Eric Enriquez - Undergraduate Portfolio

PORTFOLIO ARCHITECTURE + DESIGN

ERIC ENRIQUEZ | B.S. ARCH UNDERGRADUATE WORKS FROM THE UNIVERSITY OF TEXAS AT ARLINGTON

PORTFOLIO ARCHITECTURE + DESIGN

ERIC ENRIQUEZ | B.S. ARCH UNDERGRADUATE WORKS FROM THE UNIVERSITY OF TEXAS AT ARLINGTON

ERIC ENRIQUEZ E-­mail Telephone Date of Birth Nationality

CONTACT eric.enriquez21@yahoo.com eric.enriquez@mavs.uta.edu 214.794.1488 04/01/1988 United States of America EDUCATIONAL BACKGROUND

2008-­2013 2006-­2008 2005-­2006

University of Texas at Arlington | B.S. Arch Eastfield College, Mesquite, TX Forney High School, Forney, TX SCHOLORSHIPS AND AWARDS

2008-­2013

April-­Jan. 2014 January 2013 Summer 2008

The Wade Scholarship for Children of BGCT Staff & Charles Lee and Pasty Williamson Scholarship WORK EXPERIENCE 5G_Studio | Design Support PageSoutherlandPage | Model Crafter Mt. Lebanon: Retreat & Conference Center | Staff

COMPETITIONS 2012

Ken Roberts Memorial Delineation Competition EXIBITIONS/ACTIVITIES/WORKSHOPS

Feb. 2013 Feb. 2013 Sept. 2012 Sept. 2012 Apr. 2012 Mar. 2012

Fabric Workshop w/ IU Fashion Design Students, Bloomington, IN “Fabric Architecture” Collaboration with IUCA+D, Columbus, IN Benches for “Knox Strasse” by Team Better Block, Dallas, TX Benches for PARK(ing) Day, Dallas, TX Benches and Tables for “Front and Center”, Arlington, TX Bexar Revitalization Project, Dallas, TX SKILLSET AutoCAD | Keyshot | Rhino3D | Bonzai3D | Sketchup Photoshop | Illustrator | After Effects | Microsoft Office | iWork | iMovie Hand Drafting and Modeling | Laser Cutting LANGUAGES English | Native Language Spanish | Basic Knowledge OTHER Graphic Design | Photography | Traveling

CONTENTS

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65

05

D E F I N I N G S PA C E

LEFT ABOVE

FI N A L B A SSW O O D M O D EL I NK ON V ELLU M

06

07

K I T O F PA R T S

LEFT ABOVE

FI N A L B A SSW O O D M O D EL I NK ON V ELLU M

08

09

RE G U L AT I N G L I N E ST U D Y

F I G U R E G R O U N D A N A LY S I S

SI T E PLA N

G RI D PLA N E ST U D Y

MUSEUM

T HI RD FLOOR

SEC O N D FLO O R

FI RST FLO O R

LEFT & ABOV E

I NK ON V ELLU M

10

NO R TH EL EVATI O N

SO UTH EL EVATI O N

11

MUSEUM

EA ST EL EVATI O N

WE S T E L E VA T I O N

LEFT ABOVE

I NK ON V ELLU M FI N A L B A SSW O O D M O D EL

12

R E S I D E N T I A L R E T R E AT

FI R ST FLO O R SI TE PLA N

S E C T I O N A -足 A '

LEFT ABOVE

FI N A L B A SSW O O D M O D EL I N K+ PRI SM A O N V ELLU M

13|14

T H E C H E S S M AT C H

SEC O N D FLO O R

FI RST FLO O R

GROU N D FLOOR LEFT ABOVE

LO N G I T U D I N A L SEC T I O N T H E C H E S S M A T C H d e s i g n r e v o l v e s a r o u n d a l i f e -­ s i z e d g a m e o f c h e s s a t t h e c e n t e r o f a p u b l i c c o u r t ya r d . T h e t w o o p p o s i n g b u i l d i n g s a r e o w n e d b y t w o c lo s e fr ie nd s w ho s e lo v e fo r t he ga me o f c he s s ha s influe nc e d e v e r y a s p e c t o f e a c h o t h e r ’ s h o me . L i k e t h e g a me o f c h e s s , t h e o p p o n e n t p l a ys o f f t h e o t h e r ’ s e v e r y m o v e -­ -­ s e c r e t s a r e h i d d e n a n d d e t a i l s a r e o n l y d i s -­ c l o s e d s t r a t e g i c a l l y. T h e f a c a d e s o f b o t h b u i l d i n g s a r e p r i v a t e , r e v e a l i n g o nly glimp s e s o f t he ins id e .

