Continuing Studies at Emily Carr University: Spring 2017 by Emily Carr University of Art + Design

SPRING2017

JANUARY - APRIL

| continuing studies courses + programs

continuing studies

SUMMER INSTITUTE FOR TEENS JULY 4-28, 2017 | AGES 16-18* Join a community of young artists and designers for a one-month intensive where you can elevate your skills and expand your portfolio. Choose one of 10 studio disciplines for in-depth study as you explore contemporary art + design. Showcase your final work in a student-curated exhibition in a public gallery.

ELEVATE YOUR SKILLS EXPAND YOUR PORTFOLIO EXHIBIT YOUR WORK EXPERIENCE ECUAD CHOOSE FROM 10 STUDIOS Animation Architecture + Urban Design Drawing Fashion + Textiles Graphic Design Illustration: Digital Illustration: Traditional Interaction Design

REGISTRATION DATES & FEES Early Bird Rate (by Dec. 16, 2016)

Final Registration Rate (by June 19,2017)

$1990 (Domestic) $2390 (International)

$2390 (Domestic) $2790 (International)

Painting Photography: Digital Video (NEW) Studios are subject to change.

*Students must be aged 16-18 or have completed Grade 10 by July 1, 2017 to register.

UNDER 16? Check out our Junior Art Intensive for ages 13-15.

teens.ecuad.ca

teens@ecuad.ca 604 844 3810

SPRING 2017

Table of Contents CERTIFICATE PROGRAMS Communication Design Certificate 2 Interaction Design Certificate 3 Part-Time Certificates 4 COURSES + WORKSHOPS Communication Design 6 Core Skills 8 Cultural Studies 9 Digital Skills, Media + Technologies 10 Drawing 12 Graphic Novel 17 Illustration 18 Industrial Design 20 Painting 23 Photography 27 Print Media 29 Professionalising Your Practice 31 Sculpture + Installation 32 Textile Arts 33

ALUMNI PROFILE Katrina Heschel (2015) Interaction Design Certificate

GET STARTED Courses at a Glance How to Register

34 36

RESOURCES FAQs Contact Us Registration Policies + General Information

37 37 38

COMMUNICATION DESIGN CERTIFICATE 1 Year Full-Time

Start dates: April + October How to Apply Apply through BCIT. Visit bcit.ca/admission. Get Ready New to communication design? Start learning some basic skills and create work for your admissions portfolio with these CS courses:

Delivered by BCIT and Emily Carr University of Art + Design, the Communication Design Certificate is a one-year, full-time program that provides students with a solid foundation in communication design theory as well as graphic design skills in the Adobe Creative Cloud. This career-focused program prepares graduates for a variety of roles in graphic design, advertising and marketing.

Course content includes: u u u u u

Brand identity, layout, typography and package design; Corporate communications and project management; Prepress production for print and introduction to web design; Skill development in Adobe Photoshop, Illustrator and InDesign; and Design thinking and process development.

CECD 110 Basics of Communication Design CECS 133 InDesign: The Basics

Term 1

Design and the Creative Process • Fundamentals of a Visual Language Introduction to Design and Research Skills • Layout and InDesign 1 • Technology for Designers • Business Communication for Designers

•

Term 2

This program runs in partnership with BCIT.

Layout Design and the Static Image • Typography • Major Project 1 • Vector Graphics: Illustrator for Designers • Raster Graphics: Photoshop for Designers

Term 3

Introduction to Brand Identity • Packaging Design • Corporate Communications • Web Design and Authoring for Designers • Layout and InDesign 2 • Major Project 2

Term 4

Professional Practices for Designers • Editorial Design • Digital Media Design • Dynamic Media Web Design • Prepress • Major Project 3

essentials.ecuad.ca essentials@ecuad.ca | 604 844 3810

INTERACTION DESIGN CERTIFICATE

6 Months Full-Time

Our Interaction Design Certificate is a six-month, full-time program that brings together user experience and design principles. Students develop skills in areas from web design to coding to motion graphics as they produce both web and mobile-based applications. Graduates exit the program with a professional-level portfolio and a range of in-demand skills. This program focuses on specific skills required for a range of positions within interaction design.

Start dates: April + September How to Apply Submit your application online and include the following: u

A portfolio of work CV or resumé u Academic transcripts (high school and/or university) u

Course content includes: u

u u u u

Design and prototyping for responsive design, including mobile environments; User interface (UI) and user experience (UX) skills; Website development using HTML, XML, PHP, JavaScript, jquery, CSS; Mastery of Adobe Creative Cloud tools; and How to lead effective projects and work in teams.

Term 1

Design Fundamentals • Designing For The Web • Design Research and Management • Interaction Design Studio I • Motion Graphics • Portfolio Development I • Programming for Interactivity • User Centered Design • Web Development I

Get Ready New to interaction design? Start learning some basic skills and create work for your admissions portfolio with these CS courses: CEDA 232 Introduction To Web Design CECS 130 Adobe Illustrator: The Basics

Learn More Meet one of our alumni on page 40.

Term 2

Mobile Web Development • Mobile Application Design • Mobile Application Production • Interaction Design Studio II • Portfolio Development II • Web Development II

essentials.ecuad.ca essentials@ecuad.ca | 604 844 3810

PART-TIME CERTIFICATES Flexible programs focused on technique and portfolio development.

CHOOSE FROM THESE PROGRAMS

2D DESIGN

>> 1-3 yrs

Learn the basics of typography, graphic design and design theory while you gain skills in industrystandard software used to create both print and digital portfolio pieces.

3D DESIGN

>> 1-3 yrs

Explore industrial design or architectural design from a conceptual and technical standpoint as you work with industry-standard software and physical materials to visualise and produce forms and structures.

Get Started

FINE ARTS

>> 1-3 yrs

Develop a broad foundation for your fine art practice by working in a range of media and exploring the creative process through hands-on studio time and critical discussions. Get Started

PHOTOGRAPHY >> 1-3yrs Working your way from film photography and darkroom development to contemporary digital photography, you will learn the fundamentals of photographic practice necessary to compose and execute evocative images.

CECD 110 Basics of

Get Started

CEFA 160 Basics of

Communication Design

CEID 120 Basics of Industrial

Composition and Form

Get Started

Design

CEFA 170 Materials and

CEPH 148 Black and White Film

Media in Fine Art Practice

Photography

ecuad.ca/certificates

cscertificates@ecuad.ca 604 844 3810

Part-time certificate programs consist of core and elective courses and are suitable for all levels of experience. Set your own pace of study and areas of focus u

Build a portfolio that showcases your personal style and abilities u

Receive feedback and assessments from your instructors u

Join a community of like-minded artists and creative individuals u

Have access to advance registration in CS courses u

How to Register 1. Visit ecuad.ca/certificates to download the Part-time Certificate Registration Form and submit it by email to csinfo@ecuad.ca. 2. Visit us in person in Rm 103, North Building, Emily Carr University of Art + Design.

Learn More u

Download our student handbooks from our website

Visit ecuad.ca/certificates

DRAWING

>> 1-4 yrs

Start or expand your drawing practice by developing your skills, building a portfolio, moving beyond pen and ink and examining the medium from a historical and contemporary standpoint.

ILLUSTRATION

>> 1-4 yrs

Experiment with a variety of techniques, tools, and media used in illustration as both an art form and a business, focusing on either commercial or picture book work.

PAINTING

>> 1-4 yrs

SCULPTURE

>> 1-4 yrs

Play with colour, image, structure and surface as you explore different techniques and work with an array of materials to produce a diverse portfolio that reflects your individual style and talents.

Cast, meld and shape a range of materials through hands-on studio work while building your knowledge of sculptural concepts, processes and techniques used to create contemporary sculpture.

Get Started Get Started

CEIL 170 Introduction to

Get Started

CEDR 160 Drawing

Illustration

CEPN 160 Painting

CESC 180 Introduction

Fundamentals I: Composition/

to Metal Sculpture

Process

ecuad.ca/certificates

cscertificates@ecuad.ca 604 844 3810

Visit our website for complete lists of required courses: ecuad.ca/certificates

want in indiv to register idu and wo al courses rkshop s?

O R E G IS

T E R : P.

COMMUNICATION DESIGN

Linda Coe

BASICS OF COMMUNICATION DESIGN

CECD 110 S001

Learn the fundamentals of communication design including process, ideation, research, analysis, concept development, problem definition, and creative problem-solving. Through collaborative exercises, you will be introduced to the design processâ&#x20AC;&#x201D;from development through to the creation of a mock-up and a short design presentation.

Jan 15 - Feb 26 Sun 9:30 am - 12:30 pm 6 sessions / 18 total hrs $290 Register by Jan 10

Prerequisite(s): None

No class Feb 12 Linda Coe

THE ART OF FONTS

CECD 112 S001

This course introduces you to the anatomy of letterforms and the principles of typographic usage. From the fundamentals of choosing and combining type to the terminology of typography, you will explore distinctions between typefaces, typographic usage and shaping the page with type. By the end of the course, you will be able to apply your typographic knowledge to a range of print and digital media projects.

Jan 15 - Feb 5 Sun 1:30 pm - 4:30 pm 4 sessions / 12 total hrs $240 Register by Jan 10

Prerequisite(s): None

RenĂŠe Alexander CECD 130 S001 Feb 22 - Apr 12 Wed 6:30 pm - 9:30 pm 8 sessions / 24 total hrs $315 Register by Feb 17

NEW DYNAMIC CALLIGRAPHY Learn how to make calligraphy more engaging and dynamic by breaking the rules of typography. Starting with a compressed Italic Script, students will go from traditional letter forms and spacing to manipulating and moving their letters to create exciting compositions. A series of exercises will teach students how they can achieve more exciting lettering by changing the rigid rhythm, releasing letters from containment between lines, stretching letter shapes and abandoning strict adherence to where lower and uppercase letters are used. Prerequisite(s): None

EMILY CARR UNIVERSITY OF ART + DESIGN SPRING 2017

T 604 844 3810

F 604 630 4535 ecuad.ca/cs

Vjeko Sager

DRAWING FOR DESIGN

CECD 160 S001

Drawing is an essential process in design. It is a necessary tool for concept development and is used to communicate with clients and other design professionals throughout the design and production process. This course introduces you to the basic principles of drawing with a specific focus on applications in design including: point; line; form; tone and value, the representation of mass and volume; and composition. Assignments incorporate exercises in drawing techniques combined with problem solving skills and basic design principles.

Jan 21 - Mar 18 Sat 9:30 am - 12:30 pm 8 sessions / 24 total hrs $340 Register by Jan 16 No class Feb 11

Prerequisite(s): None

Robin Mitchell-Cranfield

PUBLICATION DESIGN

CECD 330 S001

Through this course you will design a publication while learning basic principles of design including layout strategies for multi-page documents and considerations for commercial and small-run printing. You must have prior knowledge of Adobe InDesign and Photoshop, and you are encouraged to bring in a project and all related materials for the first day of class. On completion of the course, you will have a draft multi-page publication, as well as a deeper understanding of publication design concerns.

Feb 18 - Apr 8 Sat 9:30 am - 12:30 pm 8 sessions / 24 total hrs $360 Register by Feb 13

Prerequisite(s): A working knowledge of Adobe Photoshop and Adobe InDesign; expertise with Adobe Illustrator is recommended

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part-tim certifica e 2D Des te in ign learn m ore : p. 4

REGISTRATION BEGINS NOVEMBER 8, 2016 u HOW TO REGISTER p.â&#x20AC;&#x2030;36

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CORE SKILLS

t step he nex take t ol in our enr

e part-tiam te in c fi i t r e c t fine aer: p. 4 learn

mor

Frances Grafton

BASICS OF COMPOSITION AND FORM

CEFA 160 S001

This foundational course introduces you to the relationship of concept and composition in 2D art practices. You will develop skills in composition by investigating how line, shape, colour, texture and surface treatment enhance and influence form. Experimentation with a variety of media allows you to explore aesthetics and meaning by applying the elements and principles of composition. You will learn to reference historical and contemporary theories and image sources as inspirations for art making.

