Music by Kirill Richter, Sofiane Pamart and Max Richter
Choreography by Kiyon C. Ross
Costume Design by Pauline Smith
Lighting Design by Ben Rawson
Supported by Kathleen & Kirk Knous
COMPANY BALLET REPETITEURS
Angela Agresti, Rory Hohenstein, Eduardo Permuy
CHOREOGRAPHER-IN-RESIDENCE
Claudia Schreier
DEAN OF THE CENTRE FOR DANCE EDUCATION
Sharon Story
THE COMPANY
Santiago Bedoya, Severin Brotschul, Khulan Burenjargal, Georgie Grace Butler, Emily Carrico, Michael Caye, Catherine Conley, Larissa Dal’Santo, Brooke Gilliam, Jessica He, Gianna Horton-Sibble, Airi Igarashi, Darian Kane, Sojung Lee, Jordan Leeper, Guilherme Maciel, Sergio Masero, Juliana Missano, Miguel Angel Montoya, Marius Morawski, Mayu Nakayama, Denys Nedak, Carraig New, Madison Penney, Sophie Poulain, Ángel Ramírez, Mikaela Santos, Anderson Souza, Paxton Speight, Emanuel Tavares, Munkhjin Ulziijargal, Kelsey Van Tine, Spencer Wetherington, Luiz Fernando Xavier, Rei Yamaguchi, Nicholas Yurkevich
ATLANTA BALLET 2
Claire Buchi, Daniel Gray, Sayaka Iwase, Camille Margaret Jackson, Stacey Johnson, Isabella Kessler, Jacob Lainchbury, Emily McAllister, Ashley McKoy, Avery Nelson, Leo O’Reilly Okuno, Dyhan Pierre, Luisa Pimenta, Ícaro Queiros, Gianni Salazar, Júlio Santos, Eliza Soto, Emanuel Talongo, Rachel Zinman
Atlanta Ballet 2 courtesy of Atlanta Ballet Centre for Dance Education
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Dorothy Moses Alexander - Atlanta Ballet Founder, 1929 - 1960
Robert Barnett - Artistic Director Emeritus, 1961 - 1994
John McFall – Artistic Director, 1994 - 2016
GENNADI NEDVIGIN (Artistic Director), in February 2016, was named Atlanta Ballet’s fourth artistic director in the Company’s then 87-year history. Nedvigin, born in Rostov, Russia, began his training at age 5. At 10, he was accepted into the Bolshoi Ballet Academy. Upon graduating, he joined Moscow Renaissance Ballet as a soloist before he was invited to dance with Le Jeune Ballet de France in Paris. In 1997, while on tour in the U.S., San Francisco Ballet (SFB) Artistic Director Helgi Tomasson offered Nedvigin a soloist contract. After three years, he was promoted to principal dancer. While 19 seasons at SFB, Nedvigin won the International Competition’s Erik Bruhn Prize (1999). He has also received three Isadora Duncan Dance Awards (2001, 2010 and 2017). Along the way, Nedvigin was fortunate to work with many world-renowned choreographers. In addition to his dancing career, Nedvigin also taught master classes and staged ballets in the U.S. and abroad before becoming an artistic director. Recently, Nedvigin sat on juried panels at the World Ballet Competition in Orlando, the International Ballet Competition held in Jackson, Mississippi, the Japan Grand Prix and the Youth America Grand Prix. Under Nedvigin’s guidance, Atlanta Ballet has established the Academy training program, which includes a top-tier performance ensemble, Atlanta Ballet 2, representing his commitment to training for the next generation of professional dancers.
TOM WEST (Executive Director) assumed his role as Atlanta Ballet’s Executive Director at the top of the 2021 | 2022 Season. West’s career in arts management spans more than 25 years, including leadership roles at the John F. Kennedy Center for the Performing Arts, the Segerstrom Center for the Arts and American Film Institute. An actor and theatre director by training, West received a Master of Arts in arts administration from American University and began his career in arts management at the Kennedy Center in 1997, where he rose to serve as Vice President of Development, overseeing all fundraising programs for the National Symphony Orchestra and the Suzanne Farrell Ballet, and leading the effort to fund a remount of Balanchine’s Don Quixote. In 2007, West served as Vice President of Development for the Segerstrom Center for the Arts in Costa Mesa, California. From 2010-2021, West served as the Chief Advancement Officer for the American Film Institute (AFI) in Los Angeles, where he championed the development of new programs to provide bridges to the film industry for under-represented storytellers in Hollywood. West also served on AFI’s senior leadership team, shaping organizational strategy for the Institute’s filmmaker training programs and working with major studios developing targeted diversity initiatives, as well as its strategy for weathering the COVID-19 pandemic. West established the AFI National Council in 2011, a community of philanthropists from across the United States who serve as champions for excellence in the art of film and opportunities for the next generation of great storytellers. Since joining Atlanta Ballet in 2021, West’s focus has been on Atlanta Ballet’s long-term financial health and prestige, expanding engagement in the greater Atlanta region and breaking down historic barriers to full participation in the artform of Ballet for all.
SHARON STORY (Dean of the Centre for Dance Education) joined Atlanta Ballet after a professional dance career that spanned more than 20 years and included tenures with Joffrey Ballet, the School of American Ballet, Stars of New York City Ballet, Atlanta Ballet and 10 years with Boston Ballet. Her Boston Ballet tenure included international tours with Rudolf Nureyev. In 1996, along with her role as ballet mistress, Story became dean of Atlanta Ballet Centre for Dance Education (Centre), which has grown to become one of the largest dance schools in the nation. The Centre is nationally recognized for its programs and community initiatives. Under Story’s direction, the Centre achieved accreditation with the National Association of Schools of Dance (NASD). She serves on the board of directors for NASD. In 2021, Story received Atlanta Ballet’s Dorothy Alexander Award. She received the 2015 Women Making a Mark Award from Atlanta Magazine and was featured in the Arts ATL Legacy Series 2018. Story is committed to providing a noncompetitive atmosphere and access to dance education that is shaped by the community’s needs, is innovative and inspires the commitment and excellence that are the trademarks of Atlanta Ballet.
