Robert Spano Music Director Donald Runnicles Principal Guest Conductor Michael Krajewski Principal Pops Conductor
May 12/13/14 Beethoven: Violin Concerto Augustin Hadelich, violin May 15 Family Lemony Snicket’s The Composer is Dead May 19/21/22 Mendelssohn: Suite from A Midsummer Night’s Dream Robert Spano, conductor Jessica Rivera, soprano Atlanta Symphony Orchestra Chorus
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May 27/28 SuperPOPS! Patti LUpone
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contents May 2011
44
Ethan Hill
Nick Arroyo
18
features
the music
18 The Making of a DYNASTY
23 The concert’s program and notes
James Oliverio wrote DYNASTY: Double Timpani Concerto for Mark and Paul Yancich, who perform the world premiere at Symphony Hall.
44 A League of Her Own
Broadway Legend Patti LuPone Coulda, Woulda, Shoulda… and Does in a One-Woman SuperPOPS! show May 27-28.
6 EncoreAtlanta.COM
departments 10 President’s Letter 12 Orchestra Leadership 14 Robert Spano 16 Musicians 33 Contributors 50 Calendar 52 Administration 54 General Info 56 Ticket Info 58 Gallery ASO
publisher/sales Sherry Madigan White 404.459.4128 sherry.white@encoreatlanta.com account executive editorial director/chief storyteller
Kristi Casey Sanders kristi@encoreatlanta.com art director
Jenny Schisler jenny@encoreatlanta.com project manager/production artist Whitney Stubblefield whitney@encoreatlanta.com graphic designer Anna Harrell contributing editor Kathy Janich contributing writers
Bret Love and Margaret Shakespeare
atlanta symphony orchestra Rob Phipps Karl Schnittke program annotator Ken Meltzer
Thomas Pinckney 404.459.4127 thomas.pinckney@encoreatlanta.com senior national accounts manager
Sandra Ourusoff 212.260.4883 marketing administrator
Stephanie Smith ENCORE ATLANTA is published monthly by Atlanta Metropolitan Publishing Inc. president Tom Casey chairperson Diane Casey controller Suzzie Adams Gilham vice president, sales and marketing Evan Casey chief administrative officer Claudia Madigan director of marketing Lisa Kraus
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Welcome to May! I assumed responsibilities as president of the Atlanta Symphony Orchestra in May 2010, so this is something of an anniversary letter. Let me say, at the outset, how happy I am to be here. My family and I have been made to feel welcomed and loved and celebrated, and for that I am profoundly grateful. From my first days in Atlanta — a place I have grown to love quickly — I challenged my colleagues to focus less on talking about what we do and to think more about the difference we make by doing those things. The Atlanta Symphony Orchestra presents an exciting, well-balanced, 24-concert series each classical season. We invite world-renowned guest artists — Itzhak Perlman, Midori, Wynton Marsalis, Roberto Abbado, Jennifer Higdon, Dawn Upshaw and their peers — to share the stage with our own world-class, 27 Grammy Award-winning Orchestra. What difference does it make to the people of this community that we present memorable live performances of great art by great artists? Our Atlanta Symphony Orchestra Chorus, which this year celebrates its 40th anniversary, is the envy of choral music loving audiences across America and around the globe. Their artistry, which we will hear in two concert series this month alone, inspires us and transports us. What difference does it make to this community that we are home, to such a superb Chorus? Through nationally respected initiatives like our Talent Development Program and the Atlanta Symphony Youth Orchestra, we nurture the talents of young musicians. We position them to reach beyond themselves, to hone their abilities and realize their dreams. Does that make a difference? I’ve asked my colleagues to think about and to talk with me about the difference we make by the things we do, and now I’d like to ask you to do the same: What difference does the Atlanta Symphony Orchestra make in your life? How do you see our impact in this community? I hope you’ll let me hear from you: stanley.romanstein@woodruffcenter.org. Thank you so much for supporting your Atlanta Symphony Orchestra.
Stanley E. Romanstein, Ph.D. President
10 EncoreAtlanta.COM
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leadership Atlanta Symphony Orchestra League 2010-2011 Board of Directors Officers Ben F. Johnson, III Chair Vice Chairs Clayton F. Jackson Finance Chair/ Treasurer
Meghan H. Magruder Jeff Mango Belinda Massafra * ASA President Penny McPhee
Stanley E. Romanstein, Ph.D. * Chilton Davis Varner Joni Winston Secretary
Directors Jim R. Abrahamson Pinney L. Allen Joseph R. Bankoff * Jason A. Bernstein Paul Blackney Janine Brown Donald P. Carson Ann W. Cramer Cari K. Dawson Richard A. Dorfman David Edmiston Gary P. Fayard Dr. Robert Franklin Paul Garcia Carol Green Gellerstedt Jim Henry
Tad Hutcheson Mrs. Roya Irvani Clayton F. Jackson D. Kirk Jamieson Ben F. Johnson, III Steve Koonin Carrie Kurlander Mike Lang Donna Lee Lucy Lee Karole F. Lloyd Meghan H. Magruder Jeff Mango Belinda Massafra * Darrell J. Mays Penny McPhee
Galen Oelkers Victoria Palefsky Leslie Z. Petter Suzanne Tucker Plybon Patricia Reid Martin Richenhagen John D. Rogers Stanley E. Romanstein, Ph.D.* Dennis Sadlowski Ms. Lynn Schinazi William Schultz Tom Sherwood John Sibley Hamilton Smith Lucinda B. Smith
Thurmond Smithgall Gail R. Starr Mary Rose Taylor Joseph M. Thompson Liz Troy Chilton Davis Varner S. Patrick Viguerie Rick Walker Thomas Wardell Mark Wasserman John B. White, Jr. Richard S. (Dick) White, Jr. Joni Winston Patrice Wright-Lewis Camille Yow
Board of counselors Mrs. John Aderhold Robert M. Balentine Elinor Breman Dr. John W. Cooledge John Donnell Jere Drummond Carla Fackler Arnoldo Fiedotin
Ruth Gershon Charles Ginden John T. Glover Frances B. Graves Dona Humphreys Aaron J. Johnson Herb Karp Jim Kelley
George Lanier Patricia Leake Mrs. William C. Lester Mrs. J. Erskine Love Carolyn C. McClatchey Bertil D. Nordin Joyce Schwob
Mrs. Charles A. Smithgall, Jr. W. Rhett Tanner G. Kimbrough Taylor Michael W. Trapp Edus Warren Adair R. White Neil Williams
Azira G. Hill Dr. James M. Hund
Arthur L. Montgomery
Life Directors Howell E. Adams, Jr. Bradley Currey, Jr.
Mrs. Drew Fuller Mary D. Gellerstedt
* ex officio
12 EncoreAtlanta.COM
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Robert M Spano music Director
usic Director Robert Spano, beginning his 10th season as music director of the Atlanta Symphony Orchestra, is recognized internationally as one of the most imaginative conductors today. Since 2001, he has invigorated and expanded the Orchestra’s repertoire while elevating the ensemble to new levels of international prominence and acclaim.
angela morris
The Orchestra and audiences together explore a creative programming mix, recordings and visual enhancements, such as Theater of a Concert — the Orchestra’s continuing exploration of different formats, settings, and enhancements for the musical performance experience — and the first concert-staged performances of John Adams’s Doctor Atomic in November 2008. The Atlanta School of Composers reflects Mr. Spano and the Orchestra’s commitment to nurturing and championing music through multi-year partnerships, defining a new generation of American composers, including Osvaldo Golijov, Jennifer Higdon, Christopher Theofanidis and Michael Gandolfi. Since the beginning of his tenure, Mr. Spano and the Orchestra have performed over 100 concerts featuring contemporary works (composed since 1950), including 13 Atlanta Symphony-commissioned world premieres and three additional world premieres.
14 EncoreAtlanta.COM
Mr. Spano has a discography with the Atlanta Symphony Orchestra of nine recordings — six of which have been honored with Grammy® awards. He has led the Orchestra’s performances at Carnegie Hall and Lincoln Center, as well as the Ravinia, Ojai and Savannah music festivals. He has led the New York and Los Angeles Philharmonics, San Francisco, Boston, Cleveland, Chicago and Philadelphia symphony orchestras, as well as Orchestra Filarmonica della Scala, BBC Symphony and Amsterdam’s Royal Concertgebouw Orchestra. In addition, he has conducted for Covent Garden, Welsh National Opera, Lyric Opera of Chicago, Houston Grand Opera, and the 2005 and 2009 Seattle Opera Ring cycles. Mr. Spano was Musical America’s 2008 Conductor of the Year. In March 2010, Mr. Spano began a threeyear tenure as Emory University’s Distinguished Artist in Residence, for which he spends three weeks each year leading intensive seminars, lecturing, and presenting programs on science, math, philosophy, literature and musicology throughout the university’s campus.
Log onto EncoreAtlanta.com now and register to win tickets to these upcoming performances:
The Color Purple
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Read about Atlanta's performing arts every month in Encore Atlanta. More than a program, it's your ticket to the arts.
