Architecture by Eli Lurie

ELI LURIE ANTIQUES ARCHITECTURE HISTORIC PRESERVATION

Table of Contents Design Philosophy Architecture anima Amalgamation ล tium

Habitual Belvedere Cleansed Vitreous Coalesced In Nature Le Cadre Communitaire Railway Decay La Cรกscara de Naranja de la casa Orbiting Reticulation Murray Residence Professional Work Hand Drawing

Along the ridge of the faรงade there are decorative crenulations that reference the onces seen on medieval castles for defensive purposes, here they are just a revival.

Historic Preservation Lawton Mausoleum

Hong Kong Immersion Chapel of Ease La Campesina Private Residence Trustees Garden Kehoe Ironworks Nunez House Tax Credits Nunez House Field Work Harper Fowlkes House

anima Lawton Mausoleum Eli Lurie Spring 2014 Professor Keller

Today there structure ha By most of where the buttress the in which o building up to grow pro

The door of the mausoleum is a very intricate and is full of rich tracery detail. The pointed arched door hood has an interior cusped arch. Which are very common for gothic revival architecture. Simple columns flank the door supporting the arch.

The corners have turret structural holding th together. To of a flower inspired tu eighteen fe ground all th

On the rear wall there is the worst damage to the structure. Here the marble laminate has started pulling away from the brick structure behind. The wall has become wavy which hascaused thecrestcrenulation pieces to start to slide off the building, the gaps can be seen.

The finials of a flower is not that kind of flo history simi been used a poppyheads, very well be the fine

Design Philosophy

Ink Drawing of Telfair Square

0â&#x20AC;&#x2122;

I am avid about architecture and historic preservation and have substantial experience working on projects involving both of these disciplines. My passion for architecture began when I was only a small child, and my desire took me to a high school where I was trained in both mechanical and architectural drafting. Travel has yielded much of my inspiration; exposure from going to Lacoste and Hong Kong has changed me as a person, as well as a designer. I was taught at a young age to be a life-long learner, and I sincerely feel that I have lived my life with that axiom in mind. I have recently completed my BFA in architecture and historic preservation (dual major), which has enabled me to showcase my potential to the fullest. I had taken classes each summer; as well as additional courses each quarter, to complete both majors within four years. My rigorous course load has helped me to become more efficient and pragmatic when working on projects. I am attending graduate school in the fall, with the end goal of gaining my architectural license. I would love to then open my own firm, specializing in adaptive reuse for low- income families. My experience has shown me that there are numerous families in low- income housing living in unfit conditions, and I want to make it my mission to better serve these people utilizing my architectural and preservation background.

0â&#x20AC;&#x2122;

50 3

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anima Dark Ride Rachel, NV Studio VIII/IX

The garden is, a retreat, a manufacturer, a set of geometries, and a natural oasis. Historically they have changed little, providing grandeur, yield, or both. They allow for the opportunity to connect back with the earth, to learn how natural and fresh plants can aid in a healthy life, both physically and mentally. Urban centers lack this physical connection to the natural environment, allowing the garden to be an oasis from the everyday. “The tradition of withdrawal to the countryside, to a life of rustic simplicity and virtue away from the distractions and vices of the town, is refined by the cultivation of a garden. The Emperor Julian describes such a retreat – a small estate, part farm, part villa.” - C. Thacker There are 33 cities within 300 miles of the site, with over 50,000 people, over 1,500 people per square mile, and a 14.5% or higher poverty rate. This amount of impovershed urban areas surrounding Asheville makes it clear that this area needs somewhere in which urban families can go, to connect back with the earth, and learn techniques to grow their own food. ōtium strives to be a center of growth for individuals so that they can connect back with nature and get a better perspective on the world.

anima 6

erased

measured

fallen

side

liquid

puzzling

projective

hallucinating

body

painful

shiny

tense

non

Anima is an experience meant to tap guests into their subconscious mind. Using architecture, psychology, and fear, this journey reflects a similar methodology as that of Hitchcock in his use of the architecture seen in Psycho (1960). Anima toys with the guestâ&#x20AC;&#x2122;s minds, making them uncomfortable, forcing them to confront this discomfort. In this moment of confrontation, the lines between the ego, conscious, and subconscious begin to blur. Thereby making the guests become cognizant of who they actually are. There are three main categories of spaces in the journey, transition, observation, and fear spaces. Transition spaces take guests from one place to another, making them feel disjointed from the park and the regular world. Observation spaces are that in which the guest is looking at or being looked at by themselves or another guest. Seeing oneself or having someone watching makes our ego come out and compensate for who we are not. Fear spaces, are those in which make the guest uneasy. But when fear spaces are mixed into observation spaces, we must confront our ego.

motel - ego

tower of terror system

house - conscious

interior - subconscious concrete building slabs fill

post tensioned tie-back buttress

organic silt

sand boulder hairpan rock

1. erased 2. measured 3. fallen 4. side 5. liquid 6. puzzling 7. projective 8. hallucinating 9. body 10. painful 11. shiny 12. tense 13. non

experience 17

14. restaurant 15. storage 16. retail 17. mechanical

support

1 2

bb level 2

17 3 4 5 6 7 8 9 10

11 12 13

level 1

12 17

section aa

site plan 10

section bb eli lurie - professor pacheco - winter 2017

Amalgamation Urban Plan Savannah, GA Studio VII

Amalgamation strives to take a romanticized urban plan and bring it into the 21st century. This is accomplished from considering current and future trends in urban planning, not overlooking lessons in poor planning of the past. In the words of Jane Jacobs “Cities have the capability of providing something for everybody, only because, and only when, they are created by everybody.” This project strives to be everything that the urban renewal wasn’t, something the people needed. This area was once vibrant and had a culture of its own, but philosophies of urban renewal, such as “blight” wiped away this culture and its people. Urban renewal of this area caused a number of problems, such as being disconnected from the rest of the city, and having an analogous usage. With the reintroduction of the grid, as well as diversified usages, Amalgamation both ties Yamacraw’s past, as well as looks into the future needs of this area and its people.

