NEW ON NAXOS
The World’s Leading Classical Music Label JANUARY 2015
This Month’s Other Highlights
© 2015 Naxos Rights US, Inc. • Contact Us: Customer.Service@naxos.com www.naxos.com • www.classicsonline.com • www.naxosmusiclibrary.com • blog.naxos.com
© Steve J Sherman
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8.573331 7
47313 33317 2
Playing Time 57:45
NBD0045 Leonard Slatkin
Audio Format • Blu-ray Audio
Camille SAINT-SAËNS (1835–1921) Symphony No. 3 ‘Organ’*
Playing Time 57:48
Sound • 24-bit, 96 kHz PCM
Danse macabre* • Cyprès et Lauriers* Vincent Warnier, Organ Orchestre National de Lyon* • Leonard Slatkin*
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To celebrate the inauguration of the newly restored former organ of the Palais du Trocadéro and Palais de Chaillot in Paris, the Orchestre National de Lyon and their organist-in-residence, Vincent Warnier, present two major works for organ and orchestra by Camille SaintSaëns, both of which are historically linked with the great CavailléColl organs. The composer himself conducted the French première of Cyprès et Lauriers at the Trocadéro in October 1920, entrusting the solo part to Eugène Gigout.
Supplementary Promotional Materials • Podcast • Key release kit • Artist profile Companion Titles
Sales Points: The organ is the focus of this disc, which is performed on the famous, monumental and newly restored 1878 instrument formerly in the Trocadéro in Paris but now in Lyon. Three works are involved. Cyprés et Lauriers is rare on disc. Stefan Johannes Bleicher’s 4-CD set devoted to the organ music on Arte Nova (in 2006) includes it. Ian Tracey couples it with a work by Dupré on Chandos, whereas Ben van Oosten couples it with other of the composer’s works for solo organ for MDG in 2012. The arrangement of the Danse macabre is a sonic spectacular for solo organ. The Symphony No.3 is one of the most famous and brilliant in the repertoire, and frequently recorded, and which also features the organ prominently.
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8.572887
8.572888
© David Duchon-Doris
Internationally renowned conductor Leonard Slatkin began his musical studies on the violin and studied conducting with his father, followed by training with Walter Susskind at Aspen and Jean Morel at The Juilliard School. He was named music director of the Orchestre National de Lyon in its 2011–2012 season. His over a hundred recordings have brought seven GRAMMY® Awards and more than sixty GRAMMY® Award nominations. He has received many other honours, including the 2003 National Medal of Arts, France’s Chevalier of the Legion of Honour and the League of American Orchestras’ Gold Baton for service to American music.
8.573297
Orchestre National de Lyon
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Playing Time 77:19
© Jesùs Ruiz
8.573255
Pepe Romero and Vicente Coves
Federico Moreno TORROBA (1891–1982) Guitar Concertos, Vol. 1
Companion Titles
Concierto en Flamenco†
Diálogos entre guitarra y orquesta Aires de La Mancha • Suite castellana Pepe Romero and Vicente Coves, Guitars Málaga Philharmonic Orchestra • Manuel Coves †
WORLD PREMIÈRE RECORDING
8.572139
8.572527
8.572707
© Jesús Ruiz
An outstanding figure in the history of modern Spanish music, Federico Moreno Torroba is best known for his guitar works, his traditional style embracing the folklore and character of Spain. The Concierto en Flamenco requires an exceptional soloist, and Pepe Romero is justly famous for his masterful interpretations in both classical and flamenco genres. The playful Diálogos entre guitarra y orquesta adds the luminous sonorities of harp and celesta to its colourful orchestration. Aires de la Mancha is evocative of this distinctive region in central Spain, while the Suite castellana includes Torroba’s first ever composition for guitar, Danza. This is the first of three volumes of Torroba’s complete works for guitar and orchestra.
8.557135
© Carlos Barón
Sales Points: The rarely heard Concierto en Flamenco is the jewel in the crown of this fine new release of concertos and solos for guitar by the ever popular Federico Moreno Torroba. Combining specialist flamenco techniques with a classical concerto form, we are proud to be able to present the legendary Pepe Romero as soloist. This pairing with the substantial Diálogos entre guitarra y orquesta, Torroba’s early Suite castellana, and another Pepe Romero performance in the characterful Aires de la Mancha make this a feast for fans of the guitar and the best of 20th century Spanish music. This release also compliments our previous CD with the guitar music of Torroba on Naxos 8.557902
Manuel Coves
Malaga Philharmonic Orchestra
One of the most celebrated and versatile musicians of his generation, the Spanish-born guitarist Pepe Romero has enjoyed a varied and illustrious career. Among other honours, Pepe Romero has been knighted into the Order of Isabel la Católica, awarded an honorary doctorate in music from the University of Victoria, and the Premio Andalucía de Música, the highest recognition given by his native land for contribution to the arts. The classical guitarist Vicente Coves
studied with the legendary Pepe Romero. Coves belongs to the Versus Ensemble, with which he recorded for Naxos Piazzolla’s Suite María de Buenos Aires (8.570523) and Lorenzo Palomo’s Sinfonía a Granada (8.570420), for soprano guitar and orchestra, composed for Vicente Coves and María Bayo. In 2008 he was awarded the Rubinstein Medal by the Moscow Tchaikovsky Conservatory.
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Final volume
8.572358 7
47313 23587 2
Playing Time 73:53
Sir Peter MAXWELL DAVIES (b. 1934) Caroline Mathilde – Ballet Suites © John Batten
Chat Moss • Ojai Festival Overture
BBC Philharmonic Orchestra • Sir Peter Maxwell Davies Sir Peter Maxwell Davies’ ballet Caroline Mathilde premièred in 1991 and has been highly acclaimed ever since. Its story concerns the tragic marriage of Caroline to Christian VII of Denmark and is cast in a musical language that embraces expressionism, drama, parody, and overt lyricism. The two concert suites chart the young queen’s fall from grace and her eventual banishment into exile. Chat Moss is a richly textured tone poem, while by contrast the Ojai Festival Overture is a lively and extrovert concert piece reflecting Maxwell Davies’ fondness for American landscape and culture.
