Fig.1 Contents
Fig.2 Ocualr 84
Ocular 84 George Orwell’s ‘1984’ dystopian novel popularised the big brother concept, creating a totalitarianism view in which our current society has been compared to. Increase in the use and development of drones, and the concern surrounding them sees a need for increased privacy control. Tech is permeating everything we do, surveillance and data collection is now embedded in everyday life. Whilst generation Y are becoming reacquainted with the benefits of anonymity online, Generation Z’s memories will have been documented from day 1 resulting in a generation more likely to be worried about the future. If internet will be a human right by 2025, the whole world will be able to access our personal information. Ocular 84 will show the transition from the willingness to share our lives across various platforms to a more guarded persona online and offline. We no longer want to be a passenger but a director of our own lives. Expect to see frosted surfaces and opaque qualities, mimicking the alternating play of transparencies found in the natural iceberg. These mock-ups demonstrate the transformation from transparent to semi-opaque reflecting the current state of society’s views towards privacy. Keeping in mind the brand’s attributes, the clothes take on the role of defence, obscuring the view of what’s underneath, ensuring nothing stands in your way. Soft graduations of colour bring a new aesthetic updating the sportswear look of the Puma brand.
Fig.3 Mock-up
Fig.4 Spring 2010 Ready-To-Wear
Fig.5 Ocular 84 moodboard
Fig.6 Ocular 84 textures moodboard
Glacial
Green
Bitter Black
Metallic Ice
Earth Beige
Materials: PVC, Voile, Mesh Key Words: Muted dew like shine, frosted, cracked and icy surfaces
Fig.7 Organic Imploration
Organic Imploration
With the rise in consumers becoming aware of the products they are consuming, with a yearning to know more about where they come from and how they were made. As a generation we are looking back to our natural roots and the organic appeal of nature to ease our doubts about the future. Consumers are suddenly full of anxiety in regards to technology advancements and the un-certainty that is apparent within our economic environment. The housing market is uncertain, jobs are no longer for life and we as a whole are looking for some form of stability within these worrying times. These anxieties are manifesting in consumers forcing them to clamp to nature in order to cover these doubts, with the distraction in revelling in something pure. Organic imploration is a juxtaposition between the organic appeal consumers are reaching for, paired with an ever changing environment. Embellished florals, digitally printed textures and mechanical versions of nature reminiscent of that of the Chanel couture show installation. Our two worlds collide in this explosive and vibrant take on the organic movement.
Fig.8 Mary K ready to wear
Fig.9 Organic Imploration moodboard
Fig.10 Organic Imploration textures moodboard
Superiority Blue
Wisteria Purple
Puce Pink
Cyber Grape
Chantily Green
Materials: Mesh, Cotton, Embellishment Key Words: Natural and synthetic blend, Organic and futuristic mix, Textured surfaces, Floral embellishment
Fig.11 Emphatic Bemusement
Emphatic Bemusement
Extreme divergence eliminates the middle ground and creates a gulf of ‘no inbetween’. An elegant and artful clash with chaotic energy results in unexpected pairings creating a perfect paradox. An extension of clashing patterns, as seen on the catwalk has emerged into clashing textures. Over exaggeration is key with this trend, with surrealist elements coming into play to create excessive combinations. Odd compositions will become a way of developing self-expression. Clashing textures will be an indication of our confused state in society with regards to what is accepted as the ‘norm’. This trend will be a backlash towards the pressures to conform to societies ideologies. Strong references to art and history will be evident in creations, with a nod to surreal and 60s style artwork. Expect to see whimsical pastels versus midnight hues and clashing textures such as velvet and fur.
Fig.12 Margiela mask
Fig.13 Emphatic Beumusement moodboard
Fig.14 Emphatic Bemusement textures modoboard
Battleship Gray
Sour Green
Electric Blue
Arylide Yelow
Blush
Materials: Paint Metal, Clay Key Words: Excessive clashing, Psychadelic combinations, Surreal outcomes
Fig.15 Hi-Confluence
Hi-Confluence
Technology is an ever growing trend, with constant advancements. There is a focus on the differentiation between online and offline interaction and whether we can embrace technology without losing our humanity. As a generation, we are highly focused on our goals for efficiency and success, and are determined for technology to work instantaneously. This is creating unrealistic goals offline, making us more impatient and demanding as a generation. We are so integrated in digital technology, that we tend to subconsciously create multiple unrealistic personas of ourselves. There is a sense of having to please our ‘friends’ on social media sites such as Facebook, who we see as more of an ‘audience’ than actual friends.This is becoming accepted in today’s society and being seen as the norm, for example research was carried out where a 25 year old Dutch designer faked a trip across Asia for Instagram. There is a suggestion of an isolated generation of people who are hiding behind screens and developing schizophrenic qualities as a result. This is in an attempt to prove to ourselves that we can convey multiple identities and lifestyle choices simultaneously. Except to see monochrome hues, geometric shapes and futuristic fabrics.
