V/M In Store
hic Print/ Grap
Menswear
t r o p e R d n e Tr A/W 2016/17 I
s O su n e e
Elizabeth Glanville
3 11
7
Plastic Reflections VM/Instore
15
Primitive Simplicity VM/In store
19
23 31
Metallics Menswear
Orcim Menswear
Biotechnology VM/In store
Gothic Ninja Menswear
Geometric Fusion Print/Graphic
Utility Print/Graphic
1
34
27
About...
This booklet states the latest trend predictions for Autumn/Winter 2016/17. The trends are categorised into VM/ In store, Menswear and Print/Graphic.
Poster Punk Print/Graphic
2
Biotechnology
3
VM/ In Store
Biotechnology
4
Rose Ceramic
Ocean
Charcoal Teal Dark
Drift Whisper
Yellow
Fungi
Biomimicry is the technique of using technology and innovation to replicate the natural design processes. The future of this trend will lead us to create artificial objects that better resemble nature and since we are also part of nature, is better fit for us humans as well. Nature continues to inspire and influence, this trend combines animals, plants, and microbes with human’s technologies.
Artic
Biotechnology
Wood
Dollar Sand
Ivory Pink
The Trend
VM/ In Store
Eric
Klarenbeek
Fig 1
Fig 4
Fig 3
Duffy
London
Fig 2
The Influencers
This trend draws inspiration from innovative sculpture artists who are producing work based on nature but through the technique of biomicry. After a year of experimenting with sculpted glass, plexiglass and wood, Duffy London has produced this Kraken Abyss Table. The table is designed with underwater seascapes, and geological cross sections, like looking into the darkest depths of the ocean.
Fig 8
Fig 5
Fig 7
Fig 9
“3D printing makes it possible to reproduce these complex structures as a single object. A product can be created from one material in one factory, although it has the properties of various materials. Pollution caused by transport can be minimized and the product is completely recyclable.”
“Already science is exploring the potential of insects for food production and to satisfy our future dietary needs, however I am primarily
Lilian
Van
interested in using insects as co-partners in the design process.” M.Huissound
Daal
VM/ In Store Fig 6
Biotechnology
5
VM/ In Store
Biotechnology
6
Fig 10
VM/ In Store
Coral
Chartruse
Honey
Fusia
Plastic Reflections
Reflective
Grey Mirrored
The Trend
Plastic Reflections
7
VM/ In Store
Plastic Reflections
8
Citron
Emerald
Sulfur
Ceruline
In this VM trend we see plastic take a contemporary structure. Designers set to play on panelling and form to achieve colourful and iridescent reflections. The colour palette is vibrant and the tones are energetic but the colour changes when sunlight passes through, the colours become more pearlescent and pastel like.
VM/ In Store
Fig 11
The Influencers
Patricia Urquiola
The influencers of this trend came from Milan’s 2016 design week that showcased innovators from all around the world. BC Barcelona was a highlight of the week. Initially inspired by aquariums and fish tanks, the Campana brothers have created a piece that reflects and creates light through brightly coloured bubble like shapes. The use of these fluorescent shapes created a sense of movement and transformation.
Fig 19
Fig 13
Patricia Urquiola has designed a series of iridescent furniture out of glass that was released at this year’s Salone del Mobile furniture fair in Milan. The products are coated in a finish that reflects different colours depending on the vantage point.
Kartell
Fig 12
BC Barcelona Campana Brothers
Fig 17
Fig 20
Fig 18
Fig 14
Fig 21
Fig 15 Oxford University Biochemistry Building
Plastic Reflections
9
Fig 16
VM/ In Store
Plastic Reflections
10
VM/ In Store
11
VM/ In Store
Primitive Simplicity
12
Myrtel Iron
Mountain
Dark
Timberwolf Moss
Green
Cold Slate White
Oxblood
This trend is about getting back to the root of raw materials. Shoes, clothes, food, accessories and art are influenced by roughly textured natural fibres, primitive rough-hewn stonework, shaggy fibre piles, or even inter-woven tree branches. There is a slight tribal approach when talking about this trend and the primitive forms of living. It symbolizes the relationship between mankind and nature, and recalls ancestor habits and routines.