Sir Peter Maxwell Davies
Companion Titles
Sales Points: These are ex-Collins releases recorded in the 1990s, though originally differently coupled. This disc, in fact, is the last of the Collins reissues. The concert suite from Caroline Mathilde was coupled with Beltane Fire, for instance, and the Ojai Festival Overture with the popular and riotous Mavis in Las Vegas and An Orkney Wedding with Sunrise on Collins 1524. The trio of pieces offer very different pleasures. The ballet Caroline Mathilde is a modern classic, presented in two concert suites, very lyrical and standing in the great tradition of ballet scores from the nineteenth-century onwards, spiced with Maxwell Davies’ personal vocabulary. Chat Moss is a tone poem and the Ojai Festival Overture is extrovert and colourful.
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8.572359
8.660359-60
8.660354
Supplementary Promotional Material • Key release kit
© Sussie Ahlberg
Universally acknowledged as one of the foremost composers of our time, Sir Peter Maxwell Davies has made a significant contribution to musical history through his wide-ranging and prolific output. In a work list spanning more than five decades, he has written across a broad range of styles, yet his music always communicates directly and powerfully, whether in his profoundly argued symphonic works, his music-theatre works or witty light orchestral works. His substantial chamber and instrumental catalogue includes the landmark cycle of ten string quartets, the Naxos Quartets (8.505225), described in the Financial Times as “one of the most impressive musical statements of our time”. Maxwell Davies has held the position of composerConductor with both the Royal Philharmonic and BBC Philharmonic Orchestras. Maxwell Davies was knighted in 1987 and appointed Master of the Queen’s Music in 2004.
BBC Philharmonic Orchestra
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8.573183
47313 31837 7
© Jordi Ribó
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Playing Time 64:07
Jordi Masó
Joaquín TURINA (1882–1949) Piano Music, Vol. 10
Jordi Masó studied with Josep M. Roger, Albert Attenelle, and at the Royal Academy of Music of London with Christopher Elton and Nelly Akopian, graduating in 1992 with the highest distinction. He has won first prize in many National and International competitions in Spain and has performed extensively. Jordi Masóʼs wide repertoire, covering all periods and styles, with special emphasis on music of the twentieth century, has brought first performances of many piano works written for him. He has made over forty recordings, including the 1993 world première of the complete works for piano of Roberto Gerhard (8.223867), the complete piano music by Frederic Mompou (8.554332, 8.554448, 8.554727, 8.554727, 8.570956, 8.572142), and Joaquín Turina (8.557150, 8.557438, 8.557684, 8.570026, 8.570370, 8.572141, 8.572455, 8.572682, 8.572915).
El Castillo de Almodóvar Rincones de Sanlúcar • Tocata y fuga Partita • Preludios • Pieza romántica Jordi Masó, Piano
The tenth volume in Jordi Masó’s ground-breaking series of the complete piano music focuses on the years of Joaquín Turina’s maturity and the works he called a Ciclo pianístico. El castillo de Almodóvar (Almodóvar Castle) and Rincones de Sanlúcar (Corners of Sanlúcar) are both memorably evocative and descriptive. Elsewhere Turina takes classic forms, such as the toccata, fugue, partita and prelude and brings to them a more abstract but richly nuanced sensibility. The previous volume in this series has brought considerable acclaim: ‘In Masó you have an ideally committed and affectionate master of the idiom, finely recorded.’ (Gramophone, on 8.572915)
Companion Titles
Sales Points: This is volume 10 in this comprehensive Turina series. The last volume (8.572915) was very well received with both American Record Guide and Gramophone extolling the virtues of the playing (”an affectionate master of the idiom” wrote Gramophone). This disc concentrates on Turina’s maturity with music that is often abstract, though there are also his famous more colourful evocations as well. This is sparsely recorded repertoire. The famous figure of Alicia de Larrocha has recorded the Preludios and Partita but they are marooned in a big DG 10-CD box. Likewise Martin Jones has recorded El castillo de Almodóvar, but in the context of a 5-CD box of Spanish piano music generally. Masó is generally considered the world’s leading current exponent of this composer’s music.
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8.572141
8.572455
8.572682
8.572915
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JANUARY 2015 World Première Recordings
© Cheryl Gorski
8.559768 6
36943 97682 1
Playing Time 75:08
JoAnn Falleta
Jack GALLAGHER (b. 1947) Symphony No. 2 ‘Ascendant’ Quiet Reflections
London Symphony Orchestra • JoAnn Falletta Jack Gallagher continues his association with the London Symphony Orchestra conducted by JoAnn Falletta with Symphony No. 2 ‘Ascendant,’ a robust, colorful work of dramatic contrasts and expansive architecture that seeks to express the aspirations and strivings of the human spirit. Quiet Reflections is a calm, serenely lyrical meditation which evokes a sense of longing for past tranquility. Gallagher’s previous Naxos release Orchestral Music (8.559652) with the LSO conducted by JoAnn Falletta was awarded five stars by BBC Music Magazine and hailed as “fresh and exuberant” and for “its explosions of sound and colour” by Gramophone.
JoAnn Falletta, acclaimed by The New York Times as “one of the finest conductors of her generation”, serves as the music director of the Buffalo Philharmonic Orchestra and Virginia Symphony Orchestra, and principal conductor of the Ulster Orchestra in Belfast, Northern Ireland. She has guest conducted more than a hundred orchestras in North America and many of the most prominent orchestras in Europe, Asia, South America, and Africa, such as the London Symphony Orchestra, which is widely regarded as one of the world’s leading orchestras. Falletta is an ardent champion of music of our time, introducing over 500 works by American composers, including more than 110 world premières. Her extensive Naxos discography includes a double GRAMMY® Award-winning volume of works by John Corigliano and GRAMMY®-nominated discs by Fuchs, Gershwin, Holst, Respighi, Strauss, and Schubert.
