEFT Brindle sisal rug with Belgian poppyseed chenille (2m x 3m), $1475, The Natural Floorcovering Centres. Alpine Retreat wool loop carpet in Thredbo, $88 per sq m, Carpet Court. Belgian Wild Rice sisal rug with Belgian jute (2m x 3m), $1395, The Natural Floorcovering Centres. Samurai wool chunky loop carpet in Pyua, $97 per sq m, Cavalier Bremworth. Belgian Silver Herringbone sisal rug with Belgian charcoal herringbone cotton (2m x 3m), $1365, The Natural Floorcovering Centres. Bell Twist wool-blend woven carpet in Wisteria, approximately $85 per sq m, Brintons. Armure wool loop carpet in Latte, $85 per sq m, Cavalier Bremworth. Tretford cord goat-hair carpet in Cashmere 613, from $125 per sq m** (under foliage), Gibbon Group.

“Twist or cut-pile carpets are very functional for active families, and work in all spaces from hallways to bedrooms to offices” RACHAEL DANIEL, CARPET COURT

natural floor coverings

“Sisal is a natural fibre harvested from the self-sustaining Agave sisalana cactus plant,” explains James Trowbridge, director of Floorspace (floorspace.com.au). “It’s extremely durable and a great eco-friendly option. Sisal flooring is also soft underfoot and competitively priced. Jute is made from fibres of the jute plant and makes a softer – though less durable – carpet than sisal.”

pile styles PHOTOGRAPHY: NIC GOSSAGE (BOTH PAGES). STYLING: KATRINA YAXLEY (MOODBOARDS). *PRICES ARE PRODUCT ONLY UNLESS OTHERWISE INDICATED AND MAY VARY DEPENDING ON OTHER FACTORS. **PRICING CAN VARY BASED ON LOCATION, AREA SIZE, WHETHER STAIRS ARE INVOLVED AND IF FLOOR PREPARATION IS REQUIRED

Loop “This is very on-trend, especially in wool,” says Rachael

Daniel of Carpet Court. “It provides a great textured look and feel underfoot, and pairs exceptionally well with timber, delivering an organic visual effect.” If you have a pet, it may not be the best choice, though. “Cats can be quite fond of scratching their claws in the loops of the carpet,” says Lily Ng of Cavalier Bremworth. Plush “Also called velvet or velour, plush piles look soft and smooth and have a little twist in the yarn,” says Lily. Plush pile is having a resurgence at the moment because “it allows for fibre movement, which creates an interesting shadow”, says Rachael. Cut Twist or cut pile carpets are “very functional for active families, and work in all spaces from hallways to bedrooms to offices”, Rachael explains. “They’re also great for cats who like to scratch the carpet.” You can play with the look of a cut-pile carpet by varying the amount of twist in the yarn, the thickness of the yarn or the length of the pile, advises Lily: “A hard twist or frieze carpet is twisted hard and heat-set to give a very textured look.” Combination cut and loop pile “These have a combination of cut and looped yarn to create sculptural effects such as squares, swirls or geometric patterns,” says Nicole Canty from Choices Flooring. “The extra texture disguises marks and footprints much better than plain-cut pile.”

PILES ABOVE, FROM TOP Luxe Palette wool plush carpet in Calla 629, $66 per sq m, Carpet Court. Perpetual Textures wool-blend woven carpet in Barleycorn, approximately $100 per sq m, Brintons. Tretford cord goat-hair carpet in Apple 528, from $125 per sq m** (including installation), Gibbon Group. Bremworth Collection ‘Transpire’ wool chunky loop carpet in Emerge, $435 per linear metre, Webber’s Carpet Warehouse. BELOW, CLOCKWISE FROM LEFT Hycraft ‘Carramar’ wool loop carpet in Canyon Mist, from $196.29 per lineal metre, Hycraft ‘Odyssey’ wool plush carpet in Penelope, from $268 per lineal metre, and Brease ‘Eurus’ SDN textured carpet in Elegant, from $154.99 per lineal metre, all Choices Flooring.

carpet ratings

Carpets are classified under the Australian Carpet Classification Scheme (ACCS, established in 1985), according to their durability and how they retain their appearance. There’s a maximum of six stars for residential carpets, and high-traffic areas should have a carpet with a rating of four stars or above. “I recommend you INSIDE OUT | 107

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“If the carpet is going next to flooring such as wood or concrete, consider the hues and select a carpet that will complement the space and look cohesive”

only purchase ranges that have been rated under this scheme,” says Rachael Daniel. “And the Carpet Institute of Australia (carpetinstitute.com.au) also has an Environmental Certification Scheme, so you can see how eco-friendly your carpet is.”

underlays

Once you’ve chosen your carpet, it’s time to think about what’s going underneath it. “A quality underlay will help reduce transmitted sound, resulting in a quieter home,” says Rachael. “Many underlays also have an antimicrobial agent, which helps control bacteria, mould and dust mites. These can help protect against asthma attacks and allergies, as well as prevent odours.” Remember to factor in installation, underlay and GST as part of the overall cost of your new carpet.

try before you buy

“Take carpet samples home so you can view them in situ,” advises Lily Ng. “Carpet can often appear lighter when you get it home. Different lighting can also change the appearance of the colour.” Also think about the adjacent rooms. “If the carpet is going next to flooring such as wood or concrete, consider the hues and select a carpet that will complement the space and look cohesive,” Lily says. “Consider reflections, too. If the walls have strong colours, these can change a carpet’s appearance.”

popular looks COLOUR TRENDS FROM TOP Tretford cord goat-hair carpets in Burnt Orange 559 and Tuvan 588 (from the Colours Of Magnolia collection), from $125 per sq m** each (including installation), both Gibbon Group. Belgian Basalt sisal rug with Belgian black cotton (2m x 3m), $1455, The Natural Floorcovering Centres.

Carpet colour is back in a big way. “Trending carpet colours at the moment are mustards, navys, burgundy and burnt orange,” says interior stylist Emma Blomfield. If you can’t imagine having a whole room of a strong-coloured carpet, how about carpet tiles? “These allow you to zone off certain areas, so you can have some spaces in more neutral colours and some in bolder colours,” says Emma. “Then, if you change your mind, you can simply lift them up and replace them.” And what if you’re not into colour? “A neutral carpet with a high amount of colour variation will be the most forgiving for stains and dusty marks,” says Rachael.

PHOTOGRAPHY: FELIX FOREST (THIS PAGE), NIC GOSSAGE (OPPOSITE). STYLING: KATRINA YAXLEY (MOODBOARD). *PRICES ARE PRODUCT ONLY UNLESS OTHERWISE INDICATED AND MAY VARY DEPENDING ON OTHER FACTORS. **PRICING CAN VARY BASED ON LOCATION, AREA SIZE, WHETHER STAIRS ARE INVOLVED AND IF FLOOR PREPARATION IS REQUIRED

LILY NG, CAVALIER BREMWORTH

COOL TONES CLOCKWISE FROM BOTTOM LEFT Luxe Palette wool plush carpet in Iris 690, $66 per sq m, Carpet Court. Tretford cord goat-hair carpet in Olive Tang 699, from $125 per sq m** (including installation), Gibbon Group. Cavalier Bremworth ‘Pebble’ wool loop carpet in Queenstown Hill, $399 per lineal metre, Webber’s Carpet Warehouse. Bell Twist wool-blend woven carpets in China Blue and Aquatint (beneath), approximately $85 per sq m each, Brintons. Tretford cord goat-hair carpets in Dried Lavender 527 and Petrol Green 579 (beneath), from $125 per sq m** each (including installation), Gibbon Group.

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The Block: Glasshouse co-winner and interior architect Shannon Vos. voscreative. com.au

Interior design is the art of understanding human behaviour to create spaces within a building, inside and out.

Interior decoration, though, is the adornment of a space with life and beauty. One can be seen as quite clinical, the other full of emotion and human story, and tackling any interior-decoration project can seem daunting to say the least. But broken down into steps, as plentiful as they may be, is the only way to take on such a mammoth task. Itâ&#x20AC;&#x2122;s only then that we can slowly breakdown the process and articulate all of our decisions.