at the Center director from Kennedy Development, Symphony to fund Vice Costa ment championed film served the developing weathering Council States opportunities Atlanta history. he joined dance U.S., Nedvigin dancer. Bruhn Awards work career, and juried Ballet Grand Academy ensemble, next
ANGELA AGRESTI (Company Repetiteur) grew up in Indianapolis, Indiana, where she began her training at the Jordon College Academy of Dance and later transferred to North Carolina School of the Arts (now UNCSA) for ballet where she worked closely with mentor Anna-Marie Holmes. After UNCSA, Agresti went on to dance with Cincinnati Ballet for one season before moving to Amsterdam to be in Het Nationale Ballet (Dutch National Ballet) where she danced for eight years. While at Het Nationale Ballet, she danced a mix of classical ballets, Balanchine works, Hans van Manen repertoire, contemporary and neoclassical works, along with new creations. Agresti has been featured in William Forsythe’s Second Detail, Alexei Ratmansky’s Don Quichot, Shen Wei’s Sacre du Printemps, and other notable ballets, such as The Dream, Paquita and Swan Lake During her time dancing in Amsterdam, Agresti gained experience as a choreographic assistant for multiple choreographers’ stage, film and festival works. She traveled to Riom, Switzerland, assisting works by Juanjo Arques and Peter Leung for the Origen Cultural Festival. She also worked with Peter Leung on the first ever virtual reality ballet entitled Nightfall. Since returning to the U.S. in 2018, Agresti has been teaching, coaching and rehearsing dancers at the collegiate, pre-professional and professional levels. She held positions at Butler University and Anderson University, and as a company ballet teacher and rehearsal assistant at Gregory Hancock Dance Theatre. In 2018, she assisted Annabelle Lopez Ochoa in the making of Tulips and Lobster for Kansas City Ballet and re-staged the work for the company the following season. She holds certifications in the ABT National Training Curriculum for levels PrePrimary through Level 5 and holds a Nonprofit Management Certificate from the University of California Irvine. Since being a repetiteur with Atlanta Ballet, she has worked with classical repertoire such as Don Quixote and La Sylphide as well as new works for Remi Wörtmeyer, Garrett Smith and Juliano Nunes. In the 23-24 season, Agresti had the privilege of staging Coco Chanel: The Life of a Fashion Icon for the North American premiere with Atlanta Ballet.
RORY HOHENSTEIN (Company Repetiteur) was born in Washington D.C., where he began dancing at the age of six. Hohenstein furthered his training from the age of 12 at the Kirov Academy of Ballet. At 17, he joined Le Jeune Ballet de France in Paris. In 2000, he joined San Francisco Ballet as a member of the corps, being promoted to soloist in 2006. In 2008, he moved to New York, joining Christopher Wheeldon’s company, Morphoses, performing in its home seasons at New York City Center and at Sadler’s Wells in London. He spent a season dancing with the Lar Lubovitch Dance Company before joining the Joffrey Ballet in 2011, where he continued to be a leading artist with the company through the 2018-19 season. Some personal highlights include dancing the roles of Romeo in Krzysztof Pastor’s Romeo & Juliet, Riff in Jerome Robbins’ West Side Story Suite, Fancy Free, Red Man in Lar Lubovitch’s Elemental Brubeck, The Roper in Agnes De Mille’s RODEO, Levin in Yuri Possokhov’s Anna Karenina, Forgotten Land from Jiří Kylián and Wayne McGregor’s Eden/Eden. As a Repetiteur Rory has staged several works from Choreographers Helgi Tommason, Lar Lubovitch and Liam Scarlet. He has been a Company Repetiteur with Atlanta Ballet since 2019.
EDUARDO PERMUY (Company Repetiteur) was born in Cuba, where he began his training at the age of 7 at Laura Alonso’s ballet school Pro-Danza, later joining the National Ballet School of Cuba and finishing at Miami City Ballet School under the tutelage of Nancy Raffa. At the age of 17, Permuy started his professional career with Miami City Ballet as an apprentice and he went on to enjoy a career of 18 years also dancing for American Ballet Theatre Studio Company, Joffrey Ballet, Ballet West, Smuin Contemporary Ballet, Cincinnati Ballet, and appearing as guest artist with a few others. During this time, his repertoire included most of the classics and a vast number of ballets from the Balanchine repertoire, ranging from corps to principal roles. He also had the opportunity to perform ballets from Gerald Arpino, Robert Joffrey, Jiří Kylián, Kurt Joss, John Cranko, Frederick Ashton, Kenneth MacMillan, Twyla Tharp, Helen Picket, Nicolo Fonte, Antony Tudor, Ulysses Dove, Michael Smuin, Val Caniparoli, Alberto Alonso, Benjamin Millepied, Leonide Massine, and Amy Seiwert. Throughout his career, Permuy feels blessed to have learned from figures like Nancy Raffa, Fernanado Bujones, Martha Bosh, Sir Anthony Dowell, Christopher Carr, Eddie Villella and Clinton Luckett. In 2021, he joined Cleveland Ballet as a director of repertoire, where he had the opportunity not only to perform ballet master duties but also was able to return to the stage as a character dancer, performing the roles of Don Quijote in the ballet by the same name and Drosselmeyer in The Nutcracker. This is Permuy’s third season with Atlanta Ballet.
CLAUDIA SCHREIER (Choreographer-in-Residence) has choreographed, directed, and produced for dance, opera, and film across the U.S. and internationally. She has created over 50 works for various companies and organizations, including San Francisco Ballet, Boston Ballet, Miami City Ballet, Dance Theatre of Harlem, Vail Dance Festival, Richmond Ballet, Guggenheim Works & Process, ABT Studio Company, Juilliard Opera, New York Choral Society, and New York Choreographic Institute. Her works for Atlanta Ballet include Nighthawks, Carnivale, Fauna, Pleiades Dances, and First Impulse, named a 2019 Standout Performance by Pointe Magazine Schreier and Atlanta Ballet partnered with the Cathedral Choir Society in 2022 to present Berlioz’s Roméo et Juliette at the Washington National Cathedral. In 2021, Schreier released Force of Habit, a film commissioned by Guggenheim Works & Process and co-presented by Atlanta Ballet. She has contributed to programs at the White House, Jazz at Lincoln Center, and the Kennedy Center, including the Kennedy Center Honors. Her work is the subject of two documentaries, most recently PBS’s Emmy Award-Winning “Dancing on the Shoulders of Giants” (Capital Region). Schreier presented her TEDx talk “Thinking On Your Feet,” at Columbia University in 2018. She is a recipient of the Princess Grace Award, Toulmin Fellowship at the Center for Ballet and the Arts at NYU, Lotos Prize, and Suzanne Farrell Dance Prize.
