Emma Rose Silverman
PROJECT CATALOGUE
MISSION STATEMENT: I strongly believe that in order to be a successful designer it is important to be well rounded, therefore my interests go beyond the interior space and reach out to the city in which they are derived. Every designer has their own inner personality that is trying to find its way out through artistic expression. For me, it is very important to stay true to myself, learn from others and to grow from international exposure.
URBAN DESIGN
6-15 PRODUCTS
18-25 INTERIOR ARCHITECTURE
28-53
URBAN DESIGN
STUDY ABROAD: SKETCHES, SUMMER 2011
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MOBILITY: URBAN PLANNING, WINTER 2010
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THE STANDARD: BICYCLE PLANNING, FALL 2011
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STUDY ABROAD: ROME, ITALY, SUMMER 2010 Living in Rome for 3 months was truly an incredible experience. Our days were spent practicing sketching techniques, visiting museums and part-taking in walking tours of the city. Various design professionals from around Western Europe accompanied our trip and gave insight on their design aesthetic and point of view. It was a true exploration of our inner design personalities.
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URBAN DESIGN
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Studio Della Lavanda e Dell’Arancio incorporates artist residences, a mensa and an exhibition space in Rome, Italy. The site is located on ancient church grounds and incorporates aspects of historical preservation, landscape design, and new construction including interior construction details. Project was completed in a team of two. All hand media and watercolors.
HISTORIC CHURCH
CE
AN
EXHIBITION
URBAN DESIGN
PLAN & SECTION: TRANSITION FROM OLD TO NEW
MENSA
R NT
ARTIST LOFTS
E
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ARTIST LOFT
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URBAN DESIGN
ARTIST LOFT DETAILS Artist loft interior details showing live/work studios. Sliding partition/ shelf allows for a choice between collaboration or individual work. The double height space features large glass windows with views out to the garden; Built-in shelves play with reflectivity.
CABINET STUDY
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MOBILITY: PEDESTRIAN ACCESSIBILITY, FALL 2010 Mobility is a project using PDA’s to assess streets in Salem, OR. The project was a part of the Sustainable Cities Initiative and was presented to the City of Salem. It deals with pedestrian accessibility and street assessments within a mile buffer of Willamette University. All maps created with ArcGIS. Areas explored: logo design, digital map making field research, integration of artistic skills in a research project, clear story telling.
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URBAN DESIGN
THE STANDARD: BICYCLE TRANSPORTATION PLANNING FALL 2011 This was a group project for the Sustainable Cities Initiative for the City of Springfield, Oregon. This is a bicycle transportation project. It focuses specifically on Main Street located in downtown Springfield. The project proposes 4 design schemes: “The Standard”, “The Modified Standard”, “Boardwalk”, and “Steppe.” All schemes aim at creating better bicycle infrastructure for the city. Poster layout and images using InDesign and Photoshop (CS5). Original poster format: 36” x 24”
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6’
10’
North Sidewalk
URBAN DESIGN
The Modified Standard:
The Standard:
10’
8’
3’
6’
Car Parking & Bike Corrals
Two Lanes of Traffic
6’
6’ South Sidewalk
6’
3’
9’
North Sidewalk
9’
Two Lanes of Traffic
8’
3’
Car Parking & Bike Corrals
South Sidewalk
Total Street Width: 44’
Total Street Width: 43’
Steppe:
Boardwalk:
6’ North Sidewalk
6’
6’
12’ Diagonal Parking
10’
10’
Two Lanes of Traffic
6’
6’ South Sidewalk
Total Street Width: 44’ Total Street Width: 44’
North Sidewalk
51/2’
51/2’
3’
8’ Car Parking & Bike Corrals
11’
11’
Two Lanes of Traffic
South Sidewalk
Total Street Width: 44’
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PRODUCTS
SIMPLE LUX: LUMINAIRE, FALL 2011
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PATIO: FURNITURE PROTOTYPE, WINTER 2011
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PYRAMIDS: FURNITURE, WINTER 2011
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FELT: LUMINAIRE, WINTER 2011
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SIMPLE LUX: LUMINAIRE, SPRING 2009 Simple Lux luminaire uses cardboard, comes in three shapes and adds intrigue to any space. It was chosen for an exhibition at Modern, a modern design retail store, during the Eugene Art Walk in 2009.
