The Architectural Association Interprofessional Studio (AAIS) is a Post-Graduate Diploma in Spatial Performance and Design. The course functions as an interdisciplinary hub exploring new modes of collaboration with multiple creative professions, such as architecture, dance, music, film and media. Through the open source notion, the genre-defying spatial project-events are created and generated a ripple effect among its participants. The starting point for this year’s design proposals is based on the individual’s background. Progressively, each development grows the influence on each other’s schemes through discussion, research, conception and design. Ultimately the cross-integration project is the reflective of the various creative fields, which echo the Actor-network theory.
01 Performance / Flow Fields Lisbon 02 Programme 03 Detail
01 Performance / Flow Fields Madrid 02 Programme
01 Performance / Flow Fields London 02 Programme 03 Detail
01 Workshop 02 Concept 03 Organization
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Project Introduction
The title Flow Fields is coming from the theme of the year: “The gradient states�. With this theme in mind, the project is focused on translating various media into in-between states that characterise the complexity of the professions, yet find common ground among them and carry on to the audiences. From the first iteration at the Roca London Gallery, the studio expanded the project to Matadero Madrid, Contemporary Arts Centre from the 6th-9th of June 2013 and continued its progression at the Lisbon Architecture Triennale from the 13th of September until 15th of December 2013.
MAY LONDON
In favour of leaving room for imagination, this design dossier goes into reverse chronology by opening with the last project-events sequent back to the beginning of concept stage.
JUNE MADRID
SEP LISBON
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Lisbon Architecture Triennale
Through the AAIS Flow Fields programme, interactive installation, music and dance combine to address atmosphere change within the Sinel de Cordes Palace by inciting the senses. Through manipulations of water and light, forms in flux, live soundscape compositions and interactive navigation, visitors will experience heightened atmospheric awareness as they explore throughout the palace courtyard. As a continuous flow of events running from the 12th - 15th of September, the visitors become an integral part of the activities.
Sinel de Cordes Palace
SEP12 -15
01
Lisbon Architecture Triennale
Performance
triangle domes
transformative fabric structure
triangle domes
transformative fabric structure
triangle domes
transformative fabric structure
triangle domes
transformative fabric structure
triangle domes
transformative fabric structure
triangle domes
transformative fabric structure
mes
ive ture
triangle dom
transformat fabric struct
triangle domes
transformative fabric structure
triangle domes
transformative fabric structure
01
Lisbon Architecture Triennale
Performance
Flow Fields Choreography of main performance is
inspired by the history of the Sinel de Cordes Palace as an elementary school back in 1930s to 2000s, whereas the courtyard was the playground for the children. As the phrase of movements and sounds is populated by the memory of the school, audiences are simultaneously forming new memories of the Palace.
Along with a dancer is writing numbers with chalk in the courtyard, others place the other dancers in the writing numbers’ spot. The playfulness of writing numbers with chalk generates dancers’ movement in the courtyard.
Two dancers wear transformative fabric structure and performed under the structure as stormy thundercloud and lighting cloud to symbolize the afternoon thundershower in the courtyard during the summer time in Lisbon.
As the dancers perform around the domes and interact with the structure, the space is explored and redefined by both the dancers and audiences.
The dancers put the fabric speaker hats on audience’s heads randomly. Subsequently, dancers approach the hat with the magnet to activate the device, and Portuguese children’s song would be played from the hat. The fabric speaker hat plays an object that actuates the interactive, intimate experiences between dancers and audiences, which complete the performance and the design piece with their existences.
Per formance
02
Lisbon Architecture Triennale
Programme
Touch the Sound With light, projection, sound and shadow, the dome creates a flowing lively atmosphere in the courtyard and indicates the concept of diluting architecture. The elements of sound, light and projections create illusory scenes mixed with real circumstances to blur the boundary of illusion and reality.
Visitors experience memories of the Palace
 or childhood through soundscapes activated by magnets. The sound sources generate interaction amongst the visitors, who then become part of the performance in the courtyard. As pre-recorded sounds highlight the old memory of the courtyard, new memories of the Palace are recreated through reiterations and translations.
Drawing on the ephemerality of water represented as vapour, Smell the Memory! allows visitors to explore the act of consuming through nostalgia, memory and reminiscence. Visitors are able to catch various scents within the courtyard, allowing these scents to trigger personal memories as well as the memory of the Palace Courtyard in Lisbon.
Smell the Memor y
Hear the Light
Walk the Shadow
Hear the Cloud
Hear the Cloud is a transformative acoustic object. It symbolizes ephemerality and the collective memory of the space. It plays the collected sound from the palace, which transformed to music through typographical score.
Performed throughout the Sinel de Cordes Palace courtyard, Hear the Light! unites dance, music, water and sunlight. Two experiments -- one with sound and one with movement -- are performed concurrently side by side; dancers and musicians operate independently of each other, and synchronicity is left to chance. During the performance costumes and objects are used to manipulate light and water, inciting the senses and transforming the palace into a stage in flux.
New Movement Collective Distractfold Ensemble FLOW FIELDS PERFORMANCE leads visitors into a collective performance of live sounds and dance by New Movement Collective and Distractfold Ensemble heightening the senses towards the surrounding elements throughout the whole palace courtyard. This is the culmination of every element present within the courtyard that brings the visitors into a harmonious experience of sound, light, movement and interactive navigation as they explore different parts of the courtyard.
03
Lisbon Architecture Triennale
Detail
+ AAIS Flow Fields
Programme is a continuous
flow of happening that is heightened by collaboration with the performers.
+ Design Concept
Using soundscapes as content, audiences complete the design with their presence and its relationship between performers and pieces. These behaviors will help audiences to re-interpret and re-create a new memory of the Palace.
+ Technology * Embroider a highly conductive thread on the fabric to form a speaker Connect the speaker coil to an amplified
coil.
sound source. Hold the
magnet close to the speaker coil to activate the device for audible sounds. * Open Source Hardware / Fabric Speaker by Hannah
Perner-Wilson
Fabric Speaker Hat is a wearable accessory that activates and connects the performers with audiences through the prerecorded soundscapes. ‘ One of the objects that is the most interactive with the audiences; both dancers and audiences have strong intimate experiences... ‘
Renaud Wiser / New Movement Collective
Soundscape Travelling within the Space When the visitors or wind played the vertical fabric on the dorm, the fabric speakers and the magnets on vertical fabric would be activated and the devices would play the sound.