DECORATE LIKE A PRO 110 | INSIDE OUT

PHOTOGRAPHY: MAREE HOMER (LIVING ROOM), WILL HORNER (TABLETOP). STYLING: JONO FLEMING (TABLETOP)

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know thyself IMPORTANT DETAILS

Block colour is great but creating movement and energy that cuts through it is essential. Cue this room’s graphic black elements.

Probably one of the biggest steps in any project – design or build – is the first, and having a game plan is paramount to pulling off a cohesive space. You will want to know where you are headed before you get there because no one likes that kind of surprise, especially when it involves quite a bit of cash.

do your research

Find your style, your niche, your look. Easier said than done, right? Look around you, pore over magazines, save Pins, start boards, ‘like’ posts and you will start to see patterns in what you’re saving. Create a vision board of all the beautiful images and things you like, and you’ll find certain styles and looks coming through. A step further is to use the home you’re living in as a basis for a style. A chalet in the mountains, for instance, would look silly styled all coastal and beach-like. Use what you love and the home you have (as well as where you live) to build the palette of style, colour and life you wish for. This can take anything from a week to years, so allow plenty of time to refine your taste, and if you find yourself butting heads with your partner, husband, wife or bestie (I hate to use the word compromise), find that happy medium. Don’t feel constrained by movements or particular styles; just gather what you love (the colours, the textures, the art) and make it yours. Own your style and you’ll build a confident personal space that feels like home and is that enclave of peace we all dream of.

KILLER PENDANT

Chosen for maximum visual impact, this design contrasts with the general coverage (and relative invisibility) of the downlights.

kick off with a brief

Knowing a style or trend you want to achieve is one thing, but pulling it off is something quite different. It’s best to create a brief (one for each space) or a set of needs and wants from each room. This will inevitably change with time – think bachelor pad versus young family – so embrace the opportunity to reinvent yourself. List what you need and want from a space and start to tick off solutions. Take your dining room, for example. What do you NEED from it? Table for six, easy-to-clean floors and chairs, plenty of task lighting and a place to store all the bills. What do you WANT from a dining space? Softness, pops of colour, plenty of greenery, natural light, and cohesion with the kitchen space. It can’t all be done at the click of a button though and, generally, the best way to know what you want from a space is to live in it for a least a few months. Get to know the nuances of a room, the way it feels through the seasons and the way the light changes in there throughout the day. Knowing the space will help you to figure out what you want from it and that, in turn, will create a clear brief for you to get started with.

sketch up

A simple, to-scale sketch of a room or zone is an excellent way to create a floor plan and figure out how much space you have for the bigger things. It’s great for figuring out the space around a bed, sofa configurations and cabinetry detail. If it looks right on paper, it will generally look decent in real life, so don’t be afraid to play around with your floor plan to see what works best.

start at the top

If designed right, ceilings and lighting can really make a space. A soft white ceiling with plenty of reflected light can build an ethereal tone while a moody grey hue overhead with muted warm light can build cosiness and familiarity. Colour and light have so much bearing in a space, they set the tone for what’s to come in a home. A space should (we can’t always hit the mark though) have three distinct types of lighting: task, accent and general. It’s these three (two if we’re stingy) that you want to layer so you can build character and personality in a space. A kitchen, for instance, might have task lighting directly over a benchtop, a killer (though not wholly practical) pendant light over the table for a touch of accent lighting, and a general wash of downlights to gently illuminate the entire space. Having only one type of lighting would be impractical on its lonesome, which is why a wellchosen collective can really shine. Try using plenty of task lighting (with dimmers if possible) where you can. That means lamps, wall lights, spotlights, anything with specific direction and for intentional use. On top of this, cut down the number of downlights you once might have gone for, and remember that Mother Nature is queen bee when it comes to general lighting.

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PLANT MATTER

OVERSIZED RUG

Living plants and accessories crafted from natural fibres can work together to soften a room.

This creates a zone unto itself that makes a space feel more layered and special.

blinkin’ near impossible to guess what a rug will look like in your home. I love to try before I buy and always oversize a rug. Take a rug (or two) home and see what works best. Tuck a third of the rug under a bed or sofa to let those elements overlap, and keep your rug clear of any cabinetry.

PHOTOGRAPHY: CATHY SCHUSLER (KITCHEN), SAM McADAM (LIVING), ARMELLE HABIB (DINING). STYLING: JONO FLEMING (LIVING), HEATHER NETTE KING (DINING)

go with the flow

Furniture selection is a huge element in decoration. It may be the biggest purchase inside the home and usually dictates how a room is oriented or set out. Keep this in mind when choosing your pieces as you want to create flow and movement for the people who use the space. Keep corridors within rooms for people to use. Furthermore, don’t crowd your room with too many big pieces. Give yourself and your furniture room to breathe and you’re guaranteed a more inviting space.

soften up

Don’t underestimate the effect of softness in a space. We all love natural timber floors, big glass windows and handcrafted furniture, but that hard aesthetic needs to be balanced out. Cushions and throws can soften a space like nothing else, but remember that greenery and natural tones also have the power to create soft vibes within a space. Spend time choosing your cushions (looking for relationships in colour, pattern or texture) to really pull it altogether.

a rug can work a treat

The Dude in The Big Lebowski was right all along – a rug does have the power to make or break a space. That being said, it’s

art is king

A room without some kind of art is an empty space, but it doesn’t have to cost you a generation of inheritance. A simple print or two, or an oversized canvas that delivers some colour, can bring ‘smile’ to an otherwise dull room. I always invest in good framing and use appropriate scale in a room. An oversized print on a big wall tends to sit well, as does a collection of smaller pieces in a more modest space.

declutter

Nothing kills a space like clutter. We have enough going on in our lives without having to deal with 18 candles in a lounge room or your vast collection of snow globes from when you identified as a world citizen. Kill the clutter and take back your life.

use rules when you get stuck

Designers and decorators generally use formulas, or rules, to create cohesion. We’re not all gifted artists, so there is some method to our madness. The rules are principles we apply to the elements inside a home, and they govern balance, gradation, contrast, repetition, harmony and unity. Applying them to the elements in your home (such as colour, texture, tone and size) will give the space a sense of cohesion and help you to create rooms worthy of any magazine cover. INSIDE OUT | 113

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I ’ V E A LWAYS WA NTE D. . .

a walk-in robe

Give your garments the attention they deserve with a dressing room you’ll never want to leave

aimlessly into a pile of clothes wondering what to wear (again) and questioning why you’re still holding on to those pants, every morning? Same. Liberate your ‘floordrobe’ and take back sartorial control with a wardrobe to make Carrie Bradshaw weak at the knees.

storage

The philosophy of Marie Kondo may be sparking a little less joy these days, but her guide to ruthless decluttering still holds true. In order to figure out what you need from your wardrobe, you have to decide what you don’t. Start by creating an inventory of all your clothes, shoes, bags and accessories. From there, shelving and hanging space can be designated. “Allocate enough long hanging space for coats and dresses, and plenty of shorter hanging space for shirts and skirts,” says Sacha Leagh-Murray, general manager for marketing at Laminex. “Don’t forget open shelving for shoes, bags and other display items, with enough empty space for your future purchases.”

space

materials

If you have the square footage to get creative with your design, the possibilities are endless, but if you’re working within a tighter framework, then clever fixes like shallow shelving and smart storage are a must. Susan Hasler from Freedom Wardrobes also suggests placing open shelves above hanging space “for items that you need to store but don’t often access”. If you have room to spare, consider an island bench or make-up station for added wow factor.

