Elmira Kamyab - Portfolio by elmira

ELMIRA KAMYAB ARCHITECTURE PORTFOLIO

ELMIRA KAMYAB 85748, Tucson, AZ, US +1 5203330131 elmirakamyab@email.arizona.edu https://issuu.com/elmirakamyab linkedin.com/in/elmira-kamyab-architecture

Excited individual with high level of creativity and imagination with 8 yearsâ&#x20AC;&#x2122; experience in design. Knowledgable designer with a masterâ&#x20AC;&#x2122;s degree in architecture. Developed in verbal and digital, presentation and design skills. Progressive thinker with thorough understanding of the relationship between people, buildings, and environment (context) and how a project will affect any. Also elaborate my design ability to specify the nature and quality of materials required to perform a project successfully. Outside of school, I have gained experience by working as a collaborative intern for construction, architecture, and interior design companies local to Mashhad, Iran and Tucson, Az, US. Hopeful for a position to create building designs and highly developed drawings. Moreover, looking to obtain an architecture position with a progressive organization where my skills will be entirely utilized. Motivated to participate in Architecture Registration Examination (ARE).

EDUCATION

WORKSHOP

Aug 2016 to May 2019

Master of architecture III (GPA 3.60) University of Arizona, Tucson ,Arizona ,US

Jan 29 ,2018

Feb 2011 to Jan 2016

Bachelor of Architectural Engineering (GPA: 3.35) Islamic AZAD University of Mashhad ,Iran

SKILLS

EXPERIENCE 10th July 2018 to Current

21st Mar 2015 to 10th Jan 2016

21st Jan 2015 to 23rd Sep 2015

Digital

Auto Cad Adobe Illustrator Adobe InDesign

Lori Carroll & Associates, LLC. Interior design firm,Tucson, AZ Intern

Adobe Photoshop Grasshopper Ladybug

C BEN Co. Construction Company ,Mashhad, Iran Supervisor assistant, Intern

Microsoft Office Revit Rhinoceros 3D

MOJRIAN GHASRE TALAEE Construction Company, Mashhad,Iran Designer, Intern

Sketchup Vray Velux

ACADEMICS Spring 2019

Concept Lighting Lab, NORDIC And DESERT LIGHT Claudia Kappl and Kai Piippo

3DS Max ABA Portfolio Competiotion (14th Annual) Winner

Fall 2018 to Spring2019

USGBC Green Club (U.S. Green Building Council) Membership

Fall 2018 to Spring 2019

Graduates Executive Committee (CAPLA) Graduate Representative

Spring 2019

Building Materials and Method Teacher Assistance (Site visit / Lecture)

Fall 2018

Design Communication Teacher Assistance ( Software )

Physical

Hand Drafting Model making Laser cutting Wood working

LANGUAGES English Farsi (Persian)

INTERESTS Architecture,Designing,Sketching, Graphics, Music , Dancing ,Gymnastic

CONTENT ACADEMICS

TIME WAY-INSTITUTE OF BORDERS & BOUNDARIES

CULTURAL ART CENTER

BLEND TO NATURE -THE AMERICAN ACADEMY

CONCEPTUAL DRAWING CASE STUDY

TUCSON TRANSFER AND WAREHOUSE CO.

Fall 2017- Master studio design

Fall 2015 - Undergraduate - Final studio design Fall 2018 - Master design Studio

Spring 2017 - Master design Studio - Arcus Center for Social Justice Leadership ,MI RENOVATION - Spring 2018- Contract Document

THE BEACON - RECREATION CENTER SPRING 2018 - Master studio design

PROFESSIONAL WORKS

PROFESSIONALS - LORI CARROLL & ASSOCIATE, LLC

CBEN CONSTRUCTION CO.

DESIGN COMMUNICATION CASE STUDY

Internship-Summer 2019_ To Current Tucson ,Arizona

Internship-Spring 2015 - Fall 2016 Mashhad , Iran

ART AND CRAFTS

Fall 2017 - Melbourne Southern Cross Station

SKETCHES AND HAND DRAWINGS

ACADEMICS

FUTURE

NEW

GROUND OLD

Comparing old and new on the site

THE TIME WAY-INSTITUTE OF BORDERS AND BOUNDARIES Fall 2017- Master studio design

The Institute of borders and boundaries is a made up institution. The institute would study human relationships with boarders and boundaries. It also has a special residency for researchers. In general, its all about how three groups of people use the project and relate each other, in the way which keeps the hierarchy of the public spaces to the private spaces. It is also how visitors and researcher meet each other in the project. The concept is all about making a strong connection between the history of context and the future feature that will be happened. Therefore it has three level of time; the past was under the ground which needs to excavate the ground to make it, the present is on the ground level and the future will be on top.

PRESENT PAST Heavy to Light

The three levels of time move from heavy, under the ground, to the light, over the ground.

The

architectural

strategy

connect past to the present, then to the future is smooth 1/20 slop ramps. The ramps Excavating

Smooth Ramps

move around the courtyard.

