Emily Carr Continuing Studies Summer 2012 Catalog by Emily Carr University of Art + Design

SUMMER2012 continuing studies courses + programs

NEW CERTIFICATE IN PHOTOGRAPHY

Learn more on page 48

EMILY CARR UNIVERSITY OF ART + DESIGN CONTINUING STUDIES

1399 Johnston Street, Vancouver BC V6H 3R9 ecuad.ca/cs

3626881

THE DOCUMENTARY TRADITION PHOTOGRAPHY INSTITUTE AND EXHIBITION July 7-14 Cover photo, Milan 2008 by Vendula Ralkova, CS Faculty

HIGHLIGHTS 5

Photography

Design

Teens

NEW! PHOTOGRAPHY CERTIFICATE

DESIGN EVERY DAY SUMMER DESIGN INSTITUTE

SUMMER INSTITUTE FOR TEENS

See page 48 for more information

A call for typographers, designers, architects, urbanists and artists to reimagine everyday encounters with letterforms, imagery, objects and spaces, and to reconsider the processes and products of design.

The Summer Institute for Teens is ideal for students in grades 10, 11 and 12 who want to develop both a portfolio and a set of core skills in preparation for post-secondary training in art or design.

June 2012 See page 6 for more information.

Choose from ten exciting studios!

THE DOCUMENTARY TRADITION SUMMER PHOTOGRAPHY INSTITUTE + EXHIBITION Register today for special topics in photography with photography faculty, guest artists and visiting photojournalists. All courses and workshops offered in Emily Carr’s incredible darkroom facilities and digital media labs.

July 2012 See page 50 for more information.

July 2012 See page 38 for more information.

ecuad.ca/cs

YOU ARE INVITED TO EMILY CARR’S CONCOURSE GALLERY! Free and Open Daily

9:00 am – 5:00 pm Emily Carr Degree Exhibition May 6 – 20, 2012

Design Every Day June 11 – 24, 2012

Teens Faculty Show June 27 - July 5, 2012

The Documentary Tradition: Making Now Real July 7 – 15, 2012

4 4

Master of Applied Arts Low Residency Exhibition July 17 – 24, 2012 Summer Institute for Teens Exhibition July 27 – August 3, 2012

Please check our website for other events, exhibitions and lectures this summer.

ecuad.ca

SUMMER

2012

Table of Contents Courses + Workshops Communication Design  Design Every Day Computer Skills Cultural Studies Digital Media  Interaction Design Drawing Film + Video Graphic Novel Illustration Industrial Design Material Practice Painting Photography  Photography Institute Printmaking  Book Arts Professional Development Sculpture + Installation Summer Institute for Teens

REGISTRATION BEGINS MARCH 27, 2012 / HOW TO REGISTER p. 3 FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS

4 6 8 10 11 12 13 18 19 20 22 26 31 36 38 43 44 45 46 50

Timetable Certificate Programs  Introductory Certificates  Advanced Study Certificates  Design Essentials Frequently Asked Questions How to Register Registration Policies and General Information Registration Form

27 48 48 48 53 3 54 56

Instructor biographies are available at ecuad.ca/people/faculty/cs Registration Opens March 27, 2012

EXPLORE, CREATE + ENJOY Meet the Continuing Studies Team Danielle Benda Administrative Assistant/Web Registration, CS Ted Bois Office Assistant, Registration, CS Valerie Ceppi Administrative Assistant, CS

Amy Clausen Special Projects Assistant, CS

Sadira Rodrigues Dean, CS

Chelsea Hug Program Assistant, CS

John Skibinski Office Assistant, CS

Laura Kozak Special Projects Assistant, CS

Nicky Ward Operations Manager, CS

CS TECHNICAL TEAM Aja Billas (on leave) Vanessa Hall-Patch Gwen Phelan Jacqueline Robins

Terry Plummer Senior Administrative Assistant, CS

Claire Schagerl Lauren Scott Marlene Yuen

DESIGN/ART DIRECTION Cari Bird Sr Graphic Designer, Communications

PHOTOGRAPHY Front Cover: Vendula Ralkova Back Cover: John Lee Inside: Jeff Vinnick, John Lee, Josh Bowie, William Ting.

ÂŠ2012 Published by Continuing Studies

ecuad.ca/cs

Printed in Canada

EMILY CARR UNIVERSITY OF ART + DESIGN / SUMMER 2012 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

HOW TO REGISTER Registration for all Continuing Studies courses and programs for the Summer 2012 semester begins at 9 am on March 27, 2012. Register early as space is limited. Online

Find us Online!

New and returning students can register online. ecuad.ca/cs

In Person Register in person at the Continuing Studies office at Emily Carr University, 1399 Johnston Street, Vancouver. Payment may be made by cheque, money order, cash, Interac, VISA or MasterCard.

www.twitter.com/EmilyCarrCS www.youtube.com/EmilyCarrUniversity search “Emily Carr University” on Facebook

By Phone Call 604 844 3810 with your VISA or MasterCard information ready.

By Fax omplete the registration form (page 56), using type C or black ink, and fax it with your VISA or MasterCard information to 604 630 4535.

By Mail

Gift Certificates

omplete and return the registration form (page 56), C with your cheque or money order (payable to Emily Carr University of Art + Design), VISA or MasterCard information to Continuing Studies.

Gift certificates for Continuing Studies courses and programs are available for purchase for full course fees or in denominations of your choice.

Continuing Studies Office Hours

PURCHASE BY PHONE OR IN PERSON AT:

Monday to Thursday 8:30 am – 4:00 pm Friday 8:30 am – 12:30 pm Saturday, Sunday + statutory holidays closed

Note: Cash and Interac payments accepted during Accounting Office hours only: Monday to Thursday 8:30 am – 4:00 pm Friday 10:00 am – 4:00 pm

REGISTRATION BEGINS MARCH 27, 2012 / HOW TO REGISTER p. 3 FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS

Continuing Studies Emily Carr University of Art + Design 1399 Johnston Street Granville Island, Vancouver, BC

Tel 604 844 3810

COMMUNICATION DESIGN BASICS OF COMMUNICATION DESIGN Carolina Becerra CECD 110 SU01 Jun 13 - Jul 18 Wed 6:30 pm - 9:30 pm 6 Sessions 18 total hrs $265 Carley Hodgkinson CECD 110 SU02 Jul 5 - Aug 9 Thu 6:30 pm - 9:30 pm

This course introduces you to visual communication design and the role of the communication designer. Exercises engage you in the design process and creative problem solving: problem definition, research and analysis, concept development, production and presentation. The course is spent working on different design projects through to completion of a mock-up and short design presentation. You will work individually and in teams.

DRAWING FOR DESIGN Vjeko Sager CECD 160 SU01 Jun 3 - Jun 24 Sun 9:30 am - 4:30 pm 4 Sessions 24 total hrs $300

6 Sessions 18 total hrs

Drawing is an essential process in design. It is a necessary tool for concept development and is used to communicate with clients and other design professionals throughout the design and production process. This course introduces you to the basic principles of drawing: point, line, form, tone and value, the representation of mass and volume and composition. Assignments include exercises in drawing techniques and will involve skills required for problem solving and communication; some assignments may be framed as specific design projects.

Prerequisite None Prerequisite None

$265

THE ART OF FONTS Linda Coe CECD 112 SU01 Jun 5 - Jun 26 Tue 6:30 pm - 9:30 pm 4 Sessions 12 total hrs $225

Whether in print or on-screen, typographic presence in good design is always evident. This course introduces the anatomy of letterforms, principles of typographic usage, and fundamentals of choosing and combining type, as well as the terminology of typography. Along with the anatomy of the letterform, you will explore distinctions between typefaces, typographic usage and shaping the page with type. Past and contemporary typographers and their contribution to design and the written language will be discussed. By the end of this course, you will successfully apply typographic knowledge to your design projects.

TYPOGRAPHY Linda Coe CECD 320 SU01 Jun 27 - Aug 15 Wed 6:30 pm - 9:30 pm 8 Sessions 24 total hrs $275

This course is perfect for those ready to pursue a more in-depth study of typography. You will develop your type-terminology vocabulary, an understanding of letterform anatomy, typographic principles and classification systems. Influential typographers, both historical and contemporary, will be discussed. Through personal and group assignments, you will develop techniques to shape the page with type as a dominant element. Prerequisite Some Illustrator, Photoshop, InDesign or Quark experience is required

Prerequisite None

EMILY CARR UNIVERSITY OF ART + DESIGN / SUMMER 2012 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

PUBLICATION DESIGN Dante Comoglio CECD 330 SU01 Jun 18 - Jun 28 Mon - Thu 1:30 pm - 4:30 pm 8 Sessions 24 total hrs $340

This course is intended for those with an understanding of InDesign and Photoshop. The program will be fundamental in designing a publication of eight or more pages that will be made ready for the commercial printer. You are encouraged to bring a project and all its materials for the first day of class. The course will cover basic design and layout strategies for multi-page documents, as well as the principles of printing. Prerequisite A working knowledge of Photoshop, and QuarkXPress or InDesign is required; expertise with Illustrator is recommended

REGISTRATION BEGINS MARCH 27, 2012 / HOW TO REGISTER p. 3 FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS

DESIGN EVERY DAY Design Every Day is a call for typographers, designers, architects, urbanists and artists to reimagine everyday encounters with letterforms, imagery, objects and spaces, and to reconsider the processes and products of design. Display scaffolding will house a changing series of micro-exhibits, practical workshops and hands-on experiments in Emily Carr’s Concourse Gallery from June 11 - 25, 2012. Curated by Laura Kozak

TALK AND BOOK LAUNCH WITH LLOYD KAHN Lloyd Kahn April 19 Thu 7:00 pm Emily Carr Lecture Theatre FREE

Lloyd Kahn is a pioneer of the green building movement, a celebrated photographer, and the editor-in-chief of Shelter Publications. He is the author of Builders of the Pacific Coast and the originator of the Whole Earth Catalog. At this talk, Lloyd Kahn will present a stunning slide show presentation on his new book Tiny Homes, Simple Shelter: Scaling Back in the 21st Century. Free and open to the public, this presentation is in partnership with Banyen Books & Sound.

WORKSHOP: SCREEN CALIBRATION FOR DESIGNERS AND PHOTOGRAPHERS For designers and photographers, correct screen calibration will dramatically improve the colour accuracy of your output results. Screen calibration is one of the first steps in creating a “what you see is what you get” workflow. This short workshop will help you to understand basics in calibration as well as provide you with a better understanding of colour management.

Carlos Mendes CEDA 220 SU01 June 13 Wed 6:00 pm – 9:00 pm 1 session 3 hours $60

TALK: TEN FOR TEN Various Contributors June 14

INSTALLATION: SCAFFOLD Fieldwork (FW), founded in 2009, is a Jun 11 – Jun 25 Vancouver-based collective of eight Daily 9:00 am – 5:00 pm emerging designers. FW offers an array Emily Carr Concourse Gallery of experiments, interpretations and Open to the public narratives through a range of outcomes FREE — exhibitions, group shows, and product design. FW aims to shift the perception and understanding of design, and their Scaffold will showcase the inventive and exciting results of idea generation throughout Design Every Day. Fieldwork

Thu 7:00 pm Emily Carr Lecture Theatre FREE

SPATIAL TYPOGRAPHY Laura Kozak CECD 215 SU01 Jun 15 Fri 9:30 am - 4:30 pm 1 Session 8 total hrs

MICRO EXHIBIT: DISPLAY MAGAZINE DISPLAY Magazine is a curated publication Jun 12 – Jun 25 of contemporary design practice in Daily 9:00 am – 5:00 pm Canada. With emphasis on emergent Emily Carr Concourse Gallery design communities, DISPLAY seeks to Open to the public showcase the culture of Canadian design. FREE Edited and published by Charlotte Falk and Jennifer Kowton. A micro-exhibition of DISPLAY Magazine’s archives will be presented daily to the public as part of Design Every Day.

$60

DISPLAY Magazine

Ten for Ten is a one-night event in which typographers, architects, product designers, entrepreneurs, information designers and thinkers speak about how their practice has evolved over the past ten years, and how they came to be doing what they are doing today.

Grace Partridge

Experiment with letterforms in this collaborative, hands-on day of dimensional typography. Using an unconventional palette of modular materials, create imaginative letterforms and typographic installations to be mounted in Emily Carr’s Concourse Gallery. This workshop will suit those brand new to typography as well as seasoned type-nerds.

CECD 215 SU02 Jun 23

Prerequisite None

Sat 9:30 am - 4:30 pm 1 Session 8 total hrs $60

EMILY CARR UNIVERSITY OF ART + DESIGN / SUMMER 2012 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

CHARETTE: THE BICYCLE AND THE CITY Samantha Lefort and Joshua Welsh CEID 272 SU01 June 16 Sat 2:00 pm – 4:00 pm 1 session 2 hours FREE

Cyclists, designers, drivers and city-dwellers are invited to rethink Vancouver’s cycling infrastructure and cycling in the city at this hands-on, intensive charette. Topics for discussion include interventions in cycling infrastructure, Vancouver’s underutilized spaces and bike culture in Vancouver. Note: This event is free but requires advanced registration.

WORKSHOP: VISUAL NOTE-TAKING Roman Izdebski CECD 180 SU01 June 17 Sun 1:00 pm – 4:00 pm 1 session 3 hours $50

Learn to quickly and visually record what you see and hear using diagrams, sketches and mapping. This is a great skill for designers, business professionals, illustrators and students looking to rapidly synthesize and communicate complex information in meetings, lectures and presentations. This fun and hands-on workshop will provide you with the practical and effective skills for visual note-taking.

Design Every Day is pleased to present a special opportunity for Continuing Studies Students to take HUMN 306 Studies in Design: Theories + History of Domestic Space and Everyday Objects, with Bonne Zablotney, Dean of Design + Dynamic Media at Emily Carr. May 7 - June 23 Tuesdays and Thursdays 9:00 am - 12:10 pm Please call 604 844 3800 to register or for more information.

REGISTRATION BEGINS MARCH 27, 2012 / HOW TO REGISTER p. 3 FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS

COMPUTER SKILLS INTRODUCTION TO THE MACINTOSH COMPUTER Jaime Clay

Carolina Becerra

Jaime Clay

CECS 100 SU01

CECS 100 SU02

CECS 100 SU03

May 26

May 29

Jun 6

Sat 9:30 am - 1:30 pm

Tue 6:00 pm - 10:00 pm

Wed 6:00 pm - 10:00 pm

1 Session

4 total hrs

$75

In this introduction, you will learn the basics of the Macintosh environment. You will learn to open, close, and save files, to create folders, access fonts, print basic documents and burn files to disc. This workshop is for students with little or no experience with computers and specifically the Mac environment, and is the prerequisite for our Computer Skills courses. Prerequisite None

ADOBE ILLUSTRATOR: THE BASICS Jaime Clay

Ross Milne

CECS 130 SU01

CECS 130 SU02

Jun 13 - Jul 18

Jun 19 - Jul 31

Wed 6:30 pm - 9:30 pm

Tue 6:30 pm - 9:30 pm

6 Sessions

18 total hrs

$380

$380 no class Jul 10

Explore the potential of the drawing program Adobe Illustrator in our Macintosh labs. Learn the key features of this program and become familiar with the basics of digital drawing and painting by creating and modifying geometric shapes, drawing with BĂŠzier curves, utilizing gradients and patterns. Small weekly assignments and one larger illustration project will allow you to use all the skills learnt in class. Final work can be printed in colour. Prerequisite CECS 100 Introduction to the Macintosh Computer or equivalent

EMILY CARR UNIVERSITY OF ART + DESIGN / SUMMER 2012 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

PHOTOSHOP: THE BASICS Arthur Babiarz

Kathryn Mussallem

CECS 131 SU01

CECS 131 SU02

Jun 2 - Jul 7

Jul 5 - Aug 16

Sat 9:30 am - 12:30 pm

Thu 6:30 pm - 9:30 pm

6 Sessions

18 total hrs

$380

Explore the potential of Adobe Photoshop, the industry CECS 131 SU03 standard program for digital image processing, in our Aug 13 - Aug 17 Macintosh labs. Learn the basics of image manipulation Mon - Thu 9:30 am - 2:30 pm including simple retouching, applying filters, blending and 5 Sessions combining images and adding text to image. Other topics such 18 total hrs as resolution, masks, channels and paths are also introduced. $380 Final work can be printed in colour. Jaime Clay

no class Aug 2

Prerequisite CECS 100 Introduction to the Macintosh Computer or equivalent

INDESIGN: THE BASICS Eduardo Rodriguez

Sean Coggins

CECS 133 SU01

CECS 133 SU02

Jun 2 - Jul 7

Jul 15 - Aug 19

Sat 1:30 pm - 4:30 pm

Sun 9:30 am - 12:30 pm

6 Sessions

18 total hrs

$380

Discover the latest tool for page layout and electronic pre-press file preparation in our Macintosh labs. As an Adobe product, InDesign is designed to work together with Photoshop, Illustrator and Acrobat, enhancing compatibility with these programs. In this course you will gain basic experience with the software as you work with page layout creation, create and format text, input and manipulate images and gain a basic understanding of colour as it relates to printing. Exercises and projects are designed to take full advantage of the basic tools within InDesign. Prerequisite CECS 100 Introduction to the Macintosh Computer or equivalent; familiarity with a word processing program such as Word is strongly recommended; experience with Illustrator is an asset

THE ADOBE SUITE FOR DESIGN AND PRODUCTION Satyan Gohil

Jen Hiebert

CECS 136 SU01

CECS 136 SU02

Jun 2 - Aug 4

Jun 10 - Aug 19

Sat 9:30 am - 12:30 pm

Sun 1:30 pm - 4:30 pm

10 Sessions

30 total hrs

$425

This course will introduce Illustrator, Photoshop, and InDesign as an integrated software tool for the design and production of print media. Through presentation, demonstration, assignments and projects, you will learn to use the Adobe Suite in document layout, typesetting and combining both vector art and raster art to design and produce work for both print and the web. Prerequisite CECS 100 Introduction to the Macintosh Computer or equivalent

PHOTOSHOP FOR PHOTOGRAPHERS Kathryn Mussallem CECS 140 SU01 Jul 15 - Aug 19 Sun 9:30 am - 12:30 pm 6 Sessions 18 total hrs $350

Designed for photographers, this workshop examines the capabilities of Adobe Photoshop in our Macintosh labs. Using scanned and digital images, you will explore the variety of tools available for image correction and manipulation including colour calibration, layers, dodging and burning, converting colour images to greyscale, toning and retouching. Time will be available for work on personal images. Prerequisite CECS 100 Introduction to the Macintosh Computer or equivalent, as well as general experience in either digital or film photography

REGISTRATION BEGINS MARCH 27, 2012 / HOW TO REGISTER p. 3 FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS

ISSUES IN CONTEMPORARY DESIGN Carley Hodgkinson CESE 110 SU01 May 30 - Jul 18 Wed 6:30 pm - 9:30 pm 8 Sessions 24 total hrs $285

This course examines a range of contemporary debates, themes and issues that affect designers today. Topics are examined through reading, writing, discussions and projects. Issues discussed include: the designer as author and producer, social responsibility, advertising, participatory design, radical design and many others. You will be required to analyze and discuss a variety of visual representations using a range of methodologies. Slide lectures, field trips and readings are included. You will receive an overview of the vocabulary and thought that informs the contemporary design practice. You will also complete a research and writing exercise that will be discussed and critiqued in class. Prerequisite None

CULTURAL STUDIES ISSUES IN CONTEMPORARY ART Ramon Kubicek CESE 160 SU01 Jun 9 - Jul 28 Sat 10:30 am - 1:30 pm 8 Sessions 24 total hrs

This course introduces you to a range of issues affecting contemporary art from the late 1980s onwards. You will examine a number of themes including: the changing role of the artist, the problem of the avant-garde and originality, the idea of discourse, postmodernism and beyond, the problem of â&#x20AC;&#x2DC;beautyâ&#x20AC;&#x2122;, nature as subject, pastoral tradition and nostalgia, ecological art, new feminism, radical art, cyber-culture and the post-human and the new sublime. You will complete an exhibition review and a portfolio of research and writing exercises.

