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Eli Wood
Design Portfolio
Table of Contents
01
02
Spring 2013 | Texas A&M
Fall 2014 | Texas A&M
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06
Exhibitions
ManageLife
03
04
Fall 2015 | Texas A&M
Spring 2016 | Texas A&M
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08
Reagent Design | Apps
Reagent Design | Rendering
NuRauschenberg Spring 2013 | Texas A&M Craig Babe | Ivan Gonzalez The NuRauschenberg Museaum explores the collage like nature of an industrial zoned area of Dallas along the Trinity River Corridor. where major park improvements are revitalizing a typically underused region of Dallas. The original site outlined in the project brief failed to capitalize on a utility easement adjacent to the plot where a set of large powerlines run. The concept focused on taking advantage of what could be considered detrimental or unattractive feature of the site and context in a way the Robert Rauschenberg would utilize found objects in his own work.
Initial Site
THEATER and MUSEUM Site
Connected Parks
GENERATE Supporting Program
LOBBY, ARCHIVES, CAFE and AUDITORIUM
Separate volumes to allow MOVEMENT through the site.
SUBTRACT to create aperature.
EXTRUDE to create more gallery space.
Galleries Circulation Support
Site Plan By elevating the main gallery above street level visitors to the museum can ejoy a reflective and serene park experience before or after they enjoy Rauschenberg’s work. The park extends west connecting the site to the Trinity River Corridor by a short walk through the utility easement.
Parti Diagrams In Beaux Arts inspired fashion, a clear and direct parti exploration resulted in simple decisions to drive the project development forward. Respecting the constraints of the site, connecting to the context, and providing public space for the site were all important factors to the design.
Section The faceted geometry of the gallery functions to filter indirect light into the gallery space to protect the artwork. This decision was also to symbolize the complexities of abstraction often found in Rauschenberg’s work
Texas Arch Center Fall 2014 | Texas A&M Craig Babe | Matt Kohman The Texas Architecture Center was an integrated design project focused on proposing a home for the American Institute of Architects to gather and enhance the prominence of the field within Houston. As a part of this studio we were challenged to design a wholistic project that took into account structures, systems, and drawing production. An important aspect of this project, located in Houston, Texas was to intimately account for the relationship between the site and Houstonians love for cars. As a direct challenge we refused to implement a normative surface garage or podium solution and instead used parking around the building to celebrate this relationship by letting vehicles be the skin of the building.