Fig.16 Junya Wantabe catwalk
Fig.17 Hi-Confluence moodboard
Fig.18 Hi-Confluence textures moodboard
Frosted White
Chrome Grey
Voltage Grey
Ash Grey
Materials: Aluminium, Metal, Perspex, Wire Key Words: Quest for efficiency, Fragmentation, Elasticated persona
Obsidian Black
Fig.19 Stuffocation
Stuffocation
We no longer feel enriched by items we own, we instead feel suffocated. Why is it that we continue to buy ‘stuff’, even though i doesn’t increase our levels of happiness? Cheap prices and easy accessibility increase peoples likelihood to buy into it. The overconsumption of ‘stuff’ with meaningless impact to our lives has resulted in a backlash, with people insistent in de-cluttering and living more simplistically. Ownership isn’t important anymore and everything is available to rent. As we become increasingly obsessed with social media and creating a fake persona for ourselves, in order to impress our online audience, we are more interested in temporarily owning items. Our generation aims to show-off and with a constant presence of competition among people trying to outdo one another, ownership is no longer as essential as it once was. An overwhelming colour palette and prismatic graphics will capture the essence of this trend.
Fig.20 Chanel supermarket
Fig.21 Stuffocation moodboard
Fig.22 Stuffocation textures moodboard
Ocean Mist
Absinthe Green
Ice Lolly Orange
Bleached Yellow
Frostbite Blue
Materials: PVC, Metal, Lycra Key Words: Odd obstructions, Suffocated chaos, Unrealistic compositions
Fig.23 Un-Anthropic
Un-Anthropic
The anthropic principle is the law of human existence, it is well known that our presence in this universe depends on numerous cosmological constants. If even a single variable were off we would not exist. Un-anthropic considers how the boundaries of our reality are constantly being pushed beyond understanding. . Materials such as Perspex and organza will be used to mirror the fluidity and vast space of the unknown. Originating from a fascination with the sea, a desire to know more has progressed in to a stronger curiosity of the universe and the unknown. Films such as interstellar and gravity highlight this obsession, encouraging people to think more about the possibility of living on another planet. The one way ticket to Mars and the developments within 3D printing; that will enable the creation of colonies, means that one day existence may be possible beyond this planet. The longevity of the supernatural trend is further confirmed by Marvel who recently announced their future releases for the next five years. Materials such as Perspex and organza will be used to mirror the fluidity and vast space of the unknown.
Fig.24 Alexander McQueen Cyber Tribe
Fig.25 Un-Anthropic modoboard
Fig.26 Un-Anthropic textures moodboard
Smoked Teal
Powdered Blue
Puritan Grey
Dahlia Purple
Egg Blue
Materials: Perspex, Lycra, Organza, Mesh Key Words: Irredescent Opulence,Transforming Colour, Hybrid Creatures
Fig.27 Realised Eschatology
Realised Eschatology
De-extinction is the act of reviving previously extinct species through the use of genetic technology. It’s gaining ground due to advances in genetic sequencing, scientists have already started work on animals such as the woolly mammoth and sourcing DNA from fossils to create clones. It takes us one step closer to building a future where by the animals brought back to life will restore biodiversity. Once it succeeds the techniques will be applicable to hundreds of other species, marking a ground-breaking new gateway between nature and technology. There is a reconsideration of the past and the creation of new products for imagined worlds and futures that may once have seemed improbable. Extinct creatures and wild landscapes have been featured but reconstructed with a futuristic twist. For example Marguerite Humeau reconstructed the vocal chords of the woolly mammoth to recreate sounds of the prehistoric world. Resurrect old techniques and craft forms with materials reminiscent of fossilised matter and apply iridescent coatings to introduce a contemporary futuristic feel.