Robert Spano, Music Director, The Robert Reid Topping Chair * Donald Runnicles, Principal Guest Conductor, The Neil and Sue Williams Chair * FIRST VIOLIN
David Coucheron Concertmaster The Mr. and Mrs. Howard R. Peevy Chair*
William Pu Associate Concertmaster The Charles McKenzie Taylor Chair*
Justin Bruns Assistant Concertmaster The Mary and Cherry Emerson Chair
Jun-Ching Lin Assistant Concertmaster
Carolyn Toll Hancock The AGL Resources Chair
John Meisner Alice Anderson Oglesby Lorentz Ottzen Christopher Pulgram Carol Ramirez Juan Ramirez Olga Shpitko Denise Berginson Smith Kenn Wagner Lisa Wiedman Yancich
Sharon Berenson David Braitberg Noriko Konno Clift Judith Cox David Dillard Eleanor Kosek Raymond Leung Ruth Ann Little Thomas O’Donnell Ronda Respess Sanford Salzinger Frank Walton VIOLA
Reid Harris Principal The Edus H. and Harriet H. Warren Chair*
Paul Murphy Associate Principal The Mary and Lawrence Gellerstedt Chair *
Catherine Lynn Assistant Principal
Wesley Collins Marian Kent Yang-Yoon Kim Yiyin Li
SECOND VIOLIN
David Arenz Principal The Atlanta Symphony Associates Chair*
Sou-Chun Su Associate Principal The Frances Cheney Boggs Chair*
Jay Christy Assistant Principal
16 EncoreAtlanta.com
Lachlan McBane Jessica Oudin Ardath Weck
BASS
Ralph Jones
CELLO
Principal The Marcia and John Donnell Chair  *
Christopher Rex
Gloria Jones
Principal The Miriam and John Conant Chair*
Daniel Laufer Associate Principal The Livingston Foundation Chair
Associate Principal
Jane Little Assistant Principal Emeritus
Assistant Principal
Michael Kenady Michael Kurth Douglas Sommer Thomas Thoreson
Dona Vellek
FLUTE
Karen Freer
Assistant Principal Emeritus
Joel Dallow Jere Flint Jennifer Humphreys Larry LeMaster Brad Ritchie Paul Warner
Christina Smith Principal The Jill Hertz Chair*
Robert Cronin Associate Principal
Paul Brittan The Georgia Power Foundation Chair
Carl David Hall
michael Krajewski, Principal Pops Conductor Jere Flint, Staff Conductor; Music Director of the Atlanta Symphony Youth Orchestra The Zeist Foundation Chair * Norman Mackenzie, Director of Choruses, The Frannie and Bill Graves Chair PICCOLO
E-FLAT CLARINET
TRUMPET
PERCUSSION
Carl David Hall
Ted Gurch
Thomas Hooten
Thomas Sherwood
OBOE
BASS CLARINET
Elizabeth Koch
Alcides Rodriguez
Principal The Madeline and Howell Adams Chair*
Principal The Julie and Arthur Montgomery Chair*
Karin Bliznik
William Wilder
BASSOON
Associate Principal
Assistant Principal William A. Schwartz Chair*
rincipal P The George M. and Corrie Hoyt Brown Chair *
Yvonne Powers Peterson Associate Principal Ann Lillya † Patrick McFarland
Carl Nitchie Principal The Walter L. “Buz” Carr, III Chair
Elizabeth Burkhardt Associate Principal
Laura Najarian
Michael Myers Joseph Walthall TROMBONE
Colin Williams Principal The Wachovia Chair
Stephen Wilson
ENGLISH HORN
The Pricewaterhouse Coopers Chair
Patrick McFarland
Juan de Gomar
Associate Principal The Patsy and Jere Drummond Chair
CLARINET
CONTRABASSOON
George Curran Edmon Nicholson
Laura Ardan Principal The Robert Shaw Chair*
Juan de Gomar
Ted Gurch
HORN
BASS TROMBONE
Associate Principal
Brice Andrus
George Curran
William Rappaport
Principal The Sandra and John Glover Chair
TUBA
The Alcatel-Lucent Chair
Alcides Rodriguez
Susan Welty Associate Principal
Thomas Witte Richard Deane
Michael Moore Principal The Georgia-Pacific Chair
The UPS Community Service Chair
TIMPANI
Bruce Kenney
Principal The Walter H. Bunzl Chair*
Mark Yancich
William Wilder Assistant Principal
Charles Settle HARP
Elisabeth Remy Johnson Principal The Delta Air Lines Chair
KEYBOARD The Hugh and Jessie Hodgson Memorial Chair*
Peter Marshall † Beverly Gilbert † Sharon Berenson LIBRARY
Rebecca Beavers Principal
Steven Sherrill Assistant Principal Librarian
John Wildermuth Assistant Librarian *C hair named in perpetuity † Regularly engaged musician Players in string sections are listed alphabetically.
Atlanta’s Performing Arts Publication 17
Nick Arroyo
The Making of a Dynasty “I am the luckiest guy in the world,” says Mark Yancich, Atlanta Symphony Orchestra principal timpanist since 1981. “I found a voice and followed it.” A fourth-generation musician, he grew up in a musical household brimming with instruments and a world of sound. He took french horn lessons and tried out classical guitar before discovering in high school that “playing timpani sent a shiver up and down my spine.”
18 EncoreAtlanta.COM
James Oliverio (above, left) wrote DYNASTY: Double Timpani Concerto for Mark and Paul Yancich (above, right) who perform the world premiere at Symphony Hall, June 2/4
By Margaret Shakespeare
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A few years earlier, older brother Paul Yancich, principal timpanist of the Cleveland Orchestra, had had his own percussion epiphany. Their father taught french horn at the Eastman School of Music. “I saw someone at Eastman with a pair of drumsticks in his back pocket. And that was it,” remembers Paul, who got a practice pad and percussion lessons for his ninth birthday. “Then in high school the band director said ‘Can you tune these two notes?’ I could. Then he said, ‘So you’re going to play timpani.’”
“I’ve known James forever,” says Paul Yancich of the prolific composer who got a start composing a timpani piece for Paul’s senior recital at the Cleveland Institute. Oliverio’s works include the virtuosic Timpani Concerto No. 1 (The Olympian), which Paul premiered in 1990 with the Cleveland Orchestra. Mark later performed with the ASO and in the opening work for Atlanta’s Cultural Olympiad in 1996.
Nick Arroyo
Timpani soloists have a slim repertory. And for two timpanists, the list is not much beyond a piece by Philip Glass. “James, Mark and I had been talking about doing something together,” Paul says. The talking continued for a few years, with ideas for a double concerto emerging and winning a nod from Maestro Spano. Oliverio actually started to sketch and shape the work, which is in five movements, two summers ago, at the Yancich family summer home in Lake Placid, N.Y. And he has — studying, as did Mark later, with the revered Cloyd Duff at the Cleveland Institute of Music, as a member of the Atlanta Symphony from 1976 to 1981 and, since then, the Cleveland Orchestra.
“In my book, these two guys are the best timpanists in the world,” Oliverio says. “And the notion that they come from a musical family that dates way back was one of the paths to Dynasty. I wanted to honor that.”
As far as anyone knows, Mark and Paul Yancich own the universal title and territory of timpanist-brothers who are members of major orchestras. At least it is a pretty nifty rarity. But for them — and for the Atlanta audience — there is more rarified distinction to come next month when the two world-premiere DYNASTY: Double Timpani Concerto composed for them and the Orchestra by James Oliverio. Music Director Robert Spano will conduct the June 2 and 4 concerts at Atlanta Symphony Hall.
How to execute the piece? “My quest was for melodic and harmonic timpani writing,” Oliverio says. “And that has become the hallmark of this piece — melodic and harmonic structure that grows organically. It was a challenge to feature two soloists, to allow both to shine equally. And, as with any composition, ideally I want to search out through sound vibration and take the listener to a different mental or psychological space where they want to stay or revisit.”
2020EncoreAtlanta.com EncoreAtlanta.COM
Continued on page 42
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program Robert Spano, Music Director Donald Runnicles, Principal Guest Conductor
Atlanta Symphony Youth Orchestra spring CONCERT Sunday, May 8, 2011, at 3 p.m.
Jere Flint, Conductor Chelsea Sharpe, Violin Franz Liszt (1811-1886) Les préludes, Symphonic Poem No. 3 (1848) Samuel Barber (1910-1981) Concerto for Violin and Orchestra, Opus 14 (1940), First Movement I. Allegro Chelsea Sharpe, Violin
Aaron Copland (1900-1990) The Promise of Living, from The Tender Land, Orchestral Suite (1958) INTERMISSION Ottorino Respighi (1879-1936) Pini di Roma (Pines of Rome) (1924) I. The Pines of the Villa Borghese II. The Pines Near a Catacomb
III. The Pines of the Janiculum IV. The Pines of the Appian Way
Chelsea Sharpe is one of two Concerto Competition winners this season. Shaquille Southwell, clarinet, appeared on the Winter Concert playing Rossini’s Introduction, Theme and Variations for Clarinet and Orchestra.
Scholarships for ASYO tuition are made possible through the Elinor Rosenberg Breman ASYO Fellowship.
The use of cameras or recording devices during the concert is strictly prohibited.
Atlanta’s Performing Arts Publication 23
sponsors
is proud to sponsor the Atlanta Symphony Youth Orchestra. GE Energy (www.ge.com/energy) is one of the world’s leading suppliers of power generation and energy delivery technologies, with 2008 revenue of $29.3 billion. Based in Atlanta, Georgia, GE Energy works in all areas of the energy industry including coal, oil, natural gas and nuclear energy; renewable resources such as water, wind, solar and biogas; and other alternative fuels. Numerous GE Energy products are certified under ecomagination, GE’s corporate-wide initiative to aggressively bring to market new technologies that will help customers meet pressing environmental challenges.
Wells Fargo & Company (NYSE: WFC) is a nationwide, diversified, communitybased financial services company with $1.3 trillion in assets. Founded in 1852 and headquartered in San Francisco, Wells Fargo provides banking, insurance, investments, mortgage, and consumer and commercial finance through more than 9,000 stores, 12,000 ATMs, the Internet (wellsfargo.com and wachovia.com), and other distribution channels across North America and internationally. With approximately 280,000 team members, Wells Fargo serves one in three households in America. Wells Fargo & Company was ranked No. 19 on Fortune’s 2009 rankings of America’s largest corporations. Wells Fargo’s vision is to satisfy all our customers’ financial needs and help them succeed financially.
Jere Flint Music Director
Do you play well with others? AuDition! Information at aso.org/asyo | 404.733.4870
24 EncoreAtlanta.com
program Notes on the Program By Ken Meltzer Les préludes, Symphonic Poem No. 3 (1848) Franz Liszt was born in Raiding, Hungary, on October 22, 1811, and died in Bayreuth, Germany, on July 31, 1886. The first performance of Les préludes took place in Weimar, Germany, on February 28, 1854, with the composer conducting the Weimar Court Orchestra. Les préludes is scored for piccolo, three flutes, two oboes, two clarinets, two bassoons, four horns, two trumpets, three trombones, tuba, timpani, bass drum, cymbals, snare drum, harp and strings. Approximate performance time is sixteen minutes.