Diagrams The nolli diagram illustrates the prevalance of parking lots around the site. Our decision to wrap the driveway and parking features allowed us to fully capitalize on the buildable area of the site.
Framing Plans The structural plans are inspired by highway elemetns to exagerate the vehicles path and acheive the cantilevered parking garage wrapped around the pedestrian volumes. RF
RF
RF 120’/48”
10’/48”
27’/48”
10’/48”
46’/36”
10’/48”
106’/48”
38’/48”
76’/48”
36’/48”
47’/48”
10’/48”
R6
1
2
RF
3
4
5
R2
6
R3
7
8
R4
9
”63 /’02 26’/30”
21’/48”
”84/’62
”03/’62
”03/’62
26’/48”
”63 /’62
10’/48”
10’/48”
”03/’62
11’
”63 /’92
”63 /’92
”42x21 W
6’
”42x21 W
”42x21 W
”42x21 W
14’
92’/48”
”63 /’31
”63 /’62
”63 /’62
”81x9 W
”84 /’57
21’/30” W 9x18” W 9x18”
13’
36’/36”
74’/36”
”63 /’52
”63 /’52 ”63 /’02
”42x21 W ”81x9 W
”81x9 W W 9x18”
”42x21 W
”81x9 W
”81x9 W
”81x9 W
”81x9 W
”81x9 W
”81x9 W
”81x9 W
”81x9 W ”81x9 W
”81x9 W
17’
”63 /’31
”63/’62
”42x21 W
”42x21 W
”42x21 W
”42x21 W
”81x9 W
”81x9 W ”81x9 W ”81x9 W
”84 /’57
”42x21 W
”81x9 W
”63 /’02 ”63 /’62
’8
”63 /’62
”63/’92
10’
36’/48”
”63 /’31
”63/’62
”84 /’52
”03/’52
”03/’52
”03/’52
”84/’52
”63 /’52
”63 /’54
”63 /’52
’01
”63 /’62
’5
”63 /’92
W 12x24”
W 9x18”
10’/48”
47’/48”
19’/36” 92’/48”
46’/36”
10’/48” 1
R6
R7
R8
2
R1
3
4
5
R2
6
R3
7
8
R4
10
9 R5
R6
R7
R8
RF 10’/48”
27’/48”
10’/48”
”63 /’92
”63 /’57
”03/’01
RA
27’/36”
10’/48” 10
R5
19’/48”
RF 120’/48”
”63 /’02
’81
”03/’52
”03/’02 ”03/’51 ”03/’01 ”03/’81
10’/48”
92’/48” R7
R1
38’/48”
”63 /’31
”03/’31
10
9
R5
W 9x18”
13’
”63/’31
8
27’/48” 24x24” - 12’
13’
26’/30”
W 9x18”
W 12x24”
W 12x24”
RC 19’/36”
RB
”03/’62
7
R4
”03/’82
”81x9 W
10’/48”
92’/48”
”03/’31
6
19’/48”
TB
21’/30”
W 12x24”
SW 12”
W 12x24”
47’/48”
W 9x18”
W 12x24”
20’
38’/36”
”03/’31
5
36’/30”
W 9x18”
W 12x24”
W 12x24”
W 9x18”
D’
10’/48”
W 9x18”
W 12x24”
W 12x24”
W 12x24”
38’/30”
19’/36”
”03/’81
”03/’31
”04/’52
27’/36”
92’/48”
10’/48”
9’
The street entry for pedestrians was designed as a “Great Hall” with an auditorium, large public space to bring pedestrians into the pronect, offices and meeting spaces for administration. Vehicles enter a slope that elevates them from the street and carries them along a folly around the building. R3
”81x9 W
10’/48”
RA
RD
TB
11’ 27’/48”
33’/48”
27’/36”
4
6’
24x24” - 12’
5’/48”
24x24” - 12’
3
27’/36”
14’
RC
W 12x24”
R2
W 9x18”
”81x9 W
13’
36’/30”
E’
”03/’82
17’
F’ 19’/48”
”03/’31
10’
27’/48”
RA A’
2
”81x9 GPW
”81x9 GPW
13’
10’/48”
13’
W 9x18”
W 12x24”
13’
RB
1
27’/48” 24x24” - 12’
24x24” - 12’
RB
11’
”81x9 W
”81x9 W
”81x9 W
”81x9 W
”81x9 W
W 9x18”
W 9x18”
20’
38’/30”
G’
19’/36”
W 9x18”
’5
W 12x24”
TB
W 9x18”
W 12x24”
W 12x24”
W 9x18”
R1
”42x21 W
”42x21 W
”42x21 W
”42x21 W
”42x21 W
”81x9 W
”81x9 W
”81x9 W
”81x9 W
”81x9 W
”81x9 W ”81x9 W
”81x9 W
”81x9 W
”84/’53
”81x9 W
”84/’52
’8
27’/36” W 12x24”
SW 12”
W 12x24”
8x8” HCS - 16’ typical
”84/’52
”04/’52
”03/’52
W 12x24”
W 12x24”
W 12x24”
W 12x24”
76’/48”
36’/48”
38’/48”
H’
W 9x18”