Jan 21 - Mar 18 Sat 9:00 am - 12:00 pm 8 sessions / 24 total hrs $340 Register by Jan 16 No class Feb 11

Prerequisite(s): None

Karen Kazmer

MATERIALS AND MEDIA IN FINE ART PRACTICE

CEFA 170 S001

In this course, you will explore the relationship between ideas, materials, media and context, and how these are used to create 3D objects. Both traditional and unconventional materials and processes will be employed in exercises and projects. Topics include: space, mass, volume, plane and texture, as well as how these elements can be manipulated, through your choice of materials.

Jan 7 - Jan 21 Sat 9:00 am - 2:00 pm 3 sessions / 16 total hrs $265 Register by Jan 2 Last session (Jan 21)

Prerequisite(s): None

9:00 am - 3:00 pm

EMILY CARR UNIVERSITY OF ART + DESIGN SPRING 2017

T 604 844 3810

F 604 630 4535 ecuad.ca/cs

CULTURAL STUDIES Morgan Mallett

ISSUES IN CONTEMPORARY DESIGN

CESE 110 S001

This course examines a range of contemporary debates, themes and issues that affect designers including: ‘wicked problems’ in design; social responsibility; design thinking; architecture and urban planning; user-centered design; objects we think with; and many others. In addition to weekly readings and discussions, you will work in teams to address contemporary design challenges, moving from talking about design to the practical implications of developing design proposals. You will develop a greater awareness of ways in which design is connected to your everyday life.

Feb 16 - Apr 6 Thu 6:30 pm - 9:30 pm 8 sessions / 24 total hrs $295 Register by Feb 11

Prerequisite(s): None

Ramon Kubicek

ISSUES IN CONTEMPORARY ART

CESE 160 S001

This course introduces you to a range of issues affecting contemporary art from the mid-20th century to today. You will examine a number of themes including: the changing role of the artist; the problem of the avant-garde and originality; the idea of discourse; postmodernism and beyond; the problem of ‘beauty’; nature as subject; pastoral tradition and nostalgia; ecological art; new feminism; radical art; cyber-culture and the post-human; and the new sublime. You will complete an exhibition review and a portfolio of research and writing exercises.

Feb 18 - Apr 8 Sat 10:30 am - 1:30 pm 8 sessions / 24 total hrs $295 Register by Feb 13

Prerequisite(s): None

Jessa Alston-O’Connor

WALKING TOURS

CESE 176 S001

Over the past century, Vancouver has transformed from a lumber and port city into a multicultural city of glass. As the architecture of the city has changed, many of its histories have been erased from view. At the same time, Vancouver has also produced internationally renowned artists in a vibrant artistic community, many offering diverse artistic perspectives on the complex identities of this city. This course invites students to explore Vancouver through walking tours that critically question our built environments, field trips to galleries that are cultural hubs for the Vancouver art scene and discussions of key artists’ works that have engaged or addressed the complex facets and pasts of Vancouver.

Mar 11 - Apr 8 Sat 10:00 am - 3:00 pm 4 sessions / 18 total hrs $235 Register by Mar 6 No class Mar 25

Prerequisite(s): None

Rajdeep Gill

A SURVEY AND HISTORY OF ART

CESE 180 S001

This course offers an introduction to the history of Western art, focusing on the cultures and individuals that shaped art and architecture over the last 1000 years. Linking historical precedents to contemporary artistic practices, this course will provide you with a general introduction to art history. This course is ideal if you want to be better informed when visiting museums or galleries, or who want to understand their own practice in the context of what went before.

Feb 20 - Apr 10 Mon 6:00 pm - 9:00 pm 8 sessions / 24 total hrs $295 Register by Feb 15

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DIGITAL SKILLS, MEDIA + TECHNOLOGIES Jaime Clay

ADOBE ILLUSTRATOR: THE BASICS

CECS 130 S001

Adobe Illustrator is a powerful digital tool for many applications including illustration, drawing and design. Learn the key features of this program and become familiar with the basics of digital drawing and painting by creating and modifying geometric shapes, drawing with BĂŠzier curves and utilizing gradients and patterns. Small weekly assignments and one larger illustration project will allow you to apply all the skills learned in class. Note: This course is taught in our Mac Labs using Creative Cloud.

Feb 18 - Apr 8 Sat 1:30 pm - 4:30 pm 8 sessions / 24 total hrs $415 Register by Feb 13

Prerequisite(s): Experience using a Mac computer is highly recommended

Jen Hiebert

ADOBE INDESIGN: THE BASICS

CECS 133 S001

Adobe InDesign is a powerful tool for design, page-layout and production, and is the ideal platform to bring together work created in Photoshop, Illustrator and Acrobat. In this course, you will gain basic experience with the software as you layout pages, create and format text, add and manipulate images. You will also gain a basic understanding of colour as it relates to printing. Note: This course is taught in our Mac Labs using Creative Cloud.

Feb 18 - Apr 8 Sat 9:30 am - 12:30 pm 8 sessions / 24 total hrs $415 Register by Feb 13

Prerequisite(s): Experience using a Mac computer is highly recommended ; experience with Illustrator is an asset

Eduardo Rodriguez

Jen Hiebert

THE ADOBE SUITE FOR DESIGN AND PRODUCTION

CECS 136 S001

CECS 136 S002

Jan 19 - Mar 9

Feb 18 - Apr 8

Thu 6:00 pm - 10:00 pm

Sat 1:30 pm - 5:30 pm

8 sessions / 32 total hrs

$520

This course is a comprehensive introduction to the Adobe Creative Cloud, including Illustrator, Photoshop and InDesign, as an integrated software tool for the design and production of print and digital media. Focus is on gaining basic knowledge of each program and a deeper understanding of how they work as part of an integrated toolkit. You will learn to use these programs for document layout, typesetting and combining vector and raster art to design and produce work for print and digital outputs. Note: This course is taught in our Mac Labs using Creative Cloud.

Prerequisite(s): Strong computer skills are highly recommended

EMILY CARR UNIVERSITY OF ART + DESIGN SPRING 2017

T 604 844 3810

F 604 630 4535 ecuad.ca/cs

Kathryn Mussallem

PHOTOSHOP FOR PHOTOGRAPHERS

CECS 140 S001

Designed for photographers, this course explores the range of capabilities of Adobe Photoshop as a tool for image correction and manipulation including colour calibration, layers, dodging and burning, converting colour images to greyscale, toning and retouching. Time will be available for work on personal images. Using scanned and digital images, you will be introduced to topics including: RAW file format, colour management, basic selection techniques, a variety of techniques for tonal and colour correction, retouching and final image output. Note: This course is taught in our Mac Labs using Creative Cloud.

Feb 20 - Apr 10 Mon 6:30 pm - 9:30 pm 8 sessions / 24 total hrs $445 Register by Feb 15

Prerequisite(s): Experience using a Mac computer; experience with digital or film photography

Jaime Clay

ANIMATION WITH PHOTOSHOP

CECS 152 S001

Photoshop may be best known for its photo-editing capabilities, but it is also an excellent program for creating images and simple animations. In this course, you will learn how Photoshop allows you to produce dynamic logos, eye-catching GIFs and stunning motion sequences. As you create your own simple animations, you will also learn the language of animation and how to recognize when to use it to enhance your images.

Feb 18 - Mar 25 Sat 9:30 am - 12:30 pm 6 sessions / 18 total hrs $390 Register by Feb 13

Prerequisite(s): Basic computer skills

Kevin McMillan

INTRODUCTION TO WEB DESIGN

CEDA 232 S001

This course will give you an understanding of how websites are made and how to create your own. Content covers the technical and aesthetic issues of developing a website including how to write code that works on any range of browsers and how to design pages that work equally well on large desktop monitors and smart phone screens. If you currently use a Content Management System such as WordPress, knowing how to write HTML and CSS will allow you to take your projects to the next level.

Feb 14 - Apr 4 Tue 6:30 pm - 9:30 pm 8 sessions / 24 total hrs $425 Register by Feb 9

Prerequisite(s): Basic computer skills

Kevin McMillan

INTRODUCTION TO WORDPRESS

CEDA 250 S001

As an introduction to web design using WordPress, this course looks at the technology and skills required to develop a content-managed website. Through the production of your own site, you will learn how to make posts, pages and galleries as well as how to use WordPress themes, plugins, widgets and more. This course demonstrates a variety of the easiest and most effective ways of designing, managing and securing your personal WordPress site. Additional topics include how to get a domain and web hosting, how to set up a WordPress testing environment, and auditioning plugins, themes and more.

Feb 16 - Apr 6 Thu 6:00 pm - 9:00 pm 8 sessions / 24 total hrs $425 Register by Feb 11

Prerequisite(s): Basic computer skills

Carlos Mendes CECS 901 S001 Mar 29 Wed 6:00 pm - 9:00 pm 1 session / 3 total hrs

WORKSHOP PRINTING FROM PHOTOSHOP Learn the process of printing images from Photoshop and how each step will impact the final result. This workshop covers the larger context of a colour managed workflow and will touch upon such concepts as icc/icm profiles, custom profiles, media types, ink differences, resolution, ppi vs dpi, RGB vs CMYK, paper choices and more.

$65 Register by Mar 24

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DRAWING Vjeko Sager

Frances Grafton

Ian Forbes

DRAWING FUNDAMENTALS I: COMPOSITION/PROCESS

CEDR 160 S001

CEDR 160 S002

CEDR 160 S004

Jan 15 - Mar 12

Jan 21 - Mar 18

Feb 9 - Mar 30

Sun 1:30 pm - 4:30 pm

Sat 1:30 pm - 4:30 pm

Thu 6:00 pm - 9:00 pm

8 sessions / 24 total hrs

$300

No class Feb 12

No class Feb 11

Drawing, observation, recording and compositional organization are foundational tools for any creative practice. In this course, you will explore studies in line, shape, value, perspective, proportion, positive and negative space and the human figure. Using a wide range of drawing materials and hands-on practice, you will be introduced to drawing as a means of intense visual investigation. This course is an ideal, supportive learning environment if you are new to the field of drawing, and are looking to gain skills that will be broadly applicable.

Martin Guderna

Keith Langergraber

CEDR 160 S003

CEDR 160 S005

Jan 30 - Mar 27

Mar 1 - Apr 19

Mon 6:30 pm - 9:30 pm

Wed 6:30 pm - 9:30 pm

8 sessions / 24 total hrs

$300

No class Feb 13

Prerequisite(s): None

note: Some of our courses may include working with a live undraped model.

EMILY CARR UNIVERSITY OF ART + DESIGN SPRING 2017

T 604 844 3810

F 604 630 4535 ecuad.ca/cs

Tony O’Regan

PERSPECTIVE DRAWING FOR ARTISTS + DESIGNERS

CEDR 162 S001

This course is essential for artists, designers, illustrators and animators who wish to create convincing images of form, depth and space. Regardless of the form you work in, you will improve the impact of your work with an understanding of this powerful drawing technique. You will be guided through step-by-step exercises, moving from rough layout sketches to more carefully proportioned images of world architecture, vehicles and the human form.

Feb 18 - Apr 8 Sat 9:30 am - 12:30 pm 8 sessions / 24 total hrs $330 Register by Feb 13

Prerequisite(s): None

Tony O’Regan

CREATIVE DRAWING AND ARCHITECTURE

CEDR 163 S001

This structured, high-energy course develops your basic to intermediate drawing and sketching skills, specifically related to space and spatial concerns. Exercises and projects focus on applying principles of perspective drawing, sketching concepts, and other compositional strategies. A variety of creative freehand techniques will allow you to develop your approach to architectural figurative drawing. Class work includes some drawing from a model.

