Encore Atlanta April 2011 ASO#2

Robert Spano Music Director Donald Runnicles Principal Guest Conductor Michael Krajewski Principal Pops Conductor

April 14/15/16 Tchaikovsky: Violin Concerto Sergei Krylov, violin April 21/22/23 Rachmaninov: Piano Concerto No. 4 Simon Trpceski, piano April 28/30

Puccini: La bohème Act 3

Jeff Roffman

Robert Spano, conductor

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PROGRAM: LISZT La Lugubre Gondola; WAGNER Sonata for Piano in A-flat major, “Für das Album von Frau MW”; LISZT Nuages gris; BERG Sonata, Op. 1; LISZT Unstern! Sinistre, disastro, S. 208; SCRIABIN Piano Sonata No. 9; LISZT Piano Sonata in B minor

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RetuRn this spRing foR Real family dysfunction

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apR. 13 – may. 8 This raucous dark comedy transforms one family gathering into an evening of can’t-turn-away bloodsport. It’s an emotional Armageddon you don’t want to miss.

August: Osage County The Pulitzer Prize-winning play

By Tracey Letts Directed by Susan V. Booth

contents April 2011

18

features

the music

18 Earning Their Stripes

23 The concert’s program and notes

The opportunity to become part of the Atlanta Symphony Youth Orchestra annually draws hundreds of young people eager for a unique experience.

44 Unseen but not Unsung

From preparing every note concertgoers hear to serving as president of her profession, the Orchestra’s Principal Librarian Rebecca Beavers keeps the players finely tuned.

6 EncoreAtlanta.COM

departments 10 President’s Letter 12 Orchestra Leadership 14 Robert Spano 16 Musicians 33 Contributors 50 Calendar 52 Administration 54 General Info 56 Ticket Info 58 Gallery ASO

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MAHLER & PUCCINI ATLANTA SYMPHONY ORCHESTRA Haunting echoes of “The Sweet Hereafter”: Puccini’s beloved opera La bohème is entwined with Bach’s Cantata of redemption; Mahler’s original version of what became the opening movement of his famed “Resurrection” Symphony; and Purcell’s Funeral March.

4.28.11 & 4.30.11

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4.13.11 - 5.08.11

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publisher/sales Sherry Madigan White 404.459.4128 sherry.white@encoreatlanta.com account executive editorial director/chief storyteller

Kristi Casey Sanders kristi@encoreatlanta.com art director

Jenny Schisler jenny@encoreatlanta.com project manager/production artist Whitney Stubblefield whitney@encoreatlanta.com production assistant Lauren Wright contributing editor Kathy Janich contributing writers Kimberly Nogi and Karl Schnittke

atlanta symphony orchestra Rob Phipps Karl Schnittke program annotator Ken Meltzer

Thomas Pinckney 404.459.4127 thomas.pinckney@encoreatlanta.com senior national accounts manager

Sandra Ourusoff 212.260.4883 marketing administrator Stephanie Smith ENCORE ATLANTA is published monthly

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Welcome to April!

When I play music I am more creative I get better grades I have greater self-confidence I feel part of a group We know anecdotally that people who study and make music are happier, more creative and better able to cope with the challenges life brings. An abundance of research confirms those perceptions: Children who study music score higher in math and science, experience greater success in academic pursuits of all kinds, and show increased propensity for spatial thinking, creative problem solving and working within groups. We need music — in our schools, in our communities and our lives.

Last month we launched the Atlanta Symphony Orchestra’s When I Play Music campaign. Our campaign is about kids; our campaign is about the future.

When I Play Music challenges us to think about the importance of music in our lives — and about what we lose when music is not a part of our children’s lives, not a vital part of the fabric of our community.

Through the campaign, we are seeking to engage and inform at least 50,000 Atlantans about the role that music plays in our lives, about the multiple benefits of playing and singing and listening. We hope that tens of thousands of people will want to play a small part — with a gift of just $5 to help provide one hour of music lessons for one child — in helping us ensure the future of music in our community.

Please give $5 today by going online to aso.org/give5; texting “ASO” to 50555; or using your smart phone to scan QR codes on Orchestra print advertising.

I hope you will take part in our When I Play Music campaign and that you will encourage others to do so as well. Thank you so much for your support of your Atlanta Symphony Orchestra!

Wishing you all the best,

Stanley E. Romanstein, Ph.D. President

10 EncoreAtlanta.COM

leadership Atlanta Symphony Orchestra League 2010-2011 Board of Directors Officers Ben F. Johnson, III Chair Vice Chairs Clayton F. Jackson Finance Chair/ Treasurer

Meghan H. Magruder Jeff Mango Belinda Massafra * ASA President Penny McPhee

Stanley E. Romanstein, Ph.D. * Chilton Davis Varner Joni Winston Secretary

Directors Jim R. Abrahamson Pinney L. Allen Joseph R. Bankoff * Jason A. Bernstein Paul Blackney Janine Brown Donald P. Carson Ann W. Cramer Cari K. Dawson Richard A. Dorfman David Edmiston Gary P. Fayard Dr. Robert Franklin Paul Garcia Carol Green Gellerstedt Jim Henry

Tad Hutcheson Mrs. Roya Irvani Clayton F. Jackson D. Kirk Jamieson Ben F. Johnson, III Steve Koonin Carrie Kurlander Mike Lang Donna Lee Lucy Lee Karole F. Lloyd Meghan H. Magruder Jeff Mango Belinda Massafra * Darrell J. Mays Penny McPhee

Galen Oelkers Victoria Palefsky Leslie Z. Petter Suzanne Tucker Plybon Patricia Reid Martin Richenhagen John D. Rogers Stanley E. Romanstein, Ph.D.* Dennis Sadlowski Ms. Lynn Schinazi William Schultz Tom Sherwood John Sibley Hamilton Smith Lucinda B. Smith

Thurmond Smithgall Gail R. Starr Mary Rose Taylor Joseph M. Thompson Liz Troy Chilton Davis Varner S. Patrick Viguerie Rick Walker Thomas Wardell Mark Wasserman John B. White, Jr. Richard S. (Dick) White, Jr. Joni Winston Patrice Wright-Lewis Camille Yow

Board of counselors Mrs. John Aderhold Robert M. Balentine Elinor Breman Dr. John W. Cooledge John Donnell Jere Drummond Carla Fackler Arnoldo Fiedotin

Ruth Gershon Charles Ginden John T. Glover Frances B. Graves Dona Humphreys Aaron J. Johnson Herb Karp Jim Kelley

George Lanier Patricia Leake Mrs. William C. Lester Mrs. J. Erskine Love Carolyn C. McClatchey Bertil D. Nordin Joyce Schwob

Mrs. Charles A. Smithgall, Jr. W. Rhett Tanner G. Kimbrough Taylor Michael W. Trapp Edus Warren Adair R. White Neil Williams

Azira G. Hill Dr. James M. Hund

Arthur L. Montgomery

Life Directors Howell E. Adams, Jr. Bradley Currey, Jr.

Mrs. Drew Fuller Mary D. Gellerstedt

* ex officio

12 EncoreAtlanta.COM

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Robert M Spano music Director

usic Director Robert Spano, beginning his 10th season as music director of the Atlanta Symphony Orchestra, is recognized internationally as one of the most imaginative conductors today. Since 2001, he has invigorated and expanded the Orchestra’s repertoire while elevating the ensemble to new levels of international prominence and acclaim.

angela morris

The Orchestra and audiences together explore a creative programming mix, recordings and visual enhancements, such as Theater of a Concert — the Orchestra’s continuing exploration of different formats, settings, and enhancements for the musical performance experience — and the first concert-staged performances of John Adams’s Doctor Atomic in November 2008. The Atlanta School of Composers reflects Mr. Spano and the Orchestra’s commitment to nurturing and championing music through multi-year partnerships, defining a new generation of American composers, including Osvaldo Golijov, Jennifer Higdon, Christopher Theofanidis and Michael Gandolfi. Since the beginning of his tenure, Mr. Spano and the Orchestra have performed over 100 concerts featuring contemporary works (composed since 1950), including 13 Atlanta Symphony-commissioned world premieres and three additional world premieres.

14 EncoreAtlanta.COM

Mr. Spano has a discography with the Atlanta Symphony Orchestra of nine recordings — six of which have been honored with Grammy® awards. He has led the Orchestra’s performances at Carnegie Hall and Lincoln Center, as well as the Ravinia, Ojai and Savannah music festivals. He has led the New York and Los Angeles Philharmonics, San Francisco, Boston, Cleveland, Chicago and Philadelphia symphony orchestras, as well as Orchestra Filarmonica della Scala, BBC Symphony and Amsterdam’s Royal Concertgebouw Orchestra. In addition, he has conducted for Covent Garden, Welsh National Opera, Lyric Opera of Chicago, Houston Grand Opera, and the 2005 and 2009 Seattle Opera Ring cycles.

Mr. Spano was Musical America’s 2008 Conductor of the Year. In March 2010, Mr. Spano began a threeyear tenure as Emory University’s Distinguished Artist in Residence, for which he spends three weeks each year leading intensive seminars, lecturing, and presenting programs on science, math, philosophy, literature and musicology throughout the university’s campus.

Meet the star of our show.

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PRESENT YOUR TICKET STUB FOR 10% OFF YOUR MEAL

Robert Spano, Music Director, The Robert Reid Topping Chair * Donald Runnicles, Principal Guest Conductor, The Neil and Sue Williams Chair * FIRST VIOLIN

David Coucheron Concertmaster The Mr. and Mrs. Howard R. Peevy Chair*

William Pu Associate Concertmaster The Charles McKenzie Taylor Chair*

Justin Bruns Assistant Concertmaster The Mary and Cherry Emerson Chair

Jun-Ching Lin Assistant Concertmaster

Carolyn Toll Hancock The AGL Resources Chair

John Meisner Alice Anderson Oglesby Lorentz Ottzen Christopher Pulgram Carol Ramirez Juan Ramirez Olga Shpitko Denise Berginson Smith Kenn Wagner Lisa Wiedman Yancich

Sharon Berenson David Braitberg Noriko Konno Clift Judith Cox David Dillard Eleanor Kosek Raymond Leung Ruth Ann Little Thomas O’Donnell Ronda Respess Sanford Salzinger Frank Walton VIOLA

Reid Harris Principal The Edus H. and Harriet H. Warren Chair*

Paul Murphy Associate Principal The Mary and Lawrence Gellerstedt Chair *

Catherine Lynn Assistant Principal

Wesley Collins Marian Kent Yang-Yoon Kim Yiyin Li

SECOND VIOLIN

David Arenz Principal The Atlanta Symphony Associates Chair*

Sou-Chun Su Associate Principal The Frances Cheney Boggs Chair*

Jay Christy Assistant Principal

16 EncoreAtlanta.com

Lachlan McBane Jessica Oudin Ardath Weck

BASS

Ralph Jones

CELLO

Principal The Marcia and John Donnell Chair  *

Christopher Rex

Gloria Jones

Principal The Miriam and John Conant Chair*

Daniel Laufer Associate Principal The Livingston Foundation Chair

Associate Principal

Jane Little Assistant Principal Emeritus

Assistant Principal

Michael Kenady Michael Kurth Douglas Sommer Thomas Thoreson

Dona Vellek

FLUTE

Karen Freer

Assistant Principal Emeritus

Joel Dallow Jere Flint Jennifer Humphreys Larry LeMaster Brad Ritchie Paul Warner