L
es préludes is the third of twelve Symphonic Poems written by Franz Liszt during the Hungarian composer, pianist and conductor’s tenure at the Weimar court (1848-1861). Liszt originally conceived of the work as an orchestral overture to a setting, for male chorus and piano, of Joseph Autran’s cycle of poems, Les quatre éléments. Liszt composed the overture during the years 1845-1848. However, Liszt finally abandoned the Four Elements portion of the project, and concentrated upon revising his overture. It was then that Liszt received inspiration — not from Autran’s verse — but from the epic poem, Les préludes, included in the 1823 collection, Nouvelles méditations poétiques, by Alphonse de Lamartine (1790-1869). Liszt completed the work he now entitled “Les préludes” in 1854, and conducted its premiere in Weimar on February 28. Les préludes enjoyed great popularity during the composer’s lifetime, and this thrilling symphonic poem continues to be one of Liszt’s most-performed orchestral works. Liszt provided the following synopsis in the preface to the score of his Les préludes: What is our life but a series of Preludes to that unknown song, the first solemn note of which is sounded by Death? The enchanted dawn of every existence is heralded by Love, yet in whose destiny are not the first throbs of happiness interrupted by storms, whose violent blasts dissipate his fond illusions, consuming his altar with fatal fire? And where is it to be found the cruelly bruised soul, that having become the sport of one of these tempests, does not seek oblivion in the sweet quiet of rural life? Nevertheless, man seldom resigns himself to the beneficial calm that at first chained him to Nature’s bosom. No sooner does the trumpet sound the alarm, than he runs to the post of danger, be the war what it may, that summons him to its ranks. For there he will find again in the struggle complete self-realization and the full possession of his forces. Atlanta’s Performing Arts Publication 25
Concerto for Violin and Orchestra, Opus 14 (1940), First Movement Samuel Barber was born in West Chester, Pennsylvania, on March 9, 1910, and died in New York on January 23, 1981. The first performance of the Violin Concerto took place at the Academy of Music in Philadelphia, Pennsylvania, on February 7, 1941, with Albert Spalding as violin soloist and Eugene Ormandy conducted the Philadelphia Orchestra. In addition to the solo violin, the Concerto is scored for piccolo, two flutes, two oboes, two clarinets, two bassoons, two horns, two trumpets, timpani, snare drum, piano and strings. Approximate performance time of the first movement is ten minutes.
T
he Concerto for Violin and Orchestra was the product of the first major commission for American composer Samuel Barber. The commission was from Samuel Fels, a wealthy American businessman who served on the board of trustees of Barber’s alma mater, the Curtis Institute of Music. Fels intended the Concerto to serve as a vehicle for his protégé, the young Odessa-born violinist Iso Briselli. Fels offered the commission in the spring of 1939. That summer, while staying in Sils-Maria, Switzerland, Barber commenced work on the Concerto. In August of 1939, Barber traveled to Paris, where he intended to finish the Concerto by autumn. However, the imminent Nazi invasion of Poland forced Barber to change his plans. Barber returned to the United States, where he completed the Concerto the following year. Differences arose between Barber and Iso Briselli over the Concerto, the nature of which is the subject of some debate. Iso Briselli did not play the premiere of the Barber Violin Concerto. That honor went to the renowned American violinist, Albert Spalding. On February 7, 1941, Spalding, accompanied by Eugene Ormandy and the Philadelphia Orchestra, gave the first performance at the Academy of Music. The soaring lyricism of the first two movements, coupled with the virtuoso fireworks of the finale, have made the Barber Violin Concerto one of the American composer’s most popular works, for violinists and audiences alike. This concert features the Concerto’s opening movement. I. Allegro — The Concerto opens with the soloist’s immediate presentation of the lengthy and flowing principal theme. The jaunty second theme, introduced by the solo clarinet, has a decidedly Scottish flavor. A vivacious sequence for the soloist concludes the exposition portion of the opening movement. The development section begins in agitated fashion, but soon returns to the generally lyrical character of the Allegro. The tension mounts once again, leading to the orchestra’s fortissimo launch of the recapitulation. After a brief cadenza for the soloist, the opening movement concludes with hushed variants of the “Scottish” and opening themes.
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program The Promise of Living, from The Tender Land, Orchestral Suite (1958) Aaron Copland was born in Brooklyn, New York, on November 14, 1900, and died in North Tarrytown, New York, on December 2, 1990. The first performance of the Orchestral Suite from The Tender Land took place at Symphony Hall in Chicago, Illinois, on April 10, 1958, with Fritz Reiner conducting the Chicago Symphony Orchestra. The Orchestral Suite from The Tender Land is scored for piccolo, two flutes, two oboes, English horn, two clarinets, bass clarinet, two bassoons, four horns, three trumpets, three trombones, tuba, timpani, bass drum, cymbals, orchestra bells, ratchet, snare drum, slap stick, triangle, wood block, xylophone, harp, piano/celeste and strings. Approximate performance time is five minutes.
A
aron Copland wrote his only full-length opera, The Tender Land, in response to a 1952 commission from the League of Composers, funded by Richard Rodgers and Oscar Hammerstein II. The libretto by Erik Johns (writing under the pseudonym “Horace Everett”), was inspired in part by the book Let Us Now Praise Famous Men, with text by James Agee and photographs by Walker Evans. The story of The Tender Land takes place in the 1930s, on a farm in the Midwest at harvest time. Laurie, about to graduate from high school, falls in love with Martin, a drifter who has come to the farm looking for work. The two plan to elope after Laurie’s graduation. However, Martin has a change of heart, and runs off. When Laurie discovers that Martin has deserted her, she still decides to seek her independence, and leaves the farm. The Tender Land received its premiere at the New York City Opera on April 1, 1954. Copland and Johns revised the work, and the final version premiered at Oberlin College on May 20, 1955. Copland described the genesis of his Orchestral Suite from the opera: Soon after the original premiere in 1954, I arranged an orchestral suite from The Tender Land. It does not represent a digest of the dramatic action of the opera, but it proceeds from the second act to the first in a threemovement sequence… the last movement is the music of “The Promise of Living,” the vocal quintet from the end of Act I...When I conducted it with the BSO in Boston (10-11 April 1959) and then New York (21 November), the reviews were far better than they had been for the opera. III. Finale; The Promise of Living
Pini di Roma (Pines of Rome) (1924) Ottorino Respighi was born in Bologna, Italy, on July 9, 1879, and died in Rome, Italy, on April 18, 1936. The first performance of Pines of Rome took place at the Augusteo in Rome on December 14, 1924, with Bernardino Molinari conducting.
Atlanta’s Performing Arts Publication 27
Pines of Romeis scored for piccolo, three flutes, two oboes, English horn, two clarinets, bass clarinet, two bassoons, contrabassoon, four horns, three trumpets, four trombones, six buccine (a buccina is a curved Roman brass instrument — flicorni or flugelhorns may substitute for the buccine), timpani, harp, piano, celesta, organ, bass drum, cymbals, orchestra bells, ratchet, snare drum, tam tam, tambourine, triangle and strings. Approximate performance time is twenty-three minutes.
I
n 1916, Italian composer Ottorino Respighi completed Fountains of Rome, the first of three tone poems that musically portray the sights, sounds and history of the noble city. The 1917 premiere of the work, led by Antonino Guarneri at the Augusteo in Rome, was not a success. However, when the legendary maestro Arturo Toscanini conducted Fountains of Rome in 1918 at a concert in Milan, the audience and critics responded enthusiastically. Respighi gratefully acknowledged to his publisher Ricordi: “In Toscanini’s hands everything takes on strength and color: he understands and brings out the composer’s innermost thoughts.”
The ultimate triumph of Fountains of Rome gave Respighi the confidence to compose the second work in his Roman Trilogy, Pines of Rome. (The third, Roman Festivals, premiered in 1929). The premiere of Pini di Roma took place at the Augusteo on December 14, 1924, under the baton of Bernardino Molinari. The composer’s widow, Elsa Respighi, recalled: The hall was packed, the atmosphere electric. At the end of the first part there were protests in the form of booing and hissing which subsided with the sudden pianissimo in the second section. The audience was gripped by the second and third parts, while frantic applause such as had never been heard before in the Augusteo drowned out the last bars of the poem. The American premiere of Pines of Rome occurred on January 14, 1926, at New York’s Carnegie Hall. Toscanini, making his debut with the New York Philharmonic, was the conductor. The next day, Respighi conducted the Philadelphia Orchestra in the same work. The composer offered this commentary on his Pines of Rome: While in his preceding work, “The Fountains of Rome,” the composer sought to reproduce by means of tone an impression of nature, in “The Pines of Rome,” he uses nature as a point of departure, in order to recall memories and visions. The century-old trees which dominate so characteristically the Roman landscape become testimony for the principal events in Roman life. Respighi, who studied in Russia with Nikolai Rimsky-Korsakov, was a gifted orchestrator. His Pines of Rome is a magnificent showpiece, one that earned the admiration of Arturo Toscanini, and many of the great maestros who have followed. It certainly was a work that meant a great deal to the composer. According to Elsa Respighi:
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program I honestly believe it was one of the compositions in which (he) was most emotionally involved. During the last ten years of his life Respighi often conducted the work in concerts of his music all over the world and I watched with the keenest interest the same excited, enthusiastic response from the most different audiences. In a preface to the score, Respighi described the four movements of the Pines of Rome (which are played without pause): I. The Pines of the Villa Borghese Children are at play in the pine groves of Villa Borghese; they dance round in circles, they play at soldiers, marching and fighting, they are wrought up by their own cries like swallows at evening, they come and go in swarms. Suddenly the scene changes, and II. The Pines Near a Catacomb we see the shades of the pine-trees fringing the entrance to a catacomb. From the depth rises the sound of mournful psalmsinging, floating through the air like a solemn hymn, and gradually and mysteriously dispersing. III. The Pines of the Janiculum A quiver runs through the air: the pine-trees of the Janiculum stand distinctly outlined in the clear light of a full moon. A nightingale is singing (Annotator’s note: Here, Respighi specifies that a recording of the nightingale’s song be used). IV. The Pines of the Appian Way Misty dawn on the Appian Way: solitary pine-trees guarding the magic landscape; the muffled, ceaseless rhythm of unending footsteps. The poet has a fantastic vision of bygone glories: trumpets sound and, in the brilliance of the newly-risen sun, a consular army bursts forth toward the Sacred Way, mounting in triumph to the Capitol.