For continuity purposes, it’s wise to choose a cabinetry style that complements any existing ones in your home. However, don’t be afraid to mix things up to create

114 | INSIDE OUT

your very own sanctuary of style. Choose a palette that will make your clothes stand out and don’t be afraid to change it up when it comes to internal finishes. “For something different, we’re loving the glamorous look of warm, dark timber finishes,” says Susan. “Pair with chic dark handles in either matt black or brushed bronze for extra opulence.”

lighting

While it might seem like an afterthought, great lighting is essential for creating a beautiful space. “You can’t wear what you can’t see,” says Sacha. “Having adequate lighting ensures all of your clothes and shoes are illuminated, making outfit planning a breeze.” In a smaller space? Open up the room with a skylight or, if that’s not possible, “opt for cool lights over warm lights to make your clothes stand out.” Using LED strip lighting at the base of your cabinetry, as well as down the centre of your wardrobe, provides a discreet yet luxe update that can transform the room. And, as LED light doesn’t create heat, you won’t have to worry about damaging delicate items.

finishing touches

When your wardrobe is nearly complete, it’s time to make it shine. Small details such as beautiful handles, identical coat hangers and accessories will elevate your wardrobe design. Think pullout wire baskets, shoe racks, soft-close mechanisms and more. “Our accessories feature refined matt edging,” says Susan. “And our black-framed glass shelves are perfect for displaying accessories. The sleek mattblack frame is irresistibly on-trend, while the glass adds the high-end feel of a boutique to your boudoir.” Whatever you choose, don’t forget to install a full-length mirror, which is not only essential for curating your outfits, it has the added benefit of providing the illusion of space.

INSIDE INSPIRATION

Sacha Leagh-Murray of Laminex opens the door on this year’s biggest wardrobe trend “We’re seeing a big push towards custom internal cabinetry, that is, the inside lining of the joinery being crafted in a shade that either complements, or contrasts with, the outer doors. This is a great option for your drawers, too, creating a look that is both premium and functional. Juxtaposing a classic woodgrain or neutral finish on outer cabinetry with a coordinating colour on the inside creates a stunning bespoke design, while making items of clothing more noticeable and easier to locate. Taking inspiration from the colours used throughout your home for the outer cabinetry ensures a seamless look, while the internal cabinetry allows you to be creative and really inject some personal style into your space.” LAMINATES, FROM TOP DOWN Just Rose Natural, from $83.49 per sq m; Fox Teakwood Natural, from $89.21 per sq m; and Raw Birchply Natural, from $89.21 per sq m, all by Laminex.

PHOTOGRAPHY: MAREE HOMER. STYLING: JONO FLEMING

o you find yourself staring

storage Have a good mix of hanging space and shelving

space Try to make every inch count

materials Take style cues from your existing cabinetry

lighting Keep the look cool or natural

ďŹ nishing touches Consider luxe additions such as handles

HERS AND HIS

Lots of drawers and shoe storage next to a built-in seat are the definition of luxury for Michelle and Leon Elski.

corner shop

BEST IN BRASS Kitchen lighting can be tricky. There’s plenty of area to illuminate, but you don’t want something that might overwhelm such a busy space. Enter the LEDlux Avenue LED dimmable bar pendant light. Its brass finish and sleek aesthetic works with modern layouts and, at 150cm wide, it’s ideal above a kitchen island. $695; beaconlighting.com.au

BULK BUY

So, you have a tiny galley kitchen and need some visual impact? For the splashback, why not go for Mos herringbone honed tiles in Orient Green? Each 285mm x 285mm sheet is just $32, delivering true wow factor for any budget; beaumont-tiles.com.au

The Frankie linen bag in Dusk, $95, sure beats your regular reusable shopping bag. Made of heavyweight 100 per cent linen with a linear dimension of 125cm, it’s sturdy and big enough to cope with any trip to the market; cultiver.com.au

LIFE’S A GRIND To put a twist on the saying, it’s also too short for bad coffee grinders! You can’t call the Smeg ‘CGF01CRAU’ in Cream that. With all the features you need, it also comes in Black, Pastel Blue and White. $349; smeg.com.au

home comforts Little luxuries for your food prep and sleep spaces

iron maiden For those connected with their more feminine side, check out this Le Creuset 16cm cast-iron saucepan in gorgeous Shell Pink, $369; lecreuset.com.au

LET'S DO LUNCH

Socially conscious, sustainable and Australian owned, these luxe stainless-steel water bottles from Beysis satisfy any design thirst and can be personalised with your name or initials. $35.90 each; beysis.com

Ideal for baby food or the kids’ lunches, the Bonnsu Miniware ‘Bento’ stainlesssteel and silicone lunch-box set in Snow/Peach, $65, gets things sorted day-in, day-out; designstuff.com.au

sight to be-hold The Joseph Giles ‘Ashworth’ family of handmade solid-brass handles are as close as you’ll get to works of kitchen art. There is a range of sizes and finishes, but the dark bronze and brushed brass ‘CH1072’ versions are superb. POA; englishtapware.com.au

3 OF A KIND Dustpans

At last! Things that turn kitchen cleaning into a joy — well, almost... 1 Normann Copenhagen dustpan and broom (near right), $45; top3.com.au. 2 Iris Hantverk dustpan and brush set (middle right), $59; arrivalhall.com.au. 3 Beech dustpan and brush (H90cm, far right), $78; heaveninearth.com.au

116 | INSIDE OUT

ﬁrst-name Beysis

COMPILED BY JOSIE SMITH AND NATALIE JOHNSON

WORDS: DARREN CHRISTISON. PHOTOGRAPHY: NEIL HEWISON (HANDLES), MARTINA GEMMOLA (L&M HOME)

KITCHEN & BEDROOM NEWS

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MOD MOROCC

L&M Home has just released two new hand-embroidered cushions in earth-toned geometric shapes reminiscent of Marrakech. Great for a bed or seat, they’ll conjur up the city’s golden hour in an instant. Pictured are Archway and Nightwatch, both $130 for the 50cm x 50cm size. lmhome. com.au

3 OF A KIND Floral cushions

Jazz up your space with a flurry of colour. Ellesby linen cushion (left), $89.99; sheridan.com.au. Is Missing Art cushion (centre), $139; greenhouseinteriors.com.au. Evie Meadow cushion (right), $159.95; clementineandco.com.au

private eyes Lavender flower, lavender essential oil, chamomile and adzuki beans. Yep, the blissful Addition Studio eye pad, $49.95, sounds, looks and works like a dream; koskela.com.au

WASH & WEAR While everyone admires the bold screenprinted design on the back of your Blue Face robe, you can savour its so-soft certified-organic-cotton feel, encased waist tie and tailored look — morning, noon and night! $120; aneau.com

tidy up If you’re in need of an extra storage option that looks great and can be moved around, this large handmade jute basket from The Dharma Door could be just the ticket. At W50cm x D36cm x H36cm, it’s an unbeatable mix of size and natural style. $185; thedharmadoor.com.au

spot light

sleep on it As you spend one-third of your life in bed, could the combo of Dunlopillo ‘Therapillo’ dual contour pillow, $189, and ‘Conform’ mattress, $1999 (queen), be your perfect partner? dunlopillo-bedding.com.au

At just $120, the Zeke table lamp from Trit House has it all: terrazzo base, sturdy metal frame and a globe that emits plenty of light; trithouse.com.au

CHECK, MATE Beige boring? No more! Instead, this range of Beige Gingham 100-per-cent pure French linen ups the ante in lavish bedroom looks. The queen-size quilt cover is $330, pillowcases are $39.95 each, and there are also matching flat and fitted sheets; ilovelinen.com.au

HEAD OF ITS CLASS This Avery Palm handwoven rattan bedhead in Natural is so beautiful, it’s almost a shame to only see it when you’re awake. The queen-size option retails for $795; aurahome.com.au

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Aside from aesthetic reasons, are there any benefits to installing parquetry flooring in a herringbone pattern, and what should I look for? Sarah, via Instagram Yes, installing parquetry in a herringbone pattern makes for an extremely stable and durable floor that’s less susceptible to movement or gapping due to the way it’s laid out (each block is essentially wedged in or supported from every angle). Also, parquetry can be directly stuck on to any sub floor, whereas solid strip flooring and other types sometimes only work with certain sub floors, like a particle board or plywood. Keep in mind the type of look you want to go for. Larger-format blocks (such as Boral’s new Grande range) suit larger rooms or more modern homes, while standard blocks typically suit smaller areas or heritage properties.

