EMMA WILLIAMS INTERIOR DESIGN PORTFOLIO
ABOUT ME
Since the age of one, I have lived a mostly nomadic lifestyle, living in eight homes by the age of thirteen throughout England, Asia and Australia. Through living in so many spaces, I became fascinated with how people and their belongings interacted in different living environments. Since immersing myself in design for the last three years of my bachelor degree, this fascination has grown and all of my designs take this into consideration when working within a space. I strive to make my designs not only functionally and aesthetically pleasing, but also portable, timeless, sustainable and suitable to all living environments in each different aspect and time of a
persons life. I take the inspiration for my designs from antique furniture and architecture. I have always been fascinated with how an object or space has remained relevant and wanted past its original purpose, much in the way I hope my design will live on and evolve with the client. I love how spaces evolve through time and I try and incorporate this into my designs. My passion for interactive and sustainable design can been seen in each aspect of my portfolio and I hope you enjoy looking through my last three years work. I look forward to sharing my creative ideas and insights with you.
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Hospitality Design Concept
Re-directive Office Concept Design
Retail Design Concept
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Furniture Design Concept
Paper Cutting Art Installation
Furniture Design and Construction
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University Cafe Design Concept
Town Planning Design
Regent Tailors Design
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Sculpture Design and Construction
House Insulation Design Concept
Documentation
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HOSPITALITY DESIGN CONCEPT
Archicad Intermediate 2013 Shop 1202 Westfield Carindale Shopping Centre
This project was completed for my ArchiCad Intermediate class in my second year of study. The brief for this project was to design a hospitality retail fit out for a company of my own creation in a pre-selected space in Westfield Carindale. Our task was to first design a space, and then create a complete documentation package for the design within a 10-week time frame.
food, not just amongst family and friends but also amongst stranger, so to encourage this I designed the space with communal style seating in the main dining area. To farther embody the Italian culture and atmosphere, mismatched, contemporary chairs were specified in order to create a homely and welcoming environment which can been seen at family gathering and events throughout the world.
For my project I chose to design ‘Olivo’, a pizza bar and restaurant with a wood fire oven, fully functional kitchen and storage area. I wanted the design of the space to embody the Italian attitude and close family values that is common of the culture. To do this I wanted people to share
Wood, polished concrete, slate and natural stone were used throughout the space to create a minimalist yet comfortable, aesthetic. To further embody the Italian theme, self-managed, interactive olive trees and herb walls were incorporated into the design. To create privacy between the diners and the kitchen, but still encourage an interactive and exciting
atmosphere, large wooden columns run from the floor to the ceiling in between the spaces. As a result, customers are able to see their food being prepared whilst still being separated from the fast paced environment of the kitchen. Large black pendant lights run through the space, act as a contrast with the natural materials, giving the space a warm, calming glow.
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RE-DIRECTIVE OFFICE DESIGN CONCEPT
Interior Design Project 2 Level 4, 226 Grey Street, Brisbane
This project was completed for my Interior Design Project 2 class in my third year of study. The brief for this project was to design an office space, located in the heart of South Bank in Brisbane’s CBD, that would be shared by five businesses, all with a sustainable outlook. The space was required to allow them to work as separate businesses, but give them the freedom to interact and work together on the same projects when necessary. The office had to be designed in a sustainable, way using recycled materials in order to inspire sustainable practice.
seen from the site, to create a miniature representation of the city. The 6 custom made joinery pieces, which are repeated throughout the space are inspired by the different types and eras of architecture that can be seen around Brisbane. All of the joinery is designed to be disassembled easily so that it can fit into the lift, and moved to a different location for reuse.
For this design I took inspiration from the city skylines views, which can be
Varied materials and finishes will be used throughout the space, all from a sustainable origin including; ecor (plasterboard substitute), plywood, hardwood, recycled glass and cardboard. The ceiling will be left exposed and painted white, with semi transparent plastic sheets cut into the shapes of clouds hung
in layers using rods. Lights will be installed behind the sheets to provide a gentle glow and replicate the suns rays. The floor will be polished concrete, and will have a vinyl map adhered to the ground, running throughout the entire floor. To assist with way finding, the streets on the map will be named after people working within the businesses.
