Portfolio

Page 1

ELINE DEGENAAR Architecture portfolio 2017


* Cover image: Msc3/4, exploded view skylight, art gallery p.43

2


CONTENTS CV 4 Academic Msc 1 8 Msc3/4 24 Practise Gijsbrecht van Aemstel 56 The farm project 70

3


PERSONAL INFORMATION Name Surname Date of Birth Nationality

Email e.l.degenaar@gmail.com Phone +31655151042 Linkedin linkedin.com/in/ elinedegenaar

Eline Laure Degenaar 19-12-1990 Dutch

EDUCATION

WORK EXPERIENCE

2014-2017

DELFT UNIVERSITY OF TECHNOLOGY Delft, the Netherlands Master of Science Architecture and the Built Environment

2016 FREELANCE WORK

TECHNISCHE UNIVERSITÄT BERLIN Berlin, Germany Minor Institut für Architektur

2015/ TU DELFT 2017 Delft

Amsterdam Architectural designer In the summer break of my graduation I worked out several design options for the transformation of an old townhouse attic located in the centre of Amsterdam.

2013-2014

As an assistant of the Intern coördinator of Architecture, Luc Willekens, I was responsible for the contact with students and firms and the organisation of several events.

DELFT UNIVERSITY OF TECHNOLOGY Delft, the Netherlands Bachelor of Science, Architecture and the Built Environment

2010-2014

2014 BRAAKSMA & ROOS ARCHITECTEN

LANGUAGES English

German

Dutch

Assistant Architecture department

The Hague Architectural intern

As an intern, I participated in the Value lab: a multidisciplinary team that conducts research into possible new interpretations for the vacant state property in the International Zone of The Hague. Our results were presented at the IABR 2014. The Value lab consisted of an intense collaboration between Delva architects, The Cloud Collective and Alterra. Other stakeholders were the Municipality of The Hague, Witteveen + Bos, VU, TU Delft, TNO and Frisia Makelaars.

Speak fluently and read/write with high proficiency Speak and read/write with proficiency Native language

SKILLS

2014 ATELIER ARCHITECTEN Gouda

Software

Autodesk Autocad Autodesk Revit Adobe Photoshop Adobe Illustrator Adobe Indesign Rhinoceros Grasshopper

Architectural designer In collaboration with architect Tjeu Bonten, I worked on the design for the transformation of an old monumental farm. I participated in the discussions with monument care and the municipality, and was responsible for the survey of the existing buildings on site and the first draft designs which I developed together with Tjeu Bonten.

Technical

Model-making, lassercutting, 3D-printing

4


2016 TECHNOLOGY IN SUSTAINABLE DEVELOPMENT Texel Student Next to architecture I am also interested in the question how we as a society can transform in order to make a sustainable economy possible. That is why I followed an extra multidisciplinairy study programme at the TU Delft in which students from all faculties work on projects with the focus on sustainability together. In one of the courses (Engineering for Sustainable Development) our task was to design Sustainable Texel as a socio technical system and to investigate what is needed for a sustainability transition for the island. We presented our work to the municipality of Texel.

2014 DIE LUFTBRÜCKE

Berlin Co founder During my minor at the TU Berlin, I set up a web shop for vintage items: http://dieluftbrucke.wix. com/dieluftbrucke, for which I did the purchase of new products, photography, web design and logistics.

2013 TU DELFT

Delft Student assistant Building Technology Department

Assisting Ir. Maarten Meijs with setting up a new course.

2015 INTERNATIONAL DESIGN SEMINAR

2006/ RESTAURANT BRUNEL 2012 Gouda

Host

Delft Board member / Secretary

Six months of full time organisation and preparation of the weeklong workshop, organised for 80 international students, combined with lectures, excursions, exhibitions, debates, documentaries and more. We had the honour of hosting internationally acclaimed architects, and theorists, such as Ben van Berkel, Wiel Arets, Greg Lynn, Bob Sheil and to be supervised by Herman Hertzberger. With the theme ‘re.craft’ InDeSem 2015 discussed and reflected on the way emerging technologies may have an impact on the architectural practice. It was about being critical on the available tools, technologies and materials. Looking at the advantages and disadvantages to determine what can be used best to manufacture the wanted form and architecture.

During High school I worked part-time and periods full-time as a waitress in this restaurant.