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LARISSA DAL’SANTO Chapecó, Brazil
SEVERIN BROTSCHUL Glen Arbor, Michigan
EMILY CARRICO Lexington, Kentucky
MICHAEL CAYE Pittsburgh, Pennsylvania
CATHERINE CONLEY Chicago, Illinois
GEORGIE GRACE BUTLER Roswell, Georgia
MARIUS MORAWSKI Łódź, Poland
BROOKE GILLIAM Boulder, Colorado
JESSICA HE Rancho Cucamonga, California
AIRI IGARASHI Gunma, Japan
DARIAN KANE Lincoln, California
SOJUNG LEE Chungju, South Korea
JORDAN LEEPER Jamestown, New York
GUILHERME MACIEL São Paulo, Brazil
SERGIO MASERO Madrid, Spain
JULIANA MISSANO Lloyd Harbor, New York
MIGUEL ANGEL MONTOYA Cali, Colombia
KHULAN BURENJARGAL Ulaanbaatar, Mongolia
SANTIAGO BEDOYA Medellín, Colombia
GIANNA HORTON-SIBBLE Hornell, New York
SPENCER WETHERINGTON Bridgeton, New Jersey
Atlanta Ballet photos by Kim Kenney.
LUIZ FERNANDO XAVIER São Paulo, Brazil
MADISON PENNEY Mesa, Arizona
REI YAMAGUCHI Hokkaido, Japan
DENYS NEDAK Odessa, Ukraine
CARRAIG NEW Juneau, Alaska
ÁNGEL RAMÍREZ Trinidad, Cuba
MIKAELA SANTOS Manila, Philippines
ANDERSON SOUZA Santo Angelo, RS, Brazil
KELSEY VAN TINE Naples, Florida
MUNKHJIN ULZIIJARGAL Ulaanbaatar, Mongolia
MAYU NAKAYAMA Tochigi, Japan
SOPHIE POULAIN Halifax, Nova Scotia
PAXTON SPEIGHT York County, Virginia
EMANUEL TAVARES Fortaleza, Brazil
NICHOLAS YURKEVICH San Francisco, California
creative team
STANTON WELCH AM (Choreographer, Tu Tu). In July 2003, Australian Stanton Welch AM assumed leadership of Houston Ballet, America’s fifth-largest classical ballet company. Since he took the helm of the company, Welch has revitalized Houston Ballet, bringing in new dancers, commissioning new works, and attracting a top-flight artistic staff. Welch has created works for such prestigious international companies as Houston Ballet, San Francisco Ballet, America Ballet Theatre, The Australian Ballet, Birmingham Royal Ballet, and the Royal Danish Ballet. Welch was born in Melbourne to Marilyn Jones OBE and Garth Welch AM, two of Australia’s most gifted dancers of the 1960s and 1970s. In 1989, he was engaged as a dancer with The Australian Ballet, where he rose to the rank of leading soloist, performing various principal roles. He has also worked with internationally acclaimed choreographers such as Jiří Kylián, Nacho Duato, and Maurice Bejart. In 1995, Welch was named resident choreographer of The Australian Ballet. For his contributions to the world of dance, he was awarded the Order of Australia (AM) in June 2015. For Houston Ballet, he has choreographed more than 20 works, including a new fulllength narrative ballet Marie (2009), inspired by the life of the legendary Marie Antoinette, and spectacular stagings of Swan Lake (2006), La Bayadère (2010), Romeo and Juliet (2015), Giselle (2016), The Nutcracker (2016), and Sylvia (2019).
KELLY MYERNICK (Stager, Tu Tu) received her early ballet training at The Susquehanna School of Ballet in Oneonta, New York and later Springs City Ballet in Colorado Springs, Colorado. In 1996, she became a student at Houston Ballet Academy, receiving the Michael Wasmund Memorial Award upon graduation. She enjoyed a 13-year career with Houston Ballet, retiring as a First Soloist in 2014. Through her career, she danced a wide variety of classical and contemporary roles. Her broad experience in contemporary repertoire led her to her current position with Houston Ballet Academy, teaching contemporary repertoire, choreography, and ballet technique in addition to serving as a rehearsal director for Houston Ballet 2. Myernick’s experience as a répétituer includes staging ballets by Christopher Bruce, Garrett Smith, Alice Topp and Stanton Welch. She resides in Houston with her husband and two children.
HOLLY HYNES (Costume Designer, Tu Tu) is an award-winning costume designer with over 250 ballets to her credit, including more than 70 at New York City Ballet. Hynes’ designs are also on view in companies around the world, including: American Ballet Theatre; The Bolshoi Ballet in Moscow, Russia; National Ballet of Canada; La Scala Ballet in Milan, Italy; The Kirov Ballet in Saint Petersburg, Russia; The Royal Ballet in London; Ballet de l’Opéra National de Paris, The Royal Danish Ballet in Copenhagen; Bulgarian State Ballet in Sofia, Bulgaria; Miami City Ballet; Koninklijk Ballet van Vlaanderen in Antwerp, Belgium; San Francisco Ballet; Houston Ballet; Colorado Ballet in Denver, Colorado; Den Norske Ballet in Oslo, Norway; Finnish National; BalletMet in Columbus, Ohio; Pennsylvania Ballet in Philadelphia, Pennsylvania; Ballet Vancouver, Canada; Les Grands Ballets Canadiens, Canada; American Repertory Ballet in Princeton, New Jersey; Pacific Northwest Ballet, Seattle, Washington; Atlanta Ballet, Georgia; Nashville Ballet, Tennessee; Ballet Pacifica, California; Dance Galaxy, New York; Joffrey Ballet in Chicago, Illinois; and The Suzanne Farrell Ballet at The John F. Kennedy Center for the Performing Arts in Washington, DC, where she served as the resident costume designer for 19 years.
LISA J. PINKHAM (Lighting Designer, Tu Tu) has designed lighting for over 200 ballets, operas, and plays. Her lighting can be seen in the repertories of many national companies. She enjoys a successful relationship with Stanton Welch AM, and has designed the lighting for many of his ballets, including Maninyas, Taiko, Tu Tu, and Falling for San Francisco Ballet; Madame Butterfly for Boston Ballet and Houston Ballet; Clear for American Ballet Theatre; and Swan Lake, Play, Cinderella, Tapestry, Marie, The Rite of Spring,
Sons de L’âme, Paquita, The Young Person’s Guide to the Orchestra, Romeo and Juliet, Zodiac, Giselle, The Nutcracker, and Sylvia for Houston Ballet.
