Travelling through Phra Khanong space and time in 1848, the audiences will be experiencing the moments of Nak’s Nak’s transmogrification during her final stage of delivery when she realizes the human-ghost frontier. Her love, greed, wrath, and delusion have driven her to return in order to be with her husband, Mak. Land and Skin paradoxically Nak’s life; when her land becomes no land and her body becomes skinless. Devouring spiritual battles within, Nak finally reconnects with her own self and decides. The 40-minute physical performance will utilize the essence of body movements and choreographic language to explore human and non-human postures as well as to interact with all design elements.