A M A L G

PLAZA

FA H M S T R E E T

M A T I

YA M A C R AW

T R A N S P O R TAT I O N

IMPLEMENT GRID

DUAL AXIS

M U TAT I O

FORM

LAND

GRID

EXTRUSION

SUNLIGHT

SHAPE

S E C T I O N A A

RICADRO CHIUZ RICHARD HAAS ELI LURIE

T R A N S P O R TAT I O N H U B

HOTEL

SCHOOL

MARKET

MUSEUM

RESIDENTIAL

WAT E R F R O N T PA R K

BROUGHTON STREET

1. MARKET 2. RESIDENTIAL 11

3. MIXED-USE

2 B

4. HOSPITALITY 5

5. MUSEUM 6. EDUCATION

7 8

7. FIRST BRYAN 3

8. SHIPS OF THE SEA

9. RIVER PARK

10. POCKET PARK

11. BIOSWALE A

U TAT I O N

25’

11’ 7’ 15’

24’

15’

7’ 11’

25’

SECTION BB

30’

TIAL

RESIDENTIAL

E D U C AT I O N A L

12’

30’

12’

30’

SECTION CC

ōtium Sacred Retreat Asheville, NC Studio V/VI

Transitional Center Not Location Specific DSGN 223 - Professor Wacta The garden is, a retreat, a manufacturer, a set of geometries, and a natural oasis. Historically they have changed little, providing grandeur, yield, or both. They allow for the opportunity to connect back with the earth, to learn how natural and fresh plants can aid in a healthy life, both physically and mentally. Urban centers lack this physical connection to the natural environment, allowing the garden to be an oasis from the everyday. “The tradition of withdrawal to the countryside, to a life of rustic simplicity and virtue away from the distractions and vices of the town, is refined by the cultivation of a garden. The Emperor Julian describes such a retreat – a small estate, part farm, part villa.” - C. Thacker There are 33 cities within 300 miles of the site, with over 50,000 people, over 1,500 people per square mile, and a 14.5% or higher poverty rate. This amount of impovershed urban areas surrounding Asheville makes it clear that this area needs somewhere in which urban families can go, to connect back with the earth, and learn techniques to grow their own food. ōtium strives to be a center of growth for individuals so that they can connect back with nature and get a better perspective on the world.

Retention Pond 24’ 15’

Retaining Wall Rubber Paving Raised Beds

Perforated Drain Pipe

20’ 25’

SITEPLAN Site Section 1

0’

10’

20’

40’

5’

0’

30’

60’

120’

10’

0’

45’

90’

180’

23’

24’ 15’ 20’

Vegetation Mulch Bio-Retention Soil Gravel Perforated Drain Pipe

25’

SITEPLAN Site Section 2 23’

Earth Drainage Aggregate Retaining Wall Perforated Drain Pipe Sidewalk Rubber Paving

Site Section 3

SITEPLAN

0’

10’

20’

40’

0’

30’

60’

120’

0’

45’

90’

180’

0’

10’

20’

40’

0’

30’

60’

120’

24’

1 2

Site Plan

Planting Beds Hot Houses Paths Water Building Forms 17 Orchard Trees Bio-Swale

Level -1

Level 1

12 13

10 12 11

9 7

3 4 3 3 13 3

1. Lobby 2. Office 3. Worker Suites 4. Kitchen 5. Dining Room 6. Living Room 7. Produce Storage 8. Reading Nooks 9. Laundry 10. Pool 11. Changing Rooms 12. Mechanical Spaces 13. Storage

Level 2

3 3 12

Sloped cap flashing with drip edge

Spandrel glass Precast concrete slab Double pane glazing

2 2

Termination bar with flashing Sloping water channel Steel angle

Ridge insulation thermal break Rebar slab connection

Backfill gravel

2 13

French drain

6 Section AA

Habitual Belvedere High Effeciency Multi-use 7 MLK Blvd, Savannah, Georgia Architecture Design Studio IV

Transitional Center Not Location Specific DSGN 223 - Professor Wacta This project was catered to and submitted to the AIA COTE Top Ten for Students competition in 2015-2016. This influenced the design substantially, making green building strategies integral to the design. Belvedere was designed to have 41% of the exterior to be clad in glass, allowing for the interior to be daylight autonomous. Skylights, ribbon windows, and transoms will allow light to penetrate interior spaces. Since the building is located in a hot and humid climate, many steps are taken to take advantage of passive cooling. Mechanized windows will allow the building to automatically take advantage of cross ventilation when outside air temperatures permit. Every residential unit has its own courtyard, which have been designed to catch wind from the river, causing them to have a breeze. Plants cover many of the faces of the building that are in direct sunlight; this allows the plants to naturally shade the building from direct sun. Since the site is in close proximity to the river, the building captures winds coming off of the river for cross ventilation, as well as to power desiccant wheels in the roof structure. Savannah has a hot and humid climate, the south faรงade has minimal windows, while the other facades have large amounts of glass. The east and west facades have large projecting fins to block most of the direct sunlight in the morning and afternoon to keep the interiors cool. When it rains in this climate it tends to be heavy downpours, all of the downspouts will be equipped with turbines, which will create energy from the water going into the cistern. On the southern side of the building a large solar thermal wall has been designed to create hot water, as well as heat the building in winter, this system can also be used to cool the building when an absorption chiller is provided.