E F H L

+36.0 +24.0

0 ft

M N

0 ft

+12.0

0 ft

0.00

4 3

SECTION MODEL

1.LIBRARY 2.EXHABITION 3.SHOP 4.OFFICE

0.00 -12.0

0 ft

FRAMING MODEL

CONCEPT MODEL

DETAIL STRUCTURAL MODEL

SECTION PERSPECTIVE

SECTION A-A

SECTION B-B

A B

2 D

4 E

F G H I J K L M

Stud

VOI

Grids

Structural Frame

24 Ft VO

DIR

ECT

+ 24.00

VO VO

Floor +2

CO MA PY CH INE

FIE LD

INT ER

OP ER AT

IVE S

Mo bile

VOI D

RE /BA STA R UR

VO ID

12 Ft VO

Floor +1

+ 12.00 VO

GA RA

INF

Slop e 1/12

ST OR

VO ID

E Slop e 1/12

ST OR

E VO ID

0.00 VO

Ground Plan

0.00 VO

Slop

e 1/12

BAC STA GE

STA

-12 ft

VO ID

LIBR

ST AF

-12 Ft

Floor -1

INF O

LIB RA RY

JAN

SHE

LVE

Plans

PLANS Sc: 1/16'' = 1'-0''

ENVELOPE DETAILING

HORIZONTAL MULLION vERTICAL MULLION DOUBLE GLAZING CURTAIN WALL MEMBRAN PAVEMENT RIGID INSULATION STEEL PLATE FOR PARAPET METAL DECK CONCRET SLAB GLAZINGG CURTAIN WALL STEEL ANGLED FLANGE WOODEN BLOCK GRAVITY CONNECTION TO BEAM GAUGE HANGER WIRE BOLTING CONNECTION CEILING GRAVITY CONNECTION IN CURTAIN WALL BOLTING CONNECTION TO VERTICAL MULLION STEEL TUBE COLUMN 8’’.8’’

ELEVATION

1/32’’=1’-0’’

SHELF DECORATION

INSULATION CONCRETE SLAB STEEL ANGLE 25’’ STEEL I BEAM STEEL PLATE 12’’ STEEL BEAM -SECONDARY

SPANDREL

People can slowly change their

STEEL TUBE COLUMN 12’’.12’’

places from under the ground to the ground grid and then to the top level of the ground . The materials and the structure also follow the rule of heavy to light. It has a hierarchy of materials from under the ground that starts with PARTIAL ELEVATION

3/34’’=1’-0’’

heavy thick concrete and moves to light concrete, metal panels and finally on the top floor, it includes the

FINISHED FLOOR STACO

STEEL ANGLE BOLTING CONNECTION GALVANIZED METAL MAMBRAN SCREW CONNECTION CAST IN PLACE CONCRETE WALL

6’’ INSULATION MEMBRAN FORMED BOARD CONCRETE TUBE STEEL COLUMN 16’’ . 16’’ CONCRETE SLAB

glass curtain wall. LIGHT DECORATION CONCRETE FOUNDATION

LINEAR ORGANIZATION

BUILDING ASINTERSTITIAL LAND FORM SPACES LAUTPECNO C

INDOOR

ORDER

DIFFERENT SPACES

BUILDING AS LA

GESTALT

CONTOURS

CONCEPTUAL SPIRAL CIRCULATION NATURE

ORDER

DIFFERENT SPACES QUALITY

BUILDING AS LAND FORM

INTEGRATION

VERNACULAR MATERIAL

COLOR

OUT DOOR

VOID

HIDE PHYSICALLY

ACCESSIBLE

INVITATION

SLOPE

SIGNIFICANT AT FIRST SLOPE

SEQUENC

COL

ACCESSIBL

OUT D

DIFFERENT SPACES QUALITY

INTEGRATI

SLOPE

SEQUENCE

NATURE

PROGRAM COLLABORATION

FIGURE GROUND STEREOTOMIC CONTROLLED VIEW CONTROLLED LIGHT

INDOOR SECTION LINE

S EHT NO LARIPS CONCEPTUAL LAUTPECNOC LINEAR ORGANIZATION INTERSTITIAL OUTDOORS ORGANIZATION EPOLCIRCULATION OUTDOOR SECTION LINE LINEAR ORGANIZATION CONCEPTUAL SPIRAL ON THE SLOPE OPPORTUNITY FOR SPIRAL FORMATION (COURTYARD)

CONTROLLED LIGHT AND VIEW ON THE FIGURE G BLEND NATURAL P SLOPE

CONTROLLED LIGHT AND VIEW

INTERSTITIAL SPACES

BLEND TO NATURE The American Academy Of Rome

CO CONSTRUCTION CO ARTIFICIAL PA

FIGURE GROUND STEREOTOM CONTROLLED VIEW CONTROLLED LIGHT

CONCEPTUAL SPIRAL CIRCULATION FIGURE GROUND STEREOTOMIC CONTROLLED VIEW CONTROLLED LIGHT

CONCEPTUAL SPIRAL CIRCULATION

INDOO

INDOOR SECTION LINE

OPPORTUNITY FOR CONTROLLED LIGHT AND VIEW

SLOPE

ORDER

PUBLIC VS PRIVATE

LINEAR ORGANIZATION SUBTRACTION

RAMP

HIDE VISUALLY

CONTOURS

EXCAVATION

SIGNIFICANT AT FIRST

VIEW

HOT TEMPERATURE

LIGHT

NATURE

NOITAZINAGRO RAENIL

NATURE

TYPOGRAPHY MANIPULATION

EXCAVATION LINEAR ORGANIZATION SIGNIFICANT AT FIRST

BLEND SMOOTHLY ON THE SLOPE

ATION

BLENDING

SHADE

SEQUENCE

h environment. Main me is, in Rome people cture) are dominant natural environment nature is more power herefore, I think the al the project in the re. The two strategies chitectural design in matching in colour sically hide it under ll be presented in a ual concealing in the parts it moves under er ways in moves on ealing to the nature ) to present a sign for m through the project e topography. Based ding the architecture ates the contours. On and form.