Artist/designer Rachel Castle chose parquet flooring for her beautiful Sydney home.

ED MARSHALL, REGIONAL SALES MANAGER, BORAL

Keope Percorsi porcelain tiles in Quartz White (600mm x 600mm x 20mm), $84.95 each, UrbanStone.

ask an expert Q

I want to freshen up my kitchen/dining area without renovating. Do you have any simple styling tips? Sam, via Instagram When it comes to styling your kitchen/dining room, simplicity is key. One of the best ways to refresh your space is to play with texture. Start by adding some textured vases in different heights and colours with beautiful fresh blooms. This will instantly add a sense of freshness and airiness. In terms of new furniture, leather dining chairs or kitchen stools ooze sophistication and are also extremely practical for wiping away spills. Never underestimate the importance of a comfortable dining chair, particularly when entertaining — it’s important for everyone to feel comfortable enough to linger around the table after a good meal. Finish the space with a gorgeous pendant light above the table and your new look will be complete.

We’re about to install a pool and looking for some pavers to use in the wet area and garden beyond. What will work in high-traffic areas? Eli, via email UrbanStone’s ‘Keope’ porcelain stoneware is the perfect material for connecting a pool and garden. Made in Italy, Keope pavers have an incredible visual impact and tactility. Both classic and timeless, they’re also extremely hardwearing and high-performance, with exceptional durability and strength, making them ideal for high-traffic outdoor spaces. As the finish is designed to last, Keope porcelain can withstand exposure to salt, chlorine and other chemicals. The best part is that all Keope products feature a minimum P5 slip rating, which means they are the perfect pavers for wet-area applications such as around swimming pools. BRETT WARD, GENERAL MANAGER OF INTERNATIONAL MARKETING, BRICKWORKS BUILDING PRODUCTS

What’s the best security solution for renters? Lynne, via email A wire-free camera runs on a rechargeable battery and is perfect for placement both inside and out (with the correct weatherproof casing). The Uniden App Cam Solo+, priced from $279.95, is a full HD wire-free camera that can be easily installed in most environments. BRAD HALES, NATIONAL MARKETING

EMMA BUCHAN, DIRECTOR, EB INTERIORS

118 | INSIDE OUT

COMMUNICATIONS MANAGER, UNIDEN

EDITED BY KATE HASSETT

PHOTOGRAPHY: SHARYN CAIRNS (CASTLE HOME), PRUE RUSCOE (EB INTERIORS)

Stylish solutions for all your design dilemmas from people in the know

INSIDE OUT | PROMOTION

extras

BRIGHT IDEAS FOR YOU AND YOUR HOME

DOMAYNE Offering an elegant bookend to

INKY CO Delight mum this Mother’s Day

FREEDOM KITCHENS Add colour and

your lounge suite is the Marli lamp table. Its clean lines and angular tapered legs provide a modern look complemented by solid ash

with thoughtfully designed and environmentally sustainable wrapping paper from Inky Co in Melbourne. For more

personality to your kitchen with Freedom Kitchens’ sleek and stylish, black-framed shelving — perfect for storing kitchen

timber detail. Visit domayne.com.au

designs and prints, visit inkyco.com.au

essentials. Visit freedomkitchens.com.au

ARTUSI It is no secret that the Alfresco Entertaining space should be on your renovation plans. Constructed from weatherproof materials, it’s designed for outdoor use. Visit artusi.com.au

BLINDS ONLINE An exclusive collaboration with London-based designer Clarissa Hulse presents a stunning collection of elegant curtains and luxurious blinds made to measure. Visit blindsonline.com.au

ROYAL OAK FLOORS If you’re dreaming about a fresh interior, update your flooring with Royal Oak Floors. The Ash Grey finish is hard-wearing, low-maintenance and beautiful. Visit royaloakfloors.com.au

PLUSH Snuggle up with the Plush Snuggle® Sofa, a round swivel accent chair that can be customised with your favourite fabric for the ultimate in stylish comfort. For more

HARVEY NORMAN The Ariah Bedside Table showcases a simple yet modern design that will stand the test of time. Made from mixed timbers, it’s available in Snow

WYNSTAN Protect your home with Wynstan Crimsafe® Ultimate Doors. Proudly Australian-made, there is no better choice for your property. Book your free in-home

information, visit plush.com.au

or Black. Visit harveynorman.com.au

consultation today at wynstan.com.au

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OUT living large

Layering oversized plants is an easy way to maintain your privacy This Sydney garden didnâ&#x20AC;&#x2122;t work for its owners until Custom Creations Landscapes stepped in with a more flexible design. Their key issue was being overlooked by a number of properties nudging up against the boundaries, which was resolved with a multipurpose faux-grass centre and lush living layers on the perimeter. The soft green walls of giant leaves with underplanted foliage have a visual depth that only nature could pull off. Turn the page for more details.

WORDS DEBORAH GRANT PHOTOGRAPHY BRIGID ARNOTT

With large-leafed plants and other privacyprotecting species swaying in the wind around the perimeter, this Sydney garden has a cosseted luxury its owners love

fan club

WORDS CHRIS PEARSON

PHOTOGRAPHY BRIGID ARNOTT

OUT | GARDEN

After a rather disruptive garden makeover, the owners can enjoy quiet time on their spotted-gum deck. Chair, Kmart. Above are broadleaf lady palms and directly below the deck is a bromeliad. To the left is a giant elephant ear plant and purple bougainvillea. The fern is Blechnum gibbum â&#x20AC;&#x2DC;Silver Ladyâ&#x20AC;&#x2122;.

INSIDE OUT | 123

OUT | GARDEN

iving proof that good things can come in small

packages, this alluring courtyard in Sydney’s inner east is a lush oasis for its owners. But while the garden may look laidback and inviting now, the road to paradise was pitted with potholes, which were all triumphantly overcome by its creators. Having chanced upon their work on Pinterest, the owner approached Matthew Diamond and Mark Virgona of Custom Creations Landscapes to makeover their compact backyard in 2017. “My worldwide search for ‘small courtyard’ inspiration had me poring through hundreds of photos,” says the owner, “but I traced the one I loved the most back to them.” Ironically, their office was also in Sydney – just a suburb away. “The space we were confronted with here was the archetypical cold, sunken, inner-city garden,” says Mark. “It was damp and dark, with neighbouring properties towering over.” And a previous makeover had underutilised the space so there was a poor connection between house and garden. “A tiled grand staircase left you pretty much standing at the back fence,” he adds. “In our small space,” says the owner, “we wanted a tropical vibe so it felt like an escape that was also functional, offering enough room to relax with family and friends while leaving space for the kids to play totem tennis or practise their cricket shots, and for us to lie on the grass and do yoga, as well as being able to accommodate guests for brunches, barbecues and cocktails.” Equally important was having tall plants around the perimeter to ensure privacy from neighbours just metres away. If all that sounds like a big ask for a small space, Custom Creations was undeterred. As the first step towards an inner-city sanctuary, the existing garden was totally gutted. But with no side or rear access in this tightly built area with large terraces and semis, how to shift debris and materials back and forth? The house provided the only route. Faced with tradespeople traipsing through their living spaces at all times of the day, it was important for the owners to be patient. “Having to go through the house comes with many challenges,” says Matthew. “It’s not just protecting the floors and walls from scuffs, there’s also the wear and tear on the body [of the labourer] with all the manual toing and froing. We were often entering the home just before 7am when people were getting up. We were lucky the clients were so warm and welcoming before they had their morning coffee!” “Mark and Matt became a part of our family,” adds the owner, “as we were all in such close proximity during the project. And

MAIN PICTURE With large-leafed plants and bamboo lining the courtyard, it feels private, despite neighbouring homes on the boundary. The paving is Lavarosa Alfresco limestone from Sareen Stone. Outdoor setting, Domayne. Summer Prestige synthetic turf, Grassman. FROM RIGHT Mistletoe cactus and devil’s ivy in pots from The Balcony Garden by an oak bench. Metal outdoor clock, bought in Hobart by the owners. Bougainvillea brings the tropical colour.