DESIGNING
Touch the Sound
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Matadero Madrid
01
Matadero Madrid
Performance
01
Matadero Madrid
Performance
01
Matadero Madrid
Performance
01
Matadero Madrid
Performance
01
Matadero Madrid
Performance
01
Matadero Madrid
Performance
01
Matadero Madrid
Performance
01
Matadero Madrid
Performance
still sillence
Body Landscape
(fabric with tessellated triangles)
harmony texture dome
Allie + Jessica Clara
chairs
All
Sing
chairs
noise
tack
talks
All
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turn the light off We Were Just Passing Through (mylar installation)
white noise
Sing
become pitch pulse
noisily pulsation broken
All Allie + Renaud
All
02
Matadero Madrid
Programme
04 JUNE / 7PM
08 JUNE / 7 - 9PM
Allard van Hoorn
Concert in colaboration with Each One Teach One Party festival Karim Salah & Jazzoblexx-Rapeando King Shorty-Reggae Dub Spirit Mosiah & Sibidibo Band
ROCA MADRID GALLERY artist
Ariadna Cantis architect & curator of FreshMadrid
Benedetta Tagliabue architect and principle of EMBT
Edgar González architect and editor
NAVE 16 MATADERO
Emiliano Armani Fundació Enric Miralles
Salvador Gilabert project director of EMBT
Moderator / Theo Lorenz director of AAIS
06 JUNE / 10PM
08 JUNE / 9PM
by Olivia te Cuida in collaboration with AAIS AAIS and Enric Miralles Foundation open the event series and installations with the presentation. The discussion will be continued during a midnight picnic with invited guests during a midnight exchange session.
Main Peformance of Flow Fields An assemble of dancers & musicians from New Movement Collective, Distractfold Ensemble and Metamind Visuals will perform with the installations of the AAIS and the chairs by Enric Miralles Foundation.
NAVE 16 MATADERO
NAVE 16 MATADERO
07 JUNE / 9PM
NAVE 16 MATADERO
David McAlmont, singer Horacio Icasto, pianist Dviego Esquivel Rodríguez, VJ from Metamind Visuals
09 JUNE / 2 - 6PM
NAVE 16 MATADERO
Barter Exchange Market This will create a vibrant exchange and flow of ideas between locals, artist and creatives that accumulate in one extensive urban picnic and at the same time workshop and knowledge exchange.
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Roca London Gallery
main entrance
triangle domes transformative fabric structure mylar
secondary entrance
01
Roca London Gallery
Performance
01
Roca London Gallery
Performance
01
Roca London Gallery
Performance
01
Roca London Gallery
Performance
01
Roca London Gallery
Performance
01
Roca London Gallery
Performance
‘Body Landscape’ the dancers wander the gradient
states of external structure and body space the horizontal surface is made up of tessellated triangles sandwiched by cloth and this can be shaped to bodily figure by magnets attached to the costume. The projection mapping creates an ambiguity of physical / virtual body figure and the actual form / illusion of fabric surface. Light effect reveals the actual costume’s structure that is created by dancers movement. Yet, the projection on the fabric distorts the perception of its three dimensional surface. Stage lighting makes the surface opaque, yet when the dancers light up from inside of the costume, the surface turns transparent again.
‘Vocalising Spaces’ focus the shape of the voice-suits back to the sound horn form which is based on the theory of ancient Greek actors used masks to amplify their voices on stage. The vocalising masks were designed in a complex tessellation of equilateral triangles and their variations. They should have some references to the Commedia dell’arte types, which will serve as inspiration to the vocalists.
main entrance
triangle domes transformative fabric structure mylar
secondary entrance
‘We Were Just Passing Through’performs a live light, movement and sound composition exploring the effects of sound wave frequency and light transformation through space. Using a dynamic assemblage of analogue and digital techniques, activated waves of sound, light and movement translation will be performed during three 5 minute performances throughout the Zaha Hadid Roca Gallery space on the opening night of Flow Field. The remanence of this ephemeral performance will leave its trace in the Roca Gallery space and can be performed once again by visitors during Flow Field’s three week programme.
02
Roca London Gallery
Programme
02 MAY
09 MAY
6:30 – 9:00pm Culinary Experience: Thought for Food Starting from the theme of Flow Fields, dining guests will be taken on a journey going from the individual to the collective, the ephemeral to the lyrical, and the tantalizing to olfactory. Through not just consuming, but actively making and sharing, this gathering will instigate new ideas about the dining as experience.
6:30 – 9:00pm Opening Night Meet the AAIS team, explore the installation and enjoy the official opening event with ‘We were just passing through’, ‘Body Landscape’ and ‘Vocalizing Spaces’ by collaborative performances from New Movement Collective and Distractfold Ensemble.
03 MAY
6:30 – 9:00pm Salon Talk Followed by Distractfold Ensemble In this performative salon talk, Allard van Hoorn will moderate a discussion between a visual artist, an architect, performance artist and a music composer. The discussion will reflect on the performative aspects of architecture, and equally on the architectural aspects of performance.
SALON TALK
Performing Architecture & Architecting Performance
The evening will include a special performance by contemporary instrumental and electro-acoustic Distractfold Ensemble with their new program, including Croft, Iddon, Fraser, Fréchette, Salem, Xenakis.
16 MAY
6:30 – 9:00pm Performative Night Culminating three weeks of in-depth exploration of spatial design, sound and corporal dynamics, dance group New Movement Collective translates learnings, insights and evolvements in a re-iteration of earlier performances, ‘We Were Just Passing Through’ and ‘Body Landscape’ that were part of the three-week programme.
PERFORMATIVE NIGHT
New Movement Collective Performative Night Music by Distractfold Ensemble
03
Roca London Gallery
Detail
PERFORMANCE OVERVIEW
Space & Structure
Fabric Structure & Costumes with Floor Plan
A type costume would be suspended from grid-shell structure and draped down to the floor. B type costume would be on the floor only during the performance time.
Theme / The process of being aware of a body space, dancers wander the
gradient states of external structure and body space.
Movement / Drifting, fluid, swirling and calming.
Option 1
Costume / A part of the structure transforms to a costume - from
Option 2
Option 3
horizontal surface to the body shape.
Sound / Composed by collecting sounds from contact microphone which
Audience View
is installed in the main structure.
Lights & Projection / Panning lights and projection mapping.
A type
Designer / Young Eun Kim Structure / Young Eun Kim + Elyse Wong
Audience View
4m
A type
B type
Audience View
B type
A type B type
Audience View
Audience View
Transformative Costume
A type
triangle domes transformative fabric structure
Costume Production
The horizontal surface is made up of tessellated triangles sandwiched by cloth and this can be shaped to bodily figure by magnets attached to the costume.