Christina Smith Principal The Jill Hertz Chair*

Robert Cronin Associate Principal

Paul Brittan The Georgia Power Foundation Chair

Carl David Hall

michael Krajewski, Principal Pops Conductor Jere Flint, Staff Conductor; Music Director of the Atlanta Symphony Youth Orchestra The Zeist Foundation Chair * Norman Mackenzie, Director of Choruses, The Frannie and Bill Graves Chair PICCOLO

E-FLAT CLARINET

TRUMPET

PERCUSSION

Carl David Hall

Ted Gurch

Thomas Hooten

Thomas Sherwood

OBOE

BASS CLARINET

Elizabeth Koch

Alcides Rodriguez

Principal The Madeline and Howell Adams Chair*

Principal The Julie and Arthur Montgomery Chair*

Karin Bliznik

William Wilder

BASSOON

Associate Principal

Assistant Principal William A. Schwartz Chair*

rincipal P The George M. and Corrie Hoyt Brown Chair *

Yvonne Powers Peterson Associate Principal Ann Lillya † Patrick McFarland

Carl Nitchie Principal The Walter L. “Buz” Carr, III Chair

Elizabeth Burkhardt Associate Principal

Laura Najarian

Michael Myers Joseph Walthall TROMBONE

Colin Williams Principal The Wachovia Chair

Stephen Wilson

ENGLISH HORN

The Pricewaterhouse Coopers Chair

Patrick McFarland

Juan de Gomar

Associate Principal The Patsy and Jere Drummond Chair

CLARINET

CONTRABASSOON

George Curran Edmon Nicholson

Laura Ardan Principal The Robert Shaw Chair*

Juan de Gomar

Ted Gurch

HORN

BASS TROMBONE

Associate Principal

Brice Andrus

George Curran

William Rappaport

Principal The Sandra and John Glover Chair

TUBA

The Alcatel-Lucent Chair

Alcides Rodriguez

Susan Welty Associate Principal

Thomas Witte Richard Deane

Michael Moore Principal The Georgia-Pacific Chair

The UPS Community Service Chair

TIMPANI

Bruce Kenney

Principal The Walter H. Bunzl Chair*

Mark Yancich

William Wilder Assistant Principal

Charles Settle HARP

Elisabeth Remy Johnson Principal The Delta Air Lines Chair

KEYBOARD The Hugh and Jessie Hodgson Memorial Chair*

Peter Marshall † Beverly Gilbert † Sharon Berenson LIBRARY

Rebecca Beavers Principal

Steven Sherrill Assistant Principal Librarian

John Wildermuth Assistant Librarian *C hair named in perpetuity † Regularly engaged musician Players in string sections are listed alphabetically.

Atlanta’s Performing Arts Publication 17

Earning their stripes

The opportunity to become part of the Atlanta Symphony Youth Orchestra annually draws hundreds of young people eager for a unique experience

By Kimberly Nogi The Atlanta Symphony Youth Orchestra (ASYO) has long prided itself on being a vibrant part of the cultural fabric of the Atlanta community; but in reality, the reach of the Youth Orchestra extends far beyond Atlanta’s music scene.

Every year, more than 400 middle and high school instrumentalists spend countless hours preparing to audition for approximately 120 positions in the Youth Orchestra. But why?

Former Atlanta Symphony Principal Trumpet Chris Martin, now principal trumpet of the Chicago Symphony Orchestra, only played with the Youth Orchestra for one year, but he recognizes the tremendous value of the program for young musicians.

“The ASYO gives young musicians the experience of preparing concerts at the highest level of commitment and artistry,” says Martin. “It’s a rare place where talented young people come together, challenge each other, and learn from each other while playing some of the greatest music in the world.”

18 EncoreAtlanta.COM

The Youth Orchestra, which performs four concerts annually, provides students with many extraordinary opportunities, including the chance to work with renowned conductors and guest artists, and perform commissioned works by local and national composers.

Every Saturday, students travel from as far as Alabama and Asheville, N.C., for their weekly rehearsals, which include coaching sessions with Atlanta Symphony musicians. For many, the experience is worth the drive simply because it provides an experience that students do not receive in their school’s music education programs.

“I had a chance to be around people my own age who took making music seriously,” says Chris Pulgram, former concertmaster of the Youth Orchestra and now a violinist with the Atlanta Symphony.

At the time Pulgram participated in the program, his high school did not have a string program.

Former ASYO violist Bethani Oppenheimer agrees that the Youth Orchestra provided her with a heightened musical experience that she was not receiving in her school’s music education program.

Favorite ASYO Experience?

“ Traveling to Berlin in 2004.”

— Stanford L. Thompson “It introduced me to a much wider world of opportunities,” she says. “Being able to play alongside such talented individuals pushed me to work harder. There was a common goal among the students to achieve and perform at a high level.”

2020EncoreAtlanta.com EncoreAtlanta.COM

Favorite ASYO Experience?

“ Performing the Mussorgsky/ Ravel Pictures at an Exhibition at the ripe young age of 17! What a rush!”

— Chris Martin Oppenheimer, who chose not to pursue music professionally, still acknowledges how her experience in the Youth Orchestra helped shape her career. Now a human resources director for a real estate management and development company, Oppenheimer said her participation in the Youth Orchestra led her to an internship with the Atlanta Symphony education department and prepared her for a fellowship at the John F. Kennedy Center for the Performing Arts, ultimately launching a chain of events that brought her to where she is today.

Throughout its 36-year existence, the Youth Orchestra has gained national recognition as one of the best youth orchestras in the country — and it has the performance history to prove it. Regularly broadcasted on Atlanta’s public radio station WABE, the Youth Orchestra also has been featured on National Public Radio’s “From the Top.” Notable performances include the closing ceremonies to the 1996 Olympic Games — the only American youth orchestra to ever participate in the Olympics — and a CD and DVD recording collaboration with rock band Collective Soul. The group has also hosted or exchanged visits with youth orchestras from Great Britain, Australia, and Berlin.

Continued on page 42

program Robert Spano, Music Director Donald Runnicles, Principal Guest Conductor

Delta Classical Series Concerts Thursday, Friday and Saturday, April 21, 22 and 23, 2011, at 8 p.m.

Julian Kuerti, Conductor Simon Trpcˇeski, Piano Felix Mendelssohn (1809-1847)

Meeresstille und glückliche Fahrt (Calm Sea and Prosperous Voyage),

Opus 27 (1828) Sergei Rachmaninov (1873-1943)

Concerto No. 4 in G minor for Piano and Orchestra, Opus 40

(1926, rev. 1941) I. Allegro vivace

II. Largo

III. Allegro vivace

Simon Trpcˇeski, Piano INTERMISSION Ludwig van Beethoven (1770-1827)

Symphony No. 8 in F Major, Opus 93 (1812) I. Allegro vivace e con brio

II. Allegretto scherzando III. Tempo di Menuetto IV. Allegro vivace

Richard Wagner (1813-1883) Overture to Der fliegende Holländer (The Flying Dutchman) (1843)

“Inside the Music” preview of the concert, Thursday at 7 p.m., presented by Ken Meltzer, Atlanta Symphony Orchestra Insider and Program Annotator.

The use of cameras or recording devices during the concert is strictly prohibited.

Atlanta’s Performing Arts Publication 23

sponsors

is proud to sponsor the Delta Classical Series of the Atlanta Symphony Orchestra.

Delta is proud to be celebrating our 70th anniversary as Atlanta’s hometown airline. Delta’s community spirit worldwide continues to be a cornerstone of our organization. As a force for global good, our mission is to continuously create value through an inclusive culture by leveraging partnerships and serving communities where we live and work. It includes not only valuing individual differences of race, religion, gender, nationality and lifestyle, but also managing and valuing the diversity of work teams, intracompany teams and business partnerships.

Delta is an active, giving corporate citizen in the communities it serves. Delta’s community engagement efforts are driven by our desire to build long-term partnerships in a way that enables nonprofits to utilize many aspects of Delta’s currency — our employees time and talent, our free and discounted air travel, as well as our surplus donations. Together, we believe we can take our worldwide communities to new heights!

Major funding for the Atlanta Symphony Orchestra is provided by the Fulton County Board of Commissioners under the guidance of the Fulton County Arts Council.

Solo pianos used by the Atlanta Symphony Orchestra are gifts of the Atlanta Steinway Society and in memory of David Goldwasser. The Hamburg Steinway piano is a gift received by the Atlanta Symphony Orchestra in honor of Rosi Fiedotin. The Yamaha custom six-quarter tuba is a gift received by the Atlanta Symphony Orchestra in honor of Principal Tuba player Michael Moore from The Antinori Foundation.

This performance is being recorded for broadcast at a later time. Atlanta Symphony concert broadcasts are heard each week on Atlanta’s WABE FM-90.1 and Georgia Public Broadcasting’s statewide network.

The Atlanta Symphony records for ASO Media. Other recordings of the Orchestra are available on the Argo, Deutsche Grammophon, New World, Nonesuch, Philips, Telarc and Sony Classical labels.

Media sponsors: Atlanta Journal-Constitution and WSB 750 AM. Trucks provided by Ryder Truck Rental Inc.

24 EncoreAtlanta.com

program Notes on the Program

By Ken Meltzer Meeresstille und glückliche Fahrt (Calm Sea and Prosperous Voyage), Opus 27 (1828) Felix Mendelssohn was born in Hamburg, Germany, on February 3, 1809, and died in Leipzig, Germany, on November 4, 1847. The first performance of Calm Sea and Prosperous Voyage took place in Berlin on December 1, 1832, with the composer conducting. Calm Sea and Prosperous Voyage is scored for piccolo, two flutes, two oboes, two clarinets, two bassoons, contrabassoon, two horns, three trumpets, timpani and strings. Approximate performance time is thirteen minutes.

First ASO Classical Subscription Performance: November 11, 1965, Robert Mann, Conductor.

Most Recent ASO Classical Subscription Performances: February 1, 2 and 3, 2007, Nicholas McGegan, Conductor.

F

elix Mendelssohn first met Johann Wolfgang von Goethe (1749-1832) in November of 1821 at the great German author’s Weimar home. On that occasion, Mendelssohn was introduced by his music teacher, Karl Zelter. Goethe was immediately entranced by the twelve-year-old Mendelssohn’s precocious musical talents. Goethe told Mendelssohn: “I am Saul, and you are my David.

When I am sad, come and cheer me with your playing.”

Mendelssohn’s final visit with Goethe took place in May of 1830. While en route to Italy, Mendelssohn stopped in Weimar. Mendelssohn delighted Goethe — then 80 years old — with keyboard performances of music by various masters. When Mendelssohn completed his visit with Goethe, the author gave the composer a manuscript sheet from his Faust, with the following inscription: “To my dear young friend F.M.B., mighty yet delicate master of the piano, in friendly remembrance of happy May days in 1830. J.W. von Goethe.”