Fig.28 Moschino Fall 2015 Menswear
Fig.29 Realised Eschatoloy moodboard
Fig.30 Realised Eschatology textures moodboard
Seaspray Blue
Ice Blue
Rich Soil
Foliage Green
Camel
Materials: PVC, Voile, Mesh Key Words: Revival, Reconstructed, Prehistoric Atmospheres
Stone Beige
Illustrations
(From left to right clockwise)
Fig. 1 Contents (Screenshots taken from images referenced in mood boards later in illustration references) Fig.2 Ocualer 84. Heyman, F., 2013. See through. Available at: http://www.ecouterre.com/new-academic-fashion-prize-to-reward-supply-chain-transparency/ from1000-transparency-prize-1/ [Accessed 22nd May 2015]
Pieters, B., 2012. Honest. Available at: http://uk.fashionmag.com/news/Bruno-Pieters-wants-to-make-fashion-accountable,231824.html#.VV-xqk9Viko [Accessed 22nd May 2015] Heyman, F., 2013. See through. Available at: http://www.trendhunter.com/trends/bruno-pieters-spring-2010-campaign [Accessed 22nd May 2015] Pieters, B., 2009. Spring 2010 Ready-To-Wear. Available at: http://www.style.com/fashion-shows/spring-2010-ready-to-wear/bruno-pieters Tollerod, S., 2008. Bruno Pieters S/S 2008. Available at: http://bienenkiste.tumblr.com/post/25275343733/siri-tollerod-bruno-pieters-s-s-2008 [Accessed 22nd May 2015] Heyman, F., 2013. See through. Available at: http://www.ecouterre.com/new-academic-fashion-prize-to-reward-supply-chain-transparency/from1000-transparency-prize-1/ [Accessed 22nd May 2015]
Fig.3 Mock-up. Fabara, D., 2015. Omnipxtent. Available at: http://omnipxtent.tumblr.com/post/87710034928/omnipxtent-follow-for-more-fashion [Accessed 22nd May 2015]
Fig.4 Spring 2010 ready-to-wear. Pieters, B., 2009. Spring 2010 Ready-To-Wear. Available at: http://www.style.com/fashion-shows/spring-2010-ready-towear/bruno-pieters [Accessed 22nd May 2015]
Fig.5 Ocular 84 mood board. A well-travelled woman., 2014. Glaciers: Alaska…a team ice climb – 9945. Available at: https://www.bloglovin.com/blogs/a-
well-traveled-woman-2611380/glxciers-alaska-a-team-ice-climb-9945-by-2146713349/link=aHR0cCUzQSUyRiUyRmF3ZWxsdHJhdmVsZWR3b21hbi50dW1ibHIuY29tJTJGcG9zdCUyRjcyMjA5MTA5Mzk5 [Accessed 22nd May 2015] Kortekaas, B., 2013. Antwerp Fashion Department. Available at: http://blog.momu.be/2013/exhibition/momu-award-2013-goes-to-pierre-renaux/ [Accessed 22nd May 2015] Bitonti, F., 2014. 3D printed dress at home. Available at: http://design-milk.com/francis-bitontis-3d-printed-dress-can-print-home/ [Accessed 22nd May 2015] Aleetet., 2007. Frosted flower. Available at: http://alitet.35photo.ru/photo_26447/#author/26447 [Accessed 22nd May 2015] Smith, J., 2012. HTML codes. Available at: http://www.jegsworks.com/lessons/web/html/codeexample-code.gif [Accessed 22nd May 2015] Tran, M., 2014. I love you golden blue. Available at: http://www.drop-magazine.com/I-Love-You-Golden-Blue [Accessed 22nd May 2015] Maule, A., 2011. Caged beauty. Available at: http://www.thefashionisto.com/andrej-pejic-by-anthony-maule-for-dazed-confused-april-2011/ [Accessed 22nd May 2015] Kitching, A., 2013. Iridescent glitter. Available at: http://imgur.com/rPAghFl [Accessed 23rd May 2015]
Fig. 6 Ocular 84 textures moodboard. Strellson., 2014. Transparent t-shirt at bread and butter. Available at: https://www.pinterest.com/netesca/x-ray/ [Accessed 23nd May 2015]