Va r i o u s s t a t u e s a n d o b j e c t s a r e f o u n d t h r o u g h o u t t h e s i t e , g u i d i n g yo u t h r o u g h t h e c o u r t ya r d a n d e v e n t u a l l y i n t o t h e t w o h o me s . A t t h e N o r t h e n d o f t h e c o u r t ya r d a r e 5 t a b l e s w h e r e t h e g e n e r a l p u b l i c c a n h o s t p u b l i c t o u r n a m e n t s . T h e e v e n t u a l f i n a l i s t s w i l l f i g h t f o r g l o r y a t t h e l i f e -­ s i z e d c h e s s b oa rd a t t he t op .

T he p roject a ls o t a k es int o cons id era t ion t he s lop e of t he s it e a nd t he us e o f s us t a ina b le a rc hit e c t ure t o minimize ut ilit y c o s t s . W a t e r fe a t ure s o n t h e s i t e h e l p t o k e e p t h e o u t s i d e p l a ye r s c o o l a n d r e f r e s h e d w h i l e t h e ins id e o f t he t w o b uild ings a re d e s igne d t o k e e p t he ho me o w ne r s c o o l fro m t he sun’s hea t .

FI N A L B A SSW O O D M O D EL I N K+ PRI SM A O N V ELLU M

15|16

TRAILERWRAP

TRAILERWRAP is a design + build project in Colorado. This collaborative project addresses the issues of sustainable and affordable design in the context of the ubiquitous Ameri-­ can trailer park. At the scale of an individual building, the project explores the potential for augmenting this affordable housing typology with outdoor living space. The project imple-­ ments improved energy efficient construc-­ tion and high volume, light-­filled interiors. At the urban scale, the project re-­examines the mobile home park as a model for equitable, high-­density alternatives to suburban sprawl.

In pushing the envelope of adaptable reuse, the TrailerWrap project seeks to create excit-­ ing, small scale, useful, and affordable archi-­ tecture with a social and environmental con-­ science.

TrailerWrap is part of Professor Michael Hughes’ ongoing Design Outreach Initiative.

This work is focused on small, unremarkable, and often forgotten places adjacent to the lives of unprivileged people. Located in the boundary between architecture and land-­ scape, the projects seek to create experien-­ tial delight out of small-­scale design opportu-­ nities. Through the adaptive re-­use and recy-­ cling of leftover urban spaces, the resulting projects develop and enhance existing build-­ ing infrastructures with new, primarily outdoor spaces that provide pragmatic functions, pro-­ mote play, and exhibit a conscious concern for social justice and the environment.

LEFT ABOVE

FI N A L B A SSW O O D M O D EL C A D + G R A P H I T E D R AW I N G S

FLOOR PLAN

N O R T H E L E VAT I O N

LO N G I T U D I N A L SEC T I O N

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S TA R K S P R O J E C T

STA RK S P ROJECT is a d es ign colla b ora t iv e wit h EcoLogica l C o mmunit y B uild e r s o n t he B e x a r Re v it a liza t io n P ro je c t . T he g o a l i s t o r e u s e o l d o r a b a n d o n e d t r a i l e r s a n d c o n s t r u c t a f -足 f o r d a b l e h o u s i n g f o r l o w -足 i n c o m e f a m i l i e s i n t h e S o u t h D a l l a s area.

LEFT ABOVE

PH O T O SH O P M O N TA G E FI N A L B A SSW O O D M O D EL+ C A D

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ULM EXHIBITION

LEFT ABOVE

SI T E PLA N

GRI D A LI GN M EN T

P U B L I C S PA C E

P R I V A T E S PA C E

C I RC U L AT I O N

S PA T I A L A L I G N M E N T

A XI S A LI GN M EN T

ST REET S

FI N A L B A SSW O O D M O D EL C A D + I L L U ST RAT O R

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N O R T H W E ST E L E VAT I O N