Sales Points: The release of Jack Gallagher’s Orchestral Music (8.559652) in 2010 aroused a great deal of interest, with Audiophile Audition describing his Symphony in One Movement: Threnody “truly a work of genius”, Gramophone summing it up as “fresh and exuberant, Jack Gallagher’s music speaks proudly of his country’s cultural values in positive, eloquent and healthy ways... The LSO couldn’t sound finer”. Furthermore “the programme gets Rolls-Royce treatment from JoAnn Falletta and the London Symphony Orchestra” (BBC Music Magazine), and Gallagher is “one of JoAnn Falletta’s best discoveries in her continual search for underrated American composers” (Buffalo News). Composed between 2010 and 2013 and recorded here by GRAMMY® winning producer Tim Handley, the second symphony stands as a vitally energetic continuation of this success.
© Igor Emmerich
Companion Titles
London Symphony Orchestra
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8.559753
8.559224
8.559723
8.559652
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JANUARY 2015 Includes World Première Recordings
Playing Time 78:37
8.573346 © Schewig Fotodesign
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Marc Lewon
Argentum et Aurum
Companion Titles
Musical Treasures from the Early Habsburg Renaissance Ensemble Leones • Marc Lewon
The period of the early Habsburgs, from c.1340 to c.1520, saw the development of a richly diverse musical culture in the Austrian region. This pioneering selection, the product of an extensive research project conducted at the University of Vienna, presents an overview of music in everyday life, in many cases in première recordings performed by Ensemble Leones. The music is sacred and secular, allowing the listener to eavesdrop on Tyrolean palaces, dance halls and bourgeois homes, and on the singer-poets who travelled the country where old local styles fused with the latest international fashions. Sales Points • This recording is the product of much specialist work at the University of Vienna, conducted as part of a research project called ‘Musical life of the Late Middle Ages in the Austrian Region’. It documents music of the early Habsburg period from around 1340 to c.1520. There are a number of world première recordings of recently discovered music as well as hitherto unknown pieces in this disc. Ensemble Leones have attempted in their performances to recreate the musical ethos of the time and are highly regarded specialists in this repertoire with several recordings to their name – composer Arvo Pärt has praised their performances!
8.557803
8.572576
8.572449
8.572632
© Gabriele E. Lewon
© Björn Trotzki
Marc Lewon specialises in medieval instruments of the lute family and medieval Germanic languages and literature. The combination of musicological scholarship and countless years of concert activities provide him with the ideal qualifications for an interdisciplinary approach to research and practice for the music of the Middle Ages and Renaissance. He plays regularly with a number of ensembles including Unicorn, Dulce Melos, Perlaro and Andreas Scholl & Shield of Harmony and especially with his own Ensemble Leones. Ensemble Leones
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47313 34397 3
JANUARY 2015
Playing Time 54:01 © Melissa Kavanagh
8.573439
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Through the Centuries Amadeus Guitar Duo
Georg Frideric HANDEL (1685–1759) Suite in G minor, HV 432 Johann-Kaspar MERTZ (1806–1856) Nänien Trauerlieder Ünrühe Mario GANGI (1923–2010) Suite spagnola Franz BURKHART (1902–1978) Toccata Georg Philipp TELEMANN (1681–1767) Partita polonaise Carlo DOMENICONI (b. 1947) Fantasie d’Oriente e d’Occidente, Op. 50a
Amadeus Guitar Duo
Companion Titles
Over the last 25 years the Amadeus Guitar Duo have consistently proved to be one of the world’s most exploratory and admired ensembles. Through their many international tours, recordings, and the symposium they established at Iserlohn in Germany, they have extended the repertoire for the duo and for guitar duo with orchestra. In this release, their inaugural one for Naxos, the programme ranges across the centuries from the magnificent arrangement of Handel’s Suite in G minor, HV 432, through music by the nineteenth-century guitar composer Johann Kaspar Mertz, to contemporary works including the brilliant and virtuosic Fantasie d’Oriente e d’Occidente by Carlo Domeniconi, which was given its world première by the duo. Sales Points: The Amadeus Guitar Duo consist of Dale Kavanagh and Thomas Kirchhoff, an internationally admired ensemble who have been performing and touring for 25 years. They have performed repertoire for both for the guitar duo and for two guitars and orchestra, and extended it through commissions and first performances. For example they gave the world premiere of Carlo Domeniconi’s Fantasie d’Oriente e d’Occidente, which they play in this disc. They mix original works with arrangements and transcriptions. This is their first disc to be released by Naxos. They have recorded extensively for Hänssler Classics, about one of which discs Fanfare noted; ‘and when Dale Kavanagh partners with Thomas Kirchoff to form the Amadeus Guitar Duo, one is treated to elegant ensemble work – full of flashy virtuosity where needed, but best characterized by its subtle innigkeit.’ Dale Kavanagh (Canada) and Thomas Kirchhoff (Germany) have been playing together since 1991 and have given more than 950 concerts in more than 50 European countries and North, Central and South America and Asia. Critics and audiences acknowledge the young musicians bubbling temperament in virtuoso recital, their highly sensitive creative ability in musical phrasing and articulation,
8.573055
8.570779
8.572757
8.553418
and their great guitar-tone, which fills large auditoriums with a warm, rich sound. The Amadeus Guitar Duo performs regularly with The Prague- Munich and Mannheimer Chamber Orchestra, The Philharmonia Hungarica, The Philharmonic State Orchestra Halle, the Prague Chamber Orchestra and the Thuringen Philharmonic Orchestra.