LAR LUBOVITCH (Choreographer, Elemental Brubeck) is one of America’s most versatile and widely seen choreographers. He founded the Lar Lubovitch Dance Company in 1968. Over 56 years, it has gained an international reputation as one of America’s top dance companies, produced more than 120 dances and performed before millions across the U.S. and over 40 countries. Many other major companies throughout the world have performed the company’s dances, including American Ballet Theatre, New York City Ballet, San Francisco Ballet, Paris Opera Ballet, Royal Danish Ballet, Alvin Ailey American Dance Theater, the Joffrey Ballet, Martha Graham Dance Company, and more. Lubovitch has created ice-dancing works for Olympians John Curry, Peggy Fleming, Dorothy Hamill, Brian Orser, JoJo Starbuck, and Paul Wylie, and he has created feature-length icedance specials for TV: “The Planets” for A&E (nominated for an International Emmy Award, a Cable AceAward, and a Grammy Award) and “The Sleeping Beauty” for PBS and Anglia TV, Great Britain. His theater and film work includes Sondheim/ Lapine’s Into the Woods (Tony Award nomination), The Red Shoes (Astaire Award), the Tony Award-winning revival of The King and I (on Broadway and in London’s West End), Disney’s Hunchback of Notre Dame in Berlin, and Robert Altman’s movie The Company (American Choreography Award). In 2016, he premiered The Bronze Horseman, based on the Pushkin poem, for the Mikhailovsky Ballet in Russia. In 1987, he conceived Dancing for Life, which took place at Lincoln Center. It was the first response by the dance community to the AIDS crisis, raising over one million dollars. Together with Jay Franke, in 2007 Lubovitch created the Chicago Dancing Festival, in collaboration with the City of Chicago and the Museum of Contemporary Art. It presented 10 seasons entirely free to the public. Recent awards: 2007 named Chicagoan of the Year by the Chicago Tribune; 2008 named similarly by Chicago Magazine; 2011 designated a Ford Fellow by United States Artists and received the Dance/USA Honors Award; 2012 his dance Crisis Variations awarded the Prix Benois de la Danse for outstanding choreography at the Bolshoi Theatre; 2013 honored for lifetime Achievement by the American Dance Guild; 2014 awarded an honorary doctorate by The Juilliard School; 2016 received the Scripps/ American Dance Festival Award for lifetime achievement and the Dance Magazine Award, named one of America’s Irreplaceable Dance Treasures by the Dance Heritage Coalition and appointed a Distinguished Professor at UC/Irvine. In honor of his company’s 50th anniversary, in 2018 he was presented with the Martha Graham Award for lifetime achievement.
ANN HOULD-WARD (Costume Designer, Elemental Brubeck) has won, or been nominated for, virtually every major theatre award in existence, including the Tony, Drama Desk, Los Angeles Drama Critics Circle, American Theatre Wing, Outer Critics Circle and Olivier awards for her costume design. A Tony winner for Beauty and the Beast and Tony nominee for Into the Woods, Sunday in the Park with George, Hould-Ward’s stage credits also include countless Off-Broadway productions and designs for the most highly regarded regional theatres and the theatre world’s finest producers and directors. International audiences applaud her work as well, as do audiences for film, television, concerts, dance and opera. Hould-Ward is the recipient of the inaugural Patricia Zipprodt Award for Innovative Costume Design from the Fashion Institute of Technology, and she is a seasoned lecturer on costume design.
JACK MEHLER (Lighting Designer, Elemental Brubeck). For over thirty years, critically acclaimed, international award-winning theatrical lighting and scenery designer Mehler has been creating unique performance environments for theatre, dance, and related events. Mehler develops specific designs which support the intentions, needs and aspirations of each project which create environments that transport an audience. His work has been recognized by The New York Times, Chicago Tribune, Seattle PostIntelligencer, San Francisco Chronicle, Boston Globe, New York Magazine and many others. In 2012 and 2013, he received the Korean Musical Theatre Award for Lighting Designer of the Year (The Korean version of the Tony).
KIYON C. ROSS (Choreographer, Harmony of Opposite Tensions). Born in Baltimore, Maryland, Ross trained at the Baltimore School for the Arts, Pittsburg Ballet Theatre, School of American Ballet, and Pacific Northwest Ballet School. He joined Pacific Northwest Ballet (PNB) as a new dancer in 2001. While dancing, he earned his BA in Arts Leadership from Seattle University through the Second Stage program. Ross retired as a soloist in 2015. After retirement, he served on the PNB School faculty, where he taught in the DanceChance program and coordinated the Next Step program. In 2019, he became PNB’s Director of Company Operations, and in 2022, he was appointed as PNB’s Associate Artistic Director. He has choreographed works for PNB, PNB School, Ballet Arkansas, and Atlanta Ballet and staged works by Twyla Tharp.
PAULINE SMITH (Costume Designer, Harmony of Opposite Tensions) has worked as a costumer for Pacific Northwest Ballet since 1991. Additional duties over the years have included supervisor for specialty shoes and wigs; assistant to designers Martin Pakledinaz (A Midsummer Night’s Dream, Ballet Imperial), David Murin (Silver Lining), and Roberta Guidi di Bagno (Coppélia); and assistant stage manager on tours to Istanbul and Hong Kong. Previous collaborations with Kiyon Ross are Sum Stravinsky and throes of increasing wonder (Pacific Northwest Ballet) and Bolero (Ballet Arkansas). www.paulinesmithphotography.com.
