Encore Atlanta December 2010 FOX by Encore Magazine

ThE FabulouS FoX Theatre

December 2010 FoxTheatre.org EncoreAtlanta.com

Born in Atlanta, Raised Around The World

S i n c e 1 886

The arts nourish our hearts and imaginations. For that reason and many more, weâ&#x20AC;&#x2122;re proud to support the arts in Atlanta.

contents December 2010

Features

The Performance

8 51st Atlanta Ballet’s

15 Program and notes

Nutcracker Show heralds fresh beginning for ballet.

12 Hassle-Free

Holiday Shopping Your secret weapon for beating the mall blues.

Departments 36 Information 37 Staff/Golden Rules 38 Dining Guide 60 The Buzz

46 Atlanta Prep

A glance at some of the city’s best private schools.

52 Don’t be a Statistic

Use these screening methods for the early detection of breast cancer.

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Cover Photo: Charlie McCullers, Courtesy of Atlanta Ballet

Charlie McCullers, Courtesy of Atlanta Ballet; atlanta international school

2007

Preservin g

hope

2008

Preserv in

g dream

A Lifetime of Care

After Lynn was diagnosed with uterine fibroids, having children of her own seemed like a dream that might never come true—until one of Northside’s expert surgeons performed a robotic myomectomy procedure to carefully remove the fibroids. So when Lynn discovered she was pregnant, she returned to Northside where she gave birth to the nation’s first healthy twins following a robotic myomectomy. You may know Northside as the place for babies, but the hospital is also a national leader for robotic surgery.

Atlanta • Forsyth • Cherokee

Read more about Lynn’s story at Northside.com

editorial director/chief storyteller

Kristi Casey Sanders kristi@encoreatlanta.com art director

Jenny Schisler jenny@encoreatlanta.com project manager/production artist Whitney Stubblefield whitney@encoreatlanta.com associate editor/storyteller Ashley L. Brazzel contributing writers

Model Train Show Through Jan. 2

Ride-on-Train

Weekends & Select Weekdays

Saint Nick

Nov. 26 – 28, Dec. 11, 10 a.m. – 4 p.m.

Puppet Shows

Saturdays, Nov. 27 – Dec. 18, 10:30 a.m.

Reindog Parade

Saturday, Dec. 11, 11 a.m. – 1 p.m.

Chocolate High Teas Sundays, Dec. 12 & 19, 1 p.m.

in the garden

holidays

Kathy Janich and Mary Welch production assistant Lauren Wright publisher/sales Sherry Madigan White 404.459.4128 sherry.white@encoreatlanta.com account executive

Thomas Pinckney 404.459.4127 thomas.pinckney@encoreatlanta.com senior national accounts manager

Sandra Ourusoff 212.260.4883 marketing administrator Stephanie Smith

ENCORE ATLANTA is published monthly by Atlanta Metropolitan Publishing Inc. Tom Casey Diane Casey controller Suzzie Adams vice president, sales and marketing Evan Casey chief administrative officer Claudia Madigan director of marketing Lisa Kraus web/it specialist Aaron Karp president

chairperson

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Seasonal traditions for the whole family to enjoy! atlantabotanicalgarden.org

Copyright 2010 AMP Inc. All rights reserved. Reproduction in whole or in part is strictly prohibited. Encore Atlanta is a registered publication of AMP Inc. The publisher shall not be liable for failure to publish an ad, for typographical errors or errors in publication. Publisher reserves the right to refuse any advertising for any reason and to alter advertising copy or graphics deemed unacceptable for publication.

An Artful Education For Over A Century.

They dance. They sculpt. They paint. They act. They hit the high notes. Students in Pre-K through grade 12 at Woodward Academy experience an impressive range of opportunities in the arts, as you would expect from a school that has grown over its 111- year history to become the largest independent school in the continental United States. Join us for an Open House. Main Campus: February 13, 2011. North Campus: January 30, 2011. RSVP: 404-765-4001 Excellence â&#x20AC;˘ Character â&#x20AC;˘ Opportunity

For more information about how your family may benefit from the opportunities at Woodward, please telephone us at 404-765-4001 or visit us at www.woodward.edu 1662 Rugby Avenue, College Park, GA 30337 Woodward Academy administers a non-discriminatory policy of admissions.

51st Nutcracker heralds fresh beginning for atlanta ballet By Kathy Janich

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Charlie McCullers, Courtesy of Atlanta Ballet

tlanta Ballet has been dancing The Nutcracker for 51 years, longer than many of us in its audience have been alive. Think about that — and try to grasp just how steady, inspired and determined that makes this company of artistic athletes and its leaders. It’s appropriate then that this season’s Nutcracker nods to Atlanta Ballet’s traditions, celebrates its present and looks with giddy anticipation to its future. This is a watershed moment for the nation’s longest continuously operating dance troupe, born in 1929 and emboldened in 2010. It has a new executive director, a gorgeous new home and a season alive with world and company premieres. Even its annual holiday gift to metro Atlanta features a few new wrinkles: • The Atlanta Ballet Orchestra will play live at each of The Nutcracker’s 23 performances. Not so long ago, a cashchallenged Atlanta Ballet was forced to use recorded music. • Dozens of new costumes conceived by designer April McCoy will decorate the long limbs and graceful ways of the Nutcracker’s 200-plus performers. The core company of 21 dancers and six apprentices was still perfecting its Moulin Rouge can-cans when stitchers in the costume shop began wrestling with the beads and other detailed flourishes required for Sugar Plum Fairies and a heroic Prince. To create this annual winter wonderland, it takes 20 pounds of snow; eight tons of scenery, lighting

and props; and a 38-ft. tall Christmas tree. This Nutcracker, choreographed by Atlanta Ballet Artistic Director John McFall, met its first Atlanta audience in 1996. It’s set in St. Petersburg, Russia, and features the fanciful journey of a little girl named Clara, who meets some extraordinary characters as her dreamy fantasies melt into reality. Before 1996, Atlanta Ballet danced the great George Balanchine’s Nutcracker, which is set in Germany and features a young heroine named Marie. Atlanta Ballet was the first company outside of the New York City Ballet given permission to dance the storied Balanchine version. That’s just one of many stories in the company’s history book, one that adds a fat and happy new chapter with the 2010-11 season. The Nutcracker dancers prepped this year’s ballet in their brandAtlanta’s Performing Arts Publication 9

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“Steel Toes” by Charlie McCullers. Photo taken during construction of the Michael C. Carlos Dance Centre.

again serve the art form about which I am most passionate, and in which I have the most experience,” Jacobus says. McFall is jazzed about a $500,000 fund that Jacobus created so the company can seek out talented new choreographers in both the United States and abroad. His dancers, McFall says, are thrilled and “vitally interested in working with the best choreographers around the globe.” Perhaps ballet leaders didn’t realize how prescient their purchase of the West Midtown property would prove to be. The former home of a Hotpoint appliance factory, the location is on pointe and hotter than ever, in ways its previous tenants could never have imagined. Kathy Janich is an Atlanta theater artist and freelance writer. After years in daily newspapers, she’s found a joyous second career as an artistic associate at Atlanta’s Synchronicity Theatre.

Charlie McCullers, Courtesy of Atlanta Ballet

new home on the far west edge of West Midtown. The $10.9 million, 54,000sq. ft. facility is spacious, airy, bright and energy-efficient — it’s the only arts headquarters in the country with Gold LEED certification. The Michael C. Carlos Dance Centre features five studios, a physical therapy suite, a student library, costume shop, dressing and locker rooms for both the professional company and students, and a boutique. Yet to come: a black-box theater at which previews and special events will be staged. The Centre’s main hallway is adorned with large blown-up, black and white photos of company members. Another signature is a translucent material called “Kalwall” that forms the building’s outer walls. These energy-efficient panels play nicely with both natural and artificial light, and give the new Centre its architectural accent. The beauty and functionality of the Centre can’t be underestimated, especially if you’re an Atlanta Ballet dancer. This is where, for all intents and purposes, the dancers live 10 or so months each year. Atlanta Ballet looks to its future with longtime leader McFall, also in his 16th season, and Executive Director Arthur Jacobus, who spent 20 years with the Pacific Northwest and San Francisco ballets, and came to Atlanta after seven years as CEO and executive director of the Pilchuck Glass School in Seattle. “After a nearly seven-year absence, it is exciting to have the opportunity to once

HOLIDAYS at THE WOODRUFF ARTS CENTER IMAGE GOES HERE

ATLANTA SYMPHONY ORCHESTRA

Holiday Concerts Only the Atlanta Symphony Orchestra captures the spirit of the season with Handel’s Messiah, four diverse Christmas Celebrations, a holiday variety show, and a New Years Eve Pops! 12.02.10 - 12.31.10

HIGH MUSEUM OF ART

ALLIANCE THEATRE

This holiday season, bring family and friends to see Dalí: The Late Work, the show the New York Times calls “terrific, even shattering.” Featuring more than 100 works, the exhibition includes paintings, prints, and other Dalí objects. See it before it closes on January 9th!

A Christmas Carol The most heartwarming story of the season comes to life with holiday carols, stunning stage magic, and your favorite Atlanta actors. Journey through the beloved Dickens tale, & witness Ebenezer Scrooge’s discovery of the true meaning of Christmas. 11.26.10 - 12.24.10

8.05.10 - 1.09.11

For more, visit woodruffcenter.org/holidays

Shop the best in unique music, arts, and hand-made goods! Visit each of our stores on campus. woodruffcenter.org/shop

ICE Pop-Up Shop

presented by Alliance Theatre

A temporary boutique for the holiday season featuring the most magical, magni�icent handcrafted items from across the country. It also features holiday and production items from the Alliance Theatre. Hosted by the Indie Craft Experience.

The Symphony Store The Store features CDs of the Atlanta Symphony Orchestra, as well as exclusive Orchestra merchandise and classical products. Unique gifts for music lovers that can be found at the Symphony Store include books, apparel, jewelry, children’s merchandise, and home accents.

High Museum of Art Gift Shop

The Museum Shop is a favorite destination in Atlanta because of its unique selection of art-related jewelry, textiles and home accessories. Pick up a poster, book, or one of many other items that feature works from the permanent collection and special exhibitions.

hassle-free

holiday shopping

Your secret weapon for beating the mall blues

You may have a few qualms about buying anything online, let alone a gift for someone else; but there’s really nothing to worry about. In fact, online shopping is one of those things that once you get the hang of, you wonder why you waited so long to do it. The biggest concern most people have about online shopping is security, yet it’s not as risky as you may think. Most websites have safeguards in place to protect your privacy, but for added peace of mind, follow these tips: • Only shop from reputable and wellknown companies, as they are more likely to have more robust security. • Make sure that the website switches to a secure connection before you enter payment information. An “https” should precede the URL in the address bar. If it’s not secure, don’t enter any personal data. • Only use one credit card for all online purchases. If there’s a problem, 12 EncoreAtlantA.com

it will be easier to pinpoint which card company needs to be contacted. • Use a credit card rather than a debit card. In the case of fraud, you won’t be liable for anything, and it’s easier to contest charges if something happens to the item en route. • Make purchases via PayPal, an online payment processor that shields your payment information from merchants by transferring funds for you from a pre-authorized account. • For additional security, contact your bank to see if you can get a temporary credit card number that is linked to your credit or checking account to use when shopping online. Shipping — costs and delivery times — is another area of concern However, many stores offer free shipping when you spend over a certain amount of money; some have free shipping all the time, Continued on page 56

shutterstock

ith online shopping, you can make your list and check it twice, then buy everything on it with just a click of the mouse. Now that you no longer have to circle jam-packed parking lots or wait in endlessly long lines, you’ll have plenty of time for all those holiday parties. By Ashley L. Brazzel

Not for profit. For backstage jitters.

Your generosity goes a long way to help kids get back to being kids, so they can once again delight their loyal fans. Visit www.choa.org/give to make a donation. Children need Children’s and Children’s needs You® ©2010 Children’s Healthcare of Atlanta, Inc. All Rights Reserved.

A MAGICAL THEATRICAL EVENT presents

TICKETS MAKE A GREAT GIFT!