EXTRACURRICULAR ACTIVITIES 2016 ARGUS

Delft Board member / Treasurer ARGUS is the Architecture Master Student Association of the Faculty of Architecture and the Built Environment at Delft University of Technology. The aim of this board is to provide students with extra-curricular activities expanding their horizons in architecture and fields of study closely related to architecture, by means of excursions, lectures, workshops, debates, symposiums, etc. As treasurer I was responsible for the acquisition and the general finance of the association. Next to this task I also participated in the organisation of an excursion to London and the design of several exhibitions.

2015 TU DELFT

Delft Design teacher intern

Teaching first years students about the design proces and guided them by developing their first designs. I received an offical teaching certificate.

5


6


7

ACADEMIC


WESTERWORKSHOP

Rotterdam, the Netherlands MSc 1, teachers: Leontien de Wit and Serge Schoenmaker In its most primitive form the street is a line that connects people to places. It is an assembly of diverse people, objects and ideas. Within its everyday dimensions the street provides space for contact. Contact refines our capacities to socialise, to experiment and participate. This allows for dynamic and unpredictable processes of renewal, where existing spaces are enlivened with new ideas and overlapping practices (1). The Wester Workshop is a MSc1 project I did with the chair of Interiors Cities Buildings. We were asked to reinterpret the site hidden behind the facades of the Mathenesserlaan and the Nieuwe Binnenweg. The given programme for this site was a print workshop which also contained functions such as a shop, restaurant, auditorium and library. I found it important to develop a communal workshop that could function as an incubator for participation and experimenting resulting in a stronger neighbourhood community. Therefore I introduced an 8-shaped route which lures the pedestrian walking at the Nieuwe Binnenweg and the Mathenersserlaan into the hidden world behind the street facades. The route transforms from a roofed terrace passing the Wester Pavilion (a popular neighbourhood cafe since 1900) into a part of the street pavement, stairs, alleys and bridges. Like in a cloister, a colonnade extends around a public square which visually connect the different spaces of the workshop. Existing spaces such as the two villas from the end of the 19th century at the Nieuwe Binnenweg and the secretarial school for women from 1938 at the Mathenesserlaan are enlivened with the sounds of machines producing products and people discussing how to make these products.

1. Hall, S. (2015). ‘Ordinary streets’. London: LSE Cities research project.

8


Mathenesserlaan

Nieuwe Binnenweg

9


Site model, existing in wood, added building fabric in cardboard

10


11


A’

10

7

2

5 3

8 6

1

B

B’ 9 4

A

Ground floor 1. Riso-print workshop 2. Offices 3. Shop 4. Wester pavilion (existing restaurant) 5. Private garden 6. Public garden 7. Wood & metal workshop 8. Foyer 9. Auditorium 10. Replaced existing daycare 12


A’

5 1

4 B B’ 2 3

6

A

First floor 1. Restaurant 2. Terrace on the south 3. Public library 4. Space for small screenings 5. Offices 6. Artist residences

13


Public courtyard Physical model + Photoshop collage

14


15


Facade Mathenesserlaan

16


Facade Nieuwe Binnenweg

17


2

1

Section BB’ 1. Nieuwe Binnenweg 2. Restaurant 3. Bridge towards artists residences 4. Auditorium foyer 5. Public garden 3. Paper storage riso-print workshop

18


3

6 4

5

19


5 3

1

2

Section AA’ 1. Auditorium 2. Chair storage 3. Public garden 4. Wood & Metal workshop 5. Artists residences

20


4

21


B +810 1 2 3

4

+470

A +30

B’

BB’

1

Horizontal section 1:20

2 3

1. Concrete column 400 x 400 2. Wall structure: 20 mm plasterboard with small holes to plug in topics Vapor barrier film Stud wall with 100 mm insulation Vapor-permeable film Horizontal wooden boards 3. HWA 4. Wooden bench 5. Concrete column 300 x 300

4

AA’

22


5 6 7 8 9 10 11

A�

12 13 14

Vertical section 1:20 1. Kerto-Riba wooden roof 2. HWA 3. Concrete beam 600 x 400 4. HWA 5. 10 mm concrete eaves 6. 150 mm concrete core floor 7. Concrete beam 300 x 300 8. Sandblasted concrete pates made from scrap materials of the site 9. Concrete console

