Encore Atlanta April 2011 ASO#1

Robert Spano Music Director Donald Runnicles Principal Guest Conductor Michael Krajewski Principal Pops Conductor

April 14/15/16 Tchaikovsky: Violin Concerto Sergei Krylov, violin April 21/22/23 Rachmaninov: Piano Concerto No. 4 Simon Trpceski, piano April 28/30

Puccini: La bohème Act 3

Jeff Roffman

Robert Spano, conductor

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RetuRn this spRing foR Real family dysfunction

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apR. 13 – may. 8 This raucous dark comedy transforms one family gathering into an evening of can’t-turn-away bloodsport. It’s an emotional Armageddon you don’t want to miss.

August: Osage County The Pulitzer Prize-winning play

By Tracey Letts Directed by Susan V. Booth

contents April 2011

18

features

the music

18 Earning Their Stripes

23 The concert’s program and notes

The opportunity to become part of the Atlanta Symphony Youth Orchestra annually draws hundreds of young people eager for a unique experience.

44 Unseen but not Unsung

From preparing every note concertgoers hear to serving as president of her profession, the Orchestra’s Principal Librarian Rebecca Beavers keeps the players finely tuned.

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departments 10 President’s Letter 12 Orchestra Leadership 14 Robert Spano 16 Musicians 33 Contributors 50 Calendar 52 Administration 54 General Info 56 Ticket Info 58 Gallery ASO

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I

MAHLER & PUCCINI ATLANTA SYMPHONY ORCHESTRA Haunting echoes of “The Sweet Hereafter”: Puccini’s beloved opera La bohème is entwined with Bach’s Cantata of redemption; Mahler’s original version of what became the opening movement of his famed “Resurrection” Symphony; and Purcell’s Funeral March.

4.28.11 & 4.30.11

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4.13.11 - 5.08.11

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publisher/sales Sherry Madigan White 404.459.4128 sherry.white@encoreatlanta.com account executive editorial director/chief storyteller

Kristi Casey Sanders kristi@encoreatlanta.com art director

Jenny Schisler jenny@encoreatlanta.com project manager/production artist Whitney Stubblefield whitney@encoreatlanta.com production assistant Lauren Wright contributing editor Kathy Janich contributing writers Kimberly Nogi and Karl Schnittke

atlanta symphony orchestra Rob Phipps Karl Schnittke program annotator Ken Meltzer

Thomas Pinckney 404.459.4127 thomas.pinckney@encoreatlanta.com senior national accounts manager

Sandra Ourusoff 212.260.4883 marketing administrator Stephanie Smith ENCORE ATLANTA is published monthly

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Welcome to April!

When I play music I am more creative I get better grades I have greater self-confidence I feel part of a group We know anecdotally that people who study and make music are happier, more creative and better able to cope with the challenges life brings. An abundance of research confirms those perceptions: Children who study music score higher in math and science, experience greater success in academic pursuits of all kinds, and show increased propensity for spatial thinking, creative problem solving and working within groups. We need music — in our schools, in our communities and our lives.

Last month we launched the Atlanta Symphony Orchestra’s When I Play Music campaign. Our campaign is about kids; our campaign is about the future.

When I Play Music challenges us to think about the importance of music in our lives — and about what we lose when music is not a part of our children’s lives, not a vital part of the fabric of our community.

Through the campaign, we are seeking to engage and inform at least 50,000 Atlantans about the role that music plays in our lives, about the multiple benefits of playing and singing and listening. We hope that tens of thousands of people will want to play a small part — with a gift of just $5 to help provide one hour of music lessons for one child — in helping us ensure the future of music in our community.

Please give $5 today by going online to aso.org/give5; texting “ASO” to 50555; or using your smart phone to scan QR codes on Orchestra print advertising.

I hope you will take part in our When I Play Music campaign and that you will encourage others to do so as well. Thank you so much for your support of your Atlanta Symphony Orchestra!

Wishing you all the best,

Stanley E. Romanstein, Ph.D. President

10 EncoreAtlanta.COM

leadership Atlanta Symphony Orchestra League 2010-2011 Board of Directors Officers Ben F. Johnson, III Chair Vice Chairs Clayton F. Jackson Finance Chair/ Treasurer

Meghan H. Magruder Jeff Mango Belinda Massafra * ASA President Penny McPhee

Stanley E. Romanstein, Ph.D. * Chilton Davis Varner Joni Winston Secretary

Directors Jim R. Abrahamson Pinney L. Allen Joseph R. Bankoff * Jason A. Bernstein Paul Blackney Janine Brown Donald P. Carson Ann W. Cramer Cari K. Dawson Richard A. Dorfman David Edmiston Gary P. Fayard Dr. Robert Franklin Paul Garcia Carol Green Gellerstedt Jim Henry

Tad Hutcheson Mrs. Roya Irvani Clayton F. Jackson D. Kirk Jamieson Ben F. Johnson, III Steve Koonin Carrie Kurlander Mike Lang Donna Lee Lucy Lee Karole F. Lloyd Meghan H. Magruder Jeff Mango Belinda Massafra * Darrell J. Mays Penny McPhee

Galen Oelkers Victoria Palefsky Leslie Z. Petter Suzanne Tucker Plybon Patricia Reid Martin Richenhagen John D. Rogers Stanley E. Romanstein, Ph.D.* Dennis Sadlowski Ms. Lynn Schinazi William Schultz Tom Sherwood John Sibley Hamilton Smith Lucinda B. Smith

Thurmond Smithgall Gail R. Starr Mary Rose Taylor Joseph M. Thompson Liz Troy Chilton Davis Varner S. Patrick Viguerie Rick Walker Thomas Wardell Mark Wasserman John B. White, Jr. Richard S. (Dick) White, Jr. Joni Winston Patrice Wright-Lewis Camille Yow

Board of counselors Mrs. John Aderhold Robert M. Balentine Elinor Breman Dr. John W. Cooledge John Donnell Jere Drummond Carla Fackler Arnoldo Fiedotin

Ruth Gershon Charles Ginden John T. Glover Frances B. Graves Dona Humphreys Aaron J. Johnson Herb Karp Jim Kelley

George Lanier Patricia Leake Mrs. William C. Lester Mrs. J. Erskine Love Carolyn C. McClatchey Bertil D. Nordin Joyce Schwob

Mrs. Charles A. Smithgall, Jr. W. Rhett Tanner G. Kimbrough Taylor Michael W. Trapp Edus Warren Adair R. White Neil Williams

Azira G. Hill Dr. James M. Hund

Arthur L. Montgomery

Life Directors Howell E. Adams, Jr. Bradley Currey, Jr.

Mrs. Drew Fuller Mary D. Gellerstedt

* ex officio

12 EncoreAtlanta.COM

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Robert M Spano music Director

usic Director Robert Spano, beginning his 10th season as music director of the Atlanta Symphony Orchestra, is recognized internationally as one of the most imaginative conductors today. Since 2001, he has invigorated and expanded the Orchestra’s repertoire while elevating the ensemble to new levels of international prominence and acclaim.

angela morris

The Orchestra and audiences together explore a creative programming mix, recordings and visual enhancements, such as Theater of a Concert — the Orchestra’s continuing exploration of different formats, settings, and enhancements for the musical performance experience — and the first concert-staged performances of John Adams’s Doctor Atomic in November 2008. The Atlanta School of Composers reflects Mr. Spano and the Orchestra’s commitment to nurturing and championing music through multi-year partnerships, defining a new generation of American composers, including Osvaldo Golijov, Jennifer Higdon, Christopher Theofanidis and Michael Gandolfi. Since the beginning of his tenure, Mr. Spano and the Orchestra have performed over 100 concerts featuring contemporary works (composed since 1950), including 13 Atlanta Symphony-commissioned world premieres and three additional world premieres.

14 EncoreAtlanta.COM

Mr. Spano has a discography with the Atlanta Symphony Orchestra of nine recordings — six of which have been honored with Grammy® awards. He has led the Orchestra’s performances at Carnegie Hall and Lincoln Center, as well as the Ravinia, Ojai and Savannah music festivals. He has led the New York and Los Angeles Philharmonics, San Francisco, Boston, Cleveland, Chicago and Philadelphia symphony orchestras, as well as Orchestra Filarmonica della Scala, BBC Symphony and Amsterdam’s Royal Concertgebouw Orchestra. In addition, he has conducted for Covent Garden, Welsh National Opera, Lyric Opera of Chicago, Houston Grand Opera, and the 2005 and 2009 Seattle Opera Ring cycles.

Mr. Spano was Musical America’s 2008 Conductor of the Year. In March 2010, Mr. Spano began a threeyear tenure as Emory University’s Distinguished Artist in Residence, for which he spends three weeks each year leading intensive seminars, lecturing, and presenting programs on science, math, philosophy, literature and musicology throughout the university’s campus.

Meet the star of our show.

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PRESENT YOUR TICKET STUB FOR 10% OFF YOUR MEAL

Robert Spano, Music Director, The Robert Reid Topping Chair * Donald Runnicles, Principal Guest Conductor, The Neil and Sue Williams Chair * FIRST VIOLIN

David Coucheron Concertmaster The Mr. and Mrs. Howard R. Peevy Chair*

William Pu Associate Concertmaster The Charles McKenzie Taylor Chair*

Justin Bruns Assistant Concertmaster The Mary and Cherry Emerson Chair

Jun-Ching Lin Assistant Concertmaster

Carolyn Toll Hancock The AGL Resources Chair

John Meisner Alice Anderson Oglesby Lorentz Ottzen Christopher Pulgram Carol Ramirez Juan Ramirez Olga Shpitko Denise Berginson Smith Kenn Wagner Lisa Wiedman Yancich

Sharon Berenson David Braitberg Noriko Konno Clift Judith Cox David Dillard Eleanor Kosek Raymond Leung Ruth Ann Little Thomas O’Donnell Ronda Respess Sanford Salzinger Frank Walton VIOLA

Reid Harris Principal The Edus H. and Harriet H. Warren Chair*

Paul Murphy Associate Principal The Mary and Lawrence Gellerstedt Chair *

Catherine Lynn Assistant Principal

Wesley Collins Marian Kent Yang-Yoon Kim Yiyin Li

SECOND VIOLIN

David Arenz Principal The Atlanta Symphony Associates Chair*

Sou-Chun Su Associate Principal The Frances Cheney Boggs Chair*

Jay Christy Assistant Principal

16 EncoreAtlanta.com

Lachlan McBane Jessica Oudin Ardath Weck

BASS

Ralph Jones

CELLO

Principal The Marcia and John Donnell Chair  *

Christopher Rex

Gloria Jones

Principal The Miriam and John Conant Chair*

Daniel Laufer Associate Principal The Livingston Foundation Chair

Associate Principal

Jane Little Assistant Principal Emeritus

Assistant Principal

Michael Kenady Michael Kurth Douglas Sommer Thomas Thoreson

Dona Vellek

FLUTE

Karen Freer

Assistant Principal Emeritus

Joel Dallow Jere Flint Jennifer Humphreys Larry LeMaster Brad Ritchie Paul Warner