the ground to conceal and in some other ways in moves on public and temporary users to invite them through the project the ground and get camouflage. Concealing to the nature has a range from obvious part (entrance) to present a sign for and smoothly is going tothem be hide in the topography. Based public andit temporary users to invite through the project and smoothly it is going to be hide in the topography. Based on the design approach tohiding physically on the design approach to physically the architecture hiding the architecture moves through the ground and manipulates the contours. On the other word the concept is follow the land form. moves through the ground and manipulates the contours. On Oland ITALform. UCRIC LARIPS the other word the concept is followN the

BLEND NATURAL PART TO CONSTRUCTION AND ARTIFICIAL PART

SECAPS LAITITSRETNI

CONTROLLED LIGHT /SKY LIGHT

INDOOR SECTION LINE

OUTDOOR SECTION LINE

Fall2018 - Master design studio

CONCEPTUAL SPIRAL ON THE SLOPE

LINEAR ORGANIZATION LINEAR ORGANIZATION

OUTDO

OUTDOOR SECTION LINE

This is a story of an architecture in harsh BLEND NATURAL PART TO CONSTRUCTION AND ARTIFICIAL PART

CONTROLLED LIGHT /SKY LIGHT

envirnoment. The desert nature is more power full ROF YTINUTROPPO WEIV DNA THGIL DELLORTNOC DNA NOITCURTSNOC way taht interacts with nature is blending TRAproject P LAICIFITR A TRAP LAINTERSTITIAL RUthan TAN DNhuman ELSPACES B INTERSTITIAL SPACES andOTstronger made.Therefore the

to the desert. The two strategies that can response to conceal the architectural design in nature are, first, concealing visually with matching in colour and using local material, second, physically hide OPPORTUNITY FOR

CONTROLLED LIGHTboth AND VIEW it under the ground. In this project ways

OPPORTUNITY FOR

will be presented in a spectrum. It is mixture of CONTROLLED LIGHT AND VIEW physical and visual concealing in the nature, as it is linear organization, in some parts it moves under the ground to conceal and in some other ways in moves on the ground . The dominancy of architecture is belending to the nature and creat three part s in architecture. Natrual part, smoothly transform to the constructed part and then to the man made part which all the spaces of the project are located.