The

Theatre

BEGINS JANUARY 21

ON SALE NOW! 1-888-PPANTIX (772-6849) Buy tickets online at: www.peterpantheshow.com/atlanta The

Theatre at Pemberton Place adjacent to the World of Coca-Cola

Groups: 404-881-2000/ foxgroup@foxtheatre.org

November 27 â&#x20AC;&#x201C; December 26, 2010

The Fabulous Fox Theatre Choreography by John McFall Music by Peter Ilyich Tchaikovsky Costume Design by Judanna Lynn Set Design by Peter Horne Lighting Design by David J. Tatu Scenic Artist Michael Hagen

Dorothy Moses Alexander, Founder

Robert Barnett, Artistic Director Emeritus

John McFall, Artistic Director

Arthur Jacobus, Executive Director

Gary Sheldon, Conductor Atlanta Ballet Orchestra

Atlantaâ&#x20AC;&#x2122;s Performing Arts Publication 15

Atlanta ballet Rosemary Miles, Dale Shields, Sharon Story Ballet Mistresses THE COMPANY Jacob Bush, Peng-Yu Chen, Christian Clark, Pedro Gamino, Deonté Hansel, Anne Tyler Harshbarger, Jonah Hooper, Yoomi Kim, Tara Lee, Nadia Mara, Kristine Necessary, Tommy Panto, Alessa Rogers, Abigail Tan, Jared Tan, Jesse Tyler, Rachel Van Buskirk, Brian Wallenberg, John Welker, Christine Winkler APPRENTICES Cortney Funk, Drew Grant, Heath Gill, Yoko Kanomata, Melissa Mitchell, Jackie Nash FELLOWSHIP STUDENTS* Emily Docherty, Brandon Funk, Victor Galuppo, Caitlyn Goebel, Ericka Goss, Kendall Green, Briley Jozwiak, Raquel Kelly, Miguel Angel Montoya, Kelly Prather, Philip Smith-Cobbs, Nayomi Van Brunt, Michael Wells *All student dancers courtesy of Atlanta Ballet Centre for Dance Education

Additional Costumes by April McCoy, Elena Rao

atlanta ballet’s nutcracker Our story begins more than 100 years ago on a snowy Christmas Eve in St. Petersburg, Russia. Drosselmeyer, an ingenious toymaker, finishes making gifts for a party at the Petrov house. On his way, he passes the magical town clock he created. As it chimes, three curious and prophetic images appear: a ballerina, a nutcracker, and a terrifying Rat King. ACT ONE The Petrov party guests await the arrival of the gay but mysterious Drosselmeyer, who seems to exude magic and wonder wherever he goes. Restless, the children are allowed to open one gift. To her delight, young Marya Petrov receives satin ballet shoes. When Drosselmeyer arrives, he reveals his new creations. He gives the most enchanting toy to Marya - a handsome nutcracker. Nicholas, Marya’s naughty brother, receives a toy in the shape of a rat’s head. He uses his new toy to smash the Nutcracker and break it. As the evening nears its conclusion, Drosselmeyer weaves his magic and begins to take Marya on a surrealistic journey. Little mice are now scurrying around the dark house. Nicholas is roaming the house looking for the Nutcracker. Just as Nicholas 16 EncoreAtlantA.com

finds the Nutcracker, Drosselmeyer startles him. Drosselmeyer intentionally leaves his large magic satchel behind for Nicholas to explore. Inside the satchel Nicholas discovers a rat cape and a sword. He now personifies a rat and is empowered to initiate a great battle. The battle begins and Marya comes to the rescue of the Nutcracker and slays the Rat King. At the end of the battle, Nicholas realizes that choosing conflict leads only to darkness. He now feels grown up and understands that his sister’s love and support is what matters most. Drosselmeyer rewards Marya’s courage and takes her on a fantastic journey to a crystal kingdom filled with snow spirits. ACT TWO The journey continues to the land of the Sugar Candy Kingdom, where Marya is hosted by the Sugar Plum Fairy and her Cavalier. There is a glorious ball, complete with dancers from exotic lands. Marya is enraptured with this amazing and enchanting experience. She feels like she is floating on air. The next moment, Marya realizes she is dreaming as she wakes up in her bedroom and smiles to herself as she understands that her dreams have come true. She ponders all the dreams yet to come true.

bios ATLANTA BALLET LEADERSHIP JOHN MCFALL (Artistic Director) For the past 16 years, John McFall has cultivated Atlanta Ballet’s artistic vision into one of the country’s premiere dance companies. Led by a strong commitment to imaginative and innovative programming, John continues to push the envelope with inspiring productions and unique collaborations. Born in Kansas City, MO., John began his ballet studies at the Conservatory of Music with Tatiana Dokoudovska. In the fall of 1964, John accepted a Ford Foundation scholarship with the San Francisco Ballet School, and by 1969 became a principal dancer. John is also recognized in the field for his choreography and has created works for a variety of companies across the country. Since joining Atlanta Ballet as Artistic Director in 1994, John has choreographed many company favorites including Don Quixote, Firebird, Atlanta Ballet’s Nutcracker, Swan Lake, Jupiter, Sleeping Beauty and Cinderella. Additionally, John established the Atlanta Ballet Centre for Dance Education in 1996, which has now grown into the sixth-largest dance school in the nation. Not only does the Centre train superb professional dancers — many of whom have joined the company — but it also provides outreach opportunities to enrich the lives of thousands of young dancers and dance enthusiasts throughout metro Atlanta. John continues to build a distinct place for Atlanta Ballet in the dance world through his dedication to developing signature works and pursuing innovative collaborations with top artists and choreographers. ARTHUR JACOBUS (Executive Director) Arthur Jacobus comes to Atlanta Ballet after having served as chief executive for six different arts organizations over the past 30 years, including two major ballet companies. From 1993 to 2002, he was executive director of San Francisco Ballet where he established a major touring fund as part of a strategic plan to gain international recognition and successfully led a campaign to build a $35 million endowment. Prior to San Francisco, Jacobus was President of Pacific Northwest Ballet (PNB) in Seattle, WA from 1984 through 1993. There, he led a major capital campaign to build a new ballet center and doubled the budget size of the organization. Between his tenure at San Francisco Ballet and PNB, Jacobus led 18 consecutive years of balanced budgets. Jacobus also served as CEO/executive director of Pilchuck Glass School; president of COPIA; president of The Kentucky Center for the Performing Arts; and president of the Oakland Symphony. He holds Masters degrees in Business Administration, Arts Administration and Human Resources Management, and has completed management programs at the University of Washington and Harvard Business School. He holds an artist diploma in trumpet from the Conservatorio di Musica in Terni, Italy, and served for 22 years as a bandmaster for the United States Navy. Jacobus has served on a number of executive boards in the arts community, including Dance/USA, Washington State Arts Alliance, and California Arts Advocates. Throughout his career, Jacobus has remained actively involved in strategy and advocacy in the arts by chairing and sitting on panels for the National Endowment for the Arts, becoming a certified fundraising executive, and serving on the steering committee for the Salzburg Seminar to establish a series of international seminars in arts management. SHARON STORY (Dean of the Centre for Dance Education, Ballet Mistress) Sharon Story is currently in her 16th season with Atlanta Ballet. She joined Atlanta Ballet after a professional dance career that spanned more than 20 years. Sharon began training at the Cobb Marietta Ballet under the direction of Atlanta’s Performing Arts Publication 17

bios Iris Hensley. She continued her professional training under full scholarships in New York City with Joffrey Ballet and School of American Ballet as a recipient of a full Ford Foundation scholarship. She has been a member of Joffrey II, Stars of New York City Ballet, Atlanta Ballet (under the direction of Robert Barnett) and Boston Ballet for ten years. She received her training and inspiration from such legendary and distinguished mentors such as Rudolf Nureyev, Robert Joffrey, Violette Verdy, Jean Pierre Bonnefoux, Patricia McBride, Robert Barnett, Anna Marie Holmes and Fernando Bujones. In 1996, John McFall’s vision and mentorship brought Sharon to her current position as Dean of the Centre for Dance Education, which has rapidly grown to one of the largest dance schools in the nation. She is committed to providing a non-competitive atmosphere and access to dance education that is shaped by the community needs, is innovative, and inspires the commitment and excellence that are the trademarks of Atlanta Ballet. Under Sharon’s direction, the Centre achieved accreditation with National Association of Schools of Dance. Sharon is a member of the Commission on Accreditation for NASD and is delighted to serve on many community and national boards. ROSEMARY MILES (Ballet Mistress) Rosemary Miles is in her 15th season with Atlanta Ballet. One of eight children of an English brigadier general, Rosemary Miles trained at Elmhurst and the Royal Ballet School in England, during which time she successfully passed all Royal Academy and Cecchetti examinations. Throughout her professional career, Rosemary danced with the Royal Ballet, the National Ballet of Canada and the London Festival Ballet. In America, she performed with the educational division of the New York City Ballet and as a soloist with the National Ballet of Washington, Chicago Ballet, and Houston Ballet. Upon retiring as a dancer, Rosemary has enjoyed being a principal teacher at the Houston Ballet Academy; a guest teacher throughout the United States, England, and the Far East; artistic director of the Lexington Ballet; and a member of John McFall’s artistic team for 15 years. Rosemary is the proud aunt of 22 nieces and nephews, and 26 grand-nieces and nephews. Rosemary thanks the dancers of Atlanta Ballet for being such an inspiration. Rosemary’s other passion is golf. DALE SHIELDS (Ballet Mistress) A native of Winston-Salem, N.C., Ms. Shields graduated from the North Carolina School of the Arts and Butler University before starting her career as a professional dancer. After joining and rising to principal dancer with Indianapolis Ballet Theatre, Dale Shields appeared in the leading roles of many productions including Giselle, The Sleeping Beauty, Swan Lake, The Nutcracker, Romeo & Juliet, Gaité Parisienne, A Midsummer Night’s Dream, Coppélia, Night Shadow and The Moor’s Pavane. Ms. Shields’ artistic collaboration with IBT’s artistic directors George Verdak and Dace Dindonis produced a great number of original works as well as staging and performing the Russian premiere of the ballet Le Bal in St. Petersburg, Russia. She also assisted with the original choreography of several full length ballets by Artistic Director Eldar Aliev and worked alongside Irina Kolpakova in staging many well know Russian classics. Dale has taught on the faculty of the Academy of Ballet International and Butler University’s Jorden Academy. She enjoys her time guest teaching around the country and in the Atlanta Ballet Center for Dance Education’s Summer Intensive. It has been inspiring for her to work with John McFall and the artists of Atlanta Ballet in creating new and more exciting productions every season. 18 EncoreAtlantA.com

bios the company Jacob Bush (fourth season) grew up in Coon Rapids, M.N., where he trained under Lise Houlton of the Minnesota Dance Theatre. He later trained with the Atlanta Ballet Centre for Dance Education under Sharon Story, and the San Antonio Metropolitan Ballet under Susan Connally. In Atlanta, Jacob has danced featured roles such as Jewels and Tom Thumb in Sleeping Beauty, Peter Pan in John McFall’s Peter Pan, Benvolio in Michael Pink’s Romeo & Juliet and one of the Ballet Boys in Twyla Tharp’s In the Upper Room. In his spare time, he indulges in reality TV shows on MTV and VH1, and thanks his family for their everlasting support. Peng-Yu Chen (fourth season), a native of Taiwan, began training in Chinese Folk dance and gymnastics at the age of ten. She received her B.F.A. from SUNY Purchase under Carol Walker and received the Chancellor’s Award for Student Excellence and the President’s Award for Achievement. She has performed with the Kevin Wynn Collection and in the Metropolitan Opera Ballet’s production of The Rite of Spring choreographed by Doug Varone. She danced for American Repertory Ballet for three seasons where she performed works by Graham Lustig, Lauri Stallings, Val Caniparoli, Melissa Barak and Twyla Tharp. Peng was named by Dance Magazine as one of the “25 to Watch” in 2007, and she thanks her family and friends for all the support and love. Christian Clark (ninth season), an Atlanta native, began his training at the age of eight with the Atlanta School of Ballet under the direction of Robert Barnett. As a company member, Christian has performed the leading roles of Prince in Atlanta Ballet’s Nutcracker, Laertes in Stephen Mills’ Hamlet, Albrecht in Giselle, Siegfried in John McFall’s Swan Lake, the Prince in Sleeping Beauty and the title role in Michael Pink’s Romeo & Juliet. Christian has been featured in Margo Sappington’s Shed Your Skin: The Indigo Girls Project, John McFall’s Jupiter, Christian Holder’s Transcendence, Lauri Stallings’ The Great Gatsby and big, and Christopher Hampson’s Sinfonietta Giocosa. When not dancing, Christian enjoys playing music with the band The Neighbors with fellow dancer Jesse Tyler. Christian thanks the Centre for Dance Education, his family, and his lovely wife Naomi-Jane for their support. Sponsored by Christine Noguere and Phillip Pope. Pedro Gamino (debut season), a native of San Francisco, began his training at age 13 with the San Francisco Academy of Ballet and later studied at the San Francisco School of the Arts High School and the School of American Ballet in New York City. Pedro returned to San Francisco to begin his professional career with the Smuin Ballet, where he worked with noted choreographers Michael Smuin, Amy Seiwart and Shannon Hurlburt, and also enjoyed a stint at Dayton Ballet where he worked with choreographers Septime Webre, Dermot Burke and Steven Mills. During his four seasons at American Repertory Ballet (ARB), Pedro danced ballets and world premieres by Val Caniparoli, Lisa de Ribere, Twyla Tharp, Susan Shields and Graham Lustig among others. Pedro joins Atlanta Ballet with friends and former ARB company mates Abigail and Jared Tan. In addition to ballet, Pedro is also skilled in Mexican folk dance and tap, a former soccer and baseball player, and an avid bowler. Pedro is very happy to be a part of the Atlanta Ballet family and looks forward to a great season. 20 EncoreAtlantA.com