Feb 18 - Apr 8 Sat 1:30 pm - 4:30 pm 8 sessions / 24 total hrs $315 Register by Feb 13

Prerequisite(s): None

Stan Hunc

DRAWING WITH PEN + INK: BLACK-AND-WHITE

CEDR 167 S001

Take a classic, black-and-white approach to the expressive medium of pen and ink drawing. Through exercises and step-by-step tutorials, you will learn to create a range of work, from photo-realism to abstraction and everything in between. Work with a range of pen points using bistre and sepia inks, as well as combinations of ink and watercolour. Experimentation with ink and wash will be introduced as you explore tone, texture, line and stroke, gesture and calligraphy, proportion and visual balance.

Jan 19 - Mar 16 Thu 6:30 pm - 9:30 pm 8 sessions / 24 total hrs $315 Register by Jan 14 No class Feb 16

Prerequisite(s): Any 100-level drawing course or equivalent

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DRAWING (CONT’D) Vicki Israel CEDR 185 S001 Feb 4 - Apr 1 Sat 9:30 am - 12:30 pm 8 sessions / 24 total hrs $315 Register by Jan 30 No class Feb 11

NEW DRAWING TECHNIQUES: LIGHT + SHADOWS

Dan Starling

LIFE DRAWING IN COLOR

CEDR 215 S001

In this hands-on studio course, students will learn how light and shadow can be used to create the illusion of three-dimensionality. Through practical exercises and step-bystep techniques, students will begin to observe shape and form and interpret it using mark-making, creating depth, drama and texture. Projects will allow students to experiment and explore their own personal visual language using a variety of drawing materials, including Conté, graphite and charcoal.

Jan 28 - Mar 25

The ability to use colour in drawing can inform further exploration into painting; however, in this course, you will approach drawing in colour as an end to itself, creating and completing finished artworks. Through historical and contemporary examples, you will learn about colour in theory and in practice. Using techniques ranging from the extremely expressive to the finely detailed, you will explore a range of materials including coloured pencils, pastels, inks, markers and coloured conté in order to capture the human figure. Visual experimentation will be encouraged and course work will include drawing from a live model.

Sat 9:30 am - 12:30 pm 8 sessions / 24 total hrs $310 Register by Jan 23 No class Feb 11

Prerequisite(s): None Prerequisite(s): CEDR 160 Drawing Fundamentals I: Composition/Process or equivalent

Dan Starling

ANATOMICAL DRAWING I

CEDR 220 S001

This drawing course focuses on the human figure, its construction, and the relationship between skeleton and muscle in order to enhance the understanding of surface anatomy, locomotion and proportion. Through observation and visual research, you will be guided through the process of depicting the anatomical structure of the human figure. Class work includes drawing directly from a model.

Jan 28 - Mar 25 Sat 1:30 pm - 4:30 pm 8 sessions / 24 total hrs $310 Register by Jan 23 No class Feb 11

Prerequisite(s): Any 100-level drawing course or equivalent; experience drawing from a model is recommended.

Keith Langergraber

DRAWING THE FIGURE AND FACE

CEDR 261 S001

Through drawing from a live model, you will learn basic anatomical proportions that you can apply to future work. You will develop a stronger understanding of the proportion and construction of the head and figure as well as typical standing, walking and seated poses. Using gesture, contour and shading, you will learn to capture the human form and to draw and map facial features, hands and feet. This course will be of special interest to anyone who needs to draw scale figures for use in design, illustration, animation or any other artistic form.

Mar 14 - Apr 4 Tue 6:00 pm - 10:00 pm 4 sessions / 16 total hrs $245 Register by Mar 9

Prerequisite(s): CEDR 160 Drawing Fundamentals I: Composition/Process or equivalent EMILY CARR UNIVERSITY OF ART + DESIGN SPRING 2017

T 604 844 3810

F 604 630 4535 ecuad.ca/cs

TBD

INTRODUCTION TO LIFE DRAWING

CEDR 263 S001

Develop and expand your drawing and observation skills in this course on drawing the human figure. Gesture, line and value, proportion, composition, form and volume will be explored through a variety of approaches. There will be a brief introduction to the structural anatomy of the body and identification of superficial anatomical points. Drawing from the skeleton and live model will be included.

Jan 17 - Mar 7 Tue 6:30 pm - 9:30 pm 8 sessions / 24 total hrs $365 Register by Jan 12

Prerequisite(s): Any 100-level drawing course or equivalent

Stan Hunc

DRAWING WITH PEN + INK: COLOUR

CEDR 267 S001

Take a colourful and unconventional approach to pen and ink drawing. In this course, you will learn to create a range of unusual, colour-oriented pen and ink projects. Work with a range of extraordinary pens and colour inks, as well as combinations of ink, watercolour and other creative mediums. You will be encouraged to go beyond ‘classic’ pen techniques and experiment with various forms of line, shape, texture, value and colour-generating methods in a series of independent projects.

Feb 19 - Apr 9 Sun 9:30 am - 12:30 pm 8 sessions / 24 total hrs $315 Register by Feb 14

Prerequisite(s): CEDR 167 Drawing with Pen + Ink: Black-and-White or equivalent

Dan Starling

DRAWING TECHNIQUES

CEDR 271 S001

Move beyond technical deficiencies keeping you from reaching your full potential through this intensive circuit of drawing exercises designed to explore the power of the medium. In this course, you will explore various forms of line drawing, visual interpretation and personal style in a series of challenging projects. Expand your understanding of lines and tones, wet-on-wet pen strokes and splashes, gestures and textures, and experiment with combinations of drawing tools in unconventional black-and-white, mixed media, pencil, charcoal and pen and ink drawing projects.

Feb 19 - Apr 9 Sun 9:30 am - 12:30 pm 8 sessions / 24 total hrs $315 Register by Feb 14

Prerequisite(s): Any 100-level drawing course or equivalent

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DRAWING (CONTâ&#x20AC;&#x2122;D) Vjeko Sager

DRAWING: HANDS, FACE AND FEET

CEDR 363 S001

This course centers specifically on these three specific areas of the figure through a combination of concentrated drawing sessions and presentations about their anatomical structure and functions. Each class will focus on one of the three parts, with one hour of presentation/discussion followed by guided drawing exercises. Topics include techniques of representation, proportion, composition and specific problems related to the expressive potential of the hands, feet and face.

Jan 29 - Mar 26 Sun 9:30 am - 12:30 pm 8 sessions / 24 total hrs $315 Register by Jan 24 No class Feb 12

Prerequisite(s): Any 100-level drawing course or equivalent; experience drawing from a model is recommended

Stan Hunc

ADVANCED DRAWING: PEN + INK

CEDR 367 S001

This course is designed for students who have solid pen and ink drawing skills and would like to continue to explore this medium. In addition to a series of advanced technique assignments, you will be able to work on your own projects and ideas while receiving robust and relevant feedback.

Feb 19 - Apr 9 Sun 1:30 pm - 4:30 pm 8 sessions / 24 total hrs $315

Prerequisite(s): Intermediate pen and ink skills

WORKSHOP EXPERIMENTAL MARK MAKING: INK Want to liven up your drawing practice? Challenge yourself to move away from more conventional mark making techniques and explore the various personalities of an essential building element of drawing using ink. Both novice and experienced artists will benefit from this hands-on workshop.

1 session / 3 total hrs $65

Prerequisite(s): Experience drawing or painting from the model is strongly recommended

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GRAPHIC NOVEL Julian Lawrence

THE CONTEMPORARY COMIC

CEGN 160 S001

In this course, you will learn the necessary tools to tell great stories in the medium of comics by bringing together storytelling with illustration. Topics include text and image relationships, dialogue and character development, narrative structures, body language, passage of time, flow, perspective, and composition. You will learn to develop your own ideas from concept to final product, and have a draft comic on completion of the course.

Jan 15 - Feb 26 Sun 1:30 pm - 5:30 pm 6 sessions / 24 total hrs $250 Register by Jan 10 No class Feb 12

Prerequisite(s): None

Julian Lawrence

EXPRESSION AND CHARACTER

CEGN 250 S001

This course is a unique opportunity to learn specific gestures and facial structures in order to express emotions effectively. From distinguishing between a smile and a smirk, to exploring the expressive possibilities of the mouth, eyes, ears and nostrils, this course is ideal for illustrators, graphic novel and comic artists who are looking to enhance their technical skills.

Jan 19 - Feb 23 Thu 6:00 pm - 10:00 pm 6 sessions / 24 total hrs $330 Register by Jan 14

Prerequisite(s): CEGN 160 The Contemporary Comic or equivalent

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ILLUSTRATION Robin Thompson

INTRODUCTION TO ILLUSTRATION

CEIL 170 S001

Illustration is an effective form for linking images to text and communicating ideas, offering commentary, educating and catching the attention of an audience. In this course you will be introduced to illustration and the many roles it can play. Hands-on projects, presentations, discussions and critiques will expose you to a variety of techniques, media and styles as you explore how content, design elements and materials are used in the translation of ideas into images.

Feb 2 - Mar 23 Thu 6:00 pm - 9:00 pm 8 sessions / 24 total hrs $310 Register by Jan 28

Prerequisite(s): None

Vjeko Sager

ILLUSTRATION ICONOGRAPHY

CEIL 215 S001

Deepen and broaden your illustration skills and your understanding of cultural context in this course. Learn the iconographies of the field of illustration. Understand how image strategies employ persuasion, promotion, celebration, curiosity and criticism. From ads to culturejamming, from commemoration to caricature, and from protest to propaganda, you will learn conceptual approaches to problem solving as they apply to professional practices in illustration.

Feb 25 - Mar 18 Sat 1:30 pm - 5:30 pm 4 sessions / 16 total hrs $290 Register by Feb 20

Prerequisite(s): Any 100-level drawing course or equivalent

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Robin Thompson

EDITORIAL ILLUSTRATION

CEIL 235 S001

Editorial illustration is the creation of images to accompany text in an effort to illuminate or point to a particular aspect of a story or piece of writing. Through instruction using a variety of traditional and non-traditional media, students will learn to create illustrations for magazine articles, opinion pieces, short fiction and essays. Discussions will include the professional practices of editorial illustrators, how to work with art directors and clients and the different types of illustration that lend themselves to editorial works.

Feb 18 - Apr 8 Sat 1:30 pm - 4:30 pm 8 sessions / 24 total hrs $310 Register by Feb 13

Prerequisite(s): CEIL 170 Introduction to Illustration or equivalent

Lisa Cinar

ILLUSTRATION FOR PICTURE BOOKS

CEIL 240 S001

This creative and practical course explores illustration for picture books. While being introduced to key classic and contemporary works in this art form, you will be shown how to create an effective illustration and main character, as well as how to develop your own unique style. Topics include: storyboarding and composition exercises, as well as experimenting with ink, pen, brush-work and collage. You will also learn to digitize your illustrations using Photoshop, and how to share them with publishers.

Jan 17 - Mar 14 Tue 6:30 pm - 9:30 pm 8 sessions / 24 total hrs $295 Register by Jan 12 No class Feb 14

Prerequisite(s): Any 100-level drawing course or equivalent; basic Mac skills are recommended

Stan Hunc

PEN AND INK BOOK ILLUSTRATION

CEIL 260 S001

This course focuses on the exploration of pen and ink illustration, visual interpretation, and personal style in ink drawing. You will be guided through line drawing exercises and will explore gesture, texture and innovative approaches to pen and ink illustration. In examining traditional and contemporary book art illustrations, you will develop your drawing skills and create personal visual interpretations from literary samples.

Feb 4 - Apr 1 Sat 1:30 pm - 4:30 pm 8 sessions / 24 total hrs $300 Register by Jan 30 No class Feb 11

Prerequisite(s): Any 100-level drawing course or equivalent

Lisa Cinar

ILLUSTRATION FOR PICTURE BOOKS II

CEIL 340 S001

In this intermediate course, you will develop your own written and illustrated ‘dummy book’, building on concepts such as composition, layout, pacing and character development. Special focus will be placed on the relationship of text and image and the concept of the book as a whole. In-class brainstorming and writing exercises, as well as the analysis of existing works, will help you in writing your own stories. You will have the chance to experiment with paper collage and brush and ink to strengthen composition and color skills in class.

