Ely Young Interior Design Portfolio by ElyYoungInteriorDesign

ELY YOUNG INTERIOR DESIGN PORTFOLIO

CONTENTS TRIPTYCH

MEDICAL-HOME RENAISSANCE

HAUS

HAND RENDERING + SKETCHING

E LY YO U N G INTERIOR DESIGNER

EDUCATION

CONTACT

August 2015- Present

(407) 505-9577

Florida State University- Department of Interior Architecture and Design, CIDA Accredited Bachelorâ&#x20AC;&#x2122;s of Science Degree in Interior Design (Graduation Date of May 2019) Tallahassee, FL

ely15@my.fsu.edu www.LinkedIn.com/in/ElyYoung12 ELY YOUNG

https://elyyounginteriors.myportfolio.com

ATTRIBUTES

SKILLS

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Fast Learner Organized Dedicated Intuitive Creative thinker and problem-solver Always striving for improvement Kean to learn new programs Takes constructive criticism well Enjoys experimenting and trying different approaches Good visual awareness Team oriented

EXHIBITIONS August 2015 RAW Artist Show- exhibited a collection of 12 watercolor and gouache pieces to over 500 attendees, and sold prints March 2018 Empowering Women Globally Art Show- will exhibit a collection of mixed media figure studies and gouache paintings

Space planning Hand rendering Quick sketching Construction documents + details Specification sheets Research + programming 3D Modeling Graphic Design Customer service Strong written and verbal communication Material and finish selection Eye for style and detail Proven artistic ability Sense of proportion and visua awareness

TOOLS • • • • • • •

AutoCAD Revit Lumion SketchUp Adobe Photoshop, Illustrator, InDesign Lightroom Microsoft Office

INVOLVEMENT September 2017- Present Mentor in the mentor/mentee program through IDSO January 2017 + January 2018 Participated in Interior Architecture and Design department charrettes July 2017- September 2017 Career shadow- attended various sites to observe punch lists with various contractors October 2015- Present Member of the Interior Design Student Organization at Florida State University- watercolor rendering workshop, Photoshop workshop, InDesign Workshop, Atlanta Firm tour October 2015- Present Indoor and beach volleyball intramural teams

WORK EXPERIENCE May 2018- August 2018 Interior Design Intern at Design Poole in Winter Park, FL FF&E selection and specification sheets, millwork details, custom wallcovering design, conceptual presentations, hand rendering, finish and lighting schedules, ordering samples and communicating with vendors June 2017- August 2017 Cashier at Urban Food Market in Tallahassee, FL May 2016- August 2016 Cashier/ Hostess/ Supervisor at Splitsville at Disney Springs, Lake Buena Vista, FL- Gained valuable experience in customer service, delegation, and time

TRIPTYCH COMMERCIAL OFFICE DESIGN DURATION 12 WEEKS PROGRAMS + TECHNIQUES REVIT, LUMION, PHOTOSHOP SKILLS LEARNED PRE-DESIGN RESEARCH, REVIT MODELING, COMMERCIAL FF&E REQUIREMENTS AND CODES

TRIPTYCH: A picture in three parts; can be used to give a narrative of a beginning, middle, and end, or to showcase how three separate elements are relate d a n d c o m p l e m e n t e a c h o t h e r. T h e p r o c e s s o f c r e a t i n g a t r i p t y c h n o t only helps the artist further understand composition and structure, but also encourages a reinterpretation and re-evaluation of the three parts. Tr i p t y c h s l i k e R o y L i c h e n s t e i n â&#x20AC;&#x2122; s , C o w G o i n g A b s t r a c t , d e m o n s t r a t e b o t h a n a r r a t i v e a n d 3 p a r t s t h a t c r e a t e a w h o l e . T h e t h r e e p h a s e s o f t h i s Tr i p t y c h will inform the characteristic elements for 3 distinct zones of the office; observation, configuration and transformation. The design of each zone is an ode to the design process, and the different modes of work that go into each one. The office will communicate to guests and clients the companyâ&#x20AC;&#x2122;s brand and process, while queuing the behaviors and atmosphere of the staff.