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RETAIL DESIGN CONCEPT
Interior Design Project 2013 Westfield Carindale Shopping Centre
This project was completed for my interior design project class in my second year of study. For this project I was given the task of designing and documenting a fit out for a retail space located within Westfield Carindale. The space measured 10m x 7.5m and could house a tenant of our own creation.
unsustainable practices. I wanted my tenants to be able to change to a different shopping centre every four years, using the same fit out each time. Therefore I designed my store to be able to be disassembled, to fit into a space of any size easily and efficiently.
For my project I decided that my tenant would be Wrap Co, a gift wrapping service provider that wrapped presents, delivered by customers, using wrapping paper and ribbons. I had recently learned about Westfield’s contract with their tenants, forcing them to redo their shop fit out every four years and wanted my design to rebel again these
To do this I decided to utalise the idea of industrial strength magnets within my design. The floor of my design is made out of floating wooden floorboards, held in place by magnets and the walls are made up of identical wooden frames with interchangeable wrapping paper inside, which are also held in place by magnets. The ceiling is held in place by square
wooden frames running horizontally along the ceiling allow wooden floorboards to be hung in place, give the illusion of a solid ceiling. Each of these elements allows the tenants of the shop to easily disassemble the design and place it in a van for relocation.
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UNIVERSITY CAFE DESIGN CONCEPT
Technical Visualisation 2012 226 Grey Street, Southbank Queensland, Australia
This project was completed for my technical visualization class in my first year of study. The brief for the project was to measure; design and hand document an addition to the courtyard area of a Griffith University campus. For my design I chose to utalise the open space of the grassed area which does not sustain much use within the campus in its current state. I designed a cafĂŠ and bar to be built within the space that can be utalised for everyday campus life, as well as for events that are held within the grounds. For this reason I made the design open plan with a seating area, bar, kitchen and cafĂŠ included so that it is suited for all entertainment situations. In creating the space I
wanted the design to make people feel like they were sitting among the outdoors, whilst being sheltered from the elements. To achieve this, the back wall consists of wooden columns running from floor to ceiling with a 500mm thin glass panel between each. All other walls are made up of hardwood with glass bi-fold doors leading you out into the grassed lawn.
The main feature within the space is the large, monolithic, floating concrete tables which were added in order to those using it feel like they are in an outdoor seating area as oppose to in a cafĂŠ. The materials for the design consist mostly of hard wood and concrete with hardwood running along the floor and ceiling. A cafĂŠ is present for university student to take
advantage of during the day with a seating area as well as a take away window for those on the run. A kitchen was added at the back of the shop for the cafĂŠ to produce food during the day as well as for catering companies to utalise during events.
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TOWN PLANNING DESIGN
Professional Practice 2014 Alfred and Wills Street Charleville Queensland
This project was completed for my professional practice class in my third year of study. The brief for the project was presented to my group by the city of Charleville, a small town in the centre of Queensland. The Charleville community wanted the two main shopping streets of the town, Wills and Alfred Street to be redesigned, updating the façades, street-scape, way finding, lighting and furniture. Within the group, I focused my work on the redesigning of the façades.
had been stripped of their character and are covered in modern advertisements and additions. I conducted research into different eras of architecture and their characteristics, then combined this with research into the history of each individual building for what it was when it was built. I then tried to bring back the charm and celebrate each building for its architectural significance. I used paint, with colours from the time period of each building, to bring back architectural features that had been lost. Where this wasn’t possible I conducted modern interventions, adding features to the buildings to give interest.
The current shop façades of the two streets are aesthetically pleasing as the majority of them are of historical significant, ranging from fifty to one hundred years old, but
This project was a compiliation of work from the following individuals: Joel Matheson, Carissa Cornelius and Jitisha Buch.
For the actual street itself, we wanted to streets to be safer for not just locals, but tourists. To do this we added street lights, crossings and updated the towns wayfinding system. New furniture was designed, inspired by the ‘C’ in Charleville and new planting and vertical gardens were installed.
Our design was then accumulated into a website and a brochure which were both sent to the Chareville City Council and were proposed to be a part of the new city plan for the next twenty years.