INITIAL STUDIES

INITIAL STUDIES TEXTURES TEXTURES

ents Site Textural Analysis

GEOMETRIES GEOMETRIES

CONCEPT ABSTRACTED BRICK

Building + Site Geometry Analysis Eli Lurie, Candidate B.A. Architecture 2016 Studio 4 Fall 2015 Professor Elaine Adams

Eli Lurie, Candidate B.A. Architecture 2016 Studio 4 Fall 2015 Professor Elaine Adams

Modular Concept Model

Final Model

Rear Rendering

SOLAR THERMAL TUBES CLOSABLE PLASTIC COVER VERTICAL LIVING MACHINE ESSENTIAL OIL YIELDING PLANTS OPERABLE TRANSOMS OPEN GREENHOUSE FRAME

PLANTS NATURALLY DETER PESTS

LONG STRIP SKYLIGHTS MECHANIZED RIBBON WINDOWS MECHANIZED TRANSOM WINDOWS LOCAL PRECAST CONCRETE PANELS LOCAL HARDWOOD DOORS & TRIM

OPAQUE GLASS DOORS

LOCAL HARDWOOD FLOORING

ROOF WATER CHANNEL

MECHANIZED TRANSOM GREY WATER COLLECTION PROJECTING SOLAR FINS LONG STRIP SKYLIGHTS MECHANIZED WINDOW DESICCANT WHEEL MECHANIZED WINDOW

GREY WATER CISTERN

PRECAST PANELS EXISTING BUILDING RAIN GREYWATER IS CAPTURED AND UTILIZED ON THE BUILDING AND SITE. IT IS REUSED FOR IRRIGATION, LAUNDRY, AND TOILETS. WIND CHANNELING WIND TO LARGE OPENINGS IN THE FACADES ALLOWS CROSS VENTILLATION THROUGHOUT THE BUILDING TO ALLOW FRESH AIR TO NATURALLY CONDITION THE INTERIORS WHEN THE WEATHER PERMITS. WASTEWATER GREYWATER REFINED FROM WASTEWATER THROUGHN INTEGRATED BUILDING SYTEMS SUCH AS A LIVING MACHINE. SUN CONTROLLING SUNLIGHT, ALLOWS DAYLIGHT AUTONOMY AND MINMAL DIRECT INFILTRATION INTO THE INTERIORS. HARNESSING HEAT GAIN ON THE SOUTH FACADE ALLOWS FOR AN ABUNDANCE OF HOT WATER. LOCAL MATERIALS

OUTDOOR RETREAT ROOF PV PANELS SECONDARY CISTERN WETLAND FILTER MAIN CISTERN LIVING MACHINE

LOCAL MATERIALS SOURCED WITHIN THE STATE OF GEORGIA HELP LOWER THE CARBON FOOTPRINT OF FOR CONSTRUCTION. PRECAST PARTS CAN BE RECONFIGURED. CLIMATE HUMIDITY AND HEAT ARE THE TWO MAIN CLIMATIC CONDITIONS WHICH ARE PRESENT. HIGHER TEMPERATURES CAN FEEL COMFORTABLE WHEN LOWER HUMIDITY IS PRESENT.

REED POND

Cleansed Vitreous Inside - Transition - Outside 235 Habersham St, Savannah, Georgia Architecture Design Studio III

Transitional Center Not Location Specific DSGN 223 - Professor Wacta â&#x20AC;&#x153;An asylum was intended as a place of structured improving activity, seclusion from suspended causes of illness, and a certain amount of medical therapy. All of these were intended to cure mental disorders, thus improving patientsâ&#x20AC;&#x2122; lives and the quality of society in general.â&#x20AC;? - John Peck Many theories exist on the subject of rehabilitation, from the subject of mental illness and the Kirkbride plan, to crime and the Panopticon. Architecture is an important influence in the life of individuals, especially for people who have been incarcerated; these individuals spend a large amount of their lives in these spaces. If the spaces can influence healing in any way then the architecture should try to facilitate that. This rehabilitation center is meant to have the enlightening power of mitigating the affliction in the mind. Architecture is to become a tool of healing, which mimics the purpose of the building, which it used to rehabilitate individuals. Elements of architecture are said to facilitate a better environment for its occupants, including fresh air and natural lighting, which may facilitate healing by connecting to nature and the outside, not the dark and musty rooms or cells which many asylums and prisons reflect. The Panopticon specifically is well lit and is exposed to the sun which illuminates every cell. For this transitional center there will be open spaces that reflect the freedom that the individuals will soon have. This area will also have a high level of transparency which will further this connection to the exterior.

CONCEPT 1

MODEL

ELEVATION

PRIVATE

WINGS

SEMI-PUBLIC

PUBLIC CENTER

PROGRAM

Conceptual Development

Building in Context

SITE PLAN

Cleansed Vitreous

Eli Lurie Spring 2015 Professor Strother

Inside - Transition - Outside

Wall Section Detail 1/8”=1’

“An asylum was intended as a place of structured improving activity, seclusion from suspended causes of illness, and a certain amount of medical therapy. All of these were intended to cure mental disorders, thus improving patients’ lives and the quality of society in general.”

Site Plan

Building in Context

Many theories exist on the subject of rehabilitation, from the subject of mental illness and the Kirkbride plan to crime and the Panopticon. Architecture is one of the most important influences in the life of individuals, especially for people who have been incarcerated; these individuals spend a large amount of their lives in these spaces. If the spaces can influence healing in any way then the architecture should try to facilitate

Site Plan

Wall Section

that as best it can. This rehabilitation center is meant to have the enlightening power of mitigating the affliction in the mind. This causes the architecture to become a tool of healing, which mimics the purpose of the building, which it used to rehabilitate individuals. This is also influenced by the level of power that is needed to control the individuals. They must be kept controlled so that they cannot cause harm, both to them and to others. Elements of architecture are said to facilitate a better environment for its occupants, these include fresh air and natural lighting, which is supposed to facilitate healing by connecting to nature and outside, not the dark and musty cells which many prisons reflect. The Panopticon specifically is well lit and is exposed to the sun which illuminates every cell.

A. Parking B. Public Lobby C. Private Lobby

D. Cafeteria E. Classroom F. Office

G. Kitchen H. Mechanical Room I. Laundry

For this transitional center there will be open spaces that reflect the freedom that the

J. Dorm K. HVAC Space L. Reception

individuals will soon have. This area will also have a high level of transparency to the exterior which will further this connection to the exterior.