W 9x18”
W 12x24”
W 12x24”
W 12x24”
W 9x18”
92’/48” ”04/’52
”42x21 W
”42x21 W
10’/48”
19’/48”
27’/48”
W 9x18”
W 12x24”
W 9x18”
38’/48”
D’
24x24” - 12’
W 9x18”
W 9x18”
W 12x24”
W 12x24”
W 12x24”
RD
33’/48”
W 12x24”
’32
92’/48”
”03/’52
”03/’52
’33
C’
W 9x18”
W 12x24”
24x24” - 12’
W 9x18”
W 12x24”
E’
33’/48”
D’
27’/48” 24x24” - 12’
”84/’52
W 12x24”
10’/48”
”04/’52
”42x21 GPW
W 12x24”
”42x21 GPW
W 12x24”
RD
”81x9 W
38’/36” ’01
”81x9 GPW
”81x9 GPW ”81x9 W
”81x9 W
”81x9 W
First Floor Plan B’
”84/’02
G’
W 12x24” SW 12”
W 12x24”
W 12x24”
7’
W 12x24”
W 12x24”
W 12x24”
W 12x24”
24x24” - 12’
’81
”04/’53
”42x21 GPW
”42x21 GPW
W 12x24”
W 12x24”
W 12x24” ”81x9 W
”81x9 W
”42x21 W
”42x21 W
’8
W 12x24”
10’/48” W 12x24”
10’
F’ W 12x24”
106’/48”
24x24” - 12’
7’
F’
E’
10’/48”
33’/48”
H’
WPG 12x24”
”03/’31
”42x21 GPW W 12x24”
27’/48”
10’/48” WPG 12x24”
10’
”81x9 W
”81x9 W
”42x21 W
’01
13’
”81x9 W
W 12x24” ”42x21 W
W 12x24”
13’
”81x9 W
’81 G’
20’
”03/’62
120’/48”
27’
”04/’53
22’
H’
”63 /’52
”63/’52
”03/’52
”03/’52
”84/’52
”03/’52
”03/’52
”03/’52
RE
RE
RE
RC
”84/’52
”84/’52
”04/’52
”04/’52
”03/’52
”03/’52
”03/’52
24x24” - 12’
46’/36”
10’/48”
106’/48”
38’/48”
76’/48”
36’/48”
47’/48”
10’/48”
13’ 2
3
4
5
R2
6
R3
7
8
R4
10
9
R5
R6
24x24” - 12’
R7 1
2
R1
RF
3
4
5
R2
6
R3
7
8
R4
R5
”63 /’02 ”63 /’62
”81x9 W
”84 /’57
26’/30”
11’
10’/48”
21’/48”
92’/48” 36’/36” 10’/48”
”63 /’92
”63 /’92
”42x21 W
6’
”42x21 W
”42x21 W
”42x21 W
36’/48”
74’/36”
”63 /’52
”63 /’52 ”63 /’62
”81x9 W
”81x9 W
”42x21 W
”81x9 W
”81x9 W
”81x9 W
”81x9 W
”81x9 W
”81x9 W
”81x9 W
”81x9 W
”63 /’02
”42x21 W
”42x21 W
”42x21 W
”42x21 W
”42x21 W
”81x9 W
”81x9 W ”81x9 W
”84 /’57
”81x9 W
”81x9 W
”63/’92
”42x21 W
”81x9 W
”63 /’02 ”63 /’62
”63 /’62
’8 RA
”84 /’52
”03/’52
”03/’52
”03/’52
”84/’52
”63 /’52
”63 /’54
”63 /’52
’01
”63 /’62
’5
”63 /’92
14’
26’/48”
10’/48”
47’/48”
92’/48”
46’/36”
10’/48” 1
R6
R7
R8
2
R1
3
4
5
R2
6
R3
7
8
R4
10
9 R5
R6
R7
R8
RF 10’/48”
27’/48”
10’/48”
21’/30” W 9x18” W 9x18”
13’
19’/36”
RF 120’/48”
”63 /’02
’81
”03/’52 19’/48”
27’/36”
10’/48” 10
9
17’
”63 /’62
10’/48”
92’/48”
10’/48”
9’
1
38’/48”
RB 27’/48”
”03/’62
RA
W 12x24”
11’
R1
10’
26’/30”
”03/’62
”03/’31
”03/’31
RA A’
13’
”03/’62
92’/48”
27’/36” 24x24” - 12’
38’/36” 10’/48”
RB
RB
13’
”63 /’31
”03/’31
92’/48”
W 12x24”
W 12x24”
20’
RC 19’/36”
TB ”03/’81
27’/36”
10’/48”
W 9x18”
W 9x18”
W 9x18”
”84/’62
10’/48”
W 9x18”
”03/’31
33’/48”
”04/’52
”04/’52
24x24” - 12’
W 9x18”
”03/’31
5’/48”
”42x21 W
”42x21 W
’32
W 9x18”
W 12x24”
”03/’62
24x24” - 12’
RC 33’/48”
W 12x24”
B’
21’/30” W 9x18”
W 12x24”
SW 12”
W 12x24”
47’/48”
W 9x18”
W 12x24”
”63 /’31
24x24” - 12’
92’/48” C’
19’/48”
”63/’62
27’/48”
W 12x24”
W 9x18”
D’
11’
”63 /’92
6’
”63 /’31
14’
”63 /’57
”03/’81
”81x9 W
13’
”63/’62
17’
”63 /’31
10’
27’/48”
36’/30”
W 9x18”
W 12x24”
W 12x24”
38’/30”
10’/48”
W 9x18”
W 12x24”
W 12x24”
”63/’31
13’
36’/30”
E’ RD 19’/36”
”03/’01
13’
19’/48”
TB
”03/’82
”84/’52
27’/36”
”03/’01
”81x9 W
27’/48” 24x24” - 12’