Primitive Simplicity
Carrot
Fossil
Primitive Simplicity
Coal
The Trend
VM/ In Store
Food plays an important roll in this trend and photographers like Carla Plukkel and Carnet Parsien represent that. They photograph food as raw as it can get and this led us to be inspired by the strong colours and earthy brittle textures.
The Influencers Carla Plukkel
“ Inspired by the intricate forms and soft muted tones of natural sea treasures washed ashore and housed in a series of still life interior installations, Sea Art captured the beauty created when forms, textures and materials converge.”
Fig 29
Charles
Fréger
Fig 25
Fig 22
Peca
Parisien
“Volcanic rock is a witness to the power of nature”
Fig 28
Fig 26
Primitive Simplicity
13
VM/ In Store
Primitive Simplicity
14
Fig 31 Charles Fréger photographed rituals from all around the world that celebrate the seasonal cycle, fertility, life, and death. People literally put themselves into the skin of the “savage,” in masquerades that stretch back centuries. By becoming a bear, a goat, a stag, a wild boar, a man of straw, a devil, or a monster with jaws of steel, these people celebrate the cycle of life and seasons.
Fig 23
Carnet
Carla Plukkel photographs food in the raw and unprocessed nature that it is. The photographs look like century old paintings and food of the kings. The Black background makes room for the vibrant colours within the coarse foods and also adds an ancestry organic edge.
Fig 24
Fig 30
Fig 27 Jacqueline Fink
VM/ In Store
Bronze Rusty
Orange
Gunmetal
Copper
Holographic Frozen
Exposure
The Trend
Metallics
15
Menswear
Metallics
Aztech
Laquer Dark
Iron
Lustre Warm
This trend is about a more toned down colour palette featuring gunmetal, coppers and silver shades. Today not so many consumers ponder the idea of owning a metallic coat, a pair of metallic trousers or a shiny bomber jacket but designers such as Versace have turned this trend into something vey wearable and urban that consumers want to wear.
Gold
Metallics
16
Menswear
Fig 32
Julian Zigerli takes an urban spin on the trend and makes the trend become more wearable pairing it with casual wear. Julian
Fig 35
Fig 36 Calvin
Klein
Emporio
Emporio Armani also takes this trend down the slope of sports wear, mixing it up with prints and tonal shades. Fig 34
The Influencers
Fig 37
Armani
Calvin Klein takes metallic back to the basics and introduces it with relaxed tailoring. Classics such as the camel coat were front and centre, layered with a striking bronze under coat which added a fun and new take on the tend.
Italo Zucchelli takes this trend to the extreme in head to toe metallic with a holographic sheen, taking inspiration from winter sports and smart snow wear.
Zigerli
Calvin Klein enforced this trend and put an urban twist on the metallic look whereas Versace took metallic down a sport route. Both designers influenced the trend and consumers can either play it cool or current.
Fig 33 Versace
Metallics
17
Menswear
Metallics
18
Menswear
Magma
Obsidian
Area Grey
Entry
Leather distressed
Anonymous
This trend was initially spotted at the Premium trade shows in Berlin. We noticed a lot of strong textures, exaggerated shapes, black framing and industrial aesthetics throughout the show; the trend focuses on black being a texture. If paired with a colour we noticed that is was more than often red, which added a dangerous feel to it.
Shadow
Ninja
Rebel
Gothic
No
Solitaire
The Trend
Gothic Ninja
19
Menswear
Gothic Ninja
20
Menswear
Champ
Fig 38
Kyojin
Reigning
Viridi Anne accentuates her clothing with large hoods, long draping sleeves and low-line tops. The moody colour palette emphasises the dramatic tailoring and effortless fluid shapes.