Gueta, T., 2014. Mixed. Available at: http://www.tzurigueta.com/fr/mixed [Accessed 23nd May 2015] Giles, J., 2015. Sleepless dreams. Available at: http://metrodorus.tumblr.com/archive [Accessed 23nd May 2015] Burberry., 2013. Burberry Prorsum Translucent Rubber Jacket. Available at: http://endyma.com/products/2013-translucent-rubber-caban [Accessed 23nd May 2015] Pearson, J., 2013. White colour inspiration. Available at: https://www.bloglovin.com/blogs/fashion-fever-1168910/photo-2515317069/link=aHR0cCUzQSUyRiUyRmZhc2hpb25mZXZlci50dW1ibHIuY29tJTJGcG9zdCUyRjc5OTA2NjU0Nzg4 [Accessed 23nd May 2015] Mrozek, H., 2012. Wearable Sculpture made with transparent bubble shapes & wire. http://afflante.com/24658-white-noise-sculpt-couture-halina-mrozek/ [Accessed 23nd May 2015]
Fig. 7 Organic Imploration. Katrantzou, M., 2014. Landscape dress. Available at: https://uk.pinterest.com/pin/557601997591236342/ [Accessed 23nd May 2015]
Katrantzou, M., Spring Summer 2014 catwalk. 2014. Available at: http://www.style.com/fashion-shows#12 [Accessed 23nd May 2015] Katrantzou, M., Ornate embellishments. 2014. Available at: http://stylebubble.co.uk/style_bubble/2013/10/if-the-shoe-fits.html [Accessed 23nd May 2015] Katrantzou, M., Spring Summer 2015. 2015. Available at: http://www.style.com/slideshows/fashion-shows/spring-2015-ready-to-wear/mary-katrantzou/collection/18 [Accessed 23nd May 2015] Katrantzou, M., Spring Summer 2014 catwalk. 2014. Available at: http://www.vogue.com/fashion-week/862057/mary-katrantzou-spring-2014/#/collection/runway/ spring-2014-rtw/mary-katrantzou/19 [Accessed 23nd May 2015]
Katrantzou, M., Mary Katrantzou’s Fashion Landscapes. 2014. Available at: http://www.yatzer.com/mary-katrantzou-resort-2014-moncler-m [Accessed 23nd May 2015]
Fig. 8 Mary K ready to wear. Katrantzou, M., Resort. 2015. Available at: http://www.style.com/fashion-shows/resort-2015/mary-katrantzou/collection [Accessed 23nd May 2015]
Fig. 9 Organic Imploration moodboard. Debusschere, P. Holy Flowers. 2014. Available at: http://trendland.com/dazed-and-confused-holy-flowers/ [Accessed 23nd May 2015]
Durant, T., Delight. 2014. Available at: https://www.etsy.com/listing/110615933/delight-whitest-dandelion-photography?ref=shop_home_feat_1 [Accessed 23nd May 2015] Chanel. Spring 2014 Couture Collection. 2015. Available at: http://www.style.com/slideshows/fashion-shows/spring-2015-couture/chanel/collection [Accessed 23nd May 2015] Bartels, J., Impression. 2012. Available at: http://www.refinery29.com/2015/02/82973/justin-bartels-impression-photos#slide [Accessed 23nd May 2015] Robillard, J., Bark. 2005. Available at: https://www.flickr.com/photos/robillardfamily/34040881/ [Accessed 23nd May 2015] Keate, A., Installation view. 2015. Available at: http://www.nottinghamcontemporary.org/art/rights-nature [Accessed 23nd May 2015] Arora, M., Spring Summer 2015. 2015. Available at: http://www.fashionising.com/runway/b--manish-arora-ss-15-80513.html#12 [Accessed 23nd May 2015] Unknown. Window visual merchandising: Grant. 2012. Available at: http://smultronstalle.blogspot.se/2012/03/skola.html [Accessed 23nd May 2015]
Fig. 10 Organic Imploration textures moodboard. Valentine, B., Dandelion seed. 2008. Available at: https://www.flickr.com/photos/lordv/2416161108/ in/set-590325 [Accessed 23nd May 2015]
Unknown. Tree bark. Unknown. Available at: https://uk.pinterest.com/pin/557601997591653170/ [Accessed 23nd May 2015] Chanel. Chanel Spring 2015 Couture. 2015. Available at: http://www.style.com/slideshows/fashion-shows/spring-2015-couture/chanel/details [Accessed 23nd May 2015] Stephens, M., Skin. 2010. Available at: https://www.flickr.com/photos/mic_stephens/4329049662/in/faves-jrosenk/ [Accessed 23nd May 2015] Arigo, T., Leaf Decay. 2009. Available at: http://thresca.deviantart.com/art/it-was-yesterday-125080793 [Accessed 23nd May 2015] Lane, G., Cafe au Lait Dahlia. 2015. Available at: https://www.etsy.com/listing/111954925/flower-photography-floral-still-life [Accessed 23nd May 2015]
Fig. 11 Emphatic Beumusement.