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REGENT TAILORS DESIGN
Interior Design Portfolio 2014 3/141 Queen Street Brisbane Queensland Autstralia
This project as completed for my interior design portfolio class in my third year of study. The brief for this project was to find a real world client who needed work done to their home or business and redesign the space for them, presenting it to them in the form of a concept presentation. For this project I found Regent Tailors, a tailoring and dress making store located in Brisbane’s CBD.
The business owner wanted the space to be modern and comfortable for people of all ages and sexes. With this brief in mind, I reworked the space, keeping in mind existing structural elements.
The vision for the space described to me by the businesses owner, was to make the space more functional, adding more storage and space in the work area of the shop, and reducing the size of the entrance and fitting room.
The design consists of a small yet functional reception area with a small wooden/ glass counter and a woven thread sign on the wall. The main feature of the space is a wall, made out of steel columns that run floor to ceiling. Multi coloured thread woven through the columns, provides privacy for the adjacent fitting rooms without closing in the small space. This has been carried through to the front of the store as a feature to those walking down the corridor.
Connected to the space is the fitting room, which consists of two fitting rooms and a full-length mirror. Grey carpet will line the floors and old wooden doors will line the changing room walls creating a relaxing atmosphere for customers. At the back of the store, the space has been divided up into sections, with the men’s work area, women’s alterations and dress
making areas divided and designed to cater perfectly to each member of staffs specific needs. The materials used within the space are wood, honed slate and aluminium as they are of a durable nature and create a modern yet functional space, which will last and require little to no maintenance.
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FURNITURE DESIGN CONCEPT
Furniture Design 2014
This project was completed for my furniture design class in my third year of study. The brief for the project was to design a piece of furniture for a client of our own creation and then prototype an element of it to see how it works. I decided that my client would be opening a high end children’s store in Brisbane’s CBD and needed piece of joinery for the store that displayed objects ranging from jewellery to furniture, whilst still making a design statement in the space.
processing the brief and finding inspiration in kid’s toys of the past and present, I came across the pin board, which made up the basis for my design. A pin board is a traditional children’s toy that consists of a small plane of dull metal pins all positioned to face up. As you push your hand into it, the metal pieces move back, leaving the impression of your hand. I worked with the idea of replicating this on a human sized level, almost like a wall, where the stores products or the customers themselves can be pushed into the wall, leaving an impression for products to sit or hang in place.
I wanted to make my design versatile so that it can be used in many different contexts but I also wanted to make it interactive for kids and adults alike. In
The wall will be double sided, leaving the possibility to be able to display items on both sides of the wall. The core of the pin board wall will be made out of solid wood. Holes will be drilled into the wooden core of the wall in a grid like pattern, which is where the actual pins will be threaded through. The pins will be made out of thick, recycled cardboard tubes (80cm long
and 5cm in diameter), which will be thread through the drilled holes and held in place by cardboard caps attached to both end of the pins. As you push, the pins will slide gently through the hole and protrude from the other side, leaving an the impression to which products to be displayed.
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PAPER CUTTING ART INSTALLATION
Creative Generation 2011 Gallery of Modern Art Queensland Australia
This project was completed for my art class in my twelfth year of study at high school in 2011. The artwork was submitted to the Creative Generation: Excellence Awards in in the Visual Art and Design, a state wide competition to which five hundred year twelve students applied, and only thirty three were selected. My artwork was featured at the Gallery of Modern Art in Brisbane’s CBD, then proceeded on a two year tour of the states most recognized art galleries.
society, buildings are being made bigger and better, but in doing so historical architecture is being swallowed up and forgotten about. It is becoming harder and harder to see the past and the beauty it holds.
The artwork was completed over a 10-week period and was inspired by traditional Japanese paper cutting techniques. I wanted the artwork to communicate how, in today’s fast paced
Installation view: ‘Creative Generation Excellence Awards in Visual Arts, 2012’, Gallery of Modern Art, Brisbane. Photograph: Chloë Callistemon. Image courtesy: Gallery of Modern Art.
‘Society is often built on the shoulder of the past. I was interested in exploring this idea through architecture and illustrating evolution through this theme. Inspired by traditional Chinese paper cutting, I used paper and light to show how the past can cast shadow and light onto the future.’
The piece was constructed using watercolour paper to which the design was traced on to and cut out using a knife. The pieces were then attached together using clear tape and placed on a wooden light box with a semitransparent plastic top.