Fig 39
Filip
Cy
Fig 40
Fig 42
Fig 41
Roth
Choi Fig 43
Fig 44
Street and skate culture inspired Boris Bidjan in his collections. The clothing featured long layers of black textures along with hood like headgear. Viridi
Fig 47
Anne
This trend got its inspiration from designers showcased in the premium trade shows. Filip Roths 2016 campaign titled ‘absence’ pushes ideas of idealism, the collection treats fashion as a space for versatility and the quest of connections between different origins of creativity.
The Influencers
Fig 46
Fig 45
Boris
Gothic Ninja
21
Menswear
Gothic Ninja
22
Bidjan
Menswear
Military
Liquid
Exoskeleton
Acid
Interslellar
Teal Transformer
The Trend
Orcim
Orcim
23
Menswear
Orcim
24
Armour Midnight
Blue
Fusions
Sandstorm
Atomic
This trend encapsulates a mix of utility, comfort and personal taste into an everyday/sporty look. Seeking out Tech-specific textiles, rioting colour, modern aesthetics, street utility details, and new subcultures are the starting line of this trend.
Menswear
Artificial Anatomy was intended to explore our understanding and perception of surface, texture and volume. Paul Hollingworth looks into defining the form of the human head and skull through shape and light. Fig 52 Cyber
Fig 51
Fig 55
Fig 56
Paul Hollingworth
The Influencers
Punk
Nivanh Chanthara is a concept artist for online gaming. The conceptual renderings of these cyber warriors feature some of the most compelling aesthetics, design details and material warping characteristics, which is what this trend is about.
All aspects of art forms and expressions influence this trend from cyber punk subcultures, Game design and parametric. It is the combination of all these things that makes up this tend. Orcim is the intersection of wearable technology, culture identification and most importantly urban innovation.
Fig 53
Nivanh Chanthara
This suit titled ‘Scarlet Blade Chaser’ by bluenov humanises the original robot look. The white exoskeleton design and combat panelling make this creation slightly urban and futuristic. Bluenov
Fig 59
Versace
Fig 50
Parametrics
Fig 49
Fig 48
Fig 57
Fig 54 Fig 58
Orcim
25
Menswear
Orcim
26
Fig 60
Menswear
Times
Times
Capri
Dark
Isle
Better
Geometric Fusion
of
Captivated
Marble
The Trend
Geometric Fusion
27
Print/ Graphic
Geometric Fusion
28
Power Flower
Mustard
Haze Mint
Chiffon
Geometric shapes have become increasingly popular in the past year or so and so has the lust for the 70’s within fashion design. In 2017 we see these two trends join together to create a fusion of geometric power under the influence of the 70’s. Expect to see the geometrics in mustard colour tones along with mint green and oranges.
Print/ Graphic
Fig 62
Fig 61 Elisabeth
Esther Stewart’s work springs from the contrasting of form and colour, shifted and repositioned to produce clashes and illusory effects. Her paintings mimic the lines of architectural spaces and topographical mapping.
Fredriksson
Fig 69
Fig 68
Low
Fig 66
Esther
Fig 67
Stewart
Poly
Mika Barr has developed 3D fabrics that fold, fracture and turn three-dimensional from a flat pattern. The textiles are multifunctional and have been used for furniture, lighting, fashion and accessories. The patterns follow a very strong grid like form of geometric shapes that is warped in a way to look three dimensional.
Geometric Fusion
Fig 65
The Influencers
Elisabeth Fredriksons creates geometric prints with linier qualities. The colours are muted and mixed with raw materials like marble to give it a realistic edge. Fig 71
Fig 70
29
Print/ Graphic
Geometric Fusion
30
Scandi
Mika
Fig 63 Barr
The influences for this trend came from artists who use different mediums. They mix with other materials like marble and textiles to give different geometric outcomes.