bios Deonté Hansel (debut season) is a native of Detroit, Mich. After moving to Georiga, he began his training at the age of 16 with Gwinnett Ballet Theatre with Lisa Sheppard and Kelly Spa. He continued his training on scholarship at The Rock School and the Houston Ballet. After graduating from South Carolina Governor’s School for the Arts and Humanities, he joined Louisville Ballet Company for one season and Orlando Ballet for two seasons. His performance credits include Balanchine’s Who Cares, Twyla Tharp’s Golden Section and Le Corsaire. Deonte enjoys spending quality time with friends and family and his hobbies include shopping, going out to eat and seeing new movies. Deonte looks forward to this season and his future with Atlanta Ballet. Anne Tyler Harshbarger (seventh season) began her training with Linda C. Chase in Valdosta, Ga., and later studied under Judith Hockaday, ISTD in Swindon, England. She attended high school at the North Carolina School of the Arts and spent summers with Joffrey Ballet School, School of American Ballet and Hungarian Ballet Academy. After Ben Stevenson invited her into the Houston Ballet, she danced world premieres by Ben Stevenson, Trey McIntyre and Stanton Welch. She has enjoyed working with choreographers such as Dominic Walsh, Julia Adam, Paul Taylor, Violette Verdy, James Kudelka and Ronald Hynd. Her featured roles with Atlanta Ballet include Lucy in Dracula, Princess Marya/Snow Queen in Atlanta Ballet’s Nutcracker, Wendy in Peter Pan, Summer Fairy in Cinderella, shoo pah minor, Sinfonietta Giocosa, Kate in Madame Butterfly and Myrtle in The Great Gatsby. She is also a DJ in the Atlanta electronica scene and abroad. Sponsored by the Corps de Ballet. Jonah Hooper (twelfth season), a native of Blue Ridge, Ga., began dancing under the direction of Diane Callihan of Gainesville Ballet. He appeared as Quasimodo in Michael Pink’s The Hunchback of Notre Dame, Dracula in Dracula, Romeo in Romeo & Juliet, Sharpless and Pinkerton in Stanton Welch’s Madame Butterfly and Jay Gatsby in John McFall & Lauri Stallings’ The Great Gatsby. Jonah and his wife Maria live in Decatur with their two wonderful children. He is also finishing a degree at Georgia State University in Finance. Jonah would like to thank his wife and family for their love and support. Please visit his photoblog at thedancerslounge.com. Yoomi Kim (second season), a native of South Korea, started ballet at the age of seven at the Korea National Ballet Company Academy. She majored in ballet at Yewon School and Seoul Arts High School, and graduated summa cum laude. She trained mainly at Bolshoi Ballet Academy in Korea, and earned a Master’s Degree of Dance Arts at Ewha Women’s University. She received first prize in the Dance Association of Korea’s 30th National Ballet Competition, and has performed Sleeping Beauty at the International Performing Arts Festival in Japan. Since moving to the U.S. in 2006, Yoomi has performed in Giselle, Stars and Stripes, Sleeping Beauty, Hyperspace, Atlanta Ballet’s Nutcracker, Romeo & Juliet and Serenade. In the 2007-08 season, she had the opportunity to perform the title role in Cinderella. Tara Lee (fifteenth season) grew up in Connecticut, where she trained with Donna Bonasera of Connecticut Dance Theatre. After dancing with Joffrey II for two seasons, she joined Atlanta Ballet in 1995. Tara has also been a guest artist with New Orleans Ballet Theatre and spent a year with Vancouver’s Ballet British Columbia, where she was featured Atlanta’s Performing Arts Publication 21

bios in work by John Alleyne, Crystal Pite, Paul Taylor, Twyla Tharp and Martha Graham. Principal roles include those in McFall’s Swan Lake and Firebird, Kudelka’s Four Seasons, Godden’s Magic Flute, Welch’s Madame Butterfly, Stevenson’s Cinderella and Three Preludes, Pink’s Romeo & Juliet and Dracula, Balanchine’s Serenade, Tharp’s In the Upper Room and Stallings’ big. Tara’s choreography has been performed by Atlanta Ballet, New Orleans Ballet Theatre and Emory Dance Company. Sponsored by Lynn Cochran Schroder. Nadia Mara (fifth season) was born in Montevideo, Uruguay, and started her ballet studies at the age of five attending the official Escuela Nacional de Danza under the direction of Sara Nieto, Monica Diaz and Margaret Graham. Nadia graduated in 2003 as the best dancer in the school and was awarded with the Elena Smirnova Gold Medal granted by Argentina ballet critic Honorio Destaville. In the U.S., Nadia started dancing with North Carolina Dance Theatre. At Atlanta Ballet under the direction of John McFall, she has performed from 2006 to 2008 title role in Giselle, Princess Florine in Sleeping Beauty, the world premiere of big with Antwan “Big Boi” Patton and recently in 2009, leading roles as Mina in Michael Pink’s Dracula and Kitri in Don Quixote. In 2010, Nadia danced as Pamina in Mozart’s Magic Flute choreographed by Mark Godden, Sugar Plum Fairy in Atlanta Ballet’s Nutcracker and “Spring” in James Kudelka’s version of Vivaldi’s Four Seasons. Sponsored by Patti Wallace. Kristine Necessary Loveless (ninth season), an Atlanta native, began her serious dance training at Atlanta Ballet’s Centre for Dance Education. With Atlanta Ballet, Kristine has performed principal roles in Michael Pink’s Dracula, John McFall’s Swan Lake and Atlanta Ballet’s Nutcracker and George Balanchine’s Allegro Brillante and Stars and Stripes. She has enjoyed working with and performing in Christopher Hampson’s Sinfonietta Giocosa, James Kudelka’s Four Seasons and Lila York’s Celts. Some recent roles include Aurora, Giselle, Juliet, Kryptonite in Lauri Stalling’s big and Kitri in John McFall’s Don Quixote. Kristine received her undergraduate degree from Georgia State University and is currently pursuing her Master’s in Education from Brenau University. Kristine enjoys spending her free time with her amazing husband Matt. She would like to thank her parents, grandparents and two sisters for their continued love and support. Sponsored by Lucy, Charlotte and Ginny Brewer. Tommy Panto (debut season), an Atlanta native, started dancing at the age of 11 and began his training with the New Mexico Ballet Company under the direction of Patricia Dickinson. After studying and training all over the U.S., he moved to Los Angeles and received a degree in Business: Merchandise Marketing from the Fashion Institute. While in Los Angeles, he trained and studied with Marat Duakayev of the Kirov/Kirov Academy and Patricia Neary of NYCB until his acceptance to Atlanta Ballet. With Atlanta Ballet, Tommy has had the pleasure of dancing Don Quixote in John McFall’s Don Quixote, as well as John McFall’s Jupiter, Tealia and Firebird, Christopher Hampson’s Sinfonietta Giocosa and Ben Stevenson’s Three Preludes. Tommy would like to thank his family and friends for their love and support and looks forward to a long and exciting career with Atlanta Ballet. 22 EncoreAtlantA.com

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bios Alessa Rogers (third season) graduated from North Carolina School for the Arts. She spent one season with North Carolina Dance Theatre II, where she performed works by Salvatore Aiello, Dwight Rhoden and Alvin Ailey. She has been a guest artist for three summers at the Roanoke Island Festival in Manteo, N.C. Alessa likes to read, learn, sit in airports, eat zucchini and be silly. Abigail Tan (debut season) began her training with Halili Cruz School of Dance and Cultural Center of the Philippines Dance School. She became a company member with the Philippine Ballet Theatre and American Repertory Ballet and has worked with noted choreographers Robert Barnett, Maiqui Manosa, Graham Lustig, Enrico Labayen, Gelsey Kirkland, Anatoly Panasyukov and Perry Sevidal. Abigail graduated with a B.S. in Communication in Arts from Angelicum College and was a ballet instructor and stage manager in the Philippines. She enjoys going to movies, learning to bowl and has a sweet tooth. Jared Tan (debut season) was born in the Philippines and started dancing at the age of nine with the Philippine Ballet Theatre under the direction of Gener Caringal. He had trained for more than 14 years under Russian Ballet Master Anatoly Panasyukov, and distinguished visiting ballet masters such as Robert Barnett, Graham Lustig, Batt Abbit, Stefan Hoff, Ida Beltran-Lucila, Nonoy Froilan, Maiqui Mañosa, Edna Vida and Stanley Canete. Last season, he joined American Repertory Ballet in New Jersey under the direction of Graham Lustig, where he danced Prince in Nutcracker, Puck in A Midsummer Night’s Dream, Rhapsodia and Baker’s Dozen by Twyla Tharp. Jared loves to take pictures and play guitar, basketball and video games. He would like to thank his family and friends for their continued love and support. He is so thankful to be a part of Atlanta Ballet. Jesse Tyler (third season) began his training at The School of the North Carolina Dance Theatre at age nine under the direction of Jean-Pierre Bonnefoux and Patricia McBride. In 2003, he joined North Carolina Dance Theatre as an apprentice and then was promoted to the company in 2004, where he worked with world-renowned choreographers such as Alonzo King, Dwight Rhoden and Mark Diamond. Since 2006, he has performed as a guest artist with many companies in the southeast including The Florida Ballet and most recently, Atlanta Ballet, where he danced works by John McFall and Lauri Stallings. When not dancing, he spends his time as the singer and guitar player for a local band called The Neighbors. Rachel Van Buskirk (fourth season), a native of Vancouver, trained with Li Yaming at Pacific DanceArts. With Atlanta Ballet, Rachel has performed in Dracula, Madame Butterfly, Swan Lake, Cinderella and has been featured in Atlanta Ballet’s Nutcracker, Giselle, Sleeping Beauty and Don Quixote. She was also involved in the creation of The Great Gatsby, big and Lauri Stallings’ bekken/the drum also waltzes. A recent highlight for her was performing me in your fall by Bennyroyce Royan. Outside of dance, Rachel enjoys reading and outdoor activities. She sends her love to her family and thanks them for being awesome. Sponsored by Dottie Smith and Merry Carlos.

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bios Brian Wallenberg (thirteenth season) began his dance training in Victoria, Texas under Debbe Busby. After training for a year, he was invited to attend Houston Ballet Academy under the direction of Ben Stevenson and Clara Cravey. He has performed many soloist and principal roles with Atlanta Ballet. Some of his favorite roles are Jonathon Harker in Michael Pink’s Dracula, Waltz Boy in George Balanchine’s Serenade, Roasted Swan in Fernand Nault’s Carmina Burana and Peter Pan in John McFall’s Peter Pan. Mr. Wallenberg’s hobbies include yoga, film editing and technology. He started a video production company (Saturnblu Productions) in 2007 with a focus on filming dance. John Welker (sixteenth season) began dancing at age 11 with the persuasive encouragement of his sister. He received his dance training at BalletMet Dance Academy, the School of American Ballet, National Ballet of Cuba, Bolshoi Ballet Academy in Vail, Colo., and Point Park Conservatory. Classical ballet roles John has performed with Atlanta Ballet include Prince Siegfried in Swan Lake, Prince Florimund in Sleeping Beauty, Albrecht in Giselle, Basilio in Don Quixote, Cavalier in Atlanta Ballet’s Nutcracker and Romeo in Romeo & Juliet. More contemporary dance classics include Michael Pink’s Dracula, John McFall’s Firebird, James Kudelka’s Four Seasons, Stanton Welch’s Madame Butterfly, Septime Webre’s Carmen, Peter Martin’s Ash, John McFall’s Peter Pan and David Parsons’ Caught. John has had the honor to work with such renowned choreographers as Christopher Hampson, Victor Quijada, Lila York, Danny Ezralow, Lauri Stallings, Peter Quanz, Val Caniparoli, Darrell Moultrie and John McFall. The past three years John has served as co-director of the Atlanta Ballet’s Professional Division during their seasonal Summer Intensive. He is currently enrolled as a Dance Major in Kennesaw State University’s College of the Arts and wishes to further pursue a graduate degree in Arts Administration. John wishes to thank his wife, fellow artist Christine Winkler, for her support, encouragement and love. Sponsored by Lynda Courts. Christine Winkler (sixteenth season), a California native, began her training in Sacramento with Barbara Crockett, and then furthered her studies with the San Francisco Ballet School on full scholarship. Later, she joined Ballet West as a company member where she met husband John Welker. Memorable productions since joining Atlanta Ballet in 1995 include Sleeping Beauty, Michael Pink’s Romeo & Juliet, John McFall’s Swan Lake, Dracula, Don Quixote, George Balanchine’s Serenade, John McFall’s Firebird, Mark Godden’s Magic Flute, Stanton Welch’s Madame Butterfly and John McFall and Lauri Stallings’ The Great Gatsby. Christine has had the privilege of working with acclaimed choreographers such as Christopher Hampson, Lila York, James Kudelka, Peter Quanz, Val Caniparoli and Darrell Moultrie. Guest appearances include American Repertory Ensemble in Austin, Texas; Maximum Dance in Miami, Fla.; Chamber Dance Project based in New York City; and New Orleans Ballet Theatre. Christine has served as co-director of the Atlanta Ballet’s Summer Intensive Professional Division during the past three years. Christine would also like to thank her husband and family for their continued love and support. Sponsored by Merry and Chris Carlos.