BLEND NATURAL PART TO CONSTRUCTION AND ARTIFICIAL PART BLEND NATURAL PART TO

CONSTRUCTION AND ARTIFICIAL PART

CONTROLLED LIGHT /SKY

COLLAGE

CONT

CONTROL

CONCEPTUAL SPIRAL CIRCULATION

INDOORSEC SE INDOOR

CONCEPTUAL SPIRAL ON THE SLOPE

OUTDOOR SE

LINEAR ORGANIZATION

ONDOOR SE

INTERSTITIAL SPACES

VIEW ON THE SECOND LEG ROOF

OPPORTUNITY FOR CONTROLLED LIGHT AND VIEW

BLEND NATURAL PART TO CONSTRUCTION AND ARTIFICIAL PART

VIEW FROM THE ADMIN TO THE SECOND LEG BRIDGE

VIEW ON THE SEC

CONTROLLE

VIEW ON THE FI

VIEW ON THE FIRST LEG ROOF

VIEW FROM THE ADMIN T AXON

LLED LIGHT

ECTION LINE CTION LINE

ECTION LINE

COMMUNAL AREA 35 ft

VOID

TO THE SECOND LEG BRIDGE

JAN

FILTERING

35 ft

MECH. ROOM

35 ft

VIEW FROM THE ADMIN TO THE SECOND LEG BRIDGE

35 ft

STUDIO 9 25 ft

STUDIO 8 25 ft

STUDIO 7 25 ft

STUDIO 6 25 ft

35 ft

COMMUNAL LOBBY 35 ft

VIEW ON THE FIRST LEG ROOF STUDIO12 25 ft

STUDIO11 25 ft

STUDIO10 25 ft

PUBLIC BATH 35 ft

VOID 25 ft

35 ft

STUDIO10 25 ft

VOID

PUBLIC GARDEN

25 ft

OUTDOOR JAN GATHERING

35 ft

FILTERING

35 ft

STUDIO 1 25 ft

COMMUNAL AREA 35 ft

FIRE PLACE

MECH. ROOM

STUDIO11 25 ft

STUDIO 2 25 ft

STUDIO 3 25 ft

25 ft

OUT DOOR GATHERING 0.00

35 ft

VIEW TO THE ARRIVAL ZONE

14 ft

STUDIO12 25 ft

35 ft

STUDIO 4 25 ft

STUDIO 5 25 ft

GYM 35 ft

VOID

ED LIGHT /SKY LIGHT

IRST LEG ROOF

EFX546

35 ft

EFX546

COND LEG ROOF

GYM 35 ft

VOID

PUBLIC BATH 35 ft

35 ft

STUDIO 9 25 ft

STUDIO 8 25 ft

STUDIO 7 25 ft

STUDIO 6 25 ft

PUBLIC GARDEN 0.00

LIBRARY ROOF PUBLIC GARDEN 24 ft 35 ft

35 ft

STUDIO 4 25 ft

STUDIO 5 25 ft OUTDOOR GATHERING

35 ft

STUDIO 3 25 ft

STUDIO 2 25 ft

35 ft

STUDIO 1 25 ft

AUDITORIUM ROOF

25 ft

-16 ft

14 ft

0.00

FIRE PLACE

PUBLIC GARDEN

25 ft

OUTDOOR GATHERING 14 ft

OUT DOOR GATHERING 0.00

PUBLIC GARDEN 0.00 ARRIVAL ZONE 0.00

35 ft

COMMUNAL LOBBY 35 ft

VOID 25 ft

WATER

PUBLIC GARDEN EXHIBITION ROOF 12 ft

14 ft

LIBRARY ROOF PUBLIC GARDEN 24 ft

OUTDOOR GATHERING

-16 ft

AUDITORIUM ROOF 0.00

WATER

VIEW TO THE ARRIVAL ZONE

PUBLIC GARDEN EXHIBITION ROOF 12 ft

ARRIVAL ZONE 0.00

FOURTH FLOOR PLAN (SEMI-PRIVATE LEG) FOURTH FLOOR PLAN (SEMI-PRIVATE) SC: 1’-0’’=3/64’’

VIEW F

FINAL MODEL 1/16’’

SECTION B-B SC: 1’-0”=3/64’’

SECTION C-C SC: 1’-0”=3/64’’

(PUBLIC BATH AND GYM) SC: 1’-0’’=3/16’’

VOID

PRIVATE AND PUBLIC STUDIO FIRST FLOOR SC: 1’-0’’=3/16’’

PRIVATE LEISURE PLAN (LIVING UNIT) SC: 1’-0’’=3/16’’

SECTION A-A SC: 1’-0”=3/64’’

VOID

PRIVATE AND PUBLIC STUDIO SECOND FLOOR SC: 1’-0’’=3/16’’

SECTION DETAIL (WORK AND LEISURE) SC: 1’-0’’=3/16’’

SECTION D-D PRIVATE AREA SC:1’-0’’=1/4”

CULTURAL ART CENTER Fall 2015 - Undergraduate Final studio design

The concept follows the main contextual axes . One of the main axes is

parallel to the beside

spring. The other axes

wrapped the central

yard to bring different quality of outdoor and indoor spaces into the project. The site has an adjacency to the main intersection, therefore some parts of the wrap work as mass and the rest parts work as a bridge to show what is happening in the central yard and connect in the side to the outside of the site. For the project spring axes are more stronger than the other contextual axes, therefore it is bold and has slope toward the intersection to indicate the nation of the building and attract people around the site to the site more. The axial design is a sustainable strategy for the building to respond to the site factors more.

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT � � � � �

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5.06

5.36

4.78

5.67

5.55

5.41

3.63

1.75 2.55

0.79

3.82

2.29

3.85

4.02

7.74

5.88

5.96

5.00

4.94

0.90

5.65

0.96 1.12

� � � � � � � � � �

10.90



+1.80

+1.80 

void

+2.40

+0.60

4.80

3.90

2.90

2.00 2.00

+1.20

void

+1.20 -1.20

+1.00

+0.60

5.40

1.00

5.80

6.70

+1.80

1.00

6.60

+1.40 0.00 +0.60

5.90

0.00



North Elevation South Elevation

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

Section A-A

CONCEPTUAL DRAWING CASE STUDY Spring 2017 - Master design Studio - Arcus Center for Social Justice Leadership ,MI

The purpose of this project was, how to analyze the architectural strategies of Arcus justices center in MI, and redraw all the documents. In addition, draw a conceptual drawing and make the conceptual model that follow the strategies and architectural goals of this building. The conceptual drawing includes different societies that embedded many spaces in their self. Two forces help to shape the form. The interaction between interior forces and exterior forces move the space into the sides and makes them stretch. The concept model focusses on the idea of the three views connection smoothly.

Project 2 Case Study Analysis Arcus center Conceptual drawing Elmira kamyab - 3.3.17 Arc 510c: Design Studio III- Brad Lang

5 3

10 6

6 A

3 1

6 9

1 2

11 12

7 1

7 8

1 2 3 4 5 6

Entry Hearth Workroom Restrooms Seminar Office

Entry meeting 7 7 1Flexible Hearth Garden 8 8 2Campus Workroom Garden9 9 3Community 4 Restrooms 10 Academy Garden 10 5 Seminar 11 11 Grove Office 12 126 Kitchen 0 ft

1ft

Flexible meeting Campus Garden Community Garden Academy Garden Grove Kitchen 0 ft

1ft 3ft

3ft

TUCSON TRANSFER AND WAREHOUSE CO. RENOVATION Spring 2018- Contract Document

This is the semester-long remodeling project on the old Tucson Transfer and Warehouse Co. The goal is to remodel the interior space of the building to an art complex with a restaurant on the ground level. The assignment is to produce the complete set of contract documents including MPE

ARC520F I 2018S VALERIE A. LANE I RAY BARNES PROJECT 1 I MODEL 1_16”=1’_00”

drawings and a section-perspective drawing.