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FURNITURE DESIGN AND CONSTRUCTION
Professional Practice 2014
This project was completed for my professional practices class, which I completed in my third year of study. The brief for the project was to design and construct one or several pieces of furniture as a group, from a $120 budget which we were allocated to spend at a local recycled goods store in Brisbane’s CBD. From the budget we purchased a window, two shutters, two electrical wire spools and a piece of glass.
scraps to act as the legs and one of the shutters which would act as shelf, hung by wire underneath. The bookshelf would be made out of one of the electrical wire spools and some multi colours string.
Through weeks of brain storming as a group, it was decided that from these items we would construct a coffee table and a bookshelf. The coffee table would be constructed from the window which would act as a glass top, plywood and metal
This project was a compiliation of work from the following individuals: Genevieve Parry and Nadine Dickson.
I enjoyed building these furniture pieces, not just from a physical sense of learning how to use tool but also from a creative one. My group decided that we would challenge ourselves by designing something that was not only recycled but also unique in its physical form. We purchased all of the items used for the furniture pieces before we knew what
we were going to make. This process freed our minds of the cultural standards of what a piece of furniture is and allowed us to design something that had not been see before but still has a practical use.
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SCULPTURE DESIGN AND CONSTRUCTION
Introduction to Jewellery and Small Objects 2013
This project was completed for my introduction to jewellery and small objects class, which I completed in my second year of study. The brief for the project was to learn a set of skills in class, which we then had to apply in the creation of a work made out of copper, brass or aluminium.
featured in love spoons, all with their own meaning to that person. In researching the welsh love spoons history, I started to think about what kinds of symbols that I could use in my design that had a meaning to me. Through the careful processing of my ideas, I decided that I would make 6 love spoons crafted out of copper, with each spoon symbolizing one of the six places I have lived in my life.
For my project, I felt it was an ideal opportunity to explore a tradition from my welsh heritage, which I have been interested in from a very young age. In welsh culture, when a man wanted to pursue a women, he spent months carving an intricate spoon out of wood, which he would then present to the women as a sign of affection. Many symbols are
Each love spoon has been cut in the shape of the national flower of each place I have lived. The first is the daphodile, the national flower for Wales; the second is the cassia fistula of Thailand, the third is the bauhinia blakeana of Hong Kong, the forth is the plum blossom, the national flower of Taiwan, the fifth is the waratah of New South Wales and lastly the cook
town orchid of Queensland. Each spoon was acid embossed with an image from my childhood, symbolising that although I don’t live in the place that I was born and call home, a piece of my past is always in my memories and shapes everything I do.
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HOUSE INSULATION DESIGN CONCEPT
Drawing For Design 2012
This project was completed for my drawing for design class in my first year of study. The brief for this project was to design and draw a product that was inspired by nature. For my design I decided to take inspiration from the polar bear and in particular, the complex qualities of its skin.
of blubber, which help them to keep warm, and lastly a thin layer of muscle. For my design I decided to take these layers and apply them to a modern day problem, which needed to be solved, the problem of sustainable heat retention.
Their skin is comprised of several layers that help them retain heat; these layers begin first off with the fur. A polar bears fur consists of two layers; the first is a thick insulating undercoat and the second, guard hairs of various lengths. These help retain heat as well as prevent the polar bear from getting wet. Next, polar bears are surrounded by up to 12cm
My insulation design consists of two layers of grass, a short dense variety that retains heat and a longer more dispersed variety that catches the water that comes into contact with the product.