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PRODUCTS
INTERIOR RENDERINGS
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PATIO: FURNITURE STUDIO, WINTER 2011 Challenge: to build a modular, display, seated, pin-up area for the School of Architecture and Allied Arts. Process: four teams of 4 designed and prototyped designs and students voted for their favorite. Our design did not win but we enjoyed collaborating throughout the process.
6’ 5’ 6”
3’ 2”
2’ 10”
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1/4” SCALED MODEL
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PRODUCTS
FURNITURE FABRICATION: WINTER 2011 A team of 16 students built the final product in the woodshop. Pyramids is a lasting icon of our success in the hall of The School of Architecture and Allied Arts at the University of Oregon.
CONSTRUCTION PROCESS
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PRODUCTS FINAL PRODUCT 23
FELT: LUMINAIRE, WINTER 2010 Felt is a luminaire inspired by user interaction. Snaps and lasercut fold lines make it customizable. This project explored pattern making, working with textiles, electric wiring and laser etching. Laser etched fold lines, text and numbers create a snapping pattern to customize the luminaire on both sides.
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PRODUCTS
INTERIOR ARCHITECTURE
CANVAS: RESTAURANT, SPRING 2010
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RIVERSTONE: PEDIATRIC CLINIC, WINTER 2010
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NOSTALGIA: CAFE, SPRING 2011
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SHINING MOUNTAIN: K-12 SCHOOL, INTERN SUMMER 2011
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CO-HABITAT: MIXED-USE HOUSING, 2011-JUNE 2012
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CANVAS: A PORTLAND PUB, SPRING 2010 Canvas is a restaurant & bar designed for Portland’s historic White Stag building located in Old Town. The project has a retro theme and creates a casual, unique experience. The facade of the White Stag has a very historical nature. The classical exterior contrasts the contemporary interior by use of architectural elements, materials and lighting.
ENTRY MAIN DINING BAR SERVICE
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MAIN DINING
INTERIOR ARCHITECTURE
Main dining space features custom lighting elements and a variety of seating arrangements to give users a choice and provide for a range of personalities.
PERSPECTIVE SKETCH
LONGITUDINAL SECTION LOOKING NORTH 29
BAR DETAIL
AS
CANV
Double story bar features custom built-in elements including a TV, ice chest and shelving. Semi- transparent 3-Form screen casts shadows as users move from one floor to the other.
SILESTONE
RETRO TV
RETRO STOOL
LIGHTBOX
TOM DIXON
DOUG FIR
FEMALE & MALE RESTROOMS INSPIRED BY RETRO GLASSES
WOMEN’S WC 30
MEN’S WC
BAR PERSPECTIVE
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INTERIOR ARCHITECTURE
RIVERSTONE: PEDIATRIC CLINIC, WINTER 2010 Riverstone Pediatric Clinic uses careful detailing that sparks a child’s imagination. It’s an adaptive re-use project located in Eugene, OR. The space is divided between administration and pediatric facilities. It uses “alleys” to divide exam rooms and takes advantage of large windows and double height space. This project mainly focused on interior detailing and space planning.
8'-8"
9'-11"
EXAM ROOM PLAN
EXAM ROOM DETAILS
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INTERIOR ARCHITECTURE
CHILDREN’S PLAY AREA
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NEW CONSTRUCTION: 2ND FLOOR
NEW CONSTRUCTION: 1ST FLOOR
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LONGITUDINAL SECTION The section reads from left to right. Administration to exam rooms.