Atlanta’s Performing Arts Publication 25

bios Apprentices 2010-2011 season Cortney Funk Cortney began dancing at the age of seven. Her main focus was on tap, jazz, and lyrical until the age of 13, when she attended The Rock School of Ballet’s Summer Program and fell in love. Since the age of 13 she has enjoyed her journey through the world of ballet and the challenges it brings. Cortney entered the Atlanta Ballet Centre for Dance Education as a pre-professional student in 2007 and began the 2008 season as a Fellowship dancer. Cortney has performed in works such as Raymonda, Serenade, big, Sinfonietta Giocosa, Swan Lake and as Marya in Atlanta Ballet’s Nutcracker. Heath Gill A native of southern Ill., Heath began his dance training at age four with jazz, tap and gymnastics. In order to expand his dance knowledge, he later attended The Children’s Center for Dance Education, where he began to study ballet under the direction of Deena Laska-Lewis. He also attended summer intensives at Houston Ballet, Atlanta Ballet, and Texas Ballet Theater. By age 18, he moved to Atlanta to train and perform with the Atlanta Ballet. During his time in Atlanta, he has had the pleasure of working with choreographers such as John McFall, Michael Pink, James Kudelka, Lila York, Mark Godden, Matt Kent and Lauri Stallings to name a few. Some of Heath’s other interests include playing piano and trumpet, watching movies and cooking. Heath would also like to thank Clara Cravey for her guidance, and his friends and family for their love and support. Drew Grant Born in Philadelphia, Drew began his training with The Rock School. Later he moved to New York City to continue his training with the Jacqueline Kennedy Onassis School at American Ballet Theatre and then with the School of American Ballet. After his graduation, he spent two seasons with the Los Angeles Ballet under the direction of Colleen Neary and Thordal Christensen, where he performed both leading and soloist roles in works by George Balanchine, Josie Walsh, Sonya Tayeh, and Jennifer Backhaus. This is his first season with Atlanta Ballet. 26 EncoreAtlantA.com

Yoko Kanomata Born in Japan, Yoko began her training at age six with Hitomi Takeuohi and Shigeki Sato at the Hitomi Ballet Schools. After leaving Japan she continued her training with Li Yaming at Pacific Dance Arts in Vancouver, Canada. During her training Yoko has won several prestigious awards for her dancing, most recently placing second in the Japan Ballet Competition. Yoko has had the pleasure of performing in John McFall’s Peter Pan and Atlanta Ballet’s Nutcracker. Yoko is so thankful to be a part of Atlanta Ballet and looks forward to a great season. Melissa Mitchell Melissa began her training at the Atlanta Ballet Centre for Dance Education at the age of 12 after having competed as a gymnast for four years. She also trained with the Swedish Royal Ballet under Kerstin Lindström, where she toured with Raymonda and Don Quixote. With Atlanta Ballet, she has enjoyed dancing productions such as Swan Lake, Peter Pan, Atlanta Ballet’s Nutcracker and Four Seasons. Melissa is currently working on a B.A. in Marketing at Georgia State University. She loves traveling with her family and hiking in the North Georgia Mountains. Jackie Nash A native of Connecticut, Jackie started her pre-professional ballet training at the Connecticut Dance School under the direction of Alan Woodard. She then spent two years in the dance and academic residency program at The Rock School for Dance Education and graduated in 2009. During her summer studies she attended the Chautauqua Institute, Nutmeg Conservatory, Miami City Ballet and the Atlanta Ballet Centre for Dance Education. She has enjoyed dancing roles such as Marya in Atlanta Ballet’s Nutcracker and performing works by James Kudelka, Mark Godden, Lila York and Matt Kent of Pilobolus Dance Theater. Jackie would like to thank her loving parents and amazing sister for their endless support and encouragement.

JoIn AGS for A dAy of leArnInG on JAnuAry 30, 2011

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bios Artistic and Production Team Gary Sheldon (Conductor) is one of the most versatile and multi-faceted conductors today. He is the 2010 winner of The American Prize in Conducting in the professional orchestra division. He serves as the principal conductor for the Miami City Ballet as well as principal conductor at the Festival at Sandpoint in Idaho and artistic director of the Lancaster Festival in Ohio. Sheldon has conducted for leading artists of our time, including Andre Watts, Ella Fitzgerald, Wynton Marsalis, Itzhak Perlman, Arturo Sandoval, Barry Tuckwell and the Kalichstein-Laredo-Robinson Trio. He is a graduate of The Juilliard School and studied with Leonard Bernstein at Tanglewood. Sheldon has conducted the BBC Symphony, Louisville Orchestra, Montreal Symphony, Norwegian Ballet, Rochester Philharmonic, Sarasota Opera, St. Louis Symphony, St. Paul Chamber Orchestra and Utah Symphony. He has served as principal conductor for the Opera Theatre of Syracuse and also conducted opera at Artpark, the Eugene Opera, Lancaster Festival, San Diego Opera Center, Spoleto Festival and Opera Columbus. Judanna Lynn (Costume Designer) has designed costumes for most of the major dance companies in the United States, including San Francisco Ballet, Boston Ballet, Alvin Ailey, Ballet West, BalletMet, Pacific Northwest Ballet, Pennsylvania Ballet, Pittsburgh Ballet, Hartford Ballet, Hubbard Street, The Jose Limon Dance Co., Louisville Ballet and the Washington Ballet. Atlanta Ballet credits include the current Nutcracker, Carmina Burana, La Fille Mal Gardee, Romeo & Juliet, Estuary, Escape, Pas de Dix and Concerto Barocco. She also designed the costumes for Houston Ballet’s highly acclaimed productions of Don Quixote, Dracula and Cleopatra. A highlight last spring was Michael Pink’s Peter Pan for Milwaukee Ballet. She designed Pennsylvania Ballet’s Nutcracker, seen recently at the Kennedy Center and is currently designing Seven Deadly Sins for New York City Ballet, choreographed by Lynne Taylor-Corbett and featuring Patti LuPone. Other credits include the costumes for Festival of the Lion King for the opening of Disney’s new theme park in Hong Kong, the musical Lyle for Charles Strouse, The Hartford Stage/ Old Globe Theatre’s production of Tintypes, Cleveland Playhouse’s Tin Pan Alley 28 EncoreAtlantA.com

Rag, and the musicals Once On This Island for the Children’s Theatre Company of Minneapolis and Hats!, which is currently touring the U.S. Judanna is a former dancer of San Francisco Opera Ballet and former resident costume designer at The Juilliard School. Ms. Lynn is also a painter whose work has been seen at the Rizzoli and Miniatura Galleries in New York City, the Philadelphia Museum of Fine Art and in private collections. Peter Horne (Set Designer) Nutcracker is Peter’s favorite classic of the ballet repertoire. This will be the sixth design, and he is always finding new ways to illustrate this wonderful story ballet. Peter designed a Nutcracker for Slovak National Ballet in 2008. This follows his productions for Pennsylvania Ballet, Washington Ballet, Atlanta Ballet, BalletMet and Les Grands Ballets. Other notable ballet designs include Scheherazade, Casse Noisette and Coppélia for Montreal and Skeleton Clock for Houston Ballet. As the assistant to Maurice Sendak, Peter was part of the creation of the Nutcracker for Pacific Northwest Ballet, which later became a film. After many years working in the opera world as a designer, production and technical director for Houston Grand Opera, the Canadian Opera Company and the Glyndebourne Festival in England, Peter has now retired to the South Coast of England near Rye, where he will focus on painting, designing for stage and gardening. David J. Tatu (Lighting Designer) has had a 19-year affiliation with Atlanta Ballet. He is currently the facilities manager for all of Atlanta Ballet’s locations. While working with Atlanta Ballet, he has designed original lighting for the Balanchine Festival, six residencies in Haywood County N.C., Alice in Wonderland, Carmina Burana, Divertimento #15, Il Distratto, Intermezzo, Pastoral Dances, Rite of Spring, Troy Game, Coppelia, Prisma, La Bayadere Act II, Cinderella, Berceuse, Con Amore, Pinocchio, Garden of Mirth, Allegro Brillante, Astral Journey, Passages, If a rose falls, Stella, Madame Butterfly and Atlanta Ballet’s Nutcracker. Tatu has also designed for Ohio Ballet, Cuyahoga Valley Youth Ballet, Nevada Opera, Gwinnett Ballet and Robert LaFosse’s Dancers from New York.

bios ATLANTA BALLET ORCHESTRA 2010-2011 Season Gary Sheldon, Conductor VIOLIN Lisa Morrison, Concertmaster Sally Wilson Martin, Assoc. Concertmaster Linda Pinner, Principal Second Adelaide Federici Keiko Furness Patti Gouvas Lee Nicholson Mayu Sommovigo Elonia Varfi Rafael Veytsblum Raffaela Wahby Ying Zhuo

CLARINET Katherine White, Principal Greg Collins

VIOLA Joli Wu, Principal Amy Chang Robert Rieve Cheryl Saunders Kristeen Sorrells

TRUMPET Kevin Lyons, Principal John Morrison, Co-Principal Greg Holland

CELLO Charae Krueger, Principal Mary Kenney Elizabeth Murphy Alice Williams CONTRABASS Lyn DeRamus, Principal Christina Caterino HARP Nella Rigell, Principal FLUTE Jeanne Carere, Principal Kelly Via OBOE Robin Johnson, Principal Diana Dunn

BASSOON Michael Muszynski, Principal Dan Worley HORN Julie Spencer, Principal Christopher Doemel Amy Trotz Kathy Wood-Zachmann

TROMBONE Robb Smith, Principal Mark McConnell Richard Brady TUBA Donald Strand, Principal TIMPANI Scott Douglas, Principal PERCUSSION Michael Cebulski, Principal Karen Hunt Jeff Kershner

The Orchestral Musicians in this performance are members of the Atlanta Federation of Musicians, Local 148-462 of the American Federation of Musicians

Atlantaâ&#x20AC;&#x2122;s Performing Arts Publication 29

board & staff A d m i n i s t r at i o n

John McFall, Artistic Director

ATLANTA BALLET CENTRE FOR DANCE EDUCATION Sharon Story, Dean Tori Soles, Director of Centre Administration Betsy Rothermel, Registrar/Summer Program Administrative Director Carla Cuba, Community Programs Director Heather Conley, Cobb Centre Principal Kate Gaul, Buckhead Centre Principal Amy Hand, Events & Rentals Coordinator Rebecca Renner, Education Associate Shannon Maiolo, Education Associate/ Adult Division Coordinator Faculty and Accompanists: Principal Faculty: Armando Luna, Rosemary Miles Susan Beebe, Rebekah Bennett, Shirley Bennett, Aly Brock, Giselle Caban, Andrea Catchings, Harmony Clair, Heather Conley, Emily Cargill, Vershion Funderburk, Katherine Grant, Kate Gaul, Vanessa Gibson, Kara Gillcrist, Kayla Harkness, Alera Harrison, Emily Cook Harrison, Sarah Hillmer, Tanika Holmes, Michelle Jericevich-Powell, Stephanie Johnson, Melissa Joy, Reiko Kimura, Caroline Laubacher, Armando Luna, Dora Manela, Paige McFall, Margaret Shepherd McPherson, Rosemary Miles, Orlando Molina, Anwar Nasir, Troy Overton, Allyson Raymond, Terese Reynolds-Thomas, Jaime Robtison, Betsy Rothermel, Roscoe Sales, Tori Soles, Paulo Sousa, Melissa Stiers, Carol Szkutek, Amber Thompson, Ericka Shannon-Vanhoosear, Erin-Elizabeth Watts, Martine Weber, Lloyd E. Whitmore, Sarah Noelle Williamson, Alan Brown, Tara Briner, Rick Reynolds, Julie Rice ARTISTIC Rosemary Miles, Dale Shields and Sharon Story, Ballet Mistresses PRODUCTION TThomas C. Fowlkes, Director of Production John Beaulieu, Technical Director

Arthur Jacobus, Executive Director

Amy Hand, Stage Manager Robert Hand, Jr., Lighting Director Gabe Friend-Jones, Assistant Stage Manager COSTUMES Heidi Parikh, Wardrobe Supervisor Elena Rao, Costume Shop Director Oksana Shore, Lead Stitcher Jacob Bush, Shoe Coordinator TICKETING AND PATRON SERVICES Anwar Nasir, Associate Director of Patron Services Jarrett Milton, Group Sales Manager Kyle Andrich, Patron Services Associate FINANCE AND ADMINISTRATION Pam Whitacre, Chief Finance Officer Michele LeBlanc Boyd, Staff Accountant/ Human Resources Director David J. Tatu, Facilities Manager Bradley Renner, In-Kind Gifts Officer/Executive Assistant Kayla Harkness, Customer Care Specialist MARKETING Tricia Ekholm, Marketing Director Erin Zellmer, Marketing Coordinator Sigele Winbush, Public Relations Associate Emily Khoo, Graphic Designer Katherine Hernandez, Marketing Assistant Brian Wallenberg, Interactive/Social Media Coordinator DEVELOPMENT Lisa Dabney, Director of Development Alice Thacker, Major Gifts Officer Alyson Brock, Institutional Giving Officer Kathleen Presswala, Annual Giving Officer Betsy Elliott, Corporate Sponsorship Development Dorie Wirtz, Events Manager Megan DeWitt, Development Assistant

atlanta ballet board of tr ustees Allen Nelson, Chair Sandy Rose III, Immediate Past Chair Bill Huber, Treasurer Alison Danaceau, Secretary Elizabeth Adams RenĂŠ Bostic Ginny Brewer Kelly C. Cannon Merry L. Carlos

Margaret Carton Lynn Cochran-Schroder Lynda B. Courts David Crosland Lavona S. Currie Cynthia Davison Sharyn Doanes-Bergin Mary Frances Garrett Karen Greager Joanne Chesler Gross Kenneth R. Hey

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Wade H. Hooper J. David Hopkins Kimberley Ichter Michael Jones Sloan Kennedy-Smith Erica Lewis Glenn Mitchell Christine Murphy Forrest Robinson Kristine Robison Robin H. Sangston

Laura Turner Seydel Amanda Shailendra Lee Ann Stone Michelle Sullivan Perry Taylor Timothy Tew Lizanne Thomas Karen Vereb Pam Wakefield Patti Wallace

This Holiday Season, Turn Gift Giving Into An Art Form. Give Atlanta’s best in theatre, music, and art! The Woodruff Arts Center Gift Card is good at: Alliance Theatre Atlanta Symphony Orchestra High Museum of Art Young Audiences It’s also good for parking, dining, and shopping at The Woodruff. With so many shows, concerts, and exhibitions, there is truly something for everyone! Purchase today at woodruffcenter.org/giftcards or at The Woodruff Box Office, (404) 733-5000.