Jan 29 - Apr 2 Sun 1:30 pm - 4:30 pm 8 sessions / 24 total hrs $310 Register by Jan 24 No class Feb 12 and Mar 19

Prerequisite(s): CEIL 240 Illustration for Picture Books

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INDUSTRIAL DESIGN

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Scott Staniland

BASICS OF INDUSTRIAL DESIGN

CEID 120 S001

This course introduces you to the fundamentals of industrial design. In it, you will gain an awareness of the design process with an emphasis on design criteria. This will be followed by formulation of the design brief, development of creative concepts, user testing and quick model making. You will work on a design project through to completion of a full-scale model and a short design presentation.

Jan 28 - Mar 11 Sat 1:30 pm - 4:30 pm 6 sessions / 18 total hrs $310 Register by Jan 23 No class Feb 11

Prerequisite(s): None

Laura Kozak

EXPLORATION OF 3D DESIGN

CEID 121 S001

This course familiarizes you with the principles of three-dimensional design, as well as a variety of materials and processes related to art and design. Technical and conceptual skills in applying the concepts of space, mass, contrast, balance, scale and surface will be developed. You will create both functional and sculptural objects through projects that explore 3D concepts, forms and materials. The emphasis will be on problem solving and imaginative and experimental responses to proposed projects.

Jan 28 - Mar 25 Sat 9:30 am - 12:30 pm 8 sessions / 24 total hrs $310 Register by Jan 23 No class Feb 11

Prerequisite(s): None

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Rebecca Bayer

BASICS OF ARCHITECTURAL DESIGN

CEID 122 S001

This studio course introduces you to the design process as it applies to architecture and architectural space. Through idea generation, sketch models, proposal research and presentation and modeling techniques, you will interpret your ideas architecturally as you also explore the locational, contextual and structural aspects of architectural design. You will also work on a site-specific design project individually and in teams.

Jan 28 - Mar 25 Sat 9:30 am - 12:30 pm 8 sessions / 24 total hrs $330 Register by Jan 23 No class Feb 11

Prerequisite(s): None

Ying-Chiu Chan

RAPID VISUALIZATION AND PRODUCT RENDERING

CEID 160 S001

Rapid visualization is a systematic and effective way to draw imaginary 3D objects and concepts. Applicable to animation, communication design, industrial design, illustration, architecture, furniture design, and interior design, rapid visualization helps to expand visual thinking, create new ideas, communicate concepts and to solve design problems. This course introduces you to the methods, techniques and media to produce accurately proportioned freehand sketches and basic renderings. Principles of perspective, projection, light, shade, reflection and texture are examined, including demonstrations of approaches and techniques.

Feb 21 - Apr 11 Tue 7:00 pm - 10:00 pm 8 sessions / 24 total hrs $340 Register by Feb 16

Prerequisite(s): Strong drawing skills with an enthusiasm for realism and detail

Tony Oâ&#x20AC;&#x2122;Regan

ARCHITECTURAL MODELING AND MAQUETTES

CEID 223 S001

This studio course introduces you to architectural modeling from drawings. Through exercises and projects you will learn to read design drawings and build foam core models for architecture, interiors, landscape design or industrial design applications. Emphasis will be on quick building techniques, which are useful in the design process.

Feb 19 - Apr 9 Sun 9:30 am - 12:30 pm 8 sessions / 24 total hrs $340 Register by Feb 14

Prerequisite(s): None

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INDUSTRIAL DESIGN (CONTâ&#x20AC;&#x2122;D) Ying-Chiu Chan

INTRODUCTION TO MODEL MAKING

CEID 224 S001

Models are 3D previews of designs before they go to production. They can serve as the proof-of-concept, be subjected to ergonomic testing, or they can be a sales tool. Through presentations, demonstrations, workshop practice and design projects, you will learn the fundamental techniques to fabricate mock-ups and models using block materials and sheet materials.

Jan 26 - Mar 16 Thu 7:00 pm - 10:00 pm 8 sessions / 24 total hrs $450 Register by Jan 21

Prerequisite(s): Basic hand-tool skills and reasonable sketching ability

Thomas Groppi

INTRODUCTION TO RHINO

CEID 235 S001

Learn how to model, edit and analyze organic 3D surfaces using Rhinoceros, an industry-standard software program. In this two-day intensive workshop, you will acquire hands-on 3D prototyping skills by working from real-life scenarios and problem solving using professional and personal projects as examples. This course is ideal for industrial designers, jewelry makers, product designers and anyone who needs to model or prototype products for manufacturing.

Feb 4 - Feb 5 Sat + Sun 10:00 am - 4:30 pm 2 sessions / 12 total hrs $205 Register by Jan 30

Prerequisite(s): None

Chris Kowal

3D RENDERING FOR DESIGN PRESENTATION

CEID 363 S001

For industrial designers, interior designers, jewelry makers, architects and anyone who needs to visualize products or objects for presentation, this course provides hands-on 3D prototyping skills using Autodesk 3DS MAX. You will learn how to model, render and animate photorealistic simulation (including fly-through) using this powerful software. You will work on a project of your choosing and have the opportunity to import existing models from Rhino, AutoCAD, SolidWorks, Maya and other programs.

Mar 1 - Apr 19 Wed 6:00 pm - 9:00 pm 8 sessions / 24 total hrs $345 Register by Feb 24

Prerequisite(s): Basic computer skills

EMILY CARR UNIVERSITY OF ART + DESIGN SPRING 2017

T 604 844 3810

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PAINTING Martin Guderna CEPN 160 S001 Feb 18 - Apr 8 Sat 9:30 am - 12:30 pm 8 sessions / 24 total hrs $365 Register by Feb 13

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PAINTING FUNDAMENTALS I: COMPOSITION/PROCESS

Janet Wang

FUNDAMENTALS OF OIL PAINTING

CEPN 162 S001

This course is an introduction to core principles in painting. Various painting techniques are introduced as you explore basic composition, line, contrast, colour, texture, and the use of tools and materials. Formal elements of composition are explored as you experiment with a variety of techniques and approaches. Through hands-on exercises, you will explore techniques and methods artists have used through the ages.

Jan 16 - Mar 13

Experience the beauty and texture of oil painting. Explore the tools, skills, terminology and imagery of this luminous medium through projects and experimentation. Use and preparation of various surface materials, colour mixing, composition and texture are examined.

Prerequisite(s): None

Mon 6:30 pm - 9:30 pm 8 sessions / 24 total hrs $325 Register by Jan 11 No class Feb 13

Prerequisite(s): None

Elena Underhill

FUNDAMENTALS OF WATERCOLOUR

CEPN 163 S001

This course introduces you to the essential techniques of painting with watercolour. Through projects and discussion, you will gain familiarity with the properties of watercolour as you explore various approaches to traditional and contemporary concepts. Graded wash, building light and dark values, building perspective and understanding the relation of values to colour will be introduced.

Jan 25 - Mar 15 Wed 6:00 pm - 9:00 pm 8 sessions / 24 total hrs

Lori Goldberg CEPN 161 S001 Jan 22 - Mar 5 Sun 9:00 am - 1:00 pm 6 sessions / 24 total hrs $325 Register by Jan 17 No class Feb 12

FUNDAMENTALS OF ACRYLIC PAINTING

$325 Register by Jan 20

This course provides a step-by-step introduction to painting with acrylics. You will gain an understanding of colour, space and composition while being introduced to technical and conceptual concerns. Thinning, thickening and texturing techniques and their applications will be explored.

Prerequisite(s): None

Karen Yurkovich CEPN 161 S002

Prerequisite(s): None

Feb 21 - Apr 11 Tue 6:30 pm - 9:30 pm

note:

8 sessions / 24 total hrs

Some of our courses may include working with a live undraped model.

$325 Register by Feb 16

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PAINTING (CONTâ&#x20AC;&#x2122;D) Martin Guderna

USING COLOUR

CEPN 164 S001

The use of colour is one of the most important considerations you will make in your practice. This introductory course is ideal for anyone who wants to understand the principles of colour theory and effectively apply those principles to their body of work. You will investigate the creative use of colour in a variety of mediums and explore its use in developing observational and painting skills as well as creating compositional structure.

Feb 18 - Mar 11 Sat 1:30 pm - 5:30 pm 4 sessions / 16 total hrs $290 Register by Feb 13

Prerequisite(s): None

Jeanne Krabbendam CEPN 165 S001 Jan 21 - Mar 11 Sat 9:00 am - 1:00 pm 6 sessions / 24 total hrs $330 Register by Jan 16 No class Feb 11 and Feb 25

THE BUILT SURFACE: PAINT AND COLLAGE Explore non-traditional art materials and ways of working in this introductory course on paint and the built surface. Projects introduce you to image-transfer techniques, collage, spackle and mixed composites. You will experiment with various painting techniques such as frottage, grattage, staining and separation effects. Themes, symbols and concepts related to the object or the place it was found will be developed through discussion and critiques. Prerequisite(s): None

Ian Forbes CEPN 169 S001 Jan 17 - Mar 7 Tue 6:30 pm - 9:30 pm 8 sessions / 24 total hrs $300 Register by Jan 12

MIXED MEDIA PAINTING TECHNIQUES For both beginner and experienced painters, this course introduces the process of image-making on a variety of surfaces. Working with a range of materials such as gesso, plaster, paint, ink, charcoal and various papers, you will explore expression and emotion through layering, drawing and brushwork. Prerequisite(s): None

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Jeanne Krabbendam

ANYTHING BUT THE BRUSH

Helena Wadsley

CEPN 190 S001

This course will challenge you to expand your approach to paint application by introducing you to a broad range of common and unusual art tools, from knives and rollers to tile-cutters, brooms, sticks and trowels. In this course, you will step outside of your usual methods and set aside your most comfortable ways of working with paint. Assignments will focus on larger projects and on creating paint-based mixed media art in nonconventional ways.

CEPN 270 S001

Jan 19 - Mar 9 Thu 7:00 pm - 10:00 pm 8 sessions / 24 total hrs $325 Register by Jan 14

Jan 29 - Mar 26 Sun 9:30 am - 12:30 pm 8 sessions / 24 total hrs $295 Register by Jan 24 No class Feb 12

Prerequisite(s): 100-level painting experience is recommended

FORMS AND CONCEPTS IN CONTEMPORARY PAINTING This unique course combines studio work and contemporary art history with a focus on the practice of painting. This course is ideal for students who are interested in locating their own practice within the contemporary art market and gallery system. You will be equipped with, and encouraged to locate, your own practice within broader themes and trends. Through field trips, critiques and presentations you will further your studio work, while being encouraged to develop ways of talking about your painting practice in new and contemporary ways. Prerequisite(s): None

Lori Goldberg

ACRYLIC PAINTING II

CEPN 261 S001

This intermediate course is designed to further your exploration of acrylic painting as an expressive medium. You will explore and experiment with materials and a variety of conceptual and technical approaches to painting with acrylics. Emphasis will be on your individual development and on enhancing your technical skills and personal expression. The course will move fluidly between traditional applications, and abstract and expressive ones.

Mar 12 - Apr 2 Sun 9:00 am - 1:00 pm 4 sessions / 16 total hrs $260 Register by Mar 7

Elena Underhill

THE ART OF PASTEL

CEPN 315 S001

Explore the versatility of the medium of pastel in this introductory course. Pastel offers a range of possiblies within the intersection of drawing and painting. Students will learn the expressive properties of the medium, as well as appropriate application and preservation methods. Students will also have the opportunity to experiment with the subtleties of colour and composition.

Feb 21 - Apr 11 Tue 7:00 pm - 10:00 pm 8 sessions / 24 total hrs $315 Register by Feb 16

Prerequisite(s): Any 100-level painting course or equivalent; Experience in drawing is recommended

Prerequisite(s): CEPN 161 Fundamentals of Acrylic Painting or equivalentd

Helena Wadsley

OIL PAINTING II

Andrea Taylor

CEPN 262 S001

Continue your exploration of oil painting in this intermediate course. Further develop your skills and techniques in this challenging medium as you investigate colour, composition, use of scale, subject matter and technical processes. Time will be split between hands-on exercises and self-directed studio work. Students will also examine contemporary and historical oil painting and how it can inform their work.