Margiela, M., Catwalk. 2013. Available at : http://www.vogue.com/slideshow/858475/maison-martin-margiela-couture-spring-2013-runway/#14 [Accessed 23nd May 2015] Margiela, M., Martin Margiela Haute Couture Spring 2014. 2014. Available at : https://www.pinterest.com/pin/555561304009091399/ [Accessed 23nd May 2015] Margiela, M., Maison Margiela Couture AW13. 2013. Available at: http://www.dazeddigital.com/fashion/gallery/16168/8/maison-martin-margiela-couture-aw13 [Accessed 23nd May 2015] Margiela, M., Spring 2015 Couture. 2015. Available at: http://www.style.com/slideshows/fashion-shows/spring-2015-couture/maison-martin-margiela/collection/12 [Accessed 23nd May 2015] Margiela, M., Spring 2015 Couture. 2015. Available at: http://www.style.com/slideshows/fashion-shows/spring-2015-couture/maison-martin-margiela/collection [Accessed 23nd May 2015]
Fig.12 Margiela mask. Margiela, M., Margiela masks. 2015. Available at: jpg?1390098557 [Accessed 23nd May 2015]
http://cdn9.lbstatic.nu/files/looks/medium/2014/01/19/3514520_swd.
Fig. 13 Emphatic Bemusement moodboard. Own image, 2015. Nature contrast. [Photograph] Lusk, Michael., Metallic cracks. 2007. Available at: https://www.flickr.com/photos/finsml/482820149/in/faves-12305201@N00/ [Accessed 23nd May 2015] Tan, K., Emily Shurs get busy get dizzy. 2012. Available at: http://trendland.com/emily-shurs-get-busy-get-dizzy-for-papermag/papermag-dizzy-6 [Accessed 23nd May 2015] Unknown. Teeth wall. 2011. Available at: http://pushthemovement.tumblr.com/post/19580938305 [Accessed 23nd May 2015] Walker, T., Surreal. 2012. Available at: https://s-media-cache-ak0.pinimg.com/originals/99/45/00/994500aa9ae42dc5243fa2a4a7587b95.jpg [Accessed 23nd May 2015] Own image, 2015. Ball of nature. [Photograph] Own image, 2014. Blue and white rope contrast. [Photograph] Merenyi, Zita., Provo-cut. 2014. Available at: http://ashadedviewonfashion.com/blog/provo-cut-zita-merenyi [Accessed 23nd May 2015]
Fig, 14 Emphatic Bemusement textures moodboard. Lovejoy, M., Painted mix. 2015. Available at: https://uk.pinterest.com/ pin/557601997591653700/ [Accessed 23nd May 2015]
Naka, T., AW 2012. 2012. Available at: http://shiborilover.tumblr.com/post/18172295192/cutfromadiffcloth-tata-nakas-african-inspired [Accessed 23nd May 2015] Colourstudio. Embroidered watercolour painting. 2014. Available at: https://www.etsy.com/listing/154274502/embroidered-watercolor-painting-original [Accessed 23nd May 2015] Hassler, T., Remembering the storms. 2015. Available at: http://www.surfacedesign.org/image/remembering-storms-detail [Accessed 23nd May 2015] Unknown. Leather contrast. 2014. Available at: https://uk.pinterest.com/pin/557601997591653721/ [Accessed 23nd May 2015]
Fig. 15 Hi-Confluence. Watanabe, J., AW 14. 2014. Available at: 23nd May 2015]
http://www.dazeddigital.com/fashion/gallery/17056/13/junya-watanabe-aw14 [Accessed
Watanabe, J., Ready to wear S/S 15. 2015. Available at: http://nowfashion.com/junya-watanabe-ready-to-wear-spring-summer-2015-paris-10911 [Accessed 23nd May 2015] Watanabe, J., AW 15.. 2015. Available at: http://www.dazeddigital.com/fashion/gallery/17056/18/junya-watanabe-aw14 [Accessed 23nd May 2015] Watanabe, J., Metallic hair. 2013. Available at: http://weburbanist.com/2013/01/28/futuristic-fashion-35-out-of-this-world-designer-looks/ [Accessed 23nd May 2015] Watanabe, J., Ready to wear S/S 15. 2015. Available at: http://nowfashion.com/junya-watanabe-ready-to-wear-spring-summer-2015-paris-10911 [Accessed 23nd May 2015] Wantabe, J., AW15. 2015. Available at: http://www.dazeddigital.com/fashion/article/24004/1/junya-watanabe-aw15 [Accessed 23nd May 2015]
Fig. 16 Junya Wantabe catwalk. Wantabe, J., AW15. 2015. Available at: http://www.dazeddigital.com/fashion/article/19076/1/junya-watanabe-aw14 [Accessed 23nd May 2015]