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World Première
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Ge GAN-RU (b. 1954) Shanghai Reminiscences
Recordings
Butterfly Overture
Royal Scottish National Orchestra • Tsung Yeh Born in Shanghai, now resident in Greater New York, Ge Gan-ru is one of China’s foremost composers. Very different from his previous exploration of the Western avant-garde, Shanghai Reminiscences is a warm and affecting evocation of “the street scenes and sounds” of Gan-ru’s childhood in pre-Cultural Revolution Shanghai, viewed through the lens of his adopted American traditions. Butterfly Overture is the composer’s symphonic tribute to a beloved teacher from his Shanghai Conservatory days. International Record Review described Ge Gan-ru’s string quartets (8.570603) as “Nothing short of contemporary masterpieces”.
8.570609
Sales Points • A resident of New York, Ge Gan-ru is recognized as China’s leading avant-garde composer and one of the most original voices of his generation. Our recording of three of his string quartets (8.570603) with the Modern Works quartet was an American Record Guide ‘Critic’s Choice’. It was also acclaimed as “a magnificent disc… The music is outstanding and deserves the widest possible audience” by International Record Review, while the New York Times considers that Ge Gan-ru’s music “deserves to be recognized alongside that of his betterknown compatriots like Bright Sheng and Tan Dun.” Shanghai Reminiscences is a departure from Ge Gan-ru’s engagement with the avant-garde lineage of John Cage and George Crumb, and while leaving aside more striking timbral effects this music will have a wide appeal, resonating with audiences more familiar with the populist works of Aaron Copland and Leonard Bernstein.
Playing Time: 67:09 7
Companion Titles
47313 06097 9
8.570603
8.570604
8.570608
8.570610
Pierre RODE (1774-1830) Violin Concertos, Vol. 3
World Première Recordings
Violin Concerto No. 1 in D minor, Op. 3 Violin Concerto No. 5 in D major, Op. 7 Violin Concerto No. 9 in C major, Op. 17 Friedemann Eichhorn, Violin Jena Philharmonic Orchestra • Nicolás Pasquet
© Guido Werner
Pierre Rode’s concertos represent the full flowering of the French violin school, the origins of which can be traced back to his teacher Viotti’s arrival in Paris in 1782. Bold and youthful, the First Violin Concerto contrasts with the more pastoral and introspective moods of the Fifth Violin Concerto, while the Ninth was written during the composer’s stay in Russia. All three works share Rode’s signature finales which ‘sparkle with gracefulness, piquancy and impishness’. Performed using painstakingly prepared new editions, this is the third of five volumes containing all thirteen of Rode’s Violin Concertos.
8.572755
Playing Time: 76:27 7
47313 27557 1
Sales Points • This is the third in a set of four volumes of Pierre Rode’s complete Violin Concertos. It joins a first volume (8.570469) the “virtuoso fireworks” of which were admired by Fanfare: “There’s enough double-stopping, rapid runs, and bowing tricks to satisfy even the most insatiable appetites for hire-wire circus acts. But there is Friedemann also a depth and breadth to Rode’s muse, and a sophisticated air Eichhorn to his melodic invention that elicits a strong emotional response and strikes a genuine responsive chord.” Volume 2 (8.570767) was a MusicWeb International ‘Recording of the Month’, “hugely entertaining and satisfying for the listener.” Including première recordings and inventively reconstructed cadenzas and features of interpretation, all of these releases fill a crucial gap and represent a significant contribution to the violin concerto repertoire. Companion Titles
8.570469
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8.570767
8.572604
8.570958
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BRITISH MUSIC FOR CELLO AND PIANO Raphael Wallfisch, Cello • Raphael Terroni, Piano*
William WORDSWORTH (1908-88) Cello Sonata No. 2 in G minor, Op. 66* Nocturne, Op. 29* Scherzo, Op. 42* Sonata for Violoncello, Op. 70 Josef HOLBROOKE (1878-1958) Fantasie-Sonate, Op. 19* William BUSCH (1901-45) Suite for Cello and Piano* A Memory* Elegy*
8.571361
Playing Time: 75:35 7
© Benjamin Ealovega
This survey of British cello music focuses on three composers whose critical fortunes have never quite matched their undoubted musical gifts. William Wordsworth always displayed independence of mind and considerable melodic invention, and his cello works reflect a kinship with the music of Bartók and, later, Shostakovich. The short-lived William Busch is represented by his Suite, both a passionate oration and a brilliant dance. Much earlier in the twentieth century the prolific Josef Holbrooke composed a Fantasie-Sonata that is irresistibly lively and virtuosic.
47313 13617 9
Sales Points • This is an ex-British Music Society release [BMS436CD] issued in 2010. The disc will be of particular interest to collectors of British chamber music of the twentieth-century as it contains rare never-before recorded works. Wordsworth and Busch both wrote approachable music. The only other widely available Wordsworth is the recording of his Symphonies on Lyrita. Holbrooke is a somewhat earlier composer but better represented on disc on a wide variety of labels – CPO, Dutton, Cameo, Lyrita, Raphael Wallfisch Symposium etc. His music is also on Marco Polo and Naxos recorded his violin works on 8.572649. These performances of Wordsworth’s Sonata No.2 and Busch’s Suite are also on 8.571352, differently coupled with works by Leighton and Cooke. Companion Titles
8.571354
8.571360
8.571362
8.571370
Sir Charles Villiers STANFORD (1852–1924) Piano Trio No. 2 Piano Quartet No. 1*
David Adams, Viola* • Gould Piano Trio
© Chris Stock
One of Britain’s leading composers and educators of his day, Stanford considered chamber music an essential representation of ‘absolute music’. His mastery of extended instrumental forms truly comes of age in the First Piano Quartet, a work which breathes a confidence and fluency to rival Brahms. An adventurous harmonic palette distinguishes the Second Piano Trio, the Beethovenian pathos of its slow movement contrasting with the defiant turbulence of its cyclically related outer movements. The Gould Trio is ‘magnificently stylish’ (Gramophone) in their recording of Stanford’s First Piano Trio (8.572452).