GOALS Support health and WELL-BEING through wide-spread natural light, rejuvenation spaces, and planning that encourages movement Employ and broaden company BRAND through line, shape, and color Break down HIERARCHAL barriers by rearranging the traditional office layout. C r e a t e a n e x p e r i e n t i a l N A R R AT I V E f o r b o t h e m p l o y e e s a n d clients by creating three distinct atmospheres. F o s t e r C O L L A B O R AT I O N a n d c o m m u n i t y t h o u g h i n t e n t i o n a l impromptu meeting spots and social hubs.

SPACE PLANNING 15TH FLOOR BUBBLE DIAGRAM

BLOCKING DIAGRAM

16TH FLOOR BUBBLE DIAGRAM

BLOCKING DIAGRAM

15TH FLOOR ZONING DIAGRAM

PROCESS SKETCHES

16TH FLOOR ZONING DIAGRAM

EAST ELEVATION STACKING DIAGRAM

15TH FLOOR PLAN

3 7

8 SEAT MEETING ROOM

INTRODUCTION Like the first step of an abstraction triptych, designers and architects begin a new project through observation and inspiration. Upon entry, clients and employees are greeted by a fresh and spontaneous environment that states Bermello & Ajamil and Partnersâ&#x20AC;&#x2122; global presence. Organic forms juxtaposed against clean, dynamic line suggest the fundamental characteristics of the company brand, while hinting at the playful and professional design to come. The large windows that feature the city Miami below are an ode to the beginning of the firms story, where they were founded. Thus, the reception introduces its visitors to the beginning of a story about the design process and the culture of the firm.

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RECEPTION DESK DETAIL

COUNTERBALANCE CAFE Located on the 15th floor, visible to the right of the main entry, the work cafe is where information and programming lay the foundation for conceptual and creative beginnings. Here, coworkers can share ideas and information over lunch or clients and team members can discuss progress or decisions to be made. The cafe is designed to facilitate collaboration, connection and progression. The engineering studio and Vice Principal offices flank the pathways surrounding the cafe, calling team members to work in fresh and motivating locations and offering clients a dynamic and transparent view of the companyâ&#x20AC;&#x2122;s culture.

THE VIEW Here at the 16th floor overlook, one can view all three parts of the story of Triptych, as well as the different work modes. Perpendicular lines are employed in the studios where the fundamental forces are at work. While playful diagonals, thoughtfully balanced compositional elements of line and color are the focus of the dynamic area that surrounds the overlook. Once again, employees are given a variety of places to work, and collaboration is encouraged by placing the coffee bar and seating along a major travel pathway.

ELEVATIONS

E X P E R I M E N TA L E L E VAT I O N S I N L U M I O N W I T H H A N D - D R AW N L I N E W E I G H T S

DUO STUDIO ON THE 15TH FLOOR, ADJACENT TO WORK CAFE, LANDSCAPE ARCH. + ENGINEERING STUDIOS

R E J U V E N AT I O N E N C L AV E O N T H E 1 6 T H FLOOR, APART FROM ALL STUDIOS AND A D J A C E N T T O R E S P I T E S TA D I U M S E AT S

BENDHEIM DRY-ERASE BLACK MARKERBOARD IN ELEGANT BLACK

H O S U L O U N G E S E AT I N G FROM COALESSE- KNOLL Z E N WAV E ( S E AT ) + K N O L L AREZZO IN AQUA (PILLOW)

P E R C H M E E T I N G R O O M D I R E C T LY A B O V E D U O STUDIO ON 16TH FLOOR, ADJACENT TO VISITOR WORKBENCHES AND INTERIOR DESIGN STUDIO

ARPER PARENTESIT ACOUSTIC P A N E L S - K VA D R AT D I V I N A MELANGE BLUE + FIELD 182

NEGATIVE SPACE The space between the panels of a triptych are crucial to the composition and the story it tells. Between the spaces of focus and the spaces of rejuvenation, unique opportunities for impromptu conversations and unexpected connections arise. The traditional barriers between CEOâ&#x20AC;&#x2122;s and designers are broken down, and reorganization and collaboration leads to strength and stability of the whole.

