ThE FabulouS FoX Theatre
February 2012 FoxTheatre.org EncoreAtlanta.com
s ’ e n o e m o S Be Valentine Heart Screenings at WellStar Heart Screenings are available for $99 per individual or $149 per couple. Extended weeknight hours and Saturday appointments available.*
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Outstanding Music … Superb Acoustics CLAYTON STATE UNIVERSITY, MORROW, GEORGIA
YEFIM BRONFMAN,
piano
Sunday, March 4, 2012 | 3PM | $65
Yefim Bronfman redefines the meaning of virtuosity, combining formidable strength and brilliance with natural sensitivity and grace, rendering performances of exceptional intelligence and elegance. “There are some mighty fine pianists on the scene, capable not only of delivering technical fireworks, but of producing experiences rich in musical feeling. One of the best in this regard is Yefim Bronfman” (The Baltimore Sun). PROGRAM: BRAHMS Piano Sonata No. 3 in F minor, Op. 5 LISZT Transcendental Etudes (selections) PROKOFIEV Piano Sonata No. 8 in B-flat major, Op. 84
BRENTANO STRING QUARTET
Saturday, April 21, 2012 | 8:15PM | $50 Pre-concert Talk 7:15PM Mark Steinberg, violin Misha Amory, viola
Serena Canin, violin Nina Lee, cello
Among the world’s elite ensembles, the Brentano String Quartet consistently gives “exemplary performances” yielding “startling musical revelations.” (The Guardian, London) Program Fragments, a fascinating montage of pieces by Dufay, Bach, Haydn, Mozart, Schubert, and Shostakovich and others. Visit www.spiveyhall.org for full program details.
TICKETS:
(678) 466-4200
For the complete 2011-2012 season schedule, visit www.SpiveyHall.org.
contents February 2012
10
14
Features
The Performance
10 Tear the House Down
17 Program and Notes
14 Memory and Family:
Departments
In Memphis, two Georgia natives explore the music of their soul.
The ‘New’ Era of Alvin Ailey This year’s engagement, the first under new artistic director Robert Battle, comprises premieres, new productions and directions.
48 Fox Fun Facts
How much do you know about the Fox’s historic lighting fixtures?
54 Graceland
The glorious (and slightly gaudy) side of Memphis.
6 EncoreAtlantA.com
38 Information 39 Staff/Etiquette 40 Dining Guide 62 Posh Dealz: Experience the best Atlanta has for less.
Cover photo by: Keith dorton
Paul Kolnik; Niels Gerhardt/shutterstock
54
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publisher/sales Sherry Madigan White 404.459.4128 sherry.white@encoreatlanta.com account executive
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managing editor
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Anna Aguiar anna.harrell@encoreatlanta.com production/marketing assistant
Sophia Chin sophia.chin@encoreatlanta.com contributing writer
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marketing associate
ENCORE ATLANTA is published monthly by Atlanta Metropolitan Publishing Inc. Tom Casey Diane Casey controller Suzzie Gilham vp of sales and marketing Evan Casey chief administrative officer Claudia Madigan director of marketing Lisa Kraus Gardner president
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TEAR THE
HOUSE
DOWN In Memphis, two Georgia natives explore the music of their soul By Bret Love
10 EncoreAtlantA.com
I
n any Broadway-style production, the leading actors usually get more than their fair share of the limelight. But quite often it’s the lesser-known supporting players who help the headliners shine brightest. The national tour of Memphis features two ensemble members with deep Georgia roots – Christopher Gurr of Americus and Jody Reynard of Austell. We caught up with them as they returned home, to learn more about their careers, what makes the Tony Award-winning Memphis special, and what they’re most looking forward while they’re in the Peach State.
Paul Kolnik
You were both raised in fairly small Georgia towns. How did you get interested in theater? Christopher Gurr: I started very
young. The public schools in Americus had a very good music program, and I did my first play – an operetta, really – when I was 7. All I ever wanted to be is an actor … who sings … and maybe dances a little. That’s exactly what I’m doing in Memphis, 40-some-odd years later. Jody Reynard: I started performing when I was accepted into the Cobb County Center for Excellence in the Performing Arts at Pebblebrook High School. I was a vocal major for three years and a dance major my senior year. I had many performing opportunities there, and I’ve been seeking out new ones ever since.
How did you break into the business? CG: I left Americus right after high
school and went to Webster University in St. Louis. Four years later I had a BFA in musical theater. I booked my first professional gig the summer between my freshman and sophomore years … unless you count a few days I worked as Atlanta’s Performing Arts Publication 11
Memphis won a slew of awards on Broadway, including the Tony Award for best musical. What makes the show special? CG: What I responded to when I saw
the show in New York was the dancing and staging. The movement of this show is still, I think, my favorite part. It’s the part I contribute the least to as a performer – I’m an actor/singer in
12 EncoreAtlantA.com EncoreAtlantA.com
this show – so I can stand back and just be a fan of the motion of the world of Memphis. JR: It’s a simple, original story about a man with an idea to change things in a time when social change was imminent. That’s always an intriguing story in my book. What’s the best part about coming back to Georgia to perform? CG: My family and the Fox Theatre
because that’s where I saw my first Broadway show, the national tour of A Chorus Line. I still can’t believe I get to do what I’m doing in my life. I’m a very lucky man. JR: I enjoy performing at the Fox tremendously, and I can’t wait to get some good Southern cooking. Bret Love is the founder of ecotourism/ conservation site GreenGlobalTravel.com; the national managing editor of INsite magazine; and music editor for Georgia Music Magazine. He freelances for national and international publications and does improv with Jackpie at Relapse Theatre.
Paul Kolnik
an extra on a “Wonderful World of Walt Disney” TV movie shot in Lumpkin when I was a little boy. I’m pretty sure I got paid for that, too. JR: I went to Kennesaw State University and graduated with a theater degree, all the while auditioning all around Atlanta and seeking out any and every performing opportunity I could find. I worked with the Atlanta Opera, the Atlanta Shakespeare Tavern and Theater of the Stars at the Fox. That’s how I broke into the business – pounding the local pavement and getting enough experience under my belt to feel confident pounding the pavement of New York City.
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Kirven Boyd
Memory and family: The ‘new’ era of Alvin Ailey By Danielle Deadwyler
C
Kirven Boyd, who has progressed from the education department, to the junior company Ailey II, to the main company in his 8-year-old Ailey career, was a high school freshman in 1998 when he first saw the modern-dance company. It calls it the “life-changing experience” that sparked his career.
Alicia Mack was 11 when she saw Ailey perform “Night Creature,” “Memoria” and other pieces on a VHS tape. She majored in history at New York’s Columbia University and studied nonprofit management in graduate school, but dance never let her go. She’s in her fourth season with Alvin Ailey American Dance Theater. Continued on page 50
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Andrew Eccles
hildhood memories can whirl just as dancers do, undulating or striking like ocean waves we miss but long to be part of again. Dancers make indelible impressions on children, even if the child never wants to be a dancer. Young fans can recall every detail of their first exposure: the house lights dimming, their favorite piece, how old they were, what they wore. Alvin Ailey American Dance Theater has had that affect on people ever since its namesake and a few friends opened eyes at New York’s 92nd Street Y in 1958.
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Atlanta’s Performing Arts Publication 17
JUNKYARD DOG PRODUCTIONS BARBARA and BUDDY FREITAG and MARLEEN and KENNY ALHADEFF with LATITUDE LINK JIM and SUSAN BLAIR DEMOS BIZAR ENTERTAINMENT LAND LINE PRODUCTIONS RICHARD WINKLER ALEX AND KATYA LUKIANOV DAVID COPLEY DANCAP PRODUCTIONS INC 2 GUYS PRODUCTIONS PATTY BAKER and DAN FRISHWASSER in association with ERIC AND MARSI GARDINER LINDA and BILL POTTER BROADWAY ACROSS AMERICA MEMPHIS ORPHEUM GROUP VIJAY and SITA VASHEE APPLES AND ORANGES PRODUCTIONS BRIAN and BETTY DOVEY JOHN YONOVER and RON YONOVER LORAINE BOYLE/CHASE MISHKIN REMMEL T. DICKINSON/SHADOWCATCHER ENTERTAINMENT JOCKO PRODUCTIONS/SCOTT and KAYLIN UNION
present
Music and Lyrics by
Book and Lyrics by
JOE DiPIETRO
DAVID BRYAN
Based on a concept by GEORGE W. GEORGE
Starring
BRYAN FENKART QUENTIN EARL DARRINGTON CHELSEY ARCE DAISY HOBBS
EVAN AUTIO
CRYSTAL JOY
Scenic Design DAVID GALLO
BREE BRANKER
KYLE LELAND
KENT OVERSHOWN
RHETT GEORGE
JULIE JOHNSON
WHITNEY LEIGH BROWN
JARVIS D. McKINLEY
ALFIE PARKER, JR.
FELICIA BOSWELL
with
WHITNEY COOPER
HAPPY McPARTLIN
JUSTIN PRESCOTT
SCOTT DIFFORD
KENNA MICHELLE MORRIS
JODY REYNARD
Costume Design PAUL TAZEWELL
WILL MANN
PETER MATTHEW SMITH
WILLIAM PARRY CHRISTOPHER GURR
JILL MORRISON
AUSTIN OWEN
DEREK ST. PIERRE
Lighting Design HOWELL BINKLEY
Sound Design KEN TRAVIS
Projection Design Hair & Wig Design Fight Director Casting Associate Director Associate Choreographer DAVID GALLO & CHARLES G. STEVE RANKIN TELSEY + COMPANY ADAM ARIAN EDGAR GODINEAUX SHAWN SAGADY LaPOINTE
Orchestrations DARYL WATERS & DAVID BRYAN
Musical Director ALVIN HOUGH, JR.
Dance Arrangements AUGUST ERIKSMOEN
General Manager Production Stage Manager Production Management ALCHEMY RAY GIN JUNIPER STREET PRODUCTION GROUP PRODUCTIONS, INC. CARL PASBJERG & FRANK SCARDINO
Tour Marketing & Press ANITA DLONIAK & ASSOCIATES, INC.