Fig 64 Low poly was original used for online game design but we then realised its aesthetic value and it became somewhat of an art form. Low poly can give a certain retro style conceptually similar to pixel art orienting on ‘classic’ video games.
Print/ Graphic
Powder
Sketch
Digital
Paint
Code
Interface Blue
Code Bar
The Trend
Utility
31
Print/ Graphic
Utility
32
Fiish Aluminium
Copy Rough
Letter
Laundry
This Print and graphic trend is injected with military and sci-fi aspects. Taking inspiration from cashier receipts, bar codes, tech interfaces, grid formats and army surplus detailing to create minimalistic lo-fi graphics. Detail is key and the placement matters, if on fashion garments the graphics would sit on sleeves, pocket and hems.
Press
Utility
Print/ Graphic
Min-Han
Receipts
Fig 76
Gowing
Fig 80
Fig 78
Fig 77
Mark Gowings experiments with abstract and form within his posters as part of visual language and communications. ‘I often try to create feeling through natural and human qualities. I try to avoid designer expectations and aim for results that I hope are worldlier, by using meaty influences such as nature, art, science and culture.’
Chang
Mark
The Influencers
Sulki and Min not so interesting describe their anymore. we prefer approach to the execution design. to be slightly “Our approach unpredictable” would be best described as impurely concept-driven. We Sulki and don’t like arbitrary formal choices, so we always start with a clear idea. but when the translation of an idea into visual form is too transparent, it’s
Utility
Fig 73 Min
Sounds Like Silence. John Cage by Dieter Daniels
Fig 72
Fig 74 Fig 75
This trend is about smart detail. It’s influenced by both fashion and print, from labels within clothing and food shop receipts Ytinifninfinity’s most recent collection featured blank canvas overalls with elements of technology graphics sewn and printed onto them, including Wi-Fi Icons and web addresses.
Fig 83
Fig 82
Fig 81 Fig 79
33
Print/ Graphic
Utility
Ytinifninfinity
34
Print/ Graphic
Poster
Overlay
Grown Over
Indusrty
Base
Graffti
The Trend
Punk
Poster Punk
35
Print/ Graphic
Poster Punk
36
Maker Trouble
Doodle
Holigan
Patchwork
As design moves away from the Photoshop era, the art of DIY is embraced to create an aesthetic more in line with 1980s punk collage. Poster Punk uses a creative mishmash of visuals and employs a spontaneous approach to graphic design for a punk rebel look; the typography mixes unconventional fonts to voice messages.
Print/ Graphic
Giselle
DASH Magazine
Fig 89 Fig 84
Fig 85
Fig 86 Linda Linkos work has a slight improvisatory feel to it turning naturally imperfect shapes into really striking imagery. Some pieces withhold painterly detail along with monochrome nonchalance. Linkos work combines abstract typography with a collage to create powerful brightly coloured prints and posters. Linda
Fig 87
Fig 92
Fig 88 Semana do Onze
37
Fig 94
Print/ Graphic
Poster Punk
Fig 93 The name Anoik is just as mysterious as his paintings. It has no background, no meaning, it is a random organization of this five letters, put in this particular order, so it could be unique. His work is constantly shifting its form, ever changing in its process, technique and set of colours, trying to challenge the viewers every time.
Salvador Bunch
The Influencers
Poster Punk
Fig 91 Linko
by
This trend is influenced by street culture including graffiti and band posters. The prints are very noisy and busy, usually over-powered with colour with the text holding centre of attention.