BEN RAWSON (Associate Lighting Designer, Tu Tu and Elemental Brubeck, and Lighting Designer, Harmony of Opposite Tensions) is an Atlantabased Lighting Designer for Theatre, Opera, and Dance, member USA 829. Theatrical/Opera design work can be seen at the Alliance Theatre (GA), Detroit Opera (MI), Florida Studio Theatre (FL), Glimmerglass Opera (NY), Utah Opera (UT), The Atlanta Opera (GA), Theatrical Outfit (GA), Center Rep (CA), Aurora Theatre (GA), Actors Express (GA), and others. Dance design work includes choreographers Ana Maria Lucaciu, Troy Schumacher, Claudia Schreier, Remi Wörtmeyer, Bruce Wells, Danielle Agami, and Omar Roman De Jesus, as well as with Atlanta Ballet (GA), BalletCollective (NY), Terminus Modern Ballet Theatre (GA), Fly On A Wall (GA), and others. Ben has also worked across the country as an Associate & Assistant Lighting Designer for San Diego Opera (CA), Alliance Theatre (GA), Berkshire Theatre Festival (MA), The Atlanta Opera (GA), Utah Opera (UT), Glimmerglass Festival (NY), Playmakers Repertory Company (NC), and Atlanta Ballet (GA). Benrawsondesign.com
For the full creative team behind this production, visit atlantaballet.com/ performances/fall-into-rhythm
board of trustees
Officers
Nancy Field, J.D., Chair
Barbara S. Joiner, Vice Chair
Linda Morris, Treasurer
Jan Beaves, Secretary
Lynda B. Courts, Chair Emeritus
Trustees
Elizabeth Adams
Emily C. Baker
Ron Breakstone
Ginny Brewer
Chris Carlos
Lynn Cochran-Schroder
Cynthia Crain, Ed.D.
Vanessa Delmer
Yelena Epova, CPA
Nigel Ferguson
Jacqueline Flake
Amy Gerome
Matthew Hartnett
Mona Heyer
Lindsay R. Hill
Joyce Houser, Ph.D.
Tharon Johnson
Kathleen Knous
Kristin Manion Taylor
Araya Mesfin, CFP
Taylor Meyer, CFA
Linda Morris
Gennadi Nedvigin*
Rachel Lee Phipps
Katherine Scott
Scott Wagner
Tom West*
Advisory Council
David M. Barnett
Mark R. Bell, Ph.D.
Dr. Meria Carstarphen
Harvey Coleman
Elaine E. Davis
Erroll B. Davis
Anne-Laure Desjonquères
Lovely Dhillon
F. Javier Diaz
Raoul “Ray” Donato
Jake Evans
Linda Nau Givens
Mark Goldman
Robert L. Green
Susan S. Kettering
Allegra Lawrence-Hardy
Allen Maines
Santiago Marquez
Juan Mejia
Allen W. Nelson
Eric Robbins
Arden Hess Rowland
Scot Safon
Laura Turner Seydel
Sharon Silvermintz
Rebecca Christian Smith
Anat Sultan-Dadon
Dov Wilker
Allen W. Yee
Sonjia Waller Young
Honorary Board
Margaret Carton
David Crosland
Kenneth R. Hey
Wade Hooper
J. David Hopkins
Bill Huber, CPA
Michael Jones
Sloan Kennedy-Smith
Edward B. Krugman
Amanda Shailendra
Michelle Sullivan
Trustees Emeriti
Lynda B. Courts
Lavona S. Currie†
Karen Vereb
Patti Wallace†
Lifetime Board
Jane Dean
Carole Goldberg
Joseph Prendergast
Deen Day Sanders
Corps de Ballet Board
Jacqueline Flake, Chair
Nancy Flaherty, Vice-Chair
Jen Alewine, Secretary
Joanne Chesler Gross, Treasurer
Sharon Silvermintz, Immediate
Past Chair
Sineet Berhane
Susan Currie
Kimberlyn Daniel
Jane Dean
Jessica DeHart
Christy Fiftel
Corrie Johnson
Lara Mitchelson
Amy Nelson
Melissa Nowak
Gailen Rosenberg
Arden Hess Rowland
Dottie Smith
Marsha Taylor
Erica Thomas
Doug Weiss
Preston Wilson, Jr.
Mary Kathryn Winsett
*Ex-Officio
†In Memoriam
ANNUAL FUND DONORS
Atlanta Ballet gratefully acknowledges the following individuals whose generous annual contributions were received during the period of August 1, 2023 – July 31, 2024. If you find that we did not recognize you appropriately, we apologize. For corrections, please contact us at advancement@atlantaballet.com.
THE CHOREOGRAPHERS CIRCLE
Recognizes exceptional gifts of $10,000 and above
DIAMOND $100,000+
Anonymous (2)
Chris Carlos & Family
Ms. Nancy Field & Mr. Michael Schulder
Katherine Scott
Carol & Ramon Tomé
RUBY $75,000+
Anonymous
Kathleen & Kirk Knous
SAPPHIRE $50,000+
Anonymous
EMERALD $25,000+
Mrs. Lynn Cochran-Schroder & Mr. Bill Schroder
Elaine & Erroll Davis Morgan Family Fund
PEARL $20,000+
Anonymous
Elizabeth & Howell Adams III
Ginny & Charles Brewer
Cynthia Crain, Ed. D. & Dwight Lee, Ph.D.
Jacqueline Flake & David Dase
Barbara & Eric Joiner
Mr. William F. Snyder
OPAL $15,000+
Anonymous
Emily C. Baker & Christopher Bly
Nigel Ferguson
Bonnie & Terry Herron
Linda & Don Morris
Heather & Bill Preston
The Elster Foundation
Yee Family Charitable Fund
AMETHYST $10,000+
Anonymous
Ms. Jan P. Beaves
Vanessa & Robin Delmer
Adrienne & Scott Hardesty
Matthew & Brittany Hartnett
Joyce Houser, Ph.D.
Kelin Foundation
Kristen Manion Taylor & Jason Taylor
Taylor & Brad Meyer
Allen W. Nelson & Caroline B. Gottschalk
Special thanks and deepest gratitude to the Atlanta Ballet Trustees for 100% participation in contributions to Atlanta Ballet’s Operating Reserve Fund, with leadership gifts from The Carlos Family Foundation, Mr. & Mrs. Richard W. Courts II, Nancy Field & Michael Schulder, and Katherine Scott.