124 | INSIDE OUT

“The plants have become our babies; we nurture them and celebrate when they flower each year” GARDEN OWNER

OUT | GARDEN

because they had to bring everything through the house, they saw us in our pyjamas eating breakfast and getting ready for school most days.” The logistics also meant no grand gestures. “Buckets replaced wheelbarrows, jackhammers replaced larger machines and a small tipper truck replaced giant skip bins,” says Mark. Hardscaping and softscaping, plants and pavers – everything came through the front door and down the hallway on the journey to the backyard. To create “a garden that really hugs you”, he and Matt used warm-toned landscaping materials such as limestone for the pavers and spotted gum for the deck, steps and barbecue surround, while Scyon Axon cement-composite cladding, in a receding deep-charcoal hue, forms the back fence. Off-form concrete for the barbecue top was chosen for its superior durability because it’s exposed to the elements. The broad palette of plants consists of large-leaf foliage underplanted with smaller-leafed varieties to create a lavish layering effect. “We wanted as much depth as possible in a small space, and to achieve a tropical-oasis feeling,” says Matt. Large-leaf varieties include the spectacular Heliconia bihai x caribaea ‘Hot Rio Nights’, famed for its bold leaves and vibrant red flowers in summer, and Alocasia ‘Portora’ (aka elephant ear). They are offset by tall-growing Bambusa textilis var. Gracilis (slender weaver’s bamboo) and Rhapis excelsa (broadleaf lady palm) for screening – as a bonus they make “a great swishing sound when there’s a light wind”, says Mark. Meanwhile, the underplanting is a potpourri of contrasting tones, ranging from succulents such as Crassula ovata ‘Blue Bird’, Kalanchoe orgyalis (copper spoons) and Sansevieria robusta (snake plant) to the Blechnum gibbum ‘Silver Lady’ fern and hardy, low-growing flowering shrubs such as Helichrysum italicum (curry plant) and Salvia rosmarinus (rosemary). This versatile garden is used at all times of the day and year. “We have spent every possible moment soaking it up,” says the owner, “having picnics, playing games, entertaining guests – who also fell in love with it – reading, doing yoga and meditation, having water play and cooking all our meals on the barbecue.” And the plants, like Mark and Matt, have become part of the family. “We are finding so much joy in watching the garden grow into itself and mature,” the owner adds. “The plants have become our babies; we nurture them and celebrate when they flower each year. It’s a beautiful life experience, connecting with nature. And all we started with was a tiny paved courtyard.” Custom Creations Landscapes; cclandscapes.com.au or @cclandscapes

CLOCKWISE FROM NEAR RIGHT Blechnum gibbum ‘Silver Lady’ ferns are underplanted with Kalanchoe orgyalis (copper spoons). Alcantarea imperialis ‘Silver Plumb’ provides a rich tonal contrast with the limestone paving. Perfect for frequent use, the discreet built-in BeefEater Signature ProLine barbecue, with spotted-gum doors and polished concrete benchtop, is tucked neatly into the side. Stainless-steel lights from Havit Lighting provide after-dusk ambience.

126 | INSIDE OUT

PLANT LIFE Lush tropical plants and sculptural succulents rub shoulders in this inviting but incredibly low-maintenance inner-city courtyard

Bougainvillea hybrid

Crassula ovata â&#x20AC;&#x2DC;Blue Birdâ&#x20AC;&#x2122;

Alocasia macrorrhiza (giant elephant ear)

Kalanchoe orgyalis (copper spoons)

CONSCIOUS LIVING

phillip withers I

n recent years, Phillip Withers has become one

of Australia’s most acclaimed landscape designers, winning a slew of awards, including ‘Best In Show’ at Melbourne’s International Flower & Garden Show (MIFGS). Here, he discusses the wonder of natives and the therapeutic power of gardening.

What sort of gardens does your firm focus on?

We’re very broad. For the first few years, we were predominantly residential, but recently a greater number of commercial clients have approached us because they appreciate what we’re doing. Whatever the project, we’re trying to achieve the same thing: to bring biodiversity and a sense of feeling or emotion to those outdoor spaces. You’re working on a project with Yarra Valley Water called ‘It’s Our Time’, which focuses on natives. What’s the aim? We’re trying to create a model

garden that celebrates some of the amazing vegetation that comes from Victoria, and Australia more generally. There’s a huge appetite in this country for European gardens, but European plants don’t naturally grow here and it takes a lot of work to maintain that kind of garden. We believe it’s time to celebrate natural vegetation and natural landscapes. Is gardening with natives simply about personal preference, or are there more profound reasons to ‘go native’? I believe we have a responsibility to

garden sustainably, and the best way to do that is 128 | INSIDE OUT

with natives. More than half of Victoria’s vegetation has been cleared since European settlement, and we face the reality of climate change. We want to champion using local nature for future development and ensure we move forward with a conscience. The ‘It’s Our Time’ garden includes natives such as banksias, bottlebrushes and westringia. What is the appeal of these flowering plants? They are amazing

to look at, and are also nectar-driven plants that native birds and insects love. Planting them in your garden can help build a productive ecosystem on your property that supports native fauna. From a resource point of view, you can create a garden that survives purely on rainfall, which is a beautiful sentiment. When will the project launch? It was meant to launch at this year’s MIFGS, but the event was cancelled due to the coronavirus. However, we’re having conversations with Yarra Valley Water about getting this garden planted. It’s just a matter of when. It’s a difficult time in the world right now. Can gardening help? Yes, 100%. A lot of things are being

cancelled at the moment, but gardening itself is definitely not! There’s something beautiful about getting out in the garden during stressful times and getting your hands dirty. There’s a therapeutic energy plants give to people – I don’t think people realise how much of a connection we have to plants. Discover more at phillipwithers.com

WORDS DAN F STAPLETON

PHIL’S SUSTAINABLE GARDEN CHECKLIST: LOCAL MATERIALS “Consider using local timber and stone rather than importing materials from other countries. It can be really satisfying to think local and celebrate your surroundings — and it gives your garden a sense of authenticity.” SITE-SPECIFIC PLANTS “Take a look around your neighbourhood and see what sorts of plants and trees are already growing in nature reserves or parks. Incorporating these specimens into your garden is a wonderful way to contribute to the language of the area.” COMPOSTING AND VEGETABLES “Every garden should have a compost heap. Use your waste to make fuel that can ignite your garden and create a sustainable circle. Consider a vegie patch, too; even if you don’t grow much, it will deepen your connection with the garden.”

PHOTOGRAPHY: AMELIA STANWIX

This landscape designer on the rise has a clear vision for Victorian gardens and what Australia should eventually look like. And in these trying times, he says getting our hands dirty can really help

OUT | FUTURE

KEEPING IT LOCAL (this page and opposite, clockwise from top) A residential project in Victoria. Natural stone seat and focal point. Native flora. Phillip in his element. Coastal plants on the edge of Australia.