Fig 90
Anoik
Yanina
Fig 95
38
Print/ Graphic
References
Image
39
References
Image
40
References
Figure 19: Urquiola, P. (2015) Patricia Urquiola with ‘Shimmer’ for Glas Italia [Sculpture]. Available at: http://londondesignjournal.com/home/2015/4/20/glas-italia-collection-shimmer
Biotechnology Figure 1: Klarenbeek, E. (2013) Myceliumchair [Sculpture]. Available at: http://www.ericklarenbeek.com/ (Accessed: 22 May 2016). Figure 2: London, D. (2015) Kraken Abyss Table [Furniture]. Available at: http://duffylondon.com/product/ furniture/kraken-abyss-tables/ . Figure 3: London, D. (2015) Kraken Abyss Table [Furniture]. Available at: http://duffylondon.com/product/ furniture/kraken-abyss-tables/ . Figure 4: London, D. (2015) Kraken Abyss Table [Furniture]. Available at: http://duffylondon.com/product/ furniture/kraken-abyss-tables/ . Figure 5: Vandaal, L. (2014) BIOMIMICRY: 3D printed soft seat [Sculpture]. Available at: http://lilianvandaal.com/?portfolio=3d-printed-softseating (Accessed: 22 May 2016).
Figure 20: Urquiola, P. (2015) Shimmer tables [Sculpture]. Available at: http://www.suiteny.com/product/ detail/living-occasional-tables/shimmer-1206 Figure 21: Urquiola, P. (2015) Shimmer side tables [Sculpture]. Available at: http://www.suiteny.com/product/detail/living-occasional-tables/shimmer-1206
Primitive
Simplicity
Figure 22: Peca (2015) Lava plates [Sculpture]. Available at: http://mocosubmit.com/lava-plates-arecarved-in-volcanic-stone-illuminated-by-a-brass-accent/ Figure 23: Moretti, C (2015b) Isla [Sculpture]. Available at: http://www.peca.com.mx/
Figure 6: Vandaal, L. (2014) BIOMIMICRY: 3D printed soft seat [Sculpture]. Available at: http://lilianvandaal.com/?portfolio=3d-printed-softseating (Accessed: 22 May 2016).
Figure 24: Peca (2015a) Lava plates [Sculpture]. Available at: http://mocosubmit.com/lava-plates-arecarved-in-volcanic-stone-illuminated-by-a-brass-accent/
Figure 7: Huissoud, M. (2015) From Insects - Bee Vessels [Sculpture]. Available at: http://www.marlene-huissoud.com/
Figure 25: Plukkel, C. (no date) Still Life [Photography]. Available at: https://www.flickr.com/photos/carlaplukkel/4606791477/in/photostream/
Figure 8: Huissoud, M. (2015) From Insects - Bee Vessels [Sculpture]. Available at: http://www.marlene-huissoud.com/
Figure 26: Plukkel, C. (no date) Still Life [Photography]. Available at: https://www.flickr.com/photos/carlaplukkel/4606791477/in/photostream/
Figure 9: Huissoud, M. (2015) From Insects - Bee Vessels [Sculpture]. Available at: http://www.marlene-huissoud.com/
Figure 27: Fink, J. (2015) Sea Art Exhibition [Textiles]. Available at: https://blog.whodhavethought. com/2015/06/12/interview-jacqueline-fink-extreme-knitting/ (Accessed: 24 May 2016).
Figure 10: Starck, P. (2000) Louis Ghost [Furniture]. Available at: http://www.kartell.com/gb (Accessed: 22 May 2016).
Figure 28: Parisien, C. (no date) [Photography]. Available at: http://www.carnetsparisiens.com/category/ recettes/
Plastic
Figure 29: Maschera, D. (2007) Texture [Textile/ Mixed Media]. Available at: http://danieladistantstitch. blogspot.co.uk/
Reflections
Figure 11: Urquiola, P. (2015) Glas Italia [Furniture]. Available at: http://www.patriciaurquiola.com/design-brand/glas-italia/ (Accessed: 24 May 2016). Figure 12: Kartell (2000) Lou Lou Ghost [Furniture]. Available at: http://www.kartell.com/gb (Accessed: 24 May 2016).