Christina Smith Principal The Jill Hertz Chair*

Robert Cronin Associate Principal

Paul Brittan The Georgia Power Foundation Chair

Carl David Hall

michael Krajewski, Principal Pops Conductor Jere Flint, Staff Conductor; Music Director of the Atlanta Symphony Youth Orchestra The Zeist Foundation Chair * Norman Mackenzie, Director of Choruses, The Frannie and Bill Graves Chair PICCOLO

E-FLAT CLARINET

TRUMPET

PERCUSSION

Carl David Hall

Ted Gurch

Thomas Hooten

Thomas Sherwood

OBOE

BASS CLARINET

Elizabeth Koch

Alcides Rodriguez

Principal The Madeline and Howell Adams Chair*

Principal The Julie and Arthur Montgomery Chair*

Karin Bliznik

William Wilder

BASSOON

Associate Principal

Assistant Principal William A. Schwartz Chair*

rincipal P The George M. and Corrie Hoyt Brown Chair *

Yvonne Powers Peterson Associate Principal Ann Lillya † Patrick McFarland

Carl Nitchie Principal The Walter L. “Buz” Carr, III Chair

Elizabeth Burkhardt Associate Principal

Laura Najarian

Michael Myers Joseph Walthall TROMBONE

Colin Williams Principal The Wachovia Chair

Stephen Wilson

ENGLISH HORN

The Pricewaterhouse Coopers Chair

Patrick McFarland

Juan de Gomar

Associate Principal The Patsy and Jere Drummond Chair

CLARINET

CONTRABASSOON

George Curran Edmon Nicholson

Laura Ardan Principal The Robert Shaw Chair*

Juan de Gomar

Ted Gurch

HORN

BASS TROMBONE

Associate Principal

Brice Andrus

George Curran

William Rappaport

Principal The Sandra and John Glover Chair

TUBA

The Alcatel-Lucent Chair

Alcides Rodriguez

Susan Welty Associate Principal

Thomas Witte Richard Deane

Michael Moore Principal The Georgia-Pacific Chair

The UPS Community Service Chair

TIMPANI

Bruce Kenney

Principal The Walter H. Bunzl Chair*

Mark Yancich

William Wilder Assistant Principal

Charles Settle HARP

Elisabeth Remy Johnson Principal The Delta Air Lines Chair

KEYBOARD The Hugh and Jessie Hodgson Memorial Chair*

Peter Marshall † Beverly Gilbert † Sharon Berenson LIBRARY

Rebecca Beavers Principal

Steven Sherrill Assistant Principal Librarian

John Wildermuth Assistant Librarian *C hair named in perpetuity † Regularly engaged musician Players in string sections are listed alphabetically.

Atlanta’s Performing Arts Publication 17

Earning their stripes

The opportunity to become part of the Atlanta Symphony Youth Orchestra annually draws hundreds of young people eager for a unique experience

By Kimberly Nogi The Atlanta Symphony Youth Orchestra (ASYO) has long prided itself on being a vibrant part of the cultural fabric of the Atlanta community; but in reality, the reach of the Youth Orchestra extends far beyond Atlanta’s music scene.

Every year, more than 400 middle and high school instrumentalists spend countless hours preparing to audition for approximately 120 positions in the Youth Orchestra. But why?

Former Atlanta Symphony Principal Trumpet Chris Martin, now principal trumpet of the Chicago Symphony Orchestra, only played with the Youth Orchestra for one year, but he recognizes the tremendous value of the program for young musicians.

“The ASYO gives young musicians the experience of preparing concerts at the highest level of commitment and artistry,” says Martin. “It’s a rare place where talented young people come together, challenge each other, and learn from each other while playing some of the greatest music in the world.”

18 EncoreAtlanta.COM

The Youth Orchestra, which performs four concerts annually, provides students with many extraordinary opportunities, including the chance to work with renowned conductors and guest artists, and perform commissioned works by local and national composers.

Every Saturday, students travel from as far as Alabama and Asheville, N.C., for their weekly rehearsals, which include coaching sessions with Atlanta Symphony musicians. For many, the experience is worth the drive simply because it provides an experience that students do not receive in their school’s music education programs.

“I had a chance to be around people my own age who took making music seriously,” says Chris Pulgram, former concertmaster of the Youth Orchestra and now a violinist with the Atlanta Symphony.

At the time Pulgram participated in the program, his high school did not have a string program.

Former ASYO violist Bethani Oppenheimer agrees that the Youth Orchestra provided her with a heightened musical experience that she was not receiving in her school’s music education program.

Favorite ASYO Experience?

“ Traveling to Berlin in 2004.”

— Stanford L. Thompson “It introduced me to a much wider world of opportunities,” she says. “Being able to play alongside such talented individuals pushed me to work harder. There was a common goal among the students to achieve and perform at a high level.”

2020EncoreAtlanta.com EncoreAtlanta.COM

Favorite ASYO Experience?

“ Performing the Mussorgsky/ Ravel Pictures at an Exhibition at the ripe young age of 17! What a rush!”

— Chris Martin Oppenheimer, who chose not to pursue music professionally, still acknowledges how her experience in the Youth Orchestra helped shape her career. Now a human resources director for a real estate management and development company, Oppenheimer said her participation in the Youth Orchestra led her to an internship with the Atlanta Symphony education department and prepared her for a fellowship at the John F. Kennedy Center for the Performing Arts, ultimately launching a chain of events that brought her to where she is today.

Throughout its 36-year existence, the Youth Orchestra has gained national recognition as one of the best youth orchestras in the country — and it has the performance history to prove it. Regularly broadcasted on Atlanta’s public radio station WABE, the Youth Orchestra also has been featured on National Public Radio’s “From the Top.” Notable performances include the closing ceremonies to the 1996 Olympic Games — the only American youth orchestra to ever participate in the Olympics — and a CD and DVD recording collaboration with rock band Collective Soul. The group has also hosted or exchanged visits with youth orchestras from Great Britain, Australia, and Berlin.

Continued on page 42

program Robert Spano, Music Director Donald Runnicles, Principal Guest Conductor

Delta Classical Series Concerts Thursday, Friday and Saturday, April 14, 15 and 16, 2011, at 8 p.m.

Nicola Luisotti, Conductor Sergej Krylov, Violin Giuseppe Verdi (1813-1901) Overture to La forza del destino (1862) Peter Ilyich Tchaikovsky (1840-1893)

Concerto in D Major for Violin and Orchestra, Opus 35 (1878) I. Allegro moderato

II. Canzonetta. Andante

III. Finale. Allegro vivacissimo

Sergej Krylov, Violin INTERMISSION Robert Schumann (1810-1856)

Symphony No. 4 in D minor, Opus 120 (1841, rev. 1851) I. Ziemlich langsam; Lebhaft

II. Romanze. Ziemlich langsam III. Scherzo. Lebhaft IV. Langsam; Lebhaft

“Inside the Music” preview of the concert, Thursday at 7 p.m., presented by Ken Meltzer, Atlanta Symphony Orchestra Insider and Program Annotator.

The use of cameras or recording devices during the concert is strictly prohibited.

Atlanta’s Performing Arts Publication 23

sponsors

is proud to sponsor the Delta Classical Series of the Atlanta Symphony Orchestra.

Delta is proud to be celebrating our 70th anniversary as Atlanta’s hometown airline. Delta’s community spirit worldwide continues to be a cornerstone of our organization. As a force for global good, our mission is to continuously create value through an inclusive culture by leveraging partnerships and serving communities where we live and work. It includes not only valuing individual differences of race, religion, gender, nationality and lifestyle, but also managing and valuing the diversity of work teams, intracompany teams and business partnerships.

Delta is an active, giving corporate citizen in the communities it serves. Delta’s community engagement efforts are driven by our desire to build long-term partnerships in a way that enables nonprofits to utilize many aspects of Delta’s currency — our employees time and talent, our free and discounted air travel, as well as our surplus donations. Together, we believe we can take our worldwide communities to new heights!

Major funding for the Atlanta Symphony Orchestra is provided by the Fulton County Board of Commissioners under the guidance of the Fulton County Arts Council.

Solo pianos used by the Atlanta Symphony Orchestra are gifts of the Atlanta Steinway Society and in memory of David Goldwasser. The Hamburg Steinway piano is a gift received by the Atlanta Symphony Orchestra in honor of Rosi Fiedotin. The Yamaha custom six-quarter tuba is a gift received by the Atlanta Symphony Orchestra in honor of Principal Tuba player Michael Moore from The Antinori Foundation.

This performance is being recorded for broadcast at a later time. Atlanta Symphony concert broadcasts are heard each week on Atlanta’s WABE FM-90.1 and Georgia Public Broadcasting’s statewide network.

The Atlanta Symphony records for ASO Media. Other recordings of the Orchestra are available on the Argo, Deutsche Grammophon, New World, Nonesuch, Philips, Telarc and Sony Classical labels.

Media sponsors: Atlanta Journal-Constitution and WSB 750 AM. Trucks provided by Ryder Truck Rental Inc.

24 EncoreAtlanta.com

program Notes on the Program

By Ken Meltzer Overture to La forza del destino (1862) Giuseppe Verdi was born in Roncole, Italy, on October 9 or 10, 1813, and died in Milan, Italy, on January 27, 1901. The first performance of La forza del destino took place at the Imperial Theater in St. Petersburg, Russia, on November 10, 1862. The Overture to La forza del destino is scored for piccolo, flute, two oboes, two clarinets, two bassoons, four horns, two trumpets, three trombones, tuba, timpani, cymbals, bass drum, two harps and strings. Approximate performance time is eight minutes.

First ASO Classical Subscription Performances: April 26, 27 and 28, 1979, Robert Shaw, Conductor.

Most Recent ASO Classical Subscription Performances: September 8, 9 and 10, 1988, Yoel Levi, Conductor.

I

n 1861, the famous dramatic tenor Enrico Tamberlik proposed that Giuseppe Verdi compose an opera — based upon any story the eminent Italian composer wished — for the Imperial Theater of St. Petersburg, Russia. Verdi finally decided upon a sprawling 1830s Spanish play, Don Alvaro, or The Force of Destiny, by Angel Pérez de Saavedra, Duke of Rivas. Francesco Maria Piave, Verdi’s librettist for several works, including Macbeth, Rigoletto, and La traviata, adapted the work for the operatic stage. The premiere took place in St. Petersburg on November 10, 1862.

Although Forza was a success with the public, Verdi felt the score was not sufficiently concise.

Verdi finally revised the opera for an 1869 carnival season production at the La Scala Opera House in Milan. By that time, Piave had suffered a debilitating stroke and so, Verdi called upon the services of Antonio Ghislanzoni to assist him in reworking the libretto. The revised La forza del destino, which premiered at La Scala on February 27, 1869, was a resounding triumph and continues to be the version performed in opera houses around the world.

