homework6

‫‪comparative‬‬ ‫عمران العزي علي‬ ‫د ‪ /‬فاروق مفتي‬ ‫م ‪ /‬احمد فالته‬

Charles Moore Moore was a teacher during much of his career, at the University of California at Berkeley, at Yale, and at the University of California Los Angeles. As a practicing architect much of his work was authored under the firm identification "MLTW" - Moore, Lyndon, Turnbull, Whitaker architectural formalism to a re-examination of the nature and function of architecture in today's world. Moore designed several buildings during this period that illustrate his dissidence with the moralistic position that much of modern architecture assumes.

Moore believed that architecture must elicit responses from all the senses, not only the visual. He felt that architecture should be based on client preference and on a symbolic reference to the site. He purposefully creates architecture that engages history, myth and creativity. Instead of using architecture to moralize an ideal, he uses it to generate an environment that stimulates the user.

KRESGE COLLEGE Kresge was the sixth college established at the University of California, Santa Cruz. Founded in 1971, it was designed with the concept of participatory democracy as a means of encouraging a strong sense of community. The vision was for the college to be a place where students enjoyed a sense of creativity, community, and individuality

Hans Hollein born on March 30, 1934 in Vienna/Austria, is an architect, theoretician, urban planner, designer, artist and teacher.

Hollein comes from a family of mining engineers. In his childhood he attended Franz Cizek’s Youth Art Classes in Vienna.After his graduation in 1953 at the Federal Crafts and Industry School in Vienna, he studied architecture at the Academy of Fine Arts in Clemens Holzmeister’s master class.

During this time he also lived and worked in Stockholm/Sweden. After his diploma in 1956 he was granted a Commonwealth Fund Scholarship and he continued his studies in the USA in 1958.

He studied architecture and urban planning at the Illinois Institute of Technology (IIT) in Chicago until 1959. In 1960 he finished his studies at the University of California in Berkeley as Master of Architecture.

In his extensive travels by car through the USA and Mexico he was, among others, very interested in the buildings of Rudolf M. Schindler and the pueblos of the American Indians.

After his return to Vienna he worked in several architecture offices, until he started his own business as certified civil engineer in 1964.

From 1964 until 1970 he was editor of the magazine “Bau” in Vienna and worked also for several national and international architectural journals as a correspondent.

In 2010 he founded together with Ulf Kotz and Christoph Monschein the Hans Hollein & Partner ZT-GmbH. An essential part of Hollein’s life was formed by his teaching activities in Austria and abroad: In the USA he was guest professor at the Washington University in 1963/64 and in 1966 at the School of Architecture, St. Louis/Missouri, the Yale University, New Haven/Connecticut, the University of California (UCLA), Los Angeles and at the Ohio State University, Columbus.

From 1967 until 1976 he was professor at the Academy of Arts in Düsseldorf. At the University of Applied Arts in Vienna he was head of the master class for Industrial Design and of the Institute for Design, from 1976 until 1979, as well as head of a master class for architecture from 1979 until 2002 and head of the Department I Architecture from 1995 until 1999.

Hans Hollein is widowed (Helene Hollein, 1947–1999) and father of two children, Max (born in 1969) and Lilli (born in 1972)

Seattle art museum Exhibition itinerary Seattle Art Museum, August 11, 2010– August 11, 2011 Author Regan Doody, Museum Educator for School + Educator Programs, Seattle Art Museum Editing Anna Elam, Wyckoff Teacher Resource Center Librarian/Educator, Seattle Art Museum Sandra Jackson-Dumont, Kayla Skinner Deputy Director for Education & Public Programs/Adjunct Curator, Department of Modern + Contemporary Art, Seattle Art Museum Jennifer Willson, Manager of School + Educator Programs, Seattle Art Museum Advisory Committee Dr. Barbara Brotherton, Curator of Native American Art, Seattle Art Museum Frank Hanson, School Superintendent, La Push, Washington

Villa capra (La Rotonda )

1591 Villa Rotunda Vicenza, Italy Andreas Palladio Raymond Chau and Ruogu Liu The site selected was a hilltop just outside the city of Vicenza.

Unlike some other Palladian villas, the building was not designed from the start to accommodate a working farm. This sophisticated building was designed for a site which was, in modern terminology, "suburban". Palladio classed the building as a "palazzo" rather than a villa.