YOUNG AUDIENCES

ALLIANCE THEATRE

HIGH MUSEUM OF ART

ATLANTA SYMPHONY ORCHESTRA

annual fund donors As of October 5, 2010

Dorothy Alexander Circle ($50,000 +) Belk, Inc Georgia Council for the Arts Ms. Patti E. Wallace Anonymous Director’s Circle ($25,000 +) Coca-Cola Company Foundation Corps de Ballet Fulton County Arts Council The Imlay Foundation National Endowment for the Arts Dancer’s Circle ($10,000 +) Mr. & Mrs. Howell Adams, Jr. Mr. & Mrs. Charles M. Brewer Mr. & Mrs. Chris Carlos The Coca-Cola Foundation Matching Gifts Program Mrs. Lynn P. Cochran-Schroder Mr. & Mrs. Richard W. Courts II Cousins Foundation, Inc. Mrs. Lavona Currie Mr. & Mrs. Thomas M. Holder Mr. Douglas Hopkins Ray M. & Mary Elizabeth Lee Foundation Mr. & Mrs. Jack E. Morgan Pittulloch Foundation Publix Super Markets Charities Mr. & Mrs. Stanley H. Rose The Shubert Foundation, Inc Turner Broadcasting System, Inc. The Wachovia Wells Fargo Foundation Choreographer’s Circle ($5,000 +) Mr. & Mrs. Howell E. Adams III Mr. & Mrs. Ricardo Artigas AtlArt Foundation Clinton & Barbara Bastin Bureau of Cultural Affairs Genuine Parts Company Dr. & Mrs. Alexander Gross Mr. & Mrs. Roy Harris, Jr. The Hellen Plummer Charitable Foundation The Home Depot Foundation Mr. & Mrs. Tom Jewell Mr. & Mrs. Kirk Knous Mr. & Mrs. Henry F McCamish Ms. Christine Noguere & Mr. Phillip Pope Mr. Louis A. Peneguy, Jr. Delphine Podsiadlo John & Jan Portman Mr. & Mrs. Gordon Ramsey Ms. Robin H. Sangston Scientific-Atlanta, Inc. Mr. William F. Snyder Tanya Creations Jane Smith Turner Foundation Turner Foundation Mrs. Karen Vereb & Mr. Clarence Blanton Mr. & Mrs. Stephen A. Wakefield Anonymous Principal ($2,500 +) Mr. & Mrs. Lee Adrean Meg Arnold and Family Ms. Jan P. Beaves Mr. & Mrs. Joseph W. Cannon Mrs. Margaret F. Carton Dr. & Mrs. Nicolas Chronos Dr. Cynthia Crain Lee & Dr. Dwight Lee Mr. & Mrs. David Crosland

Mr. & Mrs. H. Preston Crum Mr. & Mrs. James E. Cushman, Jr. Ms. Alison Danaceau Mr. & Mrs. Tom A. Garrett Mrs. Lillo W. Harris Jim & Mary Long Howard Mr. & Mrs. Michael Jones Mrs. Sloan Kennedy & Mr. John Smith Lois & Lucy Lampkin Foundation Ms. Elizabeth Ann Morgan Dr. Michael Murphy & Dr. Christine Murphy Mr. & Mrs. Allen W. Nelson Printpack Incorporated Sharon & David Schachter Mr. & Mrs. Jerry Smith Mr. & Mrs. James E. Stueve Mr. & Mrs. Stephen B. Sullivan Mr. Timothy Tew & Mr. Joseph Northington Mr. & Mrs. David T. Wolfe Associate ($1,000 +) Ms. Wendy Adams Attention to Detail, A Business Management Consulting Service Rodney Baker Bank of America Mrs. George C. Blount, Jr. Lindsay & Evan Borenstein Ms. Rene Bostic Lucy Currie Bush & Henry Bush The Honorable Mr. & Mrs. Ezra Cohen Mr. & Mrs. Malcolm P. Davison Mr. Michael B. & Mrs. Sharyn Doanes-Bergin Susan & George Dunn Mr. & Mrs. Howard F. Elkins Equifax, Inc. Dr. & Mrs. Thomas W. Gable Ms. Amy Gerome-Acuff & Mr. Daniel Acuff Mr. & Mrs. Bernard Gray Charles Griffin Bertha Earlene Gvozd Jefferey & Angela Haertel Scott & Amy Haney Steven & Caroline Harless Ellen Heard Bonnie & Terry Herron Ed & Gale Holliday Carl & Paige Hoover Mr. J. David Hopkins Mr. & Mrs. Peter G. Kessenich Brett Lane Ms. Linda Lively & Mr. James Hugh Lubo Fund Mr. & Mrs. Robert J. McCulloch Mr. & Mrs. Eugene F. Meany Dr. & Mrs. Chester W. Morse Polly N. Pater Mrs. Elizabeth B. Pritchett Margery & Dan Reason Fund Ralph & JoAnn Reed Mr. & Mrs. Douglas Reid Mr. & Mrs. Forrest W. Robinson Mary & E.P. Rogers Foundation Drs. Joe & Carolyn Rudé Robert & Susan Saudek Mrs. William A. Schwartz Mr. Thomas C. Shelton, Sr. Janet Shields SunTrust Bank Atlanta The Target Foundation Mr. & Mrs. Perry Taylor, Jr. Thomas H. Lanier Family Foundation Lizanne Thomas Time Warner Matching Grants Program Laura Tucker

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William A. & Judy M. Vogel Jessie Wallace Robert & Francine Warner & Danielle Boling William McDaniel Charitable Foundation Mr. and Mrs. Syd Williams Judy and Erwin Zaban Soloist ($750 +) Thomas Brame Sara & Alex Brown Stephanie & Robert Myer Kimberly Tribble Ensemble ($500 +) Judith & Aaron Alembik Mr. & Mrs. Robert Allman Dr. Harold J. Brody Mr. Robert Chanady David Cofrin & Christine Tryba-Cofrin Ms. Susan Currie Mr. Richard Delay & Ms. Francine Dykes Jeffrey & Vonda Dickerson Mr. John Doster Ms. Merritt Porter Dyke Mr. & Mrs. Christopher Edmonds Mr. & Mrs. Noori Fariborz Eric Garcia Paul Hagedorn Donna Adams Hall Mr. & Mrs. Jack S. Hillman Jeanne Jones Tom Jones Tonya Jordan Ms. Leslie Kelly Mrs. J. Thomas Kilpatrick David Linton Richard Lodise & Valerie Jagiella Christian Long Mr. & Mrs. H. Lamar Mixson Mrs. R. N. Parker Mr. Kenneth Parmer Mr. & Mrs. Greg Rogers Ms. Mary Elizabeth Schroder Mr. & Mrs. Paul Shailendra Mr. & Mrs. Charles Shufeldt Dr. & Mrs. Mark Silverstein Ms. Anne M. Spratlin Elvira Tate Kathryn Thompson Valerie Tiller Ms. Kathryn Townsend Ms. Irma Turnipseed Apprentice ($250 +) Ms. Christine Anck AT&T Foundation Dr. James J. Awbrey Mr. & Mrs. Brian D. Beem Ms. Danielle Berry Ms. Elizabeth Blood Ms. Jennifer Boston Rosalyn Bush Robert Butler Mr. Christopher Canup Angelyn Chaney Jeff Clark, Jr. Clydett Claytor-Garth Mr. Lawrence M. Cohen Mr. & Mrs. Charles Cohn Ms. Carol Comstock William Cone Robert Cook Ms. Donna Court Betsy Crawford Mr. & Mrs. Tommy Daniels Ms. Ann Danuser Mr. & Mrs. David Davison Ms. Judy Dellinger

Ms. Martha R. Dominguez Laura Donovan Ms. Denni Dueñas Theodore Erck & Carole Brown Louise B. Franklin Lisa & Bill Frisby Judy & Edward Garland Andrew & Natasha Gastley Mark Gibson Dr. Richard Goodjoin Avery Hammonds Mary Hanes Gail Harvard Adam Hebbard Ms. Melissa Holland Caroline Hooper Denel James Michael Jeram Ms. Lacey Johnson Mrs. Natalie Jones Mr. Stephen Kalista Ms. Francis Kane Ms. Tara Kimbrough Ms. Liliah Krugman Mr. Calvin Leach Amy M. Lewis Mr. & Mrs. Allan Little III Victor Long Stanley & Elaine Mager Mr. William Scott Mark Gino & Belinda Massafra Ms. Lucinda McCroskey Mr. Scott A. McCue Ms. Elizabeth McGovern Mr. Phillip McKinney Melonie Miles Ms. Idella Moore Mrs. Michelle Morgan Edward & Thespi Mortimer Ms. Wendy Nesheim Ms. Jennifer Nichols Mark C. Norris, MD, & Alice M. Shin, MD Katherine Odom Paces Foundation Robert Parris Ronald Porter Dr. Jacqueline Pownall Dr. & Mrs. James E. Pruett Ms. Joyce E. Reedy Mr. & Mrs. Douglas L. Rooker Brandi Rowland Mary Scheible Ms. Marion Seim Janet Seligson Helen Shaw Beverly & Milton Shlapak Mr. & Mrs. Howard L. Silvermintz Toni and Harold Skipper Malik Smith Richard M. Smith, Ph.D. & Lynne C. Smith Chris Stenander James C. Strickland Mr. Chad Sumner Dr. & Mrs. Michael Szikman Lisa Cannon Taylor Lebby & Scott Thompson Barbara J. Simmons, MD Necole Turner Ms. Jennifer Varn Terrie Walker Alice Washington Dr. & Mrs. Anthony Webb Drs. Nancy & Evan Weisman Ms. Reba Welch Joanne & Bruce Westbrook Ms. Charlotte Wilen Ms. Suzanne Zha

donors

With the proper preparation, great things are possible — for our audiences, artists, students, and the community. We are setting the stage for a bright, sustainable future for Atlanta Ballet. We are positioning our organization for excellence — and Choreographing Our Future, the $19.3 million capital campaign for Atlanta Ballet, is taking us there. The central focus of the campaign has been on completing the renovations for our new headquarters, the Michael C. Carlos Dance Centre, which we proudly opened on August 14, 2010. The new building is a Gold LEED-Certified facility and it houses our professional dance company, Centre for Dance Education and entire artistic and administrative staff. In addition to purchasing and renovating our new facility, the campaign priorities also include enhancing our artistic productions, expanding audience development efforts, growing the endowment, and investing in capitalizing our operations. We believe we are building the Atlanta Ballet of tomorrow, and it is our profound hope that all of our patrons and friends will partner with us in this endeavor. Thanks to the extraordinary commitment and generosity of our board of directors and loyal patrons, we have raised $14.8 million towards our goal to date. Atlanta Ballet remains deeply grateful to the visionary donors listed below who have made our success possible. Listing reflects gifts and pledges received through October 31, 2010. Gifts of $1 million and above Anonymous Michael C. & Thalia N. Carlos Foundation Merry & Chris M. Carlos Lettie Pate Evans Foundation Audrey B. Morgan Gifts of $500,000-$999,000 Mrs. Laura Maddox Smith Mabel Dorn Reeder Foundation Patti Eloise Wallace Gifts of $100,000 to $499,999 Anonymous Mr. & Mrs. Charles M. Brewer Mrs. Lynn P. Cochran-Schroder Mrs. Lavona Currie R. Howard Dobbs, Jr. Foundation Beth & Tommy Holder The Kendeda Fund John K. Palmisano & Stephen A. Williams III The Rich Foundation, Inc. The Shailendra Family SunTrust Bank Atlanta Foundation & SunTrust Affiliated Foundations Florence C. & Harry L. English Memorial Fund Walter H. & Marjory M. Rich Memorial Fund Thomas Guy Woolford Charitable Trust Greene-Sawtell Foundation The Tull Charitable Foundation Gifts of $50,000-$99,999 Madeline & Howell E. Adams, Jr. Elizabeth & Howell E. Adams, III The James M. Cox Foundation Cynthia & Mike Davison Price Gilbert, Jr. Charitable Trust Dr. & Mrs. Alexander S. Gross Kristy & Michael Robison Waffle House David Helen & Marian Woodward Fund The Vasser Woolley Foundation, Inc.