To this day, some find Forza’s unusual length — expanded by several crowd scenes — somewhat problematic. However, the basic tale is simple enough. Don Alvaro accidentally kills the Marquis of Calatrava — the father of the woman he loves, Leonora di Vargas. Don Carlo, the Marquis’s son, searches for Don Alvaro and Leonora in order to avenge his father’s death. Don Carlo finally confronts Don Alvaro (now a priest), and challenges him to a duel. Don Alvaro mortally wounds Don Carlo, who in turn fatally stabs Leonora when she tries to comfort her brother.

Don Alvaro curses the fates, but when he finally prays for forgiveness, Leonora dies in peace.

Verdi composed a Prelude for the original, 1862 version of La forza del destino that he revised into the famous Overture for the 1869 La Scala production. It is a magnificent orchestral showpiece that remains Verdi’s most popular overture in the concert hall.

Typical of overtures of the time, it incorporates various melodies from the opera. The Overture begins with the repeated ominous brass chords that serve to open Act II. The Atlanta’s Performing Arts Publication 25

strings then introduce the relentless, churning motif of destiny that, introduced in Act I, pursues Leonora di Vargas throughout the opera. Several further melodies from the opera — often accompanied by the fate motif — are introduced with the unerring contrast and inexorable forward motion that are hallmarks of one of the lyric theater’s greatest dramatists. A rousing coda brings the Overture to a stunning conclusion.

Concerto in D Major for Violin and Orchestra, Opus 35 (1878) Peter Ilyich Tchaikovsky was born in Kamsko-Votkinsk, Russia, on May 7, 1840, and died in St. Petersburg, Russia, on November 6, 1893. The first performance of the Violin Concerto took place in Vienna, Austria, on December 4, 1881, with Adolf Brodsky as soloist and Hans Richter conducting the Vienna Philharmonic. In addition to the solo violin, the D-Major Concerto is scored for two flutes, two oboes, two clarinets, two bassoons, four horns, two trumpets, timpani and strings. Approximate performance time is thirty-six minutes.

First ASO Classical Subscription Performance: January 25, 1948, Robert Harrison, Violin, Henry Sopkin, Conductor.

Most Recent ASO Classical Subscription Performances: October 9, 10 and 11, 2008, Robert McDuffie, Violin, Robert Spano, Conductor.

T

chaikovsky composed his only Violin Concerto during the spring of 1878. As Tchaikovsky reported to his patroness, Nadezhda von Meck:

From the first moment that the right frame of mind came to me it has never left me. With one’s inner life in this condition composing ceases altogether to be work: it becomes unalloyed pleasure. While you are writing you do not notice how time passes and if no one came to interrupt you you would sit there and never leave your work all day.

Still, there were refinements to be made to the piece. Tchaikovsky solicited the opinions of his friend, violinist Iosif Kotek, and the composer’s brother, Modest. Both were dissatisfied with the original slow movement. Tchaikovsky replaced it with the beautiful Canzonetta that forms the central movement of the Concerto (the original slow movement ultimately became the opening Méditation of Tchaikovsky’s 1878 Souvenir d’un lieu cher, Opus 42, for violin and piano). By the middle of April, Tchaikovsky had fully orchestrated his Violin Concerto.

Tchaikovsky dedicated his Concerto to Leopold Auer, the great Hungarian-born violinist, who was living and teaching in St. Petersburg. Auer, for whom Tchaikovsky also composed his Sérénade mélancolique, Opus 26 (1875), declined to play the Concerto. As Tchaikovsky recalled some years later: I do not know whether Auer was flattered by my dedication — only that, despite his sincere friendship towards me, he never wanted to master the difficulties of this concerto, deemed it awkward to play —

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program and that a verdict such as this from the authoritative St. Petersburg virtuoso cast my poor child for many years into the abyss, it seemed, of eternal oblivion.

It was violinist Adolf Brodsky who took up the cause for Tchaikovsky’s Concerto, serving as soloist for the first performance, which took place in Vienna on December 4, 1881. Hans Richter conducted the Vienna Philharmonic. Tchaikovsky greatly appreciated the courage displayed by Brodsky in premiering the work: He has not yet fully established his position in Vienna and I know very well that it was difficult and nerve-wracking for him to appear before a Viennese audience with a concerto by an unknown composer, and a Russian one to boot. For that reason I am doubly grateful to him for the service he has rendered me.

“A brutal and wretched jollity of a Russian holiday” The extent of Brodsky’s courage becomes even clearer when the circumstances of the premiere are examined. The reaction by the audience and critics was unfavorable, to say the least. The performance inspired the prominent Viennese critic, Eduard Hanslick, to write one of the most (in)famous reviews in music history. For several months after the concert, Tchaikovsky carried with him a copy of the review and, to the end of his days, could recite verbatim Hanslick’s caustic prose: The Russian composer Tchaikovsky is surely not an ordinary talent, but rather an inflated one, with a genius-like obsession without discrimination or taste. Such is also his latest, long and pretentious Violin Concerto. For a while it moves soberly, musically, and not without spirit. But soon vulgarity gains the upper hand, and asserts itself to the end of the first movement.

The violin is no longer played; it is pulled, torn, drubbed. The Adagio is again on its best behavior, to pacify and win us. But it soon breaks off to make way for a finale that transfers us to a brutal and wretched jollity of a Russian holiday. We see plainly the savage vulgar faces, we hear curses, we smell vodka. Friedrich Visser once observed, speaking of obscene pictures, that they stink to the eye. Tchaikovsky’s Violin Concerto gives us for the first time the hideous notion that there can be music that stinks to the ear.

Still, Brodsky persevered in his advocacy of the Concerto, playing it throughout Europe.

In time, the merits of the Tchaikovsky Violin Concerto became clear. Even Leopold Auer finally performed the work, as did such protégés as Mischa Elman and Jascha Heifetz. But it was Adolf Brodsky to whom Tchaikovsky dedicated this beloved masterpiece.

Musical Analysis I. Allegro moderato — The Concerto begins with an orchestral introduction, during which the violins foreshadow the movement’s main theme. The soloist enters and, after a brief opening passage, presents the flowing, principal melody. There are some playful flights for Atlanta’s Performing Arts Publication 27

the soloist, followed by the presentation of another expressive, lyrical theme. A stunningly virtuoso passage by the soloist leads to a grand orchestral proclamation of the principal melody, soon incorporated once again by the solo violin. After another orchestral statement of the theme, there is a fiery development section and a grand cadenza for the soloist. Over the soloist’s trills, the flute ushers in the recapitulation of the principal themes. The stunning coda again features the soloist in breathtaking display.

II. Canzonetta. Andante — The brief and extraordinarily beautiful Canzonetta begins with a passage for winds. The muted solo violin soon enters with the soulful principal melody, which is echoed by the clarinet and flute. There is a contrasting, more wide-ranging theme for the soloist, followed by a reprise of the opening melody. A variant of the movement’s introductory measures serves as a bridge to the Finale, which follows without pause.

III. Finale. Allegro vivacissimo — A boisterous orchestral statement and brief cadenza serve as prelude to the soloist’s introduction of the energetic principal theme. The soloist — over emphatic accompaniment by the cellos and bassoon counterpoint — plays the rustic second theme. A lyrical interlude twice serves as contrast to the repetition of the principal melodies.

The writing for the soloist throughout the Finale is brilliant, perhaps nowhere more so than in the thrilling closing pages.

Symphony No. 4 in D minor, Opus 120 (1841, rev. 1851) Robert Schumann was born in Zwickau, Germany, on June 8, 1810, and died in Endenich, Germany, on July 29, 1856. The first performance of the Symphony No. 4 took place at the Gewandhaus in Leipzig, Germany, on December 6, 1841, with Ferdinand David conducting. The Symphony No. 4 is scored for two flutes, two oboes, two clarinets, two bassoons, four horns, two trumpets, three trombones, timpani and strings. Approximate performance time is twenty-nine minutes.

First ASO Classical Subscription Performances: November 20, 21 and 22, 1969, James Levine, Conductor.

Most Recent ASO Classical Subscription Performances: January 28, 29 and 30, 1999, Roberto Abbado, Conductor.

“My most beloved young wife!”

O

n September 12, 1840, the German composer Robert Schumann wed his beloved Clara Wieck (1819-1896). The courtship had been a long and stressful one, for Clara’s father, Friedrich Wieck, vehemently opposed any union between his daughter and Robert. Friedrich Wieck did everything within his power to prevent the marriage. Nevertheless, the day after the wedding (which was also Clara’s birthday), Robert wrote the following in the couple’s joint diary: My most beloved young wife! Let me greet you with a tender kiss on this special day, the first of your womanhood, the first of your twentyfirst year. The little book which I open herewith has a very particular,

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program intimate meaning; it is to record everything that affects us together in our household and married life, our wishes, our hopes…your fair hopes and mine — may heaven bless them; your anxieties and mine…in short, all our hopes and sorrows…

Robert’s union with Clara (a virtuoso pianist and accomplished composer in her own right) seemed to inspire his creative powers. In the year of their marriage, Robert Schumann composed some 150 songs, including the glorious cycles Frauenliebe und -leben (A Woman’s Love and Life) and Dichterliebe (A Poet’s Love). In 1841, Schumann focused his energies upon orchestral music. In the early portion of that year, Schumann completed his joyous “Spring” Symphony (No. 1 in B-flat Major, Opus 38). Schumann then composed his Overture, Scherzo and Finale, Opus 52. In May, Schumann penned a single-movement Fantasy in A minor for piano and orchestra. Four years later, Schumann added an Intermezzo and Allegro vivace, transforming that Fantasy into the great, three-movement Piano Concerto in A minor, Opus 54.

“Emerging from the depths of his soul” In that same productive year of 1841, Schumann composed the original version of his D-minor Symphony. On May 31, Clara wrote in her diary: Robert’s mind is very creative now, and he began a symphony yesterday which is to consist of one movement, but with an Adagio and finale. I have heard nothing of it as yet, but seeing Robert’s doings, and from hearing a D minor echoing wildly in the distance, I know in advance that this will be another work that is emerging from the depths of his soul.

Robert continued to work on the D-minor Symphony throughout the late summer and early fall of 1841. During that time, another blessed event occurred for Robert and Clara Schumann. Their first child, Marie, was born on September 1.

The premiere of Schumann’s D-minor Symphony took place at the Leipzig Gewandhaus on December 6, 1841. The conductor was Ferdinand David, the concertmaster of the Gewandhaus Orchestra. The new Symphony inspired a mixed reaction. As one critic wrote: Robert Schumann’s works claim our undivided attention; this poetic and spiritual composer will no doubt soon become one of our most celebrated masters if our nation does not forget the joy that can be had in genuinely spiritual creations. He offers no Philistine trivialities or petty bourgeois forms; within him is a deep, effervescent and invigorating fountain that pours out of him in a thousand noble and magnificent streams.

Nevertheless, that same critic observed: “The audience was visibly surprised by his… symphony…since he linked the movements together, thus confusing many concert-goers.

Some of them, in their musical devotion, believed that the entire symphony was one rather long movement.”

