Lang WANG Selected Works 2010-2013
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Cooking School in Sao Paulo Sao Paulo Brazil Tod Williams Billie Tsien
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Guatemala Civic Center Guatemala City
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2010
Sally Stone John Lee
2010
Joe Day Michelle Paul
2012
From Isolation to Connection Fall River USA
OTHER
Sijin Yin
Now-plex Cinema LA USA
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2013
A Room in Venice Venice Italy
CONTENTS
Leon Krier George Knight
Hotel in Beijing Beijing China
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2012
Fred Koetter Ed Mitchell
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Bowl
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Visualization
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Chair
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Light, Space and People
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Rome, Continuity and Change
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Rousham Garden
2011
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DESIGN
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Cooking School in Sao Paulo Sao Paulo, SP, Brazil, 2012 Yale School of Architecture Tod Williams /Billie Tsien
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As Le Corbusier found in Emma, there is a balanced relationship between individual life and community in the traditional monastery. This proposal tries to reinvent it as a prototype for school, and adapt it to the complex urban conditions in Sao Paulo. It is a cooking school for favela students. They will live there and learn cooking as living skills. The proposal is located at the center of Sao Paulo city. Surrounding it is the unique landscape----the natural topography left by the old river which does not exist today; and the artificial landscape made by the viaduct and skyscrapers. Along with this verticality, the conventional courtyard is transformed vertically, and dispersed into multiple small ones. It creates a new possibility for metropolitan, not to stay in one “cage� in skyscrapers, but occupying your own sky and green.
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Site_Typology
In all the traditional prototypes, courtyard is the one that appear in almost every main culture. It provides people the place to work, to relax and social in the nature, which is gradually lost in modern life, especially in metropolis. For these favela children, a courtyard in the metropolis will be the place to help them nurtured by the nature and get out of poverty. By planting and taking care of trees, flowers and vegetables, students first learn how to care people and treasure their life, and the basics of cooking. Indirectly it can also be shared by the public. When people go through the site from lower street to upper street and on the viaduct, they can see the garden in a comfortable distance to appreciate this urban oasis.
Medieval Courtyard__prototype for school
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The organization of public and private is critical when we consider the site. People come from two levels---viaduct level and ground level. This situation decides the structure of the school has to be like “sandwich�, with the private part in between two public layers. However, along with it is the problems of light and circulation.
Site Plan To look out
Public Private
To Infiltrate
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Programs_Sections
The “Sandwich” Structure
A lifted courtyard for School
1 Cafe 2 Dormitories 3 Students’ Lounge 4 Event Space
The dispersed courtyard connects public and private parts of the School
The Site in the City Center
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Cross Section
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Programs_Plans 1
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Event Space Water pool Courtyard
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Reception Students’ lounge Courtyard
Public Stairs
Public Stairs
Students’ Stairs
Students’ Stairs
LOWER STREET LEVEL
UPPER STREET LEVEL
1 Cafe 2 Dormitory 3 Students’ Lounge 4 Public Passage
1 2 3 4 Long Section1
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Cafe Exterior Cafe
Dormitories Classrooms
Kitchen Garden Public Stairs
Public Stairs Students’ Stairs
Students’ Stairs
3RD LEVEL
VIADUCT LEVEL 5 Exterior Cafe 6 Guests’ Apartments 7 Teaching Kitchen 8 Event Space
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Public_Event Space
Ground Plan
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1 Event Space 2 Water pool 3 Courtyard 4 Public Stairs 5 Students’ Stairs Ground Plan
Entrance of Public Passage
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Light Wells and Pool
Public Stairs and Rest Place
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Private_Courtyard
Second Floor Plan
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1 Reception 2 Students’ lounge 3 Courtyard 4 Public Stairs 5 Students’ Stairs Courtyard Plan
Main Courtyard
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Small Courtyard
Teaching Kitchen Lang Wang
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Public_Roof Garden
Roof Plan
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1 Cafe 2
2 Exterior Cafe 3 Kitchen Garden 4 Public Stairs 5 Students’ Stairs Roof Plan
Exterior Cafe
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Facade Details
Responding to different programs inside, the facade varies. There are three combinations of the aluminum mesh, frosted glass and transparent glass with three levels of privacy. They also control the sight. Operating in a 1m*1m grid, this simple system provides numerous possibilities which can be subtly respond to activities inside.