Floor 00

Floor 01

Floor 02

I UP

J E

F UP

Floor 03

J B

J C

J E

J J

Color 0 1/16" = 1'-0"

Section 01

Color 1 1/16" = 1'-0"

Section 02

Section 4

1/16" = 1'-0" West Elevation

Floor Plans and Elevations 1

East 1/16" = 1'-0"

Color 2 1/16" = 1'-0"

Section 03

North Elevation

Color 3 1/16" = 1'-0"

1/16”=1’

Cage Structure

Section 1 1/16" = 1'-0"

1/16”=1’

North 1/16" = 1'-0"

{3D} Copy 1

East Copy 1 1/16" = 1'-0"

Coalesced In Nature A horticulture magnet school for grades 1-6 Trustees Garden, Savannah, Georgia Architecture Design Studio II

Transitional Center Not Location Specific DSGN 223 - Professor Wacta Dedicated to botany and agriculture, the colonial Trustee Garden reflected the scientific and commercial aspirations of the eighteenth century trustees and their backers in England. Itâ&#x20AC;&#x2122;s growth and demise over the next twenty years reflected the realities of climate, geography, lack of labor on the grounds and consistent support from London to further these aspirations. Fort Wayne was built at the Garden; a remnant of the retaining wall is a border along the curved intersection of Bay Street and Macintosh Boulevard. The Savannah Gas Company occupied the site during the 20th Century and was required to remove its polluted soil before selling the property. Trustee Garden is now privately owned and retains several historic structures with venues for receptions and performances. There are multiple challenges with this investigation for adaption of James Oglethorpeâ&#x20AC;&#x2122;s Trustee Garden to a horticultural magnet school. The study of horticulture on this sloped site will address soil erosion and drainage by means of terraced gardens. The building will be designed for low energy usage and with sustainable strategies. Connections between the school and Fort Wayne will be developed with public spaces. Focusing on the developmental growth of children, this project invites young students to learn the sustainable practices of planting through Aquaponics and hydroponics first hand, so that they may be instilled with ideas of sustainability at a young age.

51’ 43’ 35’ 32’ 28’ 27’ 20’ 12’ 0’

8’

16’

20’

Aquaponic Greenhouse Rendering

FLOOR PLAN

a c b

SECTION A-A

Floor Plan

a. COMMON ROOM

d. HYDROPONIC LABS

g. CAFETERIA

b. ADMINISTRATION

e. LIBRARY

h. CLASSROOMS

c. AUDITORIUM

f. AQUAPONIC LABS

i. RESTROOMS

24’

28’

Aquaponic System Diagram

Le Cadre Communitaire Local Cultural Center & Museum Apt, France Architecture Design Studio I

Transitional Center Not Location Specific DSGN 223 - Professor Wacta Tourville farm dates back to the 5th and 6th century BC. Originally a Gallic farm, the existing ruins on the site date from the 1st century AD. The farm produced wine and olive oil until the 3rd century AD when a fire destroyed the farm. A large and ancient road connected this property to Via Domitia, the Roman road from Gaul to Italy. Tourville farm is located in Saignon France, and was uncovered recently excavated. It was excavated from 1998 until 2008 by the Municipal Museum of Apt. The ruins contained many artifacts indicating it produced wine and olive oil, both still prominent in the area today. Both forms of agriculture are still found in the area today. Wine production and vineyards are a large part of the south of France, being around since the Romans. When Tourville Farm was in production it was the golden age of Romans and the use of wine. Wine was a prized asset and was consumed daily. In the 1st Century AD such writers as Columella wrote of how wineries should be run. As a group project this was developed as a team. Hannah Miller and I worked together developing the building.

Conceptual Models Concept Section

These two models were chosen for their representation of community. The first for hightlighting the original community of the ruins and the second for emulating the different rooftops in a vilage commnity. By combing the two the hope is to emphazie the concept of community in different layers and on different scales. Some of the scales of community that were thought about were: Roman, village, family and individual.

Eli Concept 1

Concept Models - Eli Lurie + Hannah Miller

Hannah Concept 1

Interior Gallery Rendering

Eli Concept 2

Concept Bubble Diagram

Hannah Concept 2

Eli Concept 3

Hannah Concept 3

Graphite Wall Section

Limestone Wall Section (Eli Lurie)

Interior Gallery Rendering

Limestone & Cedar Wall Section (Hannah Miller)

Building Analysis Wall Sections

Site Plan

Railway Decay Water Performance Center 601 Turner Blvd, Savannah, Georgia Architecture Fundamentals Studio III

Transitional Center Not Location Specific DSGN 223 - Professor Wacta Light is a very fundamental aspect to architecture. For my project I wanted to play with the idea of filtering light, not through nominal means but by using water and it’s properties. I started with the sunshade that was made from bamboo, which was mobile and transformative. This inspired my roof design, transformative by sliding across the building, with water pockets that naturally filter the light. The light to the bottom floor is also filtered through another layer of water that lies within the main floor. This dialogue that is created from the many layers of water that light gives the feeling of life and movement to a ‘dead’ brick structure. The walls that will enclose this space will be made out of two layers of mesh that will be lined up a few degrees off from each other to create a moire pattern that will replicate the movement of the light through the roof. This will the appearance that water is flowing from the roof above, down the walls, and to the floor, where there are pockets of water that let light into the bottom floor below. 39

Upper Level Rendering

Interior Medium 1 12" = 1'-0"

Lower Level Rendering

Axo 4

Steel Roof

I-Beam With Track Steel Beam

Cross Axis Cable C

Cable

Brick Wall Water Performance SCAD Center Steel Column

3D View 9_2 12" = 1'-0"

Axo 3

Axo 2

Concrete Floor

oor

Concrete Wall

all

oor

Concrete Floor

Axo 1 I-Beam With Track

I-Beam With Track

Steel Roof

Steel Beam

SCAD Water Performance Center Rotated Mesh Wall

Steel Roof

Steel Beam C Cross Axis Cable

Cross Axis Cable C

Mesh Wall

3D View 7_4 12" = 1'-0"

Brick Wall Section 2 3/16" = 1'-0" Wall Section

Exploded Isometric

Brick Wall Steel Column Steel Column

Concrete Floor

Concrete Wall Concrete Wall Concrete Floor

SITE PLAN 1”=30’