THE REPRIEVE The reprieve area is designed to give staff a place to not only take a step out of the everyday hustle, but also be able to watch it happen before them. The reprieve corner is dark in comparison to the rest of the bright and airy office, mimicking the lighting of a theatre where the audience is in the dark and the performance becomes the focus. By placing designers in an audience-like role, hopefully they become inspired by the spectacular performance that is the design process.

A MEDICAL-HOME RENAISSANCE HEALTHCARE DESIGN DURATION 10 WEEKS PROGRAMS + TECHNIQUES REVIT, LUMION, PHOTOSHOP SKILLS LEARNED PRE-DESIGN RESEARCH, REVIT MODELING, COMMERCIAL FF&E REQUIREMENTS AND CODES

A MEDICAL-HOME RENAISSANCE The Italian Renaissance was more than a “rebirth.” It was a shift towards enlightenment and clarity. As culture shifted, so did art, architecture and medicine. Artists like Leonardo, Raphael, and Michaelangelo brought humanism and naturalism into the consciousness of their audience. Medicine gained a scientific basis, rather than a theoretical or superstitious one. The populace was brought out of the “dark ages,” and shown clarity and enlightenment. Today, as our population grows exponentially, and technology seems to make us lose sight of our homogeneity, traditional physician practices do not meet the needs of families and their futures. To form a better-functioning health care system, physician practices are beginning to shift towards Patient-Centered Medical Homes. A Patient-centered medical home is based on the following principles; comprehensive and continuous care, a PERSONAL physician, team care lead by the provider, whole-person orientation, coordinated or integrated care, quality and safety assurance, and access to care. This model combines efficiency with compassion, and team work with idiosyncrasy. The movement of transforming traditional family clinics to medical homes is on its way to becoming a Renaissance of its own. The design of the medical home will enable the physicians and their team to execute the principles of the patient-centered care. Like the greatest architecture of the Italian Renaissance, the clinic will feel light and spacious to instill clarity and trust in visitors. Naturalism and humanism represented in High Art of the Renaissance will inspire the use of natural forms, and humane proportions that will feel welcoming and homely. Warm yellows, oranges and peaches derived from High Renaissance paintings will create a friendly atmosphere. Complementary and historical teals and blues will be utilized to create a relaxing, and artistic balance. Visitors should feel uplifted and at home. Although the design can not promise peace or relief from worry, it will provide a sense of clarity, compassion and sightliness.

GOALS CREATE A WARM, ARTISTIC AND FRIENDLY ENVIRONMENT THAT FEELS HOMEY AND SAFE. ENABLE STAFF TO WORK FLUIDLY, AS A TEAM, VIA THOUGHTFUL CIRCULATION ROUTES AND CLEAR SIGHTLINES. PROVIDE A CLEAR DELINEATION OF PATIENT AND STAFF AREAS TO GIVE EVERY USER PRIVACY AND COMFORT.