$285

Prerequisite None

A SURVEY AND HISTORY OF ART Matilda Aslizadeh CESE 180 SU01 May 30 - Jul 18 Wed 6:30 pm - 9:30 pm 8 Sessions 24 total hrs $250

From the Renaissance and Michelangelo to Conceptualism and Yoko Ono, this course offers an introduction to the history of Western art, focusing on the cultures and individuals that shaped art and architecture over the last 1000 years. Linking historical precedents to contemporary artistic practices, this course will provide you with a general introduction to art history. This course is ideal for students who want to be better informed museum visitors or who want to understand their own practice in the context of what went before. You will leave the course with a greater awareness of the histories Western art and, most importantly, the skills to look at art in new ways. A visit to the Vancouver Art Gallery is planned. Prerequisite None

EMILY CARR UNIVERSITY OF ART + DESIGN / SUMMER 2012 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

DIGITAL MEDIA INTRODUCTION TO MAYA This two-day intensive workshop offers an introduction to Autodesk Maya. Develop your design CEAN 152 SU01 and computer skills through an introduction to computer animation. Learn fundamentals of May 26 + May 27 modeling, texturing, animation, lighting and rendering in three-dimensional space. Create Sat + Sun 10:00 am - 4:30 pm assets and environments and apply them to animation for broadcast, film, video games and 2 Sessions visualization. Projects investigate the conceptual, aesthetic, and expressive potential of the 12 total hrs 3D environment and demonstrate various design strategies for 3D imaging and animation. $225 At course end, you will be comfortable within Autodesk Maya and able to create simple films or simulations. Thomas Groppi

Prerequisite Basic computer skills

INTRODUCTION TO WEB DESIGN Kevin McMillan CEDA 232 SU01 Jun 9 - Jul 14 Sat 9:30 am - 12:30 pm 6 Sessions 18 total hrs

This course explores the many facets of website design and development, as well as some of the ways that the Internet is being used by artists and designers for self-promotion. You will learn the basics of web page creation, user-centered design principles and design techniques for interactivity. You will learn through exercises, projects, demonstrations and discussions. Projects focus on the technical and aesthetic issues of developing a web site for your or your clients’ work.

$365

Prerequisite General computer and internet proficiency

WORDPRESS Kevin McMillan

Kevin McMillan

CEDA 250 SU01

CEDA 250 SU02

Jun 17 + Jun 24

Jul 22 + Jul 29

Sun 9:30 am - 5:00 pm

2 Sessions

14 total hrs

$220

An introduction to web design using the WordPress platform, this two-day course offers an in-depth look at the technology and skills needed to develop a web site. Through the production of your own site, you will learn how to install WordPress and make posts, pages, and galleries. In addition, you will learn how to use WordPress templates, plugins, widgets, comment forms and more. The course will demonstrate a variety of approaches that outline the easiest and most effective ways of designing and managing your personal WordPress site. Prerequisite General computer and internet proficiency

ADVANCED WEB DESIGN Kevin McMillan CEDA 332 SU01 Jul 14 - Aug 18 Sat 1:30 pm - 4:30 pm 6 Sessions 18 total hrs $350

This advanced course builds on the HTML & CSS skills gained in CEDA 232 Introduction to Web Design by introducing you to the most popular content management system: WordPress. You will start by learning the interface and metaphors of the program before moving to designing child themes and integrating blogs, image galleries, social media APIs and plugins into your site. You will also learn many ways to secure WordPress from attack, and to troubleshoot when problems do occur. By the end of the course, you will have the tools to make a website that is functional, beautiful, accessible, reliable, and extensible. Prerequisite CEDA 232 Introduction to Web Design or equivalent

REGISTRATION BEGINS MARCH 27, 2012 / HOW TO REGISTER p. 3 FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS

DIGITAL MEDIA (CONT’D) INTRODUCTION TO SOLIDWORKS Philip Robbins CEID 231 SU01 Jun 4 - Jun 25 Mon 6:30 pm - 9:30 pm 4 Sessions 12 total hrs $215

In this course you will learn how to use the basics of SolidWorks mechanical design automation software. Helping designers to move from 2D planning to 3D design, this course explores how to build parametric models of parts and assemblies, and how to make drawings of those parts and assemblies in SolidWorks. This course is ideally suited for designers, engineers and other creative professionals interested in exploring tools for product design. Prerequisite None

INTRODUCTION TO AUTOCAD LT Thomas Groppi CEID 232 SU01 Aug 4 + Aug 5 Sat + Sun 10:00 am - 4:30 pm 2 Sessions 12 total hrs $215

This two-day intensive workshop offers an introduction to the fundamentals of computer-aided design and drafting for industrial design. You will learn the basics of 2D drafting and detailing with a focus on the production of dimensioned drawings for fabrication and production. You will document your ideas and designs accurately with a comprehensive set of 2D drafting and detailing tools. At course end, you should be comfortable using AutoCad LT independently.

INTERACTION DESIGN iPHONE APP CREATION

Prerequisite None

This course will show you how to make your own apps for the iPhone, iPad and iPod Jul 4 - Jul 18 Touch. Using a simple set of tools, you will Mon + Wed 6:30 pm - 9:30 pm learn how to design and build an app with 5 Sessions an interactive graphical interface and sound 15 total hrs components. Issues regarding user interaction $210 and current design methodologies are introduced for mobiles devices. At the end Jim Andrews of the course, you will be able to put the app CEIN 150 SU02 on an iPhone and iPod Touch device and will Jul 14 - Aug 11 be shown how to upload it to the online App Sat 9:00 am - 12:30 pm Store. You will be encouraged to investigate 5 Sessions the conceptual and aesthetic potential of 15 total hrs mobile technologies and demonstrate design $210 strategies for an interactive work. Note: Not for android devices. Jim Andrews

CEIN 150 SU01

INTRODUCTION TO RHINO Thomas Groppi CEID 235 SU01 Aug 18 + Aug 19 Sat + Sun 10:00 am - 4:30 pm 2 Sessions 12 total hrs $215

This two-day intensive workshop provides hands-on 3D prototyping skills using Rhinoceros. Students will learn how to model, edit and analyze organic 3D surfaces using this powerful industry standard software. Over the course of an intensive weekend, you will work from real-life scenarios and problem solve using professional and personal projects as examples. This course is ideal for industrial designers, jewelry makers, product designers and anyone who needs to model and/or prototype products for manufacturing. Prerequisite None

Prerequisite Basic Macintosh skills and access to a Mac outside of class; no prior programming experience required

EMILY CARR UNIVERSITY OF ART + DESIGN / SUMMER 2012 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

DRAWING FUNDAMENTALS I: COMPOSITION/PROCESS The elements of drawing, observation, recording and compositional organization are fundamental to an artist’s visual education. Aspects of this challenging visual thought process include studies in line, shape, value, perspective, proportion, positive and negative space and the human figure. Using a wide range of drawing materials in hands-on practice, you are introduced to drawing as a means of intense visual investigation. Individual and class guidance accommodate varying levels of student ability. Class work may include drawing from a model. Prerequisite None

James Lindfield

Keith Langergraber

Janet Piper Jones

CEDR 160 SU01

CEDR 160 SU03

CEDR 160 SU05

Jun 2 - Jul 21

Jun 26 - Aug 14

Jun 29 - Aug 17

Sat 1:30 pm - 4:30 pm

Tue 6:30 pm - 9:30 pm

Fri 1:30 pm - 4:30 pm

8 Sessions

24 total hrs

$280

Frances Grafton

Dan Starling

CEDR 160 SU02

CEDR 160 SU04

Jun 11 - Jun 14

Jul 29 - Aug 19

Mon - Thu 9:30 am - 4:30 pm

Sun 9:30 am - 4:30 pm

4 Sessions

24 total hrs

$280

DRAWING PERSPECTIVE DRAWING FOR ARTISTS AND DESIGNERS This course is essential for artists, designers, illustrators and animators who wish to create convincing images of form, depth and space. From the Renaissance to the Computer Age, artists have used perspective techniques in their imagery. Whether working in realism, in the compressed space of abstraction or with a computer, you will improve the impact of your work with an understanding of this powerful drawing technique. Addressing various techniques throughout the course, you are guided through step-bystep exercises, moving from rough layout sketches to more carefully proportioned images of world architecture, vehicles and the human form.

Tony O’Regan CEDR 162 SU01 Jun 19 - Aug 14 Tue 6:30 pm - 9:30 pm 8 Sessions 24 total hrs $280 no class Jul 24

Prerequisite None

CREATIVE DRAWING AND ARCHITECTURE This structured, high-energy course develops your basic to intermediate drawing and sketching skills. Exercises and projects lead to understanding and applying perspective drawing, sketch concepts, the figure/ground concept and compositional strategies. A variety of creative freehand techniques develop your approach to architectural figurative drawing. Class work includes some drawing from a model.

Tony O’Regan CEDR 163 SU01 Jun 14 - Aug 9 Thu 6:30 pm - 9:30 pm 8 Sessions 24 total hrs $300 no class Jul 26

Prerequisite None

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DRAWING (CONT’D) DRAWING INTO PAINTING: AN INTRODUCTION Lori Goldberg CEDR 164 SU01 May 27 - Jun 17 Sun 9:30 am - 4:30 pm 4 Sessions 24 total hrs $300

This course provides an introduction to the fundamentals of drawing and painting and the transition from black-and-white to colour. You will investigate line, form, value, colour and pictorial composition using a variety of drawing materials and water-based paints. You will begin with drawing and move into painting using still lifes, the model and imagination. Guided exercises and discussion of historical and contemporary art will be used to support the learning process.

DRAWING FUNDAMENTALS II Janet Piper Jones CEDR 260 SU01 Jun 26 - Aug 14 Tue 6:30 pm - 9:30 pm 8 Sessions 24 total hrs $250

Prerequisite None

DRAWING WITH PEN AND INK: BLACK-AND-WHITE Stan Hunc CEDR 167 SU01 Jun 9 - Jul 28 Sat 1:30 pm - 4:30 pm 8 Sessions 24 total hrs $300

Take a classic, black-and-white approach to the expressive medium of pen and ink drawing. Through exercises and step-bystep tutorials, you will learn to create a range of work from photo-realism to abstraction and everything in between. Work with a range of pen points using bistre and sepia inks, as well as combinations of ink and watercolour. Experimentation with ink and wash will be introduced as you explore tone, texture, line and stroke, gesture and calligraphy, proportion and visual balance.

Prerequisite CEDR 160 Drawing Fundamentals I or equivalent

DRAWING THE FIGURE AND FACE Vjeko Sager CEDR 261 SU01 Jun 14 - Jul 12 Thu 6:30 pm - 9:30 pm 5 Sessions 16 total hrs $290

Prerequisite Any 100-level drawing course or equivalent experience

Vjeko Sager CEDR 261 SU02 Jul 19 - Aug 16

Stan Hunc CEDR 171 SU01 Jun 27 - Aug 15 Wed 6:30 pm - 9:30 pm 8 Sessions 24 total hrs $300

This course is designed to provide an intensive exploration of techniques, ideas and approaches to drawing. You will begin working with representational modes aimed at investigating seeing, and knowing the relationship to the sensed world through the eyes. You will work through a variety of formal problems such as volume, value, composition, mass, positive and negative space and depth. Projects will also involve working from memory and imagination. You will experiment working with materials, surfaces, scale, repetition and unconventional drawing tools. Projects are designed to help you work with your materials so you are better able to express your ideas and work through technical issues in drawing. The practice of drawing will be discussed in relation to the work of both historical and contemporary artists.

DRAWING WITH CHARCOAL AND CHALK

Thu 6:30 pm - 9:30 pm

Explore the expressive qualities of charcoal and chalk, from basic techniques to more complex renderings. Throughout the course you will work on a series of projects, presented in order of difficulty. These will be supplemented with practical suggestions, ideas for line, value, texture experiments and techniques for creating special effects.

16 total hrs

5 Sessions $290

In this course, you will draw and study the live model, towards the goal of constructing a figure or face without a model. Emphasis will be placed on helping you to develop an ‘internal model’ using basic anatomical proportions, gesture, contour and modelled shading. Subjects will include proportion and construction of the head and figure, drawing and mapping of facial features, hands and feet, and understanding of typical standing, walking and seated poses. This course will be of use to persons interested in any type of interior, architectural or design-oriented illustration, animation or fine art where the ability to draw scale figures is desired. Prerequisite CEDR 160 Drawing Fundamentals I or equivalent is recommended, but not required

Prerequisite None

EMILY CARR UNIVERSITY OF ART + DESIGN / SUMMER 2012 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

DRAWING: TRADITIONAL TECHNIQUES Vjeko Sager CEDR 262 SU01 Jun 4 - Jul 30 Mon 6:30 pm - 9:30 pm 8 Sessions 24 total hrs $320

For centuries artists have discovered and perfected masterful techniques for drawing execution. This course offers a blend of art history lectures on Masters’ techniques and hands-on practice in drawing lessons. Major drawing strategies and methods will be discussed and explored as you experiment with still life, landscape and live figure drawing using the classical drawing principles applied since the Renaissance. Exercises will include paper preparation, step-by-step drawing lessons and experimentation with various materials and tools. This course is open for beginning to advanced artists who are interested to understand the artistic process and create well-crafted drawings. Prerequisite Any 100-level drawing course or equivalent

INTRODUCTION TO LIFE DRAWING Frances Grafton CEDR 263 SU01 Jul 30 - Aug 2 Mon - Thu 9:30 am - 4:30 pm 4 Sessions

Develop and expand your drawing and observation skills in this course on drawing the human figure. Gesture, line and value, proportion, composition, form and volume will be explored through a variety of approaches to drawing the figure. There will be a brief introduction to the structural anatomy of the body and identification of superficial anatomical points. Drawing from the skeleton and the live model will be included.

24 total hrs $345

Prerequisite Any 100-level drawing course or equivalent experience

Keith Langergraber

Following on CEDR 165 Drawing and Collage I, this course continues experimenting with collage in the medium of drawing. You will further explore the two-dimensional surface through layering, transferring and photocopying materials to be integrated into the surface. The focus will be on experimenting with materials and investigating meaning through the use of found or repeated imagery in conjunction with drawing.

DRAWING AND COLLAGE II CEDR 265 SU01 Jun 17 - Aug 12 Sun 9:30 am - 12:30 pm 8 Sessions 24 total hrs $295

Prerequisite Any 100-level drawing course or equivalent experience

REGISTRATION BEGINS MARCH 27, 2012 / HOW TO REGISTER p. 3 FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS

DRAWING CONT’D

DRAWING WITH PEN AND INK: COLOUR Stan Hunc CEDR 267 SU01 Jun 9 - Jul 28 Sat 9:30 am - 12:30 pm 8 Sessions 24 total hrs $300

Take a colourful and unconventional approach to pen and ink drawing. In this class you will learn to create a range of unusual, colour-oriented pen and ink projects. Work with a range of extraordinary pens and colour inks, as well as combinations of ink, watercolour and other creative mediums. You will be encouraged to go beyond ‘classic’ pen techniques and experiment with various forms of line, shape, texture, value and colour-generating methods in a series of independent projects.

DRAWING: CREATIVITY AND SUBJECTIVITY Keith Langergraber CEDR 268 SU01 Jul 19 - Aug 16 Thu 6:30 pm - 9:30 pm 5 Sessions 16 total hrs $250

This course combines observational drawing from the model with projects based on the participants’ interests. Projects are designed to encourage the development of both creativity and technical abilities. Throughout the course you will consider contemporary and historical drawings, discovering a diverse range of approaches. Prerequisite Any 100-level drawing course or equivalent experience

Prerequisite CEDR 167 Drawing with Pen and Ink: Black-and-White or equivalent experience

EMILY CARR UNIVERSITY OF ART + DESIGN / SUMMER 2012 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

TECHNIQUE BOOT CAMP: DRAWING Stan Hunc CEDR 271 SU01 Jul 8 - Aug 12 Sun 1:30 pm - 5:30 pm 6 Sessions 24 total hrs $265

Move beyond technical deficiencies keeping you from reaching your full drawing potential as you work through this intensive circuit of exercises designed to explore the power the medium. Great for the beginner just starting out, as well as for advanced artists wanting to refine skills and gain greater confidence in drawing techniques.

DRAWING THE PORTRAIT Dan Starling CEDR 362 SU01 Jun 6 - Jul 25 Wed 6:30 pm - 9:30 pm 8 Sessions 24 total hrs $300

Prerequisite Any 100-level drawing course or equivalent

Prerequisite Any 100-level drawing course or equivalent experience; experience drawing from a model is recommended

DRAWING THE HUMAN FIGURE Dan Starling CEDR 360 SU01 May 31 - Jul 19 Thu 6:30 pm - 9:30 pm 8 Sessions 24 total hrs $260

This course explores methods used and issues surrounding making drawings that convey an understanding of the human form. Using a variety of media, you will explore line, tone, texture, light and shade. Perception and composition will be discussed as well as the depiction of the human figure as a single image to a series of images. Class work includes drawing directly from a model.

This course provides an in-depth study of the head for portraiture. Using a variety of media such as charcoal, ink, graphite and more you will explore proportion, resemblance, texture, shape and expression. Basic structural analysis of both the human head and figure is covered. Class work includes drawing directly from a model.

LIFE DRAWING OPEN STUDIO No Instruction CEDR 400 SU01 Jun 20 - Jul 18 Wed 6:30 pm - 9:30 pm 5 Sessions 16 total hrs

Take advantage of an open studio situation with a model. No instruction is provided. If you have fundamental drawing skills and wish the opportunity to work on your figure or life drawing, this series of weekly sessions is for you.