Music Contractor MICHAEL KELLER Tour Booking Agency THE BOOKING GROUP MEREDITH BLAIR
Associate Producers
EMILY AND AARON ALHADEFF ALISON AND ANDI ALHADEFF RON AND MARJORIE DANZ
CYRENA ESPOSITO
MATT MURPHY
Music Producer/Music Supervisor
CHRISTOPHER JAHNKE Choreographer
SERGIO TRUJILLO Director
CHRISTOPHER ASHLEY This Production of Memphis Originally Co-produced by La Jolla Playhouse, Christopher Ashley, Artistic Director, Michael S. Rosenberg, Managing Director and 5th Avenue Theatre, Seattle, WA, David Armstrong, Producing Artistic Director, Marilynn Sheldon, Managing Director Originally Produced as a Joint World Premiere at North Shore Music Theatre, Jon Kimbell, Executive Producer and TheatreWorks, Robert Kelley, Artistic Director and Phil Santora, Managing Director
CAST (in order of appearance)
White DJ/Mr. Collins/White Father/Gordon Grant/Ensemble.... CHRISTOPHER GURR Black DJ/Ensemble/Be Black Trio......................................... ALFIE PARKER, JR. Delray...................................................................QUENTIN EARL DARRINGTON Gator.......................................................................................RHETT GEORGE Bobby............................................................................................WILL MANN Ensemble/Wailin’ Joe/Reverend Hobson...............................KENT OVERSHOWN Ensemble/Someday Backup Singer...............................................CRYSTAL JOY Ensemble/Someday Backup Singer...........................................BREE BRANKER Ensemble/Ethel.......................................................... WHITNEY LEIGH BROWN Ensemble/Be Black Trio.....................................................JARVIS D. McKINLEY Ensemble/Be Black Trio........................................................ JUSTIN PRESCOTT Ensemble/Someday Backup Singer............................................. DAISY HOBBS Felicia..................................................................................FELICIA BOSWELL Huey......................................................................................BRYAN FENKART Mr. Simmons...........................................................................WILLIAM PARRY Clara/White Mother/Ensemble..............................................HAPPY McPARTLIN Buck Wiley/Ensemble/Martin Holton............................ PETER MATTHEW SMITH Ensemble/Teenager............................................................. WHITNEY COOPER Perry Como/Ensemble/Frank Dryer............................................. AUSTIN OWEN Mama/Gladys......................................................................... JULIE JOHNSON Ensemble....................................EVAN AUTIO, SCOTT DIFFORD, JILL MORRISON Swings and UNDERSTUDIES Understudies never substitute for listed players unless a specific announcement for the appearance is made at the time of the performance.
Swings and UNDERSTUDIES CHELSEY ARCE, KYLE LELAND, KENNA MICHELLE MORRIS, JODY REYNARD, DEREK ST. PIERRE UNDERSTUDIES AND STANDBYS Understudies for Mama/Gladys — HAPPY McPARTLIN, JILL MORRISON; for Huey — AUSTIN OWEN, PETER MATTHEW SMITH; for Felicia — DAISY HOBBS, CRYSTAL JOY; for Gator — KENT OVERSHOWN, JODY REYNARD; for Bobby — RHETT GEORGE, KENT OVERSHOWN; for Delray — RHETT GEORGE, KENT OVERSHOWN; for Mr. Simmons — CHRISTOPHER GURR, PETER MATTHEW SMITH
Atlanta’s Performing Arts Publication 19
MUSICAL NUMBERS ACT I “Underground”..............................................................Delray, Felicia and Company “The Music of My Soul”...................................................Huey, Felicia and Company “Scratch My Itch”.............................................................. Wailin’ Joe and Company “Ain’t Nothin’ But a Kiss”................................................................Felicia and Huey “Hello, My Name Is Huey”............................................................................... Huey “Everybody Wants to Be Black on a Saturday Night”.................................... Company “Make Me Stronger”.............................................Huey, Mama, Felicia and Company “Colored Woman”......................................................................................... Felicia “Someday”............................................................................. Felicia and Company “She’s My Sister”...........................................................................Delray and Huey “Radio”.................................................................................... Huey and Company “Say a Prayer”...........................................................................Gator and Company ACT II “Crazy Little Huey”.................................................................... Huey and Company “Big Love”................................................................................................... Bobby “Love Will Stand When All Else Falls”........................................ Felicia and Company “Stand Up”...................................... Delray, Felicia, Huey, Gator, Bobby and Company “Change Don’t Come Easy”.......................................Mama, Delray, Gator and Bobby “Tear Down the House”............................................................. Huey and Company “Love Will Stand/Ain’t Nothin’ But a Kiss” (Reprise).........................Felicia and Huey “Memphis Lives in Me”............................................................. Huey and Company “Steal Your Rock ’n’ Roll”................................................Huey, Felicia and Company Time — The 1950s THERE WILL BE ONE 15-MINUTE INTERMISSION The Memphis BAND Conductor/Keyboard 1— ALVIN HOUGH, JR. Associate Conductor/Keyboard 2 — DARRYL ARCHIBALD Drums — TREVOR HOLDER Guitar — DAVE MATOS Bass — JASON LANGLEY Trumpet — PAUL BARON Trombone — CHRIS RINAMAN Reed 1 — TIM JENSEN Reed 2 — JOHN ISLEY Music Coordinator: Michael Keller The use of any recording device, either audio or video, and the taking of photographs, either with or without flash, is strictly prohibited. Please turn off all electronic devices such as cellular phones, beepers and watches. 20 EncoreAtlantA.com
who’s who BRYAN FENKART (Huey) made his Broadway debut in Memphis as the Huey stand-by, and is honored to originate the same role on the first national tour. TV/ film: “Law & Order: Criminal Intent,” “Red Hook,” “You Tell Me.” He is also a singer/songwriter, and his new album Simple & Grey has just been released and is now available everywhere. Thanks to God, Mom, Dad, Greg, G’ma, the JYD crew, the Brass Monkeys and The Strux. Follow him at: www.bryanfenkart.com, www.twitter.com/Steinway7 and at www. facebook.com/bryanfenkart. FELICIA BOSWELL (Felicia). Broadway: Memphis (Felicia cover). National tour: Dreamgirls (Deena, Lorell); Aida (Aida standby). Regional: Rent** (Mimi), Atlanta Lyric Theatre; Aida (Aida), VMT; Caroline, or Change (Radio), Guthrie Theatre; Beehive (Diana Ross, Ikette), Maltz Jupiter Theatre; Boys From Syracuse (Courtesan), Baltimore Centerstage; Little Shop… (Chiffon), Atlanta Lyric Theatre*; Starlight Jazz (Japan). Other credits: Selma, Lord Selma (ABC); The Wiz (Dorothy); White Noise; Becoming Tennessee (Trombone). *Suzi Bass nominee, **ATFA nominee. Thanks parents John & the late Mattie Boswell and WFW III. Visit the official fan page of Felicia Boswell on Facebook for upcoming events! Q U E N T I N E A R L DA R R I N G T O N (Delray). Broadway: Ragtime (2009 revival). Off-Broadway: Lost in the Stars, New York City Center; The Roar of the Greasepaint..., York Theatre Company. National tour: The Color Purple, The Lion King. Regional: Gee’s Bend, Cincinnati Playhouse; I Dream, Alliance Theatre; Ragtime, Kennedy Center; A Little Night Music, California Music Circus; Abyssinia, 22 EncoreAtlantA.com
Goodspeed Opera House; Jaques Brel…, Tampa Bay Performing Arts Center. WILL MANN (Bobby) just completed his run and Broadway debut as Bobby in Memphis. First national tours: Billy Elliot (Mr. Braithwaite and Big Davey), Wonderful Town (Valenti). Regional: Ragtime (Coalhouse), Godspell (Jesus), Show Boat (Joe), Finding Nemo (Bruce), Oklahoma! (Judd Fry), A Chorus Line (Richie), among others. Bachelor of music from Oklahoma City University under the Florence Birdwell. www. willmannvo.com #HIGHLYFAVORED @ WillSingForFood. RHETT GEORGE (Gator) wrote all 16 songs on his 2008 album titled Something Better. He recently completed his second album, The Music Will Save My Life. Both are available with Memphis merchandise, iTunes and Cdbaby.com. Rhett has been featured in numerous Broadway shows and appeared as an original company member for both Wicked and Memphis. He starred as “Big Daddy” in the Broadway revival of Sweet Charity with Christina Applegate. Visit Facebook, Twitter @RhettGeorge and www.RhettGeorgeOnline.com. This One Is For Dreamers! JULIE JOHNSON (Gladys). Broadway: Hal Prince’s Candide. Off-Broadway: Das Barbecu (Drama Desk nominee, Theatre World Award); Roadside; The Rink (workshop). Regional: Cabaret; Oliver; Ragtime; Superman; Sweeney Todd; Hello, Dolly!; The Best Little Whorehouse in Texas; Paper Moon; Beauty and the Beast; Dirty Blonde; Plexiglass Slipper; Heartbeats; Nunsense; Rocky Horror Show; Always, Patsy Cline. Carnegie Hall with Skitch Henderson and the New York Pops, voice of Baby Bop — “Barney and
who’s who Friends” PBS series. Two CDs available at www.juliejohnsonmusic.com. WILLIAM PARRY (Mr. Simmons) created roles in four Stephen Sondheim musicals: the Broadway productions of Sunday in the Park With George, and Passion; as well as Assassins and Road Show. He also was in the original Broadway companies of Jesus Christ Superstar, Leaf People, Into the Light, Agamemnon (Lincoln Center) and Rockabye Hamlet as well as Camelot (with Richard Burton and Richard Harris) and Gypsy with Bernadette Peters. National tours include: Titanic and A Few Good Men. He’s appeared in 50 regional productions and on TV and film in: “The Pretender,” “Law and Order,” Sweet Liberty, In and Out and Domestic Disturbance. Two seasons of “Prairie Home Companion.” KENT OVERSHOWN (Ensemble, u/s Gator, Delray, Bobby). Proud graduate of the University of Michigan. Regional: MUNY, Westchester Broadway Theatre. Endless thanks to friends and family without whose love and support he wouldn’t be here. Thanks to Rachel and Telsey Casting and the phenomenal team at Harden-Curtis. Dad, this is for you! ALFIE PARKER, JR. (Ensemble) is elated to finally join the Memphis family! Previous credits include South Pacific (Broadway, including “Live at Lincoln Center” TV broadcast), HMS Pinafore (Guthrie, including PBS Masterworks special), The Wiz, Barnum, Seven Brides, Swing, Chicago, Aida. Praise God for Grace. JUSTIN PRESCOTT (Ensemble) graduated from the High School for the Performing and Visual Arts in Houston. New York theater credits include Fela! (Broadway/ tour), Lost in the Stars (Encores!), Josephine