In 1828, two years before his visit to Weimer, Mendelssohn composed a work based upon two poems by Goethe, the Calm Sea and Prosperous Voyage Overture. These are the poems that also served as the inspiration for Ludwig van Beethoven’s 1815 Cantata of the same name, scored for chorus and orchestra.

In February of 1828, Mendelssohn informed his friend, Karl Klingemann: “I have the whole thing already in my head, and the great waves will be represented by double bassoons.” Although Mendelssohn completed his Calm Sea and Prosperous Voyage that year, the work did not receive its first public performance until December of 1832 in Berlin, with the composer conducting.

When Goethe learned of Mendelssohn’s composition, he wrote to his young friend: “Sail well in your music, and may your voyages always be as prosperous as this one.”

Below are the original texts (and English translations) of the Goethe poems that inspired Mendelssohn’s orchestral work.

Atlanta’s Performing Arts Publication 25

Meeresstille Tiefe Stille herrscht im Wasser, Ohne Regung ruht das Meer, Und bekümmert sieht der Schiffer Glatte Fläche ringsumher.

Keine Luft von keiner Seite!

Todesstille fürchterlich!

In der ungeheuren Weite Reget keine Welle sich.

Calm Sea Deep silence reigns on the water, The sea lies motionless, And the sailor anxiously sees The smooth surface all around.

No air from any side!

Dead calm silence!

In the vast expanse Not a single wave stirs.

Glückliche Fahrt Die Nebel zerreisen, Der Himmel ist helle, Und Aeolus löset Das ängstliche Band.

Es säuseln die Winde, Es rührt sich der Schiffer.

Geschwinde! Geschwinde!

Es teilt sich die Welle, Es naht sich die Ferne; Schon seh’ ich das Land!

Prosperous Voyage The fog disperses, The sky is bright, And Aeolus loosens The fearful band.

The winds whisper, They stir the seaman.

Hurry! Hurry!

The waves part, What is distant now becomes nearer; Already I see land!

Johann Wolfgang von Goethe

Concerto No. 4 in G minor for Piano and Orchestra, Opus 40 (1926, rev. 1941) Sergei Rachmaninov was born in Semyonovo, Russia, on April 1, 1873, and died in Beverly Hills, California, on March 28, 1943. The first performance of the Piano Concerto No. 4 took place at the Academy of Music in Philadelphia, Pennsylvania, on March 18, 1927, with the composer as soloist, and Leopold Stokowski conducting the Philadelphia Orchestra. In addition to the solo piano, the Concerto is scored for piccolo, two flutes, two oboes, English horn, two clarinets, two bassoons, four horns, two trumpets, three trombones, tuba, timpani, snare drum, tambourine, triangle, cymbals, suspended cymbal, bass drum and strings. Approximate performance time is twenty-six minutes.

First ASO Classical Subscription Performances: February 9 and 10, 1961, Leonard Pennario, Piano, Henry Sopkin, Conductor.

Most Recent ASO Classical Subscription Performances: November 14, 15 and 17, 2002, Garrick Ohlsson, Piano, Robert Spano, Conductor.

T

he Russian composer and pianist Sergei Rachmaninov completed his Third Piano Concerto in 1909, repertoire for an impending concert tour of the United States. Rachmaninov may have begun contemplating what proved to be his final Piano Concerto as early as 1914. However, it was not until the mid-1920s that Rachmaninov began work on the Piano Concerto No. 4.

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program At the time, Rachmaninov was in New York, on yet another American concert tour.

On January 14, 1926, Rachmaninov attended the New York Philharmonic debut of the legendary Italian maestro, Arturo Toscanini. On the program was Ottorino Respighi’s tone poem, The Pines of Rome. Respighi, who was also in the audience for the concert, led the Philadelphia Orchestra in the same work the following day.

In April of 1926, Rachmaninov and his wife departed New York for Paris. The family then traveled to Dresden. There, Rachmaninov completed the Piano Concerto No. 4, as well as his Three Russian Folk Songs for chorus and orchestra, Opus 41.

Rachmaninov dedicated the Fourth Piano Concerto to his friend, Russian composer Nikolai Medtner (1880-1951). In a letter to Medtner, Rachmaninov commented on what he viewed as the work’s unusual length, joking that, as in the case of Richard Wagner’s Ring Cycle, the Concerto might have to be performed over the course of several evenings. Rachmaninov revised the score of his Fourth Concerto before its premiere, which took place in Philadelphia, on March 18, 1927.

Rachmaninov was the soloist, and Leopold Stokowski conducted the Philadelphia Orchestra. Also on the program were the Three Russian Folk Songs, which Rachmaninov dedicated to Stokowski.

The Concerto was not particularly well received by the critics, leading Rachmaninov to revise the work further. In the summer of 1941, Rachmaninov made final revisions. On October 17, Rachmaninov was once again the soloist in the first performance of the 1941 revised version, this time with Eugene Ormandy conducting the Philadelphia Orchestra. These same artists recorded the work for RCA on December 20, 1941, a treasured document that remains in circulation.

Musical Analysis I. Allegro vivace — The orchestra’s surging introduction sets the stage for the soloist’s presentation of the grand opening theme. The theme is the basis for virtuoso flights by the soloist. Passages for solo English horn and French horn are prelude to the soloist’s introduction of the second, cantabile theme (Moderato), delicately accompanied. The tension builds, resolving to the broad third principal melody (Tempo come prima), introduced by the strings to commentary by the soloist. The development of these themes generates a fearsome tension and energy. The varied restatement of the themes seems to portend a lyrical resolution, instead whisked aside by the terse final bars (Allegro vivace).

II. Largo — A brief prelude by the soloist leads to the strings’ hushed presentation of the slow movement’s central melody (misterioso). Many have noted that the relationship of the melody’s opening to the children’s song, “Three Blind Mice.” For his part, Rachmaninov was mortified when he realized the notes replicated the opening of the principal melody of Robert Schumann’s Piano Concerto, Opus 54 (1845). The soloist and orchestra quietly exchange the melody. The calm is shattered by a tempestuous outburst (L’istesso tempo, ma agitato). A brief restatement of the opening portion (Come prima) leads without pause to the final movement.

III. Allegro vivace —The finale opens with the orchestra’s rapid ascent to a pair of fortissimo chords. Soon, the pianist enters with the start of what proves to be a nonstop virtuoso tourde-force. The finale also includes allusions to the music of the opening movement. The coda spotlights breathtaking passagework for the soloist, capped by an emphatic final statement.

Atlanta’s Performing Arts Publication 27

Symphony No. 8 in F Major, Opus 93 (1812) Ludwig van Beethoven was baptized in Bonn, Germany, on December 17, 1770, and died in Vienna, Austria, on March 26, 1827. The first performance of the Eighth Symphony took place at the Redoutensaal in Vienna on February 27, 1814. The Eighth Symphony is scored for two flutes, two oboes, two clarinets, two bassoons, two horns, two trumpets, timpani and strings. Approximate performance time is twenty-seven minutes.

First ASO Classical Subscription Performance: February 27, 1949, Henry Sopkin, Conductor.

Most Recent ASO Classical Subscription Performances: January 10, 12 and 13, 2002, Itzhak Perlman, Conductor.

B

eethoven began work on both his Seventh and Eighth Symphonies in 1811.

After finishing the Seventh Symphony in June of 1812, Beethoven turned his full attention to the Eighth, completing that score on October 12. The premiere of the Eighth Symphony took place as part of a February 27, 1814 concert at the Redoutensaal in Vienna. The program also contained the Seventh Symphony — which had received its premiere the previous December 13 — and the wildly popular Wellington’s Victory. The Seventh Symphony inspired a tumultuous response, with those in attendance demanding and receiving an encore of the second movement. When the audience reacted far less enthusiastically to the Eighth Symphony, Beethoven remarked, “That’s because it’s so much better than the other.”

Perhaps Beethoven was being overly defensive, but his view of the merits of the Eighth Symphony received support from the critic for the Allgemeine Musikalische Zeitung. After the premiere, the critic praised the Eighth Symphony, and attributed the audience’s relatively tepid response in part to, “the faulty judgment that permitted this symphony to follow (the Seventh)… If this symphony should be performed alone hereafter, we have no doubt of its success.”

The reviewer’s comments raise an interesting point. Along with the First, the Eighth is the briefest of Beethoven’s Nine Symphonies. Perhaps the Eighth is best appreciated when presented independent of such epic works as the Third, Fifth, Seventh, or Ninth Symphonies (the Eighth is, in fact, quite frequently paired with the “Choral”).

Beethoven’s Eighth is the Symphony that most emphatically reflects the composer’s humorous side. The Eighth also bears a kinship with another comic jewel — Giuseppe Verdi’s final opera, Falstaff (1893). In both works, the composers — mature, and at the height of their powers — employ techniques previously used for the composition of “serious” music to fashion masterpieces overflowing with playful humor. And, if the Eighth Symphony presages the future, it also pays tribute to the past. The work’s high spirits and economy of expression recall the greatest symphonic humorist of them all — Beethoven’s teacher, Franz Joseph Haydn.

Musical Analysis I. Allegro vivace e con brio — The orchestra immediately plunges into the boisterous opening theme. The strings, to puckish bassoon accompaniment, introduce a more subdued melody.

Soon the energy of the opening bars returns and the exposition concludes with a flourish.

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program The terse development builds to an extraordinary level of tension, finally released with the triumphant recapitulation of the opening theme. The extended coda proceeds to yet another climax. After a brief pause, there is a final outburst and a diminuendo, capped by a pianissimo wisp of the opening theme.

II. Allegretto scherzando — This lighthearted Allegretto replaces the traditional slow movement. The first violins, to the accompaniment of repeated staccato woodwind chords, sing a playful melody. The humor of this movement is reinforced by sharply contrasting dynamics and orchestral sonorities, especially in the frantic closing measures.

III. Tempo di Menuetto — This is the only Minuet among Beethoven’s Symphonies (the First Symphony’s third movement is called a “Minuet,” but is in reality the first of the composer’s many symphonic Scherzos). After a brief introduction, the strings play the graceful principal theme that contrasts with some brusque orchestral interjections. The horns (to playful triplet cello accompaniment) introduce a lovely interlude that serves as Minuet’s Trio section. The movement closes with a reprise of the Minuet.

IV. Allegro vivace — The finale begins with a device familiar from many Haydn symphonies.

The strings play a scurrying, pianissimo figure that suddenly — and without warning — explodes with tremendous force. The first violins introduce the contrasting, lyrical second theme. The finale, a combination of sonata and rondo forms, is a beehive of activity from start to finish. The Symphony concludes with an extended and decidedly emphatic series of chords.