Atlanta’s Performing Arts Publication 29
jere flint, Conductor The Zeist Foundation Youth Orchestra Conductor Chair
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ntering his fourth decade with the Atlanta Symphony Orchestra, Jere Flint continues to lead a busy triple life. As the Atlanta Symphony Orchestra staff conductor, he developed and conducts the popular Family Concert Series as well as Symphony Street concerts for young children and Concerts for Young People for elementary and Jere Flint middle school children. He often conducts on the SuperPops Series, and Classic Chastain with some of the nation’s top headliners, as well as other special concerts throughout the year. He is now in his third decade as music director of the Atlanta Symphony Youth Orchestra. He directs weekly Youth Orchestra rehearsals and three major concerts a year, as well as other concerts throughout the season. When not on the podium, he is a member of the Atlanta Symphony Orchestra cello section. Mr. Flint earned his bachelor’s degree in music from Wittenberg University in Ohio, where he was assistant director of the school’s noted choir. At the University of Washington in Seattle, where he received his Master of Arts degree in music, he served as manager of the university’s opera company and music director for the School of Drama. He pursued further conducting studies at Yale University with Otto-Werner Mueller. A former conductor of the Atlanta-Emory Orchestra, Mr. Flint has also conducted at the Brevard Music Center, Sewanee Summer Music Center, Southeastern Music Center and several honors and all-state orchestras. He has served as conductor for a number of national touring companies of Broadway shows and Theater of the Stars productions.
atlanta symphony youth orchestra
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stablished in 1974, The Atlanta Symphony Youth Orchestra has a history like no other. Born from a symphony orchestra that began as a youth orchestra itself, student education and training has always been paramount. Each year, over 300 student musicians ages 13-18 audition for the orchestra. Just over 100 students are selected and dedicate their time to weekly ensemble and sectional rehearsals. The Atlanta Youth Orchestra was founded in 1945 Atlanta Symphony Youth Orchestra by members of the Atlanta Music Club. The ensemble gradually grew to be the professional ASO; however, youth education has remained crucial to its mission. Nearly 30 years later, the Atlanta Symphony Youth Orchestra was founded. Directed by ASO Associate Conductor Michael Palmer, the first concert was held on December 21, 1974. Since then, the youth orchestra has seen only two other conductors, Sung Kwak and Maestro Jere Flint. The Atlanta Symphony Youth Orchestra has gained national recognition as one of the best youth orchestras in the country. The only American youth orchestra ever to participate in an Olympic Games, the ASYO was a featured ensemble in the 1996 closing ceremonies. ASYO has also been featured on National Public Radio, WABE, and with the rock group Collective Soul.
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program 2010-2011 Atlanta Symphony Youth Orchestra Jere Flint, Music Director and Conductor The Zeist Foundation Youth Orchestra Conductor Chair A Division of the Atlanta Symphony Orchestra Robert Spano, Music Director Donald Runnicles, Principal Guest Conductor Stanley Romanstein, Ph. D., President First Violin Chelsea Sharpe, Concertmaster Duluth HS Emily Brooks Lassiter HS Richard Duan Northview HS Kevin Fan Chamblee Charter HS Sheehan Hanrahan Alpharetta HS Emily Kaplan Paideia School Angela Kim Johns Creek HS Juyun Kim Centennial HS Alex Li Walton HS Megan Li Chattahoochee HS Tianyi Lu Northview HS Taishi Namura Pope HS Boyang Niu Northview HS Angelina Park Duluth HS Shuo Qian Northview HS Emily Reinhard Woodstock HS Thomas Sulkoske Woodstock HS George Tang Centennial HS Micah Wallen Home School Jennifer Warrilow Centennial HS Second Violin Do Young Kim, Principal Brookwood HS Daniel Allen Davidson Fine Arts School Jeffrey Bai Alpharetta HS Eileen Cheng Chattahoochee HS Claudia Cheung Pope HS Miki Hayashi Northview HS Olivia Holladay Walton HS Brandon Hou Gwinnett School of Math, Science & Technology
Joseph Jung Johns Creek HS Ivan Kang Chattahoochee HS Tae Hee Kim Alpharetta HS Tatsuya Kudo Walton HS Huijeong Lee Duluth HS Justin Lee River Trail MS Keanu Mitanga Atlanta International School Hana Oberst Walton HS James Pinder Home School Debbie Shim The Westminster Schools Yejin Shin Riverwatch MS Lihua Shu Parkview HS Viola Grace Laminack, Co-Principal Home School John Cooper, Co-Principal Norcross HS William Anderson New Creation Christian Academy Monica Caldwell Shiloh HS Arlyn Goodrich Parkview HS Andy Huang Northview HS Katherine Hur The Westminster Schools Haerin Im Walton HS Anna Jackson Collins Hill HS Jean Kang Northview HS Richard Lee Peachtree Ridge HS Larissa Mapua North Cobb HS Matthew O’Shaughnessy Milton HS
Cello Grace Sommer, Principal Home School Anna Bing Paideia School Alex Chumbley Riverwood International Charter School Andrew Cleveland Grady HS Joseph Fan Chamblee HS Haley Huang Kell HS Sam Lee Northview HS Myrtil Mitanga Atlanta International School Wick Simmons Holy Innocents’ Episcopal School Brian Song Henderson MS William Ulman Hillgrove HS Sam Viguerie Woodward Academy Bass Xavier Foley, Principal Pope HS Kathryn Evans Lassiter HS Jared Houseman Dacula HS Kiah Simmons Grady HS Geoffrey Solomon DeKalb School of the Arts Andrew Sommer Walton HS Dylan Stroud Pope HS Nick Twarog Brookwood HS Moe Winograd Johns Creek HS Flute Amy Caputo Grayson HS Hally Davidson Home School Catherine Rothery Allatoona HS Alexandra Smith The Westminster Schools
Oboe Olivia Bona Riverwood International Charter School Lauren Firestone Riverwood HS Wilson Harmon Union County HS Stephen Woolfitt Chamblee HS Clarinet Kevin Chiou Walton HS Scott Park Walton HS Shaquille Southwell Hillgrove HS Jeffrey Wang Northview HS Bassoon Sandra Bailey Home School Shelby Jones East Coweta HS Alex Pappas North Springs HS Haley Strauss Starr’s Mill HS Horn Hannah Choi Chamblee Charter HS Christopher Leitten Home School Alex Lind Lassiter HS Brooke Martin Habersham Central HS Amy Melton Whitewater HS Stephen Newberry Creekview HS Rachel Romero McEachern HS David Sidlow Lakeside HS Trumpet Scott Hickman Sequoyah HS Sean Lee Walton HS Ryan Reed Kell HS Austin Williams North Cobb HS
Trombone Kenton Campbell Grayson HS Sarah Manley McIntosh HS Zachary Whitney Davidson Fine Arts School Joseph Poole - bass Hillgrove HS Tuba Carter Mitchell Vestavia Hills HS (AL) David Nelson A.C. Reynolds HS (NC) Percussion Madeline Bates Kell HS Ryan Cash Lassiter HS Matthew Leitten Home School Nick Stevens Lassiter HS Harp Angelica Hairston Chamblee HS Tinsley Stokes North Atlanta HS Keyboard Grace Liu Dacula HS Librarians Emily Reinhard Grace Sommer
Players in each section are listed alphabetically. The ASYO English horn was given by Hawthorne Elementary School in memory of Mrs. Betty Crockett. The ASYO bass clarinet is a bequest from Judy Ravan Thomas.
Atlanta’s Performing Arts Publication 31
chelsea sharpe, Violin
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helsea Sharpe has been playing the violin for 12 years and has been a member of the Atlanta Symphony Orchestra’s Talent Development Program since 2003. Chelsea has played with Metropolitan Youth Symphony Orchestra, the Buckhead Youth Orchestra and has been a 5-year member of the Atlanta Symphony Youth Orchestra where she is currently Concertmaster. Last winter, Chelsea was selected to be a member of the 2010 National Chelsea Sharpe High School Honors Orchestra and was a winner of the Ruth Kern Young Artist’s Concerto Competition as well as the High School Division winner of the Georgia College and State University Performance Competition for Strings. More recently, Chelsea won first place in the Artisan division of the Georgia Philharmonic Concerto Competition. Thanks to scholarships from the Hank Aaron Chasing the Dream Foundation, the Buckhead Youth Orchestra, the Atlanta Symphony Youth Orchestra and the Azira G. Hill Scholarship fund, Chelsea has spent summers studying at the Interlochen Center for the Arts, Brevard Music Center, Bowdoin International Music Festival and the Meadowmount School of Music. Chelsea has performed in master classes for Paul Biss, Sally O’Reilly and renowned violinists Midori, Tai Murray and James Ehnes. In 2004, she was the subject of a joint Atlanta Symphony Orchestra/Georgia Public Television (GPTV) documentary entitled “Instrumental Success” with her current teacher, ASO violinist Ronda Respess.
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support Appassionato
Meghan H. Magruder, Appassionato Chair
The Atlanta Symphony Orchestra is privileged to receive annual contributions from individuals throughout the southeast. Appassionato was inaugurated in 2000 & welcomes annual givers of $10,000 & above. Appassionato members provide the Symphony with a continuous & strong financial base in support of our ambitionous aritistic & education initiatives.
$50,000+
Mrs. Anne Cox Chambers
The Reiman Foundation
$35,000+
Robert Spano
Susan & Thomas Wardell
Mark & Rebekah Wasserman
$25,000+ Madeline & Howell E. Adams, Jr. Susan & Richard Anderson Stephanie & Arthur Blank Mr. & Mrs. Bradley Currey, Jr. Marcia & John Donnell Catherine Warren Dukehart
Lucy R. & Gary Lee, Jr. Terence L. & Jeanne P. Neal* Victoria & Howard Palefsky Printpack Inc. & The Gay & Erskine Love Foundation Mrs. Charles A. Smithgall, Jr.
Mr. Thurmond Smithgall Mr. & Mrs. K. Morgan Varner, III Adair & Dick White Ann Marie & John B. White, Jr.* Sue & Neil Williams*
Mr. Donald F. Fox Mr. & Mrs. Paul R. Garcia Charles & Mary Ginden Jim & Pam Henry InterContinental Hotels Group Clay & Jane Jackson Ann A. & Ben F. Johnson III Mr. & Mrs. James C. Kennedy Eydie & Steve Koonin Mr. & Mrs. Brian Kurlander Michael & Cindi Lang Donna Lee & Howard C. Ehni
Karole & John Lloyd Meghan & Clarke Magruder Jeff Mango-Verizon Wireless Mr. Kenneth & Dr. Carolyn Meltzer Mr. & Mrs. William T. Plybon Patty & Doug Reid Ms. Lynn Schinazi Gail & Loren Starr Irene & Howard Stein Alison M. & Joseph M. Thompson Ray & John Uttenhove Camille W. Yow
Carol & Larry Gellerstedt Mary D. Gellerstedt Nancy D. Gould Mr. & Mrs. Robert D. Grathwohl The Graves Foundation Robert Hall Gunn, Jr. Fund Joe Guthridge & David Ritter* Tom & Jan Hough Mr. Tad Hutcheson Roya & Bahman Irvani Robert J. Jones* Anne Morgan & Jim Kelley* Philip I. Kent Mr. & Mrs. Donald R. Keough Amy & Mark Kistulinec Mr. & Mrs. John M. Law Massey Charitable Trust
Morgens West Foundation Lynn & Galen Oelkers Mr. & Mrs. Solon P. Patterson* Bob & Margaret Reiser Stanley & Shannon Romanstein Dennis & JoAnne Sadlowski Bill & Rachel Schultz Joyce & Henry Schwob Mr. John A. Sibley III John Sparrow Mary Rose Taylor Carol & Ramon Tome* The Michael W. Trapp Family Mike & Liz Troy Turner Foundation, Inc. Mr. & Mrs. Edus H. Warren, Jr. Neal & Virginia Williams
$15,000+ AGCO Corporation, Martin Richenhagen Pinney L. Allen & Charles C. Miller Mr. & Mrs. Paul J. Blackney Janine Brown & Alex J. Simmons, Jr. Mr. & Mrs. C. Merrell Calhoun Mary Helen & Jim Dalton Mr. & Mrs. David Edmiston In memory of Polly Ellis by Admiral James O. Ellis, Jr. Gary & Nancy Fayard* $10,000+ Anonymous (2) Ron & Susan Antinori Mark & Christine Armour The Balloun Family* Lisa & Joe Bankoff Barnes & Thornburg LLP Kelley O. & Neil H. Berman The John & Rosemary Brown Family Foundation The Walter & Frances Bunzl Foundation Cynthia & Donald Carson Shannon & Philip Cave Dr. John W. Cooledge Cari Katrice Dawson Eleanor & Charles Edmondson Rosi & Arnoldo Fiedotin
*We are grateful to these donors for taking the extra time to acquire matching gifts from their employers. **Deceased.
