Graphic Design Portfolio - Elisabeth Vania

GRAPHIC DESIGN PORTFOLIO Selected Graphic Works 2018 - 2020

Elisabeth Vania

/Christoph Nienmann once said/

“

It’s not about waiting for hours for this moment where inspiration strikes. It’s just about showing up and getting started, and then something amazing happens or it doesn’t happen. All that matters is you enable the chance for something to happen. For that you have to sit on your desk and you have to draw and do and make decisions and hope for the best.

”

Copyrights © Elisabeth Vania 2021 All Rights Reserved.

No part of this portfolio may be reproduced or published in anyform, without the permission of the designer.

HELLO THERE.

Pleased to meet you!

I’m Vania To describe a piece of myself, I am a graphic designer who is currently pursuing my final semester at Multimedia Nusantara University.

Diving into the graphic design world has been a pleasure, an exciting experience, and thrilled to discover more. I am determined to take challenges and solve problems from a different angle.

CONTACT INFO E/ elisabeth.vania@gmail.com P/ +62 81808730730 A/ Metro Permata 1 B2/7, Karang Tengah IG/ @elisabethvan_

Dad jokes maker (spontaneous) / Can speak and understand a bit Korean, but can’t read / Easily shed tears (Not a cry baby though) - Just get easily emotional by touching stories / Loves singing - mostly in the shower / Like to collect things; postcard, christmas starbucks cup, stuffs. /

CURRICULUM VITTAE

EDUCATION

(2017 - Present)

Universitas Multimedia Nusantara Visual Brand Design Major (2014 - 2017)

Santa Laurentia High School Science Major

ABILITIES

Adobe Illustrator Adobe Photoshop Adobe Indesign Adobe After Effect

Adobe XD Adobe Premiere Adobe Lightroom

PERSONAL

Responsible Adaptive Hard Working

Eager to Learn Quick Learner Good Time Management

Music Movies Traveling

Nature Painting Indonesian and Korean Culture

SKILLS

PERSONAL INTEREST

CURRICULUM VITTAE

ORGANIZATIONAL

(2020)

EXPERIENCE

Masterpiece Magazine As Editor in Chief (Head) (2018 - 2019)

KSPM UMN As Graphic Designer (2019)

Masterpiece Magazine As Layouter OTHER

(2019)

EXPERIENCE

ASCAPE 2019 As Head of Event (2019)

Finvest 2019 As Decoration Coordinator (2018 & 2019)

Student Assistant For Computer Graphic Intro & Visual Communication Design Subject (2018)

JSDA 2018 Take part as student decoration team (Coordinator)

From this part, you will discover:

/CONTENT/ (Editorial)

Batik Card Banda Aceh Travel Guide Graphic Design Pocket Book (Branding)

Amore Prime School Kabupaten Pati (Campaign)

Lapar Mata Campaign (Extra)

Masterpiece Zine Gallery

/01/

EDITORIAL

“ Design creates culture. Culture shape values. Values determine the future.”

- Robert L. Peters

BATIK CARD

01/

KENALI BATIK: Practical Guide Card

SCOPE Editorial CATEGORY College Assignment,

Individual Work YEAR 2018 OBJECTIVE

Choose a theme about Indonesia and make it into a practical guide, consisting of 36 cards.

SOLUTION Batik is one of Indonesian art and

a part of an ancient tradition. As an Indonesian, I’m proud to have such culture and hope other people get to know more about Batik in an easy and convenient way.

04

BATIK CARD

CARD LIST

05

BATIK CARD

CARD PREVIEW

Batik

is

arts.

The

highlight

one

of

design the

Indonesia’s of

the

traditional

card

traditional aims

impression

to but

with a little modern touch. To enliven its beauty, each card has batik as an element.

The concept of the whole design is a journal depicted through ripped papers.

06

BATIK CARD

07

ACEH GUIDE

02/

Aceh Travel Guide: Folding Poster Brochure

SCOPE Editorial CATEGORY College Assignment,

Individual Work YEAR 2018 OBJECTIVE

To create a compact yet informative poster brochure, folded innovatively.

Back View

The brochure is designed for travel purposes with Banda Aceh as chosen destination.

APPROACH I use folds that create a frame on the

cover of the brochure. Overall, the folding used is simple and easy to follow for tourists to fold back easily.

Cover View

08

ACEH GUIDE

>> First Fold

MIND MAP

Turn back >>

* This is the preview on how to fold the travel brochure into pocket-size.

Full front >>

>> Full Back

09

ACEH GUIDE

PROCESS

02/

Aceh Travel Guide: Folding Poster Brochure

SCOPE CATEGORY

YEAR OBJECTIVE

APPROACH

Editorial Printed College Assignment, Dummies Individual Work

2018 To create a compact yet informative poster brochure, folded innovatively. The brochure is for travel purposes with Banda Aceh as chosen destination.