WHAT-YOU-SEE DIAGRAM STAFF AREAS PATIENT AREAS

WHAT YOU SEE IN EXAM ROOMS: PROVIDER/PATIENT TEAMWORK, NATURAL LIGHT, BRIGHT, CLARITY, ORGANIZATION, EFFICIENCY,

PUBLIC AREAS

WHAT YOU SEE AT NURSE STATION: ORGANIZATION, EFFICIENCY, TEAMWORK, COMPASSION

WHAT YOU SEE IN WAITING ROOM: WARM, FRIENDLY, LIGHTHEARTED, FAMILY, CLEAN, SPACIOUS

WHAT YOU SEE IN PHYSICIAN OFFICE: INDIVIDUALITY, SELF-CARE, ORGANIZATION, WELCOMING, PRIVACY, NATURAL LIGHT, HEALTHY

FLOOR PLAN

VIEW OF CHECK-IN • THE CHECK-IN DESK, INSPIRED BY THE FOLDS IN THE GARMENTS OF ITALIAN RENAISSANCE SCULPTURE, FEATURES A TRANSACTION HEIGHT COUNTER ON ONE SIDE, AND AN ADA ACCESSIBLE SIDE ON THE OTHER • A GROIN VAULT GROUNDS THE CHECK-IN DESK WHILE CREATING A FRESH, AIRY AND UNCONVENTIONAL CLINIC ENTRY

VIEW OF PATIENT LOUNGE FROM CHECK-IN • BUILT-IN NICHE SEATING AND CUBBY BELOW OFFERS A SEPARATE SPACE FOR KIDS • SOFT, HIGH CRI LIGHTING PROVIDES CLARITY AND COMFORT • PICTURE FRAME WALL AND LOUNGE SEATS CREATE A HOMEY AND INVITING WAITING ROOM, RATHER THAN A DAUNTING ONE • MOMENTUM TEXTILES’ SILICA LOTUS FABRIC ALLOWS FOR WHITE UPHOLSTERY, CREATING A BRIGHT AND CLEAN FIRST IMPRESSION

VIEW OF NURSE STATION + EXAM ROOM ENTRIES • • • •

SIGHTLINES TO EVERY EXAM ROOM TOUCH SCREEN TV ABOVE CUSTOM STORAGE BUILT-IN SHOWS THE STATUS OF EACH EXAM ROOM LOCKABLE, CONVENIENT MEDICINE STORAGE SITS ABOVE NURSE STATION SINK EXAM ROOM DOORS FEATURE FLAT ARCHES THAT GIVE AN ILLUSION OF DEPTH, WHILE CREATING A NEIGHBORLY, AND FRIENDLY EXPERIENCE FOR PATIENTS

NURSE STATION AXON VIEW NICHE FOR DISCRETE CUBBY FOR STORAGE DEPENDING ON STAFF NEEDS HERMAN MILLERSAYL TASK CHAIR Maximize staff comfort

S STEELCASESTEE FLAT MONI M MONITOR ADJUSTABLE ARM S STEELCASESTEE SOTO PAPE P PAPER FILING WORK TOOL H HERM HERMAN MILLERQUAD QUADRANT MOBILE PEDE PEDESTAL Provide variety of Provid flexib flexible storage

STEELCASE- OLOGY SIT-TO-STAND DESK Improve staff health and wellbeing, maximize patient safety with alert and engaged care

OUTLETS FOR PERSONAL DEVICES

WHITE MELAMINE ON 1/4” PLYWOOD SUBSTRATE EVERGREEN NATURAL ACRYLIC STONE ON DRAWER FACE WITH CURVED INDENT PULL

OUTLETS FOR EQUIPMENT + PHONE CONNECTION

FILING DRAWER FOR RARELY ACCESSED FILES 4” TOE KICK WITH LED COVE LIGHT

NURSE STATION MILLWORK DETAIL 3/4”= 1’-0”

THE ONE-STOP EXAM ROOM EQUIPPED WITH THE TOOLS FOR IN-ROOM INITIAL ASSESSMENT

TECNOGRAFICO CEILING COVERING AS POSITIVE DISTRACTION COMPASS UPPER CABINET STORAGE GFI OUTLETS WASTE RECEPTACLE WELCH ALLYN-GS 777 SERIES WALL DIAGNOSTIC SYSTEM MIDMARK- ID VITALS ZONE WALL-MOUNT ARTICULATING ARM MIDMARK-626 BARRIER-FREE EXAM CHAIR STEELCASE UMAMI LOUNGE WITH TABLET ARM AND INTEGRATED