Perfect White available online and at selected David Jones and Myer stores nationally. wedgwood.com.au

OUT | ENTERTAINING

pick of the brunch

STYLING ASSISTANTS: ANISHA GITTINS, KRYSTEL ROBINSON

Quieter times call for great food so stay home and put some love into your late-morning table setting and this masterpiece of a menu

PHOTOGRAPHY CHRIS COURT RECIPES JESSICA BROOK FOOD STYLING STEVE PEARCE PROP STYLING NATALIE JOHNSON INSIDE OUT | 131

OUT | ENTERTAINING

Spoil yourself with an invigorating fruit tea balanced by delicately herbed Japanese curried-egg sandwiches 132 | INSIDE OUT

FRUIT-INFUSED SMOKY TEA WITH FENNEL SYRUP

*CURRENCY CONVERSIONS CORRECT AT TIME OF PRINTING. BACKGROUND IS PAINTED EGGSHELL ACRYLIC PAINT IN HAMPTON’S BLUE, $130 PER 4L, PORTER’S PAINTS

PREVIOUS PAGE, ON TABLE, CLOCKWISE FROM TOP LEFT Basix linen napkins in Floss, $22 each, Hale Mercantile Co. Iittala ‘Kastehelmi’ tumbler in Moss Green, $34.95 for a pair, Fiskars. Vienna glass jug, $39.95, Country Road. Wedgwood ‘Folia Rose’ bowl, $119; Iittala ‘Aalto’ oak serving platter, $129; and Royal Doulton ‘Gordon Ramsay Union Street Cafe’ serving platter in Grey, $84.95, all Fiskars. Cherrywood utility knife, $99, Heaven In Earth. Heat-proof glass cup, $12*, and saucer, $16*, Muji. Royal Doulton ‘ED Ellen DeGeneres’ plates, $22.95 (small) and $25.95 (large); Wedgwood ‘Vera Wang Moderne’ knife and fork, $249/set of 16 pieces, all Fiskars. Abundance low bowl, $55, Splendid Wren. Flocca linen tablecloth in Ayrton (across all pages), $349, Hale Mercantile Co. BRDR Kruger ‘Arv’ armless chair in waxed finish with woven seat, $3055, Seehosu. Mineral ‘Sheer S-Fold’ curtain, $65, Freedom. THIS PAGE Glass jug, cups and saucers, serving platter, cutlery, napkins, tablecloth, chair and sheer S-fold curtain (all as before). Peasant bowl in Satin, $59.95, Batch Ceramics. Iittala ‘Taika Siimes’ coffee cup, $29.95, and saucer, $24.95, both Fiskars. OPPOSITE PAGE Toorak natural elm dining table, $1299, James Lane. ON TABLE, CLOCKWISE FROM TOP LEFT Iittala ‘Raami’ tumblers, $34.95 for a pair, Fiskars. Condiment ceramic dishes, $45 for set of three, Splendid Wren. Beech wood spoon, $10*, and wooden cutting board, $30*, Muji. Wedgwood ‘Folia’ rectangular tray, $119, Fiskars. Iittala ‘Taika White’ saucers, $24.95 each, Fiskars.

KATSU CURRY EGG SANDWICHES

OUT | ENTERTAINING

fruit-infused smoky tea with fennel syrup

mandarin, beetroot, nori & saké cured ocean trout

SERVES 6 PREP 10 mins COOKING 10 mins

SERVES 6 PREP 15 mins COOKING 5 mins plus curing

1 small fennel, thinly sliced 1 tsp fennel seeds ½ cup (110g) caster sugar Juice of 1 lemon 2 lapsang souchong teabags* Mixed plums cut into wedges, to serve Pencil fennel, to serve

1 cup (300g) rock salt ⅓ cup (75g) white sugar 1 tbsp juniper berries, crushed 2 tbsp finely grated mandarin rind 1 small beetroot, grated 1 cup (60g) chopped dried wakame seaweed* ⅓ cup (80ml) saké 2 tbsp mandarin juice 1kg fillet ocean trout, pin boned, skin on 1 tbsp mirin 1 tbsp rice wine vinegar 2 baby red onions, thinly sliced into rounds Japanese pickled ginger, to serve Baby red-vein sorrel, to serve

1 To make the syrup, place fennel, fennel seeds, sugar and ½ cup (125ml) water in a medium saucepan over medium heat. Bring to a simmer and cook for 5 minutes. Remove from the heat. Add lemon juice and set aside. 2 Place the teabags in a large heatproof jug. Add 3 cups (750ml) boiling water and set aside to infuse for 5 minutes. Remove teabags. Add the fennel syrup, plums and fennel and mix to combine. 3 To serve, divide between glasses and serve with pencil fennel. * This tea can be served hot or cold. Lapsang souchong is a smokyflavoured black tea available from selected tea shops. Pencil fennel is long, thin fennel found at selected greengrocers. You can reserve some fennel fronds to serve as a substitute.

RICE CRISPS

Vegetable oil, to shallow-fry 12 rice paper sheets 1 Place salt, sugar, juniper, mandarin rind, beetroot, seaweed, saké and 1 tbsp mandarin juice in a medium bowl and mix to combine. 2 Place 2 sheets of plastic wrap, overlapping slightly, onto a large tray. Spread half the salt mixture over the sheet. Top with trout, skin side down. Cover with remaining salt mixture, wrap tightly in plastic wrap and place in a deep-sided oven tray. 3 Top with a smaller tray and weigh down with heavy objects (such as food cans). Refrigerate for 48 hours (turning the fish over after 24 hours). Remove the trout from the plastic wrap and wipe away the salt, then discard. 4 To make the rice crisps, fill a medium frying pan half full with vegetable oil and place over medium heat until it reaches 180°C on a deep-frying thermometer. In batches, add the rice paper sheets for 30 seconds, or until crisp. Drain on kitchen paper. 5 To serve, thinly slice the trout away from the skin with a sharp knife. Place on a platter. Mix mirin, rice wine vinegar, remaining 1 tbsp mandarin juice and onion together. Serve gravlax on rice crisps with pickled onions and pickled ginger, topped with red-vein sorrel. * Wakame is a dried seaweed available from Asian supermarkets. You can use nori sheets (chopped) in the marinade instead. You could also serve the gravlax with regular flat breads as a quick alternative.

THIS PAGE Iittala ‘Essence’ highball glass, $39.95 for a pair, Fiskars. Abundance bowl (as before). OPPOSITE, ON TABLE, CLOCKWISE FROM LEFT Iittala ‘Kastehelmi’ tumblers in Moss Green, $34.95 for a pair, Fiskars. Globe satin dish, $34.95, Batch. Beech wood tongs, $5.50, Heaven In Earth. Waterford ‘Elegance’ stemless wine glass, $129 for a pair, Fiskars. Medium satin dishes (next to stemless wine glass and at bottom right), $52.95 each, Batch. Abundance low bowl (as before). Condiment ceramic dish (as before). Royal Doulton ‘Gordon Ramsay Union Street Cafe’ serving platter in Grey, $84.95, Fiskars. Cherrywood utility knife, $99, Heaven In Earth. Chair (as before). Mineral ‘Sheer S-Fold’ curtain, $65, Freedom.

134 | INSIDE OUT

A sumptuous fillet of fresh ocean trout becomes the main attraction of your brunch, suitably dressed for the occasion in a smothering of salty and sweet flavourings

MANDARIN, BEETROOT, NORI & SAKÃ&#x2030; CURED OCEAN TROUT

OUT | ENTERTAINING

katsu curry egg sandwiches

CREAMED HONEY, GINGER & ROSEHIP SYRUP

SERVES 6 PREP 10 mins COOKING 15 mins plus cooling

2 rosehip teabags ¼ cup (90g) creamed honey 2cm piece ginger, sliced

8 eggs, at room temperature 12 slices Japanese loaf bread* (or 6 slices white sandwich bread) shichimi togarashi and furikake*, to serve micro purple shiso, to serve KATSU CURRY SAUCE

1 tbsp sesame oil 1 small white onion, finely chopped 2 tsp finely grated ginger 1 small green apple, peeled and grated 2 tsp curry powder 1 tbsp plain flour 1 tsp caster sugar 2 tsp soy sauce 2 tbsp mirin 1 tsp Worcestershire sauce ½ cup (150g) Japanese mayonnaise 1 To make the katsu curry sauce, heat oil in a medium saucepan over medium heat. Add onion, ginger and apple, and cook, stirring, for 4 minutes or until soft. Add the curry powder and flour, and stir for 1 minute. Add sugar, soy sauce, mirin and Worcestershire sauce. Reduce heat to low and cook, stirring occasionally, for 2 minutes or until thickened. Set aside to cool slightly. Place in a blender with mayonnaise and blend until smooth. Season with salt and pepper. Refrigerate until cold. 2 Meanwhile, bring a medium saucepan of water to the boil. Add eggs and boil for 7 minutes. Drain and refresh under cold water. Peel and roughly chop. Add ½ cup curry mayonnaise and mix to combine. To serve, spread half the bread with the egg filling, cut off the crusts and cut sandwiches in half. Serve with togarashi, furikake and shiso. * Japanese bread is available from Asian bakeries. You can use white bread slices, cut in half, for the recipe. Shichimi togarashi and furikake are Japanese seasonings found in Asian supermarkets. ** You will have ½ cup of curry mayonnaise left over. It will keep, refrigerated, for up to three weeks.