ELMIRA KAMYAB_AFSHAN BEHNAMGHADER

This

remodeling

and

contract

documents

project is a group effort done by Elmira Kamyab and Afshan Behnamghader that the whole set was produced via Revit software. Tucson Transfer and Warehouse Co. Building possesses one the most beautiful and famous murals of the city. The main effort was to keep the Mural untouched as much as possible. By removing one column from the existing structure, an atrium is designed in the center of the building looking to north mountains. This atrium provides natural light and view for the interior spaces of the building.

64' - 4" 16' - 1"

16' - 1"

AD106 1

1 Storage

Storage

16' - 1"

Storage

2 Storage

Storage

Corridor

16' - 1"

Storage

AD108

64' - 4"

Storage

6 Storage

Storage

16' - 1"

Storage

16' - 1"

AD109

Storage

1 AD107

Level 3 Demolition 3/16" = 1'-0"

16'

64' - 4" 16' - 1"

16' - 1"

A301

A200

1 1

22' - 2"

A401

16' - 1"

1 8

Studio

301

302

A300

2 2

16' - 1"

2 1

A303

A304

A202

64' - 4"

A304

Communal Corridor

36 4

Elevator

303

16' - 1"

103

A303

4 15 3

Mechanical Room

305

307

Storage/Sink

16' - 1"

A201

304

306 3

3 1

5 1 A203

Finished Floor Level 3 3/16" = 1'-0"

16'

KEYNOTE 1. Store front Door - Glass with 2.Aluminum Mullions

16' - 1"

3.12" Concrete Exterior Wall

16' - 1"

4.9' x 8' Glass Window 5.Stainless Steel

16' - 1"

6.Mural 2

A405

A300

A304

A405

A204

7.Control Joint Elevator Finished Roof 52' - 2"

Roof Finished 42' - 2"

Sloped Glazing Roof

Finished Floor Level 4 32' - 2"

6 5 Finished Floor Level 3 22' - 2"

Curtain Wall

As the result, The two group m

shifted each time we worked

and share same amount resp

100 E 6th St, Tucson, AZ 85705

TUCSON WAREHOUSE AND TRANSFER CO

3 Finished Floor Level 2 12' - 0"

9' - 6"

2' - 4 1/4"

SYMBOL

6' - 11 3/4"

Finished Floor Ground 0' - 0"

Checked By

Date

Afshan Behnamghader

03/06/2018

KEYNOTE

Elmira Kamyab

03/17/2018

1. Concrete Column

Elmira Kamyab

04/11/2018

2. 6” Concrete Slab

Elmira Kamyab

04/29/2018

3. 8" Concrete Exterior Wall 4. 4” Concrete Cap Concrete Column 5. Curtain Wall Glass

Elmira Kamyab Afshan Behnamghader

A201

6. 1.5” X 2.5” Aluminum Mullion West Elevation 3/16" = 1'-0"

16' - 1" 16'

16' - 1"

32' 2

A405

A300

16' - 1"

15' - 5"

17' - 7"

Building Elevation West

1 A303

Elevator Finished Roof 52' - 2"

4 A500

A204

Roof Finished 42' - 2"

4 Finished Floor Level 4 32' - 2"

Finished Floor Level 3 22' - 2" Atrium

100

Finished Floor Level 2 12' - 0" 7 A500

5 6 A500

8 A500

Concrete Beam

TUCSON WAREHOUSE AND TRANSFER CO

100 E 6th St, Tucson, AZ 85705

1. Control Joint 4'-2''

Tucson Warehouse and Transfer Studios

5/1/2018 7:06:14 PM

3 A500

Tucson Warehouse and Transfer Studios Checked By

Date

Afshan Behnamghader

02/21/2018

Elmira Kamyab

03/25/2018

Elmira Kamyab

04/11/2018

Elmira Kamyab

04/29/2018

Elmira Kamyab Afshan Behnamghader

members asked each otherâ&#x20AC;&#x2122;s opinions in all the documents and steps. The responsibilities were

d on the set. The goal here was that both group members gain the same level of knowledge

ponsibility in all steps of producing contract documents.