CEILING AT 9’-5” WITH CEILING GRAPHIC AND COVE LIGHTING Encourage patients to relax with soft, indirect lighting during times where bright exam light is unnecessary

HERMAN MILLERCOMPASS SYSTEM GLOVE + TISSUE STORAGE LOCKABLE DRAWER STORAGE

HERMAN MILLERSCREEN FOR PATIENT/PROVIDER COMMUNICATION AND POSITIVE DISTRACTIONS WHEN NOT IN USE COMPASS DESK WITH ARTICULATING ARM AND POWER OUTLETS FOR PROVIDER’S LAPTOP/ TECH. MIDMARK- RITTER 276 FOOT RELEASE AIR LIFT STOOL

DETECTO- PRO DOC DIGITAL HEIGHT SCALE FOR INITIAL ASSESSMENT

CEILING COVERINGS Intricate graphics that employ the Italian technique of trompe l’oile, or the juxtaposition of 2D and 3D elements, give a positive visual distraction while soft hues do not affect care provider’s ability to accurately assess patients

ZONING DIAGRAM

CARE-PROVIDER ZONE

PATIENT ZONE

THE HAUS ART, MUSIC + LEARNING CENTER DURATION 4 WEEKS PROGRAMS + TECHNIQUES REVIT, LUMION, PHOTOSHOP, INDESIGN, ILLUSTRATOR, COLLAGING SKILLS LEARNED PRE-DESIGN RESEARCH, CREATING GRAPHICS IN ILLUSTRATOR, COLLAGE RENDERING STYLE

BAUHAUS The Bauhaus, a German word meaning “house of building” was a school that rejected traditional approaches to education and introduced a new way of life through architecture, craftsmanship and the integration of the arts. Ta l l a h a s s e e ’ s n e w c r e a t i v e h u b , t h e H A U S , o f f e r s a s i m i l a r e x p e r i e n c e t o T h e Bauhaus by encouraging a hands-on approach to learning, promoting visitor interactions, and engagement with local artists and musicians. the HAUS incorporates intuitive wayfinding though open sightlines and transparent/ reflective material, giving way to a multifunctional and interconnected space. Geometric shapes and forms, paired with honest, industrial materials create a minimalistic environment that is flexible in function. the HAUS brings a new sense of pride and cultural connection to the community. The Bauhaus principles a n d i d e a l s w i l l i n s p i r e b r i n g i n g p u b l i c a r t t o t h e f o r e g r o u n d o f Ta l l a h a s s e e c u l t u r e and encourage its citizens to see the profound value in art, music and learning.

THE PROBLEM T h e R a i l r o a d S q u a r e A r t Pa r k ( R S A P ) w a s e s t a b l i s h e d a s Ta l l a h a s s e e â&#x20AC;&#x2122; a r t a n d culutre hub in 1970, and since it has been the home to hundreds of renowned artist galleries, workshops and businesses. Located in the All Saints District walking distance from Florida A&M University and FLorida State University, this are has only continued to develop and grow economically. Cultural arts will continue to dominate the district, but due to the geographical location of the RSAP and gentrification surrounding FSU, the park can only grow so large. With the d e v e l p o m e n t o f C a s c a d e s Pa r k d o w n t o w n ; i t s n e w a m p i t h e a t e r, p l a y g r o u n d s , a n d r e s t a u r a n t s , t h e s e n s e o f c o m m u n i t y i n Ta l l a h a s s e e h a s o n l y g r o w n . B o t h a r e a s c r e a t e v i a b l e s p a c e s f o r o u t d o o r f e s t i v a l s , p r i v a t e a n d p u b l i c e v e n t s , a n d t i c ke t e d concerts. The only downfall of these locations is that they both rely on dasirable weather to host events, and due to residential sound ordinance surrounding C a s c a d e s , m u s i c i s l i m i t e d b y g e n r e a n d s e t t i m e s . Ta l l a h a s s e e i s r e a d y t o e s t a b l i s h their next hub for art, and in a new way to impact the artistic community through music and learning. An indoor venue couple with a studio classroom and gallery exhibits, reinvents the conventional seperation of these 3 activities, and places an emphasis on the intellectual and behavioral value of the arts and its exploration.