Atlanta’s Performing Arts Publication 33
Patron Partnership
Judy Hellriegel, Chair
The Patron Partnership of the Atlanta Symphony Orchestra is the society of donors who have given $1,750 or more and comprise a vital extension of the Orchestra family through their institutional leadership and financial support.
$5,000+ John & Helen Aderhold* Aadu & Kristi Allpere* Anonymous (3) Mr. David Boatwright Mrs. Suzanne Dansby Bollman & Mr. Brooks Bollman Breman Foundation Dr. Robert L. & Lucinda W. Bunnen Ann & Jeff Cramer* Triska Drake & G. Kimbrough Taylor, Jr. Dr. & Mrs. Carl D. Fackler Mr. David L. Forbes
Mr. James F. Fraser Betty Sands Fuller Sally & Carl Gable Dick & Ann Goodsell C. Tycho & Marie Howle Foundation The Jamieson Family Family of Thomas B. Koch James H. Landon George H. Lanier Pat & Nolan Leake Linda & John Matthews Penelope & Raymond McPhee* Brenda & Charles Moseley
Dr. & Mrs. Mark P. Pentecost, Jr. Margaret H. Petersen John & Kyle Rogers Hamilton & Mason Smith Lynne & Steven Steindel* Peter James Stelling Charlie Wade & M.J. Conboy Gertrude & William C. Wardlaw Fund, Inc. Russell Williamson & Shawn Pagliarini Suzanne Bunzl Wilner
Dr. & Mrs. James T. Laney* Mr. & Mrs. William C. Lester* Deborah & William Liss* Dr. & Mrs. James T. Lowman Gino & Belinda Massafra* Walter W. Mitchell Mr. & Mrs. Rezin Pidgeon, Jr. Mr. & Mrs. Joel F. Reeves
S. A. Robinson Nancy & Henry Shuford Sandy & Paul Smith Mrs. C. Preston Stephens Burton Trimble T & H Yamashita*
Sally & Larry Davis Gregory & Debra Durden Ms. Diane Durgin Mr. & Mrs. Christopher S. Edmonds Ellen & Howard Feinsand John & Michelle Fuller Mr. & Mrs. Edward T. Garland Peg Gary Dr. Mary G. George & Mr. Kenneth Molinelli Carol & Henry Grady Ben & Lynda Greer Dr. & Mrs. Alexander Gross Herbert & Marian Haley Foundation Mr. Lewis H. Hamner III Steven & Caroline Harless Sally W. Hawkins Mr. & Mrs. John E. Hellriegel
Darlene K. Henson Mr. & Mrs. Jesse Hill, Jr. In Memory of Carolyn B. Hochman Mr. & Mrs. Daniel H. Hollums Mr. & Mrs. Harry C. Howard Richard & Linda Hubert Dr. William M. Hudson Mr. & Mrs. William C. Humphreys, Jr. Dr. & Mrs. James M. Hund Dorothy Jackson Ms. Cynthia Jeness Mr. & Mrs. W. F. Johnston Dr. Maurice J. Jurkiewicz Hazel & Herb Karp Paul & Rosthema Kastin Mr. & Mrs. John H. Kauffman Mr. & Mrs. L. Michael Kelly Dick & Georgia Kimball*
$3,500+ Julie M. Altenbach Anonymous Mr. & Mrs. Dennis Chorba Ms. Carol F. Comstock & Mr. James L. Davis* Jere & Patsy Drummond Dr. & Mrs. C.R. Harper JoAnn Hall Hunsinger $2,250+ Mr. & Mrs. Phillip E. Alvelda* Marian & Paul Anderson Anonymous Jack & Helga Beam Ms. Laura J. Bjorkholm & Mr. John C. Reece II Rita & Herschel Bloom Margo Brinton & Eldon Park Jacqueline A. & Joseph E. Brown, Jr. Maj. Gen. & Mrs. Robert Bunker Dr. Aubrey M. Bush & Dr. Carol T. Bush The Buss Family Charitable Fund Charles Campbell & Ann Grovenstein-Campbell Mrs. Thalia N. Carlos Mr. & Mrs. Beauchamp Carr Lucy & John Cook Robert Cronin & Christina Smith
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support $2,250+ (continued) Dr. Fulton D. Lewis III & Mr. Stephen Neal Rhoney Mr. & Mrs. J. David Lifsey Mr. & Mrs. Paul A. Lutz* Mr. & Mrs. Frederick C. Mabry Ruth & Paul Marston The Devereaux F. & Dorothy McClatchey Foundation, Inc. Mr. & Mrs. Albert S. McGhee Birgit & David McQueen Judy & Gregory Moore Ms. Lilot S. Moorman & Mr. Jeffrey B. Bradley Dr. & Mrs. R. Daniel Nable
Ms. Rebecca Oppenheimer Mr. & Mrs. Andreas Penninger Susan Perdew Mr. & Mrs. David M. Ratcliffe Realan Foundation, Inc. Mr. & Mrs. Richard L. Rodgers Mr. & Mrs. George P. Rodrigue Mrs. William A. Schwartz Elizabeth S. Sharp Angela & Morton Sherzer Dr. Kay R. Shirley Beverly & Milton Shlapak In memory of Willard Shull Helga Hazelrig Siegel Lewis Silverboard
Baker & Debby Smith Amy & Paul Snyder Mr. & Mrs. Raymond F. Stainback, Jr. John & Yee-Wan Stevens Mr. & Mrs. George B. Taylor, Jr. Mr. & Mrs. Mark Taylor Mr. William C. Voss Dr. & Mrs. James O. Wells, Jr. Mr. & Mrs. Peter L. Whitcup Ms. Mary Lou Wolff Jan & Beattie Wood Mr. & Mrs. John C. Yates The Zaban Foundation, Inc.
Representative Pat Gardner & Mr. Jerry Gardner Paul B., Paul H. & M. Harrison Hackett Carol & Thomas J. Hanner Thomas J. High Mr. Thomas Hooten Mary & Wayne James Aaron & Joyce Johnson Veronique & Baxter Jones Lana M. Jordan Mr. Thomas J. Jung Dr. Rose Mary Kolpatzki Mr. & Mrs. David E. Krischer Thomas C. Lawson Dr. Leslie Leigh Levenson Foundation Barbara & Jim MacGinnitie Mr. & Mrs. Craig P. MacKenzie Mr. & Mrs. James H. Matthews, Jr. Martha & Reynolds McClatchey Captain & Mrs. Charles M. McCleskey John F. & Marilyn M. McMullan Virginia K. McTague Angela & Jimmy Mitchell* Mrs. Gene Morse** Mr. & Mrs. Robert Olive Sanford & Barbara Orkin Dr. & Mrs. Keith D. Osborn Dr. & Mrs. Bernard H. Palay
Mr. & Mrs. Emory H. Palmer Leslie & Skip Petter Dr. & Mrs. Frank S. Pittman III The Reverend Neal P. Ponder, Jr. Provaré Technology Dr. & Mrs. W. Harrison Reeves, Sr. The Gary W. & Ruth M. Rollins Foundation John T. Ruff Dr. & Mrs. Rein Saral Alida & Stuart Silverman Sydney Simons Alex & Betty Smith Foundation, Inc. Johannah Smith Mr. & Mrs. Gabriel Steagall Kay & Alex Summers Elvira Tate Mr. & Mrs. William M. Tipping Ms. Kimberly Tribble & Mr. Mark Lange Robert F. Tuve* Drs. Jonne & Paul Walter Drs. Julius & Nanette Wenger David & Martha West Mr. & Mrs. William White* Hubert H. Whitlow, Jr. Mrs. Frank L. Wilson, Jr. Dorothy & Charlie Yates Family Fund Grace & Herbert Zwerner
$1,750+ Anonymous (2) Mrs. Kay Adams* & Mr. Ralph Paulk Mr. & Mrs. John Allen Mr. & Mrs. Stephen D. Ambo Dr. David & Julie Bakken Betty & Robert Balentine Mr. & Mrs. Ron H. Bell Leon & Linda Borchers Mr.** & Mrs. Eric L. Brooker Dr. & Mrs. Anton J. Bueschen Mr. & Mrs. Russell E. Butner* Mr. & Mrs. Walter K. Canipe In Memory of Dr. Richard A. Carroll, Sr. Susan & Carl Cofer Mr. & Mrs. R. Barksdale Collins* Ralph & Rita Connell Jean & Jerry Cooper Mr. & Mrs. Douglas C. Curling Mrs. H. Frances Davis Brant & Kathy Davis* Mr. & Mrs. Peter T. de Kok Drs. Carlos del Rio & Jeannette Guarner Elizabeth & John Donnelly Cree & Frazer Durrett Dr. Francine D. Dykes & Mr. Richard Delay Mary Frances Early Judge & Mrs. Jack Etheridge George T. & Alecia H. Ethridge
*We are grateful to these donors for taking the extra time to acquire matching gifts from their employers. **Deceased.
Atlanta’s Performing Arts Publication 35
Corporate Support $100,000+
Classical Title Sponsor Classic Chastain Title Sponsor Family and SuperPOPS Presenting Sponsor
Holiday Title Sponsor Muhtar Kent Chairman, Board of Directors and Chief Executive Officer
Richard Anderson Chief Executive Officer
jerome j. byers, II Atlanta Regional President
Atlanta School of Composers Presenting Sponsor Philip I. Kent Chief Executive Officer
$50,000+ AGCO Corporation and Vendors AT&T The Real Yellow Pages GE Energy UPS
$35,000+ Georgia Natural Gas InterContinental Hotels Group Porsche Cars North America Publix Super Markets & Publix Super Markets Charities, Inc.