0’ 30’ Handicapped Access Vehicular Traffic

60’

Concrete Floor

Mesh Wall Section 3/16”=1’ WALL SECTION 1 3/16" = 1'-0"

120’

0’2’ 4’

Brick Wall Section 3/16" = 1'-0"

8’

Copy of Site 1" = 30'-0"

Axo 4

1 2

MAIN FLOOR PLAN 1”=20’

0’

20’

40’

80’

Section 01 1" = 20'-0"

Section 01 3D View 9_2 1" = 20'-0" 1 12" = 1'-0"

SITE PLAN 1”=30’

BOTTOM FLOOR PLAN 1”=20’

North Facade North Facade 1" =2 20'-0" 1" = 20'-0"

0’ 30’ Handicapped Access Vehicular Traffic

Axo 3

Axo 2

Axo 1

60’

120’

3D View 7_4 12" = 1'-0"

EXPLODED AXONOMETRIC

Copy of Site 1" = 30'-0"

Bottom Floor 1" = 20'-0"

South Facade South Facade 1" = 20'-0" 1" = 20'-0" 1

WEST ELEVATION 1”=20’

Section 01 1" = 20'-0"

EAST ELEVATION 1”=20’ 4

West Facade West Facade 1" =4 20'-0" 1" = 20'-0"

East Facade East Facade 1" =1 20'-0" 1" = 20'-0"

section 4 1" = 20'-0"

NORTH ELEVATION 1”=20’

Section 01 1" = 20'-0"

SECTION FOUR 1”=20’

Section 02 1" = 20'-0"

MAIN FLOOR PLAN 1”=20’

SOUTH ELEVATION 1”=20’

North Facade 1" = 20'-0"

SECTION ONE 1”=20’

Section 02 1" = 20'-0"

section 4 1" = 20'-0"

Section 3 1" = 20'-0"

0’

Section 3 1" = 20'-0"

20’

40’

80’

Section 01 1" = 20'-0"

Section 01 3D View 9_2 1" = 20'-0" 1 12" = 1'-0"

North Facade 1" = 20'-0"

2SECTION THREE 1”=20’

2 4

SECTION TWO 1”=20’

South Facade 1" = 20'-0"

West Facade 1" = 20'-0"

BOTTOM FLOOR PLAN 1”=20’

North Facade North Facade 1" =2 20'-0" East Facade 1 1" = 20'-0" 1" = 20'-0"

3D View 7_4 12" = 1'-0"

Floor Plans, Elevations, and Sections South Facade 1" = 20'-0" 4

section 4 1" = 20'-0"

Section 02 1" = 20'-0"

East Facade 1" = 20'-0"

Section 3 1" = 20'-0"

West Facade 1" = 20'-0"

Bottom Floor 1" = 20'-0"

South Facade South Facade 1" = 20'-0" 1" = 20'-0" 1

WEST ELEVATION 1”=20’

Section 01 1" = 20'-0"

East Facade East Facade 1" =1 20'-0" 1" = 20'-0" Section 02 2 1" = 20'-0" section 4 4 1" = 20'-0"

NORTH ELEVATION 1”=20’

EAST ELEVATION 1”=20’ 4

West Facade West Facade 1" =4 20'-0" 1" = 20'-0"

Section 3 1" = 20'-0"

SECTION THREE 1”=20’ section 4 4 1" = 20'-0"

2 4

Section 02 1" = 20'-0"

section 4 1" = 20'-0"

Section 01 1" = 20'-0"

Section 02 2 1" = 20'-0"

SOUTH ELEVATION 1”=20’

La Cáscara de Naranja de la Casa Private Residence Hollywood Hills, Los Angelis, California Architecture Fundamentals Studio II

Transitional Center Not Location Specific DSGN 223 - Professor Wacta A 60’x70’ site, that is in the Hollywood Hills with a 40% slope that is after a 20’ road setback. The house has setbacks from all sides. Each cardinal direction has a different aspect that is unique to it, making every facade a focus for design and views. This home was designed from deconstucted cubes, making it colloquially known as a “cube house“. This residence was designed for a couple who needed a house that could also function as their workshop. The bottom floor has a studio that is separated from the rest of the house. The bedroom suite is also separated from the main living area by being on the top floor. The rest of the house is a multitude of living spaces that flow into each other. In this specific location it was important to take advantage of the views and climatic elements, while providing privacy. Every space has been designed to take advantage of the views by having individual porches. It was important on this site to keep as much of the site unchanged as possible, so for this design the residence has been lifted above the site on stilts leaving the ground as intact as possible.

udy

Cube Collaboration

es we had to take the â&#x20AC;? cube and make new hose pieces. For these in the same series in primary, secondary, . There is also some corners.

When connecting the cubes I had to also fit them on the site, this is when I decided to make the model effect the site as minimally as possible. This model really brought about the idea of the structure for the final model. The idea of cascading also came about from this.

Concept Deconstucted Cubes

Detail of Final Model

Concept Joined Cubes

Bathroom

Foyer

Bedroom

Garage

Dining 21

Porch 27

Porch 23

Porch

Living

22 DN

Porch Grade 1/8" = 1'-0"

First Floor Plans

North 1/8" = 1'-0"

Bedroom 1/8" = 1'-0"

Second Floor Plans

West 1/8" = 1'-0"

Elevations East 1 1/8" = 1'-0"

South 1/8" = 1'-0"

Orbiting Reticulation Transitional Center Not Location Specific Architecture Fundamentals Studio I

Transitional Center Not Location Specific DSGN 223 - Professor Wacta Deriving from a rigid grid pattern, this project was developed from a plan to section pattern relationships. Using a kit of parts this project really took on solids and voids, allowing for spaces to be created from this layout. Once all of the spaces were laid out, the form itself could be shown, and refined. Many iteration of the form were conducted, leading to the final solid and void model. The idea behind the treatment center was that â&#x20AC;&#x153;beautiful spaces enlighten the mindâ&#x20AC;?. Using this philosophy every space both inside and outside of the building was thought of as a personal space that had to be thought about for long periods of time. Many of the spaces are varied in size and shape due to the slanted roof and the solid void form walls that creates a different feeling for every room. The center is meant to facilitate recovery of a diminished state of mind. There are interior and exterior spaces that are meant to create a sense of calm for the mind. The center would be located on grounds that are lushly forested in specimen trees and gardens that the patients would care for. The structure is a skeletal structure that is exposed to use the least amount of construction materials to make the building greener. With the green building movement the structure has a sunshade roof over the entry that lets light in while letting heat out. This building is intended for the northeast where it is relatively cooler, with longer periods of winter, so the added sunlight will heat the interior.

