Portfolie'

” PORTFOLIO ”

Portfolio Architecture student, 4th. semester Emilie Kreijtz Mølgaard

Aarhus School of Architecture Nørreport 20, 8000 Aarhus C Denmark

I would like to study the studio: and with the electives

WELCOME to the portfolio of Emilie Kreijtz Mølgaard Architecture student from Denmark

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my name is emilie !

18.09.95 Nørrebrogade 20F 2.th 8000 Aarhus C Denmark +45 31723696

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CV Courses and IT skills Bench with storage

Exam projects Recommendation

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Cat’s tail

Education

Atm studying 4.semester at Arkitektskolen Aarhus, Aarhus Finshed 3 years of studying at Tornbjerg Gymnasium 2014, Odense

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Preschool and highschool at RosengĂĽrdskolen 2011, Odense

Working experiences Swimming coach OSK, Odense, 2008 Cleaning assisten, Fitness DK, 2008-2009 Waitress and chef for Kaffe Karma, 2010-20014

Event manager for the fundraiser event �Girls Night Out�, to raise money and collect clothes for a girls High School in Kenya, Afrika, 2013 Phoner at Nordstat, 2015

Casual worker in the vineyards in Waipara, New Zealand, 2015 Waitress at the restaurant Hermans, Tivoli Friheden Aarhus, 2016

Intern at Fulton Ross Team Architects, Christchurch New Zealand, 2017 Member of the student social organizatoin Arkibal Helping with arrangements for orientation week at Aarhus School of Architecture Waitress at Dauphine, Aarhus, 2018

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Assisten teacher at the kindergarden and nursery Den Magiske Gryde Odense, 2015

Courses Drawing and painting course at Fyrtøjet, Odense Arts on B-level in Gymnasium, Odense 5 months school at the arts and crafts boarding school Krabbesholm Højskole, Skive

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Wastercolour course at Joanna Shønning, FOF, Aarhus

IT skills Rhinoceros 3D - 3D computer graphics and computer-aided design(CAD) Adobe Indesign CC 2018 Adobe Photoshop CC 2018 Adobe Illustrator CC 2018

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FREETIME PROJECT

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BENCH WIT H STOR AG E � a project to gain a better understanding of structure and materials. Also an understanding of to make room for storage in a tiny apartment and to increase the living quality for residents �

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FREETIME PROJECT

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FREETIME PROJECT

FREETIME PROJECT

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CAT ’S TA IL page 18

”unpredictable territory”

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CAT’S TAIL

CAT’S TAIL

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CAT’S TAIL

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E xam proj e c t Hans Bro ge s G ad e The translucent facade came from the ideas of the specific zones in the proposal. The private, the public, the semipublic and the buffer-zones. The importance of constructing a private area lies in the ability to remove the inhabitant from distractions, this has been done by placing the private areas towards the courtyard, thus alienating themselves from the street.

The idea of translucency as opposed to transparency as opposite concept have been delved into. Translucency illuminates the room in a white indirect light, thus letting in the light, but not the distractions of the busy street, constructng a membrane or a curtain that deals with the inhabitants as silhouttes, hereby rendering all the inhabitants as gender- and ageless.

Whereas the private area is placed towards the yard, the semipublic areas are placed in the part of the building facing the street. The term �semi-public� comes from the degree of social interaction found in the proposal. Semi-public areas are defined by being areas where the inhabitants would meet during daily tasks such as cooking, bathing and moving in, out and towards specific areas.

This inbetween movement was important in the construction of the facade, as this translucent facade would reveal to the outer public a dynamic flow and internal movement inside the complex.

Taking inspiration from Pierre Chareau’s Maison de Verre, the translucent facade will show the internal movement in the dark hours of the night, and creating a plane during the day, where only light will be let in making the movement inside will be less visible

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FORANKRING 13.09.17

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Emilie Kreijtz Mølgaard Søren Højbjerre 4004942 É 4004653 ARKITEKTSKOLEN AARHUS PROJECT ON HANSBROGESGADE 31, 8000 AARHUS C

B E VÆ G E L S E 18.12.17

CONTEXT

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The project takes it’s beginning on Hansbrogesgade 31, 8000 Aarhus C. The first thing the presentation will introduce is the site and the assignment at hand by showing where the current building is placed. The further the presentation goes along, the closer the details of the proposal will be delved into.

Exploded axonemetric view of the movement elements in the proposal of Hansbrogesgade 31.

_ stairs _ steps _ elevator

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Pro du c t i on

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The ”Production-stairs” are created in order to ensue a fast passageway from the bottom level to the rooftop terasse.

It follows one of Le Corbusier’s main aspects of architecture as it allows the inhabitant, of the building of which the principle is used, to ascend to the light and find the Sun on the rooftop terasse.

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D es c endi ng

A way to create two functions in this room is to introducing two levels, the arrival and the kitchen level. The small descending/ascending staircase between the levels announce the inbetween-movement, thus filling a void otherwise uninhabitated. This ”Descending-staircase” is our way of commiting to the ground of which it is placed. It goes directly in contact with the outside yard area, as it allows itself to lower itself just below the street level.

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Emilie Kreijtz Mølgaard Søren Højbjerre 4004942 É 4004653 ARKITEKTSKOLEN AARHUS PROJECT ON HANSBROGESGADE 31, 8000 AARHUS C

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Gr adi ent

The way one moves from one level to another on the same storey of a building tells a lot of how the zones are connected. In the couple’s apartments the living quarters have been placed on two different levels. This constructs both a living- and a sleeping-level. The movement between these two levels became important to inhance, as one moves between the two levels on two very specific times in the day - day and night.