W 9x18”
”03/’82
”81x9 W
”81x9 W
”81x9 W
”81x9 W
W 9x18”
W 12x24”
20’
F’
W 9x18”
W 9x18”
’5
W 9x18”
38’/30”
G’
19’/36” ”03/’51
”81x9 GPW
”81x9 GPW
”81x9 W ”81x9 W
”81x9 W
W 12x24” SW 12” W 12x24”
TB
W 9x18”
”81x9 W
27’/36” W 12x24”
W 12x24”
W 12x24”
”03/’02
”42x21 W
”42x21 W
”42x21 W
”42x21 W
”42x21 W
”81x9 W
”81x9 W
”81x9 W ”81x9 W
”81x9 W
”81x9 W ”81x9 W
W 12x24”
W 12x24”
W 12x24”
W 12x24”
76’/48”
36’/48”
38’/48”
H’
W 9x18”
W 9x18”
W 12x24”
W 12x24”
W 12x24”
W 9x18”
8x8” HCS - 16’ typical
D’
10’/48”
19’/48”
27’/48”
W 9x18”
W 12x24”
W 9x18”
38’/48”
”04/’52
”04/’52
”03/’52
”03/’52
24x24” - 12’
”03/’52
W 12x24”
W 12x24”
RD
W 9x18”
”84/’53
E’ 24x24” - 12’
92’/48”
W 12x24”
”81x9 W
27’/48”
”81x9 W
10’/48”
’8
”81x9 W
”81x9 W
W 12x24” SW 12”
W 12x24”
W 12x24”
33’/48”
D’ ’33
W 12x24”
W 12x24”
W 12x24”
W 12x24”
W 9x18”
”81x9 W
”84/’02
’81 ’01
”81x9 GPW
”81x9 GPW
38’/36”
”84/’52
”42x21 GPW
”42x21 GPW
”04/’53
G’
W 12x24”
”84/’52
”42x21 GPW
”42x21 GPW
W 12x24”
”81x9 W
W 12x24” ”81x9 W
”81x9 W
”42x21 W
”42x21 W
’8
W 12x24”
W 12x24”
W 12x24”
24x24” - 12’ W 12x24”
7’
F’ W 12x24”
E’
10’/48” W 12x24”
10’
F’
RD
106’/48”
24x24” - 12’
7’
W 12x24”
W 12x24”
10’/48”
33’/48”
H’
WPG 12x24”
”03/’31
”42x21 GPW W 12x24”
27’/48”
10’/48” WPG 12x24”
10’
”81x9 W
”81x9 W
”42x21 W
’01
13’
”81x9 W
W 12x24” ”42x21 W
W 12x24”
13’
”81x9 W
’81 G’
20’
”03/’62
120’/48”
27’
”04/’53
22’
H’
”63 /’52
”63/’52
RE
RE
RE
RC
”03/’52
”03/’52
”84/’52
”03/’52
”03/’52
”03/’52
”84/’52
”84/’52
”04/’52
”04/’52
”03/’52
”03/’52
”03/’52
24x24” - 12’
46’/36”
10’/48”
106’/48”
38’/48”
76’/48”
36’/48”
47’/48”
10’/48”
13’ 1
3 R2
4
5 R3
6 R4
7
8 R5
9
10 R6
R7 1 R1
2
3 R2
4
5 R3
6
7 R4
8
9 R5
R6
”81x9 W
”84 /’57
”63 /’52 26’/30”
21’/48”
26’/48”
”63 /’62
10’/48”
”63 /’92
”63 /’92
10’/48”
92’/48” 36’/36”
”03/’62
11’
”42x21 W
6’
”42x21 W
”42x21 W
14’
36’/48”
74’/36”
”63 /’02
21’/30” W 9x18”
13’ ”42x21 W
17’
”63 /’62
”63 /’62
”81x9 W
”81x9 W ”81x9 W
”42x21 W
”81x9 W
”81x9 W
”63 /’52 ”63 /’02
”42x21 W
”42x21 W
”42x21 W ”81x9 W
”81x9 W
”81x9 W
”81x9 W
”81x9 W
”81x9 W
”63/’92
”63 /’92
”42x21 W
”42x21 W
”81x9 W
”81x9 W ”81x9 W
”84 /’57
”81x9 W
’5
”42x21 W
”81x9 W
”63 /’02 ”63 /’62
”63 /’62
’01
”63 /’62
’8 RA
”84 /’52
”03/’52
”03/’52
”03/’52
”84/’52
”63 /’52
”63 /’54
”63 /’52 ”63 /’02
’81
”03/’52 19’/48”
27’/36”
10’/48” 10
10’
”84/’62
10’/48”
92’/48”
10’/48”
9’ 2
27’/48”
”03/’62
”03/’31
RA
W 12x24”
11’
R1
RB 24x24” - 12’
13’
”63 /’31
10’/48”
92’/48”
27’/36” 24x24” - 12’
RA A’
38’/48”
38’/36”
”03/’31
”03/’31
92’/48”
13’
RC 19’/36”
TB ”03/’81
27’/36”
10’/48” RB
W 12x24”
W 12x24”
20’
26’/30”
W 9x18”
”03/’62
10’/48”
W 9x18”
10’/48”
47’/48”
19’/36” ”03/’31
33’/48”
”04/’52
”04/’52
24x24” - 12’
W 9x18”
”03/’31
5’/48”
”42x21 W
”42x21 W
’32
W 9x18”
W 9x18”
W 9x18”
W 9x18”
”03/’62
24x24” - 12’
RC 33’/48”
W 12x24”
B’
W 12x24”
”63 /’31
24x24” - 12’
92’/48” C’
RB
19’/48”
”63/’62
27’/48”
21’/30” W 9x18”
W 12x24”
SW 12”
W 12x24”
47’/48”
W 9x18”
W 12x24”
W 12x24”