GRAND JETÉ $7,500+
Robert J. Barnett
THE DANCERS CIRCLE
Recognizes generous gifts up to $10,000
Lucy & Henry Bush, in memory of Lavona Currie, and in honor of Sharon Story
Pam & Paul Whitacre
TOUR JETÉ
$5,000+
Robert Paul Dean & Robert Epstein
Mr. Richard Delay & Ms. Francine Dykes
Mr. Daniel E. Gaylord & Ms. Marilyn Altman
Joanne & Alex Gross
Alison Womack Jowers
Wade Rakes & Nicholas Miller
Silberman Family Fund, in honor of Ron Breakstone
The Mortimer Family
Irma J. Turnipseed
Karen Vereb & Bud Blanton
Sonia P. Witkowski
ASSEMBLÉ $2,500+
Anonymous
Diana & Miguel Arteche
Robert & Terry Banta, in memory of Lavona Currie
Catherine Binns
Dr. Harold J. Brody & Mr. Donald E. Smith
Mr. & Mrs. Jerome M. Cooper
James Datka & Nora DePalma
Dr. Madalyn Davidoff
Steve, Susan & Grace Hauser
Marius Hechter
Kenneth & Colleen Hey
Laurie & John Hopkins
Dr. Leslie & Mrs. Marilyn Kelman, in honor of Darcy & Rachel Denneen
Vaughn Linder, in honor of Lynda & Richard Courts
Carole & Nelson Marchioli
Gino & Belinda Massafra
Denis Ng
Margaret Painter
Mr. & Mrs. Larry Pelletier
Ginger Brill Pisik
Stuart Pliner & Barbara Bing Pliner
Mr. & Mrs. Robert Ratonyi
Debby & Baker Smith
Sharon Story, Julien & Kim Kenney
Dr. Peter & Mrs. Beverly Thomas
Dr. John Trimble & Ms. Marianne Stribling
Andrea Weyermann & Tim Goodwin
GLISSADE $1,000+
Anonymous (3)
Mr. & Mrs. Martin P. Bennett
Kaitlyn Bergeron
Peter & Dulce Boucher
Mr. & Mrs. Sean Bowen
Dr. & Mrs. James A. Brennan, M.D.
Dr. & Mrs. William Brinkman
Sara & Alex Brown
Kate & Scott Carmack
Mr. Michael E. Carroll & Mr. Paul Alberto
Carolyn Champion
David Cofrin & Christine Tryba-Cofrin
John Condo
Dr. & Mrs. Lawrence W. Davis
Mr. Joseph Dawsey III
Lovely Dhillon
Jennifer Dodd & Reggie Graham
Kevin & Demi Doyle
Mr. & Ms. Rolston A. Dyer
Lauren Elliott
Doug & Florida Ellis
Yelena Epova
Brad Foresythe
Dr. Spencer Gelernter & Sonya Kuropatwa
Mr. & Mrs. Robert C. Goddard
Dr. Marvin Goldstein
Margaret Graff
Rand Hagen, in honor of Martine Weber
Lisa & Forrest Hibbard
Mr. Douglas Hopkins
Mr. and Mrs. William C. Humphreys, Jr.
Dorothea & Robert Jeffrey
Oren Johnson
Ronnie Kessenich
Edward Krugman & Jill Pryor
Allegra Lawrence-Hardy & Timothy Hardy
Linda L. Lively & James E. Hugh III
Drs. Robert and Mary Jo Lund
Dr. & Mrs. Ellis L. Malone
Mimi Maslia
Mr. & Mrs. Eugene F. Meany
Christine & Eric Nelson
Rachel & Corey Phipps
Anthony & Judith Ragunas
Dr. Z. Pressley and Mr. Billy S. Rice
Ashley & Drew Scott
Manda & Jeremy Shankel
Toreya Shea
Michelle & Steve Shlansky
Dr. & Mrs. Mark Silverstein
Matt Simon
Jasmine Spivey
Kalen Swanson
Mr. & Mrs. Perry Taylor
Johnny Thigpen & Clay Martin, in honor of Tricia Ekholm
Dr. Kirsten Travers-UyHam & Mr. John J. UyHam
Mrs. Julie Turner-Davis & Mr. John Davis
Joe & Heather Vivona
Eric & Chan Voiles
Harriet H. Warren
Betsy Wash
Alan & Marcia Watt
Tom West
Jason Wiggam
Allen Yee
Mr. & Mrs. Jacob Young
RELEVÉ $500+
Anonymous
Judith M. Alembik
Ms. Tracie Arnold
Leigh Ball
Richard Bohrer
Cynthia Brant
Kerry Bryan
Lawrence M. Cohen
Carol Comstock & Jim Davis
Cynthia & Mike Davison
Katie Deegan
Dr. Carlos del Rio and Dr. Jeannette Guarner
Ashleigh Dobrin, in loving memory of Mel Dobrin
Elaine Eaton
Tyler R. Edgarton
Tricia & Chris Ekholm
Kathryn & Patrick Gaul
Christine A. Gilliam
Richard Goodjoin & Kelvin Davis
Francis & Marguerite Hallman
Virginia Hepner & Malcolm Barnes
Mr. J. David Hopkins
Jean Gatton Jones
Dr. Harvey P. Kaufman
Stacey Leebern, in honor of Ginny Brewer
Ms. Doreen M. Lewis
Allan & Vaneesa Little
Jean & Robert McColl
Terri & Stephen Nagler
Miho & Gennadi Nedvigin
Donald & Helen O’Shea
Mrs. Debby Overstreet
Grace Pownall & Ron Harris
Dr. & Mrs. William M. Scaljon
Anne M. Spratlin
Shad Sterling
Teena Stern
Mr. James A. Swanson
Dr. Michael & Mrs. Francoise Szikman
Roberta Taylor & James Hill
The Kang Family
Katharine & Todd Tinkler
Aisha & James Walth
INSTITUTIONAL GIVING
Atlanta Ballet gratefully acknowledges the following corporations, foundations, and government agencies whose generous annual contributions were received during the period of August 1, 2023 – July 31, 2024.
$100,000+
Bobbie Bailey Foundation
Hearst Foundations
The Home Depot Foundation
The Shubert Foundation
The Thalia & Michael C. Carlos Foundation
$50,000+
City of Atlanta Mayor’s Office of Cultural Affairs
Mark & Evelyn Trammell Foundation
PNC
The Imlay Foundation, Inc.
The Molly Blank Fund of the Arthur M. Blank Family Foundation
The Zeist Foundation
$25,000+
Cox Enterprises
Fulton County Arts & Culture
The Kettering Family Foundation
$20,000+
Cobb Travel & Tourism
Georgia Power Foundation
The Ray M. & Mary Elizabeth Lee Foundation
The Sartain Lanier Family Foundation
$15,000+
Arrow Exterminators Google
$10,000+
Aprio Chick-fil-A
Georgia Council for the Arts National Endowment for the Arts Peach State Health Plan
Publix Super Markets Charities
$5,000+
Anonymous (2) ATS Waypoint Hellen Ingram Plummer Charitable Foundation
Massey Charitable Trust Portnoy, Garner & Nail, LLC South Fulton Institute
The Dante S. Stephensen Fund
$1,000+ Burberry
Goddard Foundation
The Roderick Seward, Flossie Radcliffe & Helen M. Galloway Foundation, in honor of Kathy Knous
$500+ Akris
Lindsey Treadaway, Realtor, Harry Norman Realtors Sweet Tea Murals Theory
Atlanta Ballet is supported in part by the Georgia Council for the Arts (GCA) through the appropriations of the Georgia General Assembly. GCA also received support from its partner agency, the National Endowment for the Arts. Additional support is provided by the Fulton County Commission under the guidance of the Fulton County Arts Council and the City of Atlanta Mayor’s Office of Cultural Affairs.