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INTERIOR ARCHITECTURE
NOSTALGIA: CAFE, SPRING 2011 This is an adaptive-reuse project of a small building in Eugene, OR. The cafe project mixes the design with an attention to savvy detailing and sustainable thinking. This class taught me how to format and use proper graphic language and content in the production of a set of construction drawings. The final product was an abbreviated set of 24� x 36� construction drawings. All drawings produced using AutoCad 2011.
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INTERIOR ARCHITECTURE
CAFE FLOOR PLAN & DEMO PLAN This project emphasized careful detailing of the cafe bar and a custom seating element located in the main seating area. All drawings represent parts of the entire construction document set.
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INTERIOR ARCHITECTURE
SHINING MOUNTAIN: K-12 SCHOOL, SUMMER 2011 During the summer of 2011 I interned for BLRB Architects, in Tacoma, WA. My project was to select materials and colors based off of construction drawings and specifications for Shining Mountain Elementary School. One of the most memorable tasks that I accomplished was to create a series of presentations that I presented both in-house to the principals of the firm and to the users, a group of 30 teachers. The project is now in construction.
CORRIDOR GRAPHIC WALL
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INTERIOR ARCHITECTURE
“
EMMA HAS A POSITIVE ATTITUDE, WORKS HARD AND DOES HIGH QUALITY WORK. WE THRUST HER INTO MULTIPLE DEADLINE DRIVEN, HIGH-STRESS SITUATIONS AND SHE PERFORMED AS A PROFESSIONAL. BY THE END OF THE SUMMER EMMA PRESENTED A FULL INTERIORS PACKAGE TO A CLIENT THAT SHE DEVELOPED ALONGSIDE THE DESIGN TEAM. EMMA SELECTED PRODUCTS, COLOR PALETTES, IMPLEMENTED DESIGN THEMES AND PRODUCED THE ENTIRE PRESENTATION. SHE WAS CONFIDENT AND ARTICULATE, LEADING THE MEETING, KEEPING IT ON SCHEDULE AND MANAGING THE MULTIPLE OWNER REPRESENTATIVES. OUR CLIENT RAVED ABOUT HER WORK AND WAS ASTONISHED THAT SHE WAS STILL IN SCHOOL.” - Ben Ferguson, Commercial Studio Director, BLRB Architects
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MATERIAL BOARD EXAMPLE
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INTERIOR RENDERINGS
INTERIOR ARCHITECTURE
After selecting colors and materials I created a set of material boards and a complete Color Schedule book that was passed onto the contractors to help aid them in the material construction process. The book entailed careful labeling, notation, and specification writing.
PAINT COLOR 1, TYP.
MAPLE TRIM
VWC COLOR 2 PLAM COLOR 5 BOTTOM HORIZONTAL & BACKSPLASH
PLAM COLOR 1, TYP.
PLAM COLOR 4 TOP HORIZONTAL
RUBBER BASE COLOR 1
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CO-HABITAT: MIXED-USE HOUSING DEVELOPMENT, 2011-JUNE 2012
NE 20TH
My final interior architecture studio project is called Co-Habitat. For my thesis, I wanted to respond to the needs of recent college graduates between the ages of 21-33 and the prevalence of independently rented apartments that do not enhance social interaction. Co-Habitat promotes an affordable, semi-communal housing complex with a mixed commercial program. Since this is an adaptive re-use project, I chose a site that consists of two buildings. Most of the commercial and residential spaces are placed within a three-story, 1927 brick and heavy timber building. I am repurposing the adjacent 1935 gas station as a diner. My intention is to create a place that encourages communal and collaborative activities while also inviting the local public in for mart and other commercial reasons.
GST
VD Y BL AND NE S
NE DAVIS ST NE COUCHST
PORTLAND, OR.