Gifts of $25,000-$49,999 Leslie & Dale Chihuly Dr. Michael Murphy & Dr. Christine Murphy Mr. & Mrs. Allen W. Nelson Mr. & Mrs. Forrest W. Robinson Mr. & Mrs. Stanley H. Rose The Sartain Lanier Family Foundation, Inc. Pam & Stephen A. Wakefield Gift of $10,000-$24,999 Cousins Foundation, Inc. Mr. & Mrs. David Crosland Mrs. Daphne Moore Eitel Fulton County Arts Council Mr. & Mrs. Tom A. Garrett Georgia Commercial Realty Georgia Power Foundation, Inc. The Gingrich Foundation Lisa & Forrest Hibbard Sally & David Hopkins The Ichter Family Arthur & Elvira Jacobus Rebecca S. Kelly & Dick James Cindy & Mike Jones Beth Lanier & Phillip Theodore Paige & John McFall Mr. & Mrs. Allan Merrill Joseph Northington & Timothy Tew Sharon Story, Julien & Kim Kenney Mrs. Karen Vereb & Mr. Clarence Blanton Mr. & Mrs. David T. Wolfe Gifts of $5,000 - $9,999 Mr. Ralph G. Edwards, Jr. Virginia Hepner & Malcolm Barnes Melissa & Scott Hinchman and Family Steffi & Bill Huber David and Theresa Kazanowski Ida A. Ryan Charitable Trust Mr. & Mrs. Matthew Stone Jane Smith Turner Foundation

Gifts of $2,500 - $4,999 Carlton Fields Lisa Dabney & Paul Kersey Sloan Kennedy & John Smith Mrs. Karen R. Shapiro Dr. & Mrs. Mark Silverstein Gifts of $1,000 - $2,499 Mr. & Mrs. John Beltrami Dr. & Mrs. Currell V Berry Mr. & Mrs. Joseph W. Cannon Mrs. Margaret F. Carton Mrs. & Mr. Jennifer Johnston Ken & Mara Knowles Lee & Trey Loughran Wendi & John McAfee Stephanie & Robert Myer Mr. Steven Russ & Ms. Katherine Brokaw Gifts of $500 - $999 Louisa and Armando Basarrate Ms. Kathleen Burch Mrs. Sharyn Doanes-Bergin Mr. & Mrs. Paul P. Mattingly Mrs. Lynn K. Waymer Dorie & Jody Wirtz Gifts up to $500 Josie A. Alexander Linda & Michael Diamond Lindsay & Thomas Enright Mr. & Mrs. Geoffrey Fishman Yuko Little Mr. & Mrs. Robert J. McCulloch Paul & Malissa O’Connor & Savannah, Bethany & Paul III Jean & Kevin O’Halloran Mr. & Mrs. Marvin Ritzenberg Ms. Robin H. Sangston Valerie & Jose Vargas

Atlanta’s Performing Arts Publication 33

acknowledgements Cooper Atlanta Transportation Services, The Preferred Chauffeured Service of Atlanta Ballet Interprint Communications, The Official Printer of Atlanta Ballet Kennesaw State University, The Official Academic Partner of Atlanta Ballet Paul Dolan Vineyards, The Preferred Wine of Atlanta Ballet Plaza Executive Health Club, The Official Healthclub of Atlanta Ballet Ryder Truck Rental Systems, Inc., The Official Set Transporter of Atlanta Ballet AFX Studios Artmore Hotel Ashley Ramsey, Massage Therapy ASV, Video Services Atlanta Journal-Constitution Atlanta Marriott Marquis Atlanta Marriott Suites Midtown Margaret Barnett, Barnett & Co. Design Brooks, McGinnis, & Company, LLC, Audit Firm Charlie McCullers Photography Embassy Suites Atlanta â&#x20AC;&#x201C; Galleria Four Seasons Hotel Dr. Frank A. Sinkoe, Podiatric Orthopedics Georgian Terrace Hotel Integrated Fire Protection J.D. French & Assoc. Jean Padberg & Associates, P.C., Immigration Counsel Dr. Karen Joanson-Scott, Buckhead Family Chiropractic Kim Kenney Photography Lanier Parking Holdings, Inc. Dr. Letha Griffin, Peachtree Orthopedic Clinic, Orthopedic Specialist Littler Mendelson, Attorney Marcia Toye-Vego, Emory Physical Therapy, Physical Therapy Petals a Florist PricewaterhouseCoopers LLP, Tax Accountants Solomon Says, Inc. Atlanta Ballet is supported in part by the Georgia Council for the Arts (GCA) through the appropriations of the Georgia General Assembly. GCA is a partner agency of the National Endowment for the Arts. Major funding is provided by the Fulton County Commission under the guidance of the Fulton County Arts Council, and by the City of Atlanta Office of Cultural Affairs. Additional funding has been provided by our individual donors, corporate sponsors and foundations.

For more information, please visit our website at www.atlantaballet.com. All dates and programs are subject to change.

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FOR YOUR INFORMATION The Theatre A fully restored 1929 “Movie Palace,” the Fox Theatre, with 4,678 seats, is a multiple-purpose facility, housing Broadway shows, ballet, symphonies, concerts, movies, and private corporate events. Private Rooms The Fox Theatre has three private rental spaces, with accommodations for 25 to 1,200 guests. Our Egyptian Ballroom and Grand Salon are beautifully decorated and can be set up to your specifications. The brand new Landmarks Lounge is adjacent to the lobby and is perfect for a small pre-show and intermission event. All rooms include the Fox Theatre’s professional sales and coordination staff. To book your ”Fabulous Fox“ evening, please call 404.881.2100 or visit us at www.foxtheatre.org. The Box Office The Fox Theatre Box Office is located in the arcade entrance to the theatre. The Box Office is open for walk up ticket sales Monday-Friday, 10:00 a.m.-6:00 p.m., and Saturday, 10:00 a.m.-3:00 p.m. The Fox Theatre Box Office is not open on Sundays unless there is a performance. During Events, the Box Office opens two hours prior to show time. Doors to the Fox open one hour prior to show time. Tickets for all performances at the Fox may be purchased at any TICKETMASTER outlet, by calling TICKETMASTER at 800.745.3000, or by visiting the Fox Theatre Box Office in person during regular Box Office hours. Concessions Concession stands are located in the Spanish Room, adjacent to the main lobby, and on the mezzanine lobby level. Restrooms Restrooms are located on the Main Lobby and Mezzanine Lobby levels. Restrooms are also located on the Gallery level. Restrooms for patrons who are physically challenged are located in the Spanish Room Gift Shop The Fox Theatre operates a gift shop selling history books, T-shirts, sweatshirts, and an assortment of other theatrerelated merchandise. The gift shop is located in the main lobby and is open at each performance. Tours Tours of the Fox Theatre are available through the Atlanta Preservation Center. Tours are conducted Mondays, Wednesdays, and Thursdays at 10:00 a.m. and Saturdays at 10:00 a.m. and 11:00 a.m. Tours begin in the Peachtree Street Arcade entrance to the theatre. For more information on tours and to confirm the tour schedule, please call the Atlanta Preservation Center at 404.688.3353.

Smoking In accordance with the Fulton County Clean Air Ordinance, the Fox Theatre is a smoke-free facility. Smoking is only permitted in designated areas. Special Needs Ken Shook, Patron Services Director, is our liaison to the disabled community. He can be reached at 404.881.2118 and can provide information on such topics as the locations and prices of accessible seating and other programs for the disabled. The Fox Theatre also has a new brochure detailing all these programs for our patrons with special needs. They are available at the Guest Relations Table. Fox Ambassadors are located at the Guest Relations Table in the main lobby at the Fox Theatre Merchandise Kiosk to offer their assistance, theatre information, and several rental items to enhance your performance enjoyment. An audio clarification device (Phonic Ear) is available for patrons with hearing disabilities. It is available, free of charge, on a first-come, first-serve basis on the evening of a performance, or you may reserve a device by calling the Patron Services Director. A limited number of booster seats are also available free of charge. Binoculars are available for sale. All items require a form of identification to be held until the item is returned. Elevators Elevators are located at the north end of each lobby. The elevators are available during all performances and make it possible to access each lobby without the use of stairs. Parking Parking is available within a four-block radius in all directions of the Fox Theatre. Advanced reserved parking is available for sale at the Fox Box Office or by calling TICKETMASTER at 800.745.3000. The Fox Theatre assumes no responsibility for vehicles parked in any of the privately owned parking lots operating in the Fox Theatre district. Performance Notes All patrons, regardless of age, must have a ticket in order to be admitted to the theatre. Please be aware that not all events are suitable for children. Infants will not be admitted to adult programs/performances. Parents will be asked to remove children who create a disturbance. Latecomers will be seated at the discretion of the management, in conjunction with the wishes of the producers. Please turn off all pagers and cell phones prior to the beginning of each performance. Please limit conversation during the performances. Camera and recording devices are strictly prohibited.

Lost and Found Lost and Found items are turned in to the House Manager’s office. To check on lost items, please call the House Manager at 404.881.2075. Lost and Found items will be retained for 30 days. Emergency Information In the event of an emergency, please walk to the nearest exit. Do Not Run.

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Backstage employees are represented by the International Alliance of Theatrical Stage Employees (I.A.T.S.E.)

GOLDEN RULES The following brief, but important, article has been published to assist in audience etiquette. To this day we get at least one phone call a week asking for reprint rights. These calls and letters come from orchestras and theatres, opera and ballet companies all over the United States and Canada, big and little troupes alike. The message, telegraphed between the lines, seems to be an S.O.S.: American audiences are out of control. Are they? Here’s a refresher course. Please read on, and remember, part of one’s pact as an audience member is to take seriously the pleasure of others, a responsibility fulfilled by quietly attentive (or silently inattentive) and selfcontained behavior. After all, you can be as demonstrative as you want during bows and curtain calls. 1. Go easy with the atomizer; many people are highly allergic to perfume and cologne. 2. If you bring a child, make sure etiquette is part of the experience. Children love learning new things. 3. Unwrap all candies and cough drops before the curtain goes up or the concert begins. 4. Make sure cell phones, beepers, and watch alarms are OFF. And don't jangle the bangles. 5. The overture is part of the performance. Please cease talking at this point. 6. Note to lovebirds: When you lean your heads together, you block the view of the person behind you. Leaning forward also blocks the view. 7. THOU SHALT NOT TALK, or hum, or sing along, or beat time with a body part. 8. Force yourself to wait for a pause or intermission before rifling through a purse, backpack, or shopping bag. 9. Yes, the parking lot gets busy and public transportation is tricky, but leaving while the show is in progress is discourteous. 10. Honor the old standby: Do unto others as you would have them do unto you.

The Fox Theatre

660 Peachtree Street, N.E. Atlanta, Georgia 30308 404.881.2100 • www.foxtheatre.org

STAFF

Allan C. Vella . . . . . . . . . . . . . . . . . General Manager Adina Alford Erwin . . . . . . . Assistant General Manager Pat “Sunshine” Tucker . . . . . . . . . . Box Office Manager Ben Neill . . . . . . . . . . . . Assistant Box Office Manager Robert Burnett . . . . . . . . . . . . . . . . . . . . . . . Controller Jennifer S. Farmer . . . . . . . . Director of Sales/Ballrooms Oliver Diamantstein . . . . Director of Food and Beverage Len Tucker . . . . . . . . . . . . . . . . Director of Operations Pat Prill . . . . . . . . . . . . . . . . . . . . . . . House Manager Greta Duke . . . . . . . . . . . . . Assistant House Manager Kristen Delaney . . . . . . . . . . Director of Marketing & PR Ken Shook . . . . . . . . . . . . . . . Patron Services Director Shelly Kleppsattel . . . . . . Booking & Contract Associate Jamie Vosmeier . . . . . . . . . . . . . . Group Sales Director Molly Fortune . . . . . . Preservation Department Manager Amy Smith . . . . . . . . . . . . . . . . . . Production Manager Rebecca J. Graham . . . . . Assistant Production Manager Gary Hardaway . . . . . . . . . . . . . . . . Master Carpenter Larry Watson . . . . . . . . . . . . . . . . . . . . House Flyman Scott Hardin . . . . . . . . . . . . . . . . . . . . Property Master Ray T. Haynie . . . . . . . . . . . . . . . . . . Master Electrician Cary Oldknow . . . . . . . . . . . . . . . Assistant Electrician Rodney Amos . . . . . . . . . . . . . . . Head Sound Engineer Larry-Douglas Embury . . . . . . . . . Organist In Residence Tammy Folds . . . . . . . . . . . Production Security Manager

EXECUTIVE COMMITTEE AND BOARD MEMBERS Alan E. Thomas . . . . . . . . . . . . Chairman of the Board Edward L. White . . . . . . . . . . . . . . . . . . . . . . President Beauchamp C. Carr . . . . . . . . . . . . 2nd Vice President John A. Busby Jr. . . . . . . . . . . . . . . . 3rd Vice President Julia Sprunt Grumbles . . . . . . . . . . . . 4th Vice President Edward Hutchison . . . . . . . . . . . . . . . . . . . . . Treasurer Robyn Rieser Barkin . . . . . . . . . . . . . Assistant Treasurer Clara Hayley Axam . . . . . . . . . . . . . . . . . . . . Secretary Walter R. Huntley Jr. . . . . . . . . . . . . . Member at Large Robert E. Minnear . . . . . . . . . . . . . . . Member at Large Carl V. Patton. . . . . . . . . . . . . . . . . . Member at Large Ada Lee Correll, Richard Courts IV, Keith Cowan, Robert L. Foreman Jr., F. Sheffield Hale, John R. Holder, Florence Inman, Craig B. Jones, Steve Koonin, Charles Lawson, Starr Moore, Jay Myers, Joe G. Patten, Glen J. Romm, Sylvia Russell, Nancy Gordy Simms, Clyde C. Tuggle, Carolyn Lee Wills.