THE DOROTHY ALEXANDER LEGACY SOCIETY
Individuals who have included Atlanta Ballet in their long-term estate plans through bequests and other deferred-giving arrangements.
Madeline & Howell Adams, Jr.
Ms. Jan P. Beaves
C.D. Belcher
Cynthia Crain
Mrs. Lynn Cochran-Schroder
Patty & Marc Dash
Mrs. Daphne Moore Eitel Melodi Ford
Brad Foresythe
Joyce Houser, Ph.D.
Mrs. Audrey B. Morgan
Mrs. Elizabeth Ann Morgan
John K. Palmisano & Stephen A. Williams, III
Elizabeth Morgan Spiegel
Katherine Scott Marianne Stribling
ATLANTA BALLET IS
GRATEFUL TO THE FOLLOWING PARTNERS FOR THEIR SUPPORT
encoreatlanta com |
ATLANTA BALLET IS GRATEFUL TO THE FOLLOWING PARTNERS FOR THEIR SUPPORT
Batdorf & Bronson Coffee Roasters, The Official Coffee Provider of Atlanta Ballet
Cookerly PR
Atlantic Capital, The Preferred Bank of Atlanta Ballet
Batdorf & Bronson Coffee Roasters, The O cial Co ee Provider of Atlanta Ballet
Corporate Sports Unlimited, Inc., The Official Health, Wellness, and Fitness Partner of Atlanta Ballet
Corporate Sports Unlimited, Inc., The O cial Fitness Partner for Atlanta Ballet
Doyle Law, LLC, Immigration Counsel
Daniel Solberg, DSol Productions
Jones Day, Attorneys
Deloitte Consulting LLP
Kim Kenney Photography
Doyle Law, LLC, Immigration Counsel
Publix Super Markets, The Preferred Supermarket of Atlanta Ballet
JD French Media
Frank A. Sinkoe, DPM, podiatric medicine
Atlantic Capital, The Preferred Bank of Atlanta Ballet
Batdorf & Bronson Coffee Roasters, The O cial Co
Corporate Sports Unlimited, Inc., The O cial Fitness
Doyle Law, LLC, Immigration Counsel
Jones Day, Attorneys
Kim Kenney Photography
Publix Super Markets, The Preferred Supermarket
Frank A. Sinkoe, DPM, podiatric medicine
Kara Pepper, MD, internal medicine, Laurette Medical
Kara Pepper, MD, internal medicine, Laurette Medical Group
Jones Day, Attorneys
Laura Gandy, MD, internal medicine, Laurette Medical
Kim Kenney Photography
Laura Gandy, MD, internal medicine, Laurette Medical Group
Nadine Kaslow, Ph.D, ABPP, Psychologist, Emory University School of Medicine
Bryn Chafin, LCSW, Brookwood Center for Psychotherapy
Nadine Kaslow, Ph.D, ABPP, Psychologist, Emory
Publix Super Markets, The Preferred Supermarket of Atlanta Ballet
Brandon Nguyen, B-Right Atl Sports Massage
Dr. Cliff Willimon, MD, Orthopedic Surgeon, Children’s Healthcare of Atlanta
Bryn Chafin, LCSW, Brookwood Center for Psychotherapy
Republic National Distributing Company, The Official Liquor Provider of Atlanta Ballet
Brandon Nguyen, B-Right Atl Sports Massage
Dr. Cliff Willimon, MD, Orthopedic Surgeon, Children’s
Dr. Dominic Carreira, MD, Orthopedic Surgeon, Peachtree
Dr. Dominic Carreira, MD, Orthopedic Surgeon, Peachtree Orthopedics
Dr. Jason Bariteau, MD, Orthopedic Surgeon, Emory Healthcare
Shoccara S. Marcus Photography
Dr. Ched Garten II, MD, Paragon Sports Medicine
Smith & Howard, Audit Firm
Dr. Jason Bariteau, MD, Orthopedic Surgeon, Emory
Dr. Ched Garten II, MD, Paragon Sports Medicine
Dr. Rayden Cody, MD, Peachtree Spine and Sports
Troutman Pepper
Dr. Rayden Cody, MD, Peachtree Spine and Sports Physicians
Mandy Blackmon, PT, DPT, OCS, physical therapy, Atlanta Dance Medicine
Emma Faulkner, PT, DPT, OCS, physical therapy, Atlanta Dance Medicine
Mark Nimmo, PT, DPT, physical therapy, BenchMark Physical Therapy
Ami Kirollos, PT, DPT, CSCS, physical therapy, One on One Physical Therapy
Physical Therapy Services and medical coordination provided by Atlanta Dance Medicine, LLC Mandy Blackmon, PT, DPT, Emma Faulkner, PT, DPT, and Ann MacDougall, PT, DPT and their affiliates.