Aluminum metal mesh +
+
Frosted glass
Transparent glass
South Facade
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Teaching Kitchen
Guest’s Bedroom
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Facade Details
Paint Plywood Steel framing
Aluminum expanded metal mesh
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Insulated glass system
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Students’ Lounge
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Guatemala Civic Centre Guatemala City, Guatemala, 2013 Yale School of Architecture Leon Krier/George Knight
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Leon Krier’s Master Plan The scheme aims to build a new civic centre for Guatemala city and explores the style of one of early modernist master----Le Corbusier. How to critically use and refine his language becomes the most difficult part of this design. Le Corbusier is closely related to the idea of Picturesque, especially in his interiors. However in most of his urban design, rich experience and intimate spaces are lost due to the dominate orthogonal grids. This design tries to explore the potential of “picturesque� Le Corbusier language in a urban scale, avoiding the boring and non-human spaces which kills modernism. The design process is a constantly zooming-in and zooming-out thinking. First linking urban space into interiors, and unifying them in a continuous experience; then from interiors to urban landscape, in which the concept of picturesque control the design. To avoid copy-paste Corbu details without critical thinking, it is essential to understand Le Corbusier as a builder and his language as expression of structure. Only in this way his language makes sense. Then in the design of one specific building----Guatemala Parliament, I try to make each building components express its inner structure, and to organize the whole building in a clear order. Lang Wang
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Site Analysis_Topo and Axis The focus of this scheme---Guatemala Parliament is located at the very west point of the civic centre. It is at the highest point and anchors the whole city. At both sides, there is a square. To the left, it is the national plaza and also the first impression to people who enter the political centre of Guatemala. On the other side, the plaza is enclosed by several buildings, forming a more intimate space. It will be a stop for people to rest and appreciate the parliament before they get into the building. Another critical difference between these two urban plazas is their different topographic relationship with the Parliament. It largely influences the experience and become a crucial problems the design need to deal with.
Parking Mall
Entrance 1 Entrance 5 Tower marks the plaza
Central Plaza
Entrance 2
National Memorial
Parliament Entrance 3 Entrance 4
Parking Mall
View Over the whole c
Long Section through Paseo
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The topography of the site has the potential to help create a lively public space, like Capitoline Hill and Spanish Stairs. It requires carefully dealing with the stairs and platforms, as well as the facades which enclosed the space. Thus when people enter the plaza from different directions, their view will constantly change. If one walks along paseo, he will first see a large stairs, a tower and the surrounding buildings. When he gets up, more details emerge one after another. First the balcony of the tower, a platform where people can see a trip window on the tower, then its bottom....finally the parliament appears and occupies the sight. Before one enters into the interior, the whole experience will prepare him with a mood which compliment his experience in the building.
Capitoline Hill
Spanish Stairs
Spanish Stairs
The traditional Guatemala architecture
The Modernist transformation
city
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Site Plan
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Site Plan
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Ground Floor Plan
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1 Ramp (Public Entrance) 2 Reception & Info desk 3 Conference Chamber 4 Administration Offices 5 Archives 6 Main Entrance (for ceremonies) 7 Reflection Pools 8 Guatemala History Museum 9 Government Office Building 10 View Tower
Ground Floor Plan Lang Wang
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Parliament-Facades
Elevation Facing the Civic Plaza 1
Elevation Facing the Civic Plaza 2
Elevation Facing the National Plaza
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Plan
The Key to generate the plans is to understand Le Corbusier’s Purism painting. The figure-ground relationship in his paintings continues in the plans, sections and elevations.
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Second Floor Plan
Third Floor Plan Lang Wang
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Sections Each architectural component expresses its own right. On the east and west elevations, the great colonnade and Brise-Soleils all support themselves . The roof is floating above the main space, and the load-support relationship with columns is exposed.
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Cross Section
Long Section Lang Wang
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Interior
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Large Entrance
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Cityscape
Civic Centre---Parliament and Museum of History
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Residence---First Floor Shops
Center Plaza---Center Pavilion and Dovecote
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Hotel in Beijing
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LINKAGE HOTEL Whenever to design a building, it is to design a city. This scheme is tying to explore the surrounding urban constraits and to generate forms based on them. It is a hotel located at the most lively street in Beijing, very close to the Forbidden City. Next to the site is St.Joseph Church, one of the earliest churches in China. A nice public plaza is adjacent to it, where lots of new couples take pictures. Instead of making a noisy symbolic building, this scheme aims to be a "link" between the large commerical blocks and the old cultural relics. It also "links" the interior public spaces such as shops, restaurants and cafe with the exterior plaza. The green roof extends the the public spaces, and the exterior wall of conference hall provides spaces for screen for concerts. The whole building implements and improves the existing condition. And what most important is every room has a good view to the landscape and the city.