4m
A-type / 4m
x 4m triangle pattern B-type / 4m x 6m triangle pattern 2m
MAIN ENTRANCE
B type
5 cm
Audience View 2 mm
A type
6 cm 3m 2m (total 4 m)
SECONDARY ENTRANCE
4m
MAIN EN
32412
triangles sandwich between cotton gauze & net fabric with
attachable
hrs. of 3m
4m
40 hrs. of laser cutting
MAIN ENTRANCE
SECONDARY ENTRANCE
SECONDARY ENTRANCE
2 mm gap gluing & sewing
Project Development
This year the journey of the AAIS has started from the workshop at the Hooke Park, which is an Architectural Association’s woodland site for educational facilities. Students and tutors were brought together for a kick-start association process for four days to explore the theme of the year: ‘The cage, suspended…’
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Later on, semester carried out further workshops and exercises that led us to form the concept and direction for the rest of the year. At the same time, the constant interdisciplinary activities and dialogues grow into an architectural performance and spatial design.
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Soon after second semester began, the production was taking place for the first event of the year, Roca London Gallery, meanwhile the project was constantly growing and integrating within the process itself and evolved for the next event.
pro
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01
Project Development
Workshop
5
Simultaneously, the line drawing is translated into a 3D object by Rhino, which provide visual effects for Mauricio.
1
Composer, Mauricio Pauly, plays the sound with his narrative.
4
2
The sound is translated into a series of movements by dancer, Jonathan Goddard, who can hear the sound without seeing the playing motion for the sound.
The 2nd movement is detected by Processing and converted into a line drawing by Architect, Immanuel Koh.
3
This movement is translated into the 2nd movement by another dancer, Joe Walking, who only sees Jonathan’s movement without hearing the sound.
01
Project Development
Workshop
Movement Workshop A series of workshops with Jonathan Goddard, professional dance artist and choreographer, provided us with numerous opportunities to understand the movement and choreography with various angles throughout the year. Every time when we worked with Jonathan, we aimed for the possible directions how we can cooperate with the New Movement Collective. The process of working with him backs and forward was crucial for us to understand how to communicate with the choreographer or dancer. Additionally, Jonathan explained, unlike AAIS design process, they perform the dance and explore the possibility along the way. To some extent, it is similar to how architect makes sketch model to observe and process.
Jonathan performs movements that characterize him within the New Movement Collective.
Soundsculpting Workshop A sound-sculpting task with Mauricio Pauly, contemporary music composer, had begun our first assignment for the music. This exercise started from capture a collection of sound samples, designed a quick sound assembly (pr-ecomposition), manipulated the sound samples and translated into a piece for us communicated with the Distractfold Ensemble.
Distractfold Ensemble performs with silence videos first, and then interprets again while looking at video with sound assembly.
01
Project Development
Workshop
Three-day workshop with Heiko Kalmbach, filmmaker and theatre art director, initially proceeded as a task to film a short narrative to represent the atmospheres of this year. Filming the experiments on the potential materials for the project helped us to glance at the world through a particular eye that we would not perceive through our own observation. Heiko not only explained his work and design process to us, but also taught us how to tell a story with film. More than filming and video editing, workshop with Heiko gave us another ability to examination and reexamination our design process and ourselves.
02
Project Development
Concept
Journeys of Water Trilogy of Scenario
An individual’s journey of the water The act of entering and emerging from the water is an experience felt through the differences in texture & temperature. This passing through of different states and the blurring of boundaries creates a heightened awareness to the individual.
AAIS journey of water The journey of water starts from a source, at the river flowing into a confluence of many rivers, congregating at the ocean and finally to the atmosphere and returning through rain as the source once again.
TIME Durational | Seasonal | Pattern Linear vs Cyclical | Diurnal vs Daily
AUDIENCE Desire | Chance | Expectaction Culture | Pre-Experience | Experience
PURPOSE to create common ground between experts & non experts through that common ground or blurred states, we gain more awareness & perception
EVENT A moment by moment sensorial experience through
SPACE | SOUND | MOVEMENT
IN BETWEEN STATES BLURRING THE BOUNDARIES THE INFLUENCE OF STATES ON EACH OTHER
GRADIENTS | AMBIGUITY
THROUGH SOUND & MOVEMENT
LISBON ocean
THROUGH SPACE
Amplifying the experience
Amplifying the experience
LONDON river
Hinting and Revealing Environmental Rhythms Natural & Artificial Constructions
Permeable Space Body Space Optical Illusion Virtual vs Physical Shifting Light | Shadow Real vs Unreal Transformative Space Make audience aware of their own body space & external space
THROUGH SENSES Amplifying the experience Smell | Sound | Taste Touch | Sight
Concept MADRID
confluence
03
Project Development
Organization
Timeline Roca London Gallery Mon. 22. 04
Tue. 23. 04
AAIS SETUP 9am-5.30pm
NMC rehearsals
Wed. 24. 04
Thu. 25. 04
Sat. 27. 04
Correspondence
Laser Cutting of Triangular | Time & No.
Roca London Gallery
Sun. 28. 04 Gallery closed
structure setup Mon. 29. 04
Fri. 26. 04
Logistics
technology setup Tue. 30. 04
Wed. 01. 05
Thu. 02. 05
Rehearsal Setup 9am-12pm Dress Rehearsal 1 - 5pm | focus group
Re-iteration day 9am-5pm
OPENING NIGHT 6.30-9pm
SALON TALK
+ Performance (7pm) + Food teaser (7pm)
+ Distractfold Ensemble performance (6.30pm) + Allard VH & guests (7pm)
dwelling time
Roca Event 5.30pm
Mon. 06. 05
Tue. 07. 05
Bank holiday
Fri. 03. 05
Sat. 04. 05
Wed. 08. 05
Thu. 09. 05
Food preparation day 9am-5pm
CULINARY EXPERIENCE 6.30 - 9pm
Sun. 05. 05 Gallery closed
6-9pm
Fri. 10. 05
Sat. 11. 05
Sun. 12. 05 Gallery closed
+ Exclusive dining + Mauricio Virgens recital Mon. 13. 05
Tue. 14. 05
Wed. 15 05
Thu. 16. 05
AAIS Workshops
Mon. 20. 05
Fri. 17. 05
Sat. 18. 05
Tue. 21. 05
Wed. 22. 05
Thu. 23. 05
AAIS TAKEDOWN + SHIPPING LOGISTICS + packing + van arrive to ship + shipping to Madrid from London to Madrid
Sun. 19. 05 Gallery closed
PERFORMATIVE NIGHT 6.30 - 9pm + New Movement Col.