Despite the lukewarm reception, Schumann maintained his faith in the D-minor Symphony.

As he wrote to a friend, “I know (it is) not at all inferior to the First, and must succeed Atlanta’s Performing Arts Publication 29

sooner or later.” However, ten years would elapse before Schumann would again turn his attention to the work (by that time, Schumann had composed two more Symphonies, and so, the D-minor was ultimately published as his Fourth). In 1851, Schumann penned extensive revisions to the D-minor Symphony.

The revised version of Schumann’s D-minor Symphony received its premiere under the composer’s baton, in Düsseldorf on March 3, 1853. The premiere, and subsequent performances, proved to be highly successful, establishing the Schumann Fourth as a Romantic symphony of the highest inspiration. The lack of pauses between movements, which so confused the audience at the 1841 premiere, soon became recognized as one of the work’s strengths. This technique, coupled with the return and metamorphoses of thematic material throughout the Symphony, create an orchestral journey of remarkable unity and dramatic momentum.

Musical Analysis I. Ziemlich langsam; Lebhaft (Quite slowly; Lively) — The Symphony begins with a brooding, slow introduction (Ziemlich langsam), featuring motifs that will serve as the basis for thematic material throughout the work. The music accelerates into the restive, principal theme (Lebhaft), introduced by the strings, flutes and oboes. On ominous chord serves to herald the development section, which features the expected manipulation of the central theme. But, the development also presents new thematic material — an aggressive, fanfarelike motif, played fortissimo by the winds, as well as a flowing, dolce melody, initially sung by the first violins. The themes interact throughout the remainder of the movement, finally leading to a grand climax, featuring a glorious transformation of the dolce melody. The second movement follows without pause.

II. Romanze. Ziemlich langsam (Romance. Quite slowly) — The opening section of the brief Romanze is based upon two themes. The first is a plaintive melody, offered by the oboe and cellos. The strings then reprise music from the opening movement’s slow introduction. That music also serves as the basis for the Romanze’s central portion, featuring an enchanting violin solo. The oboe melody returns to conclude the movement, leading directly to the Scherzo.

III. Scherzo. Lebhaft (Lively) — The Scherzo’s forceful, principal theme, played by the violins, is again based upon music from the slow introduction to the opening movement. The woodwinds punctuate this theme with the fanfare motif from the first movement’s development section.

The contrasting Trio section features a serene variant of the Romanze’s violin solo. A reprise of the Scherzo and Trio sections leads, without pause, to the final movement.

IV. Langsam; Lebhaft (Slow; Lively) — Music from the slow introduction to the first movement now serves as the basis for the mysterious transition (Langsam) to the finale’s vigorous, quick-tempo, principal section (Lebhaft), in D Major. The arresting opening theme of the Lebhaft portion is, once again, an ingenious synthesis of motifs from the opening movement. The exposition also features more lyrical themes that predominate throughout the remainder of the movement, as the Symphony proceeds to a whirlwind close.

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program Nicola Luisotti, Conductor

H

ailed as San Francisco Opera’s “ideal new maestro” by The New York Times, Italian conductor Nicola Luisotti was recently awarded the Premio Puccini Award from the Fondazione Festival Pucciniano di Torre del Lago in conjunction with the 100th anniversary performances of La fanciulla del West at The Metropolitan Opera.

Opera engagements for the 2010–11 season also include Nicola Luisotti a new production of Attila at Milan’s La Scala; Tosca and Die Zauberflöte at Dresden Opera; and Aida, Le nozze di Figaro and Madama Butterfly with San Francisco Opera. Equally at home on the concert stage, his 2010–11 orchestral schedule includes engagements with the Atlanta Symphony Orchestra, Frankfurt’s Hessischer Rundfunk Orchestra and Alte Oper Orchestra, the orchestra of Rome’s Accademia Nazionale di Santa Cecilia, Milan’s Filarmonica della Scala and the Tokyo Symphony, where he is principal guest conductor.

During Luisotti’s inaugural season as music director of San Francisco Opera, he conducted acclaimed performances of Il trovatore, Salome and Otello (fall 2009) and led La fanciulla del West (Jun 2010). Triumphant performances of Salome at Bologna’s Teatro Comunale, Così fan tutte in semi-staged performances with the Tokyo Symphony, and a new production of Aida with the Royal Opera were among the major highlights of the 2009–10 season.

Luisotti has earned enthusiastic praise from audiences and critics for his work at the Royal, Metropolitan, Paris and Vienna State operas; Genoa’s Teatro Carlo Felice; Venice’s Teatro La Fenice; Munich’s Bavarian State Opera; Frankfurt Opera; Stuttgart State Opera; Madrid’s Teatro Real; Los Angeles Opera; Canadian Opera Company; Seattle Opera; Bologna’s Teatro Comunale; Teatro San Carlo in Naples; and Tokyo’s Suntory Hall.

On the concert stage, Luisotti has led many of the world’s most acclaimed orchestral ensembles, including the Berlin Philharmonic, London Philharmonia, San Francisco Symphony, Atlanta Symphony, Tokyo Symphony, NHK Symphony, Dresden’s Staatskapelle, Munich’s Bavarian Radio Orchestra, Rome’s Accademia Nazionale di Santa Cecilia, Torino’s Orchestra Sinfonica Nazionale della RAI, and the orchestras of Hamburg, Budapest and Zagreb. The conductor’s discography includes a complete recording of Stiffelio (Dynamic) with the orchestra of Trieste’s Teatro Verdi and the critically acclaimed Duets (Deutsche Grammophon), featuring Anna Netrebko and Rolando Villazón. He is also on the podium of a DVD recording of the Met’s La bohème, starring Angela Gheorghiu and Ramón Vargas (EMI).

Atlanta’s Performing Arts Publication 31

Sergej Krylov, Violin

B

orn in Moscow into a family of musicians, Sergej Krylov started studying the violin at age five and made his debut with an orchestra at 10, performing in Russia, China, Finland and Germany. At a very young age he won first prize at the international competition R. Lipizer and, after studying with Salvatore Accardo, he was awarded first prize at both the A. Stradivari Competition and the prestigious Fritz Kreisler International Violin Competition in Vienna.

Sergej Krylov

He has since developed a highly successful career, performing at the Berlin and Munich philharmonie, the Musikverein and Konzerthaus in Vienna, Theatre des Champs-Elysees in Paris, Athens’ Megaron, Brussels Bozar, Tokyo’s Suntory Hall, Teatro Colon in Buenos Aires, Teatro La Fenice in Venice and Teatro alla Scala in Milan.

Krylov has appeared with such prestigious world orchestras as the Vienna Symphony, Dresden Staatskapelle, St. Petersburg Philharmonic, Mariinsky Theatre Orchestra, Camerata Academica Salzburg, English Chamber Orchestra, NHK Symphony Orchestra, Czech Philharmonie, Orchestra “Giuseppe Verdi” in Milan, Filarmonica Toscanini, Philharmonisches Staatsorchester Hamburg and Copenhagen Philharmonic.

His friendship with Russian cellist and conductor Mstislav Rostropovich is a significant moment in Krylov’s artistic life. He has appeared with many other conductors as well: Vladimir Ashkenazy, Nicola Luisotti, Valery Gergiev, Yuri Temirkanov, Mikhail Pletnev, Vladimir Jurowsky, Frühbeck de Burgos, Andrey Boreyko, George Pehlivanian, Jutaka Sado, Saulus Sondezkis, Zoltan Kocsis and Yuri Bashmet, among them. His chamber music collaborations include work with Yuri Bashmet, Bruno Canino, Itamar Golan, Aleksandar Madzar, Maxim Vengerov, Misha Maisky, Yefim Bronfman, Stefania Mormone, Mikhail Rudy, Nabuko Imai and Lilya Zilberstein.

In 2009, Krylov was nominated music director of the Lithuanian Chamber Orchestra, following Saulius Sondeckis, and works regularly with the ensemble as soloist and conductor.

His discography, in addition to the recent publication of the Paganini 24 Caprices, includes recordings for EMI, Melodya and Agorà.

Krylov plays the Stradivari “Scotland University” (1734) from the Sau-Wing Lam Collection, courtesy of “Fondazione A. Stradivari” in Cremona.

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support Appassionato

Meghan H. Magruder, Appassionato Chair

The Atlanta Symphony Orchestra is privileged to receive annual contributions from individuals throughout the southeast. Appassionato was inaugurated in 2000 & welcomes annual givers of $10,000 & above. Appassionato members provide the Symphony with a continuous & strong financial base in support of our ambitionous aritistic & education initiatives.

$50,000+

Mrs. Anne Cox Chambers

The Reiman Foundation

$35,000+

Robert Spano

Susan & Thomas Wardell

Mark & Rebekah Wasserman

$25,000+ Lucy R. & Gary Lee, Jr. Terence L. & Jeanne P. Neal* Victoria & Howard Palefsky Mrs. Charles A. Smithgall, Jr. Mr. Thurmond Smithgall Ray & John Uttenhove

Mr. & Mrs. K. Morgan Varner, III Adair & Dick White Ann Marie & John B. White, Jr.* Sue & Neil Williams*

AGCO Corporation, Martin Richenhagen Pinney L. Allen & Charles C. Miller Mr. & Mrs. Paul J. Blackney Janine Brown & Alex J. Simmons, Jr. Mr. & Mrs. C. Merrell Calhoun Mary Helen & Jim Dalton Mr. & Mrs. David Edmiston In memory of Polly Ellis by Admiral James O. Ellis, Jr. Gary & Nancy Fayard* $10,000+

Mr. Donald F. Fox Mr. & Mrs. Paul R. Garcia Charles & Mary Ginden Jim & Pam Henry InterContinental Hotels Group Clay & Jane Jackson Ann A. & Ben F. Johnson III Mr. & Mrs. James C. Kennedy Eydie & Steve Koonin Mr. & Mrs. Brian Kurlander Michael & Cindi Lang Donna Lee & Howard C. Ehni

Karole & John Lloyd Meghan & Clarke Magruder Jeff Mango-Verizon Wireless Mr. & Mrs. William T. Plybon Printpack Inc. & The Gay & Erskine Love Foundation Patty & Doug Reid Ms. Lynn Schinazi Gail & Loren Starr Alison M. & Joseph M. Thompson Camille W. Yow

Anonymous Ron & Susan Antinori Mark & Christine Armour The Balloun Family* Lisa & Joe Bankoff Barnes & Thornburg LLP Kelley O. & Neil H. Berman The John & Rosemary Brown Family Foundation Dr. Robert L. & Lucinda W. Bunnen The Walter & Frances Bunzl Foundation Cynthia & Donald Carson Shannon & Philip Cave Dr. John W. Cooledge Cari Katrice Dawson Eleanor & Charles Edmondson Rosi & Arnoldo Fiedotin

Carol & Larry Gellerstedt Mary D. Gellerstedt Nancy D. Gould Mr. & Mrs. Robert D. Grathwohl The Graves Foundation Robert Hall Gunn, Jr. Fund Joe Guthridge & David Ritter* Tom & Jan Hough Mr. Tad Hutcheson Roya & Bahman Irvani Robert J. Jones* Anne Morgan & Jim Kelley* Philip I. Kent Mr. & Mrs. Donald R. Keough Amy & Mark Kistulinec Mr. & Mrs. John M. Law Massey Charitable Trust Mr. Kenneth & Dr. Carolyn Meltzer Morgens West Foundation

Lynn & Galen Oelkers Mr. & Mrs. Solon P. Patterson* Bob & Margaret Reiser Stanley & Shannon Romanstein Dennis & JoAnne Sadlowski Bill & Rachel Schultz Joyce & Henry Schwob Mr. John A. Sibley III John Sparrow Irene & Howard Stein Mary Rose Taylor Carol & Ramon Tome* The Michael W. Trapp Family Mike & Liz Troy Turner Foundation, Inc. Mr. & Mrs. Edus H. Warren, Jr. Neal & Virginia Williams

Madeline & Howell E. Adams, Jr. Susan & Richard Anderson Stephanie & Arthur Blank Mr. & Mrs. Bradley Currey, Jr. Marcia & John Donnell Catherine Warren Dukehart $15,000+

*We are grateful to these donors for taking the extra time to acquire matching gifts from their employers. **Deceased.