Overture to Der fliegende Holländer (The Flying Dutchman) (1843) Richard Wagner was born in Leipzig, Germany, on May 22, 1813, and died in Venice, Italy, on February 13, 1883. The first performance of The Flying Dutchman took place at the Court Opera in Dresden, Germany, on January 2, 1843. The Overture to The Flying Dutchman is scored for piccolo, two flutes, two oboes, English horn, two clarinets, two bassoons, four horns, two trumpets, three trombones, tuba, timpani, harp and strings. Approximate performance time is eleven minutes.

First ASO Classical Subscription Performance: January 18, 1951, Henry Sopkin, Conductor.

Most Recent ASO Classical Subscription Performances: February 5, 1966, Henry Sopkin, Conductor.

In July of 1839, Richard Wagner and his wife, Minna, left their home in Riga, Latvia. Wagner later commented: “I had various reasons for not wanting to stay in Riga any longer.” Among those “reasons” was Wagner’s desire to secure a staging of his grand opera, Rienzi, in Paris. But Richard and Minna Wagner were also attempting to avoid the pursuit of numerous creditors.

The couple set sail from Riga to Paris, via London. The voyage, scheduled to last but eight days, was a disaster. A few years later Wagner recalled: This sea journey will remain eternally engraved on my memory; it lasted three and a half weeks and was beset by accidents. Three times we were caught in the most violent storms and once the captain was forced to take shelter in a Norwegian harbor. Sailing between the Atlanta’s Performing Arts Publication 29

Norwegian reefs made a striking impression on my imagination; the legend of the Flying Dutchman, as recounted to me by the sailors, took on a very definite and individual coloring in my mind such as only my adventures at sea could inspire.

These harrowing experiences provided the basis for Wagner’s opera, Der fliegende Holländer (The Flying Dutchman). The story of the legendary sea captain, condemned to travel the seas until he finds the true love of a woman, may be traced to a 15th-century tale, later adapted by the German poet, Heinrich Heine. Wagner sketched the opera’s libretto in Paris, in 1841, and composed the music during a span of six weeks in 1842. The premiere took place in Dresden, on January 2, 1843.

The Flying Dutchman was Wagner’s fourth opera, and the first emphatically to chart the path toward the revolutionary music dramas of his artistic maturity. In The Flying Dutchman, Wagner begins to depart from traditional set pieces (arias, duets, etc.) for a more throughcomposed style, in which the orchestra plays a central role. The Flying Dutchman also features one of Wagner’s signature devices; symbolic musical themes known as a “Leitmotif” or “Leading Motif.” The Flying Dutchman also explores a concept Wagner examined in many of his works — redemption through love.

During a furious storm, the Flying Dutchman successfully negotiated the Cape of Good Hope.

As punishment for his defiance of nature, the Devil condemned the Dutchman to wander the seas. Every seven years, the Dutchman is permitted to leave his vessel and seek the love of a faithful woman. If the Dutchman’s quest proves successful, the curse shall be removed.

The Dutchman meets Daland, a Norwegian sea captain. The Dutchman promises to give all his wealth in exchange for the hand of Daland’s daughter, Senta, in marriage. Senta, who has long been fascinated by the legend of the Dutchman, promises to be faithful until death. But when Erik, who is also in love with Senta, pursues the young woman, the Dutchman believes she has betrayed him. As the Dutchman’s ship departs, Senta leaps into the waters. The Dutchman’s ship sinks into the sea. The opera concludes with a vision of the Dutchman and Senta, rising together to heaven.

Musical Analysis The Overture, featuring several important musical themes from the opera, is an orchestral synopsis of the action that follows. Raging winds, depicted by the winds and strings, accompany the Dutchman’s leitmotif, first played by the horns and bassoons (Allegro con brio). A stunning orchestral depiction of the ocean’s billowing waves finally subsides to a brief pause. The English horn softly intones a dolce melody, symbolic of Senta’s redemptive love for the Dutchman (Andante). The tension builds, leading to an excerpt from the Dutchman’s monologue, in which he laments his fate (Tempo I). Horn calls herald the winds’ sprightly presentation of the hearty Sailors’ Chorus from the opera’s final Act. The various themes reappear, often in conflict. But in the final section, radiant versions of the Senta and Dutchman themes affirm his salvation.

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program Julian Kuerti, Conductor

O

ne of the most significant conducting talents to emerge in recent years, Canadian conductor Julian Kuerti has quickly made a name for himself with his confident style, artistic integrity and passion for musical collaboration. Kuerti has led numerous orchestras across North America including the Boston, Houston, Montreal, Toronto, Colorado and Utah symphonies; Los Angeles Philharmonic; National Arts Centre Orchestra including at Julian Kuerti the 2010 Vancouver Cultural Olympiad; and most recently in April, as a last-minute substitution with the Cincinnati Symphony that resulted in immediate reengagements for July 2010 and September 2011. In August 2010, he completed his post as assistant conductor to James Levine at the Boston Symphony.

Of a performance under the direction of Julian Kuerti, a Cincinnati Enquirer critic wrote, “There was clearly chemistry happening onstage, and the musicians performed magnificently for him.” And when Kuerti stepped in at the last minute to conduct a Boston Symphony Orchestra performance, The Boston Globe lauded him as he “rose to the occasion and pulled off a triumphant concert. This was easily his finest hour.”

In the 2010-11 season, Kuerti makes debuts with the Atlanta, Seattle, New Jersey, Vancouver, Rochester and Quebec symphonies and Los Angeles and St. Paul chamber orchestras; returns to the Utah Symphony and National Arts Centre Orchestra and makes his New York City Opera debut at Lincoln Center in Oliver Knussen’s Where the Wild Things Are. Highlights of the 2009-10 season included subscription concerts with the Boston, Montreal, Colorado and Utah symphony orchestras and concerts with the Deutsches SymphonieOrchester Berlin and Orchestre Philharmonique du Luxembourg.

Kuerti was born in Toronto into one of Canada’s most distinguished musical families; his father is famed pianist Anton Kuerti. He studied with David Zinman at the American Academy of Conducting at Aspen and at the NAC Conductors Programme in Ottawa with acclaimed Finnish maestro Jorma Panula.

Atlanta’s Performing Arts Publication 31

ˇeski, Piano simon trpc

W

ith the ability to perform a diverse range of repertoire-from Haydn and Chopin to Debussy and Stravinsky-Macedonian pianist Simon Trpcˇeski has captivated audiences worldwide and established himself as one of the most remarkable young musicians to have emerged in recent years. Mr. Trpcˇeski is praised, not only for his impeccable technique and delicate expression, but also for his warm personality and commitment to strengthening Macedonia’s cultural image.

Simon Trpcˇeski

Mr. Trpcˇeski’s 2010-11 season features an ambitious schedule of both orchestral and recital performances including his November 2010 Carnegie Hall debut with the Baltimore Symphony and Marin Alsop in Prokofiev’s Piano Concerto No. 3. Other North American orchestral dates are with the Montreal, Atlanta and Boston Symphony orchestras. Worldwide orchestral appearances feature the opening of the Netherlands Radio Orchestra’s and RTE Orchestras’ seasons, two programs with the NHK Symphony, engagements with the Oslo and Hong Kong Philharmonic orchestras and concerts with the Philharmonia and London, Danish National, Nordic and City of Birmingham Symphony Orchestras. He will also perform with orchestras of Odense, Belgrade, Zagreb, Brabants, Porto and Bordeaux, and gives multiple concerts in South America with the Orchestra of the National Theatre of Brazil and the São Paolo State Symphony Orchestra. Trpcˇeski performs recitals in Chicago, Washington D.C., Los Angeles, Seattle, Vancouver, Milan and Florence. He finishes the season with the Melbourne Symphony, Adelaide Symphony Australia and a tour with the New Zealand Symphony Orchestra. Mr. Trpcˇeski’s second concerto album is released on the Avie label in 2011, in which he performs Rachmaninov’s Piano Concertos No. 1 and 4 and Rhapsody on a Theme of Paganini with Vasily Petrenko and the Royal Liverpool Philharmonic Orchestra.

Mr. Trpcˇeski has received much praise for his four EMI recital recordings, including Gramophone’s Editor’s Choice and Debut Album Awards. March 2010 saw his concerto recording debut on the Avie label, showcasing Rachmaninov’s notoriously challenging Piano Concertos No. 2 and 3 with Vasily Petrenko and the Royal Liverpool Philharmonic Orchestra.

The album was positioned in the Top 10 of both the Billboard Classical Chart and the U.K.’s specialist classical chart, and additionally won the Classic FM’s “Editor’s Choice” Award.

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support Appassionato

Meghan H. Magruder, Appassionato Chair

The Atlanta Symphony Orchestra is privileged to receive annual contributions from individuals throughout the southeast. Appassionato was inaugurated in 2000 & welcomes annual givers of $10,000 & above. Appassionato members provide the Symphony with a continuous & strong financial base in support of our ambitionous aritistic & education initiatives.

$50,000+

Mrs. Anne Cox Chambers

The Reiman Foundation

$35,000+

Robert Spano

Susan & Thomas Wardell

Mark & Rebekah Wasserman

$25,000+ Lucy R. & Gary Lee, Jr. Terence L. & Jeanne P. Neal* Victoria & Howard Palefsky Mrs. Charles A. Smithgall, Jr. Mr. Thurmond Smithgall Ray & John Uttenhove

Mr. & Mrs. K. Morgan Varner, III Adair & Dick White Ann Marie & John B. White, Jr.* Sue & Neil Williams*

AGCO Corporation, Martin Richenhagen Pinney L. Allen & Charles C. Miller Mr. & Mrs. Paul J. Blackney Janine Brown & Alex J. Simmons, Jr. Mr. & Mrs. C. Merrell Calhoun Mary Helen & Jim Dalton Mr. & Mrs. David Edmiston In memory of Polly Ellis by Admiral James O. Ellis, Jr. Gary & Nancy Fayard* $10,000+

Mr. Donald F. Fox Mr. & Mrs. Paul R. Garcia Charles & Mary Ginden Jim & Pam Henry InterContinental Hotels Group Clay & Jane Jackson Ann A. & Ben F. Johnson III Mr. & Mrs. James C. Kennedy Eydie & Steve Koonin Mr. & Mrs. Brian Kurlander Michael & Cindi Lang Donna Lee & Howard C. Ehni

Karole & John Lloyd Meghan & Clarke Magruder Jeff Mango-Verizon Wireless Mr. & Mrs. William T. Plybon Printpack Inc. & The Gay & Erskine Love Foundation Patty & Doug Reid Ms. Lynn Schinazi Gail & Loren Starr Alison M. & Joseph M. Thompson Camille W. Yow

Anonymous Ron & Susan Antinori Mark & Christine Armour The Balloun Family* Lisa & Joe Bankoff Barnes & Thornburg LLP Kelley O. & Neil H. Berman The John & Rosemary Brown Family Foundation Dr. Robert L. & Lucinda W. Bunnen The Walter & Frances Bunzl Foundation Cynthia & Donald Carson Shannon & Philip Cave Dr. John W. Cooledge Cari Katrice Dawson Eleanor & Charles Edmondson Rosi & Arnoldo Fiedotin

Carol & Larry Gellerstedt Mary D. Gellerstedt Nancy D. Gould Mr. & Mrs. Robert D. Grathwohl The Graves Foundation Robert Hall Gunn, Jr. Fund Joe Guthridge & David Ritter* Tom & Jan Hough Mr. Tad Hutcheson Roya & Bahman Irvani Robert J. Jones* Anne Morgan & Jim Kelley* Philip I. Kent Mr. & Mrs. Donald R. Keough Amy & Mark Kistulinec Mr. & Mrs. John M. Law Massey Charitable Trust Mr. Kenneth & Dr. Carolyn Meltzer Morgens West Foundation

Lynn & Galen Oelkers Mr. & Mrs. Solon P. Patterson* Bob & Margaret Reiser Stanley & Shannon Romanstein Dennis & JoAnne Sadlowski Bill & Rachel Schultz Joyce & Henry Schwob Mr. John A. Sibley III John Sparrow Irene & Howard Stein Mary Rose Taylor Carol & Ramon Tome* The Michael W. Trapp Family Mike & Liz Troy Turner Foundation, Inc. Mr. & Mrs. Edus H. Warren, Jr. Neal & Virginia Williams

Madeline & Howell E. Adams, Jr. Susan & Richard Anderson Stephanie & Arthur Blank Mr. & Mrs. Bradley Currey, Jr. Marcia & John Donnell Catherine Warren Dukehart $15,000+

*We are grateful to these donors for taking the extra time to acquire matching gifts from their employers. **Deceased.