CEPN 352 S001

Mar 19 - Apr 9 Sun 1:30 pm - 5:30 pm 4 sessions / 16 total hrs $245 Register by Mar 14

Prerequisite(s): CEPN 162 Fundamentals of Oil Painting or equivalent

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PAINTING THE PORTRAIT

Learn to draw and paint a portrait while Mar 1 - Apr 5 working from a live model. As you gain an Wed 6:00 pm - 10:00 pm understanding of the proportions and forms of the human head and skull, you will learn 6 sessions / 24 total hrs to analyse and depict facial features as well $305 as mix a range of warm and cool skin Register by Feb 25 colours. Use of materials, mediums, brushes, finishes and approaches will be discussed and demonstrations and feedback provided. Contemporary and historical portraiture will also be referenced. Prerequisite(s): Any 100-level painting course or equivalent; Experience in drawing or painting the face is recommended

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PAINTING (CONTâ&#x20AC;&#x2122;D) Lori Goldberg

PAINTING OPEN STUDIO

CEPN 360 S001

This self-directed course is intended to provide support for work on your independent projects. You will benefit from individual guidance from the instructor as well as group discussions and critiques. In addition to addressing technical issues, you will have the opportunity to further develop your ideas and personal style.

Mar 5 - Apr 9 Sun 2:00 pm - 6:00 pm 6 sessions / 24 total hrs $305 Register by Feb 28

Prerequisite(s): Any 100-level painting course or equivalent is required; 200-level painting experience is strongly recommended

Jeanne Krabbendam

OPEN STUDIO LAYERING TECHNIQUES

CEPN 365 S001

This open studio course will allow you to create your own mixed media work while being supported and coached by a mixed media art instructor. Students will further develop their painting and layering techniques as well as receive the opportunity to use new and different materials and tools. Through discussion, critiques and individual guidance, you will be challenged to develop your style and grow in your art practice, to prepare for an exhibit or art school application.

Jan 21 - Mar 11 Sat 2:00 pm - 6:00 pm 6 sessions / 24 total hrs $340 Register by Jan 16 No class Feb 11 and Feb 25

Prerequisite(s): CEPN 165 The Built Surface: Paint and Collage and CEPN 265 Exploring the Built Surface: Gels + Wax or equivalent experience in mixed media painting

Elena Underhill

COMPOSITION AND THE PICTURE PLANE

CEPN 371 S001

This course will focus on how to create successful compositions exploring balance, form and colour in both traditional and contemporary painting. You will learn how to transition between specific techniques introduced in CEPN 271 Painting Techniques and how to use these within the same painting. You will work on using the full potential of the picture plane, establishing a strong sense of perspective, dynamism and unity. Exercises will focus on both the abstract and still life genres.

Mar 16 - Apr 6 Thu 6:00 pm - 10:00 pm 4 sessions / 16 total hrs $235 Register by Mar 11

Prerequisite(s): CEPN 271 Painting Techniques or equivalent

Lori Goldberg CEPN 902 S001 Mar 8 Wed 6:00 pm - 9:00 pm

WORKSHOP PAINTING SURFACES: THICK, TEXTURED, GLOSSY AND TRANSPARENT This workshop will look at ways to achieve dynamic multi-layered affects using different applications of acrylic mediums, gesso and paint. Through hands-on exploration, students will gather knowledge about the different types of mediums that can be used with acrylic paint.

1 session / 3 total hrs $65 Register by Mar 3

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PHOTOGRAPHY

Diane Evans CEPH 148 S001 Jan 15 - Mar 19 Sun 1:30 pm - 5:30 pm 9 sessions / 36 total hrs $425 Register by Jan 10 No class Feb 12

BLACK-AND-WHITE FILM PHOTOGRAPHY

Rand Berthaudin

BLACK-AND-WHITE PHOTO STUDIO

CEPH 245 S001

This course is for students seeking a robust introduction to the manual operation of a 35mm camera and black-and-white darkroom techniques. Topics include: principles of exposure, use of natural light in photographic imagery, film processing, enlargement techniques and the machine processing of prints. You will be encouraged to expand your understanding of the technical and aesthetic possibilities of photography while developing an awareness of your own approach and interests. More importantly, you will have the opportunity to work in the universityâ&#x20AC;&#x2122;s photography studios under the guidance of expert instructors.

Feb 18 - Apr 8

This comprehensive course is specifically designed for students with darkroom experience who want to continue to develop their photographic projects in a more open studio environment. With a focus on expanding your photographic practice, you will receive the darkroom time and support necessary to further develop your creative vision. Studio work will be supplemented with technical demonstrations, visual presentations and group discussions and critiques. Students will produce a final self-directed project from proposal to final presentation. Note: Students can also schedule up to six additional darkroom hrs per week during the course.

Sat 1:30 pm - 5:30 pm 8 sessions / 32 total hrs $420 Register by Feb 13

Prerequisite(s): CEPH 148 Black-and-White Film Photography or equivalent. You must supply your own film camera

Prerequisite(s): None. You must supply your own 35mm camera

warning: Pregnant or breast-feeding women are prohibited from taking photography courses with darkroom access due to the chemicals involved.

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PHOTOGRAPHY (CONTâ&#x20AC;&#x2122;D) Josh Hite

THE CONSTRUCTED IMAGE

CEPH 246 S001

A constructed image is a photo-based image that has been altered through the use of digital manipulation, drawing, painting or collage to create a specific visual experience. In this course, you will investigate classic themes from art history and reinterpret them through the combination of analog and digital processes. You will learn advanced Photoshop tools and techniques that you can apply to making work that is cleverly constructed and conceptually compelling. Note: This course is Mac lab-based and does not involve darkroom techniques.

Mar 4 - Apr 8 Sat 9:00 am - 1:00 pm 6 sessions / 24 total hrs $315 Register by Feb 27

Prerequisite(s): Basic Photoshop experience

Kathryn Mussallem

INTRODUCTION TO DIGITAL PHOTOGRAPHY

CEPH 250 S001

This course is designed for those beginning to explore photography using a digital camera or for those wanting to add digital techniques to their current photographic practice. While focusing on the specific nature of digital photography, you will also be exposed to larger considerations of composition, lighting and framing. Additionally, you will learn basic image editing and printing techniques. The course is organized around a series of projects, but also offers you the opportunity to work on your independent projects.

Jan 18 - Mar 8 Wed 6:30 pm - 9:30 pm 8 sessions / 24 total hrs $315 Register by Jan 13

Prerequisite(s): Experience using a Mac computer; students must bring their own digital camera with USB connectivity

Kathryn Mussallem

CONTEMPORARY PORTRAITURE

CEPH 340 S001

The ability to create a compelling portrait is an important skill for any photographer. This practical and theoretical introduction to photographic portraiture is an opportunity for any student wanting to expand their photographic portrait style and techniques. Exploring the history and evolution of photographic portraiture and the practical techniques used for producing a contemporary portrait, this course will include the use of natural and studio lighting and working with live models, as well as photographing your own subjects. This course is for both analog and digital photographers. Note: This course does not include darkroom access.

Mar 18 - Apr 8 Sat 1:30 pm - 5:30 pm 4 sessions / 16 total hrs $240 Register by Jan Mar 13

Prerequisite(s): Foundation in photographic principles and practical knowledge of your own camera

Matilda Aslizadeh

ADVANCED DIGITAL PHOTOGRAPHY

CEPH 352 S001

This course is for those interested in pursuing a more advanced study of digital photography. Through a series of projects and critiques, you will expand your technical abilities and explore your personal aesthetics. Content, form, aesthetics, technical issues around processing, file formats, controlling exposure and special effects techniques will be covered. Digital SLR cameras are recommended.

Mar 1 - Apr 19 Wed 6:30 pm - 9:30 pm 8 sessions / 24 total hrs $315 Register by Feb 24

Prerequisite(s): Experience in both digital photography and image processing (uploading, image size and resolution, cropping, adjusting levels, etc)

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PRINT MEDIA

Andrea Taylor

LETTERPRESS I

Shinsuke Minegishi

CEPR 112 S001

Learn to hand set metal and wood type, mix ink, use letterpress printing presses, determine paper grain, pull proofs, print and distribute type. Print cards or broadsides, short poems or other short text of your choice using a selection of wood and metal type and ornaments. This course focuses on the traditional methods of typesetting and includes an opportunity to try linocut printmaking and hot foil stamping. Discover the origins of design methods and language we all use in the digital world today.

CEPR 160 S001

Feb 25 - Mar 18 Sat 10:00 am - 5:00 pm 4 sessions / 24 total hrs $395 Register by Feb 20

Jan 14 - Feb 4 Sat 10:00 am - 4:00 pm 4 sessions / 24 total hrs $250 Register by Jan 9

INTRODUCTION TO RELIEF PRINTMAKING Explore ways of creating striking images with this simple yet powerful print medium process. In this foundational course, you will be introduced to relief and woodblock printmaking using linoleum, wood and collograph techniques. You will explore printing by hand and press while working with up to three colours. You will also create your own linoleum and wood blocks to continue printing at home. Prerequisite(s): None

Prerequisite(s): None

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PRINT MEDIA (CONTâ&#x20AC;&#x2122;D) Vanessa Hall-Patch CEPR 162 S001 Jan 28 - Feb 25 Sat 9:00 am - 3:30 pm 4 sessions / 24 total hrs $310 Register by Jan 23 No class Feb 11

INTRODUCTION TO SCREEN PRINTING

Aimee Brown

BASICS OF BOOK MAKING

CEPR 170 S001

Screen-printing techniques provide artists with a simple method of applying their images and ideas to a wide variety of materials and surfaces. Expand your image-making options by learning the basics of screen-printing to print your hand-drawn and photographic images onto paper and alternative surfaces. Lessons in concept development, screen and surface preparation, registration and preservation culminate in learning how to establish a studio practice for continued art production and explorations.

Mar 8 - Apr 12

Discover a variety of techniques to create books by hand, from folded paper techniques to signature-sewn, hard-bound books. In this course, you will learn the anatomy of the book as well as materials and tools fundamental to book-making. while completing a range of methods This course will teach the basic principles of book construction and finishing through demonstrations and class participation, while emphasizing how bookmedia can be used to express content and concept.

Wed 6:00 pm - 10:00 pm 6 sessions / 24 total hrs $370 Register by Mar 3

Prerequisite(s): None

Prerequisite(s): None Andrea Taylor CEPR 222 S001 Shinsuke Minegishi

PRINTMAKING TECHNIQUES

Mar 19 - Apr 9

CEPR 165 S001

This course introduces you to the basics of printmaking through three different techniques: intaglio, lithography, and Japanese woodblock. You will start with intaglio as you learn to work with drypoint on plexiglass. In the lithography section, you will draw on polymer sheets, then print your image using a litho press. You will complete your introduction with Japanese style woodblock using hand rubbing as you explore relief printing. Upon completion, you will have a broad knowledge of printmaking and three sets of prints.

Sun 9:00 am - 1:00 pm

Feb 18 - Mar 11 Sat 10:00 am - 4:00 pm 4 sessions / 24 total hrs $260 Register by Feb 13

4 sessions / 16 total hrs $235 Register by Mar 14

LETTERPRESS: POLYMER PLATE PRINTS Explore contemporary letterpress printing using polymer plates. Polymer plates allow you to create press-ready relief plates from digital files, font files or drawings. Combining contemporary printing methods with more traditional metal and wood type letterpress printing will allow you to make unique prints and expand your creative options. Coursework includes discussions, critiques and the exploration of the history of letterpress as well as its role in contemporary art practice. Prerequisite(s): None

Prerequisite(s): None

EMILY CARR UNIVERSITY OF ART + DESIGN SPRING 2017

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PROFESSIONALISING YOUR PRACTICE Annie Briard

Annie Briard

THE BUSINESS OF ART PRACTICE

CEPD 190 S001

CEPD 190 S002

Jan 28 - Mar 25

Feb 21 - Apr 11

Sat 9:30 am - 12:30 pm

Tue 7:00 pm - 10:00 pm

8 sessions / 24 total hrs

$260

This practical course introduces you to basic professional skills that will be integral in your pursuit of a career in the visual arts. This course focuses on the business of art practice: record keeping; seeking representation and exhibition; pricing; marketing; publicity and legal considerations. You will work on creating a basic business plan, as well as core portfolio materials and will learn the basics of finding financial support, studio space, equipment and other professional resources.