$95

Prerequisite Any 100-level drawing course or equivalent experience; experience drawing from a model is recommended

Prerequisite Experience drawing or painting from the model is strongly recommended

ANATOMICAL DRAWING This drawing course focuses on the human CEDR 361 SU01 figure, its construction and the relationship May 28 - Jun 20 between skeleton and muscle in order Mon + Wed 6:30 pm - 9:30 pm to enhance the understanding of surface 8 Sessions anatomy, locomotion and proportion. 24 total hrs Through observation and visual research, $340 you will be guided through the process of depicting the anatomical structure of the human figure. Class work includes drawing directly from a model. Erick Villagomez

Prerequisite Any 100-level drawing course or equivalent experience; experience drawing from a model is recommended

REGISTRATION BEGINS MARCH 27, 2012 / HOW TO REGISTER p. 3 FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS

FILM/VIDEO DIGITAL STORYTELLING: FROM SHOEBOX TO YOUTUBE Suzanne Ahearne + Surya Govender CEFV 160 SU01 Aug 11 - Aug 18 Sat 9:30 am - 5:30 pm 2 Sessions 14 total hrs

Before Flickr, we kept our favourite snapshots in drawers or shoeboxes. These days, many of us have ‘shoeboxes’ of digital photos stashed on our desktops. This workshop is designed to help you find the stories in those shoeboxes and give them new life. This course is about learning how to tell a powerful story in a small amount of time. With individual support, you will write a 150-word story, record your reading of it and, using five to ten digital photos or prints, make a short film using iMovie. You will leave with stories posted online or burned to DVD, and instructions on how to make and share more.

$215

Prerequisite Students must provide their own visual and written material to use in the production of the video

INTRODUCTION TO FINAL CUT PRO 7 In this course you will be introduced to the basics of using Final Cut Pro version 7 in order to CEFV 254 SU01 create professional-quality video. You will cover topics including navigating the interface, May 28 - Jun 1 basic editing techniques, capturing video and audio, effects, transitions, titling, trimming, Mon - Fri 9:30 am - 3:00 pm audio editing, finishing and final output. This course is intended for beginners who already 5 Sessions have basic Macintosh skills and are interested in learning Final Cut Pro from the ground up. Eddie Ochmanek

24 total hrs $390

Prerequisite Basic Macintosh skills

Alan Goldman

This course is intended to be an examination of documentary practice. The content is a combination of in-class instruction and exercises. You will learn the conventions required to produce, write, direct, shoot and capture documentary films. A primer on documentary history will be provided and the evolution of different genres will be explored. Specific aspects of production will be taught: how to conduct an interview, lighting for interiors and exteriors, and obtaining good sound. The basics of editing will be discussed and you will be introduced to iMovie. As well, you will be exposed to the latest tool in documentarian’s arsenal — 3D. Through the use of new consumer point-and-shoot cameras you will study how 3D has created new visual storytelling possibilities.

THE ART OF THE DOCUMENTARY: FROM 2D TO 3D CEFV 375 SU01 Jun 4 – Jul 30 Mon 6:30 pm - 9:30 pm 8 Sessions 24 total hrs $335

Prerequisite None; basic Macintosh skills recommended

THE ART OF DOCUMENTARY EDITING This class will teach you the post production workflow as you complete your film shot during CEFV 380 SU01 CEFV 375 The Art of the Documentary: From 2D to 3D. You will load your material and edit a Aug 13 - Aug 17 rough cut before screening the edited film for review. You will then incorporate notes from Mon - Fri 9:30 am - 3:00 pm your critique as you move your film from rough to fine cut, then lock the picture before 5 Sessions finishing (colour timing and mix) and outputting. Beyond a review of the technical aspects of 24 total hrs post, topics covered include rough cut strategies, storytelling structure, how to read notes $435 from a critique, timing and rhythm, clearance issues, how the intended distribution medium impacts post production decisions, and strategies for archiving. Eddie Ochmanek

Prerequisite CEFV 375 The Art of the Documentary: From 2D to 3D and CEFV 254 Introduction to Final Cut Pro 7 or equavalent

EMILY CARR UNIVERSITY OF ART + DESIGN / SUMMER 2012 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

GRAPHIC NOVEL THE CONTEMPORARY COMIC: AN INTRODUCTION Julian Lawrence CEGN 160 SU01 May 30 - Jul 4 Wed 6:30 pm - 9:30 pm 6 Sessions 18 total hrs $230

Comics bring together the arts of storytelling and illustration. In this course, you will learn about building stories through illustration, dialogue and character development. Body language, passage of time, flow, perspective, composition and personal style will also be addressed. Through exercises, projects and critiques, you will learn to develop your own ideas from concept to final product. Prerequisite None

THE ART OF THE GRAPHIC NOVEL: A HISTORY Miriam Libicki CEGN 270 SU01 Jun 11 - Jul 23 Mon 6:30 pm - 9:30 pm 6 Sessions 18 total hrs $215

Open a page to the intriguing and colourful history of the Graphic Novel. Designed for students interested in the art of storytelling through graphic novels and the history of comics through the centuries, the focus of this course will range from the beginnings of comics — from editorial illustrations and serial comics of the late 19th Century — to the wide range of graphic novels and zines of the 21st Century. A historical perspective of the medium will be presented through lectures, discussions and presentations and by individual student projects. Prerequisite None

REGISTRATION BEGINS MARCH 27, 2012 / HOW TO REGISTER p. 3 FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS

ILLUSTRATION BOTANICAL ILLUSTRATION: THE DRAWING STUDIO Elizabeth Mancini CEIL 110 SU01 Jun 2 - Jun 30 Sat 1:30 pm - 4:30 pm 5 Sessions 16 total hrs $235

This course will focus on the drawing techniques specific to botanical illustration for scientific accuracy. Class work will lead to the steps necessary to prepare for traditional botanical illustration in watercolour while providing you with the skills to create clear and accurate drawings strong enough to stand on their own. You will be exposed to masterworks of the genre, both past and present. Mediums will include pencil and ink on paper.

INTRODUCTION TO ILLUSTRATION Robin Thompson CEIL 170 SU01 Jun 24 - Aug 19 Sun 1:30 pm - 4:30 pm 8 Sessions 24 total hrs $240

Illustration is an effective visual form for communicating ideas, offering commentary, educating or catching the attention of the audience. In this course you will be introduced to illustration and the many roles it can play. Hands-on projects, slide presentations, discussion and critique expose you to a variety of techniques, media and styles as you explore how content, design elements and materials are used in the translating of ideas into images. Prerequisite None

Prerequisite Some drawing experience required; some painting experience recommended

EMILY CARR UNIVERSITY OF ART + DESIGN / SUMMER 2012 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

BOTANICAL ILLUSTRATION : THE PAINTING STUDIO Elizabeth Mancini CEIL 210 SU01 Jul 21 - Aug 18 Sat 1:30 pm - 4:30 pm 5 Sessions 16 total hrs $185

This course picks up where CEIL 110 Botanical Illustration: The Drawing Studio leaves off, exploring botanical illustration in the tradition of noted botanical painters such as Redoute, Sowerby and the Bauer Brothers. Using detailed watercolour techniques on smooth, hot-pressed paper, you will create clear, accurate and luminous renderings of botanical subjects.

FASHION ILLUSTRATION I Jean Okada CEIL 250 SU01 Jul 5 - Aug 2 Thu 6:30 pm - 9:30 pm 5 Sessions 16 total hrs $215

Prerequisite Any 100-level drawing course or equivalent

Prerequisite CEIL 110 Botanical Illustration: The Drawing Studio

ILLUSTRATION FOR PICTURE BOOKS II Lisa Cinar

Robin Thompson CEIL 230 SU01 Jun 26 - Aug 14 Tue 6:30 pm - 9:30 pm 8 Sessions 24 total hrs $235

COMMERCIAL ILLUSTRATION

CEIL 340 SU01

This course explores illustration techniques as applied to commercial marketing and branding. Learn to apply creative designing, drawing and colouring skills to the graphic design field, and expand your art or design practice to commercial businesses. Practical exercises in logo design, poster design, narrative storyboards and advertising will be applied. You will learn the tools with which to evaluate your own work from the perspective of the commercial market.

Jun 27 - Aug 15

Prerequisite Any 100-level drawing course or equivalent

ILLUSTRATION FOR PICTURE BOOKS Lisa Cinar CEIL 240 SU01 Jun 11 - Aug 13 Mon 6:30 pm - 9:30 pm 8 Sessions 24 total hrs $285

Do you love picture book illustrations and want to create your own? This course will introduce you to key classic and current work in this art form, teach you how to create an effective illustration and main character and help you develop your own unique style. You will develop your own characters using storyboarding and composition exercises and experiment with ink pen, brush work and collage. You will also learn to digitize your illustrations using Photoshop, and how to share them with publishers.

In this course you will develop your drawing skills and begin to produce basic fashion illustrations. Working from imagination, photographs and the model, you will create fashion figures through the study of proportion, line and silhouette as you work on communicating your fashion direction.

Wed 6:30 pm - 9:30 pm 8 Sessions 24 total hrs $235

Building on the introductory skills of CEIL 240 Illustration for Picture Books, in this course you will develop your own written and illustrated ‘dummy book’, building on concepts such as composition, layout, pacing and character development. Special focus will be placed on the relationship of text and image and the concept of the book as a whole. In-class brainstorming and writing exercises, as well as the analysis of existing works, will help students in writing their own stories. Additionally students will have the chance to experiment with paper collage and brush and ink to strengthen composition and colour skills in class and be exposed to more groundbreaking work in the field. Prerequisite CEIL 240 Illustration for Picture Books

Prerequisite Any 100-level drawing course or equivalent; basic Macintosh skills recommended

REGISTRATION BEGINS MARCH 27, 2012 / HOW TO REGISTER p. 3 FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS

INDUSTRIAL DESIGN BASICS OF INDUSTRIAL DESIGN Roman Izdebski

Roman Izdebski

CEID 120 SU01

CEID 120 SU02

Jun 23 - Jul 7

Aug 4 - Aug 18

Sat 9:30 am - 4:30 pm

3 Sessions

18 total hrs

$260

This course introduces you to the field of Industrial Design. You will gain an awareness of the design process with an emphasis on design criteria, followed by formulation of the design brief, development of creative concepts, user testing and quick model making. You will work on a design project through to completion of a full-scale model and a short design presentation. Prerequisite None

EXPLORATION OF 3D DESIGN Christopher Kowal CEID 121 SU01 Jun 20 - Aug 8 Wed 6:30 pm - 9:30 pm 8 Sessions 24 total hrs

This course familiarizes you with the principles of three-dimensional design as well as a variety of materials and processes related to art and design. Technical and conceptual skills in applying the concepts of space, mass, contrast, balance, scale and surface are developed. You will create both functional and sculptural objects through projects that explore 3D concepts, forms and materials. The emphasis is on problem solving and imaginative and experimental responses to proposed projects.

$310

Prerequisite None

BASICS OF ARCHITECTURAL DESIGN Tony Oâ&#x20AC;&#x2122;Regan CEID 122 SU01 Jun 2 - Jun 30 Sat 9:30 am - 4:30 pm 4 Sessions

This 3D studio course introduces you to the design process as it applies to architecture. Through idea generation, sketch models, proposal research and presentation and modeling techniques, you will interpret your ideas architecturally as you also explore the locational, contextual and structural aspects of architectural design. You will work on a site-specific design project individually and in teams.

24 total hrs $310

Prerequisite None

no class Jun 23

RAPID VISUALIZATION AND PRODUCT RENDERING Ying-Chiu Chan CEID 160 SU01 Jun 5 - Jul 24 Tue 6:30 pm - 9:30 pm 8 Sessions 24 total hrs $320

Rapid visualization is a systematic and effective way to draw imaginary 3D objects and concepts, and is applicable to animation, graphic design, industrial design, illustration, architecture, furniture, and interior design. It helps to expand visual thinking, create new ideas, communicate concepts and to solve design problems. This course introduces you to the methods, techniques and media to produce accurately proportioned freehand sketches and basic renderings. Principles of perspective, projection, light, shade, reflection and texture are examined, followed by demonstrations of approaches and techniques. Practical exercises are supplemented with discussion, slide presentations and critiques. Prerequisite Strong drawing skills with an enthusiasm for realism and detail

BASIC ELECTRONICS FOR INTERACTIVITY I Diana Burgoyne CEID 222 SU01 Jun 4 - Jul 30 Mon 6:30 pm - 9:30 pm 8 Sessions 24 total hrs

This course will introduce you to the basic concepts of electronics and the exciting possibilities for incorporating electronic elements into art or design projects. Using easy-to-understand information and materials, you will learn to construct and incorporate basic switches into interactive pieces, and learn how technology can activate an innovative new relationship between the artwork and the viewer. You will be supported throughout the processes of conceiving and creating unique projects which incorporate some form of basic electronic technology.

$275

Prerequisite Basic computer skills EMILY CARR UNIVERSITY OF ART + DESIGN / SUMMER 2012 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

ARCHITECTURAL MODELING AND MAQUETTES Tony O’Regan CEID 223 SU01 Jul 21 - Aug 18 Sat 9:30 am - 4:30 pm 4 Sessions 24 total hrs $325 no class Jul 28

This studio course introduces you to architectural modeling from drawings. Through exercises and projects you will learn to read design drawings and build foam core models for architecture, interiors, landscape design or industrial design applications. Emphasis is on quick building techniques which are useful in the design process. Prerequisite None

INTRODUCTION TO MODEL MAKING Ying-Chiu Chan CEID 224 SU01 May 31 - Jul 19 Thu 6:30 pm - 9:30 pm 8 Sessions 24 total hrs $350

Models are three-dimensional previews of designs before they go to production. They can serve as the proof-of-concept, be subjected to ergonomic testing, or they can be a sales tool. Through slide presentations, demonstrations, workshop practice and design projects, you will learn the fundamental techniques to fabricate mock-ups and models using block materials and sheet materials. Prerequisite Basic hand-tool skills, reasonable sketching ability

LASER CUTTER WORKSHOP Philip Robbins CEID 250 SU01 Jun 2 - Jun 30 Sat 9:30 am - 12:30 pm 5 Sessions 14 total hrs $210

This workshop offers an exploration of the precision, speed and creative potential of Emily Carr’s laser cutting equipment. The laser cutter offers an unparalleled means of manipulating material and presents a variety of workflows (vector, raster, combined, and colour mapping) to produce specific types of output. Emily Carr’s laser can cut wood, plastic, paper, leather and rubber. In this workshop, you will examine the possibilities of this technology as a means of personal expression, with a strong emphasis on material exploration, technology and problem solving. Prerequisite CECS 130 Adobe Illustrator: the Basics or equivalent

REGISTRATION BEGINS MARCH 27, 2012 / HOW TO REGISTER p. 3 FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS

INDUSTRIAL DESIGN (CONT’D)

BASIC ELECTRONICS FOR INTERACTIVITY II This course will guide you in the design and creation of one main interactive art project. You will be introduced to the concepts of Basic Microcontrollers – Arduino, Lilypad and the new Displayduino. You will be introduced to programming (Arduino, Processing and Pure Data) as well as sensors systems and circuit bending. You will be required to include some form of electronic technology in your final project. You will be supported as you combine technology and creativity in you own unique project, and will learn how to ‘make it work’. Additional material covered will include interactive art, contemporary new media projects and robotics in art.

Bobbi Kozinuk CEID 322 SU01

Satyan Gohil CEID 275 SU01 May 28 - Aug 13 Mon 6:30 pm - 9:30 pm 10 Sessions 30 total hrs $455

CONCEPTS IN FURNITURE DESIGN

Jun 28 - Aug 16

This course will introduce those with some studio design experience to the process of furniture conceptualization and design. Emphasis will be on research, drawing, modeling and small-scale mock-ups. You will be introduced to effective methods of communicating and testing design ideas through sketches and models in order to conceive and design a simple piece of furniture.

Thu 6:30 pm - 9:30 pm 8 Sessions 24 total hrs $260

Prerequisite CEID 160 Rapid Visualization and Product Rendering and CEID 224 Introduction to Model Making, or equivalents with instructor permission

URBAN FURNITURE: A DESIGN/BUILD INTENSIVE Laura Kozak + Erick Villagomez CEID 310 SU01 Jun 25 - Jun 29 Mon - Fri 9:30 am - 5:30 pm 5 Sessions 35 total hrs $495

Working with plywood, dimensional lumber and soft materials, you will design and construct a piece of human-scale urban furniture that engages with the landscape and the city. Consideration will be given to architectural theory, materiality, light, space, the design process and craftsmanship. This course will involve the development of a design brief, a schematic design and the creation of scale models. Final designs will be constructed at full scale in the wood shop and inserted into the landscape. This is a great course for both emerging designers or practicing professionals.

Prerequisite CEID 222 Basic Electronics for Interactivity I or equivalent

ARCHITECTURAL DESIGN II Chris Doray CEID 344 SU01 Jul 3 – Jul 26 Tue + Thu 6:30 pm - 9:30 pm 8 Sessions 24 total hrs $285

This course is intended to be a continuation of CEID 122 Basics of Architectural Design. In this intermediate level class, you will advance your architectural design knowledge as you consider more the complex elements of architectural practice. Through discussions, research projects, presentations, studio work and individual critique you will interpret and refine your ideas as you explore the conceptual, contextual and structural aspects of architectural design. Prerequisite CEID 122 Basics of Architectural Design; strong drawing and modeling skills are recommended

Prerequisite Students should be comfortable using power tools with basic instruction; reasonable drafting or design sketching ability is recommended

EMILY CARR UNIVERSITY OF ART + DESIGN / SUMMER 2012 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

DESIGN FOR SOCIAL CHANGE Kara Pecknold CEID 390 SU01 May 24 - Jun 18 Mon + Thu 6:30 pm - 9:30 pm 8 Sessions 24 total hrs $275

Have you ever had an idea for making your community or organization better? In this studio/ seminar course you will be challenged to use design thinking and processes to consider complex social and economic problems. Through discussions, collaborations, research and prototyping of ideas you will learn about design as it relates to the social, cultural, environmental and economic systems we live in. The outcome of this course will be a real project that could be presented to a potential client or community leader for implementation. Ideal for people who want to learn how to apply creative processes to complex topics in order to realize tangible outcomes. Prerequisite None

3D DESIGN STUDIO Christopher Kowal CEID 420 SU01 Jun 30 - Aug 18 Sat 9:30 am - 12:30 pm 8 Sessions 24 total hrs $335

In this advanced-level studio course you will apply product design processes and methods to the development of functional or experimental objects or environments. The emphasis is on research, problem solving and creative experimental responses to projects, discussions and critiques of ideas and form. Course content focuses on analysis, concept development and communicating 3D concepts for products or environments as models or prototypes. Slide lectures, demonstrations and discussion will encourage you to develop innovative solutions to the course projects. Prerequisite All core courses in the Certificate Program in 3D Design or equivalent experience are required; elective courses are strongly recommended

REGISTRATION BEGINS MARCH 27, 2012 / HOW TO REGISTER p. 3 FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS

MATERIAL PRACTICE BASICS OF COMPOSITION AND FORM Frances Grafton

Keith Langergraber

CEFA 160 SU01

CEFA 160 SU02

Jun 5 - Jun 8

Jun 17 - Aug 12

Tue - Fri 9:30 am - 4:30 pm

Sun 1:30 pm - 4:30 pm

4 Sessions

8 Sessions

24 total hrs

$350

This course introduces you to ideas in art making while examining the relationship of concept and composition in two-dimensional art practices. You will develop skills in composition by investigating how line, shape, colour, texture and surface treatment enhance and influence form. Exercises and experimentation with a variety of media allow you to explore aesthetics and meaning by applying the elements and principles of composition. Through illustrated lectures, demonstrations, discussions, observations and critiques you will learn to reference historical and contemporary theories and image sources as inspirations for art making. Prerequisite None

MATERIALS AND MEDIA IN FINE ART PRACTICE Karen Kazmer

Karen Kazmer

CEFA 170 SU01

CEFA 170 SU02

May 27 - Jun 24

May 29 - Jun 26

Sun 9:30 am - 12:30 pm

Tue 6:30 pm - 9:30 pm

5 Sessions

16 total hrs

$250

This course introduces you to the diversity of materials and media used in the contemporary visual arts to create three-dimensional objects and communicate ideas. Traditional and unconventional materials and processes are employed in exercises and projects as you gain an understanding of basic three-dimensional elements such as space, mass, volume, plane and texture. How these elements are affected and can be manipulated through choice of materials is explored and discussed as you advance your understanding of relationships between ideas, materials, media and context. Prerequisite None

Gift Certificates Gift certificates for Continuing Studies courses and programs are available for purchase for full course fees or in denominations of your choice.