THE SOLUTION The arts consistenly suffer from budgetary restriction that impede opportunities for students in both lower and higher education. the HAUSâ&#x20AC;&#x2122; gallery and workshop space will serve as a safe haven for any and all artisans to collaborate, learn and become inspired. Art education and hands-on learning has been proven to benefit skill development in effective learning, critical thinking, reflection and positive behavorial change (Zakaras, 27). Local lowe r e du c atio n s c h o o ls that surround the HAUS will also contribute to local economic prosperity by providing employment for at least 40 people, and attracting patrons outside of t h e Ta l l a h a s s e e a r e a t o e x p e r i e n c e r e n o w n e d a r t i s t s a n d m u s i c i a n s . I t w i l l o f f e r educators without teaching platforms a consistent and reliable location for classes, allow local musicians to build a fanbase, give local artists the means to exhibit and sell their work, and create a place that will unite the community.

EXTERIOR VIEW Paned colored glass and intersecting planes and floating roof hint at key design elements, and the symbolic representation of the three disciplines; art, music, and learning. Colors and materials typical of the Bauhaus movement are utilized including black, white, concrete and brick. In the spirit of a modern twist on the Bauhausâ&#x20AC;&#x2122; use of primary colors, the exterior establishes the color palette of the Haus; cyan, magenta and yellow, the primary colors of light.

FLOOR PLAN

FIRST FLOOR

MEZZANINE

FLOOR PLAN The lobby represents the lightness and industrial integrity reminiscent of the Bauhaus style. Visitors are greeted with a large graphic wall containing text that explains the fundamental principles behind the Bauhaus movement and its relevance in contemporary society. A custom reception desk is designed with function, reduction of unnecessary components, and honest materiality in mind. The logo panel uses shape, line and color to create a bold statement using metal, and a mesh screen. Transparency and contrast of materials and color inspire users to explore at their leisure.

VENUE ENTRY Up the ramp that greets HAUS visitors upon entry, lies the hallway to the music venue. Visitors undergo a sensation of expansion to compression as they move out of a bright and open interior, into a dark and narrow one. Reflective floors, linear lights and black walls prepare concert goers for an intimate and energetic experience dominated by light and sound. The famous “less is more” quote is reinterpreted as directional queuing at the corridor’s end.

THE VENUE

GREEN ROOM Designed to create a homey and comfortable environment for those who perform at the Venue, the space is equipt with amenities such as a game table, flat screen TV, a kitchenette, private bathroom and shower, and a VIP area for potential meet-and-greets. Wood finishes, chrome details, and a limited color palette reference Bauhaus interiors.

THE GALLERY The key idea of the art gallery is that of architectural promenade, meaning a leisurely exploration guided by thoughtful and intentional architecture. Glass partitions glide to the exterior walls during the day, allowing visitors to create their own individual journey. During the evening when the music venue is thumping, the gallery can be closed and secured, while artists get maximum exposure from the transparent walls.

THE STUDIO True to the symbol established for learning, the studio is circular in shape. Its floor plan facilitates freedom of choice, creativity and connection. Instructors are enabled to teach and refine craftsmanship of all kinds. Expansive windows are reminiscent of those found in the original Bauhaus school and allow natural light to fill this space of growth and attainment of knowledge. Storage is located along the walls and in between the art and music sides of the studio, allowing circulation to flow freely while providing privacy for each discipline.

HAND RENDERINGS + SKETCHES

THANK YOU!

YLE GNUOY