N O RT H W EST SEC T I O N

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ULM E XH I BI TI ON

N O R T H E A ST E L E VAT I O N

N O RT H EA ST SEC T I O N

T he U L M EXHIBIT ION be gan it s c o ns t ru c t io n in 1 9 8 6 and was c o m ple t e d in 1 9 9 3 . T he pro gram c alle d f o r s o lv ing t he dif f ic u lt y o f plac ing a ne w bu ilding wit hin t he his t o ric plaz a in U lm , G e rm any . T he po pu lat io n o f t he c it y is an e s t im at -­ e d 1 2 0 , 0 0 0 . Du ring t he S e c o nd Wo rld War in 1 9 4 4 , 8 5 % o f t he t o wn was de s t ro y e d by bo m bing. M ü ns t e r c at he dral, t he wo rld’s t alle s t c hu rc h, at 5 2 8 f e e t t all, re m aine d s t and-­ ing in t he he art o f t he c it y plaz a. T he c it y ’s re c o ns t ru c t io n was c arrie d o u t wit ho u t m u c h re gard f o r t he arc hit e c t u re .

I n t he pro je c t , t he c halle nge s o f de s igning f o r c o nt e m -­ po rary and his t o ric al e x pre s s io n are c are f u lly art ic u lat e d.

T he bu ilding is m ade f ro m R o s a Dant e granit e and s t u c c o .

I t ho u s e s e x hibit io n s pac e s , a large as s e m bly hall, a c af é , and a t o u ris t inf o rm at io n c e nt e r. T he m any windo ws allo w t he pu blic t o appre c iat e t he his t o ric c hu rc h and t he s u r-­ ro u nding bu ildings . V ie we rs are pro v ide d wit h f ram e d v ie ws o f t he c it y as t he y m o v e t hro u gh t he bu ilding. T he s ky light s f ram e t he v ie w o f t he c at he dral t o we r, while f lo o ding t he bu ilding wit h light . T he priv at e f ac ade s allo w o ne t o e x pe rie nc e t he art wo rk wit hin. T hro u gh t he we s t f aç ade ’s c u rv at u re , pe o ple are gu ide d f ro m t he t rain s t a-­ t io n dire c t ly int o t he plaz a.

EN CL OS U R E

V . CI R CU L AT I ON

EN TRY

S T R U CT U R E

GEOMETRY

PROPORTI ONS

LEFT & ABOV E

SEC O N D FLO O R

FI RST FLO O R

C A D + I L L U ST RAT O R

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LEFT & ABOV E

C A D + I L L U ST RAT O R

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P I N W H E E L PAV I L I O N

S E C T I O N B -­ B '

S E C T I O N A -­ A ’

PERSPEC T I V E M O D EL

P IN WH EEL P A VILION cont a ins fiv e s p a ces , ea ch wit h a v ie w ing p la t fo r m. T he go a l in t his d e s ign is t o c re a t e a p ub lic c o m m o n a r e a , w h i c h w a s t h e c e n t e r, i n t h i s c a s e . A d j a c e n t t o e a c h s p a c e i s a w a l k a b l e p a t h . E a c h p a t h i s s l i g h t l y d i f -­ ferent . A s et of s t a irca s es , loca t ed a t t he s out hwes t ern p a rt o f t he p a v ilio n, le a d t he p ub lic t o t he v ie w ing p la t fo r ms fo r ea ch p a v ilion.

T he int erior s p a ces a re jus t b ig enough t o hous e one p ers on wit h a b ed a nd a t a b le. T he t wo op p os it e s id es of t he ro o ms a re o f d iffe re nt s ize a nd s ha p e . T he e nt r y t o t he ro o m re la t e s t o t he huma n s c a le w hile t he la r ge w ind o w f r a me s t h e s k y. T h i s h e l p s c r e a t e a p e r c e p t i v e v i s u a l i l l u s i o n f o r t h e p e r s o n w i t h i n t h e r o o m a n d b y s t a n d e r s o u t s i d e l o o k -­ ing int o t he s p a ce.