PURCHASE BY PHONE OR IN PERSON AT:

Continuing Studies Emily Carr University of Art + Design 1399 Johnston Street Granville Island, Vancouver, BC

Tel 604 844 3810

EMILY CARR UNIVERSITY OF ART + DESIGN / SUMMER 2012 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

TIMETABLE COMMUNICATION DESIGN - page 4 CECD 110 SU01 BASICS OF COMMUNICATION DESIGN CECD 110 SU02 BASICS OF COMMUNICATION DESIGN CECD 112 SU01 THE ART OF FONTS CECD 160 SU01 DRAWING FOR DESIGN CECD 215 SU01 SPATIAL TYPOGRAPHY CECD 215 SU02 SPATIAL TYPOGRAPHY CECD 320 SU01 TYPOGRAPHY CECD 330 SU01 PUBLICATION DESIGN

JUN 13 - JUL 18 JUL 5 - AUG 9 JUN 5 - JUN 26 JUN 3 - JUN 24 JUN 15 JUN 23 JUN 27 - AUG 15 JUN 18 - JUN 28

W TH T SU F S W M - TH

6:30 pm - 9:30 pm 6:30 pm - 9:30 pm 6:30 pm - 9:30 pm 9:30 am - 4:30 pm 9:30 am - 4:30 pm 9:30 am - 4:30 pm 6:30 pm - 9:30 pm 1:30 pm - 4:30 pm

CAROLINA BECERRA CARLEY HODGKINSON LINDA COE VJEKO SAGER LAURA KOZAK GRACE PARTRIDGE LINDA COE DANTE COMOGLIO

COMPUTER SKILLS - page 8 CECS 100 SU01 INTRODUCTION TO THE MACINTOSH COMPUTER CECS 100 SU02 INTRODUCTION TO THE MACINTOSH COMPUTER CECS 100 SU03 INTRODUCTION TO THE MACINTOSH COMPUTER CECS 130 SU01 ADOBE ILLUSTRATOR: THE BASICS CECS 130 SU02 ADOBE ILLUSTRATOR: THE BASICS CECS 131 SU01 PHOTOSHOP: THE BASICS CECS 131 SU02 PHOTOSHOP: THE BASICS CECS 131 SU03 PHOTOSHOP: THE BASICS CECS 133 SU01 INDESIGN: THE BASICS CECS 133 SU02 INDESIGN: THE BASICS CECS 136 SU01 THE ADOBE SUITE FOR DESIGN + PRODUCTION CECS 136 SU02 THE ADOBE SUITE FOR DESIGN + PRODUCTION CECS 140 SU01 PHOTOSHOP FOR PHOTOGRAPHERS

MAY 26 MAY 29 JUN 6 JUN 13 - JUL 18 JUN 19 - JUL 31 JUN 2 - JUL 7 JUL 5 - AUG 16 AUG 13 - AUG 17 JUN 2 - JUL 7 JUL 15 - AUG 19 JUN 2 - AUG 4 JUN 10 - AUG 19 JUL 15 - AUG 19

S T W W T S TH M - TH S SU S SU SU

9:30 am - 1:30 pm 6:00 pm - 10:00 pm 6:00 pm - 10:00 pm 6:30 pm - 9:30 pm 6:30 pm - 9:30 pm 9:30 am - 12:30 pm 6:30 pm - 9:30 pm 9:30 am - 2:30 pm 1:30 pm - 4:30 pm 9:30 am - 12:30 pm 9:30 am - 12:30 pm 1:30 pm - 4:30 pm 9:30 am - 12:30 pm

JAIME CLAY CAROLINA BECERRA JAIME CLAY JAIME CLAY ROSS MILNE ARTHUR BABIARZ KATHRYN MUSSALLEM JAIME CLAY EDUARDO RODRIGUEZ SEAN COGGINS SATYAN GOHIL JEN HIEBERT KATHRYN MUSSALLEM

CULTURAL STUDIES - page 10 CESE 110 SU01 ISSUES IN CONTEMPORARY DESIGN CESE 160 SU01 ISSUES IN CONTEMPORARY ART CESE 180 SU01 A SURVEY + HISTORY OF ART

MAY 30 - JUL 18 JUN 9 - JUL 28 MAY 30 - JUL 18

W S W

6:30 pm - 9:30 pm 10:30 am - 1:30 pm 6:30 pm - 9:30 pm

CARLEY HODGKINSON RAMON KUBICEK MATILDA ASLIZADEH

DIGITAL MEDIA CEAN 152 SU01 CEDA 232 SU01 CEDA 250 SU01 CEDA 250 SU02 CEDA 332 SU01 CEID 231 SU01 CEID 232 SU01 CEID 235 SU01

MAY 26 + MAY 27 JUN 9 - JUL 14 JUN 17 + JUN 24 JUL 22 + JUL 29 JUL 14 - AUG 18 JUN 4 - JUN 25 AUG 4 + AUG 5 AUG 18 + AUG 19

S + SU S SU SU S M S + SU S + SU

10:00 am - 4:30 pm 9:30 am - 12:30 pm 9:30 am - 5:00 pm 9:30 am - 5:00 pm 1:30 pm - 4:30 pm 6:30 pm - 9:30 pm 10:00 am - 4:30 pm 10:00 am - 4:30 pm

THOMAS GROPPI KEVIN MCMILLAN KEVIN MCMILLAN KEVIN MCMILLAN KEVIN MCMILLAN PHILIP ROBBINS THOMAS GROPPI THOMAS GROPPI

Interaction Design - page 12 CEIN 150 SU01 iPHONE APP CREATION CEIN 150 SU02 iPHONE APP CREATION

JUL 4 - JUL 18 JUL 14 - AUG 11

M + W S

6:30 pm - 9:30 pm 9:30 am - 12:30 pm

JIM ANDREWS JIM ANDREWS

DRAWING - page 13 CEDR 160 SU01 DRAWING FUNDAMENTALS I: COMPOSITION/PROCESS CEDR 160 SU02 DRAWING FUNDAMENTALS I: COMPOSITION/PROCESS CEDR 160 SU03 DRAWING FUNDAMENTALS I: COMPOSITION/PROCESS CEDR 160 SU04 DRAWING FUNDAMENTALS I: COMPOSITION/PROCESS CEDR 160 SU05 DRAWING FUNDAMENTALS I: COMPOSITION/PROCESS CEDR 162 SU01 PERSPECTIVE DRAWING FOR ARTISTS + DESIGNERS CEDR 163 SU01 CREATIVE DRAWING + ARCHITECTURE CEDR 164 SU01 DRAWING INTO PAINTING: AN INTRODUCTION CEDR 167 SU01 DRAWING WITH PEN + INK: BLACK + WHITE CEDR 171 SU01 DRAWING WITH CHARCOAL + CHALK CEDR 260 SU01 DRAWING FUNDAMENTALS II CEDR 261 SU01 DRAWING THE FIGURE + FACE CEDR 261 SU02 DRAWING THE FIGURE + FACE CEDR 262 SU01 DRAWING: TRADITIONAL TECHNIQUES

JUN 2 - JUL 21 JUN 11 - JUN 14 JUN 26 - AUG 14 JUL 29 - AUG 19 JUN 29 - AUG 17 JUN 19 - AUG 14 JUN 14 - AUG 9 MAY 27 - JUN 17 JUN 9 - JUL 28 JUN 27 - AUG 15 JUN 26 - AUG 14 JUN 14 - JUL 12 JUL 19 - AUG 16 JUN 4 - JUL 30

S M - TH T SU F T TH SU S W T TH TH M

1:30 pm - 4:30 pm 9:30 am - 4:30 pm 6:30 pm - 9:30 pm 9:30 am - 4:30 pm 1:30 pm - 4:30 pm 6:30 pm - 9:30 pm 6:30 pm - 9:30 pm 9:30 am - 4:30 pm 1:30 pm - 4:30 pm 6:30 pm - 9:30 pm 6:30 pm - 9:30 pm 6:30 pm - 9:30 pm 6:30 pm - 9:30 pm 6:30 pm - 9:30 pm

JAMES LINDFIELD FRANCES GRAFTON KEITH LANGERGRABER DAN STARLING JANET PIPER JONES TONY O’REGAN TONY O’REGAN LORI GOLDBERG STAN HUNC STAN HUNC JANET PIPER JONES VJEKO SAGER VJEKO SAGER VJEKO SAGER

page 11 INTRODUCTION TO MAYA INTRODUCTION TO WEB DESIGN WORDPRESS WORDPRESS ADVANCED WEB DESIGN INTRODUCTION TO SOLIDWORKS INTRODUCTION TO AUTOCAD LT INTRODUCTION TO RHINO

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TIMETABLE (CONT’D) DRAWING (CONT’D) - page 13 CEDR 263 SU01 INTRODUCTION TO LIFE DRAWING CEDR 265 SU01 DRAWING + COLLAGE II CEDR 267 SU01 DRAWING WITH PEN + INK: COLOUR CEDR 268 SU01 DRAWING: CREATIVITY + SUBJECTIVITY CEDR 271 SU01 TECHNIQUE BOOT CAMP: DRAWING CEDR 360 SU01 DRAWING THE HUMAN FIGURE CEDR 361 SU01 ANATOMICAL DRAWING CEDR 362 SU01 DRAWING THE PORTRAIT CEDR 400 SU01 LIFE DRAWING OPEN STUDIO

JUL 30 - AUG 2 JUN 17 - AUG 12 JUN 9 - JUL 28 JUL 19 - AUG 16 JUL 8 - AUG 12 MAY 31 - JUL 19 MAY 28 - JUN 20 JUN 6 - JUL 25 JUN 20 - JUL 18

M - TH SU S TH SU TH M + W W W

9:30 am - 4:30 pm 9:30 am - 12:30 pm 9:30 am - 12:30 pm 6:30 pm - 9:30 pm 1:30 pm - 5:30 pm 6:30 pm - 9:30 pm 6:30 pm - 9:30 pm 6:30 pm - 9:30 pm 6:30 pm - 9:30 pm

FRANCES GRAFTON KEITH LANGERGRABER STAN HUNC KEITH LANGERGRABER STAN HUNC DAN STARLING ERICK VILLAGOMEZ DAN STARLING NO INSTRUCTION

FILM/VIDEO - page 18 CEFV 160 SU01 DIGITAL STORYTELLING: FROM SHOEBOX TO YOUTUBE AUG 11 - AUG 18 S 9:30 am - 5:30 pm CEFV 254 SU01 INTRODUCTION TO FINAL CUT PRO 7 MAY 28 - JUN 1 M - F 9:30 am - 3:00 pm CEFV 375 SU01 THE ART OF THE DOCUMENTARY: FROM 2D TO 3D JUN 4 - JUL 30 M 6:30 pm - 9:30 pm CEFV 380 SU01 THE ART OF DOCUMENTARY EDITING AUG 13 - AUG 17 M - F 9:30 am - 3:00 pm

SUZANNE AHEARNE + SURYA GOVENDER EDDIE OCHMANEK ALAN GOLDMAN EDDIE OCHMANEK

GRAPHIC NOVEL - page 19 CEGN 160 SU01 THE CONTEMPORARY COMIC: AN INTRODUCTION CEGN 270 SU01 THE ART OF THE GRAPHIC NOVEL: A HISTORY

MAY 30 - JUL 4 JUN 11 - JUL 23

W M

6:30 pm - 9:30 pm 6:30 pm - 9:30 pm

JULIAN LAWRENCE MIRIAM LIBICKI

ILLUSTRATION CEIL 110 SU01 CEIL 170 SU01 CEIL 210 SU01 CEIL 230 SU01 CEIL 240 SU01 CEIL 250 SU01 CEIL 340 SU01

JUN 2 - JUN 30 JUN 24 - AUG 19 JUL 21 - AUG 18 JUN 26 - AUG 14 JUN 11 - AUG 13 JUL 5 - AUG 2 JUN 27 - AUG 15

S SU S T M TH W

1:30 pm - 4:30 pm 1:30 pm - 4:30 pm 1:30 pm - 4:30 pm 6:30 pm - 9:30 pm 6:30 pm - 9:30 pm 6:30 pm - 9:30 pm 6:30 pm - 9:30 pm

ELIZABETH MANCINI ROBIN THOMPSON ELIZABETH MANCINI ROBIN THOMPSON LISA CINAR JEAN OKADA LISA CINAR

page 20 BOTANICAL ILLUSTRATION: THE DRAWING STUDIO INTRODUCTION TO ILLUSTRATION BOTANICAL ILLUSTRATION : THE PAINTING STUDIO COMMERCIAL ILLUSTRATION ILLUSTRATION FOR PICTURE BOOKS FASHION ILLUSTRATION I ILLUSTRATION FOR PICTURE BOOKS II

INDUSTRIAL DESIGN - page 22 CEID 120 SU01 BASICS OF INDUSTRIAL DESIGN JUN 23 - JUL 7 S 9:30 am - 4:30 pm CEID 120 SU02 BASICS OF INDUSTRIAL DESIGN AUG 4 - AUG 18 S 9:30 am - 4:30 pm CEID 121 SU01 EXPLORATION OF 3D DESIGN JUN 20 - AUG 8 W 6:30 pm - 9:30 pm CEID 122 SU01 BASICS OF ARCHITECTURAL DESIGN JUN 2 - JUN 30 S 9:30 am - 4:30 pm CEID 160 SU01 RAPID VISUALIZATION + PRODUCT RENDERING JUN 5 - JUL 24 T 6:30 pm - 9:30 pm CEID 222 SU01 BASIC ELECTRONICS FOR INTERACTIVITY I JUN 4 - JUL 30 M 6:30 pm - 9:30 pm CEID 223 SU01 ARCHITECTURAL MODELING + MAQUETTES JUL 21 - AUG 18 S 9:30 am - 4:30 pm CEID 224 SU01 INTRODUCTION TO MODEL MAKING MAY 31 - JUL 19 TH 6:30 pm - 9:30 pm CEID 250 SU01 LASER CUTTER WORKSHOP JUN 2 - JUN 30 S 9:30 am - 12:30 pm CEID 275 SU01 CONCEPTS IN FURNITURE DESIGN MAY 28 - AUG 13 M 6:30 pm - 9:30 pm CEID 310 SU01 URBAN FURNITURE: A DESIGN/BUILD INTENSIVE JUN 25 - JUN 29 M - F 9:30 am - 5:30 pm CEID 322 SU01 BASIC ELECTRONICS FOR INTERACTIVITY II JUN 28 - AUG 16 TH 6:30 pm - 9:30 pm CEID 344 SU01 ARCHITECTURAL DESIGN II JUL 3 - JUL 26 T + TH 6:30 pm - 9:30 pm CEID 390 SU01 DESIGN FOR SOCIAL CHANGE MAY 24 - JUN 18 M + TH 6:30 pm - 9:30 pm CEID 420 SU01 3D DESIGN STUDIO JUN 30 - AUG 18 S 9:30 am - 12:30 pm

ROMAN IZDEBSKI ROMAN IZDEBSKI CHRISTOPHER KOWAL TONY O’REGAN YING-CHIU CHAN DIANA BURGOYNE TONY O’REGAN YING-CHIU CHAN PHILIP ROBBINS SATYAN GOHIL LAURA KOZAK + ERICK VILLAGOMEZ BOBBI KOZINUK CHRIS DORAY KARA PECKNOLD CHRISTOPHER KOWAL

MATERIAL PRACTICE - page 26 CEFA 160 SU02 BASICS OF COMPOSITION + FORM CEFA 160 SU02 BASICS OF COMPOSITION + FORM CEFA 170 SU01 MATERIALS + MEDIA IN FINE ART PRACTICE CEFA 170 SU02 MATERIALS + MEDIA IN FINE ART PRACTICE

JUN 5 - JUN 8 JUN 17 - AUG 12 MAY 27 - JUN 24 MAY 29 - JUN 26

T - F SU SU T

9:30 am - 4:30 pm 1:30 pm - 4:30 pm 9:30 am - 12:30 pm 6:30 pm - 9:30 pm

FRANCES GRAFTON KEITH LANGERGRABER KAREN KAZMER KAREN KAZMER

PAINTING - page 31 CEPN 160 SU01 PAINTING FUNDAMENTALS I: COMPOSITION/PROCESS CEPN 160 SU02 PAINTING FUNDAMENTALS I: COMPOSITION/PROCESS CEPN 161 SU01 FUNDAMENTALS OF ACRYLIC PAINTING CEPN 161 SU02 FUNDAMENTALS OF ACRYLIC PAINTING CEPN 162 SU01 FUNDAMENTALS OF OIL PAINTING CEPN 163 SU01 FUNDAMENTALS OF WATERCOLOUR

MAY 26 - JUL 14 JUL 29 - AUG 19 MAY 26 - JUN 16 AUG 7 - AUG 10 JUN 10 - AUG 5 MAY 29 - JUL 17

S SU S T - F SU T

9:30 am - 12:30 pm 9:30 am - 4:30 pm 9:30 am - 4:30 pm 9:30 am - 4:30 pm 9:30 am - 12:30 pm 6:30 pm - 9:30 pm