The next layer is a layer of soil held in place by a layer of mesh membrane absorbing the exterior heat and retaining interior warmth. These layers will be held in shape by the mesh and will be formed into the shape of a cube so that they can be stacked to form the exterior shell of a house. These cubes will be hold in place with exterior rods and rods running
through the cubes to ensure its structural stability. A layer of plastic, then a layer of render will be applied to the interior layers of the product to make up a waterproof membrane. This product can be used on all exterior walls of a house or building and not only acts as insulation, but as a structural and aesthetic element that simplifies the current process of
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DOCUMENTATION
This documentation package was completed for my ArchiCad intermediate class in my second year of study. The brief for the project was to design and formulate a complete documentation package of a hospitality fit out in Westfield Carindale. The documentation package consists of: Proposed Floor Plan Elevation Reference Plan Elevations Joinery Plan Equipment Plan Partition Plan Partition Details Reflected Ceiling Plan Ceiling Details Joinery Floor Finishes Plan Floor Finishes Details
ArchiCad Intermediate 2013 Westfield Carindale
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PROPOSED PLAN SCALE 1:100
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ELEVATION REFERENCE PLAN SCALE 1:100
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ELEVATION
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ELEVATION
SCALE 1:50
SCALE 1:50
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ELEVATION
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ELEVATION
SCALE 1:50
SCALE 1:50
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ELEVATION
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ELEVATION
SCALE 1:50
SCALE 1:50
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ELEVATION
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ELEVATION
SCALE 1:50
SCALE 1:50
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ELEVATION
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ELEVATION
SCALE 1:50
SCALE 1:50
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ELEVATION SCALE 1:50
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ELEVATION
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ELEVATION
SCALE 1:50
SCALE 1:50
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JOINERY AND EQUIPMENT PLAN SCALE 1:100
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PARTITION PLAN SCALE 1:100
D03 PARTITION DETAIL C01 AND TP01 DETAIL - PARTITION SCALE 1:5
D06 PARTITION DETAIL TP01 DETAIL - PARTITION SCALE 1:5
D09 PARTITION DETAIL TP01 JOIN DETAIL - PARTITION SCALE 1:5
D02 PARTITION DETAIL TP01 END DETAIL - PARTITION SCALE 1:5
D05 PARTITION DETAIL C01 DETAIL - PARTITION SCALE 1:5
D08 PARTITION DETAIL CORNER DETAIL - PARTITION SCALE 1:5
D01 PARTITION DETAIL TP01 DETAIL - PARTITION SCALE 1:5
D04 PARTITION DETAIL EDGE DETAIL - TP01 SCALE 1:5
D07 PARTITION DETAIL TP01 CORNER DETAIL - PARTITION SCALE 1:5
D10 PARTITION DETAIL P1 AND TP01 DETAIL - PARTITION SCALE 1:5
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REFLECTED CEILING PLAN SCALE 1:100
D03 CEILING DETAIL SECTION JUNCTION DETAIL - CEILING SCALE 1:5
D02 CEILING DETAIL SECTION JUNCTION DETAIL - CEILING SCALE 1:5
D01 CEILING DETAIL SECTION BULKHEAD DETAIL - CEILING SCALE 1:5
D04 CEILING DETAIL SECTION BULKHEAD DETAIL - CEILING SCALE 1:5
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J01 PLAN GREEN WALL SCALE 1:20
J01 ELEVATION GREEN WALL SCALE 1:20
D02 J01 DETAIL SECTION WALL DETAIL - GREEN SCALE 1:5
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J01 SECTION GREEN WALL SCALE 1:20
D01 J01 DETAIL SECTION WALL DETAIL - GREEN SCALE 1:5
D02 J02 DETAIL SECTION WALL - GREEN SCALE 1:5
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J02 PLAN GREEN WALL SCALE 1:20
J02 ELEVATION GREEN WALL SCALE 1:20
D01 J02 DETAIL SECTION WALL - GREEN SCALE 1:5
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J02 SECTION GREEN WALL SCALE 1:20
D02 J03 DETAIL SECTION WALL - GREEN SCALE 1:5
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J03 PLAN
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J03 ELEVATION
GREEN WALL SCALE 1:20
GREEN WALL SCALE 1:20
D01 J03 DETAIL SECTION WALL - GREEN SCALE 1:5
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J03 SECTION GREEN WALL SCALE 1:20