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NEW: LOFTED UNITS FILM LOUNGE
INTERIOR ARCHITECTURE
EXISTING UNITS
CO-LAB: COMMUNAL OFFICE WORK SPACE
COMMUNAL KITCHEN
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FLOOR PLANS EXISTING WALLS NEW WALLS
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THE RESIDENTS BRYN SILVERMAN FROM: OREGON STUDY: FILM AGE: 22 JOB: FILM MAKER
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UROOJ MUGHAL FROM: VIRGINIA STUDY: POLITICAL SCIENCE AGE: 25 JOB: MASTERS STUDENT
BREA OBENDORF FROM: OREGON STUDY: INTERNATIONAL STUDIES AGE: 22 JOB: STUDENT
KIRSTEN HARRIS FROM: ILLINOIS STUDY: ARCHITECTURE AGE: 23 JOB: UNEMPLOYED
WILL FENG-MING DAI
FROM: CHINA STUDY: FINE ARTS AGE: 23 JOB: GRAPHIC DESIGNER
NATHAN REED FROM: KENTUCKY STUDY: ARCHITECTURE AGE: 31 JOB: ARCHITECT
NAVEEN CHAUBAL FROM: INDIANA STUDY: FILM AGE: 22 JOB: FILM MAKER
DAVID LOITZ FROM: OREGON STUDY: EDUCATION AGE: 31 JOB: TEACHER
INTERIOR ARCHITECTURE
CUSTOM WARDROBE: COLOR OPTIONS
# of existing units: 17 # of new units: 16
NEW VS. EXISTING CONSTRUCTION
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“AS WE MOVE TOWARD MORE LOCAL, COMMUNITY BASED LIFE, MORE HUMAN SCALE LIVING ARRANGEMENTS WILL BECOME THE NORM. PEOPLE WILL LOOK TO SHARE MORE THAN OWN, THEY WILL LOOK TO LIFE STYLE THAT MAKE CONSUMING LESS MORE ATTRACTIVE AND EASY. BRING COMMUNITY AND COMMUNAL LIVING TO URBAN CENTERS AND PROVIDING A NEW ALTERNATIVE TO ISOLATION OF THE CITY AND THE SPRAWL OF THE SUBURB.”
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BIKE STORAGE/ENTRANCE/MAILROOM
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INTERIOR ARCHITECTURE
COMMUNAL KITCHEN
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STUDIO APARTMENT EXPANSION The design of the wardrobe uses a 36 degree angle that fosters a dynamic interior space and eliminates long hallways in the existing floor plan. The wardrobe has a dual functionality, acting as both a storage piece as well as a sound barrier between the apartments and the film lounge.
WARDROBE PLAN VIEW
new bedroom unit
existing bedroom unit
380 SQ. FT.
311 SQ. FT.
NEW CONSTRUCTION
EXISTING
LOFTED APARTMENTS WITH SHARED TERRACE
NEW BEDROOM UNIT 380 SQ FT 50
EXISTING BEDROOM UNIT 311 SQ FT
INTERIOR ARCHITECTURE
STUDIO APARTMENT
In this project I am experimenting with two types of living units: studios and lofts. In some, I respect and then add to the 1927 existing units, in others, I have designed a new kind of loft living space to fit into the existing building boundary. These would be newly constructed to allow for shared terraces. All of the minimal units have similar elements making use of sustainable materials, custom modular furniture, and color palettes that speak to the trends this age group is concerned with. 51
MODULARITY AS A THEME
The angle of the wardrobe in the apartments inspired the design of the modular bench in the film lounge and the tables in the Co-Lab. Both furniture pieces provide for a range of lounge/work scenarios. FILM LOUNGE WITH MODULAR BENCH
BENCH CONFIGURATIONS
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INTERIOR ARCHITECTURE
CO-LAB: COMMUNAL WORK PLACE
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THANK YOU FOR YOUR CONSIDERATION.
EMMA SILVERMAN DESIGNER ESILVERM@UOREGON.EDU PH. 503.559.9599 WWW.
EMMA-ROSE.POSTEROUS.COM ISSUU.COM/EMMA-ROSE