MARTIN GUDERNA JANET PIPER JONES LORI GOLDBERG LORI GOLDBERG JAMES LINDFIELD JAMES PICARD

EMILY CARR UNIVERSITY OF ART + DESIGN / SUMMER 2012 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

PAINTING (CONT’D) - page 31 CEPN 164 SU01 USING COLOUR CEPN 164 SU02 USING COLOUR CEPN 165 SU01 THE BUILT SURFACE: PAINT + COLLAGE CEPN 165 SU02 THE BUILT SURFACE: PAINT + COLLAGE CEPN 169 SU01 MIXED MEDIA PAINTING TECHNIQUES CEPN 169 SU02 MIXED MEDIA PAINTING TECHNIQUES CEPN 178 SU01 TIBETAN THANGKA PAINTING CEPN 180 SU01 EXPLORING MANDALA CEPN 190 SU01 ANYTHING BUT THE BRUSH CEPN 260 SU01 PAINTING FUNDAMENTALS II CEPN 261 SU01 ACRYLIC PAINTING II CEPN 262 SU01 OIL PAINTING II CEPN 263 SU01 WATERCOLOUR PAINTING II CEPN 264 SU01 USING COLOUR II CEPN 265 SU01 EXPLORING THE BUILT SURFACE CEPN 270 SU01 FORMS + CONCEPTS IN CONTEMPORARY PAINTING CEPN 271 SU01 TECHNIQUE BOOT CAMP: PAINTING CEPN 278 SU01 PAINTING THE PORTRAIT CEPN 360 SU01 PAINTING OPEN STUDIO CEPN 373 SU01 BOOT CAMP II: APPROACHES TO FIGURE + PORTRAIT

JUN 6 - JUL 4 JUL 18 - AUG 15 MAY 31 - JUL 19 JUL 16 - JUL 19 MAY 26 - JUL 14 JUN 12 - JUL 31 JUN 16 - JUL 7 JUN 24 - JUL 22 JUL 23 - JUL 26 JUL 28 - AUG 18 JUN 30 - JUL 28 JUL 9 - AUG 13 JUN 14 - JUL 12 JUN 11 - JUL 16 JUN 23 - JUL 14 JUN 12 - JUL 31 JUN 30 - AUG 18 JUN 8 - JUL 27 JUL 29 - AUG 19 JUL 18 - AUG 15

W W TH M - TH S T S SU M - TH S S M TH M S T S F SU W

6:30 pm - 9:30 pm 6:30 pm - 9:30 pm 6:30 pm - 9:30 pm 9:30 am - 4:30 pm 9:30 am - 12:30 pm 6:30 pm - 9:30 pm 9:30 am - 4:30 pm 9:30 am - 4:30 pm 9:30 am - 4:30 pm 9:30 am - 4:30 pm 9:30 am - 12:30 pm 6:30 pm - 9:30 pm 6:30 pm - 9:30 pm 6:30 pm - 9:30 pm 9:30 am - 4:30 pm 6:30 pm - 9:30 pm 1:30 pm - 4:30 pm 1:30 pm - 4:30 pm 9:30 am - 4:30 pm 6:30 pm - 9:30 pm

ELIZABETH BARNES MARTIN GUDERNA JEANNE KRABBENDAM JEANNE KRABBENDAM DIANA KUBICEK MARTIN GUDERNA KALSANG DAWA KALSANG DAWA JEANNE KRABBENDAM MARTIN GUDERNA KAREN YURKOVICH KAREN YURKOVICH JAMES PICARD ELIZABETH BARNES JEANNE KRABBENDAM ELIZABETH BARNES BARBARA HINTON-WOOD JAMES LINDFIELD KAREN YURKOVICH BARBARA HINTON-WOOD

PHOTOGRAPHY - page 36 CEPH 140 SU01 PINHOLE PHOTOGRAPHY JUL 8 - AUG 5 SU 9:30 am - 12:30 pm CEPH 141 SU01 BLACK + WHITE FILM PHOTOGRAPHY I JUL 3 - JUL 26 T + TH 6:30 pm - 9:30 pm CEPH 141 SU02 BLACK + WHITE FILM PHOTOGRAPHY I AUG 4 - AUG 25 S 9:30 am - 4:30 pm CEPH 145 SU01 HAND COLOURING PHOTOGRAPHS JUN 2 + JUN 9 S 9:00 am - 1:00 pm CEPH 230 SU01 THE MAGIC OF STREET PHOTOGRAPHY JUN 4 - JUL 30 M 6:30 pm - 9:30 pm CEPH 241 SU01 BLACK + WHITE FILM PHOTOGRAPHY II JUL 19 - AUG 16 TH 6:30 pm - 9:30 pm CEPH 242 SU01 DARKROOM BASICS JUL 7 - JUL 28 S 9:00 am - 1:00 pm CEPH 246 SU01 THE CONSTRUCTED IMAGE JUL 9 - AUG 13 M 6:30 pm - 9:30 pm CEPH 250 SU01 INTRODUCTION TO DIGITAL PHOTOGRAPHY JUN 2 - JUL 21 S 1:30 pm - 4:30 pm CEPH 250 SU02 INTRODUCTION TO DIGITAL PHOTOGRAPHY JUN 24 - AUG 19 SU 1:30 pm - 4:30 pm CEPH 272 SU01 FICTIONS IN DOCUMENTARY PHOTOGRAPHY JUL 18 - AUG 15 W 6:30 pm - 9:30 pm CEPH 275 SU01 PHOTOGRAPHING THE SOCIAL LANDSCAPE JUL 8 - JUL 29 SU 1:30 pm - 5:30 pm CEPH 280 SU01 DOCUMENTARY PROCESS + PRACTICE JUL 7 - AUG 4 S 9:30 am - 12:30 pm CEPH 315 SU01 DSLR VIDEO FOR PHOTOGRAPHERS MAY 30 - JUL 18 W 6:30 pm - 9:30 pm CEPH 340 SU01 CONTEMPORARY PORTRAITURE JUL 4 - AUG 1 W 6:30 pm - 9:30 pm CEPH 341 SU01 COLOUR PRINTING FROM NEGATIVES JUL 14 - AUG 18 S 1:30 pm - 4:30 pm CEPH 342 SU01 LOOKIN’ / LOOKING BETTER JUL 4 - JUL 18 W + S 6:30 pm - 9:30 pm CEPH 345 SU01 FIBER-BASED PRINTING TECHNIQUES JUL 11 - AUG 8 W 6:30 pm - 9:30 pm CEPH 372 SU01 THE PHOTO BOOK: ON DEMAND PUBLISHING JUL 3 - JUL 26 T + TH 6:30 pm - 9:30 pm

DIANE EVANS RAND BERTHAUDIN DIANE EVANS DIANE EVANS VENDULA RALKOVA DIANE EVANS RAND BERTHAUDIN JOSH HITE JOSH HITE KATHRYN MUSSALLEM STEPHEN WADDELL GREG GIRARD JONATHAN TAGGART SEAN ARDEN VENDULA RALKOVA KATHRYN MUSSALLEM DOUGLAS CURRAN + JUSTIN WONNACOTT DIANE EVANS HENRI ROBIDEAU

PRINTMAKING CEPR 150 SU01 CEPR 160 SU01 CEPR 162 SU01 CEPR 164 SU01 CEPR 165 SU01 CEPR 264 SU01

page 43 PHOTO-BASED PRINTMAKING INTRODUCTION TO RELIEF PRINTMAKING INTRODUCTION TO SILKSCREEN TEXTILE PRINTING I PRINTMAKING TECHNIQUES TEXTILE PRINTING II

JUN 14 - AUG 2 JUN 3 - JUL 15 JUL 3 - AUG 7 MAY 26 - JUN 30 JUL 24 - JUL 27 JUL 8 - AUG 5

TH SU T S T - F SU

6:30 pm - 9:30 pm 9:30 am - 12:30 pm 6:30 pm - 9:30 pm 1:30 pm - 5:30 pm 10:00 am - 4:00 pm 9:30 am - 12:30 pm

VANESSA HALL- PATCH LAWRENCE LOWE MARIA-ANNA PAROLIN ELEANOR HANNAN SHINSUKE MINEGISHI ELEANOR HANNAN

Book Arts - page 44 CEBA 112 SU01 LETTERPRESS I CEBA 112 SU02 LETTERPRESS I CEBA 170 SU01 BASICS OF BOOK MAKING CEBA 212 SU01 LETTERPRESS OPEN STUDIO

JUN 3 - JUN 24 JUN 16 - JUL 21 JUN 4 - JUL 16 AUG 11 - AUG 19

SU S M S + SU

9:30 am - 4:30 pm 9:30 am - 1:30 pm 6:30 pm - 9:30 pm 9:30 am - 1:30 pm

ANDREA TAYLOR ANDREA TAYLOR GRACE PARTRIDGE ANDREA TAYLOR

PROFESSIONAL DEVELOPMENT - page 45 CEPD 190 SU01 THE BUSINESS OF ART PRACTICE CEPD 190 SU02 THE BUSINESS OF ART PRACTICE CEWR 175 SU01 WORDPLAY: CREATIVE PROCESS FOR WRITERS

MAY 22 - JUL 10 JUN 28 - AUG 16 JUN 2 - JUL 28

T TH S

6:30 pm - 9:30 pm 6:30 pm - 9:30 pm 1:30 pm - 4:30 pm

CHRIS TYRELL CHRIS TYRELL INGRID ROSE

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TIMETABLE (CONT’D) SCULPTURE + INSTALLATION - page 46 CESC 160 SU01 ENVIRONMENTAL INSTALLATION: WORKING WITH NATURE CESC 178 SU01 INTRODUCTION TO MOLD DESIGN + CASTING CESC 179 SU01 SMALL-SCALE MODELING CESC 180 SU01 INTRODUCTION TO METAL SCULPTURE CESC 280 SU01 METAL SCULPTURE OPEN STUDIO

AUG 4 - AUG 18 JUN 20 - AUG 8 JUN 30 - AUG 18 JUN 4 - JUN 8 JUL 30 - AUG 3

S W S M - F M - F

9:30 am - 4:30 pm 6:30 pm - 9:30 pm 9:30 am - 12:30 pm 9:30 am - 5:00 pm 9:30 am - 5:00 pm

NICOLE DEXTRAS PHILIP ROBBINS VICKI ISRAEL IAN RHODES IAN RHODES

REGISTER ONLINE You have the power! Online registration is easy, fast and secure and you can do it anytime from anywhere in the world. To get your registration access in advance of the registration opening date, or for instructions on how to use our online registration system, insideEC, visit our website: ecuad.ca/programs/cs/how_to_enroll.

EMILY CARR UNIVERSITY OF ART + DESIGN / SUMMER 2012 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

PAINTING PAINTING FUNDAMENTALS I: COMPOSITION/PROCESS Martin Guderna

Janet Piper Jones

CEPN 160 SU01

CEPN 160 SU02

May 26 - Jul 14

Jul 29 - Aug 19

Sat 9:30 am - 12:30 pm

Sun 9:30 am - 4:30 pm

8 Sessions

4 Sessions

24 total hrs

$350

This course is an introduction to painting and two-dimensional design. Various painting techniques are introduced while you explore basic composition, colour and the use of tools and materials. Through hands-on experience, you will take an investigative approach to the techniques and methods artists have used through the ages. Linear structure, mass and spatial properties are explored as you experiment with a variety of techniques including impasto, transparencies and decalcomania. Prerequisite None

FUNDAMENTALS OF ACRYLIC PAINTING

24 total hrs

This course provides a step-by-step introduction to painting with CEPN 161 SU02 acrylics. You will gain an understanding of colour, space and Aug 7 - Aug 10 composition while being introduced to technical and conceptual Tue - Fri 9:30 am - 4:30 pm concerns. Thinning, thickening and texturing techniques and 4 Sessions their applications are explored. Lectures, demonstrations, slide 24 total hrs presentations and critiques supplement hands-on practice.

$300

Lori Goldberg CEPN 161 SU01 May 26 - Jun 16 Sat 9:30 am - 4:30 pm 4 Sessions

Lori Goldberg

Prerequisite None

FUNDAMENTALS OF OIL PAINTING James Lindfield CEPN 162 SU01 Jun 10 - Aug 5 Sun 9:30 am - 12:30 pm 8 Sessions 24 total hrs

Experience the beauty and texture of oil painting. Explore the tools, skills, terminology and imagery of this luminous medium through projects and experimentation. Use and preparation of various surface materials, colour mixing, composition and texture are examined. Lectures, demonstrations, discussions and critiques are included.

$300

Prerequisite None

FUNDAMENTALS OF WATERCOLOUR James Picard CEPN 163 SU01 May 29 - Jul 17 Tue 6:30 pm - 9:30 pm 8 Sessions 24 total hrs

This course introduces the basic, essential techniques of painting with watercolour. Through projects and discussion you will gain familiarity with the properties of watercolour as you explore various approaches to traditional and contemporary concepts. Graded wash, building light and dark values, building perspective and understanding the relation of values to colour are introduced.

$300

Prerequisite None

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PAINTING (CONT’D) USING COLOUR Elizabeth Barnes

Martin Guderna

CEPN 164 SU01

CEPN 164 SU02

Jun 6 - Jul 4

Jul 18 - Aug 15

Wed 6:30 pm - 9:30 pm

5 Sessions

16 total hrs

$265

This introductory studio course provides an opportunity to investigate the creative use of colour in a variety of mediums. You will explore the use of colour to develop observational and painting skills, create compositional structure and develop individual imagery. Through a range of projects designed to extend creative and imaginative explorations, you will explore expressive and conceptual possibilities primarily through colour projects. Colour theory and contemporary and historical applications with special reference to painting are discussed. Prerequisite None

THE BUILT SURFACE: PAINT AND COLLAGE Explore non-traditional art materials and ways of working in this introductory course on collage and the built surface. Projects introduce you to image-transfer techniques, collage, spackle and mixed composites. You will experiment with various painting techniques such as frottage, grattage, staining and separation effects. Themes, symbols and concepts related to the object or the place it was found will be developed through discussion and critiques.

Jeanne Krabbendam

CEPN 165 SU01

CEPN 165 SU02

May 31 - Jul 19

Jul 16 - Jul 19

Thu 6:30 pm - 9:30 pm

Mon - Thu 9:30 am - 4:30 pm

8 Sessions

4 Sessions

24 total hrs

$315

Prerequisite None

Diana Kubicek

Martin Guderna

CEPN 169 SU01

CEPN 169 SU02

May 26 - Jul 14

Jun 12 - Jul 31

Sat 9:30 am - 12:30 pm

Tue 6:30 pm - 9:30 pm

For both beginners and experienced painters, this course introduces the process of imagemaking on built surfaces. Working with a range of materials such as gesso, plaster, paint, ink, charcoal and various papers you will explore expression and emotion through layering, drawing and brushwork.

8 Sessions

24 total hrs

$275

MIXED MEDIA PAINTING TECHNIQUES

Prerequisite None

TIBETAN THANGKA PAINTING Kalsang Dawa CEPN 178 SU01 Jun 16 - Jul 7 Sat 9:30 am - 4:30 pm 4 Sessions

Explore your individual creative process as you are introduced to the art of traditional Tibetan Thangka painting. You will learn about the history, symbolism and rituals of Tibetan art as you learn to prepare your canvas and to prepare pigments using traditional techniques including grinding semi-precious stones into paint. Using the traditional technique of basic proportions you will learn to draw a Buddha. You will then create and paint your own thangka.

24 total hrs $400

Prerequisite None

Kalsang Dawa

Learn about the cross-cultural art of Mandalas, including the sacred geometry and symbolism of Tibetan Buddhist and Hindu Mandala. You will learn how to prepare and paint on a wood surface using a unique set of mixed media, including semi-precious minerals, gold leaf, herbs and spices, sand and sea shells.

EXPLORING MANDALA CEPN 180 SU01 Jun 24 - Jul 22 Sun 9:30 am - 4:30 pm 4 Sessions 24 total hrs

Prerequisite None

$400

EMILY CARR UNIVERSITY OF ART + DESIGN / SUMMER 2012 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

ANYTHING BUT THE BRUSH Jeanne Krabbendam CEPN 190 SU01 Jul 23 - Jul 26 Mon - Thu 9:30 am - 4:30 pm 4 Sessions 24 total hrs $300

Martin Guderna CEPN 260 SU01 Jul 28 - Aug 18 Sat 9:30 am - 4:30 pm 4 Sessions 24 total hrs $295

This course will challenge you to expand your approach to paint application by introducing you to a broad range of usual and less usual art tools, from knives and rollers to tilecutters, brooms, sticks and trowels. In this course, you will step outside of your usual methods and set aside your most comfortable ways of working with paint. Assignments will focus on larger projects, and on creating paint-based mixed media art in nonconventional ways.

ACRYLIC PAINTING II

Prerequisite None

This course is designed to further the development of students who are ready to move beyond the skills gained in CEPN 161 Fundamentals of Acrylic Painting. You will explore and experiment with materials and a variety of conceptual and technical approaches to painting with acrylics. Emphasis will be on your individual development, and on enhancing your technical skills and personal expression. The course will move fluidly between traditional applications and the abstract and expressive.

PAINTING FUNDAMENTALS II

Prerequisite CEPN 161 Fundamentals of Acrylic Painting or equivalent

Karen Yurkovich CEPN 261 SU01 Jun 30 - Jul 28 Sat 9:30 am - 12:30 pm 5 Sessions 16 total hrs $235

Building on the knowledge and experience gained in CEPN 160 Painting Fundamentals I, you will continue to explore painting techniques, tools and materials, and their applications through which you can convey messages, ideas, emotions and issues. Traditional techniques and systems are explored, however the emphasis is on contemporary painting. Prerequisite CEPN 160 Painting Fundamentals I, CEPN 161 Fundamentals of Acrylic Painting, CEPN 164 Using Colour, or equivalent

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PAINTING (CONTâ&#x20AC;&#x2122;D) OIL PAINTING II Karen Yurkovich CEPN 262 SU01 Jul 9 - Aug 13 Mon 6:30 pm - 9:30 pm 5 Sessions 16 total hrs $245

This course is a continuation of CEPN 162 Fundamentals of Oil Painting. Focus on your development, exploration and analysis of colour, composition, use of scale, subject matter and technical processes. Throughout the course you will consider examples from contemporary and historical painting as an integral part in the discussions, critiques and lectures. Prerequisite CEPN 162 Fundamentals of Oil Painting or equivalent

WATERCOLOUR PAINTING II James Picard CEPN 263 SU01 Jun 14 - Jul 12 Thu 6:30 pm - 9:30 pm 5 Sessions 16 total hrs $245

This advanced course builds upon skills learned in CEPN 163 Fundamentals of Watercolour. You will continue to explore traditional, alternative and experimental approaches to creating imagery that is lively, vibrant and authentic. Experimentation and improvisation will help you open up the more expressive and communicative qualities of this fluid and flexible medium. Inspiration will come from still life, the human figure and your own imagination. Prerequisite CEPN 163 Fundamentals of Watercolour or equivalent

USING COLOUR II Elizabeth Barnes CEPN 264 SU01 Jun 11 - Jul 16 Mon 6:30 pm - 9:30 pm 5 Sessions 16 total hrs $245

Building on previous course work in CEPN 164 Using Colour, you will develop the creative use of compositional colour structures in painting. Intense and diminished colour, discords and spatial effects are explored through analysis and practice. Emphasis will be on developing both practical skill and imaginative approaches to colour in your personal work. Prerequisite CEPN 164 Using Colour or equivalent

EMILY CARR UNIVERSITY OF ART + DESIGN / SUMMER 2012 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

EXPLORING THE BUILT SURFACE Jeanne Krabbendam CEPN 265 SU01 Jun 23 - Jul 14 Sat 9:30 am - 4:30 pm 4 Sessions 24 total hrs $335

This course expands on the techniques introduced in CEPN 165 The Built Surface: Paint and Collage. More challenging projects will include experimenting with the juxtaposition of objects and materials for meaningful configurations. Further development of painting techniques, image alteration and the use of wax and pigments will encourage risk-taking as you move beyond your traditional practice. Personal imagery, themes and symbols will continue to be developed through discussion and critiques, with an emphasis on design and personal style.