Atlanta’s Performing Arts Publication 33

Patron Partnership

Judy Hellriegel, Chair

The Patron Partnership of the Atlanta Symphony Orchestra is the society of donors who have given $1,750 or more and comprise a vital extension of the Orchestra family through their institutional leadership and financial support.

$5,000+ John & Helen Aderhold* Aadu & Kristi Allpere* Anonymous (4) Mr. David Boatwright Mrs. Suzanne Dansby Bollman & Mr. Brooks Bollman Breman Foundation Ann & Jeff Cramer* Triska Drake & G. Kimbrough Taylor, Jr. Dr. & Mrs. Carl D. Fackler Mr. David L. Forbes Mr. James F. Fraser

Betty Sands Fuller Sally & Carl Gable Dick & Ann Goodsell C. Tycho & Marie Howle Foundation The Jamieson Family Family of Thomas B. Koch James H. Landon George H. Lanier Pat & Nolan Leake Linda & John Matthews Penelope & Raymond McPhee* Brenda & Charles Moseley

Dr. & Mrs. Mark P. Pentecost, Jr. Margaret H. Petersen John & Kyle Rogers Hamilton & Mason Smith Lynne & Steven Steindel* Peter James Stelling Charlie Wade & M.J. Conboy Gertrude & William C. Wardlaw Fund, Inc. Russell Williamson & Shawn Pagliarini Suzanne Bunzl Wilner

Dr. & Mrs. James T. Laney* Mr. & Mrs. William C. Lester* Deborah & William Liss* Dr. & Mrs. James T. Lowman Gino & Belinda Massafra* Walter W. Mitchell Mr. & Mrs. Rezin Pidgeon, Jr.

Mr. & Mrs. Joel F. Reeves S. A. Robinson Sandy & Paul Smith Mrs. C. Preston Stephens Burton Trimble T & H Yamashita*

Mr. & Mrs. Christopher S. Edmonds Ellen & Howard Feinsand John & Michelle Fuller Mr. & Mrs. Edward T. Garland Peg Gary Carol & Henry Grady Ben & Lynda Greer Dr. & Mrs. Alexander Gross Herbert & Marian Haley Foundation Mr. Lewis H. Hamner III Steven & Caroline Harless Sally W. Hawkins Mr. & Mrs. John E. Hellriegel Darlene K. Henson Mr. & Mrs. Jesse Hill, Jr. In Memory of Carolyn B. Hochman Mr. & Mrs. Daniel H. Hollums Mr. & Mrs. Harry C. Howard Richard & Linda Hubert Dr. William M. Hudson

Mr. & Mrs. William C. Humphreys, Jr. Dr. & Mrs. James M. Hund Mr. & Mrs. W. F. Johnston Dr. Maurice J. Jurkiewicz Hazel & Herb Karp Paul & Rosthema Kastin Mr. & Mrs. John H. Kauffman Mr. & Mrs. L. Michael Kelly Dick & Georgia Kimball* Dr. Fulton D. Lewis III & Mr. Stephen Neal Rhoney Mr. & Mrs. J. David Lifsey Mr. & Mrs. Frederick C. Mabry Ruth & Paul Marston The Devereaux F. & Dorothy McClatchey Foundation, Inc. Mr. & Mrs. Albert S. McGhee Birgit & David McQueen Judy & Gregory Moore Ms. Lilot S. Moorman & Mr. Jeffrey B. Bradley

$3,500+ Julie M. Altenbach Mr. & Mrs. Dennis Chorba Ms. Carol F. Comstock & Mr. James L. Davis* Jere & Patsy Drummond Dr. & Mrs. C.R. Harper JoAnn Hall Hunsinger $2,250+ Mr. & Mrs. Phillip E. Alvelda* Marian & Paul Anderson Anonymous (2) Jack & Helga Beam Ms. Laura J. Bjorkholm & Mr. John C. Reece II Rita & Herschel Bloom Margo Brinton & Eldon Park Jacqueline A. & Joseph E. Brown, Jr. Maj. Gen. & Mrs. Robert Bunker Dr. Aubrey M. Bush & Dr. Carol T. Bush The Buss Family Charitable Fund Charles Campbell & Ann Grovenstein-Campbell Mrs. Thalia N. Carlos Mr. & Mrs. Beauchamp Carr Lucy & John Cook Robert Cronin & Christina Smith Sally & Larry Davis Ms. Diane Durgin

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support $2,250+ (continued) Dr. & Mrs. R. Daniel Nable Ms. Rebecca Oppenheimer Mr. & Mrs. Andreas Penninger Susan Perdew Mr. & Mrs. David M. Ratcliffe Realan Foundation, Inc. Mr. & Mrs. Richard L. Rodgers Mrs. William A. Schwartz Elizabeth S. Sharp Angela & Morton Sherzer

Dr. Kay R. Shirley Beverly & Milton Shlapak In memory of Willard Shull Helga Hazelrig Siegel Lewis Silverboard Baker & Debby Smith Amy & Paul Snyder Mr. & Mrs. Raymond F. Stainback, Jr. John & Yee-Wan Stevens

Mr. & Mrs. George B. Taylor, Jr. Mr. & Mrs. Mark Taylor Mr. William C. Voss Dr. & Mrs. James O. Wells, Jr. Ms. Mary Lou Wolff Jan & Beattie Wood Mr. & Mrs. John C. Yates The Zaban Foundation, Inc.

George T. & Alecia H. Ethridge Representative Pat Gardner & Mr. Jerry Gardner Paul B., Paul H. & M. Harrison Hackett Carol & Thomas J. Hanner Thomas J. High Mr. Thomas Hooten Dorothy Jackson Mary & Wayne James Aaron & Joyce Johnson Veronique & Baxter Jones Lana M. Jordan Mr. Thomas J. Jung Dr. Rose Mary Kolpatzki Mr. & Mrs. David E. Krischer Thomas C. Lawson Dr. Leslie Leigh Levenson Foundation Mr. & Mrs. Paul A. Lutz* Barbara & Jim MacGinnitie Mr. & Mrs. James H. Matthews, Jr. Martha & Reynolds McClatchey Captain & Mrs. Charles M. McCleskey John F. & Marilyn M. McMullan Virginia K. McTague Angela & Jimmy Mitchell* Mrs. Gene Morse** Sanford & Barbara Orkin Dr. & Mrs. Keith D. Osborn

Dr. & Mrs. Bernard H. Palay Mr. & Mrs. Emory H. Palmer Leslie & Skip Petter Dr. & Mrs. Frank S. Pittman III The Reverend Neal P. Ponder, Jr. Provaré Technology Dr. & Mrs. W. Harrison Reeves, Sr. The Gary W. & Ruth M. Rollins Foundation John T. Ruff Dr. & Mrs. Rein Saral Nancy & Henry Shuford Alida & Stuart Silverman Sydney Simons Mr. & Mrs. Gabriel Steagall Kay & Alex Summers Elvira Tate Mr. & Mrs. William M. Tipping Ms. Kimberly Tribble & Mr. Mark Lange Robert F. Tuve* Drs. Jonne & Paul Walter Drs. Julius & Nanette Wenger David & Martha West Mr. & Mrs. William White* Hubert H. Whitlow, Jr. Mrs. Frank L. Wilson, Jr. Dorothy & Charlie Yates Family Fund Grace & Herbert Zwerner

$1,750+ Anonymous (2) Mrs. Kay Adams* & Mr. Ralph Paulk Mr. & Mrs. John Allen Mr. & Mrs. Stephen D. Ambo Dr. David & Julie Bakken Betty & Robert Balentine Mr. & Mrs. Ron H. Bell Leon & Linda Borchers Mr.** & Mrs. Eric L. Brooker Dr. & Mrs. Anton J. Bueschen Mr. & Mrs. Russell E. Butner* Mr. & Mrs. Walter K. Canipe In Memory of Dr. Richard A. Carroll, Sr. Susan & Carl Cofer Mr. & Mrs. R. Barksdale Collins* Ralph & Rita Connell Jean & Jerry Cooper Mr. & Mrs. Douglas C. Curling Mrs. H. Frances Davis Brant & Kathy Davis* Mr. & Mrs. Peter T. de Kok Dr. Carlos Del Rio & Mrs. Jeannette Guarner Elizabeth & John Donnelly Gregory & Debra Durden Cree & Frazer Durrett Dr. Francine D. Dykes & Mr. Richard Delay Mary Frances Early Judge & Mrs. Jack Etheridge

*We are grateful to these donors for taking the extra time to acquire matching gifts from their employers. **Deceased.

Atlanta’s Performing Arts Publication 35

Corporate Support $100,000+

Classical Title Sponsor Classic Chastain Title Sponsor Family and SuperPOPS Presenting Sponsor

Holiday Title Sponsor Muhtar Kent Chairman, Board of Directors and Chief Executive Officer

Richard Anderson Chief Executive Officer

jerome j. byers, II Atlanta Regional President

Atlanta School of Composers Presenting Sponsor Philip I. Kent Chief Executive Officer

$50,000+ AGCO Corporation and Vendors AT&T The Real Yellow Pages GE Energy UPS

$35,000+ Georgia Natural Gas InterContinental Hotels Group Porsche Cars North America Publix Super Markets & Publix Super Markets Charities, Inc.

Delta Classic Chastain Presenting Sponsor

Supporter of the Atlanta Symphony Orchestra Chorus

Ralph de la Vega President & CEO of Mobility and Consumer Markets

Jerry Karr Senior Managing Director GE Asset Management

$10,000+

$20,000+ Nalley Cars Ryder System, Inc. Sutherland Asbill & Brennan LLP SunTrust Foundation

AlixPartners, LLP Four Seasons Hotel Atlanta The Boston Consulting Group

Foundation and Government Support $250,000+ The Mabel Dorn Reeder Foundation Wells Fargo The Zeist Foundation, Inc.