Fri. 24. 05
Sat. 25. 05
Sun. 26 05
PRODUCTION FOR MADRID DOSSIER AND ESSAY COMPILATION MADRID CONCEPTS + BRIEF WITH URBAN PICNIC
Equipment List
Matadero Madrid Matadero Madrid Mon. 20. 05
Tue. 21. 05
Wed. 22. 05
Thu. 23 05
Fri. 24. 05
Sat. 25. 05
AAIS TAKEDOWN FROM LONDON
Sun. 26. 05 Roca Gallery closed
+ packing + shipping to Madrid Mon. 27. 05
Tue. 28.05
Wed. 29.05
Thu. 30.05
Tue. 04.06
Wed. 05.06
Thu. 06.06
Fri. 31.05
Sat. 01.06
Sun. 02.06
AAIS SETUP IN MADRID MATADERO
Mon. 03.06
ROCA MADRID + Salon Talk + Projective Videos info about London & Madrid events
Sat. 08.06
Sun. 09.06
OPENING NIGHT
AAIS WORKSHOP DAY
WORKSHOPS DAY
URBAN PICNIC
+ Open Rehearsals + Opening Ceremony + Andy Dean
+ Enric Miralles Found. + Basurama + Re-iterations
Fri. 07.06
+ Dining @La Cantina + Intermediae
+ Enric Miralles Found. + Basurama + The House of Music + Food Workshops
PERFOMATIVE NIGHT
PERFOMATIVE NIGHT
+ Performative Perform experience + New Movement + Distractfold Ensemble
+ Performative experience + Metamind Costa RIca VJ + Mauricio Virgens Recital
dwelling time Mon. 10.06
Tue 11.06
Wed 12.06
Thu 13.06
Fri 14.06
Sat 15.06
Sun 16.06
Wed 19.06
Thu 20.06
Fri 21.06
Sat 22.06
Sun 23.06
ROCA MADRID
Shipping List
+ Salon Talk + Projective views for Lisbon dwelling time Mon. 17.06
Tue 18.06
Lisbon Architecture Triennale
dwelling time
Lisbon Architecture Triennale Mon. 02. 09
Tue. 03. 09
Wed. 04. 09
Thu. 05. 09
7am Pick up equipment 9am Allard arriving
5am Jan & Young arriving
7am Y-cloud explanation 7am J-Making excel sheet 8am Elyse arriving 11am collecting sound 1pm Elyse-testing out FS 1pm J-prepare dinner brief 1pm Y-change music score 3pm Lyn arriving 4pm group discussion
3am team discussion 5am creating choreography! 6am planning on programme 7am presentation file on pdf. 9am prepare shopping list 10am print out images 11am presentation to Beatrice 3pm Y-change the score
Mon. 09. 09
Tue. 10. 09
Wed. 11. 09
Thu. 12. 09
5am designing leaflets 6am Y-Cloud fixing 8am Confirm Dinner & chef 9am Y-costume 10am Allard leaving 11am setup chairs
5am joe arriving 6am choreography 6am S,Y-Dome cloth 7am Y-Going to rental shop 8am brochures printing 9am Y-velcro cushion 11am insert mp3 file 12pm attach fabric speak 1pm Y-Sound recording
3am Y-costume 5am other dancers arrive 6am email chef & ines 7am J-printing for info. 8am video making 9am S-Graphics chalkboard 9am Y-Score 11am Y-Score print 1pm clean courtyard!
3am rehearsals for dancers 5am Setup equipment 5am rehearsals for dancers 9am Linda DFE arriving 9am Richard Rod DFE arriving 9am OPEN REHEARSALS 10am Alice arriving 11am Emma DFE arriving 12pm Open Rehearsal
Mon. 16. 09
Tue. 17. 09
Wed. 18. 09
4am TRIENNALE HEADQUARTERS CLOSED! TO PUBLIC
6am Lyn leaving 12pm Young & Jan leaving
6am Elyse leaving
dwelling time
Fri. 06. 09 4am Y-equipment 4am call Ines Roca for dinner 4am unpacking items 5am Ines about programme 5am Planning for electrician 6am J-working on smel 7am Y-equipment budget 8am E-sewing FS on vertical 9am helen leaving Fri. 13. 09
Sat. 07. 09
Sun. 08. 09
4am buy chalkboard paint 4am L-building domes 5am meeting with allard 6am Y-Picking up leaves? 8am construction for cloud 11am paint chalkboard 1pm DOMES SETUP! 5pm dinner with Beatrice & Triennale team
6am choreography 10am const. for cloud 10am Helen arriving 11am FS on domes 2pm CLOUD SET UP! 5pm Theo & Tanja
Sat. 14. 09
Sun. 15. 09
10.30am 12pm 7am Helen leaving OPTION MAIN PERFORMANCE OPTION MAIN PERFORMANCE 7am NMC leaveing 1pm OPTION! AAIS DINNER? 2:48 pm SUNSET! 2:50 PM SUNSET!
NO AUDIENCE ACTIVIY ALLOWED AT PALACE AFTER 6PM
dwelling time
Thu. 19. 09
Fri. 20 09
Sat. 21. 09
Sun. 22. 09
03
Project Development
Organization
The event with Roca London Gallery marks the first iteration of AAIS year 2012/2013. The majority of design and construction works would be finished with the £5000, which is paid by Roca London Gallery. When the studio expands the project to Matadero Madrid - Contemporary Arts Centre and continues its evolution at the Lisbon Architecture Triennale, the overall budget will be mutually decreased.