(developmental lab). TV: NBC’s “Smash!” BFA SUNY Purchase (cum laude). JARVIS D. McKINLEY (Ensemble). Broadway debut! Tours: Usher, KiCi and JoJo, Ailey II, Complexions Contemporary Ballet and Armitage Gone Dance! Thank God and my family and friends who supported me on my way to my biggest dream. CHRISTOPHER GURR (Ensemble, u/s Mr. Simmons) was last in this theater in the first national tour of Monty Python’s Spamalot. He is so glad to be back. Thanks to BRS, Telsey + Company and the Tara Rubin Fund for Middle-Aged Character Actors. Proud union member, Actors’ Equity, AFTRA and SDC. www. christophergurr.com. PETER MATTHEW SMITH (Ensemble, u/s Huey). Proud Equity member. Broadway: Rent, Cry-Baby, Fiddler on the Roof (Motel). Original casts of both Mamma Mia! and Hairspray. Peter is also a member of the Broadway Boys (bwayboys. com). His greatest achievement was marrying his beautiful wife, Amy. AUSTIN OWEN (Ensemble, u/s Huey). Tour: The Producers (Leo Bloom). Regional: The Drowsy Chaperone (Robert), La Cage aux Folles (Jean-Michel), Footloose (Chuck), Godspell (Judas). FSU Grad. Thanks to Rachel at Telsey + Co., Renee and the gang, and my incredibly supportive family and friends. Love to C. www.AustinTaylorOwen.com. EVAN AUTIO (Ensemble). Theater: Radio City Christmas Spectacular, Guys and Dolls at Barrington Stage, Hot Mikado, Walt Disney World and Tokyo Disney. Film: The Wedding Video. Special thanks to my Angels, Dance Dynamics, Fam, MM and Besties for their unconditional love and support. Atlanta’s Performing Arts Publication 23
who’s who SCOTT DIFFORD (Ensemble). Thrilled to join the Memphis family! Selected credits: A Christmas Carol (MSG); Ragtime (national tour); Joseph…Dreamcoat (TOTS); The Producers (Riverside Theatre); Miss Saigon, Oklahoma!, White Christmas, Cats (PCLO); NY Knicks tumbler. Thanks Bart and John at FBI, friends, and family! KYLE LELAND (Dance Captain, Swing). National tour debut! Credits: Memphis (Broadway), Complexions Contemporary Ballet, Pepsi, Lula Washington Dance Theatre, the world tours of several music artists. “Give thanks for another day of loving.” Hockadoo! JODY REYNARD (Ensemble, u/s Gator). Broadway/tours: Legally Blonde; Taboo; Saturday Night Fever; Fosse; Kiss, Me Kate. Regional: …Spelling Bee (Mitch), Smokey Joe’s Café (Ken), Miss Saigon (John u/s) and Take Me Out (Darren). TV/film: “The Oprah Winfrey Show,” “One Life to Live” and Show Business: The Road to Broadway. CRYSTAL JOY (Ensemble, u/s Felicia). Hair: Gielgud Theater London (Aretha/ u/s Abie Baby), Legally Blonde: national tour (Pilar), Dreamgirls: T.U.T.S. (Lorrell). Thank You Family, Thank You Friends, Thank You Jesus! Follow me on Twitter @MsCjoy. DAISY HOBBS (Ensemble, Felicia u/s) is thrilled to be in Memphis! Regional: Disney’s Aladdin, dir./chor.: Casey Nicholaw; Camelot (Nimue), Pittsburgh Public Theatre; The Wiz, Baltimore Centerstage, MUNY; Cinderella (Fairy Godmother u/s), Paper Mill Playhouse. Education: B.F.A. Carnegie Mellon ’10. N.S.A.L. First Place Acting Award ’10. www.DaisyHobbs.com. WHITNEY LEIGH BROWN (Ensemble) was born and raised in Washington, D.C. She 24 EncoreAtlantA.com
began her dance training at the Dance Theater of Harlem, Duke Ellington School of the Arts and SUNY Purchase College Conservatory. Whitney has appeared in the feature films Step Up, Hairspray, Big Momma’s House 3 and Footloose. BREE BRANKER (Ensemble) is living the dream! NYC/tour: Spamalot, Radio City Rockettes, Cirque du Soleil, White Christmas, West Side Story, Will Rogers Follies, Finian’s Rainbow and Girl Crazy. Choreography: NY Philharmonic’s Company, Beauty and the Beast, My Way. Love to Man and Brankers. www.breebranker.com. HAPPY McPARTLIN (Ensemble, Gladys u/s). National tours: Full Monty (Georgie), Hairspray (Velma). Favorites: The Drowsy Chaperone (Chaperone), Curtains (Paper Mill Playhouse and TUTS), Urinetown (Pennywise), Into the Woods (Witch), Les Misérables. Thanks to Telsey, Dustin and to my amazing husband, Brad Nacht, touring with The Addams Family. JILL MORRISON (Ensemble). Broadway: Memphis! National tour: Happy Days. Regional: Little Shop of Horrors (Audrey); A Chorus Line (Val/Cassie); No, No, Nanette (Nanette); Joseph… (Narrator); Gypsy (Louise); and Grease (Sandy). Jill sings with the Linda Ronstadt tribute band, Different Drum, and plays “Barbie” for Mattel events. Dedicated to loving boyfriend, Johnny. www.jillmorrison.com. WHITNEY COOPER (Ensemble) is overjoyed to be apart of this incredible show! National tours: The Music Man (Zaneeta). Regional: Music Theatre of Wichita and Surflight Theatre. Training: Oklahoma City University. Enormous thanks to Telsey and the Memphis team! Endless love to the fam, the friends, and the Father above.
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who’s who KENNA MICHELLE MORRIS (Swing, Assistant Dance Captain). Raised in Louisville, KY. Graduate of University of Oklahoma. Off-Broadway: The Wiz, Bronx Casket Co. Regional: Aida, Smokey Joe’s Café, Radio City Rockette. Film: Idlewild, Louis, Broadway: The American Musical. Various recording artists. Love to my husband and family. CHELSEY ARCE (Swing). Regional: Guys and Dolls (Barrington Stage). Graduate of the Boston Conservatory. She has had the pleasure to have worked in both concert dance and commercial. Love to family, Joshua, BlocNYC and the Memphis team for the continued support of her dreams. DEREK ST. PIERRE (Ensemble) is ecstatic to tour for the first time with Memphis! Broadway: Rock of Ages (Franz). Regional: The Huntington Theatre, MUNY, Merry-Go-Round Playhouse. Graduate of the Boston Conservatory. Love and gratitude to Mom, Dad, Henderson/ Hogan, Telsey and BoCoX! JOE DiPIETRO (Book and Co-Lyrics) won two Tony Awards for co-writing Memphis. Memphis also received 2010 Tony, Drama Desk and Outer Critics Circle awards for best musical. His forthcoming Gershwin farce, Nice Work If You Can Get It, starring Matthew Broderick, will premiere on Broadway this spring. His other plays and musicals include I Love You, You’re Perfect, Now Change (the longest-running musical revue in offBroadway history); The Toxic Avenger and The Thing About Men (both winners of the Outer Critics Circle Award for best offBroadway musical); the much-produced comedy Over the River and Through the Woods; The Art of Murder (Edgar Award winner for best mystery play); and the 26 EncoreAtlantA.com
Broadway musical All Shook Up. His work has received thousands of productions across the country and around the world. DAVID BRYAN (Music, Co-Lyrics) recently won Tony Awards for best score and orchestrations for Memphis, as well as Drama Desk awards for best music and orchestrations. Memphis also received 2010 Tony, Drama Desk and Outer Critics Circle awards for best musical. David is the Grammy Award-winning keyboard player and founding member of Bon Jovi. Over the past 26 years the band has sold more than 130 million records and toured the world playing to millions of people. David and Joe DiPietro have also co-written the award-winning musical The Toxic Avenger. Among his work for other charities, David is a national spokesperson for VH1’s Save the Music Program. Much love to Lexi, Colton, Gabby, Lily and my family. CHRISTOPHER ASHLEY (Director) is the artistic director of La Jolla Playhouse, where he most recently directed A Dram of Drummhicit and A Midsummer Night’s Dream. Broadway credits include Memphis (2010 Tony nomination), Xanadu, All Shook Up and The Rocky Horror Show (Tony, Drama Desk and Outer Critics Circle award nominations for direction). OffBroadway credits include Blown Sideways Through Life, Jeffrey (Lucille Lortel and Obie awards), The Night Hank Williams Died, Fires in the Mirror (Lucille Lortel Award), The Most Fabulous Story Ever Told, Communicating Doors and The Country Club. Regional credits include Sweeney Todd (Helen Hayes Award for direction) and Merrily We Roll Along (Kennedy Center Sondheim Celebration) and Without Walls (Mark Taper Forum). Film/TV credits include Jeffrey, “Blown
who’s who Sideways Through Life” for PBS’ “American Playhouse.” Mr. Ashley is the recipient of the Princess Grace Award, the Drama League Director Fellowship and an NEA/TCG Director Fellowship. SERGIO TRUJILLO (Choreographer). Broadway: 2010 Tony Award-winning best musical Memphis (OCC Award, Astaire and Drama Desk award noms.); 2006 Tony/ Olivier Award-winning Best musical Jersey Boys (Olivier, Drama Desk, Dora, OCC award noms.); The Addams Family; 2010 Pulitzer Prize-winning Next to Normal; All Shook Up, Guys and Dolls (Astaire Award nom.). Off-Broadway: Saved (Lucille Lor tel nom.); The Capeman, Romeo & Juliet (Public); A Tree Grows in Brooklyn, Kismet (Encores!); Salome (NYC Opera). Regional: The Wiz, Zhivago, Mambo Kings; The Marriage of Figaro (L.A. Opera); Chita and All That Jazz. International: Disney’s Tarzan (World Theatre award nom); West Side Story, The Sound of Music (Stratford); Peggy Sue Got Married (West End); Kiss Me, Kate (Japan). TV: “So You Think You Can Dance: Canada” (CTV); “Broadway: The American Musical” (PBS), “The 14th American Comedy Awards” (ABC); “Triple Sensation” (CBC). Ovation Award for Empire: A New American Musical and four Dora Award nominations in Canada. Upcoming: Leap of Faith (choreographer) and Flashdance (director/choreographer), the first national tours of Memphis and The Addams Family. CHRISTOPHER JAHNKE (Music Producer/ Music Supervisor). Orchestrations: Les Misérables (B’way, Madrid, Netherlands, London, UK tour, U.S. tour, Dutch album, Spanish album, 25th anniversary album, O2 arena concert — also DVD/Blu-ray), Dessa Rose, A Man of No Importance, Legally Blonde, Cry-Baby, Grease (2007
revival), Tom Jones (Stiles/Leigh), Chasing Nicolette, Dear World, Not Wanted on the Voyage, Just So. Assistant to William David Brohn: Sweet Smell of Success, Ragtime, The Three Musketeers, The Witches of Eastwick, Mary Poppins, Wicked. Current: Porgy and Bess (orchestrations), orchestrations for Do You Hear the People Sing? (symphonic tour of Schonberg/Boublil). DAVID GALLO (Set and Co-Projections Design). Mr. Gallo’s designs can be seen daily in more than a dozen cities worldwide. In addition to numerous Broadway productions, he has worked extensively throughout Europe and Asia. Mr. Gallo won the Tony Award for best scenic design of a musical for The Drowsy Chaperone; his work as the original set designer for August Wilson’s later plays garnered him two additional Tony nominations. David was selected to design August Wilson’s Twentieth Century at the Kennedy Center as well as represent American Set Design at the Cooper-Hewitt Design Triennial. His work is part of the National Archive at the Smithsonian. HOWELL BINKLEY (Lighting Design). Recent Broadway: How to Succeed… starring Daniel Radcliffe (2011 Tony nomination), Million Dollar Quartet, West Side Story (2009 Tony nomination), Gypsy starring Patti LuPone, In the Heights (2008 Tony nomination), Jersey Boys, Avenue Q, The Full Monty, Parade, Kiss of the Spider Woman, How to Succeed… starring Matthew Broderick. The Joffrey Ballet’s Billboards, the Kennedy Center’s Sondheim Celebration and the designs for more than 60 pieces for Parsons Dance, which he co-founded with David Parsons. Five-time Helen Hayes Award recipient, 1993 Olivier and Canadian Atlanta’s Performing Arts Publication 27