$100,000+ The Halle Foundation Abraham J. & Phyllis Katz Foundation The Vasser Woolley Foundation, Inc

$25,000+ Anne & Gordon Getty Foundation John H. & Wilhelmina D. Harland Charitable Foundation, Inc. Hellen Ingram Plummer Charitable Foundation The Charles Loridans Foundation, Inc. MetLife Foundation The Sara Giles Moore Foundation SunTrust Bank Trusteed Foundation- Walter H. and Marjory M. Rich Memorial Fund

Major funding for this organization is provided by the Fulton County Board of Commissioners under the guidance of the Fulton County Arts Council.

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$10,000+

Special Gifts

The Aaron Copland Fund The ASCAP Foundation For Music, Inc. Irving Caesar Fund The Arnold Foundation, Inc. Livingston Foundation, Inc. Reiman Charitable Foundation $5,000+ William Randolph Hearst The Fraser-Parker Foundation Endowed Fund Robert S. Elster Foundation William McDaniel Charitable Foundation JBS Foundation The Sartain Lanier Family Foundation

Major support is provided by the City of Atlanta Office of Cultural Affairs.

This program is supported in part by the Georgia Council for the Arts through the appropriations of the Georgia General Assembly. The Council is a Partner Agency of the National Endowment for the Arts.

support Henry Sopkin Circle Recognizing planned gifts that benefit the Atlanta Symphony Orchestra Madeline & Howell E. Adams, Jr. Mr. & Mrs. John E. Aderhold William & Marion Atkins Dr. & Mrs. William Bauer Neil H. Berman Fred & Bettye Betts Mr. & Mrs.* Karl A. Bevins Mr.* & Mrs. Sol Blaine Frances Cheney Boggs* W. Moses Bond Robert* & Sidney Boozer Elinor A. Breman William Breman* James C. Buggs, Sr. Mr. & Mrs. Richard H. Burgin Hugh W. Burke Wilber W. Caldwell Mr. & Mrs. C. Merrell Calhoun Cynthia & Donald Carson Margie & Pierce Cline Dr. & Mrs. Grady Clinkscales, Jr. Miriam & John A. Conant* Dr. John W. Cooledge Mr. & Mrs. William R. Cummickel* John R. Donnell Dixon W. Driggs* Catherine Warren Dukehart Ms. Diane Durgin Kenneth P. Dutter Arnold & Sylvia Eaves

Elizabeth Etoll John F. Evans Doyle Faler* Rosi & Arnoldo Fiedotin Dr. Emile T. Fisher A. D. Frazier, Jr. Betty & Drew* Fuller Carl & Sally Gable William H. Gaik Kay Gardner* Mr.* & Mrs. L. L. Gellerstedt, Jr. Ruth Gershon & Sandy Cohn Micheline & Bob Gerson Mr. & Mrs. John T. Glover Mrs. Irma G. Goldwasser* Robert Hall Gunn, Jr. Billie & Sig* Guthman Betty G.* & Joseph F. * Haas James & Virginia Hale Miss Alice Ann Hamilton* John and Martha Head Ms. Jeannie Hearn Jill* & Jennings* Hertz Albert L. Hibbard, Jr.* Richard E. Hodges Mr. & Mrs. Charles K. Holmes, Jr. Mr. & Mrs. Fred A. Hoyt, Jr. Dr. & Mrs. James M. Hund Mary B. James Calvert Johnson deForest F. Jurkiewicz* Herb & Hazel Karp Anne Morgan & Jim Kelley

Bob Kinsey James W. & Mary Ellen* Kitchell Paul Kniepkamp, Jr. Miss Florence Kopleff Ouida Hayes Lanier Liz & Jay* Levine Jane Little Mrs. J. Erskine Love, Jr. Nell Galt & Will D. Magruder K Maier John W. Markham, III Ann Bernard Martin* Mr. Michael McDowell* Dr. Michael S. McGarry Mr. & Mrs. Richard McGinnis Vera A. Milner* Mr. & Mrs. Bertil D. Nordin Roger B. Orloff Dr. Bernard & Sandra Palay Bill Perkins Mr. & Mrs. Rezin E. Pidgeon, Jr. Janet M. Pierce Reverend Neal P. Ponder, Jr. William L. & Lucia Fairlie Pulgram Carl J. Reith* Edith Goodman Rhodes* Vicki J. & Joe A. Riedel Dr. Shirley E. Rivers Mr. & Mrs. Martin H. Sauser Mr. Paul S. Scharff & Ms. Polly G. Fraser

Edward G. Scruggs* Dr. & Mrs. George P. Sessions W. Griggs Shaefer, Jr.* Mr. & Mrs. Robert Shaw* Charles H. Siegel* Mr. & Mrs. H. Hamilton Smith Mrs. Lessie B. Smithgall Margo Sommers* Elliott Sopkin Elizabeth Morgan Spiegel Daniel D. Stanley* Peter James Stelling C. Mack* & Mary Rose Taylor Jed Thompson Margaret* & Randolph Thrower Kenneth & Kathleen Tice Steven R. Tunnell Mary E. Van Valkenburgh Mrs. Anise C. Wallace* Mr. & Mrs. John B. White, Jr. Adair and Dick White Hubert H. Whitlow, Jr. Sue & Neil Williams Mrs. Frank L. Wilson, Jr. Elin M. Winn* Joni Winston George & Camille Wright Mr.* & Mrs. Charles R. Yates Anonymous (12) *Deceased

Education & Community Engagement Atlanta Symphony Youth Orchestra, Talent Development Program, Talent Development Program Endowment, Concerts for Young People, Family Concerts, Conversations of Note

$250,000+

Wells Fargo The Zeist Foundation, Inc.

$50,000+

GE Energy Abraham J. & Phyllis Katz Foundation

$25,000+

The Coca-Cola Company Mr. & Mrs. Jesse Hill, Jr. MetLife Foundation Monica & John Pearson Hellen Ingram Plummer Charitable Foundation Publix Super Markets & Publix Super Markets Charities, Inc. Jay & Arthur Richardson

SunTrust Bank Trusteed Foundation - Walter H. and Marjory M. Rich Memorial Fund SunTrust Foundation

$2,500+

Elise T. Phillips Alison Rand Mr. & Mrs. Johnathan H. Short Suzanne & Willard* Shull The Society, Inc., Greater Atlanta Chapter $10,000+ Isaiah & Hellena Huntley $1,000+ Edith H. & James E. Bostic, Tidwell Anonymous Jr. Family Foundation Annie-York Trujillo Mr. & Mrs. Henry Aaron Cree & Frazer Durrett & Raul F. Trujillo Sharon, Lindsay Livingston Foundation, Inc. Mr. Mack Wilbourn & Gordon Fisher Primerica Dr. Blenda Wilson Drs. John O. & Gloria S. Gaston Mr. & Mrs. Robert A. Yellowlees & Dr. Louis Fair Aaron & Joyce Johnson Ms. Malinda C. Logan $5,000+ Mr. & Mrs. Howatt E. Dr. Margo A. Brinton Mallinson & Mr. Eldon Park Dr. Joanne R. Nurss Cynthia & Donald Carson Victoria & Howard Palefsky Mrs. Mary C. Gramling Ms. Margaret H. Petersen *Deceased Ms. Joni Winston Elinor Rosenberg Breman** Mr. & Mrs. Charles B. Ginden InterContinental Hotels Group Links Inc., Azalea City Chapter

** Scholarships for Atlanta Symphony Youth Orchestra tuition are made possible through the Elinor Rosenberg Breman Fellowship.

Atlanta’s Performing Arts Publication 37

support Atlanta Symphony Associates The volunteer organization of the Atlanta Symphony Orchestra

2010-2011 board Belinda Massafra President Suzy Wasserman, Leslie Petter & Camille Yow Advisors Leslie Petter Parliamentarian Elba McCue Secretary Janis Eckert Treasurer

Ellie Kohler Historian Alison Mimms VP Adminstration Corrie Johnson Nominating Chair Sylvia Davidson ASA Spring Luncheon Sheila Richards & Juanita Jones ASA Night at the Symphony Co-Chairs

Liz Troy ASA Night at VWA (Verizon) Camille Kesler Newsletter Editor Pat King Directory Editor Suzy Smith VP Public Relations Faye Popper VP Youth Education Glee Lamb VP Membership

Nancy Levitt Ambassador’s Desk Judy Schmidt VP Annual Fund Dr. Mary Francis Early VP Outreach Ann Levin & Gail Spurlock Ensemble Co-Chairs Ruth & Paul Marston Decorators’ Show House & Gardens Co-Chairs

Nancy Cox Intermezzo Chair Brooke Merrill Bravo Chair Elba McCue Concerto Chair Joan Abernathy Encore Chair

Events 2010 decorators’ show house & gardens Platinum Atlanta Homes & Lifestyles

Gold Benjamin Moore Paint Boxwoods Gardens & Gifts Comcast Encore Magazine Atlanta 360 Media Soiree Catering & Events

PrePrint Silver Publix Super Markets Phipps Plaza Charities Springer Mountain Farms S&S Rug Cleaners Bronze St. Regis Atlanta Bloomingdale’s The Outdoor Lights, Inc. Buckhead Coach Flora by John Grady Burns

2011 atlanta symphony gala corporate Sponsors Phoenix AirTran Airways Platinum The Coca-Cola Company Invesco

auction sponsors

Brown & Co. Jewelers IHG Sea Island Resorts

gold Global Payments Verizon Wireless

special contributors

Adele & Jim Abrahamson Lisa & Joe Bankoff Mr. & Mrs. Paul Blackney Marcia & John Donnell Lucy & Gary Lee Patty & Doug Reid Mr. & Mrs. Thomas Wardell Mrs. Judy Zaban

2010 airtran classic golf tournament Global Payments Inc. The Coca-Cola Company Deloitte & Touche Mr. & Dr. Kenneth H. Reception Meltzer Sponsor Alston & Bird LLP Crowne Plaza Ernst & Young LLP InterContinental Team Sponsors Hotels Group Mr. & Mrs. Howard L. SunTrust Robinson Feinsand Humphrey Mr. & Mrs. Paul Kastin Presenting Sponsor AirTran Airways

38 EncoreAtlanta.com

Xerox Verizon Wireless

Staybridge Suites & Candlewood Suites RR Donnelly

Two-Person Corporate Teams MillerCoors Argus Benefits Jones Lang LaSalle DSSI UBS Right Way Services

Hole Sponsors Global Payments Inc. Capgemini Financial Services Royal Cup Coffee Provista Russell Reynolds Associates

Guest Supply Standard Textile AmSan WSB-TV The Coca-Cola Company Sysco Prosys Atlanta Falcons

Not retirement.

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Patron Circle of Stars By investing $15,000 or more in The Woodruff Arts Center and its divisions — the Alliance Theatre, Atlanta Symphony Orchestra, High Museum of Art and Young Audiences — these outstanding Annual Corporate Campaign donors helped us raise more than $8.4 million last year. Thank you!