8.573388
Playing Time: 61:23 7
Sales Points • Our catalogue of Charles Villiers Stanford already includes four volumes of his complete symphonies, and our coverage of his excellent chamber music has already gone from strength to strength. The Gould Trio’s world première recording of his Third Piano Trio (8.570416) was a Gramophone ‘Editor’s Choice’ and acclaimed as “absolutely first-class”, while the First Piano Trio and Second Piano Quartet (8.572452) with David Adams was a MusicWeb International ‘Recording of the Year’, American Record Guide ‘Critic’s Choice’, and with Gramophone concluding that, with “top-notch production values throughout, this generously filled disc should be snapped up without delay.” Companion Titles
47313 33887 0 8.557698
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8.570416
8.570507
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Johann Sebastian BACH (1685–1750) The Well-Tempered Clavier Book II (24 Preludes and Fugues) Luc Beauséjour, Harpsichord
When Luc Beauséjour recorded Book I of the Well-tempered Clavier [8.55762526] he was hailed by International Piano for ‘his instinct for discovering exactly the right tempo; his playing is so natural’. He turns now to Book II of the Preludes and Fugues in all twenty-four keys, assembled for publication in 1742. A number of the pieces survive in earlier versions from previous decades, which Bach revised or transposed. Together with Book I, this constitutes one of the pinnacles of Western music. Sales Points • The Well-tempered Clavier is one of the greatest pieces in Western music. It has been recorded many times, and is here recorded on harpsichord – it’s often performed on piano. Luc Beauséjour recorded Book I of the Well-tempered Clavier a number of years ago and it has been quite a long wait until Book II. That earlier set was lavishly praised [8.557625-26]. He was hailed by International Piano for ‘his instinct for discovering exactly the right tempo; his playing is so natural’. Companion Titles 8.570564-65 2 CDs
Playing Time: 147:47 7
47313 05647 7 8.570470-71
8.570577-78
8.572006-07
8.572309
Andrea ANTICO (c.1480-after 1538) Animoso mio desire
16th-Century Italian Keyboard Favourites Glen Wilson, Harpsichord
Andrea Antico was a printer from Dalmatia who obtained, through the first Medici Pope, Leo X, a monopoly on printing keyboard music. His 1517 collection of frottole – a quasi-rustic word meaning a deceitful, silly story – contains highly advanced, but textually corrupt arrangements of part-songs for keyboard made by an anonymous musician. This world première recording of the complete Frottole Intabulate incorporates a new edition by harpsichordist Glen Wilson. Sales Points • Frottola means a deceitful, silly story. They were wildly popular songs in the later part of the fifteenth and the first third of the sixteenth centuries. An anonymous musician arranged them for keyboard and they were then published by the printer Andrea Antico in 1517. The arrangements were radical for the time and the arranger succeeded in producing a real polyphonic keyboard style. Some were performed by organist Kimberly Marshall on the Loft Glen Wilson label in 2002 and just a few by Silvano Rodi on Gall in the same year. Nothing as comprehensive as this Naxos collection has ever been released. Companion Titles 8.572983
Playing Time: 60:07 7
47313 29837 2 8.572433
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8.572475-76
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8.572997
NEW ON NAXOS
Includes World Première
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JANUARY 2015
GUITAR MUSIC OF COLOMBIA
Recordings
José Antonio Escobar, Guitar Adolfo MEJÍA (1905-1973) Gentíl MONTAÑA (1942-2011) Lucas SABOYA (b. 1980) Hector GONZÁLEZ (b. 1961) †
Bambuco en mi Suite Colombiana Nos. 2 and 3 Suite Ernestina† Preludio
WORLD PREMIÈRE RECORDING
8.573059
Playing Time: 63:25 7
47313 30597 1
© R. Duarte
Colombia’s thriving cultural heritage derives from Spanish, African and Amerindian elements. The rich blend of colour and rhythmic vitality found in the synthesis of dance forms and styles, notably the sharply accented Andean bambuco (‘pursuit dance’), the flowing, graceful pasillo and the traditional, rhythmic guabina, recurs throughout this programme. Poignant expressiveness and intricate virtuosity are features of Montaña’s Suite Colombiana Nos. 2 and 3. Saboya’s Suite Ernestina includes characteristically South American melodies and rhythms, while Caribbean rhythmic patterns are recreated in González’s Preludio. José Antonio Escobar’s Guitar Music of Chile (Naxos 8.570341) was described as “absolutely stunning” by MusicWeb International. Sales Points • This release joins one of many successful titles in our catalogue which focus on the musical character of a particular nation in guitar music. José Antonio Escobar appeared way back in 2001 with one of our Guitar Laureate recital discs (8.555719) which was summed up as “outstanding” by American Record Guide, and of his playing in the Guitar Music of Chile (8.570341) MusicWeb International concluded that “guitar aficionados need to hear Escobar’s absolutely stunning playing… [it] has something new to offer every time.” This colorful and vivacious recording is an excellent package of highly attractive new music for guitar which will have wide appeal across the board. Companion Titles
8.570341
8.555719
Idil Biret Archive: Solo Edition, Vol. 8 Alexander SCRIABIN (1872-1915)
Etude, Op. 2, No. 1 Twelve Etudes, Op. 8 • Eight Etudes, Op. 42 Fantasie, Op. 28 Idil Biret, Piano
“Never have I heard such superb, resonant, clear piano sound on a record… Included on this LP are two Chopin Mazurkas, Prokofiev’s 2nd Sonata and Scriabin’s 10th Sonata. They are superb performances, filled with marvelous dynamic contrasts.” BILLBOARD (USA) – 1977 “For well versed insiders of music, Idil Biret has been for many years a trusted and respected artist. Her Scriabin, Bartok and Prokofiev interpretations are exemplary classical benchmarks.” DIE WELT (Germany) – 1979
Playing Time: 61:48 7
47313 13027 6
“The Idil Biret Solo Edition, featuring recent rather than historical performances by the Turkish pianist, is turning out to be a truly exceptional experience. The IBA (Idil Biret Archive) label has been releasing a flood of Biret recordings in its “Beethoven”, “Concerto” and “Archive” series, but the Solo Edition ones are in some ways the most impressive of all.” INFODAD Reviews (USA) – 2013 Companion Titles
8.571291
12 12
8.571292
8.571298
8.571301
NEW ON NAXOS
|
JANUARY 2015
Digital Exclusives Reinhold GLIÈRE (1875-1956) Symphonies Nos. 1-3
Slovak Philharmonic Orchestra • Stephen Gunzenhauser Slovak Radio Symphony Orchestra • Donald Johanos • Keith Clark The symphonies of Reinhold Glière (1875 - 1956) were composed over the course of no more than a dozen years. Yet, despite their temporal proximity within the composer’s lifetime, each of the three distinct symphonies represent a different style and mood, highlighting the composer’s talent and range. Glière began to write his Symphony No. 1 in E-flat, Op. 8 in 1899, while he still attending the Moscow Conservatory. The work is a demonstration of romantic structure and harmony, with a melody that is jubilant, youthful, and characteristically Russian. In contrast, Symphony No. 2 in C minor, Op. 25 features more contrastic movements of dramatic intensity and rich lyricism. Dedicated to Sergei Koussevitsky, a friend of Glière’s who also conducted the premiere in 1908, the second symphony is the work of a more mature composer, despite its proximity to the first. Just three years later, Glière completed his Symphony No. 3 in B minor, Op. 42, representing a drastic change in style. Accompanied with the subtitle “Il’ya Muromets,” the name of a mythic warrior from Russian lore, the third symphony uses folk-like melodies, an impressionistic array of colors, and an uncommonly large orchestra to retell an ages-old Russian legend. Glière’s three symphonies represent his greatest work, and evoke the history of his majestic homeland, both past and present.