Susan Bush, PT, DPT, CMTPT, physical therapy, Atlanta Dance Medicine
Katie Ude, Orchestra Operations Coordinator/ Music Librarian
Francesca Frederick, Director of Advancement, Institutional Gifts
FINANCE
MARKETING
& ADMINISTRATION
& PUBLIC RELATIONS
Tricia Ekholm, Chief Marketing O cer
Pamela Whitacre, Chief Operating Officer
Allison Kang, Director of Public Relations
Calla Vaughn, Controller
Taylor Graves, Interim Graphic Designer
Brian Wallenberg, Video Content Producer
Kimberly Jackson, Project Accountant/AP Manager
Myredith Momongan, Associate Director of Group Sales
Natasha Harris, Director of Human Resources
Dana Hylton Calabro, Director of Technology and Sales Operations
Toni C. Vacinek, Associate Director of Marketing Communications
PATRON SERVICES
Nicole Adams, Alice Balhatchet, Ansilla Bearden, Shirley Bennett, Haley Brink, Darby Burgess, Serena Chu, Harmony Clair, Kelly Tonina Cooper, Kameron Davis, Nardja el-Shabazz, Kate Gaul, Ashley Gibson, Nell Heflin Goza, Jennifer Inman, LaToya Princess Jackson, Aaron James, Malik Jenkins, Caroline Kraehe, Sergio Masero, Loren McFalls, Arneshuia Nelson, Anna Penny, Chantia Robinson, Diane Caroll Sales, Roscoe Sales, Erin Smith, Jasmine Stevenson, Abigail Tan-Gamino, Grace Thompson, Jennifer Van Meter, Calla Vaughn, Natalya Vyashenko, Martine Weber
Marlena Marshal Abaza, Shirley Bennett, Nadyne Bispo, Georgie Grace Butler, Diane Carroll, Serena Chu, Kelly Tonina Cooper, Kameron Davis, Mia Givens, Jennifer Inman, Madelin Jamison, Courtney Johnson, Sergio Masero, Amelia Murren, Hannah Myers, Arneshuia Nelson, Anna Penny, Chantia Robinson, Roscoe Sales, Anderson Souza, Caitlin M. Spencer, Jasmine Stevenson, Ashley Suta, Calla Vaughn, Natalya Vyashenko.
Accompanists
Accompanists
Elizabeth Grimes, Aleksandra Korshunova, Yulia Rice, Gretel Rodriguez, Kyla Zollitsch
Kristian Brown, Patron Services Lead Coordinator
Zoey Fleck, Social Media Manager/Graphic Designer
Avery Jarrard, Stephanie Kosarin, Yulia Rice, Kyla Zollitsch
Centre Education Associates
PATRON SERVICES
Stephen Hall, Patron Services & Group Sales Associate
Connor Maguire, Patron Services Associate
Lindsay Smith, Associate Director of Patron Services
Centre Education Associates
Imani Austin-Edwards, Shannon Geary, Flora Mangio, Hui-Wen Peng, Kaitlin Roemer, Jada Russell, Samantha Schuermann, Emma Seif
Imani Banks, Leilani Burks, Sophia Doctoroff, Sidney Hall, Carol March, Sophia Wang
Desiree Houston, Patron Services Manager
ADVANCEMENT
Mallory Hazen , Patron Services Assistant
Juliana Han Witt, Chief Advancement Officer
Jasmine Martinez , Patron Services Assistant
Kelly Criss, Director of Individual Giving
Josh Reynolds , Patron Services Assistant
Sherren Sandy, Director of Special Events
Brianna Smith, Individual Giving Manager
PRODUCTION
Ansleigh Brown, Individual Giving Coordinator
Kathryn Gutierrez, Special Events Coordinator
Dave Smith, Production Manager & Technical Director
Sicily Palms, Company Manager
MARKETING & PUBLIC RELATIONS
Tricia Ekholm, Chief Marketing Officer
Nicole Walters, Production Stage Manager
Fiona Shaw, Senior Manager Communications
Jane Kuipers, Assistant Stage Manager
Kristin Kelley , Assistant Stage Manager
Alane Marco, Design Director
Amber Times, Social Media Manager
Tumi Akin-Deko, Communications Coordinator
COSTUMES
Colleen McGonegle, Costume Director
Abby Polston, Draper
PRODUCTION
Susan Carter, Costume Construction Supervisor
Dave Smith, Production Manager
Jonathan Fries, Technical Director
Nicole Walters, Production Stage Manager
Abby Parker, Company Shoe Manager/Wardrobe Supervisor/Costume Technician
Chloe Gervais, Costume Technician
Maddie Simmons, Costume Technician
COSTUMES
Ashleigh Dobrin, Finisher
Colleen McGonegle, Costume Director
Susan Carter, Costume Construction Supervisor
Abigail Dupree-Polston, Patternmaker
Abby Parker, Company Shoe Manager/Wardrobe Supervisor
Briá Sanders, Costume Technician
Katherine Savage, Costume Technician
Maddie Simmons, Costume Technician
Atlanta Ballet Boutique
Atlanta Ballet Boutique
Kate Gaul, Boutique Merchandise Manager
Louise Gordon, Retail Operations Manager
Leslie Campbell Judge, General Manager Nardja el-Shabazz, Asst. General Manager, Atlanta Ballet Boutique
Pamela Pelletier, Boutique Associate
Atlanta Ballet is an American Guild of Musical Artists (AGMA) Company
Atlanta Ballet is an American Federation of Musicians (AFM) Company
Atlanta Ballet is an International Alliance of Theatrical Stage (IATSE) Employees Company
theaterinformation
Concessions: Concession stands are located in the center of the lobbies. All sales are cashless - credit or debit card only.
Emergency Information: In the event of an emergency, please locate the nearest usher who will direct you to the appropriate exit.
Elevators: Elevators are located on each side of the lobbies on all levels.
Lost and found: Items are turned into Public Safety on the day of a performance. To inquire about a lost item, Please call Public Safety at 770.916.2911.
Parking: Day of parking is available for $15 (credit or debit card only). There are 1,000 on-site parking spaces; 700 in a four-level deck and 300 more in a surface lot.
$15 day of park fee.
Restrooms: Located on house right and house left of all three lobbies. Family restrooms are located on house right of all three lobbies. Mobility-impaired patrons may use any of our restrooms.
Smoking: Smoking, vaping and e-cigarettes are prohibited inside the building.
Special assistance: Persons requiring access assistance are asked to contact the Ticketmaster at 800-982-2787 for advance arrangements. Audio clarification devices are available to our hearing-impaired guests at no charge. This is on a first-come, first-served basis. These are available at the Synovus Box Office. Wheelchairs are available upon request. All items require a form of identification to be held until the item is returned.
Prohibited items: The venue does not check items. Please visit https://www. cobbenergycentre.com/plan-your-visit/ prohibited-itemssecurity for more information.
ATLANTA BALLET REQUESTS
All patrons, regardless of age, must have a ticket to be admitted to the performance. Please be aware the not all events are suitable for children. Infants will not be admitted to adult programs. Parents will be asked to remove children who create a disturbance.
Please turn off all cellphones before each performance.
Audio & video recording devices are not permitted.
Please unwrap all candies and cough drops before the perfomance.
Late arrivals will be seated in alternative seating until intermission when you can then access your seats.
We recommend arriving at least 45 minutes early so you have time to visit concessions and get to the seats you purchased. Doors to Cobb Energy Centre open 90 minutes prior to the performance.