Concept Model

Concept Drawing

Conept Sketches

Isometric Section

South 1" = 10'-0"

East 1" = 10'-0"

North 1" = 10'-0"

West 1" = 10'-0"

Elevations

Murray Residence Residence Northbridge, MA

Murray House 215 Rebecca Rd, Northbridge, Massachusetts Nine-year-old twins Michael and Eric Murray of Northbridge live with spastic quadriplegia cerebral palsy, which makes it hard for them to get around their home on Benson Road. Their parents hope that by this time next year, the twinsâ&#x20AC;&#x2122; lives will be easier thanks to the efforts of hundreds of students at Blackstone Valley Technical Regional High School. Upton resident Eli Lurie, a senior at Blackstone Valley Regional Vocational Technical High School, reviews his senior project to design a house for a family with special needs children with cerebral palsy. Lurie showed his project with his drafting instructor, Jim Aukstikalnis, on Friday morning.

Front elevation rendering 2

Actual front elevation

3D View 5_2 12" = 1'-0"

Upton resident Eli Lurie, a senior at Blackstone Valley Regional Vocational Technical High School, reviews his senior project to design a house for a family with special needs children with cerebral palsy. Lurie showed his project with his drafting instructor, Jim Aukstikalnis, on Friday morning.

Professional Work

Interior Elevations of mantle pieces

Sections and Details

Floor Plan

Exterior Elevations

Hand Drawing

Ink Drawing of Telfair Square Plan

Hand Drawing Drawing For the Building Arts In Drawing For the Building Arts I was exposed to a professor, who was a wonderful role model in that she pushed me to really do some of my best, most detailed work. I feel that the projects completed in this class were good building blocks for the rest of my architectural career. The images included are all hand drawn, in ink or graphite on vellum..

Ink Drawing of Telfair Square Elevation

Graphite Drawing of Telfair Museum

Graphite Sketch of Derelict Building

Lawton Mausoleum Along the ridge of the faรงade there are decorative crenulations that reference the onces seen on medieval castles for defensive purposes, here they are just a revival.

Lawton Mausoleum Eli Lurie Spring 2014 Professor Keller

Today there are signs that the structure has started to fail. By most of the corner joints where the wall meets the buttress there are large cracks in which organic matter is building up causing the cracks to grow progressively worse.

The corners of the mausoleum have turrets that act as a structural flying buttres, holding the corner joints together. Topped by a finial of a flower bud, these gotic inspired turrets are almost eighteen feet tall from the ground all the way to the finial.

The finials are clearly that of a flower bud, but what is not that clear is of what kind of flower. Throughout history similar elements have been used and have depicted poppyheads, which this could very well be. This also shows the fine marble carving.

Historic American Building Survey Laurel Grove Cemetery Professor Keller The Lawton mausoleum is important because it shows a very elaborate and unusual architectural style. This Gothic Revival mausoleum is the only one of its kind in this specific cemetery, and one of the best examples of Gothic mausoleum architecture in the state. The mausoleum has exceptional marble work, that can be seen in the door and the turrets. The door and surround are very intricate with a cusped arch that is very detailed. The turrets in the corners act as buttresses that tower over the roof, creating a beautiful and structurally necessary component. The Lawton Mausoleum is very important because it shows a time in architecture that was a revival of the Gothic cathedrals in Europe that inspired Americans in the mid -19th century. Along the ridge of the faรงade there are decorative crenulations that reference the once seen on medieval castles for defensive purposes, but here they are just a revival. On the rear wall there is the worst damage to the structure. Here the marble laminate has started pulling away from the brick structure behind. The wall has become wavy which has caused the crest crenulation pieces to start to slide of the building, the gaps can be seen.

Hong Kong Immersion

Laser Scanning Yuen Mansion, Kowloon Professor Keller “1949, only about 11 percent of China’s 542 million people lived in cities. 1980, only about 19 percent of China’s 985 million people lived in cities. Today, however, te urban share of China’s 1.4 billion population is about 51 percent.“ - Weiping Wu Hong Kong is the fourth densest cities in the world, with a stuning population of almost seven million people. The urbanization of the city has been influenced through many different empires that took hold of the city. It has elements left from early dynasties of Imperial China to the reign of Great Britain. Development from the British was very regulated and most of the buildings build during the British rule are declared monuments protected by law today. Traveling to Hong Kong offered an insight into a way of development in the eastern world which is not widely taught in the United States. For instance learning how southern exposure relates to Fengshui which is believed to relate to the energy of yang. Exposing oneself to different cultures and climates can really make ones design much more anomalous including elements not normally seen.