10. 60 mm ventilation main channel 11. Armature 12. 250 mm concrete core floor 13. Foundation beam 14. Lost formwork insulation

23


A NEW MUSEUM FOR 20TH CENTURY ART Berlin, Germany MSc 3/4, teachers: Daniel Rosbottom, Sam de Vocht, Sereh Mandias, Mauro Parravicini

Culture and climate differ all over the world, but people are the same. They’ll gather in public if you give them a good place to do it (2). My graduation assignment was to design a new national museum of Germany for 20th century art, which will form an extension to the Neue National Gallery at the Kulturforum in Berlin. This assignment was a real competition in which almost 800 firms participated. For the first time in decades, this newly created museum complex will enable to exhibit the full German national collection of 20th century art so far only presented in parts, to be presented ass a whole in one building. The programme together with the location raised all kinds of questions. What does it mean that this museum will be located between two of Germany’s most renowned architectural landmarks, the Neue National Gallery from Mies van der Rohe and das Philharmonie from Hans Sharoun? And what does it mean that this museum is a national museum, a museum owned indirect by the citizens of Germany? A big part of my research focused on understanding the social and architectural processes that shaped the location. My research resulted in the following design proposal which exists out of two very clear architectural typologies: a large scale building block facing the busy four lane Potsdamer straße in which all publicly accessible functions are located, and a single story slab covered with a grid of gallery skylights containing the permanent collection. This slab of skylights is located between der Neue National Gallery and das Philharmonie keeping a dialogue between these two buildings possible.

(2). Gehl, J. (1971). ‘Livet mellem husene’. København: Arkitektens Forlag.

24


Site model, painted MDF

25


Research: precedents studies, dissected six art museums in the Netherlands + investigated five periods in the 20th century of museum design

26


27


State library + monumental tree

Neue National Gallery

St. Matthäus kirche

Philharmonie

28


30 State library

25

15

Philharmonia Neue National Gallery St. Matthäus kirche

Piazzetta

1. Site model, painted MDF

29


2 2

1

5 3

7

4

5 1

3

4 6

2

Ground floor

First floor

1. Tickets 2. CafĂŠ 3. Audio guides 4. Shop 5. Cloak room 6. Deliveries 7. sculpture garden

1. Temporary exhibition 2. Outside art platform 3. Exhibition material storage 4. Staff change rooms 5. Exterior stoa

30


4 1

1

5 2

2

3

4

5 3

Second floor

Thirth floor

1. Marzona Library 2. Marzona Depot 3. Education and Mediation 4. Restoration 5. Interior stoa

1. Panorama restaurant 2. Media and event space 3. Maintenance 4. Coffee pantry 5. Academic administration

31


A view from the temporary exhibition towards the State library Revit line drawing + photoshop collage

32


33


North facade, view into the cafe, model photograph + photoshop collage

34


Sculpture garden, model photograph + photoshop collage

For the design of the facade of the street building I was inspired by the philosophy of Schinkels Altes museum and integrated his idea of the public stoa from which visitors enjoy a view over the city. Next to viewing the city, the stoa also enables the visitor a sneak preview inside, into its temporary exhibition and its restoration spaces. The higher up the more intimate the spaces get. This hierarchy of space is expressed by its facade. The distance between the columns and the width of the columns becomes smaller per floor . Das Altess Museum, Schinkel, 1830, the first public museum of Germany

35


4

6

3

5

2

1

Fragment model 1:50 1. Cafe 2. Exterior art platform 3. Restoration 4. Panorama restaurant 5. Exterior stoa 6. Interior stoa

36


1:4

1:3

1:2

1:1

37


2

1

3

6

Section: descend towards the permanent collection (original 1:200) 1. Exterior stoa 2. Interior stoa 3. Marx collection 4. Oversized installations 5. Das Kapital raum, Joseph Beuys 6. Depot

38

4


5

39


AA’

4

3

2

A 1

-1 floor, Neue National Gallery collection

-1 floor, permanent collection

1. Central hall 2. Small exhibition space 3. Big exhibition space 4. Sculpture garden

1. Marx collection 2. Oversized installations 3. Das Kapital raum 4. Pietsch collection filtered daylight 5. Pietsch collection sculpture gallery 6. Audio room 7. Museum for Prints and Drawings 8. Staff room 9. Towards the depot

