r e h top
s i r Ch
B
y h p a iogr
s m l i &F
as story
am
g the
chin , wat
e maze re th e t’s u h t t c i p ve use i a o u c b o e a y b If ing oices h hang c e g b aze to wron the m e n h want i t be make t to s n r a e t .. w ac side. ually r char t i c e a th ou ns at ing.Y r t u a t r t the frus aking m , them with
e t i u Iq
o t like
th
on’t
d you aze,
n i be
hat
. e z
a M
e
n a l o rN
—
h p o t s Chri
r i D
in t c e
g in
, don Lon d n i ive ece 970 r 1 ing low lan 30, l o o N y F Jul s, her on film top s n y i r r l Bo Chr as fte ear m w . A is nd, l ) h a fi 0 l 0 for Eng ext (20 ics n to ion ’ n t com n e n a m e e l e t h o M t t N a e of a, and wid ch mni 8) n o 9 u s 9 rld a n o l I (1 w e ing e a a r ect cam s, e n b i dir Beg hat e t man s t i a B nch fra k o bo
e f i l
, ght Kni k Dar ’s The lan , o l N e u me and seq eca b , s s ’ , ord film n ion rec . I ept The c e n c . ter I i a ff l , o hit r rs is lle box yea f h hri ke o o t o w r m t fi b fil er ciird ust y s h b d es. t k a he Ris he loc t b t h d r nig uce the k K rod ano r p a D he The 2, a, 201 g a s man Bat
g
a
rainin T nd
t hor t s s r fi g his win gro ing k e a l m whi ld, and don chi n n — o a i L d a s t d die ri an s a stu m B go film o a e r c g h f rts e Chi tin was sho her en rea w r e d c e w e , h t d et don fat k. rea rte d b Lon wor e c sta his ele H e m v n g d r a . a e y l an fo tr ol iet Col ca eran r N soc ty eri ong Nol phe i m l m o s A . l t r 7 fi e m ng is of ’s niv fro asi Chr ool d U as ele age h n w r c e e s t re th at her the efo at to mot g b ned on is u i h b o t e j — l en up ood and y w d D re all n u u a t t n y ra eve cen ite Lar h l s , i a l ul Eng ant Tar e lik
s r a e Y y l r Ea
1998 Following I’d been on my own for a while and getting kind of lonely... and bored... nothing to do all day. And that’s when I started shadowing.
Shadowing?
Shadowing - Following.
I started to follow people.
2000 Memento
You’re John G. So you can be my John G...
Will I lie to myself to be happy?
In your case Teddy...
yes I will.
r e e r Ca
et udg l-b l a sm and e, ers hit g w n a tr and g s ckear win bla o lin l a l d n o s o n wa lle h f ope al, wit ng, r n i p o d w e ti lo and ess Guy ven Fol obs ork con red t, w n s r u u ’ a b s s ho st de n’ elm’ r w re lm ola not e fi ite atu r fi n N h s r e o i T u w f j a t . io e ry ely s m res lar cop ndi sto lon an’ nte urg nd h i i a b a a s i Nol r m a s ar ut rne ro h id Osc abo noi gar k f wit aro o r l k e w d o s o r h t e w r P T p wo tne on o. ved hel the par ent cei me ed ies m e e t n l e r h p e e M c a r s d th , film n a who film ive the ola an xt rat N m e d r n n a . a n e ac his anc esi an, to nge amn Nol e m v n ay. i n a h npl tha ing as e a k e n e e r Jo se rc sc er le Pea and oth whi g r n b g i t in is edi tak y h its n b e r t t fo wri ns tio a n i nom
Di
g in t rec
ake rem g lin ith and s w h r e The ska ill t. Ala thr l i n l i ed gu ca gre ng cer ogi e a eri offi hol h g c n e y n i ic film ps he a l pol 05 ng , w h 0 i e t a 2 t r i w s en he the ng he o a res osp ndi . T cin ith d p rat e a w e t t P u s n ter n n o c l a i e c a A m t h r e g at con o t cha ext hil rin o B an int n n n w lar tar her d a o u s Nol e l i t k l o t i N t oo ve ga ia, e. he c b ing tra sti omn wid s t omi uel en d nve a Ins c d h l i t r e he ut wo er Bal eer f t abo on urd . car ian h o ry lli a m t c o s i s son n t ’ m i u hr ans la d s tor 72 C h e c 3 o e v e $ g J r i n e n t dir rri the rec tha let sta llre car elm e o , S h w m s a n in nd to e, ear Beg n a tig to an kma s m c e n t a r o J P Ba t ugh The wen , H ’s ie e 6 v l 0 o m Ba 20 ng ed rri eas a l t e s r ans ici mag the
2002 Insomnia I guess it’s about what you thought was right at the time.
what you’re willing to live with.
Then,
2005 Batman Begins
Your parent’s death was not your fault.
But if you make yourself more than just a man, if you devote yourself to an ideal, you become something else entirely.
Which is?
