Nisimazine Abu Dhabi 2010

Page 1

Abu Dhabi

Nisimazine Friday 22 October

‫ أكتوبر‬٢٢ ،‫اجلمعة‬

.»‫صحيفة مهرجانية تصدر عن ورشة للنقاد الشبان من تنظيم الشبكة الأوروبية لسينما الشبان «نيسي مازا‬

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#8/

A festival gazette published in the framework of a workshop for young critics by NISI MASA, European network of young cinema

‫افتتاحية‬

‫تقرير من وراء عدسة الكاميرا‬

EDITORIAL by Tina Remiz, aged 21 (Latvia/UK)

From behind the lens

‫ال كتبه مصور على‬ ً ‫يندر أن تقرأ مقا‬ ‫ لكن مهرجان أبو‬.‫الصفحة األولى لمجلة‬ ‫ظبي السينمائي مهرجان غير اعتيادي من‬ .‫نواح عديدة‬

It doesn’t happen too often that you find an article written by a photographer on the front page of a magazine, but then the Abu Dhabi Film Festival is unusual in many ways.

،‫ نحن المصورين‬،‫قد يصدف أن ترانا‬ ‫نحمل حقيبة ثقيلة ملئى بأجهزة التصوير‬ ‫أو تلمحنا متخفين وراء الكاميرا للحظات‬ .‫قبل أن يعميك ضوء فالش الكاميرا‬ ‫غالبًا لن تتذكر وجوهنا لكن الصور التي‬ ‫أخذناها ستصبح بالنسبة لك مادة بصرية‬ ‫ بعد بضعة‬.‫تعكس ذكرياتك عن الحدث‬ ‫ عندما تحاول تذكر مهرجان أبو‬،‫أشهر‬ ‫ظبي السينمائي ستتفاجأ بأن ما سيبقى في‬ ‫ذاكرتك هو صور صحفية كانت قد لفتت‬ .‫انتباهك‬

You might have seen us carrying heavy bags of equipment or hiding behind the camera just before the flash-light blinds you for a moment. You will probably not remember our faces, but the photographs we take will soon become the visuals of your memories about the event. A few months later, trying to recall what the Abu Dhabi Film Festival looked like you will be surprised to find yourself thinking of one press image or another that grasped your attention. With an extensive programme of events running parallel in separate venues throughout the day, we offer you an opportunity to see more than what one person possibly could on their own. We become your eyes, and this is a great responsibility which we take with pride.

‫بما أن هنالك العديد من النشاطات التي‬ ‫تجري في ذات الوقت في أماكن مختلفة‬ ‫ نوفر لك فرصة لتشاهد عددًا‬،‫طوال اليوم‬ ‫من النشاطات التي يعجز شخص واحد‬ ،‫ نصبح أعينك‬.‫عن مشاهدتها لوحده‬ .‫وهي مسؤولية كبيرة نفخر بتحملها‬ ‫إن العراك الذي نخوضه على أطراف‬ ‫السجادة الحمراء الحتالل موقع أفضل‬ ‫نستطيع من خالله التقاط نظرة أو طيف‬ ‫ابتسامة أو أي صورة أفضل من صور‬ ‫ لتسنح لنا‬...‫جيراننا هو عرض بحد ذاته‬ ‫فرصة التقاط بورتريه أقرب للحقيقة وغير‬ .‫سطحية؟ هذا كان هدفي بداية المهرجان‬ ‫وقد تعلمت منه درسًا مهمًا وهو أننا غير‬ ‫مطالبون في أغلب األحيان بتوثيق الواقع‬ ‫وإنما أن نخلق صورة أخرى مصطنعة‬ .‫الجمال تثير إعجاب الجمهور‬

‫فيلم اليوم‬

FILM OF THE DAY /

The regular battles on the fringes of the red carpet can become spectacles of their own - fights for a better spot ‘on the gold’, for a passing glance or a glimpse of a smile, for the chance to take a picture better than your neighbour’s... For an opportunity to take a more truthful portrait looking beneath the surface? This was my firm objective at the beginning of the festival, and it was an important lesson to learn that we are often not asked to document reality, but to create yet another artificially beautiful image for the public to admire.

Here Comes the Rain

Bahij Hojeij, Lebanon, 2010 - Narrative competition

F

ilms about returning home after a long absence sometimes make us feel a bit uncomfortable, like an uninvited guest at the family table. But Here Comes the Rain avoids the cliché of tearful and pathetic reunions. Bahij Hojeij's second feature depicts the return of Ramez to his loved ones, after he got kidnapped and spent time behind bars. Condescension is set aside; the children he left 20 years before have become adults and lead their lives normally, accustomed to his absence, as if he were still away. The remarkable mise en scene reveals subtle and sincere performances, which let the music express the states of minds of the characters and the spirit of the movie.

In Lebanon, cases of disappearance are commonplace; whatever political parties victims belong to, imprisonment may last months, years, decades or a lifetime. Absence causes a rupture of the family unit and a dichotomy between oneself and reality. Depending on the length of sentences and disappearances, prisons can become strange comfort zones where prisoners develop a new way of being in order to survive. Returning home shakes up the parameters of that state of mind; Ramez develops an obsession with bags. He collects and stores them in different places. The small and medium ones go to the drawer of the kitchen cabinet, the big ones lie in a suitcase placed under the marital bed, and he cleans the dirty ones.

This derision shows that, for a loving family, it doesn't really matter how the exprisoner adapts himself to reality – the essential thing is having him back. The patience and tolerance of Marie also underline this. With Here Comes the Rain, the filmmaker lets us witness a family reunification without going through a stormy melodrama, and that's refreshing.

by Samira Mesbahi aged 34 (France)

REVIEW /

‫تعقيب‬ The Furious Force of Rhymes

www.nisimazine.eu PICTURE OF THE DAY /

This strange obsession is endearing. During a moment of tenderness, a hug, his wife Marie asks him if he needs anything and he says: “Do you any other bag left?”

22/10 Cinestar 8 06:45 PM

Besides our daily at the festival in print, you can also find all our coverage online at

‫صورة اليوم‬ Joshua Atesh Litle USA, 2010 New Horizons

W

Photo by TINA REMIZ

as Hip-Hop first born in the USA, or in Africa? No one knows. Joshua Atesh Litle travels across the world to discover all the different rap cultures, and finds that they form a universal language. It seems that rappers are the new Babylonians. We follow the director through the Bronx, the suburbs of St-Denis in Paris, Berlin, Palestine and finally Dakar in Senegal. How and why have such diverse countries encountered the same music, the same rhythms and the same rhymes? The conclusions are quite abstract. The fact that Hip-Hop came from the USA to France through a radio and TV show in the 80s doesn’t explain everything. The link between the different countries is most of the time a visual more than a truly rational one. For example the drawing of a Palestinian flag on the

22/10 Cinestar 2

Looking back

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)‫ اسبانيا‬/‫ تينا رميز (لبنان‬: ‫بقلم‬

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06:45 PM

Berlin Wall brings us to Palestinian hip-hop. But even this choice could have been interesting if it was followed through in the whole film, because sometimes a link is totally missing.

The most interesting part is certainly the beginning about the 70s in the Bronx, with great archive material. It would have been better to see and learn more about this, because what follows isn’t as interesting. In a nutshell, rap culture allows the outcasts, the oppressed and the delinquents to express their rage and their passion. Nothing new. Unfortunately, the only counterpoint given is gritty 70s films against today’s MTV videos, and the latter is over-represented.

by Elisabeth Renault-Geslin aged 23 (France)


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