Back View

I use folds that create a frame on the cover of the brochure. Overall, the folding used is simple and easy to follow for tourists to fold back easily.

Cover View

08

ACEH GUIDE

>> First Fold

Turn back >>

* This is the preview on how to fold the travel brochure into pocket-size.

Full front >>

>> Full Back

09

POCKET BOOK

03/

BUKU SAKU DESAIN GRAFIS Graphic Design Pocket Book

SCOPE Editorial CATEGORY College Assignment,

Individual Work YEAR 2018 OBJECTIVE

To design a pocket book about graphic design for new learners to understand more about the world of graphic design. For the design itself, students were asked to adapt other graphic designer’s style and make their own interpretations.

SOLUTION Collaborating on 2 different styles;

Magdiel Lopez for digital arts and Kristine H. Kawakubo for layout.

10

POCKET BOOK

Magdiel Lopez’s Work References

Magdiel’s style combines objects with geometric shapes. It plays with vibrant colors and gradients, creating digital art that plays with the eyes. I adapted his style by using the concept of nature (such as animal and flowers) and playing with gradients color and geometric shapes.

11

POCKET BOOK

03/

Kawakubo’s BUKU SAKUKristine Work References DESAIN GRAFIS

Graphic Design Pocket Book

SCOPE Editorial CATEGORY College Assignment,

Individual Work YEAR 2018 OBJECTIVE

In her work, Kristine plays around with the

layout in a experimental way. It’s irregular To design a pocket book about layouts are the most attractive part of her graphic design for new learners to works. In my efforts to adapt her style, I use understand more about the world of words not only for reading purposes but graphic design. For the design it self, also as an aesthetic element. students are asked to adapt other graphic designer’s style and make their own interpretations.

SOLUTION Collaborating on 2 different styles;

Magdiel Lopez for digital arts and Kristine H. Kawakubo for layout.

10

POCKET BOOK

11

/02/

BR ANDING

“ Design is intellegence made visible” - Alina Wheeler

AMORE SCHOOL

04/

Amore Prime School: Graphic Standard Manual

SCOPE Branding CATEGORY College Assignment,

Individual Work YEAR 2019 BACKGROUND Amore Prime School is a Jakarta-

based school with clases ranging from kindergarten to junior high school. The brand itself wants to reflect a quality school that develops not only education, but also children’s character.

ISSUE Research

suggested

that,

many

people have mistaken the school logo for non-profit organization rather than a place of education. The school branding is also not well developed and applied. That’s why the school is less known and rebranding effort is required.

14

AMORE SCHOOL

15

AMORE SCHOOL

16

AMORE SCHOOL

Furthermore, the logo is formed Little kids have brains that still be more interactive and fun by develop and School get to know more Amore Prime aims to be awith school thattoprovides adding basic forms. The logo also has basic and tointeresting shapes. The education children according to their age.

Amore rounded fragmentary logo reflects the souls builds moral character that most schools havea left, and base shape to suits the essence of childrenchildren’s who are free. stimulates creativity so they can find theirof the brand itself. The shape gives off a pleasant impression and

talents in various fields.

more naive.

“Amore” means love, as in the love between God, teachers, and the students. The school applies a “Smart and Creative” learning system. It differs from Amore School and other schools. This learning system has proven to be successful.

MIND MAP

17

AMORE SCHOOL

SKETCHES

16

AMORE SCHOOL

Little kids have brains that still develop

Furthermore, the logo is formed to be

and get to know more with basic and

more interactive and fun by adding

interesting shapes. The fragmentary

basic forms. The logo also has a rounded base shape to suits the essence of

logo reflects the souls of children who

the brand itself. The shape gives off a

are free.

pleasant and childlike impression.

17

KABUPATEN PATI

05/

Kabupaten Pati: City Branding

SCOPE City Branding CATEGORY College Assignment,

Final Project YEAR 2020 BACKGROUND Pati Regency has coastal and mountainous

areas that contain a lot of natural potentials.

In the past, Pati was an underdeveloped area until it was known as a retirement city.

ISSUE For the past 10 years, Pati has started to develop

especially in the industrial and tourism sectors.

Pati Regency Government continues to promote the potential and advantages of the region so that more investors and tourists will come.

SOLUTION To build the image of Pati Regency as a

developing and competitive area, designing a city branding can be the right strategy. Through city branding, Pati Regency can gain the interest of investors to become the industrial and investment destination.

18

KABUPATEN PATI

Inspired by the central idea - Pati Regency as a strategic and trusted Agro Minapolitan area for business and industrial development.