black sesame pikelets with creamed honey, ginger & rosehip syrup SERVES 6 PREP 10 mins COOKING 25 mins

1 cup (250ml) milk 1 tbsp malt vinegar 2 cups (300g) self-raising flour ¼ tsp bicarbonate of soda ½ cup (110g) caster sugar 2 tbsp black sesame seeds, lightly crushed 3 eggs 20g unsalted butter, melted, plus extra to brush Icing sugar, to serve

136 | INSIDE OUT

1 To make the syrup, place tea in a heatproof bowl. Pour over ½ cup (125ml) boiling water and set aside to infuse for 10 minutes. Place the tea (discarding tea leaves), honey and ginger in a small saucepan over medium heat. Bring to a simmer and cook for 5 minutes or until syrupy. Set aside and keep warm. 2 Combine milk and vinegar in a small bowl. Set aside. Place flour, bicarbonate, sugar and sesame seeds in a large bowl. Add the milk, eggs and butter, and whisk until smooth. 3 Heat a large non-stick frying pan over a medium–low heat. Brush with some extra melted butter, drop 1 tbsp of the batter into the pan and cook for 2 minutes or until bubbles form on the surface. Turn and cook for 1 minute or until golden and cooked through. Transfer to a plate and keep warm. Cook remaining batter, brushing with butter as needed. 4 Dust with icing sugar and serve with syrup.

plum wine-poached pears with whipped vanilla yoghurt cream SERVES 6 PREP 15 mins COOKING 45 mins

½ cup (175g) honey 6 cardamom pods, bruised 1 tsp white peppercorns 50g piece ginger, sliced 3 cups (750ml) Japanese plum wine 1kg baby pears, peeled WHIPPED VANILLA YOGHURT CREAM

1 tsp vanilla bean paste ½ cup (125ml) thickened cream ½ cup (140g) thick Greek-style yoghurt 1 Place 1 cup (250ml) water, honey, cardamom, pepper, ginger and plum wine in a medium saucepan over high heat and bring to the boil. Add the pears, cover with a piece of non-stick baking paper and top with a small plate or lid to weigh down the pears. 2 Reduce the heat to medium and simmer for 30 minutes or until pears are soft. Carefully remove the pears from the syrup, increase heat to high and cook for 15 minutes, or until thickened slightly. 3 Meanwhile, to make the yoghurt cream, place vanilla and cream in a small bowl and whisk to stiff peaks. Add the yoghurt and mix to combine.

CLOCKWISE FROM TOP LEFT Side plate (with pikelets), $45, Splendid Wren. Basix linen napkin in Floss, $22, Hale Mercantile Co. Peasant satin bowl (with pears), $59.95, Batch. Wedgwood ‘Folia Rose’ bowl (holding flowers), $119, Fiskars. Cup and saucer (as before). Wooden tongs, Muji. Wedgwood ‘Gio’ platter, $99.95, Fiskars. Globe satin dish, $34.95, Batch. OPPOSITE FROM LEFT Iittala ‘Essence’ highball glass, $39.95 for a pair; Iittala ‘Kastehelmi’ tumbler in Moss Green, $34.95 for a pair; Iittala ‘Raami’ tumbler, $34.95 for a pair; Iittala ‘Ultima Thule’ votive, $34.95; Wedgwood ‘Globe’ hi-ball glass, $119 for a pair; and Iittala ‘Kartio’ pitcher, $179, all Fiskars.

BLACK SESAME PIKELETS WITH CREAMED HONEY, GINGER & ROSEHIP SYRUP

OUT | ENTERTAINING

PLUM WINE-POACHED PEARS WITH WHIPPED VANILLA YOGHURT CREAM

THIS PAGE Peasant bowl (as before). Basix linen napkin in Floss, $22, Hale Mercantile Co. Wooden spoon, $7, Heaven In Earth. OPPOSITE, CLOCKWISE FROM TOP LEFT Wedgwood ‘Gio’ platter, $99.95, Fiskars. Medium satin dish, $52.95, Batch. Iittala ‘Ultima Thule’ votive, $34.95; Iittala ‘Aalto’ serving platter, $129; and Royal Doulton ‘Gordon Ramsay Bread Street’ plate (on platter), $19.95, all Fiskars. Basix linen napkin in Argent, $22, Hale Mercantile Co. Condiment dishes (as before). Glass tea cup and saucer (as before). Rectangular wooden tray, Muji. Iittala ‘Raami’ tumbler (on tray), $34.95 for a pair, and Iittala ‘Taika White’ saucer, $24.95, both Fiskars. Condiment dish (at bottom, as before). Royal Doulton ‘Gordon Ramsay Bread Street’ platter in Grey, $69.95, and Royal Doulton ‘ED Ellen DeGeneres’ plate, $22.95, both Fiskars. Side plate (pictured with mixing spoon), $45, Splendid Wren. Beech mixing spoon, $10.95, Muji. Wedgwood ‘Folia’ rectangular tray, $119; Iittala ‘Taika Siimes’ coffee cup, $29.95, and ‘Taika Siimes’ saucer, $24.95, Fiskars. Beech tongs, $5.50, Heaven In Earth.

138 | INSIDE OUT

OUT | TRAVEL

140 | INSIDE OUT

DESIGN DESTINATION

ULURU

PHOTOGRAPHY: ALAMY

If there’s one time you want to see red, it’s at dusk in the centre of Australia, where The Rock and the hospitality of Longitude 131 resort are at their finest

ROCK STEADY Though no longer accessible to climbers, Uluru is an awe-inspiring backdrop for everything that happens in the region.

WORDS ELIZA O’HARE

efore you’ve even been, the magic of the Red

Centre casts a spell. Mention you’re heading to The Rock and you watch people light up with wonder, sigh and say, “Oh, I’ve always wanted to go”, “How hot will it be?” and “Where are you staying?” But really, there is only one place to stay: the luxury desert camp tents at Longitude 131. One of the Baillie Lodges, a collection of incredible design hotels placed in raw and remote Australian locations, it’s up there with Silky Oaks in the Daintree, Capella Lodge on Lord Howe Island and the legendary Southern Ocean Lodge (which was tragically razed in the recent Kangaroo Island bushfires but is planning a big comeback). For me, the whole Longitude experience was anchored around waking at sunrise to the staggering sight of Uluru hovering at the foot of my bed – a shimmering, energetic talisman. I could have stayed in that gorgeous room the entire time and still been completely inspired by my visit. Being in the Uluru-Kata Tjuta National Park feels like holidaying on Mars, and the rock at the centre of it all is both familiar and strange. Our first morning, we are up at 5:30am to grab breakfast and head to Kata Tjuta’s Walpa Gorge before the day heats up. We trek into the heart of the rock formations of what was formerly known as the Olgas, surrounded by sheer red cliffs and cracking blue sky (wearing face nets to foil the flies). That evening we eat in the desert, a degustation dinner with matched Australian wines on a sand dune under the stars. A guide recites Dorothea Mackellar’s ‘My Country’ and, while the American tourists think the poem is charming, tears well in my eyes. Everything here centres around how to experience Uluru and Kata Tjuta, and it’s all romantic and dramatic. Like the sunset drinks every evening in shifting red sands observing the rock on its journey from glowing umber to a bruised purple as the sun

sinks, or a base walk where passionate guides share the stonecarved creation stories of the local Mala people. The lessons about those sacred markings change the way I look at indigenous paintings, which for the first time I realise are from an aerial view. I’ll never look at a dot painting the same way again. Local art plays a big part at Longitude and the hotel is filled with exquisite handmade ceramics and gorgeous large canvases splashed with incredible colour and energy. The pink! The yellow! They’re part of Longitude’s sponsorship of Ernabella Arts Centre, Australia’s oldest Indigenous Arts Centre and the source of these works. That means some of the region’s most beautiful artworks are here on site, explains lodge manager Jo Lanyon. The hotel’s main building – The Dune House – is the only spot with simultaneous views of both the World Heritage-listed Uluru and Kata Tjuta. Its fully stocked and chilled open bar makes it hard to leave the grounds; in fact, one night I wanted to just sit still, do nothing at all and watch the rock from our deck. Another time, as I walk the property with Jo’s husband Ben (also a lodge manager) and discover that the battle for attention between Uluru and Kata Tjuta is real. While I admire sculptural domes constructed by architect Max Pritchard for the resort’s new Spa Kinara, he makes the controversial admission that he has a stronger connection to Kata Tjuta (the Olgas), the lesser-known rock formation. But both are breathtaking and mysterious. Max also designed the resort’s new two-bedroom suite, a dream set-up called The Dune Pavilion. It has a roaring fireplace (desert winters get cold), two deep enamel baths that hint at traditional corrugated-iron roofs, and two plunge pools – all under soaring ceilings that make it feel like a cathedral to The Rock. Proof that beautifully designed spaces can incite emotion and enhance the experience of the landscape. You have to see it. Check out more of the resort at longitude131.com.au