No class Feb 11

Prerequisite(s): None

Tony O’Regan

THE BUSINESS OF DESIGN PRACTICE

CEPD 210 S001

How you present yourself to the public can make or break your design practice. Through lecture and discussion, this practical course will introduce strategies and techniques for the profitable marketing of your creative design services. Determining who your clients are, identifying your distinctive qualities as a creative professional, crafting your communications to connect effectively with your potential clients, discovering professional resources, developing a marketing plan and making a winning presentation will be covered. This course is ideal for those involved in design practice or for students just discovering design.

Feb 19 - Apr 9 Sun 1:30 pm - 4:30 pm 8 sessions / 24 total hrs $260 Register by Feb 14

Prerequisite(s): None

April Liu CEPD 903 S001 Feb 1 Wed 6:00 pm - 9:00 pm 1 session / 3 total hrs

WORKSHOP WRITING FOR ARTIST RESIDENCIES AND GRANT APPLICATIONS Are you a visual artist or an arts organization seeking funding for a project or residency? This workshop introduces principles and strategies for writing a successful application for a project grant or residency. Criteria for the BC Arts Council Assistance Program and Canada Council Project Grants for Artists will be discussed.

$65 Register by Jan 27

Prerequisite(s): None

REGISTRATION BEGINS NOVEMBER 8, 2016 u HOW TO REGISTER p. 36

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SCULPTURE + INSTALLATION INTRODUCTION TO METAL SCULPTURE Ian Rhodes CESC 180 S001 Feb 18 - Apr 8 Sat 1:30 pm - 5:30 pm 8 sessions / 32 total hrs $455 Register by Feb 13

This hands-on course explores the fundamental concepts, materials, processes and techniques of contemporary metal sculpture. After you evaluate and refine these concepts and technology, you will use them effectively to create a modestly-sized metal sculpture. Topics include techniques for material cutting, shaping and joining, general shop and equipment safety, work flow and material characteristics. Hand tools, stationary equipment and MIG/oxyacetylene welding are also examined. Note: All consumables (gasses, welding/brazing rod, and fabrication materials) will be supplied for in-class assignments. All projects must be vetted and approved by the instructor. Prerequisite(s): Prior art-making experience; Experience in three-dimensional art is recommended

METAL SCULPTURE OPEN STUDIO Ian Rhodes CESC 280 S001 Jan 17 - Mar 28 Tue 6:30 pm - 9:30 pm 11 sessions / 32 total hrs $455 Register by Jan 12 Last session (Mar 28) 6:30pm - 8:30pm

This studio course is for more advanced metalworking students who want further refine their abilities, skills and knowledge concerning contemporary metal sculpture practice and the techniques and processes involved. Self-directed projects can be realized using the full metal shop facilities, including limited access to the foundry where bronze and aluminum can be cast into two-part sand molds. Throughout the assisted creative process, you will work on a piece or pieces of work vetted and approved by the instructor. Note: Costs for the production of projects are not included in the tuition. Prerequisite(s): CESC 180 Introduction to Metal Sculpture or previous metal working experience

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TEXTILE ARTS

Jen Hiebert CETA 901 S001 Jan 15 Sun 10:00 am - 4:00 pm 1 session / 6 total hrs $135 Register by Jan 10

WORKSHOP SMALL SCALE TAPESTRY

Zed Payne

Learn how to hand-weave your own tapestry. Using simple, portable frame looms, you will weave a small sampler showing basic tapestry weaving techniques, including shape-building and colour-blending with yarn. Looms and yarn will be provided.

Mar 19

CETA 904 S001 Sun 10:00 am - 4:00 pm 1 session / 6 total hrs $135 Register by Mar 14

Jen Hiebert CETA 905 S001 Apr 9 Sun 10:00 am - 4:00 pm 1 session / 6 total hrs $135 Register by Apr 4

REGISTRATION BEGINS NOVEMBER 8, 2016 u HOW TO REGISTER p.â&#x20AC;&#x2030;36

WORKSHOP INTRO TO NEEDLE FELTING Learn how to create needle felted objects in this hand-on workshop. Using wool roving, participants will learn to needle felt 3D sculptural forms and small flat items. Students will leave with an understanding of the marvelous versatility of needle felting and at least one small completed project to take home.

WORKSHOP NATURAL PLANT DYEING This workshop introduces the basics of natural cloth dyeing. Learn simple techniques to pull color from nature, using a variety of local and exotic plant material, and how to modify shades and gain a full spectrum of colors from each plant. Each student will take home a length of cotton dyed with the shades they produce.

FIND COURSE MATERIALS, INSTRUCTOR BIOS AND MORE ON connect.ecuad.ca

COURSES + WORKSHOPS COMMUNICATION DESIGN – PAGE 6 CECD 110 S001 BASICS OF COMMUNICATION DESIGN CECD 112 S001 THE ART OF FONTS CECD 130 S001 DYNAMIC CALLIGRAPHY CECD 160 S001 DRAWING FOR DESIGN CECD 330 S001 PUBLICATION DESIGN

JAN 15 - FEB 26 JAN 15 - FEB 5 FEB 22 - APR 12 JAN 21 - MAR 18 FEB 18 - APR 8

SU SU W S S

9:30 AM - 12:30 PM 1:30 PM - 4:30 PM 6:30 PM - 9:30 PM 9:30 AM - 12:30 PM 9:30 AM - 12:30 PM

COE $290 COE $240 ALEXANDER $315 SAGER $340 MITCHELL-CRANFIELD $360

CORE SKILLS – PAGE 8 CEFA 160 S001 BASICS OF COMPOSITION AND FORM CEFA 170 S001 MATERIALS AND MEDIA IN FINE ART PRACTICE

JAN 21 - MAR 18 JAN 7 - JAN 21

S S

9:00 AM - 12:00 PM 9:00 AM - 2:00 PM

GRAFTON KAZMER

$340 $265

CULTURAL STUDIES – PAGE 9 CESE 110 S001 ISSUES IN CONTEMPORARY DESIGN CESE 160 S001 ISSUES IN CONTEMPORARY ART CESE 176 S001 WALKING TOURS CESE 180 S001 A SURVEY AND HISTORY OF ART

FEB 16 - APR 6 FEB 18 - APR 8 MAR 11 - APR 8 FEB 20 - APR 10

TH S S M

6:30 PM - 9:30 PM 10:30 AM - 1:30 PM 10:00 AM - 3:00 PM 6:00 PM - 9:00 PM

MALLET KUBICEK ALSTON-O’CONNOR GILL

$295 $295 $235 $295

DIGITAL SKILLS, MEDIA AND TECHNOLOGIES – PAGE 10 CECS 130 S001 ADOBE ILLUSTRATOR: THE BASICS CECS 133 S001 ADOBE INDESIGN: THE BASICS CECS 136 S001 THE ADOBE SUITE FOR DESIGN AND PRODUCTION CECS 136 S002 THE ADOBE SUITE FOR DESIGN AND PRODUCTION CECS 140 S001 PHOTOSHOP FOR PHOTOGRAPHERS CECS 152 S001 ANIMATION WITH PHOTOSHOP CECS 901 S001 PRINTING FROM PHOTOSHOP CEDA 232 S001 INTRODUCTION TO WEB DESIGN CEDA 250 S001 INTRODUCTION TO WORDPRESS

FEB 18 - APR 8 FEB 18 - APR 8 JAN 19 - MAR 9 FEB 18 - APR 8 FEB 20 - APR 10 FEB 18 - MAR 25 MAR 29 - MAR 29 FEB 14 - APR 4 FEB 16 - APR 6

S S TH S M S W T TH

1:30 PM - 4:30 PM 9:30 AM - 12:30 PM 6:00 PM - 10:00 PM 1:30 PM - 5:30 PM 6:30 PM - 9:30 PM 9:30 AM - 12:30 PM 6:00 PM - 9:00 PM 6:30 PM - 9:30 PM 6:00 PM - 9:00 PM

CLAY HIEBERT RODRIGUEZ HIEBERT MUSSALLEM CLAY MENDES MCMILLAN MCMILLAN

$415 $415 $520 $520 $445 $390 $65 $425 $425

DRAWING – PAGE 12 CEDR 160 S001 DRAWING FUNDAMENTALS I: COMPOSITION/PROCESS CEDR 160 S002 DRAWING FUNDAMENTALS I: COMPOSITION/PROCESS CEDR 160 S003 DRAWING FUNDAMENTALS I: COMPOSITION/PROCESS CEDR 160 S004 DRAWING FUNDAMENTALS I: COMPOSITION/PROCESS CEDR 160 S005 DRAWING FUNDAMENTALS I: COMPOSITION/PROCESS CEDR 162 S001 PERSPECTIVE DRAWING FOR ARTISTS + DESIGNERS CEDR 163 S001 CREATIVE DRAWING AND ARCHITECTURE CEDR 167 S001 DRAWING WITH PEN + INK: BLACK-AND-WHITE CEDR 185 S001 DRAWING TECHNIQUES: LIGHT + SHADOWS CEDR 215 S001 LIFE DRAWING IN COLOR CEDR 220 S001 ANATOMICAL DRAWING I CEDR 261 S001 DRAWING THE FIGURE AND FACE CEDR 263 S001 INTRODUCTION TO LIFE DRAWING CEDR 267 S001 DRAWING WITH PEN + INK: COLOUR CEDR 271 S001 DRAWING TECHNIQUES CEDR 363 S001 DRAWING: HANDS, FACE AND FEET CEDR 367 S001 ADVANCED DRAWING: PEN + INK CEDR 901 S001 EXPERIMENTAL MARK MAKING: INK

JAN 15 - MAR 12 JAN 21 - MAR 18 JAN 30 - MAR 27 FEB 9 - MAR 30 MAR 1 - APR 19 FEB 18 - APR 8 FEB 18 - APR 8 JAN 19 - MAR 16 FEB 4 - APR 1 JAN 28 - MAR 25 JAN 28 - MAR 25 MAR 14 - APR 4 JAN 17 - MAR 7 FEB 19 - APR 9 FEB 19 - APR 9 JAN 29 - MAR 26 FEB 19 - APR 9 APR 12

SU S M TH W S S TH S S S T T SU SU SU SU W

1:30 PM - 4:30 PM 1:30 PM - 4:30 PM 6:30 PM - 9:30 PM 6:00 PM - 9:00 PM 6:30 PM - 9:30 PM 9:30 AM - 12:30 PM 1:30 PM - 4:30 PM 6:30 PM - 9:30 PM 9:30 AM - 12:30 PM 9:30 AM - 12:30 PM 1:30 PM - 4:30 PM 6:00 PM - 10:00 PM 6:30 PM - 9:30 PM 9:30 AM - 12:30 PM 9:30 AM - 12:30 PM 9:30 AM - 12:30 PM 1:30 PM - 4:30 PM 6:00 PM - 9:00 PM

SAGER GRAFTON GUDERNA FORBES LANGERGRABER O’REGAN O’REGAN HUNC ISRAEL STARLING STARLING LANGERGRABER TBD HUNC STARLING SAGER HUNC HUNC

$300 $300 $300 $300 $300 $330 $315 $315 $315 $310 $310 $245 $365 $315 $315 $315 $315 $65