5000
4015
London Event Total Budget £
MAY LONDON
£
£
Actual Cost
2000 M
65% £
£
2755 M
709
£
£
417
132
£
346
284
£
800
800
£
£
214
£
JUNE MADRID SEP LISBON
700
23%
238
£
12% Materials & Construction
Equipment Hire & Purchases
Performers Fees & Travel Expenses Food & Cooking Equipment Contingency Transportation
£
440
£
140
Costume
Mirror stands
Furniture materials
181
132
Wire, glue, tools etc Equipment
£
C
£
0
C
£
149
90
£
Food ingredients
89
£
£
Lights
90
£
ITEM QUANTITY Hardwood Faced Plywood 12 Sikaflex EBT Cartridge Beige (glue) 5 Richard Burbidge Pine Stripwood 370 Kiln Dried C16 Regularised Carcassing 3 Shelf Bracket White 12 Unibond Cloth Tape Black Twin Pack 10 Unibond Cloth Tape Silver Twin Pack 10 4Trade Cable TieWhite (Pack of 100) 2
Timber
£
£
Fabric
604
£
920
Material & Monetary Sponsorship
Expense Item
Food prep equipment
Transportation
ITEM QUANTITY Master Lock Lashing Strap Grey (L) 6 Larsen LED Security Light 12 3 B&Q Value Polythene Dust Sheet 2 LOCTITE Glue Remover Tube B&Q Heavy Duty Large Refuse Sacks 1
03
Project Development
Organization
London
FLOW FIELDS PROGRAMME OF EVENTS - Roca London Gallery by Zaha Hadid Architects
Our Company
International presence
Galleries & Showrooms
Madrid
Lisbon
3/10/15, 2:56 AM
ES / EN
Programación por ESPACIO
Programación por CATEGORÍA
COMPLETA
OK
buscar
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CENTRO DE CREACIÓN CONTEMPORÁNEA
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Hoy 10.03.15 AIR ARRAY Art Motile & Matadero Madrid
CURRENT ACTIVITIES
PAST
MATADERO MADRID
DIÁLOGOS DE PRIMAVERA
INSTITUCIONES
Talleres para profesionales de la lectura
PROGRAMACIÓN
EL LENGUAJE DE TUS OJOS O EL PRÍNCIPE TRAVESTIDO
INFORMACIÓN ÚTIL
FLOW FIELDS PROGRAMME OF EVENTS
De Pierre de Marivaux
MUTIS, MUTARE RESIDENCIAS ARCHIVO MATADERO GRUPOS DE INVESTIGACIÓN NEWSLETTER HORARIOS Y VISITAS CONVOCATORIAS english
29/04/2013 to 16/05/2013
CAMPOS LÍQUIDOS FLOW FIELDS - AAIS Desde el 06 de junio 2013 al 09 de junio 2013 Lugar: Calle Matadero and the Plató [studio] at Cineteca Institución: MATADERO MADRID Espacio: Matadero Madrid *Photo credits: Sue Jan Yeong
03.05.13 Salon Talk: Performing Architecture // Architecting Performance Followed by Distractfold Ensemble 6:30pm – 9:00pm Please RSVP limited 40 people
Presentación pública El Ranchito Colombia
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For the third year, a select group of students from the Postgraduate degree studies in Design and Spatial Performance at the prestigious London school of architecture, AA Architectural Association School, has created a spatial intervention at three European locations, including amongst them Matadero. It is accompanied by interdisciplinary artistic programming encouraging both local and international agents and collectives to participate. The AAIS (Arquitectural Association, Interprofessional NOTICIAS Studio) program in whose framework the post-graduate LICITACIÓN degree is arranged acts as a creative office to stimulate its DE LA CANTINA - MATADERO MADRID EN EL NEW YORK TIMES students, professionals from different disciplines, to develop language that goes beyond the borders between artistic areas. Its sojourn through Matadero is intended as an invitation to build a network of experts carrying different but complementary baggage: performing arts, design, music, film, photography, fashion, communication, and curatorship. This is not the first time AAIS has visited Matadero Madrid. In previous editions, it presented Exquisite Corpse (2011) and Ángulos de Incidencia 40° 3°(2012). This year brings us Campos Líquidos (Flow Field) from June 6 through 9. This multi-sensory installation that centers on and irradiates out from the movement of water, offering programming that plays on the relationship between the body, music, and image. A permeable and mobile form inhabits Calle Matadero, acting as a live landscape where performances, culinary workshops, musical sessions are planned, where the public will become an integral part of the events. Following this programming, the installation will stay on in the public space at Matadero as urban furntiture for visitors' enjoyment.
In this performative salon talk, Allard van Hoorn will moderate a discussion between a visual artist, an architect, performance artist and a music composer. The discussion will reflect on the performative aspects of architecture, and equally on the architectural aspects of performance.
In May Campos Líquidos will be occupying the Galería de Roca designed by Zaha Hadid in London, before coming to Matadero in June. After summer, it is being presented at the Lisbon Architecture Triennale, September 11, 2013.
The evening will include a special performance by contemporary instrumental and electro-acoustic Distractfold Ensemble with their new program including Croft, Iddon, Fraser, Fréchette, Salem, Xenakis.
In the programming for Campos Líquidos Distract Fold Ensemble, New Movement Collective and Fundació Enric Miralles will be participating. PROGRAM 4th JUNE Salon talk at Roca Madrid Gallery: 7pm The salon talk at the Roca gallery will open the discussion of the events. Invited speakers (tbc) from diverse fields of backgrounds will discuss the advantages and risks of interdisciplinary work processes, especially in light of uncertain economic conditions.
09.05.13 Culinary Experience: Thought for Food 6:30pm – 9:30pm By invitation only
6th June 7pm Nave 16.2 Event opening and AAIS presentation 8pm Nave 16. 1 Opening of the exhibition Who makes Europe 10pm Nave 16.3 Music and audiovisuals from AAIS
Starting from the theme of Flow Fields, dining guests will be taken on a journey going from the individual to the collective, the ephemeral to the lyrical, and the tantalizing to olfactory. Through not just consuming, but actively making and sharing, this gathering will instigate new ideas about the dining as
7th JUNE Nave 16. 2 8pm Introductory performance Flow Fields A smaller assemble of dancers and musicians from New Movement Collective, Distract Fold and Metamind will perform with the installations and constructions of the AAIS. 9pm Discussion with artists and students
experience.
9.30pm Flow Field Celebration DJ Andy Dean and VJ Group Metamind will transform the overall Flow Field installation into a celebration of sound and visuals. 8th JUNE
16.05.13 New Movement Collective 6:30pm – 9:00pm Please RSVP limited 80 people
Nave 16.2 7pm-9pm Concert in colaboration with Each One Teach One Party festival: Karim Salah and Jazzoblexx-Rapeando King Shorty-Reggae Dub Spirit Mosiah and Sibidibo Band 9pm-12am Flow Fields
Culminating three weeks of in-depth exploration of spatial design, sound and corporal dynamics, dance group New Movement Collective will translate learnings, insights and evolvements in a re-iteration of earlier performances, "We Were Just Passing Through" and "Body Landscape" that were part of the three-week programme.
Main Peformance of Flow Fields (AAIS/ NMC/ DFE/ Metamind) followed by the opportunity to discuss the work with the artist and students. 9th JUNE Nave 16.2 2pm Urban Picnic Barter Exchange Market of ideas, food, services (no money exchange). Anyone can come and offer something in exchange for something else. This will create a vibrant exchange and flow of ideas between locals, artist and creatives that accumulate in one extensive urban picnic and at the same time workshop and knowledge exchange. All exchanges will be documented and guided by the creative team of AAIS and FEM.
< Back
4pm to 4:30 pm Concert in colaboration with Each One Teach One Party festival - A los Orishas
IMPRIMIR
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03
Project Development
Organization
A series of three events has done by a small group of students, tutors, and volunteers in countless hours...