8.503280 3 CDs 7
47313 32803 1
Karol SZYMANOWSKI (1882-1937) The Complete Piano Works of Szymanowski Martin Roscoe, Piano
The life of Polish composer Karol Szymanowski (1883 - 1937) spans the most pivotal period in the history of Western classical music. From the start of his compositional career, at the turn of the twentieth century, the widening cracks in the monolith of European romanticism had already formed, pushing the genre to the brink of a stylistic schism. Impressionism had already blossomed in France, and the non-traditional harmonies of modernism and the avant-garde were just on the horizon.The piano works of Szymanowski reflect this decisive time in musical history. His earliest pieces use a harmonic and melodic language akin to that of another popular Polish pianist; Frédérich Chopin, whose music had a major influence on Szymanowski. Later, as he and his music matured, Szymanowski’s style grew impressionistic and dissonant, a period which includes his twelve Études, Op. 33 (1916), and Sonata No. 3, Op. 36 (1917). After WWI, his style shifted yet again, returning to Poland for inspiration. With the music of his homeland in mind, Szymanowski composed a series folk-inspired works, including his twenty Mazurkas, Op. 50 (1924-25), and culminating in Two Mazurkas, Op. 62 (1933-34), his last known work. Szymanowski’s piano music not only reflects the full scope of the composer’s stylistic palette, but also that of an ever-shifting time in history. His masterpieces are certainly of their time. 8.504045 4 CDs 7
47313 40453 7
13
NEW ON NAXOS
|
JANUARY 2015
Naxos Audiobooks The Diary of Samuel Pepys Volume I: 1660−1663 By Samuel Pepys Unabridged Read by Leighton Pugh
9 781843 798392
The Diary of Samuel Pepys is one of the most entertaining documents in English history. Written between 1660 and 1669, as Pepys was establishing himself as a key administrator in the Navy Office, it is an intimate portrait of life in 17th-century England, covering his professional and personal activities, including, famously, his love of music, theatre, food, wine and his peccadilloes. This Naxos AudioBooks production is the world premiere recording of the diary in its entirety. It has been divided into three volumes. Volume I covers the opening years of the Restoration and introduces us to many of the key characters − family, government and royalty. Pepys was there when Charles II returned to England, and he lived through those opening years of the Stuart monarchy, with its revenge on the regicides. He also recorded the reopening of theatres, and how England relaxed from years of the Puritan way of life. Companion Titles NA0174 34 CD set
Playing Time: 42.5 Hours NA428812
NA0191
Framley Parsonage By Anthony Trollope Unabridged Read by David Shaw-Parker
9 781843 798491
In Framley Parsonage, the fourth novel of Trollope’s Chronicles of Barsetshire, the author leaves the confines of Barchester and looks to the countryside, where he relates the moral difficulties of Mark Robarts, the young clergyman who has recently been appointed Vicar of Framley. Desperate to keep up socially with the local aristocracy, the country parson is persuaded to underwrite the debts of Sowerby, a well-respected peer. However, when the debts are called in, Robarts finds himself in a serious predicament. Written with acute insight, together with a great deal of warmth and humour towards his characters’ attendant charms and foibles, Framley Parsonage is sure to delight. Companion Titles
NA0178 17 CD set
Playing Time: 21 Hours
NA0147
NA0158
NA0115
Rip Van Winkle
The Legend of Sleepy Hollow & The Pride of the Village By Washington Irving Unabridged Read by Adam Sims
9 781843 798002
Kindly Rip Van Winkle, loved by all, lives a quiet existence in a small village at the foot of the Catskill Mountains. Until one day, travelling in the mountains, he somehow falls asleep. Upon waking, he finds that twenty years have passed! For adults and children alike, Rip Van Winkle is a charming story that vividly captures a nostalgic period in American history. It is counted among the earliest examples of American fiction. The collection also contains The Legend of Sleepy Hollow, Irving’s story about the headless horseman, which explores the nature of legend, and The Pride of the Village, a mythic tale of love and loss. Companion Titles
NA0163 2 CD set
Playing Time: 2.5 Hours
NA692112
NA200512
14
NA230312
NA213912
NEW ON NAXOS
|
JANUARY 2015
ORDER FORM - COMPANION TITLES QTY.
CAT. NO.
BARCODE
COMPOSER/TITLE
QTY.
CAT. NO.