who’s who Dora awards for Spider Woman; 2006 Henry Hewes Design Award, Outer Critics Circle and Tony Award for Jersey Boys. PAUL TAZEWELL (Costume Design). Broadway: Memphis (2010 Tony nomination); Lombardi; Guys and Dolls; In the Heights (Tony nomination); The Color Purple (Tony nomination); Bring in ’da Noise, Bring in ’da Funk (Tony nomination); Caroline, or Change; A Raisin in the Sun; Drowning Crow; On the Town; Def Poetry Jam; Elaine Stritch: At Liberty; Fascinating Rhythm. Off-Broadway: Ruined; Flesh and Blood; Harlem Song; Dina Was; City Center Encores! The Wiz, Li’l Abner and Purlie. The Met: Faust. KEN TRAVIS (Sound Design). Broadway designs: Memphis, The Threepenny Opera, Barefoot in the Park, Steel Magnolias. Numerous regional theatres and companies including 5th Avenue Theatre, La Jolla Playhouse, Seattle Rep, the Guthrie Theater, Dallas Theater Center, McCarter Theatre, Playwrights Horizons, the New Group, NYSF Public Theater, CSC, SoHo Rep, the Civilians, Mabou Mines and festivals across Europe and the United States. When not designing theater, Ken is a FOH and monitor engineer for rock bands and groups across the globe. GEORGE W. GEORGE (Story Concept) produced nine Broadway shows including Any Wednesday, the Tony Award-nominated Dylan starring Alec Guinness, and Bedroom Farce written by Alan Ayckbourn. George began his career writing for television: “Bonanza,” “The Rifleman” and “Wanted: Dead or Alive.” His film writing credits include The Navadan, Peggy and Smoke Signal. George produced The James Dean Story, directed by Robert Altman; Night Watch, starring Elizabeth Taylor; Rich Kids, written by Judith Ross; 28 EncoreAtlantA.com
and My Dinner With Andre, directed by Louis Malle. SHAWN SAGADY (Co-Projections Design) has been with Memphis from the La Jolla and Seattle runs and was thrilled to make his Broadway debut with this soulful show. Other credits include Father Comes Home From the War (Parts 1, 8 & 9) (Public Theater); Back Back Back (Old Globe); Franco Dragone’s Carmen (La Jolla Playhouse); The Adding Machine (La Jolla Playhouse); the award-winning Cowboy vs. Samurai (Mo’olelo); and Dear Miss Breed (Asian Story Theater). CHARLES G. LaPOINTE (Hair and Wig Design). Broadway: 33 Variations, Guys and Dolls, In the Heights, Jersey Boys, The Color Purple, Martin Short: Fame…, Good Vibrations, The Apple Tree, A Raisin in the Sun, Cat on a Hot Tin Roof, The Lieutenant of Inishmore, Radio Golf, Sight Unseen, Cymbeline, Henry IV, The Rivals, Xanadu and Superior Donuts. Jersey Boys U.S. tour, Chicago, Las Vegas, Toronto, London and Melbourne; The Color Purple national tour; Xanadu national tour; and In the Heights national tour. Many off-Broadway and regional credits. Love to James. STEVE RANKIN (Fight Director). Broadway: Bonnie and Clyde, Henry IV, Parts I and II; Jersey Boys; The Farnsworth Invention; Dracula; Twelfth Night; Two Shakespearean Actors; Anna Christie; The Real Inspector Hound; Getting Away With Murder; The Who’s Tommy. OffBroadway: The Third Story, Pig Farm, The Night Hank Williams Died, Below the Belt. Stratford Shakespeare Festival: Romeo and Juliet, Caesar and Cleopatra, Macbeth. Metropolitan Opera: Rodelinda, Iphigénie en Tauride. Mr. Rankin is also a mandolinist with folk/bluegrass artist Susie Glaze and the Hilonesome Band.
who’s who TELSEY + COMPANY (Casting). Broadway/ tours: Evita, Porgy and Bess, Bonnie & Clyde, Godspell, Chinglish, Spider-Man, Sister Act, Priscilla Queen of the Desert, The Addams Family, Rock of Ages, Wicked, Bring It On. Off-Broadway: Rent, Million Dollar Quartet (+ tour, Chicago), Atlantic, MCC, Signature. Film: The Odd Life of Timothy Green, Joyful Noise, Friends With Kids, Margin Call, Howl, Sex and the City, Jonah Hex, Main Street, The Other Woman, I Love You Phillip Morris, Rachel Getting Married, Dan in Real Life, Then She Found Me, Across the Universe, Ira & Abby, Rent, Pieces of April, Camp, The Grey Zone, Finding Forrester, The Bone Collector. TV: “Smash,” “A Gifted Man,” “The Big C.” www.telseyandco.com. DARYL WATERS (Co-Orchestrator). Orchestrations: Bring in ’da Noise, Bring in ’da Funk; Street Corner Symphony (Broadway). Dance music arrangements: The Color Purple; Jelly’s Last Jam (Broadway). Original music: Noise/Funk (Tony/Grammy nominations), Drowning Crow (Broadway). Longtime music director for Eartha Kitt. Mr. Waters is a music graduate of Livingstone College in Salisbury, NC. Alvin Hough Jr. (Music Director/ Conductor). Dreamgirls (national tour); Innocence — workshop (Manhattan Theatre Club); Saving Aimee by Kathie Lee Gifford (New 42nd St Studios); One Night Only Benefit with Sheryl Lee Ralph (Memorial Theatre); Say It Ain’t So (Kennedy Center); Night at the Oak Room (Algonquin). Graduate of Harvard University, 2006. AUGUST ERIKSMOEN (Dance Arranger). Broadway: The Addams Family, Memphis, Million Dollar Quartet, Ring of Fire, All Shook Up, Rent. Off-B’way: Romantic 30 EncoreAtlantA.com
Poetry, Walmartopia, Imperfect Chemistry. 1st nationals: All Shook Up, The Full Monty. Other arranging/orchestrating credits: A Christmas Story (5th Avenue, tour), James and the Giant Peach, Winnie the Pooh, Always Patsy Cline, Honky Tonk Angels. MICHAEL KELLER (Music Coordinator). Music coordination for Broadway: The Book of Mormon, The Addams Family, Billy Elliot, Wicked, Mamma Mia!, The Lion King and the upcoming Bring It On. Barbra Streisand concerts in 1994, 2001, 2006 and 2007. Life is complete with wife Pamela Sousa, son Zachary, and daughter Alexis. JUNIPER STREET PRODUCTIONS INC. (Production Manager). Hillary Blanken, Guy Kwan, Ana Rose Greene, Joseph DeLuise. Founded in 1998, the company has helped create more than 30 Broadway productions, more than 20 national tours, and numerous Las Vegas productions. Broadway and touring highlights include: Spider-Man; Follies; How to Succeed…; Promises, Promises; Memphis on Broadway; Million Dollar Quartet; Gypsy; Impressionism; 33 Variations; Slava’s Snowshow; Bette Midler at Caesar’s Palace; Xanadu; Company; Grey Gardens; Martin Short; The Wedding Singer; Little Shop of Horrors; The Producers; All Shook Up; Sweet Smell of Success; Blue Man Group Live at Luxor; and Fosse. ALCHEMY PRODUCTION GROUP (General Management) is headed by partners Carl Pasbjerg and Frank Scardino, who have been responsible during their lengthy careers as general managers and producers for dozens of live stage attractions. Prior productions include Follies, Mel Brooks’ Young
who’s who Frankenstein, Ragtime, 700 Sundays, The Pirate Queen, Fosse, Jekyll & Hyde, Steel Pier, Show Boat, Candide, Kiss of the Spider Woman and Guys and Dolls, to name a few, in addition to their many touring and Off-Broadway shows. www. alchemyproductiongroup.com. ADAM ARIAN (Associate Director) is thrilled to be working on Memphis again. He assisted Chris on the original production while studying for his M.F.A. at UCSD. While there, he won San Diego’s patté award for outstanding direction, and several other directing awards. He was the Geva Theater Center’s directing fellow in 2010. EDGAR GODINEAUX (Associate Choreographer). Credits: SYTYCD Canada, Memphis (Broadway, first national tour, La Jolla, 5th Avenue). Aida, Swing!, Pajama Game, E.S., Merrily We Roll Along, Sondheim Celebration. Assistant choreography: Great Observer, Bolden, Idlewild, Five Heartbeats. Film/ television: Chicago, “Glee,” “Law & Order: CI.” Tours: Michael Jackson, Mariah Carey, Diana Ross. PKG, LRG Daddy loves you. RAY GIN (Production Stage Manager) recently completed the national tours of Dreamgirls and A Chorus Line and is thrilled to be part of Memphis. He previously opened and helmed the Phantom: The Las Vegas Spectacular at the Venetian, the record-breaking runs of Phantom in Los Angeles with Michael Crawford and San Francisco. Other credits include The Ten Commandments with Val Kilmer, The Lion King, Mamma Mia!, Martin Guerre, Chicago, Les Misérables, Cats, A Little Night Music and many others, celebrating 39 years in the theatre. He is most proud of his
volunteer work for AIDS charities and is a long-standing member of Actor’s Equity Association. ANNA R. KALTENBACH (Stage Manager). Shrek the Musical (first national); Joseph… (Tokyo); A Chorus Line (first national); Mamma Mia! (international tour 2); Dirty Rotten Scoundrels (first national); Joseph… (Marriott Lincolnshire and Chicago Shakespeare); Other Theatre Company; Western Stage; Cleo Parker Robinson Dance; Colorado Ballet; Opera Colorado. Thank you Ray! Proud Actors’ Equity member. TIFFANY N. ROBINSON (Assistant Stage Manager) is thrilled to work with such an amazing cast and crew. This Philly native holds a B.F.A. in Theatre Arts Administration from Howard University. Recently served as ASM for the national tour of Dreamgirls among numerous other shows. She would like to thank her mother for all of her support. JUNKYARD DOG PRODUCTIONS (Producer) is dedicated to developing and producing new musicals. In addition to winning the 2010 Tony, Drama Desk and Outer Critics Circle Awards for Best Musical for Memphis, Junkyard has produced Make Me a Song: The Music of William Finn (Drama Desk, Outer Critics Circle noms.). Off-Broadway and London: Vanities: A New Musical and Party Come Here. Founding partners: Randy Adams, Marleen and Kenny Alhadeff, Sue Frost. www.jydprod.com. B2 + 4 PRODUCTIONS, LLC (Producers). Barbara and Buddy Freitag formed their company in 2004 with the mission of bringing original musicals and plays to Broadway. Credits: The Mountaintop; Memphis (four Tonys including best musical, 2010); August (Tony); The Atlanta’s Performing Arts Publication 31
who’s who Drowsy Chaperone (five Tonys); Passing Strange (Tony nomination); November (Nathan Lane); Catch Me If You Can (Tony nomination). Barbara is on the board of the Transport Group Theater Co. and a patron of Lincoln Center Theater and Manhattan Theatre Club. Buddy, a former advertising executive and mortgage banker, and Barbara have always shared a passion for theater … and that helps keeps them together.