LOGO PHILOSOPHY

I create a brand and graphic language for Pati Regency that highlights the GATE Openess

WAVE Richness, Dynamic

LAND Richness, Growth

richness of its natural resources,

LOCK Trust

especially in agriculture, fisheries, and industrial sectors as the main regional attractions.

19

KABUPATEN PATI Billboard Design

Poster Design

Website Design

Instagram Story

Cup Merchandise

20

KABUPATEN PATI

Trifold Brochure

Totebag Design

21

/03/

CAMPAIGN

“Design is the intermediary between information and understanding.”

- Hans Hoffman

LAPAR MATA

06/

Lapar Mata: Social Campaign

SCOPE Social Campaign CATEGORY College Assignment,

Individual Work YEAR 2020 OBJECTIVE

Based on the SDG (Sustainable Development Goals) by the United Nations, students must choose one of the targets, analyze the issue and create a social campaign as solutions.

ISSUE Sustainable Goals 12

“Ensure

sustainable

consumption

and production patterns.�

Target No. 3 Reduce

global

food

waste

at

consumer levels.

This social campaign is designed in collaboration with FoodCycle

24

LAPAR MATA

THE PROCESS Indonesia is the second-largest food waste contributor country in the world. One of the causes is society’s poor consumption pattern. Most of the community, especially young people, buys food based on their wants rather than needs.

The decision to buy excess food can be a result of ‘lapar mata’, or hungry eyes. The desire to buy excess food though we’re not hungry. In the end, food will be thrown away when already unable to finish just like that. Many people are unaware of this phenomenon and its impact on the environment.

MIND MAP

25

LAPAR MATA

06/

By adding substantial value to food that we throw

away, it is expected to make people more aware of Lapar Mata:

the importance of being responsible for the food they

The main message of this campaign is, Socialconsume.

Campaign

“If food have feelings, will you leave it just like that?”

SCOPE

I use a digital imaging approach to convey emotions of Social Campaign disappointment, sadness, and a sense of empathy. Use an

CATEGORY

active dialogue form headline that supports visuals from College Assignment, Individualcampaign Work media. The main hashtag is #eatjustenough support the reduction of excess food waste cause by

YEAR

2020

‘lapar mata’ and consuming food accordingly to ability, not desire.

OBJECTIVE

Based on the Sustainable Development Goals by the United Nations, students must choose one of the targets, analyze the issue and create a social campaign as solutions.

ISSUE

Sustainable Goals 12 “Ensure sustainable consumption and production patterns.”

Target No. 3 Reduce global food waste at consumer levels.

This social campaign is designed in collaboration with FoodCycle 24

LAPAR MATA

THE PROCESS

25

LAPAR MATA

Poster Design

Escalator Sticker

Brochure

Table Sticker

26

LAPAR MATA

Instagram Post

Booth Design

27

/04/

EXTR A

“It’s through mistakes that you actually can grow. You have to get bad in order to get good.”

- Paula Scher

MASTERPIECE ZINE

EXTRA/

MASTERPIECE ZINE: Buku Panduan Pekerja Kreatif Pemula

SCOPE Editorial CATEGORY Organization Project YEAR 2020 OBJECTIVE

To

sharpen

their

illustration

and layout skills, members were challenged to create some easy-toread content in the form of a zine.

TEAM Angela Anneta

Natasha Pratiwi Laurentia Agatha Lidia Fenina Rahmita Razzak Joan Andrea Catherine Jessica Amelia Fatha Zakiya Tasya Natalia

30

MASTERPIECE ZINE

This zine was created as a mini-project

This zine aims to tell the early life of

that

Masterpiece’s

art and design students. It contains

members to practice their skills in

light, simple contents, but is designed

creating

and

to entertain students who are trying to

layout. Furthermore, other than being

start a career in the creative industry.

the project manager, I contributed to

Taken and compiled from members’

content writing, layout, and compiling

personal experiences, Masterpiece’s

the zine.

first edition zine is expected to

I

initiated content,

for

illustration,

provide enthusiasm and inspiration for students as part of the creative industry.

Read more on bit.ly/MasterpieceZine-01 31

GALLERY

/2019/ Song: Hyukoh - Love Ya / Calligraphy Personal Assignment

32

GALLERY

/2018/ The Christmas Town / 3D Personal Assignment

We learn from mistakes, so I don’t see them as failures. The only mistake is not going back and trying again and again, in different and creative ways, because if you limit yourself to repeating things you’ve done before, you’ll only be given what you’ve already got.

- The Return of the Young Prince (Sequel of The Little Prince)

/2020/ The Ugly Duckling / Experimental Design Group Assignment

33

THANK YOU FOR VIEWING THIS FAR! I’m looking forward to working with you. I’ll be thrilled and pleased to be reached out by you. Please don’t hesitate to contact me at, E/ elisabeth.vania@gmail.com P/ +62 81808730730 IG/ @elisabethvan_