GRAPHIC NOVEL – PAGE 17 CEGN 160 S001 THE CONTEMPORARY COMIC CEGN 250 S001 EXPRESSION AND CHARACTER

JAN 15 - FEB 26 JAN 19 - FEB 23

SU TH

1:30 PM - 5:30 PM 6:00 PM - 10:00 PM

LAWRENCE LAWRENCE

$250 $330

ILLUSTRATION – CEIL 170 S001 CEIL 215 S001 CEIL 235 S001 CEIL 240 S001 CEIL 260 S001 CEIL 340 S001

FEB 2 - MAR 23 FEB 25 - MAR 18 FEB 18 - APR 8 JAN 17 - MAR 14 FEB 4 - APR 1 JAN 29 - APR 2

TH S S T S SU

6:00 PM - 9:00 PM 1:30 PM - 5:30 PM 1:30 PM - 4:30 PM 6:30 PM - 9:30 PM 1:30 PM - 4:30 PM 1:30 PM - 4:30 PM

THOMPSON SAGER THOMPSON CINAR HUNC CINAR

$310 $290 $310 $295 $300 $310

PAGE 18 INTRODUCTION TO ILLUSTRATION ILLUSTRATION ICONOGRAPHY EDITORIAL ILLUSTRATION ILLUSTRATION FOR PICTURE BOOKS PEN AND INK BOOK ILLUSTRATION ILLUSTRATION FOR PICTURE BOOKS II

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INDUSTRIAL DESIGN – PAGE 20 CEID 120 S001 BASICS OF INDUSTRIAL DESIGN CEID 121 S001 EXPLORATION OF 3D DESIGN CEID 122 S001 BASICS OF ARCHITECTURAL DESIGN CEID 160 S001 RAPID VISUALIZATION AND PRODUCT RENDERING CEID 223 S001 ARCHITECTURAL MODELING AND MAQUETTES CEID 224 S001 INTRODUCTION TO MODEL MAKING CEID 235 S001 INTRODUCTION TO RHINO CEID 363 S001 3D RENDERING FOR DESIGN PRESENTATION

JAN 28 - MAR 11 JAN 28 - MAR 25 JAN 28 - MAR 25 FEB 21 - APR 11 FEB 19 - APR 9 JAN 26 - MAR 16 FEB 4 - FEB 5 MAR 1 - APR 19

S S S T SU TH S + SU W

1:30 PM - 4:30 PM 9:30 AM - 12:30 PM 9:30 AM - 12:30 PM 7:00 PM - 10:00 PM 9:30 AM - 12:30 PM 7:00 PM - 10:00 PM 10:00 AM - 4:30 PM 6:00 PM - 9:00 PM

STANILAND KOZAK BAYER CHAN O’REGAN CHAN GROPPI KOWAL

$310 $310 $330 $340 $340 $450 $205 $345

FEB 18 - APR 8 JAN 22 - MAR 5 FEB 21 - APR 11 JAN 16 - MAR 13 JAN 25 - MAR 15 FEB 18 - MAR 11 JAN 21 - MAR 11 JAN 17 - MAR 7 JAN 19 - MAR 9 MAR 12 - APR 2 MAR 19 - APR 9 JAN 29 - MAR 26 FEB 21 - APR 11 MAR 1 - APR 5 MAR 5 - APR 9 JAN 21 - MAR 11 MAR 16 - APR 6

S SU T M W S S T TH SU SU SU T W SU S TH

9:30 AM - 12:30 PM 9:00 AM - 1:00 PM 6:30 PM - 9:30 PM 6:30 PM - 9:30 PM 6:00 PM - 9:00 PM 1:30 PM - 5:30 PM 9:00 AM - 1:00 PM 6:30 PM - 9:30 PM 7:00 PM - 10:00 PM 9:00 AM - 1:00 PM 1:30 PM - 5:30 PM 9:30 AM - 12:30 PM 7:00 PM - 10:00 PM 6:00 PM - 10:00 PM 2:00 PM - 6:00 PM 2:00 PM - 6:00 PM 6:00 PM - 10:00 PM

GUDERNA GOLDBERG YURKOVICH WANG UNDERHILL GUDERNA KRABBENDAM FORBES KRABBENDAM GOLDBERG WADSLEY WADSLEY UNDERHILL TAYLOR GOLDBERG KRABBENDAM UNDERHILL

$365 $325 $325 $325 $325 $290 $330 $300 $325 $260 $245 $295 $315 $305 $305 $340 $235

MAR 8

6:00 PM - 9:00 PM

GOLDBERG

$65

JAN 15 - MAR 19 FEB 18 - APR 8 MAR 4 - APR 8 JAN 18 - MAR 8 MAR 18 - APR 8 MAR 1 - APR 19

SU S S W S W

1:30 PM - 5:30 PM 1:30 PM - 5:30 PM 9:00 AM - 1:00 PM 6:30 PM - 9:30 PM 1:30 PM - 5:30 PM 6:30 PM - 9:30 PM

EVANS BERTHAUDIN HITE MUSSALLEM MUSSALLEM ASLIZADEH

$425 $420 $315 $315 $240 $315

FEB 25 - MAR 18 JAN 14 - FEB 4 JAN 28 - FEB 25 FEB 18 - MAR 11 MAR 8 - APR 12 MAR 19 - APR 9

S S S S W SU

10:00 AM - 5:00 PM 10:00 AM - 4:00 PM 9:00 AM - 3:30 PM 10:00 AM - 4:00 PM 6:00 PM - 10:00 PM 9:00 AM - 1:00 PM

TAYLOR MINEGISHI HALL-PATCH MINEGISHI BROWN TAYLOR

$395 $250 $310 $260 $370 $235

JAN 28 - MAR 25 FEB 21 - APR 11 FEB 19 - APR 9

S T SU

9:30 AM - 12:30 PM 7:00 PM - 10:00 PM 1:30 PM - 4:30 PM

BRIARD BRIARD O’REGAN

$260 $260 $260

FEB 1

6:00 PM - 9:00 PM

LIU

$65

SCULPTURE + INSTALLATION – PAGE 32 CESC 180 S001 INTRODUCTION TO METAL SCULPTURE CESC 280 F001 METAL SCULPTURE OPEN STUDIO

FEB 18 - APR 8 JAN 17 - MAR 28

S T

1:30 PM - 5:30 PM 6:30 PM - 9:30 PM

RHODES RHODES

$455 $455

TEXTILE ARTS – PAGE 33 CETA 901 S001 SMALL SCALE TAPESTRY CETA 904 S001 INTRO TO NEEDLE FELTING CETA 905 S001 NATURAL PLANT DYEING

JAN 15 - JAN 15 MAR 19 - MAR 19 APR 9

SU SU SU

10:00 AM - 4:00 PM 10:00 AM - 4:00 PM 10:00 AM - 4:00 PM

HIEBERT PAYNE HIEBERT

$135 $135 $135

PAINTING – PAGE 23 CEPN 160 S001 PAINTING FUNDAMENTALS I: COMPOSITION/PROCESS CEPN 161 S001 FUNDAMENTALS OF ACRYLIC PAINTING CEPN 161 S002 FUNDAMENTALS OF ACRYLIC PAINTING CEPN 162 S001 FUNDAMENTALS OF OIL PAINTING CEPN 163 S001 FUNDAMENTALS OF WATERCOLOUR CEPN 164 S001 USING COLOUR CEPN 165 S001 THE BUILT SURFACE: PAINT AND COLLAGE CEPN 169 S001 MIXED MEDIA PAINTING TECHNIQUES CEPN 190 S001 ANYTHING BUT THE BRUSH CEPN 261 S001 ACRYLIC PAINTING II CEPN 262 S001 OIL PAINTING II CEPN 270 S001 FORMS AND CONCEPTS IN CONTEMPORARY PAINTING CEPN 315 S001 THE ART OF PASTEL CEPN 352 S001 PAINTING THE PORTRAIT CEPN 360 S001 PAINTING OPEN STUDIO CEPN 365 S001 OPEN STUDIO LAYERING TECHNIQUES CEPN 371 S001 COMPOSITION AND THE PICTURE PLANE CEPN 902 S001 PAINTING SURFACES: THICK, TEXTURED, GLOSSY AND TRANSPARENT PHOTOGRAPHY – PAGE 27 CEPH 148 S001 BLACK-AND-WHITE FILM PHOTOGRAPHY CEPH 245 S001 BLACK-AND-WHITE PHOTO STUDIO CEPH 246 S001 THE CONSTRUCTED IMAGE CEPH 250 S001 INTRODUCTION TO DIGITAL PHOTOGRAPHY CEPH 340 S001 CONTEMPORARY PORTRAITURE CEPH 352 S001 ADVANCED DIGITAL PHOTOGRAPHY PRINT MEDIA – PAGE 29 CEPR 112 S001 LETTERPRESS I CEPR 160 S001 INTRODUCTION TO RELIEF PRINTMAKING CEPR 162 S001 INTRODUCTION TO SCREEN PRINTING CEPR 165 S001 PRINTMAKING TECHNIQUES CEPR 170 S001 BASICS OF BOOK MAKING CEPR 222 S001 LETTERPRESS: POLYMER PLATE PRINTS PROFESSIONALISING YOUR PRACTICE – PAGE 31 CEPD 190 S001 THE BUSINESS OF ART PRACTICE CEPD 190 S002 THE BUSINESS OF ART PRACTICE CEPD 210 S001 THE BUSINESS OF DESIGN PRACTICE CEPD 903 S001 WRITING FOR ARTIST RESIDENCIES AND GRANT APPLICATIONS

REGISTRATION BEGINS NOVEMBER 8, 2016 u HOW TO REGISTER p. 36

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HOW TO REGISTER Register in a single course or several as a new or returning student in the following ways: ONLINE ecuad.ca/cs Secure your spot in the courses you want through our online registration system. Registering online is easy, fast and secure and you can do it at any time and from anywhere in the world. For instructions on how to use our online registration system, InsideEC, visit our website: connect.ecuad.ca/register

Registration opens 9:00 am on November 8, 2016.

CONTINUING STUDIES OFFICE HOURS Monday, Wednesday + Thursday 8:30 am – 4:30 pm Tuesday 9:30 am – 4:30 pm Friday 8:30 am – 12:30 pm Note: cash and Interac payments accepted during Accounting Office hours only: Monday to Thursday 8:30 am – 4:00 pm Friday 10:00 am – 4:00 pm

HOLIDAYS Emily Carr Continuing Studies will not run any courses on February 13 (Family Day), April 14 (Good Friday), or April 17 (Easter Sunday).

GIFT CERTIFICATES Give the gift of a new experience Continuing Studies allows you to give the gift of a course, Leeway membership or credit of any amount towards our general programming.

ecuad.ca/cs-gifts

BY PHONE Give us a call at 604 844 3810.

COURSE MATERIALS

IN PERSON

Find a list of materials and supplies needed for your courses on your registration statement or on connect.ecuad.ca

Continuing Studies, Rm 103 Emily Carr University of Art + Design 1399 Johnston Street Vancouver, BC V6H 3R9

REGISTRATION POLICIES Please review the registration policies on pages 38-39 before registering in a course.

connect.ecuad.ca/register

csinfo@ecuad.ca 604 844 3810

FREQUENTLY ASKED QUESTIONS DO YOU OFFER COURSES FOR TEENS? Yes! We offer many different programs specifically for teens. Visit teens.ecuad.ca for more information.

WHERE ARE THE COURSES HELD? Currently, all Continuing Studies courses are held at Emily Carr’s Granville Island campus. Our new campus on Great Northern Way will be open in 2017.

WHERE CAN I BUY SUPPLIES, AND HOW MUCH WILL THEY COST? Most Continuing Studies courses require that students purchase supplies. A list of required and recommended items is provided with your confirmation of registration in each course. Some supplies are available at a discounted rate for Continuing Studies students from Opus Framing & Art Supplies on Granville Island and Petrov Arts & Crafts in North Vancouver. You must present your course registration confirmation/ receipt to receive your discount. In general, students should expect to spend between $50-$200 on supplies for each course.