Fig. 17 Hi-Confluence moodboard. Rienstra, W., Architectural fashion 3D. 2014. Available at: https://www.pinterest.com/pin/517914025870588675/ [Accessed 23nd May 2015]
Clary, Timothy., Bjork MoMA. 2015. Available at: http://mashable.com/2015/03/03/bjork-moma-installation/ [Accessed 23nd May 2015] Danaher, S., Melted metal. 2012. Available at: http://maghali.tumblr.com/post/21859817671/simon-danaher [Accessed 23nd May 2015] Chulkova, Y., Wearable anatomy. 2013. Available at: http://pumpkin-paradise.com/kiforditott-divat-anatomia-a-ruhakon/ [Accessed 23nd May 2015] Unknown. Futuristic fashion. 2013. Available at: http://indulgy.com/post/mwXIBA6Lg1/futuristic-fashion-future-girl-silver-avantgard [Accessed 23nd May 2015] Oklahoma State University. Refined exhibition. 2011. Available at: https://www.behance.net/gallery/REFINED-Exhibition/2485471 [Accessed 23nd May 2015] Bui, A., Type everything. 2013. Available at: http://typeverything.com/post/49261563039/typeverything-com-your-song-by-antonius-bui [Accessed 23nd May 2015] Pugh, G., Ready to wear. 2009. Available at: http://www.vogue.co.uk/fashion/spring-summer-2009/ready-to-wear/gareth-pugh [Accessed 23nd May 2015]
Fig. 18 Hi-Confluence textures moodboard. Maule, A., 2011. Caged beauty. Available at: http://www.thefashionisto.com/andrej-pejic-by-anthony-maulefor-dazed-confused-april-2011/ [Accessed 22nd May 2015]
Renzelmann, James., Mirrors. 2011. Available at: http://reckone-r.tumblr.com/post/34952478136/990000-james-renzelmann-via-a-t-n [Accessed 22nd May 2015] Gray, Bruce., Tectonics: Modern Abstract Standing Sculpture. 2011. Available at: http://www.brucegray.com/htmlfolder/html_subpages/tectonics.html [Accessed 22nd May 2015] Unknown. Wrinkled aluminium foil paper. 2014. Available at: http://thumbs.dreamstime.com/x/wrinkled-aluminum-foil-18182529.jpg [Accessed 22nd May 2015] Sekigan. Gothic princess. 2014. Available at: http://sekigan.tumblr.com/post/90039896511/trine-paulsen-lookbook-gothic-princess [Accessed 22nd May 2015]
Fig. 19 Stuffocation. Gillet, P. Chanel Automne-hiver 2014/15. 2014. Available at: http://www.thecoveteur.com/chanel-fall-winter-2014/ [Accessed 22nd May 2015]
Gillet, P. Chanel supermarket. 2014. Available at: http://www.wonderlandmagazine.com/2014/07/the-chanel-insider/ [Accessed 23nd May 2015] Gillet, P. Fall 2014 Ready-to-Wear Collection. 2014. Available at: http://www.style.com/fashion-shows#93 [Accessed 23nd May 2015] Gillet, P. Fall 2014 Ready-to-Wear Collection. 2014. Available at: http://covertaccessories.com/chanel-supermarket/ [Accessed 23nd May 2015] Gillet, P. Fall 2014 Ready-to-Wear Collection. 2014. Available at: http://www.style.com/fashion-shows#90 [Accessed 23nd May 2015] Gillet, P. Fall 2014 Ready-to-Wear Collection. 2014. Available at: http://www.style.com/fashion-shows#33 [Accessed 23nd May 2015]
Fig.20 Chanel Supermarket. Gillet, P. Fall 2014 Ready-to-Wear Collection. 2014. Available at: 23nd May 2015]
http://traffic-magazine.com/blog/tag/karl-lagerfeld/ [Accessed
Fig.21 Stuffocation moodboard. Yoon, R., All you can get. 2011. Available at: http://design-milk.com/all-you-can-get-by-ryan-yoon-for-virgine-magazine/#more-78273 [Accessed 23nd May 2015]
Gillet, P., Behind the scenes. 2014. Available at: http://www.crfashionbook.com/post/78694697835/behind-the-scenes-chanel-before-chanels-fall [Accessed 23nd May 2015] Sgura, G. Vogue Japan. 2014. Available at: https://s-media-cache-ak0.pinimg.com/originals/c1/d8/8b/c1d88b22b162d55c529b8bc51d765d13.jpg [Accessed 23nd May 2015] Sassen, V. In and out of fashion. 2013. Available at: http://www.we-heart.com/2012/11/26/viviane-sassen-in-and-out-of-fashion/ [Accessed 23nd May 2015] Blaire, R., Fun Pink Paradise. 2013. Available at: http://h3nryh3nry.blogspot.co.uk/2013/10/pop-up-rose-blair.html [Accessed 23nd May 2015] Cave, N., Category bending soundsuits. 2013. Available at: http://www.pem.org/exhibitions/155-freeport_no_006_nick_cave [Accessed 23nd May 2015] Johansson, M., Objects subjected. 2010. Available at: http://www.apartmenttherapy.com/10-fine-artists-108776 [Accessed 23nd May 2015] Nelson, J., Future fashion. 2010. Available at: http://indulgy.com/post/aGeYaJ1cc1/jamie-nelson-gabrielle-sullivan-wilhelmina-avan [Accessed 23nd May 2015]