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J04 PLAN GREEN WALL SCALE 1:20
J04 ELEVATION GREEN WALL SCALE 1:20
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J04 SECTION GREEN WALL SCALE 1:20
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D03 J05 DETAIL SECTION DETAIL - COLUMN SCALE 1:5
J05 PLAN COLUMN SCALE 1:20
D02 J05 DETAIL SECTION DETAIL - COLUMN SCALE 1:5
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J05 ELEVATION COLUMN SCALE 1:20
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J05 SECTION COLUMN SCALE 1:20
D01 J05 DETAIL SECTION DETAIL - COLUMN SCALE 1:5
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J06 PLAN
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J06 ELEVATION
POS SCALE 1:20
POS SCALE 1:20
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J06 SECTION POS SCALE 1:20
D02 J06 DETAIL SECTION - POS SCALE 1:5
D04 J06 DETAIL SECTION - POS SCALE 15
D01 J06 DETAIL SECTION - POS SCALE 1:5
D03 J06 DETAIL SECTION - POS SCALE 1:5
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J06 ELEVATION POS SCALE 1:20
D05 J06 DETAIL SECTION - POS SCALE 1:5
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J06 ELEVATION POS SCALE 1:20
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J07 PLAN PLANTER SCALE 1:20
J07 ELEVATION PLANTER SCALE 1:20
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J07 SECTION PLANTER SCALE 1:20
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J08 PLAN
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J08 ELEVATION
SERVERY SCALE 1:20
SERVERY SCALE 1:20
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J08 SECTION SERVERY SCALE 1:20
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J09 PLAN KITCHEN BENCH SCALE 1:20
J09 ELEVATION KITCHEN BENCH SCALE 1:20
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J09 SECTION KITCHEN BENCH SCALE 1:20
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J10 PLAN KITCHEN BENCH SCALE 1:20
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J10 SECTION
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J10 ELEVATION
KITCHEN BENCH SCALE 1:20
KITCHEN BENCH SCALE 1:20
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J11 PLAN KITCHEN BENCH SCALE 1:20
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J12 PLAN KITCHEN BENCH SCALE 1:20
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J12 ELEVATION KITCHEN BENCH SCALE 1:20
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J12 SECTION KITCHEN BENCH SCALE 1:20
D02 J12 DETAIL SECTION BENCH DETAIL - KITCHEN SCALE 1:5
D01 J12 DETAIL SECTION BENCH DETAIL - KITCHEN SCALE 1:5
D01 J12 DETAIL SECTION BENCH DETAIL - KITCHEN SCALE 1:5
D01 J12 DETAIL SECTION BENCH DETAIL - KITCHEN SCALE 1:5
D03 J13 DETAIL SECTION BENCH DETAIL - KITCHEN SCALE 1:5
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J13 PLAN KITCHEN BENCH DETAIL SCALE 1:20
D02 J13 DETAIL SECTION BENCH DETAIL - KITCHEN SCALE 1:5
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J13 ELEVATION KITCHEN BENCH SCALE 1:20
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J13 SECTION KITCHEN BENCH SCALE 1:20
D01 J13 DETAIL SECTION BENCH DETAIL - KITCHEN SCALE 1:5
D03 J14 DETAIL SECTION BENCH DETAIL - KITCHEN SCALE 1:5
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J14 PLAN KITCHEN BENCH DETAIL SCALE 1:5
J14 ELEVATION KITCHEN BENCH SCALE 1:20
D02 J14 DETAIL SECTION BENCH DETAIL - KITCHEN SCALE 1:5
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J14 SECTION KITCHEN BENCH SCALE 1:20
D01 J14 DETAIL SECTION BENCH DETAIL - KITCHEN SCALE 1:5
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J15 PLAN KITCHEN BENCH DETAIL SCALE 1:5
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J15 ELEVATION KITCHEN BENCH SCALE 1:20
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J15 SECTION KITCHEN BENCH SCALE 1:20
D03 J15 SECTION DETAILS BENCH DETAIL - KITCHEN SCALE 1:5
D02 J15 SECTION DETAIL BENCH DETAIL - KITCHEN SCALE 1:5
D01 J15 SECTION DETAIL BENCH DETAIL - KITCHEN SCALE 1:5
D04 J15 SECTION DETAIL BENCH DETAIL - KITCHEN SCALE 1:5
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J16 PLAN KITCHEN BENCH DETAIL SCALE 1:20
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J16 ELEVATION KITCHEN BENCH SCALE 1:20
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J16 SECTION KITCHEN BENCH SCALE 1:20
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FLOOR FINISHES PLAN SCALE 1:100
D03 FLOOR FINISH DETAIL FINISH DETAIL - FLOOR SCALE 1:5
D02 FLOOR FINISH DETAIL FINISH DETAIL - FLOOR SCALE 1:5
D01 FLOOR FINISH DETAIL FINISH DETAIL - FLOOR SCALE 1:5