HONORARY BOARD MEMBERS Anne Cox Chambers, Arnall (Pat) Connell, Rodney Mims Cook Jr., Jere A. Drummond, Richard O. Flinn III, Arthur Montgomery, Joseph V. Myers Jr., Edward J. Negri, Edgar Neiss, Herman J. Russell, Preston Stevens Jr.

Official Beverage of The Fox Theatre

Official Airline of The Fox Theatre

Official Vehicle of The Fox Theatre

Official Hotel of The Fox Theatre

Official Restaurant of The Fox Theatre

Atlanta’s Performing Arts Publication 37

South City Kitchen

Fox theatre Dining Guide Looking for a great night out? Try one of these local restaurants before or after the show. For Dinner and a Show packages, visit encoreatlanta.com/offers. Neighborhood codes: A–Alpharetta, B–Buckhead, IP–Inman Park, OFW–Old Fourth Ward, M—Midtown, D–Downtown, P–Perimeter Mall area, SS–Sandy Springs, VH–Virginia-Highland, V—Vinings, W–Westside

American Broadway Diner Unique, due to its food and décor, the Broadway Diner serves great food (including authentic Greek cuisine) at awesome prices. Based on a Broadway-style theme, the diner is perfect for families and business people. 620 Peachtree St. NE, (404) 477-9600, thebroadwaydiner.com. M Deckard’s Kitchen and Kegs is a neighborhood American tavern with a New England twist. Specializing in simple craft cuisine, classic ingredients and an extensive, eclectic beer selection. 650 Ponce De Leon Avenue, 404-9413520. kitchenandkegs.com. M Einstein’s The place that puts a smile on your face. Dining with an emphasis on service, Einstein’s offers innovative competitively-priced cuisine in a warm, accommodating environment. Enjoy a delicious meal on their award-winning patio and sip on their infamous martinis. 1077 Juniper St., 404-876-7925, einsteinsatlanta.com. M Garrison’s A neighborhood destination known for high quality food, generous portions and a comfortable setting. Superb wine and specialty cocktails compliment the highest quality seafood, 38 EncoreAtlantA.com

steaks and creative sandwiches. Their outside dining is perfect for relaxing and people-watching. Vinings Jubilee Shopping Center, 4300 Paces Ferry Rd., 770-436-0102, garrisonsatlanta.com. V Goodfellas Pizza and Wings brings you the finest pizza in the Atlanta area. Using the freshest ingredients, Goodfellas offers everything you need for lunch and dinner — pasta, salads, calzones, subs and, of course, pizza and wings. 615 Spring St. NW, 404-347-7227, goodfellaspizzawings.com. M Hudson Grille is the perfect place to catch a game, to meet friends for a great meal or to enjoy drinks at one of their expansive bars. Four locations: Midtown, 942 Peachtree St. NE, 404-2499468; Alpharetta, 865 North Main St., 770777-4127; Perimeter, 4400 Ashford-Dunwoody, 770-350-0134; Brookhaven, 4046 Peachtree Rd., 404-233-0313, hudsongrille.com. M,A,P,B Joe’s Inside and out on the patio, this hotspot’s nostalgic charm sets the stage for a wholly unique tavern experience. With an accent on congenial good times, Joe’s sassy food servers keep patrons smiling, while the master mixologists behind the bar whip up drinks known for their flavor and potency. Midtown: 1049 Juniper

Now Open in Midtown Deckard’s Kitchen and Kegs is a neighborhood American tavern with a New England twist. Specializing in simple craft cuisine, classic ingredients and an extensive, eclectic beer selection.

MINUTES AWAY FROM THE FOX THEATER ON PONCE DE LEON AVE, PERFECT BEFORE OR AFTER THE SHOW! kitchenandkegs.com  650 Ponce De Leon Atlanta, GA 30308  404.941.3520

St NE, Atlanta, GA 30309, 404-875-6344; College park: 2144 Sullivan Rd, College Park, GA, 404-844-5000, joesatlanta.com. M Lenox Square Grill offers breakfast, lunch and dinner daily. DJ every Friday and Saturday night til 2am. Private meeting rooms accommodate up to 150. 3393 Peachtree Rd. NE, 404.841.2377, lenoxsquaregrill.com. B Livingston Restaurant and Bar It’s hard to beat the location (across the street from the Fox Theatre in the Georgian Terrace), and diners get complimentary parking, but the main attraction is the glamour of the main dining room, which has hosted the likes of Clark Gable, and the al fresco seating area, which is available in warm weather. 659 Peachtree St. NE, 404-897-5000, livingstonatlanta.com. M Lobby The menu focuses on seasonal fare at this sophisticated American restaurant in the lobby of TWELVE Atlantic Station. 361 17th St., 404961-7370, lobbyattwelve.com. M ONE.midtown kitchen Dine on fresh, seasonal American cuisine in a club-like atmosphere near Piedmont Park. 559 Dutch Valley Rd., 404-8924111, onemidtownkitchen.com. M Murphy’s This restaurant has one of the city’s top brunch menus, but it’s known for great peoplewatching and its contemporary comfort food. 997 Virginia Ave., 404-872-0904, murphysvh.com. VH Taco Mac Atlanta’s favorite family friendly sports restaurant and bar since 1979. Consistently voted Atlanta’s best wings and best beer selection, Taco Mac has something for everyone. 25 metro Atlanta locations, including 933 Peachtree Street NE, blocks away from the Fox Theatre. 678-904-7211. tacomac.com. M Two Urban Licks “Fiery” American cooking meets live music at this hip hangout. 820 Ralph McGill Blvd., 404-522-4622, twourbanlicks.com. M

1015 Crown Pointe Pkwy., 770-512-7063, centraarchy.com. P New York Prime A Prime Time Top 10 USDA Prime Steakhouse known for its wine list, atmosphere and world class service. 3424 Peachtree Rd. NE, 404-846-0644, centraarchy.com. B Prime Enjoy steak, sushi and seafood in a festive atmosphere near Lenox Mall. 3393 Peachtree Rd. NE, 404-812-0555, h2sr.com. B Ruth’s Chris Steakhouse A favorite local steak house with multiple locations near shopping and entertainment hotspots. Sides are generous, and the quality of the steaks and seafood is excellent. Three locations: Buckhead, 3285 Peachtree Rd. NE, 404-365-0660; Sandy Springs, 5788 Roswell Rd., 404-255-0035; Centennial Olympic Park, 267 Marietta St., 404-223-6500; ruthschris.com. B, SS, D The Tavern at Phipps This is one of Atlanta’s hottest after-work spots, and has been singled out for its happy hour and singles scene by Jezebel, InSite Magazine and the AOL City Guide. 3500 Peachtree Rd. NW, 404-814-9640, centraarchy. com. B

American/southern South City Kitchen With a stylish, Southerncontemporary menu, this DiRoNA restaurant helped make grits hip for the business crowd. Sundays are BBQ Nite. Two locatons: Midtown: 1144 Crescent Ave. 404-873-7358, Vinings: 1675 Cumberland Pkwy. 770-435-0700, southcitykitchen.com. M, V Terrace celebrates American heirloom recipes through supporting local and regional farmers, fisherman and producers. It recaptures the pure simple flavors and tastes of natural and organic ingredients while bursting with delicious flavors. 176 Peachtree St. NW, 678.651.2770, ellishotel.com/terrace. D

American/steakhouse

asian fusion

Cowtippers is known as an avid supporter of the community, whimsy and down right good old-fashioned fun. Home to traditional steak house fare served with creative twists; enjoy huge desserts, 25 types of margaritas, and the best burgers in town. 1600 Piedmont Ave., 404-874-3751, cowtippersatlanta.com. M

Aja Restaurant & Bar Serving modern Asian cuisine, Aja has a 150-seat patio overlooking Buckhead and a huge lounge, where diners nosh on dim sum and sip mai tais. 3500 Lenox Rd., Ste. 100, 404-231-0001, h2sr.com. B

Joey D’s Oakroom Near Perimeter Mall, this stylish steak house has a staggering selection of spirits and a hot after-dinner singles scene. 40 EncoreAtlantA.com

Noodle continues its proven approach to Asian cuisine with a menu that offers fresh, madeto order dishes, house-made curries, and an upscale Pan Asian array of choices at a lower price than you’d typically find in similarly themed

establishment. Decatur: 205 E. Ponce de Leon Ave., Decatur, GA 30030, 404-378-8622; Midtown: 903 Peachtree St., Atlanta, GA 30309, 404-6853010; College Park: 3693 Main St., College Park, GA, 30337, (404) 767-5154, noodlehouse.net. M

bakery Sugar Shack From breakfast paninis in the morning, signature sandwiches for lunch and dinner, and amazing cakes, pies, cheescakes, cupcakes and coffee. There is something for everyone at every hour at the Sugar Shack. Life is sweet. 4058 Peachtree Road, Atlanta, GA 30319, 404-816-6161, sugarshackatlanta.com. B

brew pub/goUrmet pub fare Gordon Biersch Fresh-brewed beers are a tasty accent to this brewery-restaurant’s hearty pizzas, salads and sandwiches. For a small additional fee, pre-show diners can leave cars in the lot while they’re at the Fox. Two locations: Midtown: 848 Peachtree St. NE, 404-8700805; Buckhead: 3242 Peachtree Rd. NE, 404264-0253, gordonbiersch.com. M, B Tap A gastropub offering easy-to-share pub fare and an extensive beer selection. The patio is a

great place to chill after work. 1180 Peachtree St., 404-347-2220, tapat1180.com. M

creole/cajun Parish New Orleans-inspired dishes served with a modern twist and a fully stocked raw bar; a Nawlins-inspired brunch is served on the weekends. Downstairs, a take-away market sells sandwiches, spices, pastries and beverages. 240 N. Highland Ave., 404-681-4434, parishatl. com. IP

european fusion Ecco Esquire Magazine named this casual, European-influenced bistro a “Best New Restaurant in America.” It’s also gotten raves for its killer wine list, wood-fired pizzas, and impressive meat and cheese menus. 40 Seventh St. NE, 404-347-9555, ecco-atlanta.com. M Nikolai’s Roof is an award-winning AAA Four Diamond restaurant and the epitome of fine dining at its best. Delight in the option of a four, six or eight-course tasting menu with wine pairings or an innovative a la carte menu. Enjoy intense flavors and tastes, fresh ingredients and an elegant ambiance with a view overlooking

feed your mood

off at participating

Concentrics Restaurants

Present this ad to your server to receive this special offer. One per table. Does not include alcohol, tax or gratuity. Cannot be combined with any other offer. No cash value. Dine in only.