40


3 A’ 5

4 2

1

8

6

9 7

41


The load bearing wall vs the collumn grid

42


Wooden lamella finished with Béton Ciré 50x150

4 Pre-fabricated UHPC roof part 50

Steel profile connecting UHPC roof parts with grid beams Milk glass

Precast Ultra High Performance Concrete beam 100x2500x7200

Ventilation ducts covered with plywood plates finished with Béton Ciré

Steel profile connecting Load bearing walls with UHPC beams

Precast Tricon hollow concrete wall. Connected in situ with floor

Stud wall covered with white painted plasterboard

In situ cast concrete floor with steel reinforcement 500

43


Fresh air enters the museum at the roof of the street building. This air is handled in the cellar by two big air handling systems. from these two points fresh air gets distributed trough out the whole museum.

44


45


Filtered light enters the gallery, model (1:50), interior photograph, cardboard + paper

46


47


4

2

Technical drawing gallery (original 1:50) 1

48


3

49


6 7

5

4

3

1

1.

2

Foundation / Interior wall / 1:10 1. In situ cast concrete floor with steel reinforcement 500 2. EPS cast 180 3. Concrete core activation 4. Terrazzo floor

5. Precast Tricon hollow concrete wall. Connected in situ with floor 6. Stud wall 7. White painted plasterboard

50


5

6

4

3

1

2.

2

Ventilation / Electricity gutter / 1:10 1. Precast Ultra High Performance Concrete beam 100x2500x7200 2. Concrete expansion anchors 3. Ventilation duct

4. Electricity cables 5. Sliding steel angle profile 6. Plywood plates finished with BĂŠton CirĂŠ

51


1

3 4

2

3. Lamellae roof / 1:10 1. Wooden lamella finished with BĂŠton CirĂŠ 50x150 2. Burglar-proof glass 20 3. Aluminium window frame 4. Steel U profile

52


7

6

4

5 3

1

2

4. Artificial light / Gutter / Roof / 1:10 7. Pre-fabricated UHPC roof part 50 Insulation 110 Vapour barrier OSB boards Waterproof layer Stud structure to ventilate copper Wooden boards placed on 5 cm interval Copper in strokes of 500x3000

1. Milk glass 2. Aluminium window frame 3. Steel profile connecting UHPC roof parts with grid beams 4. Artificial luminaire 5. Textile blind, automatically operated 6. Walkable aluminium plate for maintenance

53


54


55

PRACTISE


GIJSBRECHT VAN AEMSTEL Amsterdam, the Netherlands August 2017

I was asked to develop ideas for the transformation of a 25 m2 attic into a guesthouse complete with a small kitchen, bathroom and bedroom. I worked out three options in Autodesk Revit. It was a nice challenge to create a spacious apartment on 25 m2. In all options, I tried to arrange the functions in such a way that the available space is used in the most efficient way and that also a lot of integrated storage space is created. The client finally chose for option 2 since they enjoyed the idea of situating the living area along the windows in the front facade creating a bright living area. While working with a modest budget, I chose for materials which will create a warm ambiance, but are cost friendly such as plywood and simple white tiles. These drawings form now the inspiration for the contractor.

56


The chosen option 2

57


1 58


3650

2800

930

930

1900

59


60


61


2 62


3650

850 600 2000

2800

500

3200

63


64


65


3 66


3650

2800

940

2800

67


68


69


THE FARM PROJECT Gouda, the Netherlands April 2015 - July 2016

In collaboration with architect Tjeu Bonten I worked on the design for the transformation of an old monumental farm bought by my parents into a spacious farmhouse. Next to several structural challenges the biggest architectural challenge was how to transform a dark cow barn into a lively bright living space. One solution was to create openings in the sides of pitched roof and take out the parts of the first floor adjacent to this roof so light can enter the living space. The space underneath the remaining floor keeps the cosy atmosphere desirable for a seating area. The other solution was to scale up the openings in the back facade also enabling views towards the polder landscape. Since this farm is one of Gouda’s last farms, monument care took at first a quite conservative position and rejected the drawings shown on the next page. They proposed to place a glass wall inside, creating an inside veranda and keeping the wall intact. We prosed to place the wall outside creating a conservatory and a lot of extra light in the living space. They agreed and so we built it. The end result of the construction process, in which I did not took part, is a collection of characteristic spaces who all stand in relation with each other and their surrounding landscape.