PAINTING THE PORTRAIT James Lindfield CEPN 278 SU01 Jun 8 - Jul 27 Fri 1:30 pm - 4:30 pm 8 Sessions 24 total hrs $295

Prerequisite CEPN 165 The Built Surface: Paint and Collage

Explore portraiture through ‘pushing paint’. Each class will include a brief presentation on techniques of glazing, underpainting and building textures, as well as underlying anatomy, followed by painting from the live model. You will focus on developing your own individual approach, whether realistic, expressive or abstract, as you work on self-directed projects in portraiture. Classes will be supplemented with individual and group critiques, brief demonstrations and slide presentations. Prerequisite Any 100-level painting course. Some prior experience in drawing or painting the face is recommended, but not mandatory

FORMS AND CONCEPTS IN CONTEMPORARY PAINTING Elizabeth Barnes CEPN 270 SU01 Jun 12 - Jul 31 Tue 6:30 pm - 9:30 pm 8 Sessions 24 total hrs $265

This exciting course combines studio work and contemporary art history with a focus on the practice of painting. This course is ideal for students who are interested in locating their own practice within the contemporary art market and gallery system. You will be equipped with, and encouraged to locate, your own practice within broader themes and trends. Through field trips, critiques and presentations you will further your studio work while being encouraged to develop ways of talking about your painting practice in new and contemporary ways.

PAINTING OPEN STUDIO Karen Yurkovich CEPN 360 SU01 Jul 29 - Aug 19 Sun 9:30 am - 4:30 pm 4 Sessions 24 total hrs $280

Prerequisite Any 100-level painting course or equivalent is required; 200-level painting experience is strongly recommended

Prerequisite Students should have a current painting practice

BOOT CAMP II: APPROACHES TO FIGURE AND THE PORTRAIT

TECHNIQUE BOOT CAMP: PAINTING Barbara Hinton-Wood CEPN 271 SU01 Jun 30 - Aug 18 Sat 1:30 pm - 4:30 pm 8 Sessions 24 total hrs $325

Move beyond technical deficiencies keeping you from reaching your full painting potential as you work through this intensive circuit of exercises designed to explore the full muscle power of your brush and palette. Great for the beginner just starting out, as well as for advanced artists wanting to refine skills and gain greater confidence in paint application. Course work will be done using acrylic paints. Prerequisite Some painting experience

Painting Open Studio is a self-directed course which is intended to provide support for work on independent projects. You will have individual guidance from the instructor and will benefit from group discussions and critiques. In addition to addressing technical issues, you will have the opportunity to further develop your ideas and personal approach to painting.

Barbara Hinton-Wood CEPN 373 SU01 Jul 18 - Aug 15 Wed 6:30 pm - 9:30 pm 5 Sessions 16 total hrs $325

This course will continue with the CEPN 271 Technique Boot Camp: Painting skin session, exploring diverse ways of representing the figure and the portrait. There will be instruction on figure/ground relationship, as well as the capturing of emotion. You will explore both traditional paint techniques and contemporary concepts of representing the human face and form. Course work will be done using acrylic paints. Prerequisite CEPN 271 Technique Boot Camp: Painting

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PINHOLE PHOTOGRAPHY Diane Evans CEPH 140 SU01 Jul 8 - Aug 5 Sun 9:30 am - 12:30 pm 5 Sessions

Cookie tins, coffee cans, and shoeboxes make bizarre and wonderful cameras that, when made light-tight and given a pinhole, create marvelously detailed yet mysterious black-andwhite-photographs. In this course you will take a hands-on approach to both making your cameras and producing your images. Discussions and group critiques will supplement photography and darkroom processing.

16 total hrs $245

Prerequisite None

PHOTOGRAPHY Pregnant or breast-feeding women are prohibited from taking photography courses with darkroom access. Darkroom chemicals are harmful to the unborn child and can be absorbed into a woman’s breast milk.

BLACK-AND-WHITE FILM PHOTOGRAPHY I Rand Berthaudin

Diane Evans

CEPH 141 SU01

CEPH 141 SU02

Jul 3 - Jul 26

Aug 4 - Aug 25

Tue + Thu 6:30 pm - 9:30 pm

Sat 9:30 am - 4:30 pm

8 Sessions

4 Sessions

24 total hrs

$285

This is the ideal course for students seeking an introduction to the manual operation of a 35mm camera and basic black-and-white darkroom techniques. The course includes principles of exposure, use of natural light in photographic imagery, film processing, enlargement techniques and the machine processing of prints. Through lecture, discussion, demonstration and stimulating projects you will be encouraged to expand your understanding of the technical and aesthetic possibilities of photography while developing an awareness of your own approach and interests. Prerequisite None; students are required to bring their own 35mm camera (manual operation)

HAND COLOURING PHOTOGRAPHS Diane Evans CEPH 145 SU01 Jun 2 + Jun 9 Sat 9:00 am – 1:00 pm 2 Sessions

Hand-coloured photographs are enjoying a renaissance as people rediscover the variety of effects that can be achieved through the application of a variety of media to black-and-white photographs. In this course, you explore such media as oils, conté and water-based techniques as you create imaginative and beautiful images. Matching the image to the medium is discussed. Historical and contemporary use of hand-colouring methods is viewed and discussed.

8 total hrs $120

Prerequisite None; students must supply their own FB (fiber-based) or RC (resin coated) black-and-white photographs in matte, pearl or satin surfaces. Print sizes may vary from small to 20x24”. Glossy surface black-and-white prints are not suitable for hand-tinting. Please do not bring ink-jet prints for tinting

Vendula Ralkova

The street as a subject of the photograph has been a part of the medium since its inception in the 1800s. Street photography is the never-ending dialog between the observer/photographer and the life around him. The streets are the stage where everything is possible — just pick up your camera. In this class, you will learn not only the history and the contemporary tendencies of the genre but will regularly actively photograph during the field trips on the streets. Lectures with enticing images, discussions, critiques and hands-on practical assignments will ensure the well-rounded foundation for any amateur or professional.

THE MAGIC OF STREET PHOTOGRAPHY CEPH 230 SU01 Jun 4 - Jul 30 Mon 6:30 pm - 9:30 pm 8 Sessions 24 total hrs $285

Prerequisite Foundation in photographic principles and practical knowledge of your own camera

EMILY CARR UNIVERSITY OF ART + DESIGN / SUMMER 2012 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

DARKROOM BASICS Rand Berthaudin CEPH 242 SU01 Jul 7 - Jul 28 Sat 9:00 am - 1:00 pm 4 Sessions 16 total hrs $245

Greg Girard, House on Zixia Lu, Shanghai. 2005. Courtesy the artist and the Monte Clark Gallery

BLACK-AND-WHITE FILM PHOTOGRAPHY II Diane Evans CEPH 241 SU01 Jul 19 - Aug 16 Thu 6:30 pm - 9:30 pm 5 Sessions 16 total hrs $225

This course builds on CEPH 141 Black-andWhite Film Photography I, with an emphasis on the creative uses of photography. In addition to an introduction to relevant issues within the larger field of photographic practices, you will also explore artistic relationships between the camera and the photographic image in the act of taking a picture. By continuing to learn how to question and apply technique, you build on your creative skills and your potential to expand your personal vision. Each student will be responsible for initiating a project to challenge their abilities and carry it through to a final presentation. Prerequisite CEPH 141 Black-and-White Film Photography I; students are required to bring their own 35mm camera (manual operation)

This is the ideal course for students seeking an introduction, or refresher, to basic black-and-white darkroom practices and techniques. The course includes basic principles of negative enlargement and print exposure techniques, and an introduction to machine processing of resin-coated (RC) prints. Printing issues, methods and processes that will be discussed include film and paper characteristics, contrast filter adjustments, film and paper formats, cropping, paper surface types, test prints, printing styles and basic print alteration techniques (burning, dodging, flashing), trouble-shooting, consistent print series techniques, spot-toning and finishing. Through lecture, discussion, demonstration, printing projects and reviews, you will develop and expand your understanding of the technical and aesthetic possibilities of photographic printing, while developing an awareness of your own artistic approach and interests employing photographic methods and materials. Prerequisite None

THE CONSTRUCTED IMAGE Josh Hite CEPH 246 SU01 Jul 9 - Aug 13 Mon 6:30 pm - 9:30 pm 5 Sessions 16 total hrs $265

A photograph is no longer just a photograph. A constructed image is a photo that has been altered through the use of digital manipulation, drawing, painting, collage or diorama to create a specific visual experience. The resulting artwork is a true hybrid that may be the most ideal realization of the artist’s intention. In this course you will investigate classic themes from art history — beauty, alienation, loss — and reinterpret them through the combination of traditional techniques and computerbased workflow. The instructor will acquaint you with advanced Photoshop techniques that enhance artistic productivity. The learning experience goes well beyond simple computer tricks and tips, as the entire class re-engages with the process of artistic creation through images that are cleverly constructed and conceptually compelling. Note: This course is Mac lab based and does not involve darkroom techniques. Prerequisite Basic Photoshop experience

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Douglas Curran, Kamvulumvulu (the Whirlwind) at mmeto for a young man who died working on a distance farm estate. Luwengwa village. Kachindamoto District, Malawi, 2004

THE DOCUMENTARY TRADITION: MAKING NOW REAL Emily Carr Photography Institute | July, 2012 A selection of courses and events in photography, video and book-making focusing on the documentary tradition in the digital information age. As storytellers, photojournalists and documentary photographers create images, both still and moving, that record the history of our culture, evoking the momentous and the everyday circumstances of contemporary life. In recent decades, Photography, Photojournalism and the Documentary tradition have been transformed by digital technology; the dissemination of these images has radically increased to feed new modes of consumption. Working with accomplished photojournalists, students will have the opportunity to explore social, cultural, political or personal issues to tell a compelling story. Students will work through various forms of nonfiction visual storytelling and will learn to consider the part their narratives play in our media driven society. Courses will cover topics such as documentary processes and practices, DSLR Video for Photographers, and Print-on-Demand Book Publishing. The program will be accompanied by a lecture series and exhibition of work by the instructors and students. Curated by Diane Evans.

THE DOCUMENTARY TRADITION: MAKING NOW REAL Exhibition curated by Diane Evans Emily Carr Concourse Gallery July 7 – 14, 2012 Open 9:00 am – 5:00 pm daily

GREG GIRARD ARTIST TALK Emily Carr Lecture Theatre Thursday, July 5, 2012 7:00 pm

JONATHAN TAGGART ARTIST TALK Emily Carr Lecture Theatre Thursday, July 12, 2012 7:00 pm

Diane Evans, Window view, from a paper negative pinhole, 8 hour exposure

EMILY CARR UNIVERSITY OF ART + DESIGN / SUMMER 2012 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

Douglas Curran is internationally recognized as an author, photographer, exhibitor and visual anthropologist. For over twenty-five years he has documented a wide range of extraordinary people and their beliefs and is widely respected for his explorations of ‘outsider’ subcultures and societies. He has exhibited his work internationally, and has published several books, including In Advance of the Landing with an introduction by Tom Wolfe. Justin Wonnacott is an Ottawa-based photographer, teacher, curator and writer. Common to all his work is a persistent interest in what photographs are – as ideas and objects – how they are deployed and used in art and popular culture and the current value of photography in society. He has exhibited nationally and internationally since 1974. He has taught at the University of Ottawa, the Nova Scotia School of Art and Design, and the Ottawa School of Art. Jonathan Taggart. Children play around a hay bale at Whole Village ecovillage, an intentional community and biodynamic farm near Caledon, Ontario. From the series Salt & Earth, August 2007

Featured Artists Diane Evans is the Gallery Coordinator at Presentation House Gallery, a public gallery devoted to photography and media art, where she has worked since 1988. Additionally, Diane is a practicing photographer whose work is included in museum collections world wide. She has taught in the Photography department at Emily Carr University since 1996. Greg Girard is a Canadian photographer who has spent much of his career in Asia, first visiting Hong Kong in 1974. He has had four books of his work published including the acclaimed Phantom Shanghai. He works on assignment for National Geographic Magazine, TIME, The New York Times Magazine and Paris Match and has exhibited his work internationally. Greg Girard is teaching CEPH 275 Photographing the Social Landscape. Jonathan Taggart is an award-winning photojournalist based in Vancouver, specializing in social documentary, editorial photography, photographic tour diaries for musicians and visual advocacy for the non-profit sector. His photographs and writing have been published internationally and across Canada, recently earning him a National Magazine Award nomination in Photojournalism. He focuses his personal work on creating awareness of the challenges facing Aboriginal communities, both urban and rural. Jonathan Taggart is teaching CEPH 280 Documentary Process and Practice.

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Together Douglas Curran and Justin Wonnacott are teaching CEPH 342: Lookin’/Looking Better. Henri Robideau is a photographer, writer and Canada’s foremost Gianthropologist. He has been a sessional instructor in photography and digital imaging courses at Emily Carr since 1979. Henri Robideau is teaching CEPH 372 The Photo Book: On Demand Publishing. Stephen Waddell is a Vancouver-based photographer. His work has been shown internationally, and is included in the collections of the National Art Gallery of Canada, the Vancouver Art Gallery, the Armand Hammer Collection (Los Angeles) and the Collection Bâloise (Basel, Switzerland). Stephen Waddell is teaching CEPH 272 Fictions in Documentary Photography. Sean Arden has worked as a freelance video professional for over ten years. Beginning as an animator and transitioning to digital video early in his career, he possesses a wealth of experience about a wide variety of tools and techniques for video production. He primarily consults to independent artists and film makers. Currently Arden is completing a Master of Applied Arts at Emily Carr with a focus in stereoscopic media. Sean Arden is teaching CEPH 315 DSLR Video for Photographers.

For more information see ecuad.ca/cs

PHOTOGRAPHY (CONTâ&#x20AC;&#x2122;D) INTRODUCTION TO DIGITAL PHOTOGRAPHY Josh Hite CEPH 250 SU01 Jun 2 - Jul 21 Sat 1:30 pm - 4:30 pm 8 Sessions 24 total hrs $280 Kathryn Mussallem CEPH 250 SU02 Jun 24 - Aug 19 Sun 1:30 pm - 4:30 pm 8 Sessions 24 total hrs

This course is designed for those beginning to explore photography with digital cameras, as well as for those adding digital techniques to their current photographic practice. You will learn the basics of digital photography, image editing and printing. Issues relating to camera settings and image quality will be discussed in the context of the digital revolution. The course will be organized around a series of projects and will offer the opportunity for independent work. Note: This is not a course in Photoshop (for Photoshop, see page 9).

PHOTOGRAPHING THE SOCIAL LANDSCAPE (NEW)

$280

Prerequisite Proficient Macintosh skills or equivalent; students are required to bring their own digital camera with USB connectivity

Greg Girard CEPH 275 SU01 Jul 8 - Jul 29 Sun 1:30 pm - 5:30 pm 4 Sessions 16 total hrs

FICTIONS IN DOCUMENTARY PHOTOGRAPHY (NEW) Stephen Waddell CEPH 272 SU01 Jul 18 â&#x20AC;&#x201C; Aug 15 Wed 6:30 pm - 9:30 pm 5 Sessions 16 total hrs $295

It is taken for granted that photography has the unflinching ability to create faithful depictions of reality. The origins of the documentary form are seemingly most evident in cinema, however their presence in photography since the dawn of modernism is undeniable. The elements of the documentary form are evolving constantly, and the space between fiction and reality is what separates a strictly observational mode from a more intuitive and expressive mode. This course will offer you a chance to explore how direct observation, choice of subject and other more intuitive and creative photographic approaches can alter the predictable path of reality. Prerequisite Foundation in photographic principles and practical knowledge your own camera; experience producing photographs in a working environment or academic setting is recommended

$295

Place, and the relationship of an individual or community to it, is fundamental to how we live. Our ideas of what is home and what is foreign usually start there. This course will assist you in developing a framework for observing, considering and photographing the social landscape. You will be introduced to contemporary and historic work, and will discuss making your own work in both familiar and unfamiliar environments. Techniques, strategies and responsibilities related to accessing a place or community will also be covered. During the four week course you will produce a body of work and present it for discussion. Your work will be viewed by digital projection, or as prints, during class. You should be prepared to work outside of class on developing a coherent set of pictures related to the social landscape. Note: Students can schedule a maximum of 9 hours of darkroom access outside of class time; there will be no darkroom instruction during class time. Prerequisite Working knowledge of a DSLR or film camera and basic Photoshop experience are required. Experience in producing photographs in a working environment or academic setting will be beneficial but is not a prerequisite

EMILY CARR UNIVERSITY OF ART + DESIGN / SUMMER 2012 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

DOCUMENTARY PROCESS AND PRACTICE (NEW) Jonathan Taggart CEPH 280 SU01 Jul 7 - Aug 4 Sat 9:30 am - 12:30 pm 5 Sessions 16 total hrs $295

This course introduces you to advanced concepts in documentary photography. Through research and production of a non-fiction photo essay, you will encounter and discuss a spectrum of project-related issues that often surround documentary practice: gaining access; shooting what you know; ethics; traditional and emerging venues for communicating ideas; and the concepts of ‘giving voice’. During this five week course you will produce a body of work and present it for discussion. Your work will be viewed by digital projection, or as prints, during class. Class time will involve lectures, discussions and critiques, and you will be expected to dedicate time outside of class to work on your self-directed documentary project. Note: Students can schedule a maximum of 9 hours of darkroom access outside of class time; there will be no darkroom instruction during class time. Prerequisite Foundation in photographic principles and practical knowledge of your own camera are required. Students should have a comfortable analog or digital workflow and should to come to the first class with an idea for a personal documentary project

CONTEMPORARY PORTRAITURE Vendula Ralkova CEPH 340 SU01 Jul 4 - Aug 1 Wed 6:30 pm - 9:30 pm 5 Sessions 16 total hrs $195

Prerequisite Foundation in photographic principles and practical knowledge of your own camera

COLOUR PRINTING FROM NEGATIVES Kathryn Mussallem CEPH 341 SU01 Jul 14 - Aug 18 Sat 1:30 pm - 4:30 pm 5 Sessions 16 total hrs $310

DSLR VIDEO FOR PHOTOGRAPHERS (NEW) Sean Arden CEPH 315 SU01 May 30 – Jul 18 Wed 6:30 pm - 9:30 pm 8 Sessions 24 total hrs $280

This course provides a general overview of DSLR Video production. Many photographers have switched to digital cameras equipped with HD video capabilities, but have not had the opportunity to learn the workflow for producing high-quality HD video. This course covers the benefits and shortcomings of modern digital video while outlining the best practices and production workflows. You will learn a basic history of digital documentary and film practice, and explore current trends and techniques used by professionals using DSLR cameras for video. Note: Students must provide their own DSLR camera with HD video capability or HD video camera that records to flash media. They must also provide their own card reader.