Lighting

Air Supply Diffuser

Outdoor Unit

Fresh Air From Outside Roof Finished 42' - 2"

Finished Floor Level 4 32' - 2"

Air Supply Duct

Finished Floor Level 3 22' - 2"

Air Handling Unit

Finished Floor Level 2 12' - 0"

Air Return Duct

Finished Floor Ground 0' - 0"

Plan Light reflection of walls Continuous framed view

THE BEACON RECREATION CENTER SPRING 2018- Master studio design

This project is located on 6th St in adjacency with the Tucson warehouse transfer building. It is essentially a recreation hub including programs for both the outdoor and indoor spaces. The architecture is about merging these spaces and drawing visitors to the site, then illuminating paths that guide them through. To begin, a couple of frames were placed on the site and arranged to link a continuous view from one side to the other side of the site. The frames, through observation and study, evolved into 3 separate buildings, not only framing the continuous view but linking a series of with outdoor spaces in between. Together, they serve as a beacon; attracting, illuminating and guiding visitors to and through the site. Concept Model in The site

Section Continuous Framed view

Light reflection On the Folded wall

MAIN ENTRANCE 10:00PM STREET ENTRANCE 11:00PM

A A

1 Director

Offices

t/ en en em rd rtis n Ga ve Ad itatio Inv

Waiting/ Garden

. ch Me

Eating / Resturant

Show/ Concert

Tucson Warehouse transformer Building

om Ro ak Bre

Waitin Gard

Exterior Gift shop

Fitness

Market Mech.

Larg Studio

EFX546

Free weights

EFX546

ut/ gO rkin ills Wo adm re T

Fitness

Education Room

Training / First Aid Assembly

Mech.

Security room

Storage

g inin Tra om ro

er orm nsf Tra

ion at uc Ed om Ro

GROUND PLAN SC 1/16’’=1’-0’’

SECOND FLOOR SC 1/16’’=1’-0’’

Confer.

Meeting

Confer.

Equipment

. ch Me

t/ en en em rd rtis n Ga ve Ad itatio Inv

ng/ den

Waiting/ Garden

Show/ Concert

ry ra Lib

Fitness

Lobby

Market

Lobby

Market

Mech.

arket

am Ste na Su

am S te n a Su

ers ck Lo

Fitness

ers ck Lo

Fitness

Training / First Aid

Storage

Mech.

Security room

Lobby

Assembly for 100

er orm nsf Tra

r A

THIRD FLOOR SC 1/16’’=1’-0’’

FOURTH FLOOR SC 1/16’’=1’-0’’

FIFTH FLOOR

SC 1/16’’=1’-0’’

SECTION PERSPECTIVE B-B

3'' EXTERIOR CONCRETE LAYER RIGID FOAM BLOCK CONTINUSE BETWEEN WALL AND ROOF 3'' EXTERIOR CONCRETE LAYER FILLED CONCRETE HOLLOW RIGID FOAM BLOCK CONTINUSE BETWEEN WALL AND ROOF REBARS 3'' EXTERIOR CONCRETE LAYER 2'' INTERIOR CONCRETE LAYER RIGID FOAM BLOCK CONTINUSE FILLED CONCRETE HOLLOW BETWEEN WALL AND ROOF REBARS FILLED CONCRETE HOLLOW 2'' INTERIOR CONCRETE LAYER REBARS

3'' EXTERIOR CONCRETE LAYER 3'' EXTERIOR CONCRETE LAYER RIGID FOAM BLOCK CONTINUSE RIGID FOAM BLOCK CONTINUSE BETWEEN WALL AND ROOF BETWEEN WALL AND ROOF

FILLED CONCRETE HOLLOW FILLED CONCRETE HOLLOW 3'' EXTERIOR CONCRETE LAYER

3'' EXTERIOR CONCRETE LAYER REBARS REBARS IGID FOAM BLOCK CONTINUSE 3'' EXTERIOR CONCRETE LAYER BETWEEN WALL AND ROOF RIGID FOAM BLOCK CONTINUSE 2'' INTERIOR CONCRETE LAYER 2'' INTERIOR CONCRETE LAYER RIGID FOAM BLOCK CONTINUSE BETWEEN WALL AND ROOF FILLED CONCRETE HOLLOW BETWEEN WALL AND ROOF FILLED CONCRETE HOLLOW REBARS FILLED CONCRETE HOLLOW REBARS 2'' INTERIOR CONCRETE LAYER REBARS 2'' INTERIOR CONCRETE LAYER 2'' INTERIOR CONCRETE LAYER

3'' EXTERIOR CONCRETE LAYER RIGID FOAM BLOCK CONTINUSE 3'' EXTERIOR CONCRETE LAYER BETWEEN WALL AND ROOF RIGID FOAM BLOCK CONTINUSE FILLED CONCRETE HOLLOW BETWEEN WALL AND ROOF

2'' INTERIOR CONCRETE LAYER

3'' EXTERIOR CONCRETE LAYER RIGID FOAM BLOCK CONTINUSE BETWEEN WALL AND ROOF 3'' EXTERIOR CONCRETE LAYER FILLED CONCRETE HOLLOW RIGID FOAM BLOCK CONTINUSE REBARS BETWEEN WALL AND ROOF 2'' INTERIOR CONCRETE LAYER FILLED CONCRETE HOLLOW REBARS 2'' INTERIOR CONCRETE LAYER

FILLED CONCRETE HOLLOW REBARS REBARS 2'' INTERIOR CONCRETE LAYER 2'' INTERIOR CONCRETE LAYER

ALUMINUM VERTICAL MULLION GLASS (CURTAIN WALL) HORIZONTAL VERTICAL MULLION ALUMINUM VERTICAL MULLION GLASS (CURTAIN WALL) ALUMINUM VERTICAL MULLION HORIZONTAL VERTICAL MULLION GLASS (CURTAIN WALL) Level 4