Dancers
Media
Musicians
Culinary @Ralucaâ&#x20AC;&#x2122;s kitchen : Experiments with jelly, ice, freezing, roasting, different ingredients
Enric Miralles Foundation
Fabrication
Volunteers
Production Space provided by artist Kevin Green
+
Acknowledgments
Video link
https://www.youtube.com/watch?v=OlyhtntEDRU
TUTORS Theo Lorenz Course Director, architect, painter and media artist Tanja Siems Course Master, Urban designer and infrastructural planner Allard van Hoorn Studio Tutor, contemporary performance-, sound- and installation- artist Jonathan Goddard Studio Tutor, professional dance artist and choreographer Mauricio Pauly Studio Tutor, contemporary music composer Immanuel Koh Studio Tutor, Architect and an independent design consultant / researcher
STUDENTS Elyse Wong Designer and LEED AP Helen Fitzgerald Designer and Art Director Lynette Liang Hai Architect Mauricio Virgens Opera Singer and Architect Yeong Sue Jan Interior designer Young Eun Kim Interaction designer and Filmmaker
Heiko Kalmbach Studio Tutor, Filmmaker and Theatre Art Director Joel Newman Studio Tutor, Film and Video Andy Dean Studio Tutor, CEO of Music Technology Ltd. New Movement Collective A collective of new generation choreographers
Architectural Association | Lisbon Architecture Triennale Roca London Gallery | Roca Madrid Gallery | Roca Lisboa Gallery Matadero Madrid | New Movement Collective | Distractfold Ensemble Metamind Visuals | Webb Yates | Music Technology ltd | Olivia Te Cuida Enric Miralles Foundation | Travis Perkins | B&Q
NATATORIUM Term Spring ’09
Date Feb. 23
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Design an arena for a hypothetical lot in Texas. Type of Work Individual & Group
Advisor Marcel Erminy | MErminy@archmail.tamu.edu
Category Academic
SITE PLAN NORTH
122.50
12 2.00
12
1.50 47.00
0 3.0
3 Stories
12 0.0
0°
122.50
30 .0 0
LA
NE
40 .00
122.00
72.00
121.00
150.00 °
100.00
AVENUE
121.50
AQUATIC CENTER SITE
121.00
30.00
100.00
4.00
120.50
18.00
32.36
120.50
120.00
3.00
AQUATIC CENTER SITE
3.00
90.00
Bus Shelter
HIGHWAY
2 blocks to subway station
PARKING
120.00
0
5 10 15 20 25
50
Site Plan Drawing – Provided by Prof. Marcel Erminy 2 Stories
Site Model - Studio Arch 305
The architectural program elements:
Lobby Areas | Natatorium | Spectator Seating | Locker Rooms | Administration | Life Guard and First Aid Station | Wet Classroom | Concession and Eating Areas | Support Spaces
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Type of Work Individual Research
Odense Aqua Center
Images - Bjarke Ingels
“The Waterculture house is a traditional pool turned inside out. Rather than located the wet element within dry architecture, we started out organizing the water program.” - Bjarke Ingels
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Rethink Swimming Pool Type of Work Individual | Drawing - Elyse Wong
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Type of Work Group | Drawing - Elyse Wong
Type of Work Group | Section Drawing – Patrick Hurst | Floor Plan Drawing - Elyse Wong
Use IMAX theatre system to design seating and proper distant from swimming pool to seating.
Major Axis Section
Floor Plan
2nd Floor
Ground Floor
The program is divided into three areas based on use. The blue entrance program is meant for both wet and dry occupants alike. From the entrance the user has the choice to ascend to magenta dry areas, or to descend to the yellow wet areas.
Seating Floor
Pool Floor
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Type of Work Group | Facade Drawing – Patrick Hurst | Site Plan Drawing - Elyse Wong
2 Entrances
West Facade
Main Entrance Balcony South Facade Bus Shelter Site Plan
This project is an exploration of program as well as a challenge to traditional swimming methods. Competitive swimming is conducted with horizontal parallel lanes; this project moves the lanes to vertically stacked lanes to allow for increased viewing of audience and to remove unwanted wake from the aside swimmer. This design challenges the visually competitive aspects of the swimmer and also the way the audience views a match. During the process, I was responsible for the design concept and transformed the concept into a building. My role was incorporated two person’s ideas and works together.
Stacked Pool Land
ELYSE W. WONG
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MANIPULATED SURFACE Date Oct. 01
Term Fall ’06
Category Academic
Type of Work Individual
Advisor Taeg Nishimoto | Taeg.Nishimoto@utsa.edu
In the first set of the projects was about to deal with the compositional aspect of the space, created by the articulation of planar elements. In the second set of the project focused on development of a spatial condition that was not a result of the composition, but a consequence of the physical manipulation to the surface that contained the space within. Based on the characteristics both in terms of space and structural premise, this project developed a design that became a building to contain a car. Drawing & Model - Elyse Wong
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Precedent
GALÁPAGOS RESEARCH CENTER A marine research center is designed by Texas A&M - the College of Architecture, collaborated by Texas A&M – Department of Geoscience and the Ecuadorian Navy. Term Summer ’08
Date May 26
Type of Work Group
Advisor Pliny Fisk III | pfisk@arch.tamu.edu Craig Babe | cbabe@tamu.edu
Category Academic
Due to the conservation, Galápagos Islands have limited its resources development. Sustainable design should be the focus. Additionally, an easy construction will minimize the disturbance at the site. The Magney House by Glenn Murcutt Photo © Anthony Browell, courtesy the Pritzker Prize Committee
Context The proposed Galápagos Marine Research Center will be located on the southeastern side of the San Cristobal island one and a half miles from the city of Puerto Baquerizo.
Galápagos Islands 2008 Solar Decathlon German University, Technische Universität Darmstadt Image - Technische Universität Darmstadt
Each of the small squares represents 1,000 sq meters.