Delta Classic Chastain Presenting Sponsor
Supporter of the Atlanta Symphony Orchestra Chorus
Ralph de la Vega President & CEO of Mobility and Consumer Markets
Jerry Karr Senior Managing Director GE Asset Management
$10,000+
$20,000+ Nalley Cars Ryder System, Inc. Sutherland Asbill & Brennan LLP SunTrust Foundation
AlixPartners, LLP Four Seasons Hotel Atlanta The Boston Consulting Group
Foundation and Government Support $250,000+ The Mabel Dorn Reeder Foundation Wells Fargo The Zeist Foundation, Inc.
$100,000+ The Halle Foundation Abraham J. & Phyllis Katz Foundation The Vasser Woolley Foundation, Inc
Major funding for this organization is provided by the Fulton County Board of Commissioners under the guidance of the Fulton County Arts Council.
$25,000+ Anne & Gordon Getty Foundation John H. & Wilhelmina D. Harland Charitable Foundation, Inc. Hellen Ingram Plummer Charitable Foundation The Charles Loridans Foundation, Inc. MetLife Foundation The Sara Giles Moore Foundation SunTrust Bank Trusteed Foundation- Walter H. and Marjory M. Rich Memorial Fund
Major support is provided by the City of Atlanta Office of Cultural Affairs.
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$10,000+
Special Gifts
The Aaron Copland Fund The ASCAP Foundation For Music, Inc. Irving Caesar Fund The Arnold Foundation, Inc. The Blonder Family Foundation, Inc. Livingston Foundation, Inc. $5,000+ Reiman Charitable The Fraser-Parker Foundation Foundation Robert S. Elster Foundation William Randolph Hearst Endowed Fund JBS Foundation William McDaniel The Sartain Lanier Charitable Foundation Family Foundation
This program is supported in part by the Georgia Council for the Arts through the appropriations of the Georgia General Assembly. The Council is a Partner Agency of the National Endowment for the Arts.
support Henry Sopkin Circle Recognizing planned gifts that benefit the Atlanta Symphony Orchestra Madeline & Howell E. Adams, Jr. Mr. & Mrs. John E. Aderhold William & Marion Atkins Dr. & Mrs. William Bauer Neil H. Berman Fred & Bettye Betts Mr. & Mrs.* Karl A. Bevins Mr.* & Mrs. Sol Blaine Frances Cheney Boggs* W. Moses Bond Robert* & Sidney Boozer Elinor A. Breman William Breman* James C. Buggs, Sr. Mr. & Mrs. Richard H. Burgin Hugh W. Burke Wilber W. Caldwell Mr. & Mrs. C. Merrell Calhoun Cynthia & Donald Carson Margie & Pierce Cline Dr. & Mrs. Grady Clinkscales, Jr. Miriam & John A. Conant* Dr. John W. Cooledge Mr. & Mrs. William R. Cummickel* John R. Donnell Dixon W. Driggs* Catherine Warren Dukehart Ms. Diane Durgin Kenneth P. Dutter Arnold & Sylvia Eaves
Elizabeth Etoll John F. Evans Doyle Faler* Rosi & Arnoldo Fiedotin Dr. Emile T. Fisher A. D. Frazier, Jr. Betty & Drew* Fuller Carl & Sally Gable William H. Gaik Kay Gardner* Mr.* & Mrs. L. L. Gellerstedt, Jr. Ruth Gershon & Sandy Cohn Micheline & Bob Gerson Mr. & Mrs. John T. Glover Mrs. Irma G. Goldwasser* Robert Hall Gunn, Jr. Billie & Sig* Guthman Betty G.* & Joseph F. * Haas James & Virginia Hale Miss Alice Ann Hamilton* John and Martha Head Ms. Jeannie Hearn Jill* & Jennings* Hertz Albert L. Hibbard, Jr.* Richard E. Hodges Mr. & Mrs. Charles K. Holmes, Jr. Mr. & Mrs. Fred A. Hoyt, Jr. Dr. & Mrs. James M. Hund Mary B. James Calvert Johnson deForest F. Jurkiewicz* Herb & Hazel Karp Anne Morgan & Jim Kelley
Bob Kinsey James W. & Mary Ellen* Kitchell Paul Kniepkamp, Jr. Miss Florence Kopleff Ouida Hayes Lanier Liz & Jay* Levine Jane Little Mrs. J. Erskine Love, Jr. Nell Galt & Will D. Magruder K Maier John W. Markham, III Ann Bernard Martin* Mr. Michael McDowell* Dr. Michael S. McGarry Mr. & Mrs. Richard McGinnis Vera A. Milner* Mr. & Mrs. Bertil D. Nordin Roger B. Orloff Dr. Bernard & Sandra Palay Bill Perkins Mr. & Mrs. Rezin E. Pidgeon, Jr. Janet M. Pierce Reverend Neal P. Ponder, Jr. William L. & Lucia Fairlie Pulgram The Reiman Foundation Carl J. Reith* Edith Goodman Rhodes* Vicki J. & Joe A. Riedel Dr. Shirley E. Rivers Mr. & Mrs. Martin H. Sauser Mr. Paul S. Scharff & Ms. Polly G. Fraser
Edward G. Scruggs* Dr. & Mrs. George P. Sessions W. Griggs Shaefer, Jr.* Mr. & Mrs. Robert Shaw* Charles H. Siegel* Mr. & Mrs. H. Hamilton Smith Mrs. Lessie B. Smithgall Margo Sommers* Elliott Sopkin Elizabeth Morgan Spiegel Daniel D. Stanley* Peter James Stelling C. Mack* & Mary Rose Taylor Jed Thompson Margaret* & Randolph Thrower Kenneth & Kathleen Tice Steven R. Tunnell Mary E. Van Valkenburgh Mrs. Anise C. Wallace* Mr. & Mrs. John B. White, Jr. Adair and Dick White Hubert H. Whitlow, Jr. Sue & Neil Williams Mrs. Frank L. Wilson, Jr. Elin M. Winn* George & Camille Wright Mr.* & Mrs. Charles R. Yates Anonymous (12)
*Deceased
Education & Community Engagement Atlanta Symphony Youth Orchestra, Talent Development Program, Talent Development Program Endowment, Concerts for Young People, Family Concerts, Conversations of Note
$250,000+
Wells Fargo The Zeist Foundation, Inc.
$50,000+
GE Energy Abraham J. & Phyllis Katz Foundation
$25,000+
The Coca-Cola Company Mr. & Mrs. Jesse Hill, Jr. MetLife Foundation Monica & John Pearson Hellen Ingram Plummer Charitable Foundation Publix Super Markets & Publix Super Markets Charities, Inc. Jay & Arthur Richardson
SunTrust Bank Trusteed Foundation - Walter H. and Marjory M. Rich Memorial Fund SunTrust Foundation
Links Inc., Azalea City Chapter Victoria & Howard Palefsky Ms. Margaret H. Petersen Ms. Joni Winston Elise T. Phillips $2,500+ Alison Rand Elinor Rosenberg Breman** Mr. & Mrs. Johnathan Mr. & Mrs. Charles B. Ginden H. Short InterContinental Suzanne & Willard* Shull $10,000+ Hotels Group The Society, Inc., Edith H. & James E. Bostic, Greater Atlanta Chapter Jr. Family Foundation $1,000+ Isaiah & Hellena Huntley Cree & Frazer Durrett Anonymous Tidwell Livingston Foundation, Inc. Mr. & Mrs. Henry Aaron Annie-York Trujillo Primerica Sharon, Lindsay & Raul F. Trujillo Mr. & Mrs. Robert A. Yellowlees & Gordon Fisher Mr. Mack Wilbourn Drs. John O. & Gloria S. Gaston Dr. Blenda Wilson $5,000+ Aaron & Joyce Johnson & Dr. Louis Fair Dr. Margo A. Brinton Ms. Malinda C. Logan & Mr. Eldon Park Mr. & Mrs. Howatt E. Cynthia & Donald Carson Mallinson Mrs. Mary C. Gramling Dr. Joanne R. Nurss *Deceased
** Scholarships for Atlanta Symphony Youth Orchestra tuition are made possible through the Elinor Rosenberg Breman Fellowship.
Atlanta’s Performing Arts Publication 37
support Atlanta Symphony Associates The volunteer organization of the Atlanta Symphony Orchestra
2010-2011 board Belinda Massafra President Suzy Wasserman, Leslie Petter & Camille Yow Advisors Leslie Petter Parliamentarian Elba McCue Secretary Janis Eckert Treasurer
Ellie Kohler Historian Alison Mimms VP Adminstration Corrie Johnson Nominating Chair Sylvia Davidson ASA Spring Luncheon Sheila Richards & Juanita Jones ASA Night at the Symphony Co-Chairs
Liz Troy ASA Night at VWA (Verizon) Camille Kesler Newsletter Editor Pat King Directory Editor Suzy Smith VP Public Relations Faye Popper VP Youth Education Glee Lamb VP Membership
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Adele & Jim Abrahamson Lisa & Joe Bankoff Mr. & Mrs. Paul Blackney Marcia & John Donnell Lucy & Gary Lee Patty & Doug Reid Mr. & Mrs. Thomas Wardell Mrs. Judy Zaban
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Looking to reach Atlanta’s most affluent, active consumers each and every month?
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Opera and ASO performances at Verizon Wireless Amphitheatre. We’re physically put in the hands of an average of 80,000 consumers each and every month. Get your message across to these incredible audiences.
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from
JUNE 3–5 Robert Spano Music Director Donald Runnicles Principal Guest Conductor Michael Krajewski Principal Pops Conductor
ThE FabulouS FoX ThEaTrE
bravo! Celebrating Robert Spano’s 10th Anniversary Season
LIVE ON STAGE hE AT T
FAbuLOuS FOx ThEATRE
October 2010
800-982-2787
August 2009 FoxTheatre.org EncoreAtlanta.com
A
PER FEC T SPR IN FLIN G G!
Robert Spano, Music Director
Donald Runnicles, Principal Guest Conductor
WOLFGANG AMADEUS MOZ ART
July 16, 2010
www.TheateroftheStars.com GROup SALES: (404) 881-2000 or email foxgroup@foxtheatre.org
APRIL 9,I2,I5,I7(M), 2OII October 20 – November 14, 2010 Series on the Alliance Stage
dennis hanthorn - Zurich General Director Pictured Enisha Brewster. Photo by Greg Mooney.