THIS PAGE The long view from resort to rock. OPPOSITE, CLOCKWISE FROM TOP LEFT The accommodation has lots of designer cred, with furniture by Ross Gardam, Pierre and Charlotte Julian and Malcolm Greenwood plus outdoor pieces by Robert Plumb (bottom left). A side view of The Rock. Natural beauty abounds in all directions. Ernabella Arts paintings are available to view and buy onsite. Inside Out editor Eliza and partner John (inset) on location. 142 | INSIDE OUT

PHOTOGRAPHY: GEORGE APOSTOLIDIS (LONGITUDE 131 AND ART), NICHOLAS WATT (LOCATION), ELIZA O’HARE (INSET SHOTS)

OUT | TRAVEL

GETTING THERE Yulara airport is a 10-minute drive from Longitude 131 â&#x20AC;&#x201D; and a three-and-a-half-hour Qantas flight from Sydney.

INSIDE | HOME & FASHION

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INSIDE | HOME & FASHION

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INSIDE OUT | APRIL 2020

LAST WORD

matteo downtown A cool cocktail bar serving up serious design inspiration

While the doors may be temporarily closed at this Sydney-city eatery, there’s no reason why we can’t be adding images of it to our design inspiration list. Reminiscent of the nostalgia and buzz created by diners in Milan’s bustling piazzas, the polished decor is a nod to all things luxe. Featuring interiors rich in timber, detailed with brass and velvet accents and Daimon Downey artworks, we can’t wait to drop in for an aperitivo once service resumes. matteosydney.com

146 | INSIDE OUT

WORDS KATE HASSETT PHOTOGRAPHY JUDE COHEN

your c h oi ces ACT Belconnen Fyshwick Mitchell

(02) 6251 1030 (02) 6280 4500 (02) 6241 9555

NSW Adamstown Albion Park Rail Albury Alexandria Armidale Balgowlah Batemans Bay Bathurst Blacktown Byron Bay Caringbah Castle Hill Coffs Harbour Dubbo East Maitland Erina Fairy Meadow Forster Griffith Heatherbrae Hornsby Mittagong Narellan North Bega North Richmond Nowra South Orange Parkes Penrith Port Macquarie Silverwater St Leonards Tamworth Taylors Beach Tuggerah Wagga Wagga Warners Bay Young

(02) 4952 1835 (02) 4257 1877 (02) 6042 4828 (02) 9319 0551 (02) 6772 7999 (02) 9907 9077 (02) 4472 7001 (02) 6331 4866 (02) 9671 1800 (02) 6685 5503 (02) 9524 3755 (02) 9680 1340 (02) 6652 2473 (02) 6885 3397 (02) 4932 5122 (02) 4367 7329 (02) 4225 0900 (02) 6555 5334 (02) 6964 4111 (02) 4983 1883 (02) 9477 3857 (02) 4872 2158 (02) 4647 2888 (02) 6492 4496 (02) 4571 2300 (02) 4421 3833 (02) 6361 7575 (02) 6863 4463 (02) 4731 4242 (02) 6581 1851 (02) 9748 6846 (02) 8355 5925 (02) 6765 5513 (02) 4982 2522 (02) 4351 1550 (02) 6931 9500 (02) 4954 5511 (02) 6382 3991

NT Alice Springs Darwin

(08) 8953 8166 (08) 8984 3402

QLD Alderley

(07) 3354 1544

Atherton Bald Hills Bundaberg East Bundall Burleigh Heads Cairns Cannon Hill Capalaba Fortitude Valley Helensvale Hervey Bay Ipswich Jindalee Maroochydore Noosaville North Mackay Toowoomba Warwick Yeppoon

(07) 4091 1482 (07) 3261 6677 (07) 4151 2241 (07) 5561 0355 (07) 5535 1744 (07) 4041 1271 (07) 3399 4644 (07) 3245 6683 (07) 3257 3377 (07) 5580 0711 (07) 4124 2689 (07) 3282 9555 (07) 3279 6566 (07) 5443 6280 (07) 5449 9319 (07) 4942 0700 (07) 4638 7019 (07) 4661 1466 (07) 4939 5505

SA Blackwood Campbelltown Eastwood Keswick Modbury Mount Gambier Parafield Airport Port Lincoln

(08) 8370 3899 (08) 8365 3494 (08) 8373 1064 (08) 8293 3833 (08) 8396 7600 (08) 8723 1234 (08) 8281 0292 (08) 8682 4194

TAS Cooee Devonport Hobart Kingston Launceston Midway Point Moonah

(03) 6431 1555 (03) 6423 6555 (03) 6231 1922 (03) 6229 5544 (03) 6344 9555 (03) 6265 2008 (03) 6228 2925

VIC Ararat Ashburton Ballarat Benalla Bulleen Colac Dandenong East Bendigo Echuca Euroa Ferntree Gully Frankston

inspiration station AVA I L A B L E

(03) 5352 2899 (03) 9885 6000 (03) 5332 7584 (03) 5762 6062 (03) 9850 8500 (03) 5231 4526 (03) 9791 9422 (03) 5443 0144 (03) 5482 3883 (03) 5795 1211 (03) 9758 8182 (03) 9781 1466

Geelong West (03) 5222 1555 Hoppers Crossing (03) 8742 2299 Horsham (03) 5382 3374 Kyabram (03) 5852 2388 Leongatha (03) 5662 5030 Lilydale (03) 9739 5755 Mansfield (03) 5775 2688 Mildura (03) 5021 1116 Moe (03) 5127 2499 Moorabbin (03) 9557 3300 Mornington (03) 5975 2600 Narre Warren (03) 9796 7733 Niddrie (03) 9379 2900 Nunawading (03) 9878 1921 Parkdale (03) 9590 9322 Robinvale (03) 5026 4095 Seymour (03) 5799 1905 Shepparton (03) 5822 2777 Stawell (03) 5358 3374 Sunbury (03) 9744 2364 Swan Hill (03) 5032 3701 Thomastown (03) 9466 1444 Wangaratta (03) 5721 8900 Warragul (03) 5622 3558 Warrnambool (03) 5561 1411 Wodonga (02) 6024 2200 Wonthaggi (03) 5672 2148 WA Albany Bellevue Bunbury Busselton Cannington Esperance Geraldton Joondalup Kalgoorlie Margaret River Myaree Northam Osborne Park Rockingham

(08) 9841 5555 (08) 9274 3244 (08) 9791 3522 (08) 9754 4929 (08) 9458 8334 (08) 9071 1200 (08) 9964 1866 (08) 9300 0911 (08) 9021 4741 (08) 9758 8348 (08) 9330 6001 (08) 9622 1154 (08) 9444 9955 (08) 9527 1260

NZ East Tamaki Hamilton New Plymouth Rotorua Tauranga

(09) 212 9483 (07) 847 6430 (06) 759 2227 (07) 348 0615 (07) 577 0338

MOOD COLLECTION WINDOW FURNISHINGS S TO C K I S T

I nfor ma ti on cor re c t as at M arc h 202 0