THE 5th AVENUE THEATRE is acclaimed as one of the nation’s leading musical theater companies. Under the leadership of Executive Producer/ Artistic Director David Armstrong, Managing Director Bernadine Griffin, and Producing Director Bill Berry, The 5th has premiered 10 musicals in the past 10 years including Hairspray, The Wedding Singer, Shrek and Catch Me If You Can. www.5thavenue.org.
MARLEEN and KENNY ALHADEFF (Producers) have been involved in theater for most of their lives. They are the producing partners of Seattle’s 5th Avenue Theatre and have invested in and helped develop more than 25 pieces of theater. Bringing their passion to Broadway as partners in Junkyard Dog Productions, they are lead producers of the 2010 Tony Award winner for best musical, Memphis. They strongly believe theater is essential to the soul.
NORTH SHORE MUSIC THEATRE. Re-opened in 2010 by owner and producer Bill Hanney, it is a 1,500-seat arena theater in Beverly, Mass. NSMT proudly developed Memphis under then Artistic Director Jon Kimbell. The upcoming season, with Artistic Director Arianna Knapp of SenovvA Inc, will feature the New England premiere of 9 to 5, and the return of its original A Christmas Carol, a musical ghost story.
LA JOLLA PLAYHOUSE. Tony Awardwinning La Jolla Playhouse is renowned for creating some of the most exciting and adventurous work in American theater. Led by Ar tistic Director Christopher Ashley, notable productions and Broadway transfers include Jersey Boys, Billy Crystal’s 700 Sundays, 33 Variations, the Pulitzer Prize-winning I Am My Own Wife, Big River, The Who’s Tommy and Thoroughly Modern Millie. www. lajollaplayhouse.org.
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THEATREWORKS, founded by Artistic Director Robert Kelley, is celebrating its 40th season of producing award-winning theater in Silicon Valley. Led by Kelley and Managing Director Phil Santora, the company is nationally recognized as an incubator for new work, having launched 53 world premieres and nurtured more than 60 other developmental projects.
who’s who STAFF FOR Memphis General Management Alchemy Production Group Carl Pasbjerg Frank P. Scardino Company Manager Erik Birkeland Associate Company Manager Tegan Meyer Production Management Juniper Street Productions Hillary Blanken Guy Kwan Ana Rose Greene Joseph DeLuise Marketing and Press Representatives Anita Dloniak & Associates, Inc. Anita Dloniak Diane Rodes Melissa A. Hazek Casting Telsey + Company: Bernie Telsey CSA, Will Cantler CSA, David Vaccari CSA, Bethany Knox CSA, Craig Burns CSA, Tiffany Little Canfield CSA, Rachel Hoffman CSA, Justin Huff CSA, Patrick Goodwin CSA, Abbie Brady-Dalton CSA, David Morris, Cesar A. Rocha, Andrew Femenella, Karyn Casl, Kristina Bramhall
Advertising aka Liz Furze Scott A. Moore Elizabeth Findlay Joshua Poole Janette Raush Adam Jay Erik Alden Tour Direction The Booking Group Meredith Blair, Kara Gebhart www.thebookinggroup.com Associate Director Adam Arian Production Stage Manager..........................Ray Gin Stage Manager........................ Anna R. Kaltenbach Assistant Stage Manager.......... Tiffany N. Robinson Junkyard Dog Associate.........................Kristel J. Brown Associate to the General Manager.....Amanda Coleman Assistant Choreographer......... Jermaine R. Rembert Dance Captain..................................... Kyle Leland Assistant Dance Captain....... Kenna Michelle Morris Assistant Fight Director......................Shad Ramsey Fight Captain.................................Derek St. Pierre Make-up Designer....................... Angelina Avallone Associate Scenic Designer............. Steven C. Kemp Associate Costume Designer...............Rory Powers Associate Lighting Designer..............Mark Simpson Associate Hair Designer...................... Leah Loukas Assistant Costume Designer...............Kara Harmon Assistant to the Costume Designer.Adrianne Carney Costume Intern............................... Meghan Gaber Assistant Lighting Designer............... Amanda Zieve 34 EncoreAtlantA.com
Associate Sound Designer................ Alex Hawthorn Moving Lights Programmer..................... David Arch Projections Programmer................... Shawn Sagady Production Carpenter........................... Erik Hansen Head Carpenter............................. Matthew McKim Flyman........................................... Nathan Fulmer Assistant Carpenter (Automation).....Alex Brandwine Assistant Carpenter (Rigger)............Christian Young Production Electricians.................... James Fedigan & Randall Zaibek Head Electrician............................... Daniel Swalec Assistant Electrician...................... Heather Layman Assistant Electrician...........................Emily Stamm Production Property Master................. Mike Pilipski Head Property Master...................... Ryan Marquart Assistant Property Master.................Dean Burchett Production Sound Engineer....................... Phil Lojo Sound Engineer.................................. Todd Higgins Assistant Sound Engineer................... Kevin McCoy Wardrobe Supervisor.................... Stacey Stephens Associate Wardrobe Supervisor............ Mary Seasly Star Dressers....... Tommy Seawright, Jocelyn Seawright Dresser to Mr. Fenkart................. Tommy Seawright Hair Supervisor................................Kelly Flanagan Assistant Hair Supervisor.................... Karin Craven Music Copying..................... Christopher Deschene Keyboard Programmer.................... Kenny Seymour Music Intern..............................Neil Douglas Reilly Production Assistant......................Sarah Helgesen Scenic/Projection Studio Manager....... Sarah Zeitler Lighting Intern..................................... Dan Mueller Scenic Design Interns..........................Pamela Lee, Ga Hyun Bae, Samantha Shoffner Digital /Internet Marketing............................ 87AM Adam Cunningham, Alex Bisker, Xiemena Sanchez, Nick Shylo Social Media Director........................ Carolyn Miller Accountant................... Fried & Kowgios CPA’s LLC Controller..... Galbraith & Company/Sarah Galbraith Legal Counsel.Beigelman Feldman & Associates PC Payroll Services...................Castellana Services Inc Banking......................................... Signature Bank Insurance.......................................... DeWitt Stern Physical Therapy Services............ Neuro Tour Physical Therapy Inc. Dr. Thomas Myers M.D. / Myers Sports Medicine Hotel Coordinator.........Road Concierge/Lisa Morris Travel Services..................Carlson Wagonlit Travel/ Janice Kessler Merchandising............ Marquee Merchandise, LLC/ Matt Murphy Tour Merchandise Manager.............Nathan Gardner
who’s who Credits Scenery construction and scenic motion control featuring Stage Command Systems by PRG Scenic Technologies, New Windsor NY. Scenery constucted by Showman Fabricator, Inc., Long Island City, NY. Soft goods built by I. Weiss and Sons, Inc., Long Island City, N.Y. Lighting Equipment provided by PRG Lighting, North Bergen, N.J. Sound equipment provided by Masque Sound, East Rutherford, N.J. Projection equipment provided by Scharff Weisberg Inc., Long Island City, N.Y. Props built by Prop N Spoon, Rahway, N.J. Ms. Boswell and Ms. Johnson’s costumes by Donna Langman Costumes. Additional ladies’ costumes by Euro Co Costumes, Inc.: D Barak Stribling; Tricorne, Inc. Ladies’ finale by Limelight Costume Services, HK. Mr. Fenkart and Mr. Darrington’s tailoring by Brian Hemesath. Additional tailoring by Jennifer Love Costumes, Inc.; Scafati, Inc.; and D.L. Cerney. Men’s shirts, finale suits, and band suits by Top Hat Imagewear. Additional shirts by Cego. Dance shoes by Worldtone Dance. “Gator” head by Rodney Gordon, Inc. Ernest C Withers Estate, courtesy Panopticon Gallery, Boston, MA: Dewey Phillips of WHQB, Red Hot and Blue Program, The Hippodrome, Beale Street, Memphis early 1950s #LV61C. Clarence Gatemouth Brown at Club Handy, Memphis, TN. Count Basie, Ruth Brown, Billy Eckstine, The Hippodrome, 1950s. Percy Mayfield (with drumsticks) and band, The Hippodrome 1951. Cymbals provided by Zildjian. Guitar amps provided by Mesa Boogie.
The actors and stage managers employed in this production are members of Actors’ Equity Association, the union of professional actors and stage managers in the United States. The Director and Choreographer are members of the Society of Stage Directors and Choreographers, Inc., an independent national labor union. Backstage and Front of the House Employees are represented by the International Alliance of Theatrical Stage Employees (or I.A.T.S.E.). United Scenic Artists represents the designers and scenic painters for the American Theatre. The Press Agents and Company Managers employed in this production are represented by the Association of Theatrical Press Agents & Managers. The musicians employed in this production are members of the American Federation of Musicians.
This production is produced by a member of the League of American Theatres and Producers in collaboration with our professional union-represented employees. Support for open captioning provided by Theatre Development Fund.
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1718 Peachtree St NW, Suite 181, Atlanta GA 30309 Monday - Friday 10:00 a.m. - 5:00 p.m. 404.873.4300 Russ Belin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Vice President Amanda Martie . . . . . . . . . . . . . . . . . . . . . . . . . Ticketing Manager Kevin Ogle . . . . . . . . . . . . . . . . Ticketing /Administrative Assistant Rebekah K. Jones . . . . . . . . . . . . . . . . . . . . . . . Technical Director Terry Romanoli . . . . . . . . . . . . . Director of Corporate Partnerships Marc Viscardi . . . . . . . . . . . . . . . . Director of National Marketing For media inquiries, please contact Jennifer Walker at BRAVE Public Relations, 404-233-3993.
Thank you to our Sponsors:
FOR INFORMATION regarding corporate partnerships and promotional opportunities with Broadway in Atlanta, please call 404.873.4300.
The remaining 2011-12 season is jam-packed with dance, drama and excitement all characterized through our fantastic lineup of blockbusters including Billy Elliot, Les Miserables and Jersey Boys! Visit BroadwayInAtlanta.com for more information. Watch exclusive videos, become a fan, follow us and visit us online:
: youtube.com/BAANational : facebook.com/BroadwayAcrossAmericaAtlanta : twitter.com/BroadwayAtlanta Visit our home page at BroadwayInAtlanta.com
FOR YOUR INFORMATION The Theatre A fully restored 1929 “Movie Palace,” the Fox Theatre, with 4,678 seats, is a multiple-purpose facility, housing Broadway shows, ballet, symphonies, concerts, movies, and private corporate events.
Lost and Found Lost and Found items are turned in to the House Manager’s office. To check on lost items, please call the House Manager at 404.881.2075. Lost and Found items will be retained for 30 days.