Forbidden City
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Sections
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1 Rooms 2 Administration Offices 3 Structure 4 Kitchen 5 Restaurant 6 Restrooms
7 Shops 8 Cafe 9 Staff Lounge 10 Storage 11 Control Room 12 Staff Dining Hall
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13 Staff Kitchen 14 Small Kitchen 15 Event Space 16 Parking Lots 17 Mechanical Rooms
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Ground Floor
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1 Administration offices 2 Shops 3 Front Desk 4 Cafe 5 Entrance 6 Restaurant 7 Main Entrance
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Entrance Lobby
Cafe Lang Wang
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Entrance
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Plans
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2ND FLOOR
1 Restaurant 2 Main Kitchen 3 VIP Room 4 Conference Hall 5 Small Conference rooms
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3RD FLOOR
1 Administration Offices 2 Conference room 3 Hotel rooms
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4TH-11TH
Hotel rooms
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BASEMENT
SUBASEMENT
1 Above Event space 2 KTV 3 Bar 4 Changing rooms 5 Swimming pool
1 Event space 2 Service Kitchen 3 Dining Hall 4 Dorms & Changing rooms 5 Offices 6 Electronical Equipments 7 Equipments for Swiming pool
PARKING LOTS
4TH BF equipment
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Landscape The roof of hotel is divided into three seperate slopes with a bridge between them. The walking routes are carefully designed so that people can see the best view of Wangfujing Street and St. Joseph Church. The skylights also provide a unique light effect for the interior space. The choice of vegetation is also based on the consideration of local climate. It is mainly composed of native plants and cold and drought tolerant plants. The appearance of the hotel will always change with the growing of these flowering plants. The combination sof various colors and shapes of flowers make the landscape attractive and interesting.
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Pedestrain Routes
static and dynamic
Vegetation
rest areas
plants to prevent the northwest wind
Views
drain
skylights Lang Wang
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Landscape
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Seasonal Change
SUMMER
SPRING
CHROMATOGRAM OF VEGETATION
blue cornflower
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Iris germanica
Allium giganteum
Lychnis cognata
Coreopsis basalis
Potmarigold
AUTUMN
Ophiopogogon japonicus
Platycodon grandiforus
Hyacinthus orientalis L.
WINTER
Buxussinica F. atropuTpurea (Rehd.etWils.)Cheng
Amygdalus triloba
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Perspectives
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A Story of 49 People and Their Gathering in Venice Venice, Italy, 2010 Manchester University School of Architecture Sally Stone, John Lee
This project is to organize a gathering for 49 people in Venice, and design a space for this gathering. This proposal is a indoor concert where a 7-person band play the native musician Vivaldi's Four Season. How to choose the site and how to reflect the feature of Venice are two important questions in this project. It has to be related to water, to music and people. The result is a "waterdrop" like space with ETFE panels subtly reflecting the light. The band is on the top platform where people can hardly see like the organ in the church. Thus the space is only filled with music and the changing light throught the day. This lightness, airy space and Four Season share the same spirit of Venice.
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Site
On foot from Campo S.Margherita
By waterbus
Campo San Margherita
Ponte dell'Accademia
the Accademia Art Gallery
On foot from Accademia
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Water, Bridge and square are four unique features of Venice. And they define the specific site for this gathering, which is on the side of Grand Canal close to one of the four bridges across the canal and famous Campo S. Martguerita. It is S. Vidal, a lovely church where a indoor Vivaldi concert is held every week.
By waterbus
Important places
Walking route
Gondola ferry
Waterbus route
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Sketch
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Sections
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Models
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Acoustic Analysis
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By analysing the paths of sound rays, it is easy to correct most of the acoustic faults at the design stage. And it can also help me to determine which areas require reinforcement( in a form of reflector), and which require damping(in a form of absorber). In this way can I avoid some faults Geometric Acoustic Analysis such as Flutter Echo and Dead Spot.
This analysis of Sound Pressure Level shows which areas of the space can receive direct sound(purple) and which areas receive reverberation and echoes(other colors). The different distributions of direct sound and reverberation result in different sound Sound Pressure Level Analysis effects.