Level 4

45'-0''

HORIZONTAL VERTICAL MULLION

ALUMINUM VERTICAL MULLION GLASS (CURTAIN WALL) HORIZONTAL VERTICAL MULLION ALUMINUM VERTICAL MULLION GLASS (CURTAIN WALL)

LevelLevel 4 3 45'-0''

HORIZONTAL VERTICAL MULLION LevelLevel 4 3

Level 4

LevelLevel 4 3

45'-0'' Level 4

45'-0'' Level 4 Level 4 45'-0''

45'-0''

3'' EXTERIOR CONCRETE LAYER 3'' EXTERIOR CONCRETE LAYER

45'-0''

2'' INTERIOR CONCRETE LAYER 2'' INTERIOR CONCRETE LAYER

STEEL PLATE 3'' EXTERIOR CONCRETE LAYERSTEEL PLATE 1' STEEL COLUMN 1' STEEL COLUMN 3'' EXTERIOR CONCRETE LAYER 2'' INTERIOR CONCRETE LAYER 3'' EXTERIOR CONCRETE LAYER BATT INSULATION BATT INSULATION 2'' INTERIOR CONCRETE LAYER STEEL PLATE 2'' INTERIOR CONCRETE LAYER STEEL PLATE 1' STEEL COLUMN STEEL PLATE 1' STEEL COLUMN BATT INSULATION 1' STEEL COLUMN BATT INSULATION BATT INSULATION

3'' EXTERIOR CONCRETE LAYER 3'' EXTERIOR CONCRETE LAYER 2'' INTERIOR CONCRETE LAYER 2'' INTERIOR CONCRETE LAYER STEEL PLATE

2'' CONCRETE SLAB

1' STEEL COLUMN STEEL PLATE

METAL DECK

1' STEEL COLUMN BATT INSULATION

Floor +2

RETURN AIR DUCT RETURN AIR DUCT

RETURN AIR DUCT

RETURN AIR DUCT RETURN AIR DUCT SUPPLY AIR DUCT

RETURN AIR DUCT SUPPLY AIR DUCT

SUPPLY AIR DUCT SUPPLY AIR DUCT

SUPPLY AIR DUCT

Floor +2 16'-0''

16'-0''

SUPPLY AIR DUCT SUPPLY AIR DUCT RETURN AIR DUCT

CURTAIN WALL CLIPS 2'' CONCRETE SLAB PRE FRINGED ALUMINUM METAL DECK PANEL PAINTED WHITE 2'' CONCRETE SLAB CURTAIN WALL CLIPS 16'' GRIDER METAL DECK PRE FRINGED ALUMINUM CURTAIN WALL CLIPS PANEL PAINTED WHITE 7'' STEEL BEAM 16'' GRIDER PRE FRINGED ALUMINUM SUSPENDED CILLING PANEL PAINTED WHITE 16'' GRIDER 7'' STEEL BEAM

BATT INSULATION

Floor +2

SUSPENDED CILLING 7'' STEEL BEAM 16'-0''Floor +2

16'-0'' Floor +2 Floor +2 16'-0'' 16'-0''

2'' CONCRETE SLAB METAL DECK CURTAIN WALL CLIPS 2'' CONCRETE SLAB PRE FRINGED ALUMINUM METAL DECK PANEL PAINTED WHITE CURTAIN WALL CLIPS 16'' GRIDER PRE FRINGED ALUMINUM PANEL PAINTED WHITE 7'' STEEL BEAM 16'' GRIDER SUSPENDED CILLING 7'' STEEL BEAM

16'-0'' SUSPENDED CILLING

LevelLevel 4 2 33'-0''

LevelLevel 4 2 33'-0'' LevelLevel 4 2 33'-0''

SUSPENDED CILLING

2'' CONCRETE SLAB 2'' CONCRETE SLAB METAL DECK METAL DECK 2'' CONCRETE SLAB16'' GRIDER 16'' GRIDER

2'' CONCRETE SLAB METAL DECK 2'' CONCRETE SLAB 7'' STEEL BEAM 7'' STEEL BEAM METAL DECK METAL DECK 16'' GRIDER 16'' GRIDER 7'' STEEL BEAM 16'' GRIDER 7'' STEEL BEAM 7'' STEEL BEAM

2'' CONCRETE SLAB 2'' CONCRETE SLAB METAL DECK

16'' GRIDER 7'' STEEL BEAM 7'' STEEL BEAM

SUSPENDED CILLING SUSPENDED CILLING GYPSUM BOARD CILLING GYPSUM BOARD CILLING SUSPENDED CILLING GYPSUM BOARD CILLING SUSPENDED CILLING SUSPENDED CILLING GYPSUM BOARD CILLING GYPSUM BOARD CILLING

Ground Floor Ground Floor

METAL DECK 16'' GRIDER

0'-0''

Ground Floor

0'-0'' Ground Floor

0'-0'' Ground Floor Ground Floor 0'-0'' 0'-0''

0'-0''