BARCODE
COMPOSER/TITLE Chinese Classics Series
Leonard Slatkin, Conductor + Orchestre National de Lyon 8.572886
747313288670
BERLIOZ, H.: Symphonie fantastique / Le corsaire
8.570603
747313060375
GE, Gan-Ru: String Quartets No. 1, "Fu", No. 4, "Angel Suite" and No. 5, "Fall of Baghdad"
8.573297
747313329779
BERLIOZ, H.: Harold en Italie / Le carnaval romain / Benvenuto Cellini: Overture
8.570610
747313061075
SHENG, Bright: Blazing Mirage (The) / The Song and Dance of Tears / Colors of Crimson
8.572887
747313288779
RAVEL, M.: Orchestral Works, Vol. 1 - Alborada del gracioso / Rapsodie espagnole
8.572888
747313288878
RAVEL, M.: Orchestral Works, Vol. 2 - Valses nobles et sentimentales / Gaspard de la nuit
8.570608
747313060870
TAN, Dun: Symphonic Poem of 3 Notes / Orchestral Theatre / Concerto for Orchestra (after Marco Polo)
8.572707
747313270774
CORDERO, E.: Caribbean Concertos - Concierto Festivo / Insula / Concertino Tropical
8.570604
747313060474
ZHOU, Long: Su / Pianogongs / Taiping Drum / Wild Grass / Taigu Rhyme / CHEN, Yi: Monologue / Chinese Ancient Dances
8.572527
747313252770
Guitar Recital: Coves, Vicente - PONCE, M.M. / ROMERO, C. / BROUWER, L. / MOREL, J. / BARRIOS MANGORE, A. (Latin-American Music for Guitar)
8.570469
747313046973
RODE, P.: Violin Concertos Nos. 7, 10 and 13
8.557135
747313213528
PALOMO, L.: Andalusian Nocturnes / Spanish Songs
8.570767
747313076772
RODE, P.: Violin Concertos Nos. 3, 4 and 6
8.572604
747313260478
RODE, P.: 12 Etudes for Violin Solo / Duos for 2 Violins
8.570958
747313095872
RODE, P.: 24 Caprices for Solo Violin
Pepe Romero & Vicente Coves, Guitars
8.572139
747313213979
PALOMO, L.: My Secluded Garden / Madrigal and 5 Sephardic Songs / Concierto de Cienfuegos
Pierre Rode, Composer
Gould Piano Trio
Sir Peter Maxwell Davies, Composer + BBC Philharmonic 8.572362
747313236275
MAXWELL DAVIES, P.: Beltane Fire (The) / The Turn of the Tide / Sir Charles his Pavan
8.557698
747313269822
BAX, A.: Clarinet Sonatas / Piano Trio / Trio in One Movement IRELAND, J.: Piano Trios / Cavatina / Berceuse / Bagatelle / The Holy Boy
8.572359
747313235971
MAXWELL DAVIES, P.: Black Pentecost / Stone Litany
8.570507
747313050772
8.660359-60
730099035972
MAXWELL DAVIES, P.: Resurrection [Opera]
8.570416
747313041671
STANFORD, C.V.: Clarinet Sonata / Piano Trio No. 3 / 2 Fantasies
8.660354
730099035477
MAXWELL DAVIES, P.: Lighthouse (The) [Chamber Opera]
8.572452
747313245277
STANFORD, C.V.: Piano Quartet No. 2 / Piano Trio No. 1 / Legend / Irish Fantasies
8.559224
636943922422
FUCHS, K.: American Place (An) / Eventide / Out of the Dark
8.572309
747313230976
BACH, J.S.: Chromatic Fantasia and Fugue / Partita No. 4 / English Suite No. 3
8.559723
636943972328
FUCHS, K.: Atlantic Riband / American Rhapsody / Divinum Mysterium / Concerto Grosso
8.572006-07
747313200672
BACH, J.S.: Concertos for Solo Harpsichord (Complete)
8.559753
636943975329
FUCHS, K.: Falling Man / Movie House / Songs of Innocence and Experience
8.570577-78
747313057771
BACH, J.S.: Kunst der Fuge (Die)
8.559652
636943965221
GALLAGHER, J.: Orchestral Music - Diversions Overture / Berceuse / Sinfonietta / Symphony in 1 Movement, "Threnody"
8.570470-71
747313047079
Joaquin Turina, Composer
8.571291
747313129171
SCHUMANN, R.: Abegg Variations / Piano Sonata No. 2 / Fantasie, Op. 17 / Toccata (Biret Solo Edition, Vol. 4)
8.572141
747313214174
TURINA, J.: Piano Music, Vol. 6
8.571292
747313129270
SCHUMANN, R.: Kreisleriana / Blumenstuck / Faschingsschwank (Biret Solo Edition, Vol. 5)
8.572455
747313245574
TURINA, J.: Piano Music, Vol. 7
8.571298
747313129874
SCHUMANN, R.: Bunte Blatter / Fantasiestucke (Biret Solo Edition, Vol. 6)
8.572682
747313268276
TURINA, J.: Piano Music, Vol. 8
8.571301
747313130177
8.572915
747313291571
TURINA, J.: Piano Music, Vol. 9
8.570779
747313077977
CASTELNUOVO-TEDESCO, M.: Music for Two Guitars, Vol. 2 - Fuga elegiaca / Les guitares bien temperees: Nos. 13-24
8.572757
747313275779
Guitar Duo Recital: ChromaDuo - GOSS, S. / PIERCE, C.W. / DYENS, R. (Hidden Waters)
8.573055
747313305575
MERTZ, J.K.: Guitar Duets - N채nien Trauerlieder / Unruhe / St채ndchen / La Rage / Barcarole / Wasserfahrt am Traunsee
Johann Sebastian Bach, Composer
JoAnn Falletta, Condcutor + London Symphony Orchestra
BACH, J.S.: Lute-Harpsichord Music Idil Biret Archive - Solo Edition Series