Private Rooms The Fox Theatre has three private rental spaces, with accommodations for 25 to 1,200 guests. Our Egyptian Ballroom and Grand Salon are beautifully decorated and can be set up to your specifications. The Landmarks Lounge is adjacent to the lobby and is perfect for a small pre-show and intermission event. To book your ”Fabulous Fox“ evening, please call 404.881.2100 or visit us at www.foxtheatre.org.
Emergency Information In the event of an emergency, please walk to the nearest exit. Do Not Run.
The Box Office The Fox Theatre Box Office is located in the arcade entrance to the theatre. The Box Office is open for walk up ticket sales Monday-Friday, 10:00 a.m.-6:00 p.m., and Saturday, 10:00 a.m.-3:00 p.m. The Fox Theatre Box Office is not open on Sundays unless there is a performance. On event days, the Box Office opens two hours prior to show time. Doors to the Fox open one hour prior to show time. Tickets for all performances at the Fox may be purchased at any TICKETMASTER outlet, by calling TICKETMASTER at 800.745.3000, or by visiting the Fox Theatre Box Office in person during regular Box Office hours. Group Sales The Fox Theatre Group Sales Department offers discounts to Groups for most Broadway shows. The Group Sales office is open Monday-Friday from 9am to 5pm. Call 404 8812000 or email foxgroup@foxtheatre.org. Concessions Concession stands are located in the Spanish Room, main lobby, and on the mezzanine lobby level. Restrooms Restrooms are located off the Main Lobby (downstairs), Mezzanine Lobby levels, and the Gallery level. Accessible restroom facilities are located in the Spanish Room and Accessible/Family restrooms are located through the Office door in the main lobby. Gift Shop The Fox Theatre operates a gift shop selling history books, T-shirts, sweatshirts, and an assortment of other theatre-related merchandise. The gift shop is located in the Spanish Room. Tours Tours of the Fox Theatre are available through the Atlanta Preservation Center. Tours are conducted Mondays, Wednesdays, and Thursdays at 10:00 a.m. and Saturdays at 10:00 a.m. and 11:00 a.m. Tours begin in the Peachtree Street Arcade entrance to the theatre. For more information on tours and to confirm the tour schedule, please call the Atlanta Preservation Center at 404.688.3353.
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Smoking In accordance with the Fulton County Clean Air Ordinance, the Fox Theatre is a smoke-free facility. Smoking is only permitted in designated areas. Special Needs Ken Shook, Patron Services Coordinator, is our liaison to the disabled community. He can be reached at 404.881.2118 and can provide information on the locations and prices of accessible seating and other programs for the disabled. The Fox Theatre also has a brochure detailing all these programs for our patrons with special needs. This brochure is available at the Concierge Desk in the Arcade. An audio clarification device (Phonic Ear) is available for patrons with hearing disabilities. It is available, free of charge, on a first-come, first-serve basis on the evening of a performance, or you may reserve a device by calling the Patron Services Director. A limited number of booster seats are also available free of charge. Elevators Elevators are located at the north end of each lobby. The elevators are available during all performances and make it possible to access each lobby without the use of stairs. Patrons should be aware that access to upper seating areas do involve stairs. Parking Parking is available within a four-block radius in all directions of the Fox Theatre. Advanced reserved parking is available for sale at the Fox Box Office or by calling TICKETMASTER at 800.745.3000. The Fox Theatre assumes no responsibility for vehicles parked in any of the privately owned parking lots operating in the Fox Theatre district. Performance Notes All patrons, regardless of age, must have a ticket in order to be admitted to the theatre. Not all events are suitable for children. Infants will not be admitted to adult programs/performances. Parents will be asked to remove children who create a disturbance. Latecomers will be seated at the discretion of the management, in conjunction with the wishes of the producers. Please turn off all pagers and cell phones prior to the beginning of each performance. Camera and recording devices are strictly prohibited. Backstage employees are represented by the International Alliance of Theatrical Stage Employees (I.A.T.S.E.)
etiquette 1. Please arrive early. Latecomers may not be seated until intermission. 2. Take care of personal needs (drinks of water or restroom) before the performance begins. 3. Please silence or turn off all electronic devices, including cell phones, beepers, and watch alarms. We encourage you to share your experience at the Fox via social media, but please refrain from doing so or texting during performances; the glow from your device is distracting. 4. Most shows do not allow photography of any kind. Flash photography inside the theatre is never allowed as it is a distraction to those around you and a danger to the performers. 5. The overture is part of the performance. Please cease talking at this point. 6. Dear Lovebirds, when you lean your heads together, you block the view of the people behind you. Please consider the people that will be seated behind you when choosing whether or not to wear a hat or what hair style you choose. 7. Please refrain from talking, humming, or singing along with the show, except when encouraged to do so by the artist or show. 8. Please wait for an appropriate moment to dig something out of your pocket or bag. 9. Go easy with the perfume and cologne, many people are highly allergic. 10. If you need assistance during the show, please go to your nearest volunteer usher. If additional assistance is needed the usher will get the appropriate person to further help you. 11. Yes, the parking lot gets busy and public transportation is tricky, but leaving while the show is in progress or before the actors have taken their final bows is discourteous. Wait until it is over and then exit with the rest of the audience.
The Fox Theatre 660 Peachtree Street, N.E. Atlanta, Georgia 30308 404.881.2100 • www.foxtheatre.org
STAFF
Allan C. Vella . . . . . . . . . . . . . . . . . . . General Manager Adina Alford Erwin . . . . . . . . Assistant General Manager Pat “Sunshine” Tucker . . . . Director of Ticketing & Box Office Robert Burnett . . . . . . . . . . . . . . . . . . . . . . . . . Controller Rick Robbins . . . . . . . . . . . . . . . . . . . Assistant Controller Jennifer S. Farmer . . . . . . . . . Director of Sales/Ballrooms Oliver Diamantstein . . . . . Director of Food and Beverage Len Tucker . . . . . . . . . . . . . . . . . . . Director of Operations Pat Prill . . . . . . . . . . . . . . . . . . . . . . . . . House Manager Greta Duke . . . . . . . . . . . . . . . Assistant House Manager Kristen Delaney . . . . . . . . . . . Director of Marketing & PR Ken Shook . . . . . . . . . . . . . . Patron Services Coordinator Shelly Kleppsattel . . . . . . . . Booking & Contract Associate Jamie Vosmeier . . . . . Director of Group Sales, Education & Community Outreach Molly Fortune . . . . . . . . Preservation Department Manager Amy Smith . . . . . . . . . . . . . . . . . . . . Production Manager Rebecca J. Graham . . . . . . Assistant Production Manager Gary Hardaway . . . . . . . . . . . . . . . . . .Master Carpenter Larry Watson . . . . . . . . . . . . . . . . . . . . . . . House Flyman Scott Hardin . . . . . . . . . . . . . . . . . . . . . . Property Master Ray T. Haynie . . . . . . . . . . . . . . . . . . . Master Electrician Cary Oldknow . . . . . . . . . . . . . . . . . . Assistant Electrician Rodney Amos . . . . . . . . . . . . . . . . Head Sound Engineer Larry-Douglas Embury . . . . . . . . . . Organist In Residence Tammy Folds . . . . . . . . . . . . Production Security Manager
EXECUTIVE COMMITTEE AND BOARD MEMBERS Alan E. Thomas . . . . . . . . . . . . . . Chairman of the Board Edward L. White . . . . . . . . . . . . . . . . . . . . . . . President Beauchamp C. Carr . . . . . . . . . . . . . . 2nd Vice President John A. Busby Jr. . . . . . . . . . . . . . . . . . 3rd Vice President Julia Sprunt Grumbles . . . . . . . . . . . . . 4th Vice President Edward Hutchison . . . . . . . . . . . . . . . . . . . . . . Treasurer Robyn Rieser Barkin . . . . . . . . . . . . . . Assistant Treasurer Clara Hayley Axam . . . . . . . . . . . . . . . . . . . . . Secretary Walter R. Huntley Jr. . . . . . . . . . . . . . . . Member at Large Robert E. Minnear . . . . . . . . . . . . . . . . Member at Large Carl V. Patton. . . . . . . . . . . . . . . . . . . . Member at Large Ada Lee Correll, Richard Courts IV, Keith Cowan, Robert L. Foreman Jr., F. Sheffield Hale, John R. Holder, Florence Inman, Craig B. Jones, Steve Koonin, Charles Lawson, Starr Moore, Jay Myers, Joe G. Patten, Glen J. Romm, Sylvia Russell, Nancy Gordy Simms, Clyde C. Tuggle, Carolyn Lee Wills.
HONORARY BOARD MEMBERS Anne Cox Chambers, Arnall (Pat) Connell, Rodney Mims Cook Jr., Jere A. Drummond, Richard O. Flinn III, Arthur Montgomery, Joseph V. Myers Jr., Edward J. Negri, Edgar Neiss, Herman J. Russell, Preston Stevens Jr.
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Atlanta’s Performing Arts Publication 39
South City Kitchen
Fox theatre Dining Guide
Looking for a great night out? Try one of these local restaurants before or after the show. For Dinner and a Show packages, visit encoreatlanta.com/offers. Neighborhood codes: A–Alpharetta, B–Buckhead, DK-Dekalb, D–Downtown, DW-Dunwoody, IP–Inman Park, M—Midtown, OFW–Old Fourth Ward, P–Perimeter Mall area, SS–Sandy Springs, VH–Virginia-Highland, NA—North Atlanta, V—Vinings, W–Westside
American 5 Napkin Burger is a great neighborhood restaurant with a broad array of dishes including handcrafted sushi, salads and a full selection of entrees. Choose from 50 beers, 100 wines and 10 specialty cocktails. 990 Piedmont Ave NE, 404-685-0777, 5napkinburger.com. M Deckard’s Kitchen and Kegs a neighborhood American tavern with a New England twist. Serving simple craft cuisine, classic ingredients and an extensive, eclectic beer selection. 650 Ponce De Leon Ave., 404-941-3520, kitchenandkegs.com. M Lenox Square Grill offers breakfast, lunch and dinner daily. DJ every Friday and Saturday night til 2am. Private meeting rooms accommodate up to 150. 3393 Peachtree Rd. NE, 404-841-2377, lenoxsquaregrill.com. B Livingston Restaurant and Bar It’s hard to beat the location (across from the Fox Theatre in the 40 EncoreAtlantA.com
Georgian Terrace), and diners get complimentary parking, but the main attraction is the glamour of the main dining room, which has hosted the likes of Clark Gable, and the al fresco seating area, which is available in warm weather. 659 Peachtree St. NE, 404-897-5000, livingstonatlanta.com. M Lobby The menu focuses on seasonal fare at this sophisticated American restaurant in the lobby of TWELVE Atlantic Station. 361 17th St., 404-9617370, lobbyattwelve.com. M ONE.midtown kitchen Dine on fresh, seasonal American cuisine in a club-like atmosphere near Piedmont Park. 559 Dutch Valley Rd., 404-8924111, onemidtownkitchen.com. M The Melting Pot is the premiere fondue restaurant where guests can enjoy a choice of fondue cooking styles and a variety of unique entrees, salads and indulgent desserts. Four Atlanta locations, including 754 Peachtree St. NE, 404-389-0099, meltingpot.com. M
Moderation shmoderation.