Figure 30: Fréger, C. (2010) Wilder Mann: Babugeri [Photography]. Available at: http://www.charlesfreger. com/portfolio/wilder-mann/ Figure 31: Fréger, C. (2010) Wilder Mann: Babugeri [Photography]. Available at: http://www.charlesfreger. com/portfolio/wilder-mann/
Figure 13: Kartell (2000) La Marie [Furniture]. Available at: http://www.kartell.com/gb Figure 14: Kartell (2000) Mr. Impossible [Furniture]. Available at: http://www.kartell.com/gb Figure 15: Crocker, T. (2008) Biochemistry building. University of Oxford [Architecture]. Available at: http:// divisare.com/projects/156874-hawkins-brown-tim-crocker-new-biochemistry-building-university-of-oxford Figure 16: Crocker, T. (2008) Biochemistry building. University of Oxford [Architecture]. Available at: http:// divisare.com/projects/156874-hawkins-brown-tim-crocker-new-biochemistry-building-university-of-oxford Figure 17: diseñadores, V. más (2016) Aquário Cabinet [Sculpture]. Available at: http://bdbarcelona.com/ Figure 18: diseñadores, V. más (2016) Aquário Cabinet [Sculpture]. Available at: http://bdbarcelona.com/
Image
41
References
Image
42
References
Matallics
Orcim
Figure 32: Zigerli, J. (2010) Sports touch & relaxed fit in Julian Zigerli fall-winter 2015-2016 [Catwalk]. Available at: http://thebestfashionblog.com/mens-fashion/sports-touch-relaxed-fit-in-julian-zigerli-fallwinter-2015-2016 Figure 33: Versace (2009) F/W 2016 [Catwalk]. Available at: http://www.mflforhim.com/archives/2009/03/04/cummerbunds-turn-practical/ Armani, E. (2016) F/W 2016 [Catwalk]. Available at: http://www.beautyandruin.com/milan-fashion-weekpays-homage-to-bowie/ Figure 34: Armani, E. (2016) F/W 2016 [Catwalk]. Available at: http://www.beautyandruin.com/milan-fashion-week-pays-homage-to-bowie/ Figure 35: Calvin Klein (2016) F/W 2016 [Catwalk]. Available at: http://www.thefashionisto.com/calvinklein-collection-2016-fall-winter-menswear/ Figure 36: Calvin Klein (2016b) F/W 2016 [Catwalk]. Available at: http://www.fusionofeffects.com/2016/01/ walk-walk-calvin-klein-collection-fw_18.html Figure 37: Calvin Klein (2016c) F/W 2016 [Catwalk]. Available at: http://www.thefashionisto.com/calvinklein-collection-2016-fall-winter-menswear/calvin-klein-collection-2016-fall-winter-menswear-029/
Gothic
Figure 48: Parametric patterns (1998) Available at: http://www.patrikschumacher.com/Texts/Parametric%20Patterns.html Figure 49: Parametric patterns (1998) Available at: http://www.patrikschumacher.com/Texts/Parametric%20Patterns.html Figure 50: PARAMETRIC DESIGN + THE RISE OF A NEW URBANISM (2011) [Graphic Design]. Available at: https://vmb2.wordpress.com/2011/11/08/parametric-design-the-rise-of-a-new-urbanism/ Figure 51: Chanthara, N. (2016) Duster132 on DeviantArt [Robo-art]. Available at: http://duster132.deviantart.com/ Figure 52: Chanthara, N. (2016) Duster456 on DeviantArt [Robo-art]. Available at: http://duster132.deviantart.com/ Figure 53: Chanthara, N. (2016) Duster70 on DeviantArt [Robo-art]. Available at: http://duster132.deviantart.com/ Figure 54: (2012) [Street Syle]. Available at: http://weheartit.com/entry/32861415 Figure 55: Hollingworth, P. (2014) Artificial Anatomy [Digital Art]. Available at: https://www.behance.net/ gallery/33495787/Artificial-Anatomy-2