The ”Gradient-staircase” was hereby constructed in order to soften the division between these two living spaces.

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D iv id ing

In creating the communal bathing area, it was important to acknowledge a division between what is private and what could be considered a possibility of being semi-public. Inspired by 1940’s, WWII bath houses, the communal bath is a part of the social area. It creates a new meeting place, otherwise seen as being extremly private. By creating a new level below the meeting area, the single step constructs a membrane between the very private and the semi-public, as you are nude in one and clothed in the other.

ELEMENTS OF MOVEMENT

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E l e v at ion

The elevation element is not only permitted by the fire ensurence/security code, but also gives a direct and safe passage from the bottom level to the top level, hereby ensuring a connection across the entirety of the structure, as every storey is accessible by the elevator.

Post the research, the concepts have been dealt with, analysed and ultimately been applied to the proposal. Showing the elements in question

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_ 0 3 C ouple 1. level

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The rendering shows the pivotal evolution in the bathing facilities. Going from one extreme of placing it in the basement, it now sits in between the living quarters.

R e n d e r i n g _01 - _05 - The main staircase The staircase went through a journey of firstly circluting the living and social areas to now being something much more poetic, as its reveals an internal movement to the outside world, only in silhoutte and only by night is the inhabitants seen.

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Emilie Kreijtz Mølgaard Søren Højbjerre 4004942 É 4004653 ARKITEKTSKOLEN AARHUS PROJECT ON HANSBROGESGADE 31, 8000 AARHUS C

B E VÆ G E L S E 18.12.17

SECTIONS, PLANS, TECHNICAL

6 plans, 4 sections, 2 renderings - 6 : 2 : 4 1 : 100

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30 x 30 Investigating concretes abilities.

The uniqueness of taking the shape and form of its mold. Creating a positive from a negative.

30 x 30 Utilizing the negative space and thus revealing a pre-existing wall. Constructed by th idea of making choices, but ackownledging a context with a history.

30 x 30 Being forced to recognize a surface due to gravity. You can choose to touch a wall, gravity forces you to construct an opinion.

Taking an exteme . zonetherapy.

P r e s s u r e p o i n t s .

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_ 0 1 30 x 30 Experimenting with the amount of sand versus cement in the concrete mixture so the result wold reveal a smooth and glossy surface.

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_05 1 D et ai l Cast Ceiling

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Emilie Kreijtz Mølgaard Søren Højbjerre 4004942 É 4004653 ARKITEKTSKOLEN AARHUS PROJECT ON HANSBROGESGADE 31, 8000 AARHUS C

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2 drawing concrete element

” TEKTONIK O G TEKSTUR”

1 D et ai l Cast Floor

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2 drawing concrete element

Exploring concrete and constructing a surface. Investigating the functional aspect of an otherwise purely aesthetic area.

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Emilie Kreijtz Mølgaard S øren Højbjerre

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ARKITEKTSKOLEN AARHUS The translucent facade came from the ideas of the speci-

facing PNighttime R O Jrendering, E C T street ON H A N S B R O G E S G A D E fic31, zones in the proposal. The perspective facade. private, the public, the semi8000 AARHUS C public and the buffer-zones.

The importance of constructing a private area lies in the ability to remove the inhabitant from distractions, this has been done by placing the private areas towards the courtyard, thus alienating themselves from the street.

Whereas the private area is placed towards the yard, the semipublic areas are placed in the part of the building facing the street. The term ”semi-public” comes from the degree of social interaction found in the proposal. Semi-public areas are defined by being areas where the inhabitants would meet during daily tasks such as cooking, bathing and moving in, out and towards specific areas. This inbetween movement was important in the construction of the facade, as this translucent facade would reveal to the outer public a dynamic flow and internal movement inside the complex.

The idea of translucency as opposed to transparency as opposite concept have been delved into. Translucency illuminates the room in a white indirect light, thus letting in the light, but not the distractions of the busy street, constructng a membrane or a curtain that deals with the inhabitants as silhouttes, hereby rendering all the inhabitants as gender- and ageless.

Nighttime rendering, street facing facade.

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Taking inspiration from Pierre Chareau’s Maison de Verre, the translucent facade will show the internal movement in the dark hours of the night, and creating a plane during the day, where only light will be let in making the movement inside will be less visible.

The Maison de Verre, Pierre Chareau, 1928.

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Nighttime rendering, backyard facing facade.

FORANKRING 13.09.17 Emilie Kreijtz Mølgaard Søren Højbjerre 4004942 É 4004653 ARKITEKTSKOLEN AARHUS

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B E VÆ G E L S E 18.12.17

MOV E M E N T A N D T H E FAC A DE

A translucent facade in accordance to an outer insight.

DRAWINGS

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Watercolor Ink Watercolors + Ink Pen + Ink Model: Organic maze Lasercut elements Coal

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RECOMMENDATION

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”Kätte Bønløkke Andersen, Associated professer, Architect MAA”

Yours faithfully Kätte Bønløkke Andersen

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Emilie and her team mate worked through all the phases with great commitment and a good result.

Emilie is diligent and persistent and has an investigattive apporach to the dicipline. She works focused, both invidually and with others, and she has a kind and humorrous personality. I give Emilie my warmest recommendations.