Chairman’s Council ★★★★★★★★★★★★ $500,000+ Georgia Power Foundation, Inc. UPS ★★★★★★★★★★★ $450,000+ The Coca-Cola Company ★★★★★★★★★★ $300,000+ Cox Interests Atlanta Journal-Constitution, WSB-TV, Cox Radio Group Atlanta, James M. Cox Foundation The Honorable Anne Cox Chambers ★★★★★★★★★ $200,000+ AT&T The Community Foundation for Greater Atlanta, Inc. Deloitte LLP, its Partners & Employees Ernst & Young, Partners & Employees The Home Depot Foundation Jones Day Foundation & Employees The Klaus Family Foundation PricewaterhouseCoopers Partners & Employees Mabel Dorn Reeder Foundation Turner Broadcasting System, Inc. ★★★★★★★★ $150,000+ Alston & Bird LLP Equifax Inc. & Employees The Rich Foundation, Inc. SunTrust Bank Employees & Trusteed Foundations Harriet McDaniel Marshall Trust

40 EncoreAtlanta.COM

Walter H. & Marjory M. Rich Memorial Fund Thomas Guy Woolford Charitable Trust Greene-Sawtell Foundation Wells Fargo ★★★★★★★ $100,000+ AirTran Airways Bank of America Delta Air Lines, Inc. Kaiser Permanente King & Spalding LLP KPMG LLP, Partners & Employees The Marcus Foundation, Inc. The Sara Giles Moore Foundation Novelis, Inc. Regions Financial Corporation Wal-Mart Stores, Inc. The David, Helen & Marian Woodward Fund ★★★★★★ $75,000+ Holder Construction Company The Sartain Lanier Family Foundation, Inc. Patty & Doug Reid Family Foundation ★★★★★ $50,000+ AGL Resources Inc. Lisa & Joe Bankoff Cisco Coca-Cola Enterprises Doosan Infracore International Frank Jackson Sandy Springs Toyota and Scion GMT Capital Corporation Beth & Tommy Holder ING Mr. & Mrs. M. Douglas Ivester

Kilpatrick Townsend & Stockton LLP Newell Rubbermaid Primerica Sutherland Asbill & Brennan LLP The Zeist Foundation, Inc. ★★★★ $35,000+ Accenture & Accenture Employees Katharine & Russell Bellman Foundation Mr. & Mrs. Bradley Currey, Jr. GE Energy The Imlay Foundation, Inc. Invesco PLC Norfolk Southern, Employees & Foundation SCANA Energy Siemens Industry, Inc. Harris A. Smith Troutman Sanders LLP Frances Wood Wilson Foundation, Inc. ★★★ $25,000+ Assurant Atlanta Companies Assurant Solutions Assurant Specialty Property BDO USA, LLP Laura & Stan Blackburn Brysan Utility Contractors, Inc. Chartis Cousins Properties Incorporated Crawford & Company Drummond Company, Inc. Eisner Family Foundation First Data Corporation Genuine Parts Company Georgia-Pacific Jack & Anne Glenn Foundation, Inc. IBM Corporation

Philip I. Kent Foundation The Ray M. & Mary Elizabeth Lee Foundation, Inc. LexisNexis Risk Solutions The Blanche Lipscomb Foundation Livingston Foundation, Inc. Macy’s Foundation McKinsey & Company, Inc. Katherine John Murphy Foundation Piedmont Charitable Foundation, Inc. J. Marshall & Lucile G. Powell Charitable Trust Mary & Craig Ramsey Rock-Tenn Company Richard D. Shirk Southwire Company Spectrum Brands Towers Watson Waffle House, Inc. Gertrude & William C. Wardlaw Fund Waste Management Charitable Foundation Yancey Bros. Co. ★★ $15,000+ 22squared, inc.

A. E. M. Family Foundation ACE Charitable Foundation Acuity Brands, Inc. AGCO Corporation Alix Partners Arnall Golden Gregory LLP The Partners & Employees of Atlanta Equity Investors Atlanta Foundation Atlanta Marriott Marquis Julie & Jim Balloun BB&T Corporation Beaulieu Group, LLC Susan R. Bell & Patrick M. Morris

The Arthur M. Blank Family Foundation Catherine S. & J. Bradford Branch George M. Brown Trust Fund of Atlanta, Georgia Bryan Cave LLP Buck Consultants The Capital Group Companies Charitable Foundation Talela & Beauchamp Carr Roxanne & Jeffrey Cashdan CB Richard Ellis Center Family Foundation Mr. Charles Center Mr. & Mrs. Fred Halperin Ms. Charlene Berman The Chatham Valley Foundation, Inc. Ann & Jeff Cramer DLA Piper Duke Realty Corporation Exide Technologies Mr. & Mrs. Frank L. Fernandez Fifth Third Bank Ford & Harrison LLP Robert Fornaro John & Mary Franklin Foundation, Inc. Gas South, LLC Georgia Natural Gas Grant Thornton LLP Harland Clarke HD Supply The Howell Fund, Inc. ICS Contract Services, LLC Infor Global Solutions Jenny & Phil Jacobs Mr. & Mrs. Tom O. Jewell Weldon H. Johnson Family Foundation David & Jennifer Kahn Family Foundation Sarah & Jim Kennedy Kurt P. Kuehn & Cheryl Davis Lanier Parking Solutions

Bryan Latham Karole & John Lloyd Lockheed Martin Aeronautics Company McKenna Long & Aldridge LLP Mohawk Industries, Inc. Mueller Water Products, Inc. Noonan Family Foundation Gail & Bob O’Leary Vicki R. Palmer The Sally & Peter Parsonson Foundation, Inc. Paul, Hastings, Janofsky & Walker LLP Printpack Inc./The Gay & Erskine Love Foundation David M. Ratcliffe J. Mack Robinson Interests Frances & Jesse A. Sasser, Jr. Emily Winship Scott Foundation Selig Enterprises, Inc./ The Selig Foundation Spencer Stuart Karen & John Spiegel Superior Essex Inc. TriMont Real Estate Advisors, Inc. United Distributors, Inc. WATL/WXIA/Gannett Foundation John Wieland Homes and Neighborhoods Mr. & Mrs. James B. Williams Sue & Neil Williams Womble Carlyle Sandridge & Rice, PLLC Carla & Leonard Wood The Xerox Foundation Mr. & Mrs. Robert A. Yellowlees *As of February 8, 2011

Atlanta’s Performing Arts Publication 41

In addition to excelling musically, the Youth Orchestra also regularly demonstrates its commitment to the community. Last year, the student members teamed up with the Illinois-based Share Your Soles Foundation to collect thousands of shoes for families in need throughout the world. This past March, the Youth Orchestra partnered with the Atlanta Community Food Bank to host a food drive to collect canned goods for the League of American Orchestras’ “Orchestras Feeding America” program.

Stanford L. Thompson, the Director of the Philadelphia Youth Orchestra’s El Sistemainspired program Tune Up Philly, also participated in the Youth Orchestra in high school and believes that the Youth Orchestra has had an immeasurable impact in Atlanta and beyond.

“The more people have access to good music education, the more people will find live music relevant while providing opportunities for the growth of confidence and new sets of practical skills for young

Favorite ASYO Experience?

“ Dating another violinist in the ASYO. She was my first girlfriend and she loved the violin, too!”

— Chris Pulgram people to be more productive citizens,” Thompson says. “I strongly believe that music education is the answer to the questions arts organizations, social service organizations, and educational institutions pose about long-term sustainability.”

From the success of its alumni to its influence in the community, Martin couldn’t agree more.

“Music is life,” he says. “It is impossible to imagine a world without it, and it is the responsibility of all musicians to stand up for music and music education in our communities.”

Kimberly Nogi is the publicist for the Atlanta Symphony Orchestra

Did you know?

The Atlanta Symphony Orchestra actually began as a local youth orchestra. Originally founded in 1944 as the Atlanta Youth Symphony — an amateur orchestra — it gradually added professional musicians and eventually adopted the name “Atlanta Symphony Orchestra” in 1947; however, the orchestra was not recognized as a professional ensemble until 1951. The Atlanta Symphony Youth Orchestra emerged in 1974 as a subsidiary of the Atlanta Symphony Orchestra.

42 EncoreAtlanta.COM

Jeff Roffman

Continued from page 20

MICHAEL C. CARLOS MUSEUM OF EMORY UNIVERSITY carlos.emory.edu

THE MIKADO

April 15 – May 1, 2011

Gilbert and Sullivan are the undisputed masters of comic operetta and the proud parents of the modern musical. That their works are more in demand today than when they were created over a century ago is ample proof of their lasting brilliance. The hapless lovers in The Mikado are mercilessly buffeted by social restrictions, legal inconsistencies, judicial inequities, government stupidities, and that’s just the first act! Poor dears — it would be absolutely tragic if it weren’t so hysterically funny.

Music by Arthur Sullivan Lyrics by W.S. Gilbert DIRECTED BY HEIDI CLINE MCKERLEY

RENT

June 10 – 26, 2011

Rent is a Pulitzer Prize and Tony Award-winning Broadway musical based loosely on Puccini’s opera “La Bohème.” The musical follows a year in the lives of seven friends living in the disappearing Bohemian lifestyle in New York’s Alphabet City located in the East Village. As the impoverished artists deal with their daily struggles, tragedy hits, and the love they share embodies their lives. The music, characters and story of Rent celebrate love, diversity and the power of friendship, as shown through the musical’s signature song, “Seasons of Love.” This blockbuster show will truly inspire and move any audience.

Book, Music & Lyrics By Jonathan Larson DIRECTED BY ALAN KILPATRICK

(MATURE CONTENT NOT INTENDED FOR YOUNG AUDIENCES)

From preparing every note concertgoers hear to serving as president of her profession, the Orchestra’s Principal Librarian Rebecca Beavers keeps the players finely tuned

T

By Karl Schnittke

he stereotypical definition of a librarian is lost on Rebecca Beavers. Seated in the Atlanta Symphony Orchestra Library, located directly behind the stage of

Symphony Hall, she says, “An orchestra librarian is a musician. Assistant Principal Steve Sherrill, Assistant John Wildermuth and myself are really performance librarians who work behind the scenes to help the players perform to the best of their abilities.”

Unseen but not Unsung In addition to overseeing a collection of nearly 2,500 pieces of music that the Orchestra either owns, are on permanent loan or rented from publishers, and preparing all of the music that the Orchestra performs (“it’s a bunch of notes!” jokes Beavers), she is president of the Major Orchestra Librarians’ Association (MOLA).

MOLA represents more than 400 performance librarians from nearly 250 professional performance organizations around the world. “This is my second year of a three-year term on the Board of Directors,” she says, “and as president, 44 EncoreAtlanta.com

I ensure that we provide the highest quality of service to the performing arts, and continue to work with publishers to achieve the highest standards in music performance materials.”