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Patron Circle of Stars By investing $15,000 or more in The Woodruff Arts Center and its divisions — the Alliance Theatre, Atlanta Symphony Orchestra, High Museum of Art and Young Audiences — these outstanding Annual Corporate Campaign donors helped us raise more than $8.4 million last year. Thank you! Chairman’s Council ★★★★★★★★★★★★ $500,000+ Georgia Power Foundation, Inc. UPS ★★★★★★★★★★★ $450,000+ The Coca-Cola Company ★★★★★★★★★★ $300,000+ Cox Interests Atlanta Journal-Constitution, WSB-TV, Cox Radio Group Atlanta, James M. Cox Foundation The Honorable Anne Cox Chambers ★★★★★★★★★ $200,000+ AT&T The Community Foundation for Greater Atlanta, Inc. Deloitte LLP, its Partners & Employees Ernst & Young, Partners & Employees The Home Depot Foundation Jones Day Foundation & Employees The Klaus Family Foundation PricewaterhouseCoopers Partners & Employees Mabel Dorn Reeder Foundation Turner Broadcasting System, Inc. ★★★★★★★★ $150,000+ Alston & Bird LLP Equifax Inc. & Employees The Rich Foundation, Inc. SunTrust Bank Employees & Trusteed Foundations Harriet McDaniel Marshall Trust
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Walter H. & Marjory M. Rich Memorial Fund Thomas Guy Woolford Charitable Trust Greene-Sawtell Foundation Wells Fargo ★★★★★★★ $100,000+ AirTran Airways Bank of America Delta Air Lines, Inc. Kaiser Permanente King & Spalding LLP KPMG LLP, Partners & Employees The Marcus Foundation, Inc. The Sara Giles Moore Foundation Novelis, Inc. Regions Financial Corporation Wal-Mart Stores, Inc. The David, Helen & Marian Woodward Fund ★★★★★★ $75,000+ Holder Construction Company The Sartain Lanier Family Foundation, Inc. Patty & Doug Reid Family Foundation ★★★★★ $50,000+ AGL Resources Inc. Lisa & Joe Bankoff Cisco Coca-Cola Enterprises Doosan Infracore International Frank Jackson Sandy Springs Toyota and Scion GMT Capital Corporation Beth & Tommy Holder ING Mr. & Mrs. M. Douglas Ivester
Kilpatrick Townsend & Stockton LLP Newell Rubbermaid Primerica Sutherland Asbill & Brennan LLP The Zeist Foundation, Inc. ★★★★ $35,000+ Accenture & Accenture Employees Katharine & Russell Bellman Foundation Mr. & Mrs. Bradley Currey, Jr. GE Energy The Imlay Foundation, Inc. Invesco PLC Norfolk Southern, Employees & Foundation SCANA Energy Siemens Industry, Inc. Harris A. Smith Troutman Sanders LLP Frances Wood Wilson Foundation, Inc. ★★★ $25,000+ Assurant Atlanta Companies Assurant Solutions Assurant Specialty Property BDO USA, LLP Laura & Stan Blackburn Brysan Utility Contractors, Inc. Chartis Cousins Properties Incorporated Crawford & Company Drummond Company, Inc. Eisner Family Foundation First Data Corporation Genuine Parts Company Georgia-Pacific Jack & Anne Glenn Foundation, Inc. IBM Corporation
Philip I. Kent Foundation The Ray M. & Mary Elizabeth Lee Foundation, Inc. LexisNexis Risk Solutions The Blanche Lipscomb Foundation Livingston Foundation, Inc. Macy’s Foundation McKinsey & Company, Inc. Katherine John Murphy Foundation Piedmont Charitable Foundation, Inc. J. Marshall & Lucile G. Powell Charitable Trust Mary & Craig Ramsey Rock-Tenn Company Richard D. Shirk Southwire Company Spectrum Brands Towers Watson Waffle House, Inc. Gertrude & William C. Wardlaw Fund Waste Management Charitable Foundation Yancey Bros. Co. ★★ $15,000+ 22squared, inc. A. E. M. Family Foundation ACE Charitable Foundation Acuity Brands, Inc. AGCO Corporation Alix Partners Arnall Golden Gregory LLP The Partners & Employees of Atlanta Equity Investors Atlanta Foundation Atlanta Marriott Marquis Julie & Jim Balloun BB&T Corporation Beaulieu Group, LLC Susan R. Bell & Patrick M. Morris
The Arthur M. Blank Family Foundation Catherine S. & J. Bradford Branch George M. Brown Trust Fund of Atlanta, Georgia Bryan Cave LLP Buck Consultants The Capital Group Companies Charitable Foundation Talela & Beauchamp Carr Roxanne & Jeffrey Cashdan CB Richard Ellis Center Family Foundation Mr. Charles Center Mr. & Mrs. Fred Halperin Ms. Charlene Berman The Chatham Valley Foundation, Inc. Ann & Jeff Cramer DLA Piper Duke Realty Corporation Exide Technologies Mr. & Mrs. Frank L. Fernandez Fifth Third Bank Ford & Harrison LLP Robert Fornaro John & Mary Franklin Foundation, Inc. Gas South, LLC Georgia Natural Gas Grant Thornton LLP Harland Clarke HD Supply The Howell Fund, Inc. ICS Contract Services, LLC Infor Global Solutions Jenny & Phil Jacobs Mr. & Mrs. Tom O. Jewell Weldon H. Johnson Family Foundation David & Jennifer Kahn Family Foundation Sarah & Jim Kennedy Kurt P. Kuehn & Cheryl Davis Lanier Parking Solutions
Bryan Latham Karole & John Lloyd Lockheed Martin Aeronautics Company McKenna Long & Aldridge LLP Mohawk Industries, Inc. Mueller Water Products, Inc. Noonan Family Foundation Gail & Bob O’Leary Vicki R. Palmer The Sally & Peter Parsonson Foundation, Inc. Paul, Hastings, Janofsky & Walker LLP Printpack Inc./The Gay & Erskine Love Foundation David M. Ratcliffe J. Mack Robinson Interests Frances & Jesse A. Sasser, Jr. Emily Winship Scott Foundation Selig Enterprises, Inc./ The Selig Foundation Spencer Stuart Karen & John Spiegel Superior Essex Inc. TriMont Real Estate Advisors, Inc. United Distributors, Inc. WATL/WXIA/Gannett Foundation John Wieland Homes and Neighborhoods Mr. & Mrs. James B. Williams Sue & Neil Williams Womble Carlyle Sandridge & Rice, PLLC Carla & Leonard Wood The Xerox Foundation Mr. & Mrs. Robert A. Yellowlees *As of February 8, 2011
Atlanta’s Performing Arts Publication 41
Continued from page 20
“James knows what to do idiomatically with the kettles,” Mark says of the composer’s technique. “I think the audience will be able to hear some really good music that happens to be for timpanists. They should sit back and enjoy the sound of what a timpani can do. And have fun watching us — up front for a change.” Timpani — also called kettledrums, after their appearance — have been part of the orchestral family since the Baroque era. While timpani are among the few percussion instruments that have definite pitch, each kettle has a limited range of less than an octave. Scores call for various numbers of drums, usually in pairs with complementary tunings, up to about five for one player. Foot pedals allow the player to change pitches. “And then there are stick choices for articulation or mellowness [or other sound qualities],” Mark explains, “often not indicated by the composer [Oliverio excepted, of course]. So it becomes the artistic choice of the player or conductor. Some schools of thought say just a few pair are enough; some have a palette of dozens of pairs. Paul and I are in the middle. Usually we use about eight pairs of sticks, ranging from the hardest to softest.” Still, Paul points out physical limitations: “With a violin you have a huge range at your fingergtips, while we change the notes with our feet. A pianist uses 10fingers, while we play with two sticks. Our instruments are slow mechanically and big to get around.” Oliverio had these constraints and others to factor in. He says, “Each player can only play so many notes without changing the 42 EncoreAtlanta.COM
“ I want to…take the listener to a different mental or psychological space…” — James Oliverio foot pedal. The two soloists have to share certain notes of a melody.” Composer and soloists have had a few in-progress sessions to rehearse together and exchange ideas. “Paul will be driving his instruments to Atlanta for the premiere,” says Mark, who will return the favor when the brothers perform DYNASTY with the Cleveland Orchestra in September at the Blossom Music Festival. The score calls for each player to use five drums. “Mr. Spano heard us read through initial sketches and gave us some input. And James has incorporated some things that Paul and I asked for.” One being the use of two harps. “He had the solo timpani with harp in his first concerto, and we thought it was really neat. Writing for two timpanists is extremely challenging territory. It’s tricky. It passes back and forth. James has ingeniously combined two players’ parts to sound as one.” “I think once the piece starts, until the last note, people will think, ‘Wow,’” says Paul.“We happen to be musicians who play timpani. We are hoping this opens up a new appreciation for what timpanists do in general.” Mark adds, “And playing with my brother — it doesn’t get any better than this!” Margaret Shakespeare writes often about music and musicians. She lives in New York and the farmlands of Long Island.
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In an era where the biggest story on Broadway is the abysmal failure of the accident-plagued Spider-Man: Turn Off The Dark, the legendary Patti LuPone stands apart as (to borrow a line from composer Marvin Hamlisch) one singular sensation.
a league of her own
Ethan Hill
By Bret Love
Broadway Legend Patti LuPone Coulda, Woulda, Shoulda‌ and does in a One-Woman SuperPOPS! show, May 27-28
44 EncoreAtlanta.com
Our Professional Ensemble Bruce V. Benator, CPA, Managing Partner Kevin J. Hedrick, CPA, Partner Steven G. Horn, CPA, Partner Laura E. Speir, CPA, Partner Patricia A. Yeager, CPA, Partner
Certified Public Accountants and Consultants For over 25 years, the FIRM of CHOICE in Atlanta
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Born in 1949, LuPone came by her vocal talent honestly — her great-grand aunt was celebrated 19th-century opera singer Adelina Patti. She started out performing on Long Island in the LuPone Trio with older brothers William and Robert, the actor/dancer/director who later originated the role of Zach the choreographer in A Chorus Line. She went on to become part of the first graduating class of Julliard’s Drama Division, eventually following acting professor John Houseman when he formed the influential theatre company, The Acting Company, with whom she worked regularly from 1972 to 1976. By 1973 she’d made her Broadway debut playing Irina in Chekhov’s The Three Sisters, and two years later she received her first Tony Award nomination — Best Featured Actress in a Musical — for her role as Rosamund in The Robber Bridegroom. But it was her work as Argentinean first lady Eva Perón in Andrew Lloyd Webber’s Evita that truly established LuPone as a star, earning her a Tony for Best Actress in a Musical and leading to major roles in The Cradle Will Rock, an Oliver! revival, the original London production of Les 46 EncoreAtlanta.com
Rahav
A Broadway veteran with nearly 40 years of experience; two Tony Awards (for 1979’s Evita and 2008’s Gypsy revival); and numerous Tony, Laurence Olivier and Drama Desk award nominations under her belt, LuPone remains one of musical theater’s most celebrated talents. And though she may venture into TV (“LBJ: The Early Years,” “Oz,” “30 Rock”) and film (City By The Sea, State and Main, Driving Miss Daisy) from time to time, her solo show Coulda, Woulda, Shoulda proves that the Long Island native remains most at home on the stage.