Atlanta’s Performing Arts Publication 33

Patron Partnership

Judy Hellriegel, Chair

The Patron Partnership of the Atlanta Symphony Orchestra is the society of donors who have given $1,750 or more and comprise a vital extension of the Orchestra family through their institutional leadership and financial support.

$5,000+ John & Helen Aderhold* Aadu & Kristi Allpere* Anonymous (4) Mr. David Boatwright Mrs. Suzanne Dansby Bollman & Mr. Brooks Bollman Breman Foundation Ann & Jeff Cramer* Triska Drake & G. Kimbrough Taylor, Jr. Dr. & Mrs. Carl D. Fackler Mr. David L. Forbes Mr. James F. Fraser

Betty Sands Fuller Sally & Carl Gable Dick & Ann Goodsell C. Tycho & Marie Howle Foundation The Jamieson Family Family of Thomas B. Koch James H. Landon George H. Lanier Pat & Nolan Leake Linda & John Matthews Penelope & Raymond McPhee* Brenda & Charles Moseley

Dr. & Mrs. Mark P. Pentecost, Jr. Margaret H. Petersen John & Kyle Rogers Hamilton & Mason Smith Lynne & Steven Steindel* Peter James Stelling Charlie Wade & M.J. Conboy Gertrude & William C. Wardlaw Fund, Inc. Russell Williamson & Shawn Pagliarini Suzanne Bunzl Wilner

Dr. & Mrs. James T. Laney* Mr. & Mrs. William C. Lester* Deborah & William Liss* Dr. & Mrs. James T. Lowman Gino & Belinda Massafra* Walter W. Mitchell Mr. & Mrs. Rezin Pidgeon, Jr.

Mr. & Mrs. Joel F. Reeves S. A. Robinson Sandy & Paul Smith Mrs. C. Preston Stephens Burton Trimble T & H Yamashita*

Mr. & Mrs. Christopher S. Edmonds Ellen & Howard Feinsand John & Michelle Fuller Mr. & Mrs. Edward T. Garland Peg Gary Carol & Henry Grady Ben & Lynda Greer Dr. & Mrs. Alexander Gross Herbert & Marian Haley Foundation Mr. Lewis H. Hamner III Steven & Caroline Harless Sally W. Hawkins Mr. & Mrs. John E. Hellriegel Darlene K. Henson Mr. & Mrs. Jesse Hill, Jr. In Memory of Carolyn B. Hochman Mr. & Mrs. Daniel H. Hollums Mr. & Mrs. Harry C. Howard Richard & Linda Hubert Dr. William M. Hudson

Mr. & Mrs. William C. Humphreys, Jr. Dr. & Mrs. James M. Hund Mr. & Mrs. W. F. Johnston Dr. Maurice J. Jurkiewicz Hazel & Herb Karp Paul & Rosthema Kastin Mr. & Mrs. John H. Kauffman Mr. & Mrs. L. Michael Kelly Dick & Georgia Kimball* Dr. Fulton D. Lewis III & Mr. Stephen Neal Rhoney Mr. & Mrs. J. David Lifsey Mr. & Mrs. Frederick C. Mabry Ruth & Paul Marston The Devereaux F. & Dorothy McClatchey Foundation, Inc. Mr. & Mrs. Albert S. McGhee Birgit & David McQueen Judy & Gregory Moore Ms. Lilot S. Moorman & Mr. Jeffrey B. Bradley

$3,500+ Julie M. Altenbach Mr. & Mrs. Dennis Chorba Ms. Carol F. Comstock & Mr. James L. Davis* Jere & Patsy Drummond Dr. & Mrs. C.R. Harper JoAnn Hall Hunsinger $2,250+ Mr. & Mrs. Phillip E. Alvelda* Marian & Paul Anderson Anonymous (2) Jack & Helga Beam Ms. Laura J. Bjorkholm & Mr. John C. Reece II Rita & Herschel Bloom Margo Brinton & Eldon Park Jacqueline A. & Joseph E. Brown, Jr. Maj. Gen. & Mrs. Robert Bunker Dr. Aubrey M. Bush & Dr. Carol T. Bush The Buss Family Charitable Fund Charles Campbell & Ann Grovenstein-Campbell Mrs. Thalia N. Carlos Mr. & Mrs. Beauchamp Carr Lucy & John Cook Robert Cronin & Christina Smith Sally & Larry Davis Ms. Diane Durgin

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support $2,250+ (continued) Dr. & Mrs. R. Daniel Nable Ms. Rebecca Oppenheimer Mr. & Mrs. Andreas Penninger Susan Perdew Mr. & Mrs. David M. Ratcliffe Realan Foundation, Inc. Mr. & Mrs. Richard L. Rodgers Mrs. William A. Schwartz Elizabeth S. Sharp Angela & Morton Sherzer

Dr. Kay R. Shirley Beverly & Milton Shlapak In memory of Willard Shull Helga Hazelrig Siegel Lewis Silverboard Baker & Debby Smith Amy & Paul Snyder Mr. & Mrs. Raymond F. Stainback, Jr. John & Yee-Wan Stevens

Mr. & Mrs. George B. Taylor, Jr. Mr. & Mrs. Mark Taylor Mr. William C. Voss Dr. & Mrs. James O. Wells, Jr. Ms. Mary Lou Wolff Jan & Beattie Wood Mr. & Mrs. John C. Yates The Zaban Foundation, Inc.

George T. & Alecia H. Ethridge Representative Pat Gardner & Mr. Jerry Gardner Paul B., Paul H. & M. Harrison Hackett Carol & Thomas J. Hanner Thomas J. High Mr. Thomas Hooten Dorothy Jackson Mary & Wayne James Aaron & Joyce Johnson Veronique & Baxter Jones Lana M. Jordan Mr. Thomas J. Jung Dr. Rose Mary Kolpatzki Mr. & Mrs. David E. Krischer Thomas C. Lawson Dr. Leslie Leigh Levenson Foundation Mr. & Mrs. Paul A. Lutz* Barbara & Jim MacGinnitie Mr. & Mrs. James H. Matthews, Jr. Martha & Reynolds McClatchey Captain & Mrs. Charles M. McCleskey John F. & Marilyn M. McMullan Virginia K. McTague Angela & Jimmy Mitchell* Mrs. Gene Morse** Sanford & Barbara Orkin Dr. & Mrs. Keith D. Osborn

Dr. & Mrs. Bernard H. Palay Mr. & Mrs. Emory H. Palmer Leslie & Skip Petter Dr. & Mrs. Frank S. Pittman III The Reverend Neal P. Ponder, Jr. Provaré Technology Dr. & Mrs. W. Harrison Reeves, Sr. The Gary W. & Ruth M. Rollins Foundation John T. Ruff Dr. & Mrs. Rein Saral Nancy & Henry Shuford Alida & Stuart Silverman Sydney Simons Mr. & Mrs. Gabriel Steagall Kay & Alex Summers Elvira Tate Mr. & Mrs. William M. Tipping Ms. Kimberly Tribble & Mr. Mark Lange Robert F. Tuve* Drs. Jonne & Paul Walter Drs. Julius & Nanette Wenger David & Martha West Mr. & Mrs. William White* Hubert H. Whitlow, Jr. Mrs. Frank L. Wilson, Jr. Dorothy & Charlie Yates Family Fund Grace & Herbert Zwerner

$1,750+ Anonymous (2) Mrs. Kay Adams* & Mr. Ralph Paulk Mr. & Mrs. John Allen Mr. & Mrs. Stephen D. Ambo Dr. David & Julie Bakken Betty & Robert Balentine Mr. & Mrs. Ron H. Bell Leon & Linda Borchers Mr.** & Mrs. Eric L. Brooker Dr. & Mrs. Anton J. Bueschen Mr. & Mrs. Russell E. Butner* Mr. & Mrs. Walter K. Canipe In Memory of Dr. Richard A. Carroll, Sr. Susan & Carl Cofer Mr. & Mrs. R. Barksdale Collins* Ralph & Rita Connell Jean & Jerry Cooper Mr. & Mrs. Douglas C. Curling Mrs. H. Frances Davis Brant & Kathy Davis* Mr. & Mrs. Peter T. de Kok Dr. Carlos Del Rio & Mrs. Jeannette Guarner Elizabeth & John Donnelly Gregory & Debra Durden Cree & Frazer Durrett Dr. Francine D. Dykes & Mr. Richard Delay Mary Frances Early Judge & Mrs. Jack Etheridge

*We are grateful to these donors for taking the extra time to acquire matching gifts from their employers. **Deceased.

Atlanta’s Performing Arts Publication 35

Corporate Support $100,000+

Classical Title Sponsor Classic Chastain Title Sponsor Family and SuperPOPS Presenting Sponsor

Holiday Title Sponsor Muhtar Kent Chairman, Board of Directors and Chief Executive Officer

Richard Anderson Chief Executive Officer

jerome j. byers, II Atlanta Regional President

Atlanta School of Composers Presenting Sponsor Philip I. Kent Chief Executive Officer

$50,000+ AGCO Corporation and Vendors AT&T The Real Yellow Pages GE Energy UPS

$35,000+ Georgia Natural Gas InterContinental Hotels Group Porsche Cars North America Publix Super Markets & Publix Super Markets Charities, Inc.

Delta Classic Chastain Presenting Sponsor

Supporter of the Atlanta Symphony Orchestra Chorus

Ralph de la Vega President & CEO of Mobility and Consumer Markets

Jerry Karr Senior Managing Director GE Asset Management

$10,000+

$20,000+ Nalley Cars Ryder System, Inc. Sutherland Asbill & Brennan LLP SunTrust Foundation

AlixPartners, LLP Four Seasons Hotel Atlanta The Boston Consulting Group

Foundation and Government Support $250,000+ The Mabel Dorn Reeder Foundation Wells Fargo The Zeist Foundation, Inc.