This practical and theoretical introduction to photographic portraiture is an opportunity for anyone wanting to expand their photographic portrait style while using natural or available light. Through in-depth lectures, you will learn about the history and evolution of photographic portraiture as well as the practical techniques used for producing contemporary portrait work in both indoor and outdoor settings. Course work will include photographing live models, as well as photographing you own subjects outside of class time, allowing you to implement your new knowledge base toward fine-tuning your compositional style. This course is for both analog and digital photographers.

no class Aug 4

This course introduces you to the principles and techniques of colour photography and printing. You will learn the use of colour enlargers and processors, colour correction, enlargement techniques and how colour is affected by different lighting situations. You will practice various techniques used in colour printing through creative projects dealing with a variety of lighting situations and subject matter, including landscape and cityscape, portrait and still life. Through short lectures, examples and group discussions, you will gain an understanding of the possibilities of colour photography for expression and documentation, as well as the application of your new skills to your own artistic vision. Prerequisite CEPH 141 Black-and-White Photography I and CEPH 241 Black-andWhite Photography II or equivalent

Prerequisite Intermediate Macintosh computer skills and working knowledge of DSLR or HD video camera required; editing skills an asset

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PHOTOGRAPHY (CONT’D) LOOKIN’/LOOKING BETTER Douglas Curran + Justin Wonnacott CEPH 342 SU01 Jul 4 – Jul 18 Wed 6:30 pm - 9:30 pm Sat 1:30 pm - 5:00 pm 5 Sessions 16 total hrs $245

This intermediate level course will engage you in a diverse series of studio and on-location scenarios, designed to challenge and hone the practical, technical and problem solving skills required to grow as a photographer and address your own work. The course will concentrate on the practicalities of technique, and ideas developed in the work of contemporary photographers. The portrait, location work, performance, stage-work and documents for artists will be covered as the two instructors share their knowledge and experience to help you solve problems and successfully resolve complex ideas with your camera. Note: Students can schedule a maximum of 9 hours of darkroom access outside of class time; there will be no darkroom instruction during class time.

FIBER-BASED PRINTING TECHNIQUES This course provides an intensive investigation into the technical skills of black-and white film exposure and fiber-based printing. Early in the course, emphasis will be placed on the relationship between exposure, film development and the finished print. Correct metering and controlling the exposure of film using a variety of methods will be demonstrated and practiced. You will experiment with a variety of techniques and aesthetic approaches to build a portfolio of exhibition-quality prints as you work with fiber-based, multi-grade papers, use the archival process and tray process, experiment with warm and cold tone papers and developers, learn toning for archival permanence and apply proper techniques for the drying and handling of prints. As well, there will be a continuing discussion of the interrelationship between concept, subject matter and technical skills.

Diane Evans CEPH 345 SU01 Jul 11 - Aug 8 Wed 6:30 pm - 9:30 pm 5 Sessions 16 total hrs $275

Prerequisite Foundation in photographic principles and practical knowledge of your own digital or analog camera are required; basic computer skills and familiarity with image processing programs recommended

Prerequisite CEPH 141 Black-and-White Photography I and CEPH 241 Black-andWhite Photography II or equivalent

THE PHOTO BOOK: ON DEMAND PUBLISHING Henri Robideau CEPH 372 SU01 Jul 3 - Jul 26 Tue + Thu 6:30 pm - 9:30 pm 8 Sessions 24 total hrs $365

This course is for photographers interested in self-publishing custom layout photo stories, monographs or text-and-image books. Using publishing tools such as InDesign and Photoshop, you will produce a small ‘on demand’ book work with optimum control of the content. Note: Students can schedule a maximum of 9 hours of darkroom access outside of class time. Prerequisite Students must have a photography background and a working knowledge of InDesign and Photoshop

EMILY CARR UNIVERSITY OF ART + DESIGN / SUMMER 2012 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

PHOTO-BASED PRINTMAKING Vanessa Hall-Patch CEPR 150 SU01 Jun 14 - Aug 2 Thu 6:30 pm - 9:30 pm 8 Sessions 24 total hrs $305

Explore a variety of exciting photo-based printmaking techniques in this introductory course. Through demonstrations, directed projects and hands-on work you will learn the basic principles of photo-based printmaking through methods in intaglio, relief, silkscreen and lithography. All stages of the techniques will be discussed and demonstrated, including product qualities, image preparation, exposing, developing and printing. You will have the opportunity to create works using each process and techniques may be combined to create a ‘multimedia’ print. Prerequisite None

PRINTMAKING

TEXTILE PRINTING I Eleanor Hannan CEPR 164 SU01 May 26 - Jun 30 Sat 1:30 pm - 5:30 pm 6 Sessions 24 total hrs $420

Textile printing is the local application, to textile fabrics, of any colour or colours in definite patterns or designs. You will practice a number of methods for printing on fabrics, including block printing and screen printing. Lessons in concepts and creative approaches, as well as technical practices such as basic dyeing and fabric painting, will lead towards establishing a home practice set-up for fabric printing. You will learn about various types of dyes and fabric pigments. Paint techniques and cloth types appropriate to each method used will be demonstrated. Sources for all materials will be discussed and an extensive list provided. Prerequisite None

INTRO TO RELIEF PRINTMAKING Lawrence Lowe CEPR 160 SU01 Jun 3 - Jul 15 Sun 9:30 am - 12:30 pm 6 Sessions 18 total hrs $240

Create your own cards, invitations or art works. In this course you will be introduced to relief and woodblock printmaking using linoleum, wood and collograph techniques. You will explore printing by hand and press with one to three colours, and create your own linoleum and wood blocks to continue printing at home. Slide presentations, demonstrations and studio work will guide you as you develop your understanding of printing and of your own strengths and interests within this medium. Prerequisite None

INTRODUCTION TO SILKSCREEN Maria-Anna Parolin CEPR 162 SU01 Jul 3 - Aug 7 Tue 6:30 pm - 9:30 pm 6 Sessions 18 total hrs $260

For many years screen printing techniques have provided artists with a simple method of applying their images and ideas to a wide variety of materials and surfaces. If the special luminosity and immediacy of water-based silkscreening fascinates you, this course is one to try. Expand your image-making options by learning the basics of silkscreening, including hand-drawn and photographic stencil production. Lessons in concept development, screen and surface preparation, registration and preservation culminate in learning how to establish a home or studio facility for continued art production and explorations. Course fee includes all supplies and materials. Prerequisite None

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PRINTMAKING (CONT’D) PRINTMAKING TECHNIQUES Shinsuke Minegishi CEPR 165 SU01 Jul 24 - Jul 27 Tue - Fri 10:00 am - 4:00 pm 4 Sessions 24 total hrs $245

This course introduces you to the basics of printmaking through three different techniques: intaglio, lithography, and Japanese woodblock. You will start with intaglio as you learn to work with drypoint on plexiglass. In the lithography section you will draw on polymer sheets, then print your image using a litho press. You will complete your introduction with Japanese style woodblock using hand rubbing as you explore relief printing. Discussion and historical review will supplement hands-on work. On completion, you will have a broad knowledge of printmaking and three sets of prints.

TEXTILE PRINTING II This course is a continuation of CEPR 164 Textile Printing I where students work with their acquired knowledge and skills in printing, screen printing and dyeing to develop and create three one-meter yardages on a theme. Additional dyeing techniques will be introduced, including immersion dyeing. Additional compositional techniques will be introduced such as appliqué and image transfer. The focus will be on layering techniques, measured and spontaneous repetition, including variations on print registration to build up a compositional story or concept.

Eleanor Hannan CEPR 264 SU01 Jul 8 – Aug 5 Sun 9:30 am – 12:30 pm 5 Sessions 16 total hrs $285

Prerequisite None

Prerequisite CEPR 164 Textile Printing I

BOOK ARTS LETTERPRESS I Andrea Taylor CEBA 112 SU01 Jun 3 – Jun 24 Sun 9:30 am - 4:30 pm 4 Sessions 24 total hrs $395 Andrea Taylor CEBA 112 SU02 June 16 - July 21 Sat 9:30 am - 1:30 pm 6 Sessions 24 total hrs $395

Explore the expressive art of letterpress printing in this hands-on workshop. This introductory workshop will suit those with little or no experience. You will explore the basics of typography, metal and wood type, hand typesetting for letterpress printing, hot foil stamping and applications for your own books and broadsides. We will discuss typefaces, paper, colour and using illustrations in your design. You’ll go all the way from start to finish by designing and setting your own text, printing, sorting and distributing type. Students also have the opportunity to carve and print linocuts into their letterpress projects. Bring words and ideas to class. Instruction will be in the Letterpress Room at Emily Carr.

BASICS OF BOOK MAKING Experience the joy of making your own book as you create a variety of book structures. You will be introduced to folded-books and other unbound book structures from zines to hard- covers. Through presentations, demonstrations, workshops, and in-class work, you will develop concepts and create a variety of volumes. Your books may incorporate mixed media, two and three dimensions, type applications and image transfer techniques.

Grace Partridge CEBA 170 SU01 Jun 4 - Jul 16 Mon 6:30 pm - 9:30 pm 6 Sessions 18 total hrs $230

Prerequisite None

LETTERPRESS OPEN STUDIO Andrea Taylor CEBA 212 SU01 Aug 11 – Aug 19

Prerequisite None; for all levels

Sat + Sun 9:30 am - 1:30 pm 4 Sessions 16 total hrs $270

This a self-directed course which is intended to provide support for work on independent projects. You will have individual guidance from the instructor and will benefit from group discussions and critiques. In addition to addressing technical issues, you will have the opportunity to further develop your ideas and personal approaches to letterpress printing. Prerequisite CEBA 112 Letterpress I or equivalent

EMILY CARR UNIVERSITY OF ART + DESIGN / SUMMER 2012 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

PROFESSIONAL DEVELOPMENT THE BUSINESS OF ART PRACTICE Chris Tyrell

Chris Tyrell

CEPD 190 SU01

CEPD 190 SU02

May 22 - Jul 10

Jun 28 - Aug 16

Tue 6:30 pm - 9:30 pm

Thu 6:30 pm - 9:30 pm

8 Sessions

24 total hrs

$230

This practical course introduces you to the skills and professional documents needed for the pursuit of a career in the visual arts. For those beginning their own professional art practice and those studying visual arts, this course is focused on the business of art practice: record keeping, seeking representation and exhibition, pricing, marketing, publicity and legal considerations. You will consider professional materials, including a basic business plan, as well as core portfolio materials and will learn the basics of sourcing financial, space, equipment and other professional resources. Prerequisite For practicing artists and designers, and those just starting out

WORDPLAY: CREATIVE PROCESS FOR WRITERS Ingrid Rose CEWR 175 SU01 Jun 2 - Jul 28 Sat 1:30 pm - 4:30 pm 8 Sessions 24 total hrs $250 No class Jul 7

This course introduces you to a wide range of writing techniques designed to open up the possibilities of language and the playful, intuitive side of the creative process. Through diverse writing forms and techniques you will be encouraged to experience and explore language as an artistic medium equivalent to paint or charcoal. You will create works in a variety of forms including cut-ups, sound poetry, lyric prose and manifesto as you learn to stretch your creative boundaries, play with language in your work and investigate your own creative practice. Writing exercises, readings and learning to give and receive feedback effectively will allow you to investigate the aesthetic considerations of language. Making a chapbook from your written and visual pieces will put into practice the skills you have learned over the eight weeks. Prerequisite None

REGISTRATION BEGINS MARCH 27, 2012 / HOW TO REGISTER p.â&#x20AC;&#x2030;3 FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS

SCULPTURE + INSTALLATION ENVIRONMENTAL INSTALLATION: WORKING WITH NATURE Nicole Dextras CESC 160 SU01 Aug 4 - Aug 18 Sat 9:30 am - 4:30 pm 3 Sessions 18 total hrs $245

Working with natural materials, found objects and local environments can be a great source of inspiration. In this course you will learn basic techniques such as plaiting and weaving along with ecological techniques for assembling and fastening organic materials. Attention will be given to building a stable armature onto which branches, leaves or recycled materials can be fastened. You will explore the concept of responding to specific sites through projects that float on water, hang in trees or are situated on the soil. Further reading material on the history of environmental art, featuring the artwork of international and local artists, will also be supplied. Dress appropriately for both indoor and outdoor activities. Prerequisite None

EMILY CARR UNIVERSITY OF ART + DESIGN / SUMMER 2012 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

INTRODUCTION TO MOLD DESIGN AND CASTING Philip Robbins CESC 178 SU01 Jun 20 - Aug 8 Wed 6:30 pm - 9:30 pm 8 Sessions 24 total hrs $250

This intensive, hands-on introductory course explores the essential processes of plasterwork, mold making and casting with an emphasis on the subtleties of mold design and material tips and tricks. Molds, and the production of multiples, are a fundamental component of many sculptural processes and require a specific sequence of steps and attention to particular details for the creation of professional final results. Through a variety of linked assignments, you will develop an in-depth knowledge of plaster and related materials, their working characteristics and their appropriateness for casting particular types of shapes in various types of material (synthetic, organic or ceramic).

INTRODUCTION TO METAL SCULPTURE Ian Rhodes CESC 180 SU01 Jun 4 - Jun 8 Mon - Fri 9:30 am - 5:00 pm 5 Sessions 32 total hrs $440

Prerequisite None

SMALL-SCALE MODELING Vicki Israel CESC 179 SU01 Jun 30 - Aug 18 Sat 9:30 am - 12:30 pm 8 Sessions 24 total hrs $250

Explore the fundamental sculptural techniques of modeling in this hands-on studio course. Using Plastalina and clay you will be introduced to the additive process of modeling: the basic shape blocked out and the surface form built up gradually over the entire sculpture. Through demonstrations, exercises and projects you will learn how to create small-scale sculpture and relief sculpture using the basic sculptural elements of mass, space, plane, line, scale, movement and texture. Techniques and skills learned may be applied to a wide range of creative projects and will appeal to animators, sculptors, potters and product designers. Prerequisite None

This hands-on introductory course explores the fundamental concepts, materials, processes and techniques of contemporary metal sculpture. You will examine a broad spectrum of metal fabrication techniques and technology, and through creative interpretation be encouraged to combine, refine and evaluate these materials, processes and techniques, using them effectively in the creation of a modestly sized metal sculpture. The course will encompass an introduction to a variety of techniques for material cutting, shaping, and joining, general shop and equipment safety, work flow and planning and material characteristics. Hand tools, stationary equipment and MIG/oxyacetylene welding will also be examined. Prerequisite Prior art-making experience is required, experience in three-dimensional art is recommended

METAL SCULPTURE OPEN STUDIO Ian Rhodes CESC 280 SU01 Jul 30 - Aug 3 Mon - Fri 9:30 am - 5:00 pm 5 Sessions 32 total hrs $440

This class is for more advanced metalworking students and is intended to further refine your abilities, skills and knowledge concerning contemporary metal sculpture practice and all the techniques and processes involved within this. Self-directed projects can be realized using the full metal shop facilities, including limited access to the foundry where bronze and aluminum can be cast into two part sand moulds. Throughout the assisted creative process you will work on a piece or pieces of work vetted and approved by the instructor. Note: Costs for the production of projects are not included in the tuition. Prerequisite CESC 180 Introduction to Metal Sculpture or previous metal working experience

REGISTRATION BEGINS MARCH 27, 2012 / HOW TO REGISTER p. 3 FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS

CERTIFICATE PROGRAMS ecuad.ca/cs/certificate cscertificates@ecuad.ca

INTRODUCTORY CERTIFICATES $200 registration fee • 3 years to complete • Fine Art Techniques • 2D Design Basics • 3D Design Basics • Photography (New)

ADVANCED STUDY CERTIFICATES (ASC) $300 registration fee • 4 years to complete • Drawing • Painting • Illustration • Sculpture (New)

DESIGN ESSENTIALS Prospective Design Essentials students are encouraged to attend an Information Session prior to applying. For information about upcoming Information Sessions, please visit bcit.ca and enter “Design Essentials” in the search box. A one-year certificate program in graphic design essentials offered in partnership through Emily Carr and BCIT, the Design Essentials Program offers a unique opportunity for study focusing on the key elements of the creative design process, the principles and practices of graphic design and the technical skills required in the industry. Completion of the Design Essentials Program provides a foundation in the practical and theoretical processes of the design professional, and a Management Certificate from BCIT representing proficiency and industry-ready skills. The program is intended for students with limited experience in art and design, and begins with fundamental courses in applied art and the creative process. The candidate for the certificate must successfully complete all prescribed courses in order to earn the Certificate.

 Next Intakes April 2012 and October 2012

EMILY CARR UNIVERSITY OF ART + DESIGN / SUMMER 2012 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

Certificate Programs are comprised of Continuing Studies courses grouped together to provide a pathway of learning to give you the skills and insights needed to meet the challenges of further study, or to apply specific knowledge to your career. • These Certificates can be completed on a part-time, flexible basis and require a one-time registration fee • No portfolio is required for admission

Each program focuses on the development of your conceptual and technical skills, allowing you to gain an understanding of the processes involved in contemporary art and design practice. Through concentrated curriculum, these programs encourage you to explore all aspects of your practice, from the creation of studio work, to its methodologies and critiques, to the languages of materials and form. Curriculum and projects are designed to allow you to explore new ideas and different ways of thinking and working. These all contribute to the goal of providing the intellectual and creative tools with which to continue your education and enrich yourself throughout your life and career.

REGISTRATION BEGINS MARCH 27, 2012 / HOW TO REGISTER p. 3 FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS

CERTIFICATE PROGRAMS: PROVIDING LEARNING PATHWAYS THROUGH ART + DESIGN Continuing Studies Certificate Programs provide a learning pathway through a particular area of study, and provide unique benefits such as: • • •

Assessment and feedback from professors; Building a portfolio of work; and Receiving a credential attesting to the successful completion of a program of study

SUMMER INSTITUTE FOR TEENS JULY 3 – JULY 27, 2012

Monday to Friday, 9:00 am - 4:00 pm THE PROGRAM

Are you in grade 10, 11 or 12? Get creative this summer with Emily Carr and prepare yourself for the university experience at one of the world’s top art and design institutions. Spend four weeks in an inspiring, fun and engaging environment that will immerse you in full-time, hands-on studio instruction, major portfolio development and local field trips, all leading to a group show in our public gallery.