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Atlanta’s starlit skyline. 255 Courtland St. NE, (404) 221-6362, nikolaisroof.com. D

mediterranean/latin/asian fusion Shout A young crowd keeps Shout’s rooftop lounge hopping every night. The menu reflects a mix of Mediterranean, Far Eastern and South American influences. 1197 Peachtree St. NE, 404-846-2000, h2sr.com. M

MEXICAN Cantina Tequila & Tapas Bar is located in the Terminus building on the corner of Peachtree and Piedmont roads. It features authentic Mexican cuisine and has become Buckhead’s newest watering hole. Join us weekly for $2 Taco Night every Tuesday, Buck Wild Wednesdays, when certain items are only $1, and Disco Thursday. 3280 Peachtree Rd. NW, Terminus 100, Ste. 150, 404-892-9292, h2sr.com. B El Taco An eco-friendly watering hole serving fresh Mexican food made with all-natural meats and killer margaritas. 1186 N. Highland Ave. NE, 404-873-4656, eltaco-atlanta.com.VH

seafood/sushi Coast Seafood and Raw Bar serves Atlanta’s

freshest seafood and island cocktails. The menu incorporates classics including crab and corn hush puppies, a signature seafood boil, and a variety of raw or steamed oysters, clams and mussels; along with signature fresh catch entrees. 111 W. Paces Ferry Rd. NW, 404-869-0777, h2sr.com. B Goldfish This fun seafood/sushi restaurant has Happy Hour specials Mon-Fri and nightly entertainment in its lounge. 4400 Ashford Dunwoody Rd., 770-671-0100, h2sr.com. P

steak/sushi Room This elegant restaurant serves steak and sushi on the ground floor of the TWELVE Centennial Park hotel. 400 W. Peachtree St., 404-418-1250, roomattwelve.com. D Strip This sophisticated steak, seafood and sushi restaurant offers an in-house DJ and a rooftop deck. Atlantic Station at 18th St., 404-385-2005, h2sr.com. M Twist This lively restaurant has a huge bar, satay station, tapas menu, sushi and seafood dishes; patio seating is first-come, first-served. 3500 Peachtree Rd. NW, 404-869-1191, h2sr.com. B

Our Professional Ensemble Bruce V. Benator, CPA, Managing Partner Kevin J. Hedrick, CPA, Partner Steven G. Horn, CPA, Partner Laura E. Speir, CPA, Partner Patricia A. Yeager, CPA, Partner

Certified Public Accountants and Consultants For over 25 years, the FIRM of CHOICE in Atlanta

NO rehearsals ONLY performances 1040 Crown Pointe Parkway, NE • Suite 400 • Atlanta, Georgia 30338 Phone: 770.512.0500 • www.wblcpa.com • Fax: 770.512.0200 Member of American Institute of Certified Public Accountants and Russell Bedford International

Atlanta International School

atlanta prep

A glance at some of the city’s best private schools

Atlanta Country Day School

Atlanta Girls’ School

Atlanta Country Day School targets students in grades seven through 12, who haven’t experienced academic success in traditional, highly structured learning environments. Group or individualized instruction is offered for students with average to extremely above average abilities. Classes meet Monday–Thursday, with a two-hour block assigned to each subject matter. Admission is on a rolling basis. To schedule an informational tour, call 770998-0311. Atlantacountrydayschool.com

Atlanta Girls’ School (AGS) offers a rigorous, nonsectarian college preparatory curriculum for grades six through 12. Focused on instilling leadership, character and confidence, AGS offers an intimate classroom atmosphere, honors and AP courses, and mandatory development programs, which, among other things, encourage public service, ethics and philanthropy. For enrollment information, call 404845-0900. Atlantagirlsschool.org

46 EncoreAtlantA.com

atlanta international school

reater Atlanta has an abundance of independent schools all dedicated to providing the education needed for students to get into top colleges and universities. Here is a roundup of some of the area’s finest. By Mary Welch

BAILE Y P E RFORMANCE CENTER KENNES AW S TAT E U N I V ERSIT Y | School of Music

Pacifica Quartet

Saturday, February 5, 2011, 8 p.m. | $30 Recognized for its virtuosity, exuberant performance style, and often daring repertory choices, the Pacifica Quartet has carved out a critically lauded musical path. The quartet has received numerous accolades and awards, including the 2009 Grammy® Award for Best Chamber Music Performance, and was recently named as Musical America’s “Ensemble of the Year.”

For tickets call 770-423-6650 baileycenter.kennesaw.edu flourish with us

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Atlanta International School (AIS) is founded on the joy of learning and hope, and specializes in a well-rounded, global education. An International Baccalaureate program school, AIS offers a diverse atmosphere and bilingual curriculum that prepares students in Pre-K through grade 12 to be intelligent and active participants within the international community. For more information, or to schedule a tour, call 404-841-3891. Aischool.org Cliff Valley School The Cliff Valley School specializes in preschool and elementary education with a tri-fold focus on academic, social and emotional development. Known for its “child-centered curriculum” and active parent community (the school was founded by parents 40 years ago), Cliff Valley offers research-based instruction and programs for students in kindergarten through grade five. Plans to expand into middle school grades are underway, with sixth-grade enrollment beginning in the fall of 2011. For more information or to RSVP for an open house, contact Megan Vitale at 678302-1302. Cliffvalleyschool.org The Cottage School

The Cottage School (TCS) offers a unique educational environment for students (grades six through 12) with special learning needs. Small, structured classes provide pupils with the tools to achieve their academic goals, develop time management and interpersonal 48 EncoreAtlantA.com

The Howard School

The Waldorf School of Atlanta

skills and plan for their post secondary futures. TCS also provides afterschool tutoring and high school credit courses for students in area schools. Open houses are every Thursday. For more information, call 770-641-8688. Cottageschool.org The Howard School

The Howard School specializes in personalized education for students in grades K-12 who have language learning disabilities and differences. The flexible curriculum encourages greater understanding and helps to maximize each pupil’s educational experience and success. Admission is on a rolling

the howard school; the waldorf school of atlanta

Atlanta International School

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basis. For more information, please contact Anne Beisel at 404-377-7436. Howardschool.org Pace Academy

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Pace Academy offers intimate classroom settings and a well-rounded curriculum that helps students (grades K-12) become prepared and confident citizens of the world. With a strong focus on the whole child, Pace pupils are developed into academically, culturally, socially, athletically and emotionally strong students. For admissions information, contact Claire Strowd at 404-240-9109 or call 404-262-1345. Paceacademy.org The Waldorf School of Atlanta The Waldorf School of Atlanta embraces the natural and eager learning style of children in preschool through grade 12. With a rich academic curriculum, enlivened by the arts and practical skills, the Waldorf education focuses on the individual development of each student. Group tours and informational sessions for parents are held on Wednesdays from 8:30 a.m.–10:30 a.m., through February 2011, with an extra session in April. Educational sessions by grade level will be held in March. For more information, please contact Stacey Alston, enrollment director, at 404-3771315. Waldorfatlanta.org Please visit encoreatlanta.com for our complete listing of schools.

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Screening methods for the early detection of breast cancer

reast cancer is the most common form of cancer among women and, according to the Centers for Disease Control, it is the second-most leading cause of cancer death in white, black, native American, Asian and Pacific Islander women. However, diagnosis does not have to be a death sentence. The best course of action against breast cancer is early detection, and WellStar offers both digital mammography and breast MRI at multiple locations. Here is a look at the difference between the two. 52 EncoreAtlantA.com

Digital mammography

Currently, the best method to detect breast cancer in its earliest stages is a mammogram, a safe, low-dose X-ray of the breast. Digital mammography, one of the most cutting-edge methods of detecting breast cancer, is available at all WellStar facilities that offer mammograms. Digital mammography involves the use of electronic images that give radiologists a better visibility of the breast tissue. The technology allows physicians to zoom in and view,

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with unprecedented clarity, specific areas of the breast that traditional mammography X-rays cannot offer. “To the patient, the mammography procedure will not change much,” says Brant Vincent, M.D., a radiologist with Quantum Radiology and member of the WellStar medical staff. “The X-ray and digital mammography machines are similar in construction and pictures of the breasts are still obtained in the same way.” Digital mammography still relies on the traditional mammogram positioning models and breasts are imaged in the same way. The difference with digital mammography is the detail in which physicians can study the breast tissue and that it requires no film development. “Digital mammography has been shown to be as accurate as film mammography, and in fact, seems to be more accurate in dense breasts, which can sometimes mask tumors,” Vincent says. Breast MRI Breast Magnetic Resonance Imaging or MRI is a relatively new addition to the approach of screening, diagnosing and monitoring breast cancer. Using radio waves and a magnet, an MRI takes multiple pictures of the breast, that are then combined using a computer to create detailed images of the inside of the body. The American Cancer Society recommends that women with a high risk for breast cancer undergo yearly breast cancer screening with a breast MRI in addition to mammography. These recommendations were prompted 54 EncoreAtlantA.com

Locations WellStar offers digital mammography and/or breast MRI at the following locations. To schedule an appointment, call 678-581-5900. • The Jean & Mack Henderson Women’s Center at Kennestone 677 Church St., Marietta. • WellStar Kennestone Imaging Center 700 Building, 700 Church St., Marietta • WellStar Kennestone Imaging Center at Towne Lake South Cherokee Medical Center 120 Stone Bridge Pkwy., Woodstock • WellStar Kennestone Imaging Center in East Cobb 1070 Woodlawn Dr., Marietta • WellStar Cobb Imaging Center 3950 Austell Rd., Austell • WellStar Cobb Women’s Center 3950 Austell Rd., Austell • WellStar Douglas Hospital Imaging Center 8954 Hospital Dr., Douglasville • WellStar Douglas Imaging Center at Professional Parkway 6002 Professional Pkwy., Douglasville • WellStar Paulding Imaging Center 148 Bill Carruth Pkwy., Ste. LL20, Hiram • WellStar Windy Hill Hospital, Medical Imaging Department 2540 Windy Hill Rd., Marietta

by several studies of MRI screening of high risk women. While these studies found that the addition of MRI to mammography increased the frequency of false-positive test results compared to mammography alone, MRI also helped bring about important improvements in breast cancer detection. Breast MRI should be used in conjunction with, not as a replacement for, screening and diagnostic mammography and breast ultrasound.

Twelfth Night Playing January 1-30, 2011 by William Shakespeare

499 Peachtree Street NE, Atlanta GA ShakespeareTavern.com 404-874-5299

A hip and contemporary place to meet for cocktails or hold your next event.

Historic charm combined with artful hospitality.

1302 West Peachtree St., Atlanta artmorehotel.com â&#x20AC;˘ 800.548.5631

Continued from page 12 regardless of the amount spent; and others offer free shipping during promotional periods using promo codes that you may be able to find on freeshipping.org. Around Christmas, websites such as Amazon.com will give you order cut-off times to ensure your package arrives before the holidays. Macys.com has fast shipping, most items ship within two days; to prevent delays, be sure your item is in stock. Also, Overstock.com ships most items within three days and offers free shipping for your first order; every order after that ships for only $2.95. Tips to shop by:

• Always read reviews and seller feedback. A product or company

review is often the only thing standing between you and a bad purchase. • Just because it’s online doesn’t mean it’s the best price. Compare different sites for the best deals on shopzilla.com and bizrate.com. • Take advantage of discount/coupon codes using sites such as monkeybargains. com and 247malls.com. • Check out the return/exchange policy. Are you responsible for return shipping charges? Is there a restocking fee? • Know the merchant’s policy on items damaged during delivery, and consider adding extra shipping insurance for expensive purchases. • Request gift receipts.

It’s not polite to shout during the show. So we invite you to

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“A Lavish Stage Production” -NY Times

• If you’re pressed for time, have the item gift-wrapped and mailed directly to the recipient. • Know your shipping options and always get a tracking number. • If possible, have your packages delivered to your workplace. It prevents items from being left on your doorstep, and is a good way to keep gifts from prying eyes.

Recession-proof your holidays

FEBRUARY 3-6, 2011

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• Create a budget and stick to it. Decide what your total limit is, and then use that number to decide how much you can spend on everyone. • Shop online for bargains. With a little research, you can find store items for as much to 40 percent off. • Go to craft fairs and holiday markets. You may be able to get 2-for-1 deals and special concessions if you bargain with individual artists. • Have a potluck. Ask everyone on your guest list to prepare a particular food or drink. • Draw names out of a hat. Put all the names in a hat and divvy up the present-buying responsibility among the adults in your family. • Make decorations with your family. For ideas, go to crafts. kaboose.com or marthastewart.com. • Skype call relatives. If you go to Skype.com, start a profile and download the software, you can call anyone else on Skype for free from your computer. — Kristi Casey Sanders

Atlantaâ&#x20AC;&#x2122;s Performing Arts Publication

More than a program, itâ&#x20AC;&#x2122;s your ticket to the arts. 404.459.4128 encoreatlanta.com

After the show, Enjoy some of our award winning... Southern Hospitality

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the buzz By Ashley L. Brazzel

l i f e + st y l e

The new happy hour Authentic Beauty, a hip hair and makeup boutique in Buckhead, has put a unique spin on the concept of happy hour. Their new service, “Style and Shine” gives women a chance to unwind from the day and freshen up their look with a mini-makeover and cocktails after work. Offered Tuesday through Friday from 4:30 to 7 p.m., Style and Shine also is a quick way to prepare for an evening out. The cost is $55 and available by appointment. De-stress and refresh: 4674 Roswell Road; 404-849-0443; myimagejourney.com b u s i n e ss + c o m m u n i t y

Leisure + Time

Fanciful fun Explore the world in a whole new way with Grand Camp Adventures, an imaginative take on camping for grandparents and grandchildren. Brought to life by creative storybooks, original music, vivid art and interactive games and crafts, “grand camping” sparks imagination, feeds discovery and strengthens the bond between families. Played indoors, outdoors and online. start the fun: Everything you need for a grand quest is available on grandcamp.com.

For every $100 you spend with an independent, locally owned businesses, $68 returns to the community through payroll, taxes and other expenditures. If you spend that money in a national chain store, only $43 returns, and if you spend it online, nothing returns. Project 3/50 is a grassroots initiative that encourages consumers to patronize local small businesses for the sake of building up our communities. By picking three businesses and spending at least $50 a month, you funnel millions of dollars back into the local economy, in turn, “saving the brick and mortars our nation is built upon.” So pick three businesses you’d be sad to see go out of business, and get spending! Spread the wealth around: the350project.net 60 EncoreAtlantA.com

authentic beauty; shutterstock; project 3/50

Pay it forward

Start your night with a standing ovation. Enjoy a sumptuous pre-show dinner with our 3-course Prime Time Menu | $39.95 or $49.95 Offered nightly until 6:30pm.

Four Metro Atlanta Restaurants Sandy Springs â&#x20AC;˘ Buckhead Centennial Olympic Park â&#x20AC;˘ Kennesaw ruthschris.com

HOW MANY GIFTS FIT IN A 30-FOOT STOCKING?

ONE, PERFECTLY.