B

B’

A

A’

FI NAL M ODEL

LEFT R.A BOV E

FI N A L M O D EL O N M U SEU M B O A RD RH I N O 3D

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M USE UM OF P ROP ORTI ONS

LEFT & ABOV E

PRI SM A I N K + SH A RPI E SKET C H ES

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EXIT E NTRY C I RC U L AT I O N

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M USE UM OF P ROP ORTI ONS

M US E UM O F P R O P O R T I O N S ge t s it s na me fro m t he nume ro us re c t a ngula r s ha p e d b o x e s t ha t e x t r ud e fro m t he g r o u n d . T h e y a r e d i f f e r e n t i n s i z e b u t a l w a y s p r o p o r t i o n a l t o e a c h o t h e r. W h e n t h e s e s h a p e s o v e r l a p t h e y c r e a t e t r a n s i t i o n a l m o m e n t s . T h e g o a l o f t h e p r o j e c t i s t o c r e a t e e l e v e n g a l l e r y s p a c e s t h a t h o l d a v i s u a l r e p r e s e n t a -足 t i o n . S o m e g a l l e r y s p a c e s r e q u i r e t h e a l l o w a n c e o f l i g h t t o p e n e t r a t e t h e s p a c e , w h i l e o t h e r s r e q u i r e t o t a l d a r k -足 nes s for t heir exhib it s .

T he e x t e r io r s p a c e s b e ha v e a s int e r s t it ia l s p a c e s r a t he r t ha n a c t ing ga lle r y s p a c e s . So me o f t he s e a re a s mus t b e e nt e re d if o ne w is he s t o c o nt inue t he c irc ula t o r y p la n. W he t he r o ne b e gins a t t he e nt r y s p a c e o r e x it s p a ce, ea ch cont a ins a s t a irca s e which t a k es t he gues t t o a rooft op ga rd en/v iewing a rea which a ls o a ct s a s a s econd a ry circula t ory p a t h.

LEFT ABOVE

RH I N O 3D FI N A L M O D EL O N M U SEU M B O A RD

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G A L L E R Y S PA C E S

SO U T H E L E VAT I O N

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M USE UM OF P ROP ORTI ONS

S E C T I O N A -­ A ’

S E C T I O N B -­ B '

LEFT & ABOV E

CA D + RH I N O 3D

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35

C O L L AG E

LEFT & ABOV E

C A D + I N K+ B A SSW O O D + PRI SM A + P E N C I L + RH I N O 3D + WAT E RC O L O R

36

INSTITUTE OF VIGOR

ABOVE

PRI SM A + SH A RPI E SKET C H

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C AR L I L S E S T & C E D AR S P R I N G S R D D AL L AS , TX

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G RO U N D FLO O R SKET C H

PROGRA M

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41

I NSTI TUTE OF VI GOR

LEFT ABOVE

FI RST FLO O R

SEC O N D FLO O R

T HI RD FLOOR

FOU RT H FLOOR

RH I N O 3D CAD

42

INSTITUTE OF VIGOR

FAC AD E S T U DY

A M P I T H E AT E R M A I N L O B B Y AT RI U M

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VOID

SO LI D

RH I N O 3D REN D ERI N G

PORTIER

LEFT ABOVE

C U RTA I N I N RH I N O 3D F I N A L P RE SE N TAT I O N B O A RD

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PLICA

49

PLICA

LEFT RI GHT

SI T E M O D EL I N B A SSW O O D + C H I PB O A RD F I N A L P RE SE N TAT I O N B O A RD

50

PH O TO G RAPH Y

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WA L T D I S N E Y C O N C E R T H A L L

S A L K I N S T I T U T E | W. R . G R A C E B U I L D I N G | T H E N E W Y O R K T I M E S

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55

V E NI C E B E AC H

S A N TA M O N I C A P I E R

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57

C ALTR AN S

MoMA

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59

SAL K I NSTI TUTE

GE TTY M USE UM

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61

H UNTI NG TO N B E AC H

G R I F F I T H O B S E R VAT O R Y

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63

OM NI H OTE L

LA

LA

D AL

NY

NY

CIN

64

D RAWI NG S

TOP BOTTOM

PEN C I L ST I PPLE I N K ST I PPLE

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67

ABOV E

FRA M E C O N ST RU C T I O N I N G RA P H I T E

ABOV E

M A N N E Q U I N SK E T C H I N G RA P H I T E

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69

ABOV E

O RA N G E SL I C E S I N G RA P H I T E

ABOV E

O RA N G E P E RSP E C T I V E I N P RI SM A

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ABOV E

“ T H E C H E SS M AT C H ” I N T E RI O R I N G RA P H I T E

ABOV E

U TA C O U RT YA RD P L A N /E L E VAT I O N I N G RA P H I T E

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ERIC ENRIQUEZ ERIC.ENRIQUEZ21@YAHOO.COM 214.794.1488