To achieve the uniform distribution of sounds needs to analyze the loudness of the space. This diagram indicates that the " water drop" space has a good acoustic performance. Loudness Distribution Analysis
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Materials and Models
sketch about how to connect the panels and form a curved surface
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Step I
Step II
Step III
Step IV
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Now-plex Cinema Los Angeles 201 Yale School of Architecture Joe Day, Michelle Paul
This proposal examines the possibilities to break from the conventional cinema to multi-projection on different surfaces. It starts from exploration into how spaces at different levels in time-space system. By formally breaking the “Blank Box� and focus on the interfusion, opening and folding of surfaces, this proposal not only changes the relationship be-
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Daytime Section
SECTION PERSPECTIVE
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Night Section
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Plans
shop balcony
vision library
Second Floor Plan 1:30 cafe
kitchen
tickets
foyer
main theatre
small theatre
storage&service
shop
First Floor Plan Second Floor Plan 1:30
foyer
Second Floor Plan Third Floor Plan 1:30
West west Elevation elevation
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restaurant
balcony
exhibition space
Fourth Floor Plan 1:30 exhibition space
individual theatre
gallery kitchen
restaurant
Third Floor Plan
1:30
west elevation
Fourth Floor Plan 1:30
Roof Plan
Roof Plan 1:30
North southElevation elevation
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Perspective
Entrance
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3rd Floor Cafe and Library
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From Isolation to Connection
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Fall River, MA, USA, 2011 Yale School of Architecture Fred Koetter/Ed Mitchell H.I.Feldman Nominee
Fall River in MA is a city without public center. It’s city fabric was largely changed by blooming mill industry during 19th and early 20th century. The population growth and industrial development demanded large amount of housing and infrastructure. This “Spindle City” experienced the most dramatic expansion in 1871 and 1872 and had 1/6 of all New England cotton capacity and one-half of all print cloth production. In the 1960s, the city’s landscape was drastically transformed with the construction of the Braga Bridge and I195, which cut directly through the heart of the city. In the wake of the highway boom, the city lost some great pieces of its history. The Quequechan River was filled in and re-routed for much of its length. The historic falls, which had given the city its name, was diverted into underground culverts. A series of elevated steel viaduct was constructed as to access the new Braga Bridge. Many historic buildings were demolished. In 1970s, several modern apartment high-rise towers were built throughout the city. However, today along with the outsourcing of the textile manufactory, Fall River is experiencing the economy recession. How to utilize the superfluous infrastructures to revitalize the city becomes a critical problem. Instead of tearing down, we consider these infrastructures part of Fall River’s history. By building as little as possible,our approach is the most efficient and gentle “City Repair”. Lang Wang
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OUR APPROACH
HISTORY
Cityscape
Center District
Architecture Solutions
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Fall River in 1910
Fall River in 1983
Fall River NOW
EXISTING PROBLEMS CONNECTION The connection between city center and waterfront is interrupted by highway and viaduct. The street is not well-constructed neither. However, by investing the site carefully, we found a potential connection---anawan street. Our aim is to enhance this link as much as possible, and to make it a new main street for tourism and also for new creative industry of Fall River.
PUBLIC SPACE There is also a lack of defined public space in Fall River. The existing public spaces are isolated. Their view to the waterfront is also blocked by various infrastructure. In order to make a lively street, it is necessary to reorganize these public spaces and figure-ground relationship . Thus there will be a sequence of public spaces . It will also help to form a good inside-outside relationship.
PUBLIC BUILDINGS It is obvious that the public buildings are along the existing main street. There are no places attracting people along the waterfront, not to mention the streets that connect city center and waterfront. This is a urgent problem---how to insert new programs/industry to attract people and form community? What kind of people will be there? What is the atmosphere?
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Existing
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Main Street
Main Street 1
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Anawa
n St. 3
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St
re et
City Center
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St
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City Center
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Proposal
SShhoo ppss SShhoo ppss
SShhoo ppss
The main idea of this scheme is to use independent buildings to reorganize the fragmented space in Fall River to create a new public center. Thus it can be implemented based on the funds.
TThhee aatrtere
RReess idi
We divide the whole scheme into 3 parts-Waterfront Street, Big Bowl Campus, and Triangle building. In Waterfront Street, we develop two districts--commercial districts and art district. We want to use different programs to attract residents, artists and young people to come to this area. And the new buildings cooperate with the existing ones to form a sequence of public space, and the changed river flows provide an opportunity for people to experience water when they walk in the street.