W 9x18”
D’
11’
”63 /’92
6’
”63 /’57
14’
”63/’62
13’
”63 /’31
17’
27’/48”
36’/30”
W 9x18”
W 12x24”
”63/’31
10’
38’/30”
10’/48”
W 9x18”
W 12x24”
W 12x24”
W 12x24”
E’ RD 19’/36”
”03/’01
13’
19’/48”
TB ”03/’81
”81x9 W
27’/36”
”03/’82
”84/’52
13’
36’/30”
”63 /’31
27’/48” 24x24” - 12’
W 9x18”
”03/’01
W 9x18”
”03/’82
”81x9 W
W 9x18”
W 12x24”
20’
F’
W 9x18”
”81x9 W
”81x9 W
”81x9 W
”81x9 W
W 9x18”
38’/30”
G’
19’/36” ”03/’51
”81x9 GPW
”81x9 GPW
”81x9 W ”81x9 W
”81x9 W
W 12x24” SW 12” W 12x24”
TB
W 9x18”
”81x9 W
27’/36”
W 12x24”
W 12x24”
”03/’02
”42x21 W
”42x21 W
”42x21 W
”42x21 W
”42x21 W
”81x9 W
”81x9 W
”81x9 W ”81x9 W
”81x9 W
”81x9 W ”81x9 W
W 12x24”
W 12x24”
W 12x24”
W 12x24”
76’/48”
36’/48”
38’/48”
H’
W 9x18”
W 9x18”
W 12x24”
8x8” HCS - 16’ typical
D’
10’/48”
W 12x24”
W 9x18”
W 12x24”
W 12x24”
38’/48”
”04/’52
”04/’52
”03/’52
”03/’52
”03/’52
W 12x24”
W 12x24”
RD
W 9x18”
”84/’53
E’ 24x24” - 12’
92’/48”
W 12x24”
”81x9 W
27’/48”
”81x9 W
10’/48”
’8
”81x9 W
”81x9 W
W 12x24” SW 12”
W 12x24”
24x24” - 12’
19’/48”
27’/48”
W 9x18”
W 12x24”
W 9x18”
’5
”42x21 GPW
”42x21 GPW
W 12x24”
33’/48”
D’ ’33
W 12x24”
W 12x24”
W 12x24”
W 12x24”
W 9x18”
”81x9 W
”84/’02
’81 ’01
”81x9 GPW
”81x9 GPW
38’/36”
”84/’52
”42x21 GPW
”42x21 GPW
”04/’53
G’
W 12x24”
”84/’52
W 12x24”
”81x9 W
W 12x24” ”81x9 W
”81x9 W
”42x21 W
”42x21 W
’8
W 12x24”
W 12x24”
W 12x24”
24x24” - 12’ W 12x24”
7’
F’ W 12x24”
E’
10’/48” W 12x24”
10’
F’
RD
106’/48”
24x24” - 12’
7’
W 12x24”
W 12x24”
10’/48”
33’/48”
H’
WPG 12x24”
”03/’31
”42x21 GPW W 12x24”
27’/48”
10’/48” WPG 12x24”
10’
”81x9 W
”81x9 W
”42x21 W
’01
13’
”81x9 W
W 12x24” ”42x21 W
W 12x24”
13’
”81x9 W
’81 G’
20’
”03/’62
120’/48”
27’
”04/’53
22’
H’
”63 /’52
”63/’52
RE
RE
RE
RC
”03/’52
”03/’52
”84/’52
”03/’52
”03/’52
”03/’52
”84/’52
”84/’52
”04/’52
”04/’52
”03/’52
”03/’52
”03/’52
24x24” - 12’
92’/48”
46’/36”
10’/48” 1 R7
R8
R1
2
3 R2
4
5 R3
6
7 R4
8
9 R5
10 R6
R7
R8
Section
Detail
In section we were heavily inspired by Michael Webb of Archigram and his Sin City project. We felt it was important to bring life to the drawing by illustrating it as inhabited and full of use.
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Structural Elements This design employed highway beams and custom nodes the provide structural support for the cantilevered vehicle parking.
Axonometric Illustration This illustration was a means to discuss the various skins that served as buffers between the various inhabitants of the project. A perforated skin wrapped the parking elements, while a transparent skin separated pedestrian visitors from vehicles.
The Non Monument Fall 2015 | UTSOA
Peter DeMaria | Individual Work This project was inspired by triumphal arches that ancient militaries would march through on their return home from battle. Alongside Austin’s Town Lake, the Non Monument house is nested into the landscape and provides a vital connection for the neighborhood to reach the lakefront park by walking. The existing conditions force the existing neighborhood behavior to travel by vehicle away from the community. Views from within the project are introspective, framing the landscape across the lake to provide a contemplative environment for inhabitants that may be working from home frequently, but also like to entertain guests.