A legend, Mr. Wayne.
ed pen , o t h g he Kni n t s i ark s D o gr he one nd , T ome eke uel c e q e w e b s t to he hes man on e t hig Bat t n e s hil e h ’ W w t g n a . ht ng din ol ca nig avi clu , N eri K h n 8 m i 0 A ; s n a , 20 n lio ked rd aim y, s i mil mar eco ccl Jul film r a 8 s n g 5 s e f I the o in $1 ne th oss ain at sad et che r l s n g l , , a i s l t v ns te and ava hes he tio Sta an ose hig s t ina a ed m d e t o e erd v d i n v v fi e i o r Un e e p r b g nd ec to sta Glo dru e a o r the on who den lob als i be l G t of , o n p r Glo ge d G den tio cri d e n l c s e h a o u e L t d r r a G th pro l p ted sca Hea won nta cep l O e . c a r d s a r e i g e g n cc in sev Led ola n a eed d N ed. m a roc n s o p a a r e f , h the rel ork wit ied s w ce was , d i i r h ff m e o l fi f a or Jok box r o y f the e l e d s h e . a u t r or lf le mo to the bef eha he thu ano ned s b s t pos r s ’ a u our a r r t e a re n f m w rio o l edg p Osc n w fi L a a iC on Nol and The o D rd r, wed or, es. ard t i awa n ate c r o llo l e a e o r n L f s i e d c n ng mer mer ola the rri sum man . N or ing sta y f l r Two e Bat , d r v n r e ing a e o a t r h t us arr -t pti wiz b t m n e k s a i c l c e o e In ca lo dr lm als tim hni d b of r fi tec was ude his up ste a t o u s o l r b t g k i wh y s, loc or d ( all ise d b s f lar tic t R r d l i h i r i r g h a t c t w o ni y A n C n. k K the dem rio tio Dar a ith M e w Aca cep h d n T n n I o a i ’s and ept man 012 his Inc . two ing , 2 e a w e t for C o s a l i T s s l h t a o c a F n di y and fra cre awa for Mir ng ath er s i H t a t i e r ) ri Ann enw rs. ion d w cre the ept are s o c h n s e g I n sol in has amo he the n, a , s l a a o i w N mn an han nso Nol nat g I o n J i h lud wit Exc lms fi er oth
2006 The Prestige Now you’re looking for the secret.
But you won’t find it because of course, you’re not really looking.
You don’t really want to work it out.
You want to be fooled.
2008 The Dark Knight See, I’m not a monster.
I’m just ahead of the curve.
elf a s y m d e st r o e d m i ns he o t c r m e I’ t. v . s e i n n o m I si rs s e e p p y luck rdinary ao r t x . e m a y l I tru
“
”
s e i t i sibil
Cin
n e S ic t a m e
ir the and pth n e w nd d o kn g a al win gic are o o l l s ol ho ie e h F syc mov tiv Bot , p ’s m n . s a rra g i f a n l n i a Nol h o l ll tu muc ica yte lec g r l g o o n e n l t s vi no y i int cei hro dox all e c o c r h i n o rt od no s ent uno pis ad rie Mem g e o h n h t sto i t n d i e s l w m a o h Me s, unf the ion ure for as ept uct c n s r , n o t s I s on’ ie nti And ers tor tte p s . a e a er im its of oth s t alm in ard e h w r t k wi d. he bac ale st min e t n m exi us lor o o p t i x d a c e th use ons h ers foc unc wit act o d r s e a l r ips a e r ch y g s a la o k h lex e t hly wor omp com c hig s o ’ h t or oug in try ect thr en ho dir g w n e Wom i s / k t Th . r s and ay wo ni t d le ago ies n i t l e h o l s w a ome pr re t as bec e p pas n h m e t r o t i t wh of the wri of es me een eng o b l s l e , cha hav sts es ere lms t fi n iti c i bil his i i . am t s l an en el tre rom c s s w ins i a a t m or s s s rti tie y d a d a ual ger one i ivi cas t v ima i s s e o e p u th the imb th are in i n w t a d a n h un Nol see s t nes abo as film sce at h , o h t t t t i s en in e. , w ice inm lif ion cho rta n t e e p c ed t v e i en gi enc Inc mat nflu ngs nd ine i i a c t st n ly es exi and pai ant eri n c l s a fi a c i n re man ity sig sur Bat lex ve ng p a i m h l o c s emb ice hat res cho g t n s i ’ v an pro Nol . ng, i k ial ma erc m film m co the in for
2010 Inception I’ve come back for you... to remind you of something.
Something you once knew...
That this world is not real.
2012 The Dark Knight Rises
You do not fear death. You think this makes you strong. It makes you weak.
How can you move faster than possible, fight longer than possible without the most powerful impulse of the spirit:
Why?
the fear of death.
to oked o l s way ve al ’ I d e to caus y min e m B f . o ies back mov e d ing a h o t h c o n t i a w t w lly Bu is of le Ho e a c c n s e t ri igges expe g n i the b y tisf st sa o m ell. he lly w a e me t r ne t’s do i f i , ie mov
n o i t a r i p s a t a , th e o m s y r t i d o f n n t u A i t r s o y a p p w l o is a ve the a h I if . t i o d o t lan st
ri h C —
o
rN e h p o
Christopher Nolan Š 2014