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Art Studios
Art District
Pier
Hotel Hotel Pier
Theater Theater Shops Shops Community Community college college
MMuu sseeuu mm
Waterfront District District Waterfront
For the Big Bowl Campus, we transformed the abandoned viaducts into a complex with train station, art gallery, cafe and shops. To get rid of the heavy traffic, we created a lifted landscape to form a enclosed civic space with a pedestrian system that connects Main Street, Waterfront Park and the Train Station.
HHoott eel l
Gro cery
Pub lic L
Pier
Art
Shops
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Art School
dio
Public Plaza
Stu
Public Library Art School
Art
Sta tion
Gal alle
lery Art G
Train Station
dideenn ccee
Tra in
Art
“Big Bowl”
Residence
Museum Art Galleries
5 JOINTS
ry
Sch ool
Sto re
ibra ry
4 DISTRICTS
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Analysis
NEW BUILDINGS By inserting independent buildings, we reorganize the figure-ground relationship. These mix-use buildings also become CITY-GENERATORS to revitalize the street life.
LANDSCAPE The water system is restored and becomes an important landscape element of all districts. It reminds people of Fall River’s history----from a river city to a post-industrial city. By inserting new buildings, Anawan Street is emphasized as the connection between waterfront and city center. They also form small intimate public spaces along the street.
EXISTING SITUATION---REUSE Some of the existing buildings are re-used for institutions, such as art school and art studio. The abandoned viaduct becomes a link between different districts and contains various public programs.
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College/Commerce
Art Parking
Train Station Commerce
Commerce
LAND USE
Recreation and Culture
WATER SYSTEM
TRAIN
PARKING=4200 SPOTS
PARKING
AUTOMOBILE ROUTES
PEDESTRIAN SYSTEM
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Architectural Solutions
Ground Plan
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City Center New Plaza/Shopping Mall College Gallery & Cafe
Train Station Shops
The Big Bowl Campus and New Plaza are the center of this design and also the area we decide to figure out the architectural solutions. For the Big Bowl Campus, we transformed the abandoned viaducts into a complex with train station, art gallery, cafe and shops. To get rid of the heavy traffic, we created a lifted landscape to form a enclosed civic space with a pedestrian system that connects Main Street, Waterfront Park and the Train Station. For the Triangle building, which is the new public center of Fall River, we transform the odd wedge of the main new building intervention into a bouncing series of arched structures that housed a supermarket, classroom spaces and parking for the train that were energetic, spatially complex and utterly memorable.
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“Big Bowl” Campus
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“Big Bowl” Campus
WATERFRONT DISTRIC
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1 Art Gallery 2 Shops 3 Restaurants 4 Train Station 5 Art School 9 6
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6 Amphitheatre 7 Garage 8 Bus Station 9 Theatre
LIFTED LANDSCAPE
RFRONT DISTRICT TRAIN STATION
URBAN PLATFORM
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Section1
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Section2
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New Plaza
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Long Section Lang Wang
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OTHER
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Bowl Sao Paulo, SP, Brazil, 2012 Yale School of Architecture Tod Williams/Billie Tsien
In preparation of a Brazilian feast before traveling to Sao Paulo, the studio was instructed to design and fabricate a utensil and vessel for display and consumption of a prepared dish. Camar達o com Chuchu, one of the traditional Brazilian seafood dish is served in this bowl made of cherry wood. The inspiration came from the large shells, and results in the back pattern. It is relatively heavy and thick, to present the property of wood.
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Visualization Tsinghua University, Beijing, 2009
This project aims at analyzing and represent one thing as structure. I choose cat. Through study its skeleton, I understand how different parts of its body come together and move when a cat moves. Then this study about skeleton transforms into a sculpture where I use basic shapes to represent bones.
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Chair
Cut holes and prepare materials
Reuse trashed paper cones from
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Connections between cones
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Light, Space and People San Carlo Church, Rome, Italy, 2012 Yale School of Architecture
This project is about light and space in San Carlo alle Quattro Fontane by Borromini. Along with the change of light from the dram, different part of the church is highlighted, the overall space also changes slightly. By depicting the ceiling,capital, frieze, doors and people in the light, the final drawing tries to capture the geometry of the space, but also people’s activities and how they interact with the space and light. In all of these little watercolors,I tried to use various colors and different techniques to evoke the special light and mood in this quiet church. They all together form the interior and reflect the atmosphere of this special church in Rome.
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Rome, Continuity and Change
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Rousham Garden
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