$100,000+ The Halle Foundation Abraham J. & Phyllis Katz Foundation The Vasser Woolley Foundation, Inc

$25,000+ Anne & Gordon Getty Foundation John H. & Wilhelmina D. Harland Charitable Foundation, Inc. Hellen Ingram Plummer Charitable Foundation The Charles Loridans Foundation, Inc. MetLife Foundation The Sara Giles Moore Foundation SunTrust Bank Trusteed Foundation- Walter H. and Marjory M. Rich Memorial Fund

Major funding for this organization is provided by the Fulton County Board of Commissioners under the guidance of the Fulton County Arts Council.

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$10,000+

Special Gifts

The Aaron Copland Fund The ASCAP Foundation For Music, Inc. Irving Caesar Fund The Arnold Foundation, Inc. Livingston Foundation, Inc. Reiman Charitable Foundation $5,000+ William Randolph Hearst The Fraser-Parker Foundation Endowed Fund Robert S. Elster Foundation William McDaniel Charitable Foundation JBS Foundation The Sartain Lanier Family Foundation

Major support is provided by the City of Atlanta Office of Cultural Affairs.

This program is supported in part by the Georgia Council for the Arts through the appropriations of the Georgia General Assembly. The Council is a Partner Agency of the National Endowment for the Arts.

support Henry Sopkin Circle Recognizing planned gifts that benefit the Atlanta Symphony Orchestra Madeline & Howell E. Adams, Jr. Mr. & Mrs. John E. Aderhold William & Marion Atkins Dr. & Mrs. William Bauer Neil H. Berman Fred & Bettye Betts Mr. & Mrs.* Karl A. Bevins Mr.* & Mrs. Sol Blaine Frances Cheney Boggs* W. Moses Bond Robert* & Sidney Boozer Elinor A. Breman William Breman* James C. Buggs, Sr. Mr. & Mrs. Richard H. Burgin Hugh W. Burke Wilber W. Caldwell Mr. & Mrs. C. Merrell Calhoun Cynthia & Donald Carson Margie & Pierce Cline Dr. & Mrs. Grady Clinkscales, Jr. Miriam & John A. Conant* Dr. John W. Cooledge Mr. & Mrs. William R. Cummickel* John R. Donnell Dixon W. Driggs* Catherine Warren Dukehart Ms. Diane Durgin Kenneth P. Dutter Arnold & Sylvia Eaves

Elizabeth Etoll John F. Evans Doyle Faler* Rosi & Arnoldo Fiedotin Dr. Emile T. Fisher A. D. Frazier, Jr. Betty & Drew* Fuller Carl & Sally Gable William H. Gaik Kay Gardner* Mr.* & Mrs. L. L. Gellerstedt, Jr. Ruth Gershon & Sandy Cohn Micheline & Bob Gerson Mr. & Mrs. John T. Glover Mrs. Irma G. Goldwasser* Robert Hall Gunn, Jr. Billie & Sig* Guthman Betty G.* & Joseph F. * Haas James & Virginia Hale Miss Alice Ann Hamilton* John and Martha Head Ms. Jeannie Hearn Jill* & Jennings* Hertz Albert L. Hibbard, Jr.* Richard E. Hodges Mr. & Mrs. Charles K. Holmes, Jr. Mr. & Mrs. Fred A. Hoyt, Jr. Dr. & Mrs. James M. Hund Mary B. James Calvert Johnson deForest F. Jurkiewicz* Herb & Hazel Karp Anne Morgan & Jim Kelley

Bob Kinsey James W. & Mary Ellen* Kitchell Paul Kniepkamp, Jr. Miss Florence Kopleff Ouida Hayes Lanier Liz & Jay* Levine Jane Little Mrs. J. Erskine Love, Jr. Nell Galt & Will D. Magruder K Maier John W. Markham, III Ann Bernard Martin* Mr. Michael McDowell* Dr. Michael S. McGarry Mr. & Mrs. Richard McGinnis Vera A. Milner* Mr. & Mrs. Bertil D. Nordin Roger B. Orloff Dr. Bernard & Sandra Palay Bill Perkins Mr. & Mrs. Rezin E. Pidgeon, Jr. Janet M. Pierce Reverend Neal P. Ponder, Jr. William L. & Lucia Fairlie Pulgram Carl J. Reith* Edith Goodman Rhodes* Vicki J. & Joe A. Riedel Dr. Shirley E. Rivers Mr. & Mrs. Martin H. Sauser Mr. Paul S. Scharff & Ms. Polly G. Fraser

Edward G. Scruggs* Dr. & Mrs. George P. Sessions W. Griggs Shaefer, Jr.* Mr. & Mrs. Robert Shaw* Charles H. Siegel* Mr. & Mrs. H. Hamilton Smith Mrs. Lessie B. Smithgall Margo Sommers* Elliott Sopkin Elizabeth Morgan Spiegel Daniel D. Stanley* Peter James Stelling C. Mack* & Mary Rose Taylor Jed Thompson Margaret* & Randolph Thrower Kenneth & Kathleen Tice Steven R. Tunnell Mary E. Van Valkenburgh Mrs. Anise C. Wallace* Mr. & Mrs. John B. White, Jr. Adair and Dick White Hubert H. Whitlow, Jr. Sue & Neil Williams Mrs. Frank L. Wilson, Jr. Elin M. Winn* Joni Winston George & Camille Wright Mr.* & Mrs. Charles R. Yates Anonymous (12) *Deceased

Education & Community Engagement Atlanta Symphony Youth Orchestra, Talent Development Program, Talent Development Program Endowment, Concerts for Young People, Family Concerts, Conversations of Note

$250,000+

Wells Fargo The Zeist Foundation, Inc.

$50,000+

GE Energy Abraham J. & Phyllis Katz Foundation

$25,000+

The Coca-Cola Company Mr. & Mrs. Jesse Hill, Jr. MetLife Foundation Monica & John Pearson Hellen Ingram Plummer Charitable Foundation Publix Super Markets & Publix Super Markets Charities, Inc. Jay & Arthur Richardson

SunTrust Bank Trusteed Foundation - Walter H. and Marjory M. Rich Memorial Fund SunTrust Foundation

$2,500+

Elise T. Phillips Alison Rand Mr. & Mrs. Johnathan H. Short Suzanne & Willard* Shull The Society, Inc., Greater Atlanta Chapter $10,000+ Isaiah & Hellena Huntley $1,000+ Edith H. & James E. Bostic, Tidwell Anonymous Jr. Family Foundation Annie-York Trujillo Mr. & Mrs. Henry Aaron Cree & Frazer Durrett & Raul F. Trujillo Sharon, Lindsay Livingston Foundation, Inc. Mr. Mack Wilbourn & Gordon Fisher Primerica Dr. Blenda Wilson Drs. John O. & Gloria S. Gaston Mr. & Mrs. Robert A. Yellowlees & Dr. Louis Fair Aaron & Joyce Johnson Ms. Malinda C. Logan $5,000+ Mr. & Mrs. Howatt E. Dr. Margo A. Brinton Mallinson & Mr. Eldon Park Dr. Joanne R. Nurss Cynthia & Donald Carson Victoria & Howard Palefsky Mrs. Mary C. Gramling Ms. Margaret H. Petersen *Deceased Ms. Joni Winston Elinor Rosenberg Breman** Mr. & Mrs. Charles B. Ginden InterContinental Hotels Group Links Inc., Azalea City Chapter

** Scholarships for Atlanta Symphony Youth Orchestra tuition are made possible through the Elinor Rosenberg Breman Fellowship.

Atlanta’s Performing Arts Publication 37

support Atlanta Symphony Associates The volunteer organization of the Atlanta Symphony Orchestra

2010-2011 board Belinda Massafra President Suzy Wasserman, Leslie Petter & Camille Yow Advisors Leslie Petter Parliamentarian Elba McCue Secretary Janis Eckert Treasurer

Ellie Kohler Historian Alison Mimms VP Adminstration Corrie Johnson Nominating Chair Sylvia Davidson ASA Spring Luncheon Sheila Richards & Juanita Jones ASA Night at the Symphony Co-Chairs

Liz Troy ASA Night at VWA (Verizon) Camille Kesler Newsletter Editor Pat King Directory Editor Suzy Smith VP Public Relations Faye Popper VP Youth Education Glee Lamb VP Membership

Nancy Levitt Ambassador’s Desk Judy Schmidt VP Annual Fund Dr. Mary Francis Early VP Outreach Ann Levin & Gail Spurlock Ensemble Co-Chairs Ruth & Paul Marston Decorators’ Show House & Gardens Co-Chairs

Nancy Cox Intermezzo Chair Brooke Merrill Bravo Chair Elba McCue Concerto Chair Joan Abernathy Encore Chair

Events 2010 decorators’ show house & gardens Platinum Atlanta Homes & Lifestyles

Gold Benjamin Moore Paint Boxwoods Gardens & Gifts Comcast Encore Magazine Atlanta 360 Media Soiree Catering & Events

PrePrint Silver Publix Super Markets Phipps Plaza Charities Springer Mountain Farms S&S Rug Cleaners Bronze St. Regis Atlanta Bloomingdale’s The Outdoor Lights, Inc. Buckhead Coach Flora by John Grady Burns

2011 atlanta symphony gala corporate Sponsors Phoenix AirTran Airways Platinum The Coca-Cola Company Invesco

auction sponsors

Brown & Co. Jewelers IHG Sea Island Resorts

gold Global Payments Verizon Wireless

special contributors

Adele & Jim Abrahamson Lisa & Joe Bankoff Mr. & Mrs. Paul Blackney Marcia & John Donnell Lucy & Gary Lee Patty & Doug Reid Mr. & Mrs. Thomas Wardell Mrs. Judy Zaban

2010 airtran classic golf tournament Global Payments Inc. The Coca-Cola Company Deloitte & Touche Mr. & Dr. Kenneth H. Reception Meltzer Sponsor Alston & Bird LLP Crowne Plaza Ernst & Young LLP InterContinental Team Sponsors Hotels Group Mr. & Mrs. Howard L. SunTrust Robinson Feinsand Humphrey Mr. & Mrs. Paul Kastin Presenting Sponsor AirTran Airways

38 EncoreAtlanta.com

Xerox Verizon Wireless

Staybridge Suites & Candlewood Suites RR Donnelly

Two-Person Corporate Teams MillerCoors Argus Benefits Jones Lang LaSalle DSSI UBS Right Way Services

Hole Sponsors Global Payments Inc. Capgemini Financial Services Royal Cup Coffee Provista Russell Reynolds Associates

Guest Supply Standard Textile AmSan WSB-TV The Coca-Cola Company Sysco Prosys Atlanta Falcons

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Patron Circle of Stars By investing $15,000 or more in The Woodruff Arts Center and its divisions — the Alliance Theatre, Atlanta Symphony Orchestra, High Museum of Art and Young Audiences — these outstanding Annual Corporate Campaign donors helped us raise more than $8.4 million last year. Thank you!