AM I ELIGIBLE FOR A DISCOUNT ON COURSES? Seniors: A discount of 10% is available to all seniors aged 60 or older at the time of registration, with identification. Alumni: A discount of 10% is available for those who have completed an Emily Carr diploma or degree, the Communication Design Essentials Program, or the Interaction Design Essentials Program. Part-time certificate students who are registered in an advanced certificate and have already completed an introductory certificate will also receive a 10% discount. Note: only one discount will apply.

HOW WILL I KNOW IF A COURSE IS CANCELLED OR CHANGED? In the event of a course cancellation or a change of instructor, room, date or time, all students registered in the course will be notified by email. Please check connect. ecuad.ca/courses for the most up-to-date information.

DO I RECEIVE A TUITION TAX CREDIT FOR CONTINUING STUDIES COURSES? Yes. T2202A Tax Receipts are available to download through InsideEC from the end of February through to March each year. Please email csreghelp@ecuad.ca or call 604 844 3810 if you have any further questions.

REGISTRATION BEGINS NOVEMBER 8, 2016 u HOW TO REGISTER p. 36

DO CONTINUING STUDIES COURSES COUNT TOWARD UNIVERSITY DEGREES AT EMILY CARR? Continuing Studies general program courses do not ladder into the University’s credit programs. Communication Design Essentials graduates can now receive transfer credits. See essentials.ecuad.ca for more information.

CAN I GO ON A TOUR OF THE CAMPUS AND FACILITIES? You will need to plan ahead a little bit and register for a free tour of the University. Most Fridays from September through April, the Admissions Department will take you on an hour-long tour through the various departments and will answer any questions that you may have. To sign up, please email admissions@ecuad.ca.

QUESTIONS? GENERAL INFO

csinfo@ecuad.ca

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PART-TIME CERTIFICATES

cscertificates@ecuad.ca DESIGN CERTIFICATES

essentials@ecuad.ca TEEN PROGRAMS

teens@ecuad.ca Emily Carr University of Art + Design Continuing Studies Room 103 – North Building 1399 Johnson Street Vancouver BC V6H 3R9 Continuing Studies Office Hours Mon, Wed, Thurs: 8:30 am – 4:30 pm Tues: 9:30 am – 4:30 pm Fri: 8:30 am – 12:30 pm

ecuad.ca/cs

@ EmilyCarrCS

FIND COURSE MATERIALS, INSTRUCTOR BIOS AND MORE ON connect.ecuad.ca

REGISTRATION POLICIES + GENERAL INFORMATION Admission to individual courses is on a first-come, firstserved basis. Early registration is strongly recommended as class sizes are limited. Unless otherwise indicated, students in Continuing Studies (CS) courses must be at least 18 years old by the course start date.

REGISTRATION DEADLINES You are encouraged to register at least five days before a course’s start date to ensure your seat. If seats are available, registrations may be accepted up to one day prior to the first day of the course. Students who do not appear on the instructor’s course list will not be permitted to attend. Please note that no registrations are accepted after a course has started.

FEES Your tuition fees cover the cost of the course and, in some cases, materials provided by the instructor. However, most courses require students to purchase additional materials. Fees are payable at the time of registration. Payment can be made through cash, debit and credit. Failure to make payment within 24 hours of registration will result in being removed from your course(s).

LANGUAGE REQUIREMENTS All courses are taught in English. Students whose first language is not English should note that they are required to be proficient in written and spoken English and be able to participate in group discussions and presentations in English. As a guideline, we would expect you to have an IELTS score of 4.5 for studio courses and 6.0 for lecture courses. Please note: If you are not at an appropriate language level, Continuing Studies reserves the right to move you to a course more suitable to your skill level.

REGISTRATION STATEMENT When you register online, you will automatically receive a “Class/Payment Acknowledgement” email with links to your course timetable, room location and materials list online. If you do not receive an email, please make sure your current email address is listed on your account and then contact the CS office. If you register in person, by phone or by fax, you will receive an email with your registration statement within 24 hours. Please note: We no longer send registration statements by mail.

WAIT LISTS COURSE MATERIALS Most Continuing Studies courses require that you purchase supplies. A list of required and recommended items is included in your registration statement and available online at connect.ecuad.ca/courses. Some supplies are available at a discounted rate for Continuing Studies students from Opus Framing & Art Supplies on Granville Island, and at Petrov’s Art & Craft Supplies in North Vancouver. You must present your course registration confirmation/receipt to receive your discount.

PREREQUISITES Most Continuing Studies courses are open to everyone, regardless of their experience level. However, we also offer advanced courses for more experienced students. If a course requires a prerequisite course or its equivalent, we highly recommend that you take the prerequisite course prior to taking the advanced course. Please note: If you are not at the level required for the course, the instructor reserves the right to recommend you be transferred into a course that is more suited to your skill level.

If a course is full, contact the CS office to be added to a wait list. If a seat opens up in the course, you will be contacted by the CS office to be enrolled in the course. There is no cost to be added to the wait list and you are under no obligation to register if a space becomes available. Students on wait lists cannot attend classes.

WITHDRAWAL AND REFUND POLICY No refund will be given if notification of withdrawal is received less than seven full calendar days before the start of the course. Exceptions are only considered as they pertain to extenuating circumstances on an individual basis. In such cases, a written request for refund, accompanied by appropriate documentation from a third party (e.g. subpoena), must be submitted. A refund or a tuition voucher, minus an administrative charge of $35 per course, will be issued if notification of withdrawal is received more than seven full calendar days prior to the course start date. Students may withdraw from a course by phone, fax, or email. Under no circumstances will refunds be granted for requests received after the end of a course or workshop. Course transfers or special requests can also not be accommodated after a course finishes. Please note that the policies listed in this calendar apply to individual courses and workshops only. For policies on our other programs, please see our website.

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COURSE TRANSFER POLICY

STUDENT CODE OF CONDUCT

No transfers of fees will be granted if notification of transfer is received less than seven full calendar days before the start of the course. A transfer of fees, minus an administrative charge of $35, will be issued if the request for transfer is received more than seven full calendar days prior to the start date of the course you wish to transfer out of. You must pay any additional fees at the time of transfer. You may transfer from one course to another by phone, fax or email.

A University community depends on the good judgment and considerate behaviour of its members. Emily Carr expects the members of its community to conduct themselves with respect for the rights of others and to behave responsibly at all times. You are responsible for knowing and observing student-related Emily Carr policies and procedures. For more information on the Emily Carr Code of Conduct, please visit connect.ecuad.ca/studentservices/policies. Emily Carr University reserves the right to remove students from courses if it is felt that their behaviour is disruptive or dangerous.

CANCELLATIONS We reserve the right to cancel a course up to five days prior to the course start date if there is not sufficient registration in a course. If a course is cancelled by Emily Carr Continuing Studies for any reason, a full refund will be processed and sent automatically to all registrants. In the event of a cancellation, CS can transfer you into a different course or provide a tuition voucher in lieu of a refund upon request. Course cancellations will be announced to each student by email. Please ensure that your email is on file and up to date.

EMERGENCY CLOSURES In the event of an emergency closure due to poor weather conditions, information will be posted on the Emily Carr website as soon as a decision is made to close.

POSTPONEMENT OF COURSES In the event that a course needs to be cancelled or postponed due to instructor illness, unscheduled school closure or other unexpected event, you will be notified by email.

EMILY CARR LIBRARY The library is located on the ground floor of the South Building, Granville Island campus. The library collection is composed of print resources including books, journals, and exhibition catalogues; a broad range of electronic resources; slide and digital images; films, videos and DVDs; sound effects; artists’ books; the University’s archives; and a menu collection. Some items may be ‘On Reserve’ for specific courses. Library collections are accessible in-house to all students, faculty and the public. Students registered in Continuing Studies courses and programs are entitled to a free Community Borrower card, which means that they can borrow up to 15 books, graphic novels, or Exhibition Catalogues. For information regarding library services and hours, please call 604 844 3840 or check the library website ecuad.ca/library.

THE CONCOURSE GALLERY WAIVER Emily Carr accepts no responsibility in the event any class, course of instruction, seminar, or workshop is either cancelled or not completed as a result of strikes, lockouts, fire, natural disasters or any other cause beyond the control of the University. Emily Carr reserves the right to change or amend its programs, instructors, fee structure, schedule and regulations at any time from those published in this catalogue.

STUDIO ACCESS Unless otherwise indicated, there is no additional access to studio resources outside of class time. If you require additional studio access, please consider membership at the Leeway. For more information, please visit ecuad.ca/theleeway.

The Concourse Gallery is the main showcase for work done within the curriculum at Emily Carr. It has featured shows by degree students, CS students, faculty, staff and visitors involved in generating new ways of learning. CS organizes many shows that pertain to our programming in the summer semester, and we invite you to visit and be inspired.

THE CHARLES H. SCOTT GALLERY The Charles H. Scott Gallery is an integral part of Emily Carr. Since it opened in 1980, the Gallery has played a significant role locally and provincially. The Gallery regularly presents exciting and varied exhibitions of art, design, and architecture by acclaimed regional, national, and international artists and designers. For more information, visit chscott.ecuad.ca.

READ AT THE CHARLES H. SCOTT GALLERY READ is an ongoing project of the Charles H. Scott Gallery developed to promote the continued availability of artist monographs, artist books, multiples, exhibition catalogues, and critical theory. The focus is primarily on contemporary artists and contemporary art discourse. READ also carries books on film, design, and architecture and has a select collection of magazines and journals. READ sells all Emily Carr’s course textbooks.

REGISTRATION BEGINS NOVEMBER 8, 2016 u HOW TO REGISTER p. 36

FIND COURSE MATERIALS, INSTRUCTOR BIOS AND MORE ON connect.ecuad.ca

ALUMNI PROFILE

Katrina Heschel INTERACTION DESIGN CERTIFICATE (2015)

This September, one of the UX industry professionals in attendance at Industry Night for our Interaction Design Certificate students was also an alumnus of the program: Katrina Heschel (’15), now a Senior User Experience Consultant at Vancity. “I enjoyed meeting students at Industry Night, because I remember being in their shoes, excited to start my career,” she says. “Some of the projects I saw were very interesting.” Her advice to students who are just graduating or entering the program would be to go to hackathons and meet-ups, to stay up-to-date on industry news through blogs and podcasts and to keep revising their portfolios. “You get out what you put in,” she says. “If you work hard and engage with the industry, that can have a huge impact.” As a student, Katrina competed in local hackathons and her team’s win at Protohack Vancouver led her to an accelerator program at UBC and a feature article on ecuad.ca. “I learned a lot in the program,” says Katrina. “The environment was collaborative and supportive, but our instructors held us to a high standard in terms of final projects.” When she was graduating from the Interaction Design Certificate program and attending Industry Night, Katrina had an opportunity to meet a representative from Vancity, who was impressed with both her portfolio and background. The connection ultimately led her to her current role. “My decision to work for Vancity was partially because of the impact I could have,” says Katrina, who also holds a bachelor’s degree in economics. ”I respect and value what they do in the community.” As Senior User Experience Consultant, Katrina focuses on how to improve the member experience both online and on the mobile app, evaluating new features through a UX lens.

“My time at Emily Carr gave me a great foundation in the essence of what UX is and the problems it is meant to solve.” Katrina Heschel Senior User Experience Consultant | Vancity

“It would have been really difficult to make this career transition without the program,” says Katrina. “My time at Emily Carr gave me a great foundation in the essence of what UX is and the problems it is meant to solve.”

Katrina Heschel at Industry Night

START YOUR UX CAREER

Our intensive certificate in interaction design can prepare you for a range of roles in the growing world of UX/UI design. Develop your skills and build a portfolio of work in this career-focused program. Start dates: April + September Apply early – space is limited. Learn More • Find a program overview and how to apply on page 3. • Read about one of our recent alumni on page 40. • Visit essentials.ecuad.ca/interaction.

essentials.ecuad.ca

essentials@ecuad.ca 604 844 3810

COMING SOON Our new campus will open in Summer 2017. We canâ&#x20AC;&#x2122;t wait to see you there.

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