Just blocks from the Fox Theatre at 40 7th Street NE Sun.-Thurs. 5:30-10pm | Fri.-Sat. 5:30-11pm | Bar open daily at 4pm 404.347.9555 | ecco-atlanta.com | @FifthGrouper | facebook.com/eccoatlanta PRESENT YOUR TICKET STUB FOR 10% OFF YOUR MEAL!
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Murphy’s This restaurant has one of the city’s top brunch menus, but it’s known for great peoplewatching and its contemporary comfort food. 997 Virginia Ave., 404-872-0904, murphysvh.com. VH
fisherman and producers. It recaptures pure flavors and tastes of natural and organic ingredients while bursting with delicious flavors. 176 Peachtree St. NW, 678-651-2770, ellishotel.com/terrace. D
Taco Mac Atlanta’s favorite family friendly sports restaurant and bar since 1979. Consistently voted best wings and beer selection, Taco Mac has something for everyone. 25 metro Atlanta locations, including 933 Peachtree St. NE, blocks away from the Fox Theatre. 678-904-7211, tacomac.com. M Two Urban Licks “Fiery” American cooking meets live music at this hip hangout. 820 Ralph McGill Blvd., 404-522-4622, twourbanlicks.com. M
asian fusion
American/steakhouse Joey D’s Oakroom Near Perimeter Mall, this stylish steak house has a staggering selection of spirits and a hot after-dinner singles scene. 1015 Crown Pointe Pkwy., 770-512-7063, centraarchy.com. P New York Prime A Prime Time Top 10 USDA Prime Steakhouse known for its wine list, atmosphere and world class service. 3424 Peachtree Rd. NE, 404846-0644, centraarchy.com. B Prime Enjoy steak, sushi and seafood in a festive atmosphere near Lenox Mall. 3393 Peachtree Rd. NE, 404-812-0555, h2sr.com. B Ruth’s Chris Steakhouse A favorite local steak house with multiple locations near shopping and entertainment hotspots. Sides are generous, and the quality of the steaks and seafood is excellent. Three locations: Buckhead, 3285 Peachtree Rd. NE, 404-365-0660; Sandy Springs, 5788 Roswell Rd., 404-255-0035; Centennial Olympic Park, 267 Marietta St., 404-223-6500; ruthschris.com. B, SS, D The Tavern at Phipps This is one of Atlanta’s hottest after-work spots, and has been singled out for its happy hour and singles scene by Jezebel, InSite Magazine and the AOL City Guide. 3500 Peachtree Rd. NW, 404-814-9640, centraarchy. com. B
American/southern South City Kitchen With a stylish, Southerncontemporary menu, this DiRoNA restaurant helped make grits hip for the business crowd. Two locatons: Midtown: 1144 Crescent Ave., 404-8737358; Vinings: 1675 Cumberland Pkwy., 770435-0700, southcitykitchen.com. M, V Terrace celebrates American heirloom recipes through supporting local and regional farmers, 42 EncoreAtlantA.com
Aja Restaurant & Bar Serving modern Asian cuisine, Aja has a 150-seat patio overlooking Buckhead and a huge lounge, where diners nosh on dim sum and sip mai tais. 3500 Lenox Rd., Ste. 100, 404-231-0001, h2sr.com. B Bluepointe Serving modern American cuisine with a splash of Asian flavor, it features inventive menu items from the kitchen and Atlanta’s freshest sushi. Home to a hip bar, creative cocktails and halfpriced happy hour on weekdays. 3455 Peachtree Rd., 404-237-9070, buckheadrestaurants.com. B
bakery Corner Café Enjoy the rich aroma of Pano’s Reserve blend coffee paired with baked-on-site pastries, bread, cookies and special desserts from the European-style bakery. The café serves a variety of breakfast, brunch and lunch selections with daily specials. 3070 Piedmont Rd., 404-2401978, buckheadrestaurants.com. B
brew pub/goUrmet pub fare Gordon Biersch Fresh-brewed beers are a tasty accent to this brewery-restaurant’s hearty pizzas, salads and sandwiches. For a small additional fee, pre-show diners can leave cars in the lot while they’re at the Fox. Two locations: Midtown: 848 Peachtree St. NE, 404-870-0805; Buckhead: 3242 Peachtree Rd. NE, 404-2640253, gordonbiersch.com. M, B Tap A gastropub offering easy-to-share pub fare and an extensive beer selection. The patio is a great place to chill after work. 1180 Peachtree St., 404-347-2220, tapat1180.com. M
creole/cajun Parish New Orleans-inspired dishes served with a modern twist and a fully stocked raw bar; a Nawlins-inspired brunch is served on the weekends. Downstairs, a take-away market sells sandwiches, spices, pastries and beverages. 240 N. Highland Ave., 404-681-4434, parishatl.com.
european fusion Ecco Esquire Magazine named this casual, European-influenced bistro a “Best New Restaurant
in America.” It’s also gotten raves for its killer wine list, wood-fired pizzas, and impressive meat and cheese menus. 40 Seventh St. NE, 404-347-9555, ecco-atlanta.com. M Top Flr This romantic two-story restaurant and bar features delicious bistro dishes, a wine list that rocks and wonderfully affordable prices. Monday Night Prix-Fixe three-course meal for $15. Located three blocks from the Fox Theater at 674 Myrtle St., 404685-3110. www.topflr.com. M
mediterranean/latin/asian fusion Shout A young crowd keeps Shout’s rooftop lounge hopping every night. The menu reflects a mix of Mediterranean, Far Eastern and South American influences. 1197 Peachtree St. NE, 404-846-2000, h2sr.com. M
french Bistro Niko Voted as one of the Top 20 Restaurants by Esquire magazine, the modern French fare is authentic and simple, while being paired with an affordable priced wine list, exciting cocktails and extensive craft beer list. 3344 Peachtree Rd., 404-261-6456, buckheadrestaurants.com. B
italian La Tavola Serving classic Italian cuisine for lunch and dinner in the heart of Virginia-Highland. 992 Virginia Ave., 404-873-5430, latavolatrattoria. com. VH Pricci is fun, stylish dining at its best. The contemporary Italian restaurant features an innovative menu which combines classic cuisine with modern flair. Join us every week for Jazzy Thursdays when bottles of wine are half-priced and live music sets the mood. 500 Pharr Rd., 404-237-2941, buckheadrestaurants.com.B
MEXICAN Cantina Tequila & Tapas Bar is located in the Terminus building on the corner of Peachtree and Piedmont roads. It features authentic Mexican cuisine and has become Buckhead’s newest watering hole. 3280 Peachtree Rd. NW, Terminus 100, Ste. 150, 404-892-9292, h2sr.com. B El Taco An eco-friendly watering hole serving fresh Mexican food made with all-natural meats and killer margaritas. 1186 N. Highland Ave.NE, 404-873-4656, eltaco-atlanta.com.VH
Music and Lyrics by Adam Guettel; Book by Craig Lucas — Atlanta Lyric Theatre proudly presents the Atlanta premiere of the lush romantic musical The Light in the Piazza. Winner of 6 Tony Awards, this soaring musical,composed by the grandson of Richard Rodgers, whisks its audience away to Italy for a captivating tale, which celebrates the beauty and passions of the human heart. It’s the summer of 1953, and Margaret Johnson, the wife of a North Carolina businessman, is touring the Tuscan countryside with her daughter Clara. In their travels, Clara meets and falls for a young Florentine boy, who is ardent in his pursuit of her. As the young couple’s love blossoms, Margaret is faced with a difficult choice: should she reveal a truth that could destroy her daughter’s happiness; or say nothing and let fate run its course?
404. 377.9948
www.AtlantaLyricTheatre.com
April 20 – May 6, 2012 117 N Park Sq. NE • Marietta, GA
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Located at 14th Street & Peachtree Street NE (404) 846-2000
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Nava offers a Southwestern experience with flavorful cuisine, bold design and striking architecture. Don’t miss out every Wednesday for Party on the Patio with live music, $5 signature margaritas and appetizers. 3060 Peachtree Rd., 404-240-1984, buckheadrestaurants.com. B
seafood/sushi Atlanta Fish Market More than 100 varieties from the deep are flown in fresh and the menu is printed twice daily. With a comfortable, neighborhood atmosphere, it has something for everyone. 265 Pharr Rd. NE, 404-262-3165. B Coast Seafood and Raw Bar serves Atlanta’s freshest seafood and island cocktails. The menu incorporates classics including crab and corn hush puppies, a signature seafood boil, and a variety of raw or steamed oysters, clams and mussels; along with signature fresh catch entrees. 111 W. Paces Ferry Rd. NW, 404-869-0777, h2sr.com. B Goldfish This fun seafood/sushi restaurant has Happy Hour specials Mon-Fri and nightly entertainment in its lounge. 4400 Ashford Dunwoody Rd., 770-671-0100, h2sr.com. P
steak/sushi Kyma Fresh, healthy food, attentive Greek hospitality and festive atmosphere await you. Enjoy a contempoary seafood tavern that stays true to its Greek orginis while you gaze at the dazzling constellation displayed on the deep blue ceiling. 3085 Piedmont Rd., 404-262-0702, buckheadrestaurants.com. B Noche A Virginia-Highland favorite known for its Spanish-style tapas dishes and margaritas. 1000 Virginia Ave., 404-815-9155, h2sr.com. VH Room This elegant restaurant serves steak and sushi on the ground floor of the TWELVE Centennial Park hotel. 400 W. Peachtree St., 404-418-1250, roomattwelve.com. D Strip This sophisticated steak, seafood and sushi restaurant offers an in-house DJ and a rooftop deck. Atlantic Station at 18th St., 404-385-2005, h2sr.com. M Twist This lively restaurant has a huge bar, satay station, tapas menu, sushi and seafood dishes; patio seating is first-come, first-served. 3500 Peachtree Rd. NW, 404-869-1191, h2sr.com. B
Our Professional Ensemble Bruce V. Benator, CPA, Managing Partner Kevin J. Hedrick, CPA, Partner Steven G. Horn, CPA, Partner Laura E. Speir, CPA, Partner Patricia A. Yeager, CPA, Partner
Certified Public Accountants and Consultants For over 25 years, the FIRM of CHOICE in Atlanta
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Fox fun facts:
HISTORIC LIGHTING FIXTURES Atlanta’s Fox Theatre lighting was a crowning achievement in its day. The light bulb was still relatively new and modern, yet the Fox’s fixtures were created to give the illusion of antiquity, foreign mystique and opulence. Some fun Fox lighting facts: The theatre lighting was designed to enhance the overall ambience of the architecture; it was not merely for the sake of illumination. Original blueprints for the Fox specify bulb wattage for each fixture. The Sterling Bronze Company was responsible for providing most of the original lighting still seen in the theatre’s interior today.