Next month Beavers travels to London for the group’s 29th annual conference, May 13-16, at the Henry Wood Hall, the city’s premiere rehearsal and recording studio.

This year’s theme is Working Together, a subject she knows very well, “stressing the importance of the working relationships between composers, publishers, editors, conductors and librarians.

Our Professional Ensemble Bruce V. Benator, CPA, Managing Partner Kevin J. Hedrick, CPA, Partner Steven G. Horn, CPA, Partner Laura E. Speir, CPA, Partner Patricia A. Yeager, CPA, Partner

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“An orchestra librarian wears many hats and works with virtually everyone,” explains Beavers. “Our main efforts are preparing the orchestra music, a process that begins months in advance of the first rehearsal: The strings parts are marked with the bowings; all parts are proofed — some pieces are notorious for errors — and then corrected and edited; page turns are fixed; and score bindings are repaired.”

A typical day on the job? “There isn’t one,” she laughs, “and it is never boring! I fondly refer to the library as the ‘kitchen of the organization.’ We are the chefs and this is the place where the music is prepared and plated for the players, and where everyone comes to see what’s cooking on the stove.”

Kimberly Nogi

“The library collaborates with many departments,” she points out, “the artistic staff on repertoire planning and providing Orchestra performance history reports processed from a database that I maintain; furnishing instrumentations

and timings of works to the personnel manager, stage manager and the operations team; and giving full scores to the producers for our recording sessions.

Much time is also spent in researching editions of works and communicating with conductors about their preferences,” an especially daunting task in light of myriad interpretations of the repertoire.

Bowing (indicating the direction of the bow on a stringed instrument) is one of Rebecca Beavers’ responsibilities – in this case, bowing a viola part for the Orchestra’s performance of the Brahms First Symphony, March 31-April 1.

46 EncoreAtlanta.com

Meet the star of our show.

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The Atlanta Symphony Orchestra provides music education and programs throughout metro Atlanta.

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BE MOM’S FAVORITE THIS MOTHER’S DAY. APRIL 1 - MAY 8, BUY A $50 GIFT CARD GET A $10 GIFT CARD FREE! Give Mom Atlanta’s best in theatre, music, and art!

The Woodruff Arts Center Gift Card is good at:

Alliance Theatre Atlanta Symphony Orchestra High Museum of Art Young Audiences It’s also good for parking, dining, and shopping at The Woodruff. With so many shows, concerts, and exhibitions, she can choose something she loves!

Purchase today at woodruffcenter.org/giftcards or at The Woodruff Box Office, (404) 733-5000.

YOUNG AUDIENCES

ALLIANCE THEATRE

HIGH MUSEUM OF ART

ATLANTA SYMPHONY ORCHESTRA

calendar May 8 Sun: 3pm Atlanta Symphony Youth Orchestra Spring Concert Jere Flint, conductor May 12/13/14 Thur/Fri/Sat: 8pm Delta Classical Beethoven: Violin Concerto Ravel: Daphnis et Chloé Suites No. 1 & 2 Dvorák: Carnival Overture Kazushi Ono, conductor Augustin Hadelich, violin May 15 Sun: 1:30 & 3:30pm Family Concert Lemony Snicket’s The Composer is Dead

May 19/21/22 Thur/Sat: 8pm/Sun: 3pm Delta Classical Mendelssohn: Suite from A Midsummer Night’s Dream Britten: Spring Symphony Rachmaninov: Spring Cantata Robert Spano, conductor Jessica Rivera, soprano Kelley O’Connor, mezzo-soprano Anthony Dean Griffey, tenor Stephen Powell, baritone Atlanta Symphony Orchestra Chorus May 27/28 Fri/Sat: 8pm Patti LUpone

SuperPOPS!

Jere Flint, conductor

404.733.5000 | aso.org Woodruff Arts Center Box Office @15th and Peachtree Make it a group! 404.733.4848 Presented by:

Supported by:

Media Sponsors:

Mount Vernon Premier Care “I have restructured my internal medicine practice to allow more individual time and attention for each of my patients... I want my patients to see me as their healthcare advocate, providing the best possible preventive and acute medical care.�

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David M. DuBose, MD

staff Administrative Staff Executive Stanley E. Romanstein President Aysha H. Siddique Manager of Board & Community Relations Brien Faucett Administrative Assistant to the President’s Office Evans Mirageas Director of Artistic Planning ADMINISTRATION John Sparrow Vice President for Orchestra Initiatives & General Manager Mala Sharma Assistant to the Vice President for Orchestra Initiatives & General Manager Julianne Fish Orchestra Manager Nancy Crowder Operations/Rental Events Coordinator Kelly O’Donnell Artist Assistant Carol Wyatt Executive Assistant to the Music Director & Principal Guest Conductor Jeffrey Baxter Choral Administrator Ken Meltzer ASO Insider & Program Annotator Russell Williamson Orchestra Personnel Manager Susanne Watts Assistant Orchestra Personnel Manager Paul Barrett Senior Production Stage Manager Richard Carvlin Stage Manager Lela Huff Assistant Stage Manager Education & Community Engagement Mark B. Kent Senior Director of Education & Community Engagement Melanie Darby Director of Education Programming

FINANCE & ADMINISTRATION Donald F. Fox Executive Vice President for Business Operations & Chief Financial Officer Shannon McCown Assistant to the Executive Vice President for Business Operations & Chief Financial Officer Susan Ambo Controller Kim Hielsberg Director of Financial Planning & Analysis April Satterfield Senior Accountant Peter Dickson Staff Accountant Michael Richardson Venues Analyst Stephen Jones Symphony Store Manager Galina Rotbakh Symphony Store Sales Associate

DEVELOPMENT Sandy Smith Vice President for Development Tammie Taylor Assistant to the VP for Development Stephanie Malhotra Director of Development & Education Services Rebecca Abernathy Development Services Coordinator

MARKETING & CONCERT PROMOTIONS Charles Wade Vice President for Marketing & Symphony Pops Alesia Banks Director of Customer Service & Season Tickets Nellie Cummins Group & Corporate Sales Associate Meko Hector Major & Planned Giving Office & Marketing Jessica Langlois Coordinator Director of Leadership Gifts Jennifer Jefferson & Planned Giving Director of e-Business Andrea Welna & Interactive Media Major Gifts Officer Melanie Kite Meredith Schnepp Subscription Prospect Research Officer Office Manager Shelby Moody Annual, Institutional Group & Corporate & Volunteer Services Sales Coordinator Corey Cowart Seth Newcom Director of Database Administrator Corporate Relations Kimberly Nogi Toni Paz Director of Individual Giving Publicist ASO Presents Robert Phipps Barbara Saunders Clay Schell Publications Director Director of Vice President, Programming Foundation Relations Melissa A. E. Sanders Trevor Ralph Senior Director, General Manager and Senior Maya Robinson Communications Patron Partnership Director of Operations Gifts Officer Travis Sari Holly Clausen Marketing Manager Zachary Brown Director of Marketing Director of Christine Saunders Keri Musgraves Volunteer Services Group & Corporate Promotions Manager Sales Assistant Sarah Levin Lisa Eng Volunteer Project Manager Karl Schnittke Graphic Artist Publications Editor Ashley Krausen Chastain Park Amphitheater Special Events Coordinator Robin Smith Tanner Smith Subscription Sarah Williams Program Director & Education Sales Individual Giving Coordinator Rachel Trignano Verizon Wireless Manager of Amphitheatre at Melissa Donalson Broad Based Giving Encore Park Development Coordinator Russell Wheeler Katie Daniel Group & Corporate VIP Sales Manager Sales Manager Jenny Pollock Christina Wood Operations Manager Director of Marketing Rebecca Simmons Box Office Manager

52 EncoreAtlanta.com

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general info LATE SEATING Latecomers are seated at the discretion of house management. Reserved seats are not guaranteed after the performance starts. Latecomers may be initially seated in the back out of courtesy to the musicians and other patrons.

SPECIAL ASSISTANCE All programs of the Atlanta Symphony Orchestra are accessible to people with disabilities. Please call the box office (404.733.5000) to make advance arrangements.

SYMPHONY STORE The ASO’s gift shop is located in the galleria and offers a wide variety of items, ranging from ASO recordings and music-related merchandise to t-shirts and mugs. Proceeds benefit the Atlanta Symphony Orchestra.

THE ROBERT SHAW ROOM The ASO invites donors who contribute at least $1,750 annually to become members of this private salon for cocktails and dining on concert evenings — private rentals available. Call 404.733.4860.

IMPORTANT PHONE NUMBERS Concert Hotline 404.733.4949 (Recorded information) Symphony Hall Box Office 404.733.5000 Ticket Donations/Exchanges 404.733.5000 Subscription Information/Sales 404.733.4800 Group Sales 404.733.4848 Atlanta Symphony Associates 404.733.4865 (Volunteers) Educational Programs 404.733.4870 Youth Orchestra 404.733.5038 Box Office TTD Number 404.733.4303 Services for People 404.733-5000 with Special Needs 404.733.4800 Lost and Found 404.733.4225 Symphony Store 404.733.4345

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ticket info CAN’T ATTEND A CONCERT? If you can’t use or exchange your tickets, please pass them on to friends or return them to the box office for resale. To donate tickets, please phone 404.733.5000 before the concert begins. A receipt will be mailed to you in January acknowledging the value of all tickets donated for resale during the year.

SINGLE TICKETS Call 404.733.5000 Mon.–Fri., 10 a.m.–8 p.m.; Sat.–Sun., Noon–8 p.m. Service charge applies. Phone orders are filled on a best-available basis. www.atlantasymphony.org Order any time, any day! Service charge applies. Allow two to three weeks for delivery.

For orders received less than two weeks

prior to the concert, tickets will be held at the box office.

Woodruff Arts Center Box Office Mon.–Fri., 10 a.m. – 8 p.m.; Sat.–Sun., noon– 8 p.m. The box office is open through intermission on concert dates. No service charge if tickets are purchased in person.

Please note: All single-ticket sales are final.

No refunds or exchanges. All artists and programs subject to change.

GROUP DISCOUNTS Groups of 10 or more save up to 15 percent on most ASO concerts, subject to ticket availability. Call 404.733.4848.

GIFT CERTIFICATES Available in any amount for any series, through the box office. Call 404.733.5000.

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Moving Up, Moving In

gallery

Angela Morris

1 Next Stop: Aspen Last month Robert Spano was named Music Director of the Aspen Music Festival and School.

Mr. Spano begins his tenure this summer as music director-designate and assumes the title in 2012, and will also direct the renowned American Academy of Conducting at Aspen.

1

2 Show House Showcase Interior designers from across Atlanta came together for an Empty House event, with a barn party theme, leading up to the 41st annual Decorators’ Show House & Gardens, which runs from April 16-May 8.

Barbara Benville

2

58 EncoreAtlanta.com

Photos: Iris Feinberg

What will you pass down?

Ensure that you will be remembered and that your charitable giving and lifelong values will continue for generations to come.

For more information, visit www.AtlantaJewishLegacy.org.

Create a Jewish Legacy is an initiative of the Jewish Federation of Greater Atlanta.

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