Ninja
Figure 38: Reigning Champ (2014) 2014 fall/Winter Available at: http://hypebeast.com/2014/7/reigningchamp-2014-fall-winter-core-program-lookbook
Figure 56: Hollingworth, P. (2014) Artificial Anatomy [Digital Art]. Available at: https://www.behance.net/ gallery/33495787/Artificial-Anatomy-2
Figure 39: Kyojin and Wong, S. (2016) Kyojin backpack Available at: https://www.touchofmodern.com/ sales/sully-wong-3c20fd15-5a0d-44a0-a1ce-a11f1851629b/kyojin-backpac
Figure 57: Hollingworth, P. (2016) Artificial Anatomy2 [Digital Art, Photography]. Available at: https:// www.behance.net/gallery/33495787/Artificial-Anatomy-2
Figure 40: Anne, V. (2016) SPRING/SUMMER 2016 Available at: http://theunconventional.co.uk/blog/theviridi-anne/
Figure 58: Bluenov ‘Chaser’ High polygon for MMORPG Queensblade project [Digital Art]. Available at: https://bluenov.artstation.com/portfolio/sifi-character-armor
Figure 41: Viridi Anne (2015) The Viridi-anne, SS16 ‘ashes to’ Lookbook Available at: http://blog.cruvoir. com/viridi-anne-ss16-ashes-lookbook/
Figure 59: Versace (2016) Milan Fashion week: A/W 2016 Available at: http://www.fashionedits.com/blog/ milan-fashion-week-designers-pay-tribute-to-david-bowie/
Figure 42: Viridi Anne (2015) The Viridi-anne, SS16 ‘ashes to’ Lookbook Available at: http://blog.cruvoir. com/viridi-anne-ss16-ashes-lookbook/
Figure 60: Versace (2016) Milan Fashion week: A/W 2016 Available at: http://www.fashionedits.com/blog/ milan-fashion-week-designers-pay-tribute-to-david-bowie/
Figure 43: Cy Choi (2010) 2015 spring. summer collection ‘Pradise’ Available at: http://www.cychoi.com/indexhibit/ Figure 44: Filip Roth (no date) ABSENCE_A/W 2015 Available at: http://filiproth.com/ Figure 45: Bidjan, B. (2014) AW 14-15 STRUCTURISM Available at: http://www.borisbidjansaberi.com/ Figure 46: Bidjan, B. (2014) AW 14-15 STRUCTURISM Available at: http://www.borisbidjansaberi.com/ Figure 47: Bidjan, B. (2014) AW 14-15 STRUCTURISM Available at: http://www.borisbidjansaberi.com/
Image
43
References
Image
44
References
Geometric
Figure 80: Min-Han Chang (2016) 閔涵 張 Available at: https://www.flickr.com/photos/changblake1/
Fusion
Figure 61: Fredriksson, E. (no date) Geometry : Big City Life [Canvas]. Available at: http://www.elisabethfredriksson.com/ Figure 62: Fredriksson, E. (no date) Geometry : Gold city [Canvas]. Available at: http://www.elisabethfredriksson.com/ Figure 63: Barr, M. (2009) Shenkar [Textiles]. Available at: http://www.mikabarr.com/#!work/mainPage Figure 64: Kommunikation, N.V. (2016) ‘WeAr global magazine’, WeAr Global Magazine (January), Figure 65: Unknown (2015) Geometric fabric [Print]. Available at: https://www.etsy.com/search?q=geometric+fabric Figure 66: Unknown (2015) Geometric fabric [Print]. Available at: https://www.etsy.com/search?q=geometric+fabric Figure 67: Stewart, E. (2011) Makin’ Plans, Utopian Slumps [Print]. Available at: http://tlsc.co/esther Figure 68: Stewart, E. (2011) Makin’ Plans, Utopian Slumps [Print]. Available at: http://tlsc.co/esther
Figure 81: ytinifninfinity (2015) （ つ﹏╰） [Collection]. Available at: http://www.ytinifninfinity.com/ Figure 82: ytinifninfinity (2015) （ つ﹏╰） [Collection]. Available at: http://www.ytinifninfinity.com/ Figure 83: ytinifninfinity (2015) （ つ﹏╰） [Collection]. Available at: http://www.ytinifninfinity.com/