The auditorium’s ultramarine blue sky contains 96 twinkling stars that are 11-watt bulbs fixed above four-inch crystals that form actual constellations as they would be seen from the North African sky; the drifting clouds are produced by a special projector. The jeweled proscenium lanterns hanging over the stage are reproductions of the chandeliers hanging in the St. Louis Fox Theatre. 48 EncoreAtlantA.com
Fox Theatre Archives, PhotoS by Yukari Umekawa
Many of the light fixtures you see in the theatre were handcrafted and hand-painted in 1929.
Continued from page 14 pretty much all day long — rehearsing, taking class and performing onstage, often beginning as early as 1 p.m. The work ethic of dancers is extensive, as their schedule proves. It’s often augmented by a favorite workout. Boyd, for example, likes to go to the gym, is always stretching and always taking class. He calls the repertory “very manheavy” in its physical demands. “You definitely have to be a strong dancer, a strong person, a strong artist to be “You definitely have an Ailey man.” That strength to be a strong dancer, was called upon a strong person, often in 2011, as a strong artist to be Battle succeeded longtime artistic an Ailey man.” Kirven Boyd and director Judith Rachael McLaren Jamison and nine The dancers always look forward to new dancers were hired. Mack, who visiting Atlanta, calling it a home away knows Battle through work with his from home, says Mack, who danced Battleworks Dance Company, called with Ailey from 2005 to 2008 and the transition seamless. “The integrity of the work is still the returned in 2011. Boyd says they know where all the restaurants are and always same,” the new artistic director says of the Ailey way. “You always know what’s have a good time here. At home in New York, Ailey dancers expected of you as a dancer.” So while much has changed, much is do their work and go their separate ways. On the road it’s different, Mack the same. This Ailey tour carries with it says. They eat, travel and stay together. the legacy that began in that New York Boyd and Mack want you to know Y so many years ago. two things about Ailey dancers: They are normal and they are amazing. Onstage Danielle Deadwyler is an Atlanta-based the dancers are larger than life; offstage, writer, actor and mother to a dancing says Mack, they are down to earth. machine. Read more of her stories at They’re amazing because they dance tinyurl.com/atldanielle. 50 EncoreAtlantA.com
Andrew Eccles
The company’s visits have become a post-holiday ritual in Atlanta as, over the years, dancers like Boyd and Mack continue to impress audiences of all ages. This year’s engagement, the first under new artistic director Robert Battle, comprises premieres, new productions and new directions. “This is the beginning of a new adventure — for the company, for me and for our audiences in Atlanta,” he says.
By Danielle Deadwyler
R
obert Battle, the third artistic director in Alvin Ailey American Dance Theater’s storied history, has been with the company since he was 12. Not literally, of course, but he was destined to connect with the company. Battle was a 12-year-old in Miami, when, he says, he was bused to a “miniperformance” of Ailey’s signature piece, “Revelations.” It was a culminating moment that crystallized for him the poetry, music and activism he was learning from his mother, a choir pianist, and activist in her own right. His real start with Ailey came in 2003, through an invitation to choreograph for Ailey II, the junior company. He’s been a disciple ever since. Assuming the top artistic job has been “wonderful, cathartic ... constantly 52 EncoreAtlantA.com
surprising ... a healthy mixture of fear and confidence,” says the Juilliardtrained Battle. “I feel I had a calling to lead, [a] passion.” His new life is multifaceted — and not just with a global menu of dance styles, foot positions and new dancers. He’ s also involved in fundraising, board meetings, talking to reporters and nurturing dancers as well as imagining new things for upcoming seasons. Like predecessor Judith Jamison, he wants to do good for Ailey as long as he can, and that doesn’t include getting back onstage. He stopped dancing in 2001 but is fulfilled through his dancers. “Watching them onstage is just enough,” he says. Although he’s now a seasoned professional, Battle is back to watching Ailey the way he did as a boy, hoping to translate that sort of innocence to his art. After all, the innocence is what made that first indelible impression on him, and the sort of magic he wants to cultivate for the Ailey legacy.
Andrew Eccles
‘I feel I had a calling to lead’
THE FOLLOWING
ADVERTISEMENT HAS BEEN APPROVED FOR THE
ATLANTA JEWISH FILM FESTIVAL AMERICAN JEWISH COMMITTEE
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Schwartz Center for Performing Arts
Kronos Quartet and Alim Qasimov Ensemble Friday, February 17, 8 p.m.
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Photo by Gary Heery
Wendy Lynch
Christopher O’Riley, piano Friday, March 2, 8 p.m.
Michael Wilson
AN
Graceland The glorious (and slightly gaudy) side of Memphis By Kristi Casey Sanders
L
Whether you’re a devoted fan or a hipster in search of a kitschy holy grail, Graceland — one of Memphis’ most popular tourist attractions — delivers a hunka hunka burning surprises. The first is that it’s not surrounded by the winding streams and oak-lined pathways you’d expect from a rock ’n’ roll Tara. It’s down a side street, between a couple of strip malls. And it’s kind of 54 EncoreAtlantA.com
hard to find. Here’s a hint: If you get to the blue barbecue restaurant with “TLC I *heart* Elvis” on its chimney, you’ve gone too far south. Once you’ve found the proper turnoff to the parking lot and visitors’ center, you may be amazed by the number of activities Graceland offers. According to Foursquare app users, the best ticket is the Graceland Platinum Tour ($36
Niels Gerhardt/shutterstock
ove him or hate him, it’s hard to think of Memphis without Elvis Presley, its most famous son. To his credit, Elvis never felt he outgrew his hometown, even after becoming one of the biggest stars in the world. His family home, Graceland, which is on the National Register of Historic Places, gives visitors an interesting glimpse behind the black velvet curtain of his celebrity.
A hip and contemporary place to meet for cocktails or hold your next event.
Historic charm combined with artful hospitality.
Atlanta’s Performing Arts Publication
More than a program, it’s your ticket to the arts. 404.459.4128 encoreatlanta.com
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Hotel Indigo Atlanta Midtown 683 Bar and Bistro 683 Peachtree St. NE • Across from the Fox! BRAND NEW, FOX INSPIRED LOBBY, BAR AND BISTRO!
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regular basis, respecting Elvis’ rule that only family got to see the second floor while he was alive. Everyone else had to wait in the foyer for Elvis to descend from his blue velvet lair, something daughter Lisa Marie (who narrates much of the audio tour) says was an awesome sight.
kristi casey sanders
for adults; $32.40 for senior citizens and students; $17 for ages 7-12), which gives access to the mansion, Elvis’ airplanes and his car collection, among other attractions. If you check in on Foursquare, you’ll also unlock a special souvenir gift (we got a poster of young Elvis that’s pretty sweet). Go see the customized airplanes first if you want an apt metaphor for Elvis’ meteoric rise to fame. Only two people at a time are allowed to view his first custom jet because it’s so cramped. In contrast, the tricked-out Lisa Marie II is like a flying tour bus, with goldplated sinks, toilets and seat belts, a boardroom, several bedrooms, even a bar (though Elvis drank soft rather than hard drinks). You need to take a shuttle to see the house museum, and they’ll hand you an audio tour as you board. It’s a great soundtrack to the Elvis experience, but you can’t take it with you. Signs posted insist the audio tours will only work on the property. You’d think that Graceland would be a sprawling monument to excess, but it’s surprisingly modest — at least from the outside. Inside, it’s obvious that the house is exactly as Elvis left it. It hasn’t been scrubbed and sanitized. It’s a living time capsule that’s firmly rooted in the early 1970s. Elvis purchased the small ranchstyle home as a young man. As he found success, he built a second floor, expansions to the main house and outbuildings. The tour only encompasses the areas guests saw on a
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really like it, pick up your own branded apparel or trinket at one of Graceland’s numerous, themed gift shops. Common areas, like Elvis’ racquetball court and office, have been converted into museums of film and music artifacts, jumpsuits, gold records and television interviews. Also on display
kristi casey sanders
Elvis’ interior design aesthetic is a mix of the practical (the best hangout space is next to the kitchen) with the slightly weird (big-eyed monkey dolls and clown statues) to the downright bizarre (shag carpet on the ceilings so that he could sing or record anywhere and not get echoes). A good Southern boy, Elvis never forgot his mother, for whom he decorated a bedroom and bathroom in girly frills and poodle wallpaper. He loved hanging with his boys in the “Jungle Room” (monkeys, fake fur tiger seats and a waterfall just off the kitchen) and downstairs pool room, which looks like a bordello with its heavy tapestry-draped walls and ceiling. And he liked keeping on top of current events. His blue-and-gold TV room has three television sets side-by-side on one wall (because he heard the president watched broadcast news that way). It also features his record collection and personal logo/ motto “TCB” (Taking Care of Business) painted alongside a lightening bolt on the wall. By the way, TCB pops up everywhere — on his microphones, jumpsuits and airplanes — and if you
The Tony Award-winning celebration of Thomas “Fats” Waller’s musical genius. An ensemble of energetic performers and the hottest jazz band in town, bring down the house with a musical parade of thirty of Waller’s greatest hits. A joyously creative songwriter of the 1920s and 30s, Fats Waller penned over 400 songs in his career — many of which became classic jazz standards still performed today. Ain’t Misbehavin’ pays tribute to his legacy and music, and includes the ever popular songs: “The Jitterbug Waltz,” “I’m Gonna Sit Right Down and Write Myself a Letter,” “‘T’Ain’t Nobody’s Biz-ness If I Do,” “Honeysuckle Rose,” “Find Out What They Like,” “Your Feets Too Big” and many more!
404.377.9948
www.AtlantaLyricTheatre.com
Atlanta’s Performing Arts Publication
More than a program, it’s your ticket to the arts. 404.459.4128 encoreatlanta.com
February 17 - March 4, 2012 117 N Park Sq. NE • Marietta, GA
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’70s sedan originally commissioned by Frank Sinatra — are an interesting testament to his peacock-like obsession with appearance and accouterments. There are several other mini-museums, all attached to gift shops, that fans can meander through as well as restaurants. But to do so would take all day. You can see the house museum, the airplanes and cars in less than two hours. Graceland is a few miles from Memphis International Airport, so the next time you are in town or have a long layover, swing by. It’s a fun — and slightly freaky — memorial to the King of Rock ‘n’ Roll. Details: elvis.com/graceland/.
kristi casey sanders
is some truly kitschy fan art and letters from people still mourning his death. And then there’s the land. Acres of land that he raised horses on. And a pool area connected to a meditation garden where Elvis, his mother and father are buried, surrounded by flowers and gifts from individual fans and Elvis fan clubs from around the world. After hearing funny anecdotes about Elvis on the audio tour — like how he and his friends used to race golf carts and lawn mowers in the backyard and often took their low-fi drag races to the street — you’ll probably wonder where those items are. Head back to the main Graceland strip and the Elvis Car Museum to check out his souped-up mini-machines, automobiles and massive tractor. It’s telling that one of his earliest cars was a pink convertible Cadillac. Clearly, Elvis was no wallflower, but it must have taken some guts for a manly man to choose a pink car in the 1950s. Subsequent cars — a purple Caddy, a pink golf cart with a fringed roof and a Batmobile-looking
this month’s
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