70


71


BK 1.7 5 m2

V.K.R. 1.6 8 m2

gang

slaapkamer

badkamer atelier

slaapkamer

V.R. 1.3 15 m2

V.R. 1.8 37 m2

V.K.R. 1.9 2 m2

V.R. 1.4 12 m2

BK 1.5 6 m2

terras

badkamer

V

KAPVERDIEPING E

C

D

Nokhoogte schuur

in eethoek ook de vloer open met gekoppeld daklicht

5480

vides met opstaande dichte wand

verdieping schuur

2600

schuur

P=0

VIDE

B

B

VIDE badkamer gl wand

A

VIDE

KAMER

glazen wand

GANG

GARA

gl wand

VIDE

VIDE

E

verdieping schuur

2600

schuur

P=0

A

B

5480

C

D

KAPVERDIEPING

Nokhoogte schuur

C

E

D

CV

F

GEVEL BOERDERIJ ZIJDE Oost

gl wand

V.R.1.8 30 m2

WC 6 m2

V.K.R.1.11 washok 7 m2

G

Multi media

V.K.R.1.10 6,3 m2

V.R. 1.7 34 m2

A

BK. 1.9 7,4 m2

slaapkamer

GEVEL SLOOT ZIJDE West

GARAGE DOORS 4

Nokhoogte woonhuis

7020

Nokhoogte schuur

6920

3

2

dakisolatie Renopur 60 mm

3608

Doorgang naar Boerderijdeel

bestaand raam gangbaar maken tochtstrip in sponning toepassen geisoleerd renovatieglas 10mm waar nodig dorpel vernieuwen

3500 2950 bestaand raam gangbaar maken tochtstrip in sponning toepassen geisoleerd renovatieglas 10mm waar nodig dorpel vernieuwen

verticale gg delen grenen

2358

verdieping schuur

2

lood hoger inslijpen ivm dakisolatie

wandisolatie Calibel 85 mm

verdieping voorhuis

1

1

V.K.R. 2 1,9 m2

1120 580

schuur

P=0

Kelder

-600

1622

Opkamer Voorhuis

best. pekelbad renoveren

DOORSNEDE E -E

1,5 m2

wm

wc 1,4 m2

scheuren in gevels aanhelen inboeten en waar nodig rvs verbind. ankers in metselwerk

wc 1,2 m2

Atelier ruimte

woonkamer

V.R. 1 47 m2

V.R. 1 47 m2

1

terras

ENTREE

Nokhoogte schuur

2

3

4

A

B

6980

23967

BEGANE GROND

velux combi

zorgwoning en atelier

E

D

C

D'

verdieping schuur

5692

3620 1144

3770 570

610

600

660

2570 3720

3600

600

2380

600

3738 2380

600

2180

Opkamer

1120

schuur

1108

B

3

eetkeuken

A kachel

V.K.R.6 9 m2

V.R.2 11,4 m2

8649

V.R.1 114 m2

kast wc 1,2 m2

2

garderobe

slaapkamer

kast

V.R.3 16 m2

DOORSNEDE D'- D'

2583

1140

woonkamer

vw/oven/mag/kk

slaapkamer

3310

985

1040

V.K.R.5 6 m2

1370

8880

A

kast

gang

P=0

velux

keuken Vide

862

B

BK. 4 16 m2

1400

+ 550

725

1130

kelder

badkamer

2619

890

1380

4

6876

2950

K

1

1410

entree

2320

1120

2680

1050

540

1050

547

975

709

1160

2130

1100

1880

1100

1820

1100

VERPLAATSEN HOOISCHUUR

1706

BEGANE GROND

C

2630

A

D'

1000

3410

1130

BEGANE GROND Hoofdwoning 4579

6128

GARAGE

Voorraad schuur 2.2 26 m2

vv

3030

2380

2.3 7 m2

Boenhok

3791

5670

kelder

KELDER

1010

6020

2.1 26 m2

Drawings for the first building permit application. Drawings of the conservatory were not included yet.