on St
City of Puerto Baquerizo Greenhouse Structure Image - The World News (WN) Network
e
Site Border
l al W Ed g
eo
f Na
v el
Bas e
San Cristobal island
Be ac
Site Plan – Provided by Prof. Pliny Fisk III World Continents Map - Vecteezy.com Images - Prof. Pliny Fisk III
h
0
Group Members
89 6
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Alfred Sierra | Andrew Vaughan | Brandon Novy | Connie Thornton | Elyse Wong | Lawrence Tian | Phil Cedeno
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Process - Systems Photovoltaic
Hydroponic Food Systems - Tower - Manufactured in Caracas, Venezuela. - D = 3’-8” (1.13m). H = 6’-7” (2m). - Capacity: 250 plants. - Water and nutrients reserve: 180 L (47gal). - Electric water pump (110V or 220V). - Internal tubing. - Possible foods you can seed: berries lettuce broccoli herbs legumes spinach tomatoes Source & Image - Hydroponic.vn
- Solar Tracking. - Efficiency increases by 30 - 40%. Source & Image - LINAK.com
Solar
Food
Wind
Water
Wind Turbine
Water Collection System - Underground tank. - Expandable design. - Stores rain water in individual tanks. - Each tank holds up to 660 liters. - Reduces the need for expensive. Source & Image - rainreviva.com.au
- Pac Wind Delta II Power Output: @ 28mph = 10kW (43,300kwh annually). @ 14mph = 2kW (17,520kWh annually). - “Available stacked in tower configurations.” - Self-start in very low wind speeds & self-regulate rotational speed. - Silent, safe in all wind conditions and maintenance free. - Visible to birds. Source & Image - wepower.us
ELYSE W. WONG
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Process - Material |
prefabricated Materials
Bamboo
NanaWalls NanaWalls are completely flexible accordion door systems that allow an entire wall to open up. This concept can allow a space to double in size within seconds. Source & Image - Nanawall.com
- Well known for long-lasting beauty. - Pre-sealed, pre-stained, and expertly kiln-dried. - Tougher, hardier, and denser than most of hardwoods. - Environmentally friendly and harvested from certified forests. Source & Image - Treehugger.com
Component
Galvalume Removable Walls Frame (Scaffolding) Photovoltaic Solar Tracking
| Company
| BIEC International Inc | Nanawalls | KHK Scaffolding | Solar Direct | Linak
| Country | Website | US | US | US | US | SA
| Galvalume.com | Nanawall.com | Khk-Scaffolding.com | Solardirect.com | Solar-Tracking.com
Component
Galápagos Islands
Wind Turbine Water Collection Sys. Insulated Metal Panels Low-E Glass Piping System
Galvalume
| Pacwind | Rain Reviva | Metl Span | PPG Glass | +GF+
| Country | Website | US | AU | US | US | US
| Pacwind.net | Rainreviva.com.au | Metlspan.com | Ppg.com | Piping.georgfischer.com
Scaffolding - Modular system. - Multi-purpose system provides all forms of access and support structures. - Easy construction will minimize the disturbance at the site. - Node point connection allows multiple connecting directions. Source & Image - Khk-Scaffolding.com
- Virtually no maintenance. - Will not rot, crack, split, break or burn. - Energy efficient - High heat reflectivity. - Life-cycle costs are substantially lower. - Smoothest surface for collecting rainwater. - Versatile, easy use, and long-term performance. - Lightweight: less than 1/3 the weight of asphalt. - Made from recycled material and is 100% recyclable. Source & Image - BIEC International Inc
ELYSE W. WONG
| Company
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Modular System Original scheme is turned prefabricated components into structural frame system for the building. Scaffolding gives lateral resistance, good supporting structures, and have multi-purpose components which can be built and dismantle easily. By referring to the components from KHK scaffolding catalog, this modular system was designed. The wall could be added straightforwardly. Plus the spaces between frames serve as a means for the piping and ductwork, meanwhile the frames are directly connect to the sub-platform foundation posts. These adjustable posts reduce the overall contact with the ground which services as space for airflow and embankment from the sea lion.
Base Jack
Universal Jack
U-Head
Bolt & Nut
Cantilever Beam Frame
Socket Base (Adaptor)
Decking Beams
Internal Beam Bracket
Dropheads
Infill Beams
Source & Image for Components - KHK Scaffolding & Formwork LLC
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Computer Generated Modular System - Elyse Wong
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OTHER
Modular System |
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Foundation
Computer Generated Modular System - Elyse Wong
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Modular System |
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Wall Connection
Connections for Three Walls
Computer Generated Modular System - Elyse Wong
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Modular System |
Gutter and Truss Connection
Roof Detailing
Computer Generated Modular System - Elyse Wong
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Galápagos Research Center The project consisted of 7 person teams. Two persons built a sample of the scaffolding foundation at full scale. Two persons built the physical models at 1-100 scale; another person built at 1-20 scale. I worked on computer generated renderings with the other persons. My role was assisted with 3D model of the research center for my partner. Individually, I was responsible for generated modular system by Revit program meanwhile figured out the new structure connections of the scaffolding with the help from Phil Cedeno who was working on physical model.
Computer Generated - Lawrence Tian, Elyse Wong
Design Focus air outflow
air inflow
Perspective South-East View airflow
Kitchen
South-East Deck Viewing Shade House Kitchen Interior Perspective
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Galápagos Research Center Design Focuses Utilize natural ventilation / Maximize the view to be beach / Raised structure
N
Bedroom
Corridor
Bathroom
on St
Hydroponic Food Systems
e
Site Border
Bedroom
l al W Bas
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Kitchen Dining Living (NanaWall)
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Entrance
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Wind Turbine
89 6
Prevailing Winds SE
Outdoor Storage Work Space
Lab
Bedroom Bathroom Bedroom
Each of the small squares represents 1,000 sq meters. Site Plan – Provided by Prof. Pliny Fisk III
PV Panel Galvalume Roof Louvers Gutter Shade Bamboo Panel Cistern
Computer Generated - Lawrence Tian & Elyse Wong | Floor Plan & Model - Phil Cedeno & Alfred Sierra
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XcrossXborderXproject
ProjeX.1: Survival Object ． 2 0 0 6
“The goal of XcrossXborderXproject is to introduce into this study a broader set of concerns, to expand the discourse around the subject to include studies on a variety of historical precedents, and to promote debates on commonly held beliefs and persistent features by introducing a set of broad analytical strategies from the specific to the general, with similar critical approaches and common analytical tools.” Date Jan. 20
Term Spring ’10
Category Academic
“In this Individual Project, you take a survival object and redesign it, rethink it, or replace it with something sustainable and easily built. You can reply on a spectrum of existing materials, technologies and recycled objects. You can also consider inert fabrics, oil based products, knits, weaves, clothing, body suits...”
Advisor Peter Lang | petertlang@neo.tamu.edu
PreXedent: History - The Berlin Wall May 8, 1945
World War II is over and Germany and Berlin is divided into 4 sectors.
The Fall On the evening of November 9, 1989, an announcement made by East German government official Günter Schabowski stated, "Permanent relocations can be done through all border checkpoints between the GDR (East Germany) into the FRG (West Germany) or West Berlin.
November 9, 1989 Berlin Wall is opened.
October 3, 1990
August 13, 1961 The Berlin sectorial border between East and West Berlin is closed, barriers are built.
Germany is reunited.
Culture Differences About a tenth of the population was still unhappy with the unification.
Information Source Forum Network, PBS Images - libcom.org Map Drawing - Elyse Wong
About the Berlin Wall The Berlin Wall was a concrete barrier built by East Germany that completely enclosed the city of East Berlin.