THE FORMAT

FREE INFO SESSION April 11, 6:00 pm Interested in the Summer Teen Institute but looking for more information? Join us for an informal information session just for teens, their family and friends. Get a behind-the-scenes tour of the areas of the school that interest you, view video highlights of last year’s Summer Institute for Teens and ask questions of the program coordinator and other youth involved in the Teen Art Group. Reserve your spot at ecuad.ca/cs/teens.

Students choose one of ten exciting studios, which meet all day on Mondays, Wednesdays and Fridays. All students take Core Skills and Visual Culture classes on Tuesdays and Thursdays.

THE COSTS Register before March 31 to take advantage of our early-bird fees and guarantee your spot in the program! Early Bird rates until March 31: Domestic: $2050 International: $2350 Regular rates until June 5: Domestic: $2150 International: $2450 Tuition fees include field trips and basic supplies. All students can expect to spend up to $100 on additional supplies and project materials.

EMILY CARR UNIVERSITY OF ART + DESIGN / SUMMER 2012 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

CHOOSE YOUR STUDIO

Registration is on a first-come, first-served basis. Each studio has a maximum of 12 students.

in visual literacy, typography and design sketching, and will develop software skills in Photoshop, Illustrator and InDesign. You will design and print posters, logos and product packaging, and will learn to upload your work to your own online graphic design portfolio.

ARCHITECTURE AND URBAN DESIGN Are you interested in architecture, cartography and the urban landscape? Budding designers and aspiring architects will investigate the city through hands-on model making, technical drawing and creative problem-solving. Intensive site studies will take you out of the classroom to learn to represent and design buildings, spaces and landscapes. You will learn technical drawing skills, how to create plans, sections and elevations, and how to translate those drawings into scale-models. You will also get an introduction to digital mapping resources.

GRAPHIC NOVEL Do you want to write and illustrate your own comic books? Do you wish you could design, colour and publish them yourself online? Do you get inspired by telling stories through bringing image and text together in exciting and creative ways? The Graphic Novel studio bridges comics and illustration with the art of storytelling, dialogue, and character development. Working on hand-drawn panels, digital illustration, and colourizing in Photoshop, you will develop your personal style by exploring concepts including body language, the passage of time, flow, perspective and composition.

CERAMICS Are you interested in exploring the material and expressive qualities of clay? In the Ceramics studio, you will be introduced to a broad range of concepts, materials, equipment, and techniques including hand-building, wheel-throwing, making plaster molds and using image transfers and printmaking techniques in ceramics. You will work with clay, glazes and kiln firing to complete sculptural, decorative and functional projects. Demonstrations, critiques and an exploration of historical and contemporary practices will inspire you to experiment and pursue challenging projects.

ILLUSTRATION Do you love using your detailed or stylized drawings to communicate ideas and stories? Do you design characters and landscapes from your imagination, or from books? This studio is perfect for an aspiring commercial illustrator, animator or designer. Exploring line, texture and tone, life drawing and personal style, you will stretch your creative imagination using pen and ink, conté, charcoal and watercolour.

PAINTING DIGITAL PHOTOGRAPHY Do you enjoy framing the world through the lens of your camera? Are you excited by tackling the complex possibilities of shooting techniques, photojournalism, editorial photography or fine art photography? Digital Photography students will spend lots of time outside of the classroom, shooting photos and stretching their compositional skills. In Emily Carr’s computer labs, you will explore the creative possibilities of editing, manipulation, and effects using software such as Photoshop and Final Cut Pro. Note: Students are required to bring their own digital camera with USB connection.

DRAWING Do you enjoy exploring creative processes through drawing? Do you constantly fill your sketchbook with new visual ideas? Ever wanted to create large-scale drawings or abstract compositions that push the bounds of drawing into installation? The Drawing studio brings together traditional, technical and experimental drawing processes and encourages you to investigate a wide variety of drawing media, including pencil, ink, conté, crayon, charcoal and pastels.

GRAPHIC DESIGN Do you like to design or draw logos? Do you look for eye-catching design in posters, packaging and online? In the Graphic Design studio, you will develop a foundation

REGISTRATION BEGINS MARCH 27, 2012 / HOW TO REGISTER p. 3 FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS

Do you wish you could spend a whole month exploring painting techniques and composition? Do you want to improve your painting skills and challenge yourself with exciting new projects? In this studio you will investigate space, objects and colour using acrylic paint and mixed media. Painters at all levels will gain technical skills and develop their personal style through rigorous exercises in paint application, brushstrokes, composition and colour theory. Both historical and contemporary practices will be considered, from landscape to portraiture to abstraction.

TEXTILE FORMS Do you love designing your own clothes and accessories? Do you express yourself through do-it-yourself projects, like deconstructing and modifying existing garments? Would you like to design backpacks or textile accessories with special fabrics like canvas, felt and leather? You will learn basic prototyping methods, used by both fashion and industrial designers, and develop key skills in idea development, design illustration, pattern drafting and machine sewing. This studio is held in Emily Carr’s Soft Shop.

ecuad.ca/cs/teens teens@ecuad.ca

OUR CREATIVE SPACES Emily Carr in renowned for its incredible creative work spaces which include:

During your class time you will gain access to these amazing facilities and can use them to enhance your learning experience.

EMILY CARR UNIVERSITY OF ART + DESIGN / SUMMER 2012 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

FREQUENTLY ASKED QUESTIONS DO YOU OFFER COURSES FOR TEENS? Yes! Every term, Continuing Studies offers courses and workshops for artists and designers aged 15 to 18. Please see page 50 for more details.

WHERE ARE THE COURSES HELD? Currently, all Continuing Studies courses are held at Emily Carr’s Granville Island campus. We do offer customized programs that can be held off-site.

I WOULD LIKE A TOUR OF EMILY CARR. CAN I DO THAT? You will need to plan ahead a little bit and register for a free tour of the University. Most Fridays from September through April, the Admissions Department will take you on an hour-long tour through the various departments, and will answer any questions that you may have. To sign up, please email admissions@ecuad.ca.

CAN I GET SOMEONE TO LOOK AT MY ART? WHERE CAN I BUY SUPPLIES, AND HOW MUCH WILL THEY COST? Most Continuing Studies courses require that students purchase supplies. A list of required and recommended items is provided with your confirmation of registration in each course. Some supplies are available at a discounted rate for Continuing Studies students from Opus Framing & Art Supplies on Granville Island, and at Petrov’s Art & Craft Supplies in North Vancouver. You must present your course registration confirmation/receipt to receive your discount. In general, students should expect to spend between $50 - $150 on supplies for each course.

WHAT ARE THE CERTIFICATE PROGRAMS? Continuing Studies offers Introductory Certificate Programs in Fine Art Techniques, 2D Design Basics, 3D Design Basics and Photography, as well as Advanced Study Certificates in Painting, Drawing, Illustration and Sculpture. These are flexible, part-time programs designed to be completed at your own pace. Anyone may register, and no portfolio is required to apply. Design Essentials is a full-time, one-year, job-ready Certificate Program in graphic design, offered in partnership with BCIT. More information on our certificates can be found on pages 48 and 49.

Continuing Studies does offer personal consultations. Email consult@ecuad.ca to book your appointment. If you are applying for a Degree Program, learn about National Portfolio Day at www.portfolioday.net.

DOES CONTINUING STUDIES OFFER CUSTOM PROGRAMS? Yes, we can work with you to design a custom one-on-one program for individuals, or a professional development or teambuilding program for your group. Email consult@ecuad.ca for more information.

WHAT HAPPENS IF I NEED TO WITHDRAW MY REGISTRATION? If you need to withdraw and you give us more than seven calendar days notice before the start of your class, we will process the withdrawal and refund your money, minus a $35 administrative fee. Please familiarize yourself with our registration policies on pages 54 and 55 before you register.

DO CONTINUING STUDIES COURSES COUNT TOWARD UNIVERSITY DEGREES AT EMILY CARR? Currently, the Certificate Programs do not ladder into the University’s credit programs.

REGISTRATION BEGINS MARCH 27, 2012 / HOW TO REGISTER p. 3 FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS

REGISTRATION POLICIES + GENERAL INFORMATION Registration for all Continuing Studies courses and programs for the Summer 2012 semester begins at 9 am on March 27, 2012. Certificate students may register via the web (only) beginning March 26. For your Registration options, see page 3 Holidays: Emily Carr Continuing Studies will not run any courses on May 21, July 1 + 2, and August 6.

Admission to individual courses is on a first-come, firstserved basis. Early registration is strongly recommended as class sizes are limited (average size: 16 students) to ensure a quality educational experience. Unless otherwise indicated, students of Continuing Studies (CS) courses must be at least 16 years old by the course start date.

Fees The tuition fees apply to the tuition portion of your fee and in some cases may include materials supplied to students, studio assistance, and models. Fees are payable at the time of registration. Failure to make payment within 24 hours of registration will result in being removed from your course(s). Post-dated cheques are not accepted. NSF cheques must be replaced with a certified cheque or cash; a charge of $25 will be levied for each NSF cheque.

Discounts Seniors A discount of 10% is available to all seniors aged 60 or older at the time of registration, with identification. Alumni A discount of 10% is available for those who have completed an Emily Carr diploma, degree, or certificate, including the Design Essentials programs (some limitations apply).

Course Transfer Policy No transfers of fees will be granted within seven days of the course start date. A transfer of fees, minus an administrative charge of $35, will be issued if the request for transfer is received no less than seven calendar days prior to the course start date of the course the student is leaving. You must pay any additional fees at the time of transfer. You may transfer from one course to another by phone, fax, or email.

Withdrawal and Refund Policy No refund will be given for withdrawal within seven days of

the course start date. Exceptions are made on compassionate grounds. In such cases a written request for refund, accompanied by appropriate documentation from a third party (e.g. medical note), must be submitted. A refund of fees, minus an administrative charge of $35 per course, will be issued if notification of withdrawal is received no less than seven calendar days prior to the course start date. Students may withdraw from a course by phone, fax, or email. Under no circumstances will refunds be granted for requests received after the end of a course or workshop.

Prerequisites CS has an open enrollment policy. While you are encouraged to explore new directions and challenge yourself educationally, it is your responsibility to evaluate whether your existing skills and knowledge base are equivalent to the listed prerequisites for each course. Note that for certain courses, the listed prerequisite may be specific and we request that you consider that when making your course selections.

Registration Deadlines You are encouraged to register well in advance of a course’s start date to ensure your spot and to ensure that a class will run with sufficient registration. Registrations may be accepted up to one day prior to the first day of class, if space permits. Please note that no registrations are accepted after a course has started.

Registration Confirmation Your registration confirmation/receipt lists any supplies required for your course(s). This information, including room, days, and times of your course, will be sent to you upon receipt of your registration form and processed payment. Registration information and fees must be received together. You must present your registration confirmation/receipt to the instructor at the first class. Students who do not appear on the instructor’s class list will not be permitted to attend.

Wait Lists If seats are no longer available in a class, you can be added to a wait list. If a seat opens in the class, you will be contacted by the CS office to assist with enrollment into the class. There is no cost to be added to the wait list, and no obligation to register if a space becomes available. Students on wait lists are asked not to attend classes unless they have been contacted in advance by the CS office. Instructors do not admit students to the class on the first day.

EMILY CARR UNIVERSITY OF ART + DESIGN / SUMMER 2012 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

Cancellations We reserve the right to cancel a course up to five days prior to the course start date if there is not sufficient registration in a course. Should a course be cancelled by Emily Carr Continuing Studies for any reason, a full refund will be processed and sent automatically to all registrants. Course cancellations will be announced to each student by email. Please ensure that your email is on file and up to date. Contact csinfo@ecuad.ca to change or update your email address.

Emergency Closures In the event of an emergency closure due to poor weather conditions, information will be posted on the Emily Carr website as soon as a decision is made to close.

Postponement of Courses In the event that a course needs to be cancelled or postponed due to instructor illness, unscheduled school closure or other unexpected event, you will be notified by email. At the next scheduled session, the instructor will consult with the class to determine the best date and time to make up the lost time.

Waiver Emily Carr accepts no responsibility in the event any class, course of instruction, seminar, or workshop is either cancelled or not completed as a result of strikes, lockouts, fire or acts of God, or any other cause beyond the control of the University. Emily Carr reserves the right to change or amend its programs, instructors, fee structure, and regulations at any time from those published in this catalogue. Listed in this catalogue are those on record as of March 16, 2012.

Course Materials Most Continuing Studies courses require that you purchase supplies. A list of required and recommended items is provided with your confirmation of registration. Some supplies are available at a discounted rate for Continuing Studies students from Opus Framing & Art Supplies on Granville Island, and at Petrov’s Art & Craft Supplies, in North Vancouver. You must present your course registration confirmation/receipt to receive your discount.

Studio Access Unless otherwise indicated, there is no additional access to studio resources outside of class time.

to our website: ecuad.ca/studentservices/policies Emily Carr University reserves the right to remove students from courses if it is felt that their behaviour is disruptive or dangerous.

Emily Carr Library The library is located on the ground floor of the South Building, Granville Island campus. The library collection is composed of print resources including books, journals, and exhibition catalogues; a broad range of electronic resources; slide and digital images; films, videos and DVDs; sound effects; artists’ books; the University’s archives; and a menu collection. Some items may be ‘On Reserve’ for specific courses. Library collections are accessible in-house to all students, faculty and the public. Students registered in Continuing Studies courses and programs who wish to borrow material from the library may purchase a Community Borrower’s card from the library. For information regarding library services and hours, please call 604 844 3840 or check the library website ecuad.ca/library.

The Concourse Gallery The Concourse Gallery is the main showcase for work done within the curriculum at Emily Carr. It has featured shows by degree students, CS students, faculty, staff and visitors involved in generating new ways of learning. CS organizes many shows that pertain to our programming in the summer semester, and we invite you to visit and be inspired.

The Charles H. Scott Gallery The Charles H. Scott Gallery is an integral part of Emily Carr. Since it opened in 1980, the Gallery has played a significant role locally and provincially. The Gallery regularly presents exciting and varied exhibitions of art, design, and architecture by acclaimed regional, national, and international artists and designers. For information visit chscott.ecuad.ca.

The READ area at the Charles H. Scott Gallery READ is an ongoing project of the Charles H. Scott Gallery developed to promote the continued availability of artist monographs, artist books, multiples, exhibition catalogues, and critical theory. The focus is primarily on contemporary artists and contemporary art discourse. READ also carries books on film, design, and architecture and has a select collection of magazines and journals. READ sells all Emily Carr’s course textbooks.

Student Code of Conduct A University community depends on the good judgment and considerate behaviour of its members. Emily Carr expects the members of its community to conduct themselves with respect for the rights of others and to behave responsibly at all times. You are responsible for knowing and observing student-related Emily Carr policies and procedures. For more information on the Emily Carr Code of Conduct, please refer

REGISTRATION BEGINS MARCH 27, 2012 / HOW TO REGISTER p. 3 FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS

CONTINUING STUDIES REGISTRATION FORM LAST NAME

LEGAL FIRST AND MIDDLE NAME

PREFERRED NAME

STREET ADDRESS

CITY

PHONE

PROVINCE

EMAIL ADDRESS

POSTAL CODE

PHONE (ALT)

EMILY CARR STUDENT ID NUMBER (CURRENT AND RETURNING STUDENTS)

BIRTHDATE (YY/MM/DD)

❍ MALE ❍ FEMALE

Please register me for the following:

COURSE NO.

SECTION NO.

ARE YOU ELIGIBLE FOR A DISCOUNT?

COURSE NAME

START DATE

COURSE FEE

❍ ALUMNI ❍ SENIOR ❍ YES ❍ NO

TOTAL FEE PAYABLE

WOULD YOU LIKE TO RECEIVE INFORMATION FROM EMILY CARR?

Payment

❍ Cash or Interac (in person only) ❍ Money Order/Cheque (payable to Emily Carr University of Art + Design) ❍ MasterCard ❍ Visa

Fees are payable at the time of registration. Post-dated cheques are not accepted.

CARD NUMBER

EMILY CARR GATHERS AND MAINTAINS INFORMATION USED FOR PURPOSES OF ADMISSIONS,

Registration for Continuing Studies Summer 2012 courses and programs begins March 27, 2012.

REGISTRATION, AND OTHER FUNDAMENTAL ACTIVITIES RELATED TO BEING A MEMBER OF AND ATTENDING A PUBLIC POST-SECONDARY INSTITUTE IN THE PROVINCE OF BRITISH COLUMBIA. IN EXPIRY DATE

SUBMITTING AN APPLICATION FOR ADMISSION OR REGISTRATION FORM, ALL APPLICANTS ARE ADVISED THAT BOTH THE INFORMATION THEY PROVIDE AND ANY OTHER INFORMATION PLACED INTO THE STUDENT RECORD WILL BE PROTECTED AND USED IN COMPLIANCE WITH THE BRITISH COLUMBIA FREEDOM OF INFORMATION AND PRIVACY PROTECTION ACT (1992).

NAME OF CARDHOLDER

SIGNATURE

Emily Carr University of Art + Design Continuing Studies Courses + Programs 1399 Johnston Street, Vancouver BC V6H 3R9 ecuad.ca/cs EMILY CARR UNIVERSITY OF ART + DESIGN / SUMMER 2012 T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

HIGHLIGHTS 5

Photography

Design

Teens

NEW! PHOTOGRAPHY CERTIFICATE

DESIGN EVERY DAY SUMMER DESIGN INSTITUTE

SUMMER INSTITUTE FOR TEENS

See page 48 for more information

The Summer Institute for Teens is ideal for students in grades 10, 11 and 12 who want to develop both a portfolio and a set of core skills in preparation for post-secondary training in art or design.

June 2012 See page 6 for more information.

Choose from ten exciting studios!

July 2012 See page 50 for more information.

July 2012 See page 38 for more information.

ecuad.ca/cs

YOU ARE INVITED TO EMILY CARR’S CONCOURSE GALLERY! Free and Open Daily

9:00 am – 5:00 pm Emily Carr Degree Exhibition May 6 – 20, 2012

Design Every Day June 11 – 24, 2012

Teens Faculty Show June 27 - July 5, 2012

The Documentary Tradition: Making Now Real July 7 – 15, 2012

4 4

Master of Applied Arts Low Residency Exhibition July 17 – 24, 2012 Summer Institute for Teens Exhibition July 27 – August 3, 2012

Please check our website for other events, exhibitions and lectures this summer.

ecuad.ca

SUMMER2012 continuing studies courses + programs

NEW CERTIFICATE IN PHOTOGRAPHY

Learn more on page 48

EMILY CARR UNIVERSITY OF ART + DESIGN CONTINUING STUDIES

1399 Johnston Street, Vancouver BC V6H 3R9 ecuad.ca/cs

3626881

THE DOCUMENTARY TRADITION PHOTOGRAPHY INSTITUTE AND EXHIBITION July 7-14 Cover photo, Milan 2008 by Vendula Ralkova, CS Faculty