1730

C

D

E

F

G

D

B

12660

E

KLD - 0.1 16 m2

pekelbad

KELDER

72

1770

DOORSNED


4

3

2

1

F

G

VOORGEVEL BOERDERIJ ZIJDE NOORD Nokhoogte schuur

5850

verdieping schuur

2600

schuur

P=0

Nokhoogte schuur

5850

2600

verdieping schuur

2600

P=0

schuur

P=0

verdieping schuur

schuur

C

B

A

GEVEL DIJKZIJDE Oost

ATELIER DOORSNEDE D D

5850

D

GEVEL BOERDERIJ West

AGE Voorgevel

Nokhoogte schuur

E

dakopening

GEVEL BOERDERIJZIJDE West ATELIER

SNEDE F - F 3

4

1

DOORSNEDE D D

2

3

DOORSNEDE D D

4 1

2

3

4

3608

5480 Nokhoogte schuur velux combi

opbouw toiletten

gang vide

vide

verdieping schuur

2358

2600

1622

kk VM oven magn

P=0

schuur

stabiliseren gevel betonvloer incassen

C

D

ACHTERGEVELS

DOORSNEDE D - D

DOORSNEDE E' -E'

E

F

G

G Nokhoogte woonhuis

7020

Nokhoogte schuur

6920

Zuid

E

F

D

C

B

A

wand HSB met verticale grenen delen Wnk zijde wand opbouwen op draagmuur

3280

Dakgoten renoveren

Velux PK10

wandisolatie Calibel 85 mm

verdieping voorhuis glas wand

spant versterken na demontage

glas wand aansl. op balustrade

3500

glas wand

Glazen balustrade met rvs leuning

2950

glas wand Jansen staal nieuw kozijn hout met stalen deurframes Jansen

bestaand raam gangbaar maken tochtstrip in sponning toepassen geisoleerd renovatieglas 10mm waar nodig dorpel vernieuwen

2973

Opkamer Voorhuis

Op bestaande vloerdelen Fermacel isolatie vloer met vl.verw.

1120 580 P=0

Kelder

-600

kozijn en raam vernieuwen

Deur opening maken tpv kozijn in auth. profilering

1620

schuur

Balklaag en vloerdelen herstellen en behandelen met permethrin O.G.

kozijn en raam vernieuwen

luik renoveren en gangbaar maken

betonvloer met incassingen in muur 60 mm gespoten PU schuim; geschuurd Zandcementvloer met vloer verwarming vloercoating epoxy kleur betonlook

rooster stralen en choperen scheuren in gevels aanhelen inboeten en waar nodig rvs verbind. ankers in metselwerk

DE B - B

stabiliseren gevels betonvloer inkassen

staanders hout aanlengen tot op bovenzijde betonvloer Gewicht kolom overbrengen middels Ø60 steiger kortelingen kruiselijks in betonvloer

stabiliseren achtergevel betonvloer incassen

stabiliseren achtergevel betonvloer incassen

DOORSNEDE A - A

G

F

E

D

C

B

A

GEVEL SLOOT ZIJDE West

ZIJ GEVELS West

A

Velux PK10

2363

verdieping schuur

bestaand raam gangbaar maken tochtstrip in sponning toepassen geisoleerd renovatieglas 10mm waar nodig dorpel vernieuwen

B

C

D

E

F

G

projekt:

verbouwen boerderij tot woonhuis met zorgwoning en atelier

BOUWAANVRAAG

NIEUWE SITUATIE

Gem. monument: Gouderaksedijk 77 te Gouda cliënt:

fam. Degenaar Bleekersingel 76 Gouda

aa@atelierarchitecten.nl architect(en):

Tjeu Bonten & Eline Degenaar

datum:

28-03-2015

ZIJ GEVELS Oost

maten in het werk te kontroleren

73

schaal:

1: 100/1:500

wijz A: wijz B:

wijz C:

wijz D:

werk nr.:

1406

wijz E:

tek. nr:

wijz G:

formaat:

wijz F:

wijz H:

DO 02


Original situation

74


Photoshop collage preparatory phase

75


The conservatory

76


77


Interior photographes 1. The front 2. Living room and Kitchen 3. Bridge towards the office 4. The conservatory 5. Entrance hall 6. Connection conservatory existing facade

1

2

78


3

4

6 5

79


ELINE DEGENAAR

Schiekade 51 A, 3033 BD Rotterdam +31655151042 e.l.degenaar@gmail.com


Turn static files into dynamic content formats.

Create a flipbook
Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.