Diagrams The neighborhood is conveniently situated next to a relatively unused park land. The community had no direct access to the lake without leaving the neighborhood. The house with a path provides a service to the community while maintaining privacy.
Plans The narrow rectilinear organization of the plan is suited to entertain up to 6 guests and the two occupants. Large bay doors connect the residents while a arched path allows for the public to access the lakefront park.
Section and Path Inspired by a triumphan arch, the path allows for the community to move freely through the neighborhood. The construction of the house is a composite concrete panel and steel beam structure with a perforated skin for privacy.
Elevation The perforated skin in elevation is meant to be planted and allow for natural vines to thrive. When gronw the public path leads visitors to the “secret garden� of the lake that is unused currently.
Section Perspective The private living quarters are nexsted in the rear with soft skylighting filtering from the top level. An outdoor patio floats above the public path with the more public areas of the home connected directly to the lakefront.
Fitness Center Spring 2016 | UTSOA
Sarah Gamble | Individual Work The fitness center design prompt centered around a concept of vertical walking. The site drove a disucssion about natural and built environments along Waller Creek. Situated in an undeveloped in an area of downtown Austin, the project is poised to become a public beacon in an area experiencing significant growth in the near future. Stairs became an essential aspect of this design providing a path through the entirety of the building that visitors could circulate through. Along the path visitors can achieve cardio workout while weights and other exercises serve as intermittent stops. The fitness center would become a thriving and bustling environment to energize and motivate visitors as they climb the mountaintop.
Section Perspective Much of this project was developed through hybrid drawing of analogue conception and then explored further digitally. The section perspective became a vital tool for illustrating the paths visitors could take through the project.
Hybrid Section The section allowed for exploration of the roof pavilion and illustrates how the fitness center could frame imporant vistas still available in Austin. Expected to soon be filled with development of the Rainey Street district.
Construction Diagrams A complete construction design was presented and members scaled appropriately to comprise an integrated design approach to the project.