Chapel of Ease

Laser Scanning St Helena Island, SC Professor Keller During the fall of 2015 I took a class called digital communication for historic preservation in which I learned about different documentation strategies as well as the justification for documenting historic structures and landscapes. Throughout the course I was introduced to new technologies in which made documentation easier, as well as more accurate. Historic preservation is often thought of as a thing of the past, an outdated assemblage of people and technologies. But the fact is that preservation is becoming a highly technical field, involving many new technologies. One of the first technologies in which I was edified in was the process of laser scanning. We had to learn the fundamental aspects of how to laser scan a structure. It was quite interesting to find out how detailed this technology actually is a single scan, which can capture millions of points, making a detailed record of the structure. A question many peope ask about laser scanning is twofold, why spend all of this energy and time documenting a historic structure, and why use this type of technology to do it? This type of question has a very rational and simple answer: our history matters. Every day that passes, structures are losing their original fabric, and may become lost altogether. This type of technology makes it possible to quickly and accurately document structures. Laser scanning specifically can capture many details not able to be captured with traditional methods of documentation. 62

La Campesina

Araptive Rehabilitation Plan 1020 East Broad St. Savannah, GA Professor Abraham Working as part of a student team, I contributed to an adaptive reuse plan for the property at 1020 East Broad Street be adaptively rehabilitated to a self-sustaining Mexican restaurant, La Campesina. 1020 East Broad Street is located on the corner of East Broad Street and Park Street. The property is on 1.6 acres on land. The building is made of 16” x 8” x 8” CMU and sits on a poured concrete foundation. The entire structure will be revitalized to accommodate a commercial restaurant and a fresh market. The surrounding property will also be revitalized and converted to the restaurant’s garden. In addition to the garden, a parking lot will be added on the southwest side of the property. The main structure will house the commercial kitchen, an ordering counter, and bar seating. The market will be located at the rear of the main structure. Restaurant seating will also be located in the middle room and the open side structure. The CMU half walls of the side structure will be replaced with mid-century concrete breeze blocks, which will reflect the mid-century aesthetic of the structure. This project required working with different tools from the field of preservation including, a building assessment, project planning, cost estimation, and a pro forma analysis. This project required using all of these tools and creating a comprehensive reuse plan of the selected structure.

Room Legend Grocery Indoor Kitchen Main Outdoor Restroom

Davis Allen Taylor Cornell Eli Lurie

1020 East Broad Street Adaptive Rehabilitation

No.

Description

Date

Design Proposal Project number Date

Project Number Issue Date

A103 Scale 1" = 10'-0"

5/19/2015 7:33:23 PM

Storage

Private Residence

Before Photo

Current Photo

Rehabilitaiton Drawings 205 W 41st St. Savannah, GA A professor I have worked with in the past was in the process of writing up historic tax credits for 205 W 41st Street, when he approached me about doing rehabilitation drawings for the property. I worked with the owner, contractor, as well as the MPC in Savannah to make sure that the drawings met with the cityâ&#x20AC;&#x2122;s guidelines. In doing this project, I had to teach myself how to create electrical plans, since I had not done them previously and was not directly working under an architect. I had to also go out on site and take field measurements of the existing conditions, and put them into CAD. Then I had to work with the owner to figure out what they wanted to change on the existing structure, and draw the changes in rehab plans. This project gave me many realworld experiences.

CAD Drawing of Front Porch Rebuild

CAD Drawing of Interior Alterations and Electical Plan

Trustees Garden

This map shows the buildings surveyed. Map Derived from Google Maps.

Historic Structures Report Trustees Garden Professor Keller Trustees Garden is one of the original wards in Savannahâ&#x20AC;&#x2122;s historic district. It was historically a commercial and industrial area. Today, it is mainly residential so it was selected to survey, and twenty-five buildings in this ward were selected. The southwest corner of the ward was deemed most appropriate since this is where most of the buildings in this ward are clustered. In doing this on-site survey, a pencil, iPhone, and grid paper were used to document observations of the buildings. This included making notes of different materials as well as the locations of elements on the building. Quick sketches proved beneficial to describing where the chimney and porches were located. Photos of the front facades of the buildings were also taken on an iPhone. Details recorded were the number of bays, materials used, foundation type, roof type, porch type and location, window types, architectural style, and chimney placement; each photo was tagged and logged with its corresponding survey.

23. Foundation Type: Continuous Foundation Material: Brick Latitude/Longitude: 32.077554, -81.084207 8. Date of Construction:1830

24. Porch Configurations: (Max 4) Porch Type Portico

Location West

Stories Width 1 6’

Recessed Choose an item.

East Click here to enter text. Click here to enter text.

16’

Brick Click here to enter text.

Choose an item. Choose an item.

Click here to enter text.

Choose an item.

Brick

Material

Roof Hip

No porch at all 25. Window Types: Window Type Double-Hung Sash Choose an item. Choose an item. Choose an item.

Head (flat, etc.) Flat Click here to enter text. Click here to enter text. Click here to enter text.

Pattern (6/6, etc.) 6/6 Click here to enter text. Click here to enter text. Click here to enter text.

Shape (rectangular, etc.) Rectangular Click here to enter text. Click here to enter text. Click here to enter text.

26. Physical Description: (write-in) The front façade is symmetrical with a door in the center and one window on each side, the door has a two light transom. The second floor has two windows on each side. It is constructed of wood with clapboard siding, and a medium sloped side gabled roof with metal standing seam roofing. The 4 windows are 6 over 6 double hung. The front façade has a small entry porch that has simple square columns with simple capitals. There is a small eave with a closed soffit. The foundation is made from brick and is a continuous wall around the building.

27. Outbuildings: (max 10) Choose an item. Choose an item. Choose an item.

Choose an item. Choose an item. Choose an item.

Kehoe Iron Works

National Register Nomination 656-660 East Broughton St. Savannah, GA Professor Keller The Kehoe Iron Works building is located at 656 East Broughton Street in Savannah, Georgia. The four-story brick building stands representing the industrial era that Savannah lacks remnants of. Built over a period of years, the west wing is the oldest portion of the building dating to 1873, while the center and east wing were built in 1883 when the complex was expanded. The west wing, constructed by James Monahan as the Phoenix Iron Works is notable for its Italianate-style bays that would have once been open for ventilation. The central tower is in the Second Empire style with a flared straight mansard roof and segmental arches windows with cast-iron hoods and sills, making it the most stylized portion of the building. By 1888 William Kehoe built the central tower and east wing when the foundry changed hands. The east wing is similar to the west wing but it is two floors, as well as having segmental brick arches. Off of the east wing on the east side is a corrugated metal building that almost doubles the floor space of the brick structure. This building was originally an open shed with an iron structure, that was later closed in with the metal siding; the metal columns and structure rest on brick piers. The building was in constant use up until the Great Depression when steel had flooded the market. The site that this building sits on is large and highly sloped for the area, containing 2.5 acres. Behind the building is a grass-covered slope that goes down to below sea level where water can be seen. 70