Chairman’s Council ★★★★★★★★★★★★ $500,000+ Georgia Power Foundation, Inc. UPS ★★★★★★★★★★★ $450,000+ The Coca-Cola Company ★★★★★★★★★★ $300,000+ Cox Interests Atlanta Journal-Constitution, WSB-TV, Cox Radio Group Atlanta, James M. Cox Foundation The Honorable Anne Cox Chambers ★★★★★★★★★ $200,000+ AT&T The Community Foundation for Greater Atlanta, Inc. Deloitte LLP, its Partners & Employees Ernst & Young, Partners & Employees The Home Depot Foundation Jones Day Foundation & Employees The Klaus Family Foundation PricewaterhouseCoopers Partners & Employees Mabel Dorn Reeder Foundation Turner Broadcasting System, Inc. ★★★★★★★★ $150,000+ Alston & Bird LLP Equifax Inc. & Employees The Rich Foundation, Inc. SunTrust Bank Employees & Trusteed Foundations Harriet McDaniel Marshall Trust

40 EncoreAtlanta.COM

Walter H. & Marjory M. Rich Memorial Fund Thomas Guy Woolford Charitable Trust Greene-Sawtell Foundation Wells Fargo ★★★★★★★ $100,000+ AirTran Airways Bank of America Delta Air Lines, Inc. Kaiser Permanente King & Spalding LLP KPMG LLP, Partners & Employees The Marcus Foundation, Inc. The Sara Giles Moore Foundation Novelis, Inc. Regions Financial Corporation Wal-Mart Stores, Inc. The David, Helen & Marian Woodward Fund ★★★★★★ $75,000+ Holder Construction Company The Sartain Lanier Family Foundation, Inc. Patty & Doug Reid Family Foundation ★★★★★ $50,000+ AGL Resources Inc. Lisa & Joe Bankoff Cisco Coca-Cola Enterprises Doosan Infracore International Frank Jackson Sandy Springs Toyota and Scion GMT Capital Corporation Beth & Tommy Holder ING Mr. & Mrs. M. Douglas Ivester

Kilpatrick Townsend & Stockton LLP Newell Rubbermaid Primerica Sutherland Asbill & Brennan LLP The Zeist Foundation, Inc. ★★★★ $35,000+ Accenture & Accenture Employees Katharine & Russell Bellman Foundation Mr. & Mrs. Bradley Currey, Jr. GE Energy The Imlay Foundation, Inc. Invesco PLC Norfolk Southern, Employees & Foundation SCANA Energy Siemens Industry, Inc. Harris A. Smith Troutman Sanders LLP Frances Wood Wilson Foundation, Inc. ★★★ $25,000+ Assurant Atlanta Companies Assurant Solutions Assurant Specialty Property BDO USA, LLP Laura & Stan Blackburn Brysan Utility Contractors, Inc. Chartis Cousins Properties Incorporated Crawford & Company Drummond Company, Inc. Eisner Family Foundation First Data Corporation Genuine Parts Company Georgia-Pacific Jack & Anne Glenn Foundation, Inc. IBM Corporation

Philip I. Kent Foundation The Ray M. & Mary Elizabeth Lee Foundation, Inc. LexisNexis Risk Solutions The Blanche Lipscomb Foundation Livingston Foundation, Inc. Macy’s Foundation McKinsey & Company, Inc. Katherine John Murphy Foundation Piedmont Charitable Foundation, Inc. J. Marshall & Lucile G. Powell Charitable Trust Mary & Craig Ramsey Rock-Tenn Company Richard D. Shirk Southwire Company Spectrum Brands Towers Watson Waffle House, Inc. Gertrude & William C. Wardlaw Fund Waste Management Charitable Foundation Yancey Bros. Co. ★★ $15,000+ 22squared, inc.

A. E. M. Family Foundation ACE Charitable Foundation Acuity Brands, Inc. AGCO Corporation Alix Partners Arnall Golden Gregory LLP The Partners & Employees of Atlanta Equity Investors Atlanta Foundation Atlanta Marriott Marquis Julie & Jim Balloun BB&T Corporation Beaulieu Group, LLC Susan R. Bell & Patrick M. Morris

The Arthur M. Blank Family Foundation Catherine S. & J. Bradford Branch George M. Brown Trust Fund of Atlanta, Georgia Bryan Cave LLP Buck Consultants The Capital Group Companies Charitable Foundation Talela & Beauchamp Carr Roxanne & Jeffrey Cashdan CB Richard Ellis Center Family Foundation Mr. Charles Center Mr. & Mrs. Fred Halperin Ms. Charlene Berman The Chatham Valley Foundation, Inc. Ann & Jeff Cramer DLA Piper Duke Realty Corporation Exide Technologies Mr. & Mrs. Frank L. Fernandez Fifth Third Bank Ford & Harrison LLP Robert Fornaro John & Mary Franklin Foundation, Inc. Gas South, LLC Georgia Natural Gas Grant Thornton LLP Harland Clarke HD Supply The Howell Fund, Inc. ICS Contract Services, LLC Infor Global Solutions Jenny & Phil Jacobs Mr. & Mrs. Tom O. Jewell Weldon H. Johnson Family Foundation David & Jennifer Kahn Family Foundation Sarah & Jim Kennedy Kurt P. Kuehn & Cheryl Davis Lanier Parking Solutions

Bryan Latham Karole & John Lloyd Lockheed Martin Aeronautics Company McKenna Long & Aldridge LLP Mohawk Industries, Inc. Mueller Water Products, Inc. Noonan Family Foundation Gail & Bob O’Leary Vicki R. Palmer The Sally & Peter Parsonson Foundation, Inc. Paul, Hastings, Janofsky & Walker LLP Printpack Inc./The Gay & Erskine Love Foundation David M. Ratcliffe J. Mack Robinson Interests Frances & Jesse A. Sasser, Jr. Emily Winship Scott Foundation Selig Enterprises, Inc./ The Selig Foundation Spencer Stuart Karen & John Spiegel Superior Essex Inc. TriMont Real Estate Advisors, Inc. United Distributors, Inc. WATL/WXIA/Gannett Foundation John Wieland Homes and Neighborhoods Mr. & Mrs. James B. Williams Sue & Neil Williams Womble Carlyle Sandridge & Rice, PLLC Carla & Leonard Wood The Xerox Foundation Mr. & Mrs. Robert A. Yellowlees *As of February 8, 2011

Atlanta’s Performing Arts Publication 41

In addition to excelling musically, the Youth Orchestra also regularly demonstrates its commitment to the community. Last year, the student members teamed up with the Illinois-based Share Your Soles Foundation to collect thousands of shoes for families in need throughout the world. This past March, the Youth Orchestra partnered with the Atlanta Community Food Bank to host a food drive to collect canned goods for the League of American Orchestras’ “Orchestras Feeding America” program.

Stanford L. Thompson, the Director of the Philadelphia Youth Orchestra’s El Sistemainspired program Tune Up Philly, also participated in the Youth Orchestra in high school and believes that the Youth Orchestra has had an immeasurable impact in Atlanta and beyond.

“The more people have access to good music education, the more people will find live music relevant while providing opportunities for the growth of confidence and new sets of practical skills for young

Favorite ASYO Experience?

“ Dating another violinist in the ASYO. She was my first girlfriend and she loved the violin, too!”

— Chris Pulgram people to be more productive citizens,” Thompson says. “I strongly believe that music education is the answer to the questions arts organizations, social service organizations, and educational institutions pose about long-term sustainability.”

From the success of its alumni to its influence in the community, Martin couldn’t agree more.

“Music is life,” he says. “It is impossible to imagine a world without it, and it is the responsibility of all musicians to stand up for music and music education in our communities.”

Kimberly Nogi is the publicist for the Atlanta Symphony Orchestra

Did you know?

The Atlanta Symphony Orchestra actually began as a local youth orchestra. Originally founded in 1944 as the Atlanta Youth Symphony — an amateur orchestra — it gradually added professional musicians and eventually adopted the name “Atlanta Symphony Orchestra” in 1947; however, the orchestra was not recognized as a professional ensemble until 1951. The Atlanta Symphony Youth Orchestra emerged in 1974 as a subsidiary of the Atlanta Symphony Orchestra.

42 EncoreAtlanta.COM

Jeff Roffman

Continued from page 20

MICHAEL C. CARLOS MUSEUM OF EMORY UNIVERSITY carlos.emory.edu

THE MIKADO

April 15 – May 1, 2011

Gilbert and Sullivan are the undisputed masters of comic operetta and the proud parents of the modern musical. That their works are more in demand today than when they were created over a century ago is ample proof of their lasting brilliance. The hapless lovers in The Mikado are mercilessly buffeted by social restrictions, legal inconsistencies, judicial inequities, government stupidities, and that’s just the first act! Poor dears — it would be absolutely tragic if it weren’t so hysterically funny.

Music by Arthur Sullivan Lyrics by W.S. Gilbert DIRECTED BY HEIDI CLINE MCKERLEY

RENT

June 10 – 26, 2011

Rent is a Pulitzer Prize and Tony Award-winning Broadway musical based loosely on Puccini’s opera “La Bohème.” The musical follows a year in the lives of seven friends living in the disappearing Bohemian lifestyle in New York’s Alphabet City located in the East Village. As the impoverished artists deal with their daily struggles, tragedy hits, and the love they share embodies their lives. The music, characters and story of Rent celebrate love, diversity and the power of friendship, as shown through the musical’s signature song, “Seasons of Love.” This blockbuster show will truly inspire and move any audience.

Book, Music & Lyrics By Jonathan Larson DIRECTED BY ALAN KILPATRICK

(MATURE CONTENT NOT INTENDED FOR YOUNG AUDIENCES)

From preparing every note concertgoers hear to serving as president of her profession, the Orchestra’s Principal Librarian Rebecca Beavers keeps the players finely tuned

T

By Karl Schnittke

he stereotypical definition of a librarian is lost on Rebecca Beavers. Seated in the Atlanta Symphony Orchestra Library, located directly behind the stage of

Symphony Hall, she says, “An orchestra librarian is a musician. Assistant Principal Steve Sherrill, Assistant John Wildermuth and myself are really performance librarians who work behind the scenes to help the players perform to the best of their abilities.”

Unseen but not Unsung In addition to overseeing a collection of nearly 2,500 pieces of music that the Orchestra either owns, are on permanent loan or rented from publishers, and preparing all of the music that the Orchestra performs (“it’s a bunch of notes!” jokes Beavers), she is president of the Major Orchestra Librarians’ Association (MOLA).

MOLA represents more than 400 performance librarians from nearly 250 professional performance organizations around the world. “This is my second year of a three-year term on the Board of Directors,” she says, “and as president, 44 EncoreAtlanta.com

I ensure that we provide the highest quality of service to the performing arts, and continue to work with publishers to achieve the highest standards in music performance materials.”

Next month Beavers travels to London for the group’s 29th annual conference, May 13-16, at the Henry Wood Hall, the city’s premiere rehearsal and recording studio.