SCHUMANN, R.: Papillons / Carnaval / Arabeske / Waldscenen (Biret Solo Edition, Vol. 7) Jose Antonio Escobar, Guitar
Music for Two Guitars
8.570341
747313034178
ESCOBAR, Jose Antonio: Guitar Music of Chile
8.555719
747313571925
Guitar Recital: Jose Antonio Escobar
8.572433
747313243372
BYRD, W.: Fantasias for Harpsichord (Complete)
8.572475-76
747313247578
CABEZON, A. de: Tientos and Variations (Complete)
8.572477
747313247776
CABEZON, A. de / CABEZON, H. de / CABEZON, J. de: Glosas
8.572997
747313299775
Glen Wilson, Harpsichord
SOR, F.: Guitar Duets, Vol. 2 - Le premier pas vers moi / Fantasia / 3 Duos / 3 Petits divertissements
RICHARDSON, F.: Keyboard Works (Complete)
8.553418
730099441827
8.572632
747313263271
Anima mea - Sacred Music of the Middle Ages
8.572576
747313257676
Glogauer Liederbuch (Das)
8.557803
747313280322
Lochamer Liederbuch (Das)
NA200512
9789626340059
GRIMMS: Grimms' Fairy Tales (Selections)
8.572449
747313244973
NEIDHART: Minnesinger and His Vale of Tears (A) - Songs and Interludes
NA230312
9789626343036
GRIMMS: Grimms' Fairy Tales, Vol. 2 (Selections)
NA692112
9789626349212
POE, E.A.: Essential Edgar Allan Poe (The) (Selections)
NA213912
9789626341391
WILDE, O.: Happy Prince (The) (Abridged)
Naxos Audiobooks - Memoirs
Medieval and Renaissance Music
747313136278
COOKE, A.: Violin Sonata No. 2 / Viola Sonata / Cello Sonata No. 2
8.571360
747313136070
HODDINOTT, A.: Landscapes - Song Cycles and Folksongs
8.571370
747313137077
McCABE, J.: Symphony No. 1 'Elegy' / Capriccio / Sostenuto / Fantasy on a Theme of Liszt / Tuning
8.571354
747313135479
9781843798750 9789626342886
GIBBON, E.: Memoirs of My Life (Unabridged) PEPYS, S.: Selections from the Diary of Samuel Pepys (Abridged) Naxos Audiobooks - Short Stories
British Music Society Series 8.571362
NA0191 NA428812
Naxos Audiobooks - Anthony Trollope, Author
Piano Music - HOLLOWAY, R. / HOWARD, L. / MATTHEW-WALKER, R. / SEARLE, H. (Malcolm Smith Memorial Album)
15
NA0147
9781843797661
TROLLOPE, A.: Barchester Towers (Unabridged)
NA0158
9781843797890
TROLLOPE, A.: Dr Thorne (Unabridged)
NA0115
9781843796862
TROLLOPE, A.: Warden (The) (Unabridged)
NEW ON NAXOS
|
JANUARY 2015
ORDER FORM - NEW RELEASES QTY.
CAT. NO.
BARCODE
COMPOSER/TITLE
This Month’s Highlights 8.573346
747313334674
Argentum et Aurum: Musical Treasures from the Early Habsburg Renaissance (Ensemble Leones, Lewon)
8.559768
636943976821
GALLAGHER, J.: Symphony No. 2 'Ascendant' / Quiet Reflections (London SO, Falletta)
8.572358
747313235872
MAXWELL DAVIES, P.: Caroline Mathilde - Ballet Suites / Chat Moss / Ojai Festival Overture (BBC PO, Maxwell Davies)
8.573331
747313333172
SAINT-SAËNS, C.: Symphony No. 3 'Organ Symphony' / Danse Macabre / Cyprès et Lauriers (Warnier, ONL, Slatkin)
NBD0045
730099004565
SAINT-SAËNS, C.: Symphony No. 3 'Organ Symphony' / Danse Macabre / Cyprès et Lauriers (Warnier, ONL, Slatkin) [Blu-ray]
8.573439
747313343973
Through the Centuries: HANDEL. G.F. / MERTZ, J.-K. / GANGI, M. / BURKHART, F. / TELEMANN, G.P. / DOMENICONI, C. (Amadeus Guitar Duo)
8.573255
747313325573
TORROBA, F.M.: Concierto en Flamenco / Diálogos entre gitarra y orquesta / Aires de la mancha (Romero, V. Coves, Malaga PO, M. Coves)
8.573183
747313318377
TURINA, J.: Piano Music, Vol. 10 (Masó) More Exciting New Releases
8.572983
747313298372
ANTICO, A.: Animoso mio desire (Wilson)
8.570564-65
747313056477
BACH, J.S.: Well-Tempered Clavier (The), Book 2 (Beauséjour)
8.571361
747313136179
British Music for Cello and Piano: WORDSWORTH, W. / HOLBROOKE, J. / BUSCH, W. (Wallfisch, Terroni)
8.570609
747313060979
GE, Gan-Ru: Shanghai Reminiscences / Butterfly Overture (Royal Scottish NO, Tsung Yeh)
8.573059
747313305971
Guitar Music of Colombia: MEJÍA, A. / MONTAÑA, G. / SABOYA, L. / GONZÁLEZ, H. (Escobar)
8.572755
747313275571
RODE, P.: Violin Concertos Nos. 1, 5 and 9 (Eichhorn, Jena PO, Pasquet)
8.571302
747313130276
SCRIABIN, A.: Idil Biret Archive: Solo Edition, Vol. 8 (Biret)
8.573388
747313338870
STANFORD, C.V.: Piano Trio No. 2 / Piano Quartet No. 1 (Adams, Gould Piano Trio) Naxos Audiobooks New Releases
NA0174
9781843798392
Diary of Samuel Pepys (The), Vol. 1: 1660-63 (Unabridged)
NA0163
9781843798002
IRVING, W.: Rip Van Winkle (Unabridged)
NA0178
9781843798491
TROLLOPE, A.: Framley Parsonage (Unabridged)
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