Fig.22 Stuffocation textures moodboard. Collins, L., FW 2014/15. 2014. Available at: http://www.bloginvoga.com/2014/07/29/love-magazine-fw-2014-15cara-delevingne-por-liz-collins-editorial/ [Accessed 23nd May 2015]
Shin, K., The complexity of human emotions. 2013. Available at: http://www.trendhunter.com/trends/kwangho-shin [Accessed 23nd May 2015] Unknown. Colourful bottles. 2015. Available at: http://pixshark.com/colorful-vodka-bottles.htm [Accessed 23nd May 2015] Unknown. Pile of clothes. 2014. Available at: http://www.youthconnect.in/2014/11/19/9-reasons-why-boys-should-have-best-friend-as-roommate/pile-of-clothes-2/ [Accessed 23nd May 2015] Kelly, L., Favors. 2015. Available at: http://www.stylemepretty.com/gallery/picture/684357/ [Accessed 23nd May 2015]
Fig.23 Un-Anthropic. McQueen, A., Plato’s Atlantis Spring/Summer 2010 Women’s Collection. 2010. Available at: http://o-ze.com/alexander-mcqueen-platos-atlantis/ [Accessed 23nd May 2015]
McQueen, A., The eye show. 1999. Available at: http://www.biggreendoor.com/disruption-by-design/ [Accessed 23nd May 2015] McQueen, A., Paris fashion week spring. 2010. Available at: http://www.stylebistro.com/runway/Alexander+McQueen/Paris+Fashion+Week+Spring+2010/CufkEtm60w0 [Accessed 23nd May 2015] McQueen, A., Plato’s Atlantis spring summer 2010. 2010. Available at: https://selfserviceuk.wordpress.com/2009/10/07/alexander-mcqueen-platos-atlantis-springsummer-2010/ [Accessed 23nd May 2015] McQueen, A., Autumn Winter 2009-2010. 2009. Available at: http://www.vogue.co.uk/fashion/autumn-winter-2009/ready-to-wear/alexander-mcqueen/full-lengthphotos/gallery/369853 [Accessed 23nd May 2015] McQueen, A., Spring Summer 2012. 2012. Available at: https://uk.pinterest.com/pin/425730970998970674/ [Accessed 23nd May 2015]
Fig. 24 Alexander McQueen Cyber Tribe. Olins, J., Cyber Tribe. 2010. Available at: http://www.fashiongonerogue.com/cyber-tribe-freja-beha-erichsenby-josh-olins/ [Accessed 23nd May 2015]
Fig. 25 Un-Anthropic moodboard. Beck, A., AW 2013. 2013. Available at: https://www.notjustalabel.com/designer/aina-beck?nid=80291 [Accessed 23nd May 2015]
McRae, L., Becoming transnatural. 2015. Available at: http://www.lucymcrae.net/ [Accessed 23nd May 2015] Unknown. Geometric shape. Unknown. Available at: http://takenfrom.com/mobile/view.php?id=Platinum [Accessed 23nd May 2015] Arsham, D., Pixel clouds. 2010. Available at: http://www.widewalls.ch/artist/daniel-arsham/ [Accessed 23nd May 2015] Felicitas Hair. FH 2212 Collection. 2012. Available at: https://www.litmind.com/photo/fh-2212-collection-2 [Accessed 23nd May 2015] Pack, S., Futuristic girl. 2014. Available at: http://indulgy.com/post/UkvKlkzWe1/future-futuristic-suzanne-pack-future-gir [Accessed 23nd May 2015] Walker, T., Lilac horse, Northumberland. 1999. Available at: http://www.lacavalieremasquee.com/tim-walker-lilac-horse/ [Accessed 23nd May 2015] Porodina, E., Hokkus Pokus. 2012. Available at: http://www.trendhunter.com/trends/74-magazine-hokkus-pokus [Accessed 23nd May 2015]
Fig. 26 Un-Anthropic textures moodboard. Designspiration. Imagery foundation. 2014. Available at: http://designspiration.net/image/1845614038510/ [Accessed 23nd May 2015]