Productions
Atmospheres Objects Surfaces Clay Odom This exhibition led by Clay Odom explored methods of affect that architects employ to create experiences. I designed viewing portals for the project that we affectionately dubbed the helmets. These were to encourage visitors to lean in and analyze specific aspects of the architect’s work that were on display. I used a combination of Rhino and Pepakura, a paper folding program typically used for origami, to design and fabricate the helmets.
Legs
Prototype Seminar Igor Siddiqui The design of the Bereft Legs focuses on exploring serial difference in parametric design. The design is bereft of a single prototype, and embraces difference through the entire process. The prototype is a work in progress where the aspect of making informed and enhanced the design development. My contribution to the exhibition was a metal wire leg that was manufactured using a CNC wirebender and then welded together to create the legs.
ManageLife Style Guide OpenSans - BlueGray Theme
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Colors
Dark Blue
Blue
#2E75A5
ManageLife
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Gray
#5EB2F2, #9BCEF5, #F3F9FE
#EDEEF0, #959595
Typography - Open Sans Titles & Headings
August 2016 - August 2017
Body Text
Heading 1 - Regular, 48px
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Duis sed urna sed neque blandit gravida vitae bibendum dictum, nisl nisi.
Heading 2 - Light, 32px
Bold Italic Hyperlink • Unordered list • Unordered list • Unordered list
Heading 3 - Regular, 26px Heading 4 - Medium, 20px
1. Ordered list 2. Ordered list
Heading 5 - Bold, 18px Heading 6 - Bold, 16px
Entrepreneurship 03
ManageLife was a mobile Android app for homeowners to engage with their living space, through a novel augmented reality experience, that enabled them to order goods and services on deman.
Styling
Sizes
NORMAL
Normal
Large
HOVER
Hover
Medium
ACTIVE
Active
Small
280 x 60 pixels
220 x 50 pixels
The home could be scanned with a mobile phone to capture a 3D representation fo the house and then elements such as appliances were tagged so that they could be serviced by professionals or expert help. This experience in user experience design and web development, combined with an architectural background, became an intense exploration of how occupants interact with their homes.
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Iconography (In Development)
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Form Elements
Text Field
As a founder of the company I learned much about entrepreneurship and collaborating with an interdisciplinary team of designers, developers and business professionals. My responsibilities ranged from design and branding the company to programming both a 3D scanning app and a mobile app for users to engage with their home in new ways.
SUBMIT
Buttons
The request to repair your fridge is in progress.
Search Text Field
140 x 40 pixels
An example alert style
The request An toexample alert style repair your fridge is in progress. An example alert style
Text Field
Donnie will be there at 2PM on Monday.
SUBMIT
CONFRIM
Select Box
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UI Elements
Donnie will be Text area there at 2PM on Monday.
CONFRIM
First Step
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Current Step
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Last Step
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Next
Your Ticket 27 February
Lorem ipsum dolor sit amet, donec sed odio dui. Cras justo odio, dapibus ac fac ilisis in. Egestas eget quam.
Back
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Logo (In Development)
Next
Inactive
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Inactive
How it Works Using a mobile phone, a user can scan their home using the ManageLife scanning application. Once scanned the home is viewable and able to be interacted with as a 3D model or through a 2D interface to request goods or services to be delivered. This new experiene can better track and maintain the value of a home saving the users time and money.
Reagent Design
December 2015 - Present App Design As a consultancy operating for two years our small team assists other startups thorughout the Austin community to visualize their projects for development. We think of these prototypes as facades that users can believe in and give feedback to companies to make data driven decisions. These prototypes were accomplished through a combination of Adobe Illustrator, Sketch, and Invision to make realistic demos.
We offer cost and time savings by designing user experiences and interfaces to save businesses valuable time and money when developing a project. Our prototypes have been used to conduct user testing, market research, and product validation.
Reagent Design
December 2015 - Present 360 Rendering
Additional services that we procide are interactive 3D wev viewers for architects and developers that utilize drone imagery and new 360 degree panoramass to create immersive content. After researching architecture visualization workflows we were shocked to find a large amount of visual documents are reviewed and delivered by physical media. Our interactive 360 viewers can allow updates to be delivered and reviewed both internally and externally. Once compiled these interactive products can be used in the marketing of the project or when raising investment for development. Our workflow is a combination of 3ds Max, Vray, Pano2VR and some programming to create these 360 degree visualizations.