Poster
Punk
Figure 84: Giselle, Y. (2014) Pressbook REM – Circen Part 1 [Digital Print]. Available at: https://www.behance.net/gallery/Pressbook-REM-Circen/14085821 Figure 85: Giselle, Y. (2014) Pressbook REM – Circen Part 2 [Digital Print]. Available at: https://www.behance.net/gallery/Pressbook-REM-Circen/14085821 Figure 86: Linko, L. (2014) This way up. Available at: http://www.itsnicethat.com/articles/linda-linko-1
Figure 69: Stewart, E. (2011) Makin’ Plans, Utopian Slumps [Print]. Available at: http://tlsc.co/esther
Figure 87: Linko, L. (2014a) Poster ‘Daphni’ Live Nation [Digital Print]. Available at: http://www.lindalinko. com/
Figure 70: Fredriksson, E. (no date) Geometry : Lines and Layers [Canvas]. Available at: http://www.elisabethfredriksson.com/
Figure 88: Halfazebra (2014) Semana do Onze [Mixed Media Print]. Available at: http://halfazebra.com/ work/semana-onze/
Figure 71: Living, S. (2016) Scandi living: Scandinavian design, furniture, fabrics & gifts Available at: http://www.scandiliving.com/
Figure 89: DASH Magazine (2014) Autumn / Winter 2014 Issue Fused– [Magazine]. Available at: http:// dashmagazine.net/?page_id=874 Figure 90: DASH Magazine (2014) Autumn / Winter 2014 Issue Fused– [Magazine]. Available at: http:// dashmagazine.net/?page_id=874
Utility Figure 72: Sulki (no date) 7 1/2: posters [Print]. Available at: http://www.sulki-min.com/wp/
Figure 91: Linko, L. (2014a) Illustration, typography Issue #100 Frame Magazine [Magazine]. Available at: http://www.lindalinko.com/
Figure 73: Sulki (no date) Functional typography on a Braun Multiquick 3 hand blender [Print]. Available at: http://www.sulki-min.com/wp
Figure 92: Linko, L. (no date) Illustration Tiia Vanhatapio & Johanna Sumuvuori a.k.a Club Bangles [Print]. Available at: http://www.lindalinko.com/ .
Figure 74: Sulki and Min (no date) Mind stream [Print]. Available at: http://www.sulki-min.com/wp/
Figure 93: Anoik (2015) O Festival [Poster]. Available at: https://www.typographicposters.com/anoik/
Figure 75: Sulki and Min (no date) Dimensions variable [Print]. Available at: http://www.sulki-min.com/ wp/
Figure 94: Bunch, kovac, D. and Silva, P. (no date) Salvador [Poster]. Available at: https://www.typographicposters.com/bunch/
Figure 76: Gowing, M. (2015) Serous [Graphic Design]. Available at: http://markgowing.com/
Figure 95: Bunch, kovac, D. and Silva, P. (no date) Salvador [Poster]. Available at: https://www.typographicposters.com/bunch/
Figure 77: Gowing, M. (2015) New Year 2015–2016 Formist Digital print [Graphic Design]. Available at: http://markgowing.com/ Figure78: Gowing, M. (2015) Digitalpress Your Type of Printer Digital gel print [Graphic Design]. Available at: http://markgowing.com/ Figure79: Dieter Daniels (no date) Sounds like silence. John Cage - 4’33” – silence today [Print]. Available at: http://www.mottodistribution.com/shop/publishers/spector-books/sounds-like-silence-john-cage-433-silence-today.html
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References
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References
Elizabet h Glanvill e