United States Department of the Interior National Park Service / National Register of Historic Places Registration Form NPS Form 10-900

OMB No. 1024-0018

Kehoe Ironworks

Chatham, GA

Name of Property

County and State

Architecturally this building is significant because it embodies a unique example of high style

Second Empire architecture. It is also notable since industrial buildings of the time were not as highly embellished. The mansard roof and iron details really set this building stylistically on another level from a standard Second Empire structure. This building also uses an iron structure on the eastern wing of the building, which is highly unusual for this time in construction. This type of construction was not used regularly till later in the 20th century when steel construction had become prominent. ______________________________________________________________________________ Narrative Statement of Significance (Provide at least one paragraph for each area of significance.) Historic Background: William Kehoe was an Irish immigrant who came to America when he was only 8 years old in 18501. He was an ambitious man, who was well liked by the owner of a foundry where he had worked for in 18792. James Monahan was the owner of Phoenix Iron Works, which is what Kehoe later inherited from Monahan. Then in 1880 Kehoe is listed with the Iron Works which shows that he had a large share of it at this point3. According to the deeds for the property Monahan’s widow and Kehoe were equally left the foundry at James Monahan’s death. In 1879 the deed shows that Kehoe purchased her share of the property for $1,100, this is when he changed the name to Kehoe Iron Works4. The Ironworks building seen today was very different when James Monahan was alive. The western wing of the building is original to what was on the site from Monahan’s days; there were also another few buildings on the site that were removed when Kehoe took over. These included the “Old foundry” which is where the metal shed on the east is today as well as, patterns, B. 1

Elizabeth Carpenter. Piechocinski, "William Kehoe," in Men of Iron, Men of Stone, Feet of Clay (Savannah, GA: Oglethorpe Press, 2006), pg. #32. 2 Georgia Historical Society, Savannah, Georgia, City Directory, City of Savannah, Georgia, 1879, s.v. “William Kehoe, John Monahan.” 3 Georgia Historical Society, Savannah, Georgia, City Directory, City of Savannah, Georgia, 1880, s.v. “William Kehoe.” 4 Chatham County Courthouse Records Room. Savannah, Georgia. Deed Book 7-S. Folio 20. Section 8 page 12

Nunez House Tax Credits

Conditions Assesement 1704 Jefferson St. Savannah, GA Professor Abraham The floors in the hallway and both parlors need to be sanded and re-stained. In the downstairs utility room and kitchen, the subfloors need to be re-stabilized. The peeland-stick tile in the kitchen needs to be removed, and both rooms will receive new tile floors. In the downstairs bathroom, the hardwood floors will be taken out and replaced with a tile floor. The floors in the upstairs hallway and bedroom will be sanded and restained. The new bedroom that will be created from the existing laundry room and porch will receive new hardwood floors that are compatible with the original flooring. Like the downstairs bathroom, the upstairs bathroomâ&#x20AC;&#x2122;s hardwood floors will be replaced with tile flooring. The trunk room next the the front bedroom, is going to become a bathroom, and its hardwood floors will also be replaced with tile flooring. Replace asbestos shingle siding; stabilize porch; replace porch balusters; re-glaze and re-hang windows; sand and stain hardwood floors; install tile floors in kitchen and bathrooms; patch plaster walls (demo and replace with dry walls where needed); sand, strip, and repaint trims; sand and repaint doors; put pocket parlour doors back on tracks; replace back door; replace broken glass on front door; stabilize kitchen subfloor; replace glass in broken transom windows and make hardware operable; sand and repaint stairs.

Nunez House

Field Work 1704 Jefferson St. Savannah, GA Professor Abraham All of the upstairs rooms had transom windows that were non-operational. The front bedroom had all of the hardware to make the window operable. I removed all of the hardware by hammering out the paint from the screws and unscrewing the pieces. Then to get the window out I had to pop the left side out because one hinge has a groove to slide the window through. I used sandpaper to clean up the hardware. I then took the glass out of the transom by using a utility knife and cutting it out. Since the glass was preiviously broken I threw the glass out. I started sanding the transom, it took time because there were so many layers of paint. I also went around the house removing nails and screws. This door jamb had a hole filled with nails and screws. It took a while to remove them all because there were layers of them. I primed the transom window, not before using a tack cloth with a little paint thinner to finally prepare the surface for primer. I also started working on the panels in the door by using a small scraper at an angle to get into the small crevices. I glazed the primed window. Then with a glazing knife I created a smooth line of glazing on the exterior side of the window. Finishing both the door and transom window with two final coats of paint, and finally installing the original hardware back, making the door and transom operational again. This project taught me a lot about working with my hands, both the tecniques, and the tools.

Harper Fowlkes House

PastPerfect Harper Fowlkes House, Savannah GA Internship I had an internship at the Harper Fowlkes House in the summer of 2014. During this I learned how to work in a house museum setting, and the day-to-day activities that go on. My job was to mainly catalog the museumâ&#x20AC;&#x2122;s collection with the PastPerfect software. PastPerfect is a database software which is specifically to museums specifically. Doing this required creating a numbering system for all of the items in the house, creating a locating system in the house, photographing all of the items in the collection, and filling the database with all of the collection. The museum had an appraiser come in the 1980â&#x20AC;&#x2122;s so that was the basis for much of the information about each piece, but a lot had changed in the collection since that time. So many pieces had been moved or had been changed, so keeping up with each piece was difficult. By the end of the internship I had completed the entire database of all of the pieces in the collection, including photographs, descriptions, estimated value, and location within the house. This database now can be used for making an updated appraisal, or be used in keeping better track of the large collection.

Eli Lurie M. Arch (Candidate) BFA Architecture BFA Historic Preservation e| elilurie5@gmail.com m| 508-887-0836 78 w| www.elilurie.com