Group Research ELYSE W. WONG
ARCH 305
fold it
extend it
place candle
add string
15 sky lantern as SOS signal 18 students of 18 ways to survive Drawing - Elyse Wong (Arch 406 Studio Template Design - Molly Hare)
on a specific historic or contemporary condition by Rami Baloch & Elyse Wong.
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ConteXt: Research | Rio Grande region, climate conteXt - Water
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“You are grouped into teams and assigned a specific research topic related to the Rio Grande region. The goal is to not only compile data, but to find a unique way in which to present the info. Guest reviewers in the presentation are Ana Dzokic and Marc Neelen from the “Stealth Group” in the Netherlands.” - Peter Lang
Texas – Mexico Border
El Paso
Hudspeth
0.15%
0.02%
Presidio
Brewster
Terrell
Val Verde
Kinney Maverick Webb
Zapata
Starr
0%
0.01%
1.92%
0.14% 0.90% 0.55%
5.8%
0.51%
0.02%
Hidalgo 0.82%
Cameron 29%
Rio Grand Delta Coahuila
Chihuahua
78.56% of water consumption is by irrigation; follow with 19.43% of
Water Consumption Irrigation
Mining
Municipal
Steam Electric
Manufacturing
Livestock
The radius = water consumption (Unit in acft) (An acft is an amount of water to cover one acre with one foot of water and equals 325,851 gallons.)
municipal consumption, 0.72% of manufacturing, 0.53% of livestock, 0.50% of steam electric and 0.25% of mining.
36.07% of irrigation water is consumed by Hidalgo County; follow with 22.30% by Cameron, 17.73% by El Paso.
Nuevo León
Precitpitation The peak = Average Annual Precitpitation Density = Amount of rainfall
Land of Water
The water consumption will keep growing small percentage every 10 year; comparing with 2010 the water consumption will increase 16.43% by
Tamaulipas
%
Percentage of water cover the land
2060. Infographic - Elyse Wong
Group Research Individual Present ELYSE W. WONG
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In climate conteXt group research, I was responsible for water aspect of the project and infographic design.
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OTHER
Process Imagining How To Survive a Disaster... “In this Individual Project, you need to develop a single person occupancy tent or inflatable shelter specifically conceived to be easily assembled and disassembled on site with minimal training and instructions. This projeX will be judged on both the practical aspect of the design and on its pure form or geometry, for example rainwater harvester/geodesic dome. (see Drop City, Ant Farm, Archigram, Cedric Price, Yona Friedman, Superstudio)”
How to avoid a mudslide?
Floating Zeppelin Hotels
- Asadov architectural studio
95 m of Helium
Ordinary Day The shelter services as energy collector .
Material PET (polyethylene terephthalate) polyester film
Transparent upper hemisphere and a reflective lower hemisphere received more solar energy.
Outer Shell Material Ethylene tetrafluoroethylene, ETFE
Cloud City
- Tomas Saraceno
Material ETFE is 1% the weight of glass, and strong enough to bear 400 times its own weight.
Flood Stage
Source - Jackie Craven, About.com Guide | Image - Stylepark
Bottom part of space service as emergent shelter.
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To lift a object of 1 lb. (0.453 kg) need 0.4531 m of helium A person 200 lb. + the material of balloon and weigh of air 10 lb = 95 m Volume of Helium Reference: "Cool Earth Solar: Technology." Cool Earth Solar: Reshaping Solar Energy. N.p., n.d. Web. 8 Apr. 2010. <http://www.coolearthsolar.com/technology>.
ProjeX.2: Survival Shelter
Source - Cause Cast
ARCH 305
Bottom Entrance
Drawing - Elyse Wong (Arch 406 Studio Template Design - Molly Hare)
Solar Balloon made by ETFE is 400 times more energy than the average solar cell.
ELYSE W. WONG
- 1% weight of glass, strong enough to bear 400 times its own weight. - Two layers of ETFE, blue part of balloon fill with helium. Orange part of balloon is the shelter space with air.
ARCH 406
OTHER
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WorkXhop: Mural |
Las Lomas, Rio Grande City, in Starr County, Texas
“The Monster Word Wall Workshop is the final assignment for the studio ARCH 406. You will spend a week of intensive brainstorming before composing the final scheme for wall. Part of the challenge was to develop a project that could be successfully completed in 24 hours and that would actively engage the children and the parents in the collective production of the mural.”
5’ - 8.5”
8’ - 3”
Before and After...
future film projections
20’ - 7”
30’
24’ - 4”
Images - Arch 406 Studio
dford．Elyse Wong．Erin Dossey．Haley Adam．Houston Jimenez．John Byler．Lo
Las Lomas, the Colonias Unidas Community Advocacy and Education Center | Arch 406 Students: Aleisha Warren．Alfred Sierra．Beca Carranza．Chris Ra
ri Aideyan．Meagan Graves．Molly Hare．Nathanael Hart．Nesserine Ma．Rami Baloch．Virginia Hymel．Zach Weldy
Group Workshop the whole studio ELYSE W. WONG
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My role was to propose the ideas, brainstorming for the wall, and then provided the monsters for the mural.
ARCH 406
OTHER
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DETAIL Date Feb. 02
Term Spring ’09
Category Academic
Type of Work Individual
Advisor Marcel Erminy | MErminy@archmail.tamu.edu
Student Hall of Residence
in Copenhagen
Lundgaard & Tranberg Architects
Elyse Wong ARCH 305
1:8
1:8
1:8
ROM THE MAGAZINE DETAIL select a project and
Context
ELYSE W. WONG
Structure
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Zones of Bending
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Program
Geometry
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OTHER
Circulation
its detail for an in-depth analysis of the different systems and components of the building. Graphically re p re s e n t t h e m a i n i d e a s o f t h e c h o s e n b u i l d i n g i n a synthesis drawing of these systems. A 30-60 axonometric view of the detail is also required.
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DRAWING Date Oct. 10
Term Fall ’06
Category Academic
Type of Work Individual
Advisor Richard R. Davison Jr., | rdavison@archmail.tamu.edu
ake an imitation of an impression painting with color charcoal. Palais des Papes Avignon // Paul Signac
ELYSE W. WONG
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ENDS 105
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ARCH 406
OTHER
． 2 0 0 6 ． 2 0 0 7 ． 2 0 0 8 ． 2 0 0 9 ． 2 0 1 0 ．
PHOTOGRAPHY Date May 25
Term ---
Category Other
Type of Work Individual
Advisor ---
Taichung, Taiwan
ELYSE W. WONG
ARCH 305
ENDS 105
ARCH 405
ARCH 406
OTHER
Pei Cobb Freed & Partner
Luce Memorial Chapel