This year’s theme is Working Together, a subject she knows very well, “stressing the importance of the working relationships between composers, publishers, editors, conductors and librarians.

Our Professional Ensemble Bruce V. Benator, CPA, Managing Partner Kevin J. Hedrick, CPA, Partner Steven G. Horn, CPA, Partner Laura E. Speir, CPA, Partner Patricia A. Yeager, CPA, Partner

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“An orchestra librarian wears many hats and works with virtually everyone,” explains Beavers. “Our main efforts are preparing the orchestra music, a process that begins months in advance of the first rehearsal: The strings parts are marked with the bowings; all parts are proofed — some pieces are notorious for errors — and then corrected and edited; page turns are fixed; and score bindings are repaired.”

A typical day on the job? “There isn’t one,” she laughs, “and it is never boring! I fondly refer to the library as the ‘kitchen of the organization.’ We are the chefs and this is the place where the music is prepared and plated for the players, and where everyone comes to see what’s cooking on the stove.”

Kimberly Nogi

“The library collaborates with many departments,” she points out, “the artistic staff on repertoire planning and providing Orchestra performance history reports processed from a database that I maintain; furnishing instrumentations

and timings of works to the personnel manager, stage manager and the operations team; and giving full scores to the producers for our recording sessions.

Much time is also spent in researching editions of works and communicating with conductors about their preferences,” an especially daunting task in light of myriad interpretations of the repertoire.

Bowing (indicating the direction of the bow on a stringed instrument) is one of Rebecca Beavers’ responsibilities – in this case, bowing a viola part for the Orchestra’s performance of the Brahms First Symphony, March 31-April 1.

46 EncoreAtlanta.com

Meet the star of our show.

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The Atlanta Symphony Orchestra provides music education and programs throughout metro Atlanta.

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BE MOM’S FAVORITE THIS MOTHER’S DAY. APRIL 1 - MAY 8, BUY A $50 GIFT CARD GET A $10 GIFT CARD FREE! Give Mom Atlanta’s best in theatre, music, and art!

The Woodruff Arts Center Gift Card is good at:

Alliance Theatre Atlanta Symphony Orchestra High Museum of Art Young Audiences It’s also good for parking, dining, and shopping at The Woodruff. With so many shows, concerts, and exhibitions, she can choose something she loves!

Purchase today at woodruffcenter.org/giftcards or at The Woodruff Box Office, (404) 733-5000.

YOUNG AUDIENCES

ALLIANCE THEATRE

HIGH MUSEUM OF ART

ATLANTA SYMPHONY ORCHESTRA

calendar May 8 Sun: 3pm Atlanta Symphony Youth Orchestra Spring Concert Jere Flint, conductor May 12/13/14 Thur/Fri/Sat: 8pm Delta Classical Beethoven: Violin Concerto Ravel: Daphnis et Chloé Suites No. 1 & 2 Dvorák: Carnival Overture Kazushi Ono, conductor Augustin Hadelich, violin May 15 Sun: 1:30 & 3:30pm Family Concert Lemony Snicket’s The Composer is Dead

May 19/21/22 Thur/Sat: 8pm/Sun: 3pm Delta Classical Mendelssohn: Suite from A Midsummer Night’s Dream Britten: Spring Symphony Rachmaninov: Spring Cantata Robert Spano, conductor Jessica Rivera, soprano Kelley O’Connor, mezzo-soprano Anthony Dean Griffey, tenor Stephen Powell, baritone Atlanta Symphony Orchestra Chorus May 27/28 Fri/Sat: 8pm Patti LUpone

SuperPOPS!

Jere Flint, conductor

404.733.5000 | aso.org Woodruff Arts Center Box Office @15th and Peachtree Make it a group! 404.733.4848 Presented by:

Supported by:

Media Sponsors:

Mount Vernon Premier Care “I have restructured my internal medicine practice to allow more individual time and attention for each of my patients... I want my patients to see me as their healthcare advocate, providing the best possible preventive and acute medical care.�

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David M. DuBose, MD

staff Administrative Staff Executive Stanley E. Romanstein President Aysha H. Siddique Manager of Board & Community Relations Brien Faucett Administrative Assistant to the President’s Office Evans Mirageas Director of Artistic Planning ADMINISTRATION John Sparrow Vice President for Orchestra Initiatives & General Manager Mala Sharma Assistant to the Vice President for Orchestra Initiatives & General Manager Julianne Fish Orchestra Manager Nancy Crowder Operations/Rental Events Coordinator Kelly O’Donnell Artist Assistant Carol Wyatt Executive Assistant to the Music Director & Principal Guest Conductor Jeffrey Baxter Choral Administrator Ken Meltzer ASO Insider & Program Annotator Russell Williamson Orchestra Personnel Manager Susanne Watts Assistant Orchestra Personnel Manager Paul Barrett Senior Production Stage Manager Richard Carvlin Stage Manager Lela Huff Assistant Stage Manager Education & Community Engagement Mark B. Kent Senior Director of Education & Community Engagement Melanie Darby Director of Education Programming

FINANCE & ADMINISTRATION Donald F. Fox Executive Vice President for Business Operations & Chief Financial Officer Shannon McCown Assistant to the Executive Vice President for Business Operations & Chief Financial Officer Susan Ambo Controller Kim Hielsberg Director of Financial Planning & Analysis April Satterfield Senior Accountant Peter Dickson Staff Accountant Michael Richardson Venues Analyst Stephen Jones Symphony Store Manager Galina Rotbakh Symphony Store Sales Associate

DEVELOPMENT Sandy Smith Vice President for Development Tammie Taylor Assistant to the VP for Development Stephanie Malhotra Director of Development & Education Services Rebecca Abernathy Development Services Coordinator

MARKETING & CONCERT PROMOTIONS Charles Wade Vice President for Marketing & Symphony Pops Alesia Banks Director of Customer Service & Season Tickets Nellie Cummins Group & Corporate Sales Associate Meko Hector Major & Planned Giving Office & Marketing Jessica Langlois Coordinator Director of Leadership Gifts Jennifer Jefferson & Planned Giving Director of e-Business Andrea Welna & Interactive Media Major Gifts Officer Melanie Kite Meredith Schnepp Subscription Prospect Research Officer Office Manager Shelby Moody Annual, Institutional Group & Corporate & Volunteer Services Sales Coordinator Corey Cowart Seth Newcom Director of Database Administrator Corporate Relations Kimberly Nogi Toni Paz Director of Individual Giving Publicist ASO Presents Robert Phipps Barbara Saunders Clay Schell Publications Director Director of Vice President, Programming Foundation Relations Melissa A. E. Sanders Trevor Ralph Senior Director, General Manager and Senior Maya Robinson Communications Patron Partnership Director of Operations Gifts Officer Travis Sari Holly Clausen Marketing Manager Zachary Brown Director of Marketing Director of Christine Saunders Keri Musgraves Volunteer Services Group & Corporate Promotions Manager Sales Assistant Sarah Levin Lisa Eng Volunteer Project Manager Karl Schnittke Graphic Artist Publications Editor Ashley Krausen Chastain Park Amphitheater Special Events Coordinator Robin Smith Tanner Smith Subscription Sarah Williams Program Director & Education Sales Individual Giving Coordinator Rachel Trignano Verizon Wireless Manager of Amphitheatre at Melissa Donalson Broad Based Giving Encore Park Development Coordinator Russell Wheeler Katie Daniel Group & Corporate VIP Sales Manager Sales Manager Jenny Pollock Christina Wood Operations Manager Director of Marketing Rebecca Simmons Box Office Manager

52 EncoreAtlanta.com

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general info LATE SEATING Latecomers are seated at the discretion of house management. Reserved seats are not guaranteed after the performance starts. Latecomers may be initially seated in the back out of courtesy to the musicians and other patrons.

SPECIAL ASSISTANCE All programs of the Atlanta Symphony Orchestra are accessible to people with disabilities. Please call the box office (404.733.5000) to make advance arrangements.

SYMPHONY STORE The ASO’s gift shop is located in the galleria and offers a wide variety of items, ranging from ASO recordings and music-related merchandise to t-shirts and mugs. Proceeds benefit the Atlanta Symphony Orchestra.

THE ROBERT SHAW ROOM The ASO invites donors who contribute at least $1,750 annually to become members of this private salon for cocktails and dining on concert evenings — private rentals available. Call 404.733.4860.

IMPORTANT PHONE NUMBERS Concert Hotline 404.733.4949 (Recorded information) Symphony Hall Box Office 404.733.5000 Ticket Donations/Exchanges 404.733.5000 Subscription Information/Sales 404.733.4800 Group Sales 404.733.4848 Atlanta Symphony Associates 404.733.4865 (Volunteers) Educational Programs 404.733.4870 Youth Orchestra 404.733.5038 Box Office TTD Number 404.733.4303 Services for People 404.733-5000 with Special Needs 404.733.4800 Lost and Found 404.733.4225 Symphony Store 404.733.4345

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ticket info CAN’T ATTEND A CONCERT? If you can’t use or exchange your tickets, please pass them on to friends or return them to the box office for resale. To donate tickets, please phone 404.733.5000 before the concert begins. A receipt will be mailed to you in January acknowledging the value of all tickets donated for resale during the year.

SINGLE TICKETS Call 404.733.5000 Mon.–Fri., 10 a.m.–8 p.m.; Sat.–Sun., Noon–8 p.m. Service charge applies. Phone orders are filled on a best-available basis. www.atlantasymphony.org Order any time, any day! Service charge applies. Allow two to three weeks for delivery.

For orders received less than two weeks

prior to the concert, tickets will be held at the box office.

Woodruff Arts Center Box Office Mon.–Fri., 10 a.m. – 8 p.m.; Sat.–Sun., noon– 8 p.m. The box office is open through intermission on concert dates. No service charge if tickets are purchased in person.

Please note: All single-ticket sales are final.

No refunds or exchanges. All artists and programs subject to change.

GROUP DISCOUNTS Groups of 10 or more save up to 15 percent on most ASO concerts, subject to ticket availability. Call 404.733.4848.

GIFT CERTIFICATES Available in any amount for any series, through the box office. Call 404.733.5000.

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Moving Up, Moving In

gallery

Angela Morris

1 Next Stop: Aspen Last month Robert Spano was named Music Director of the Aspen Music Festival and School.

Mr. Spano begins his tenure this summer as music director-designate and assumes the title in 2012, and will also direct the renowned American Academy of Conducting at Aspen.

1

2 Show House Showcase Interior designers from across Atlanta came together for an Empty House event, with a barn party theme, leading up to the 41st annual Decorators’ Show House & Gardens, which runs from April 16-May 8.

Barbara Benville

2

58 EncoreAtlanta.com

Photos: Iris Feinberg

What will you pass down?

Ensure that you will be remembered and that your charitable giving and lifelong values will continue for generations to come.

For more information, visit www.AtlantaJewishLegacy.org.

Create a Jewish Legacy is an initiative of the Jewish Federation of Greater Atlanta.

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