SUSPENDED CILLING GYPSUM BOARD CILLING SUSPENDED CILLING GYPSUM BOARD CILLING

RETURN AIR DUCT SUPPLY AIR DUCT RETURN AIR DUCT

RETURN AIR DUCT

SUPPLY AIR DUCT RETURN AIR DUCT

SUPPLY AIR DUCT

SUPPLY AIR DUCT Level -2

Level -2

-28' - 0"

RETURN AIR DUCT SUPPLY AIR DUCT

0'-0''

Level -2

-28' - 0" Level -2 Level -28' --2 0"

-28' - 0" Level -2

Ground Floor 0'-0'' Ground Floor

-28' - 0"

Ground Floor

0'-0''

STEEL BASE PLATE STEEL BASE PLATE RETAINING WALL RETAINING WALL STEEL BASE PLATE

FOOTING FOOTING STEEL BASE PLATE GROUND SLAB GROUND SLAB STEEL BASE PLATE RETAINING WALL RETAINING WALL RETAINING WALL FOOTING GROUND SLAB FOOTING FOOTING GROUND SLAB GROUND SLAB

STEEL BASE PLATE STEEL BASE PLATE RETAINING WALL RETAINING WALL FOOTING GROUND SLAB FOOTING GROUND SLAB

Concrete wall section 1’=1’-0’’ CONCRETE WALL SECTION SC 1”=1’-0”

GROUND SLAB

GROUND SLAB FINNISHED FLOOR CONCRETE DRAINAGE CHANNEL GROUND SLAB FINNISHED FLOOR CONCRETE DRAINAGE CHANNEL FINNISHED FLOOR CONCRETE

Glazed curtain wall section 1’=1’-0’’ GLAZED CURTAIN WALL SECTION SC 1”=1’-0”

DRAINAGE CHANNEL GROUND SLAB DRAINAGE CHANNEL GROUND SLAB FINNISHED FLOOR CONCRETE DRAINAGE CHANNEL FINNISHED FLOOR CONCRETE

STUDY MODEL 1/16’’=1’-0’’ ITERATION 1

ITERATION 2

FRAMING MODEL 1/16’’=1’-0’’

SECTION MODEL 3/8’’=1’-0’’

In a daytime, the climbing wall, also generated through a series of folded plates, catches the south and northern light, illuminating the space from within. To control glare, a low-Egray glass was used, which obscures the view through the buildings from the outside, but reveals the continuous view from the inside. At night, this relationship reverses as the artificial lights illuminate the inside, and the continuous view can only be realized from the outside. VIEW 4 12:00 PM

VIEW 3 12:00 PM

PROFESSIONAL WORKS

THE HAMPTON INN AND SUITES

PROFESSIONALS - Lori Carroll & Associates, LLC INTERNSHIP-Spring 2015 - To current

This internship opportunity was a different experience

regard to part of architecture

that work more on interior details of building. The projects that I was helping them includes retails , residential, hotel , school and etc. My responsibilities were helping them on planning and documentations, also rendering the spaces for presentations, the projects that I helped are included the Hampton-Inn-Suites, the Gregory school and some other Residential projects.

DOUBLE QUEEN ROOM FURNITURE AND FINISH PLAN

DOUBLE QUEEN ROOM ELEVATIONS

THE GREGORY SCHOOL

ARRIVAL WAITING ROOM

OFFICE CORRIDOR

MAIN LOBBY

PROFESSIONALS - CBEN CONSTRUCTION CO. INTERNSHIP -Spring 2015 - Fall 2016

COMPLEX RESIDENTIAL

This internship opportunity was in construction and architecture company in Mashhad ,Iran for a year .The project were included residential ,public

outdoor space, offices,retails. The

presented renders are related to private or complex residential, or

out door shopping

plaza. I developed the renders and sketching the schemes of thespace scenes(the primary design) , also working on 3D modeling, helping in documentation and planning for the drawings. Also my responsibility was included helping to the site visits for monitoring , and also supervisor assistant.

SINGLE RESIDENTIAL

SHOPPING PLAZA

OFFICE

COMPLEX RESIDENTIAL

ARTS AND CRAFTS

Section in Grasshopper

DESIGN COMMUNICATION CASE STUDY Fall2017 - Melbourne Southern Cross Station

The case study is Southern Cross station in Melbourne, Australia. The concept indicates the roof that covers an entire city block. This project was analvysing the curvy pattern of the roof and find the best way of remodeling the building digitally and physically. The process was begun with modeling the building in the Rhino. Next step was modeling part of the roof, which is included

Modeling in Rhino

trusses and undulated roof, with Grasshopper. Then, to pursue the goal of digital fabrication, the model was built as 2D pieces by a laser cutter. The modelâ&#x20AC;&#x2122;s concept is using the curvy pattern of Southern cross station Melbourneâ&#x20AC;&#x2122;s roof and manipulation of it. The idea is how the roof flows in the air like a soft fabric and the transparency changes during the curvy line.

Modeling in Grasshopper

Hoods

Glass Roof

Roof

Steel Truss Framing

Steel Columns

Base Floor

EXPLODED AXON

SKETCHES AND HAND DRAWINGS

The sketches drew from pictures or redrew from original drawings. The hand rendering complete with markers , pencil colors, and pens.

ELMIRA KAMYAB +15203330131 elmirakamyab@email.arizona.edu https://www.linkedin.com/in/elmira-kamyab-b61638158/