Lazy Oaf. Lazy Oaf cosmos dress. 2014. Available at: https://uk.pinterest.com/pin/557601997591669293/ [Accessed 23nd May 2015] The girl with the curl. Abstract paint. 2014. Available at: http://thegirlwiththelittlecurl.tumblr.com/post/72484056476/areaofinterest-michael-chase [Accessed 23nd May 2015] Akoubian, D., Daily macro view. 2012. Available at: https://tinylanscapes.wordpress.com/2012/10/12/one-more-from-gibbs-gardens/ [Accessed 23nd May 2015] Jujiwara, M., Style bubbles. 2009. Available at: http://corinnajasmine.com/blog/category/artist-showcase/ [Accessed 23nd May 2015] Unknown. Futuristic girl. 2015. Available at: https://uk.pinterest.com/pin/557601997591669433/ [Accessed 23nd May 2015]
Fig.27 Realised Eschatology. Tondo, M., Fall 2015 Menswear. 2015. Available at: http://www.style.com/slideshows/fashion-shows/fall-2015-menswear/moschino/collection/4 [Accessed 23nd May 2015]
Tondo, M., Fall 2015 Menswear. 2015. Available at: http://www.style.com/slideshows/fashion-shows/fall-2015-menswear/moschino/collection/24 [Accessed 23nd May 2015] Tondo, M., Fall 2015 Menswear. 2015. Available at: http://www.style.com/slideshows/fashion-shows/fall-2015-menswear/moschino/collection/5 [Accessed 23nd May 2015] Tondo, M., Fall 2015 Menswear. 2015. Available at: http://www.style.com/slideshows/fashion-shows/fall-2015-menswear/moschino/collection/48 [Accessed 23nd May 2015] Tondo, M., Fall 2015 Menswear. 2015. Available at: http://www.style.com/slideshows/fashion-shows/fall-2015-menswear/moschino/collection/8 [Accessed 23nd May 2015] Tondo, M., Fall 2015 Menswear. 2015. Available at: http://www.style.com/slideshows/fashion-shows/fall-2015-menswear/moschino/collection/17 [Accessed 23nd May 2015]
Fig. 28 Moscino Fall 2015 Menswear. Tondo, M., Fall 2015 Menswear. 2015. Available at: http://www.style.com/slideshows/fashion-shows/fall-2015-menswear/moschino/collection/3 [Accessed 23nd May 2015]
Fig. 29 Realised Eschatology moodboard. MacDonald, G., Mammoth undertaking. 2015. Available at: http://www.biopharma-reporter.com/Bio-Developments/Mammoth-undertaking-CRISPR-Cas9-gene-editing-goes-beyond-medicine [Accessed 23nd May 2015]
Aracil, I., Ephemeral sculptures. 2015. Available at: http://inhabitat.com/eco-art-pressed-flowers-transformed-into-delicate-sculptures/ [Accessed 23nd May 2015] Unknown. Snow leopard. 2015. Available at: https://uk.pinterest.com/pin/557601997591711910/ [Accessed 23nd May 2015] Novak, B., Passenger pigeon. 2012. Available at: http://longnow.org/revive/passenger-pigeon-workshop/ [Accessed 23nd May 2015] Unknown. Archaeopteryx. 2015. Available at: https://uk.pinterest.com/pin/557601997591704393/ [Accessed 23nd May 2015] Licari, G., Tree root chandeliers. 2013. Available at: http://www.zeutch.com/cool/tree-root-chandeliers-44951#.VWIvyk9Viko [Accessed 23nd May 2015] Oliveira, H., Tree art installation. 2015. Available at: http://indulgy.com/post/A72ohbqLX1/henrique-oliveira [Accessed 23nd May 2015] Ingle, J. Ammonite. 2009. Available at: http://posy.typepad.com/posy/2009/05/nice-things.html [Accessed 23nd May 2015]
Fig.30 Realised Eschatology textures moodboard. Donovan, T., Acrylic rods. 2014. Available at: http://www.thejealouscurator.com/blog/2014/07/07/ tara-donovan/ [Accessed 23nd May 2015]
Unknown. Ethiopian opal geode. 2013. Available at: http://imgur.com/EHmCbe4 [Accessed 23nd May 2015] Green, D., Wavellite. 2010. Available at: https://www.flickr.com/photos/46428224@N03/4325455147/in/set-72157623336601430 [Accessed 23nd May 2015] Geary, C., Shells. 2006. Available at: https://www.flickr.com/photos/beta500/308384875/ [Accessed 23nd May 2015] Sundsbo, S., Plato’s Atlantis SS10. 2010. Available at: http://blog.metmuseum.org/alexandermcqueen/tag/plato-atlantis/ [Accessed 23nd May 2015] Animalworld. Dragonfly wings. 2014. Available at: http://animalworld.tumblr.com/page/12 [Accessed 23nd May 2015]
Emily Green FASH20032 N0494217