Misérables and Cole Porter’s Anything Goes (for which she earned another Tony nod). LuPone’s latest solo show, Coulda, Woulda, Shoulda, offers Broadway’s greatest diva since Ethel Merman a chance to perform songs from musicals in which she could’ve played, would’ve played, did play or will play, including beloved favorites from Evita and Gypsy. The set list is filled with songs from classic musicals such as Hair; Bye, Bye Birdie; Funny Girl; West Side Story; and Peter Pan, all of them born anew thanks to LuPone’s depth of emotion, dramatic gestures and signature knack for the dynamic knockout punch. While the Great White Way may be floundering, searching for new ways to “turn off the dark,” Patti LuPone reveals herself to be in peak form as Broadway’s reigning Grande Dame. And if Coulda, Woulda, Shoulda is any indication, she has no intention of relinquishing that crown anytime soon. Atlanta-based freelancer Bret Love has been covering arts, entertainment, restaurants and travel for 17 years and recently launched his own website, GreenGlobalTravel.com.
when I play music… I have more confidence
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The Atlanta Symphony Orchestra, a non-profit organization, provides music education and programs throughout metro Atlanta. $5.00 donation to ATLANTA SYMPHONY. Charges will appear on your wireless bill, or be deducted from your prepaid balance. All purchases must be authorized by account holder. Message and Data Rates May Apply. Text STOP to 50555 to STOP. Text HELP to 50555 for HELP. Full Terms: www.mGive.org/T. Privacy Policy mgivefoundation.org/privacy.aspx
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calendar June 2/4 Thur/Sat: 8pm Delta Classical Rachmaninov: Symphonic Dances Oliverio: Double Timpani Concerto Robert Spano, conductor Mark Yancich, timpani Paul Yancich, timpani
Hear for the first time a virtuosic concerto by James Oliverio for the brothers Yancich, Mark of the ASO and Paul of the Cleveland Orchestra. The Symphonic Dances of Rachmaninov swirl and twirl with passionate intensity.
June 9/11/12 Thur/Sat: 8pm/ Sun: 3pm Delta Classical Puccini: Madama Butterfly Robert Spano, conductor James Alexander, stage director Shu Ying Li, soprano (Butterfly) Russell Thomas, tenor (Pinkerton) Mika Shigematsu, mezzo-soprano (Suzuki) Steven Cole, tenor (Goro) Dwayne Croft, baritone (Sharpless) ASO Chorus
This “Butterfly” soars as never before! A signature “Theater of a Concert” presentation vividly underscores Puccini’s immortal story of an ill-fated marriage. With glorious writing and a celebrated score, and spot-on casting, the tragic masterpiece breathes new fervor as it closes a season of riches.
404.733.5000 aso.org Woodruff Arts Center Box Office @15th and Peachtree Make it a group! 404.733.4848 Presented by:
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404-877-9000 | MELIA.COM 590 WEST PEACHTREE ST NW | ATLANTA, GA 30308
staff Administrative Staff Executive Stanley E. Romanstein President Aysha H. Siddique Manager of Board & Community Relations Brien Faucett Administrative Assistant to the President’s Office Evans Mirageas Director of Artistic Planning ADMINISTRATION John Sparrow Vice President for Orchestra Initiatives & General Manager Mala Sharma Assistant to the Vice President for Orchestra Initiatives & General Manager Julianne Fish Orchestra Manager Nancy Crowder Operations/Rental Events Coordinator Kelly O’Donnell Artist Assistant Carol Wyatt Executive Assistant to the Music Director & Principal Guest Conductor Jeffrey Baxter Choral Administrator Ken Meltzer ASO Insider & Program Annotator Russell Williamson Orchestra Personnel Manager Susanne Watts Assistant Orchestra Personnel Manager Paul Barrett Senior Production Stage Manager Richard Carvlin Stage Manager Lela Huff Assistant Stage Manager Education & Community Engagement Mark B. Kent Senior Director of Education & Community Engagement Melanie Darby Director of Education Programming Ahmad Mayes Community Programs Coordinator
FINANCE & ADMINISTRATION Donald F. Fox Executive Vice President for Business Operations & Chief Financial Officer Shannon McCown Assistant to the Executive Vice President for Business Operations & Chief Financial Officer Susan Ambo Vice President of Finance Kim Hielsberg Director of Financial Planning & Analysis April Satterfield Senior Accountant Peter Dickson Staff Accountant Michael Richardson Venues Analyst Stephen Jones Symphony Store Manager Galina Rotbakh Symphony Store Sales Associate
DEVELOPMENT Sandy Smith Vice President for Development Tammie Taylor Assistant to the VP for Development Stephanie Malhotra Director of Development & Education Services Rebecca Abernathy Development Services Coordinator
MARKETING & CONCERT PROMOTIONS Charles Wade Vice President for Marketing & Symphony Pops Alesia Banks Director of Customer Service & Season Tickets Nellie Cummins Group & Corporate Sales Associate Meko Hector Major & Planned Giving Office & Marketing Jessica Langlois Coordinator Director of Leadership Gifts Jennifer Jefferson & Planned Giving Director of e-Business Andrea Welna & Interactive Media Major Gifts Officer Melanie Kite Meredith Schnepp Subscription Prospect Research Officer Office Manager Shelby Moody Annual, Institutional Group & Corporate & Volunteer Services Sales Coordinator Corey Cowart Seth Newcom Director of Database Administrator Corporate Relations Kimberly Nogi Toni Paz Director of Individual Giving Publicist ASO Presents Robert Phipps Barbara Saunders Clay Schell Publications Director Director of Vice President, Programming Foundation Relations Melissa A. E. Sanders Trevor Ralph Senior Director, General Manager and Senior Maya Robinson Communications Patron Partnership Director of Operations Gifts Officer Travis Sari Holly Clausen Marketing Manager Zachary Brown Director of Marketing Director of Christine Saunders Keri Musgraves Volunteer Services Group & Corporate Promotions Manager Sales Assistant Sarah Levin Lisa Eng Volunteer Project Manager Karl Schnittke Graphic Artist Publications Editor Ashley Krausen Chastain Park Amphitheater Special Events Coordinator Robin Smith Tanner Smith Subscription Sarah Williams Program Director & Education Sales Individual Giving Coordinator Rachel Trignano Verizon Wireless Manager of Amphitheatre at Melissa Donalson Broad Based Giving Encore Park Development Coordinator Russell Wheeler Katie Daniel Group & Corporate VIP Sales Manager Sales Manager Jenny Pollock Christina Wood Operations Manager Director of Marketing Rebecca Simmons Box Office Manager
52 EncoreAtlanta.com
Photos: Iris Feinberg
What will you pass down? Ensure that you will be remembered and that your charitable giving and lifelong values will continue for generations to come. For more information, visit www.AtlantaJewishLegacy.org. Create a Jewish Legacy is an initiative of the Jewish Federation of Greater Atlanta.
general info LATE SEATING Latecomers are seated at the discretion of house management. Reserved seats are not guaranteed after the performance starts. Latecomers may be initially seated in the back out of courtesy to the musicians and other patrons. SPECIAL ASSISTANCE All programs of the Atlanta Symphony Orchestra are accessible to people with disabilities. Please call the box office (404.733.5000) to make advance arrangements. SYMPHONY STORE The ASO’s gift shop is located in the galleria and offers a wide variety of items, ranging from ASO recordings and music-related merchandise to t-shirts and mugs. Proceeds benefit the Atlanta Symphony Orchestra.
THE ROBERT SHAW ROOM The ASO invites donors who contribute at least $1,750 annually to become members of this private salon for cocktails and dining on concert evenings — private rentals available. Call 404.733.4860. IMPORTANT PHONE NUMBERS Concert Hotline 404.733.4949 (Recorded information) Symphony Hall Box Office 404.733.5000 Ticket Donations/Exchanges 404.733.5000 Subscription Information/Sales 404.733.4800 Group Sales 404.733.4848 Atlanta Symphony Associates 404.733.4865 (Volunteers) Educational Programs 404.733.4870 Youth Orchestra 404.733.5038 Box Office TTD Number 404.733.4303 Services for People 404.733-5000 with Special Needs 404.733.4800 Lost and Found 404.733.4225 Symphony Store 404.733.4345
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Atlanta’s Performing Arts Publication
More than a program, it’s your ticket to the arts. 404.459.4128 encoreatlanta.com
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ticket info CAN’T ATTEND A CONCERT? If you can’t use or exchange your tickets, please pass them on to friends or return them to the box office for resale. To donate tickets, please phone 404.733.5000 before the concert begins. A receipt will be mailed to you in January acknowledging the value of all tickets donated for resale during the year. SINGLE TICKETS Call 404.733.5000 Mon.–Fri., 10 a.m.–8 p.m.; Sat.–Sun., Noon–8 p.m. Service charge applies. Phone orders are filled on a bestavailable basis. www.atlantasymphony.org Order any time, any day! Service charge applies. Allow two to three weeks for delivery. For orders received less than two weeks
prior to the concert, tickets will be held at the box office. Woodruff Arts Center Box Office Mon.–Fri., 10 a.m. – 8 p.m.; Sat.–Sun., noon– 8 p.m. The box office is open through intermission on concert dates. No service charge if tickets are purchased in person. Please note: All single-ticket sales are final. No refunds or exchanges. All artists and programs subject to change. GROUP DISCOUNTS Groups of 10 or more save up to 15 percent on most ASO concerts, subject to ticket availability. Call 404.733.4848. GIFT CERTIFICATES Available in any amount for any series, through the box office. Call 404.733.5000.
Timothy Fain
“Thrilling performances of the world’s greatest music – along with beautiful cool mountains, fine dining, golf, art, shopping and more – all await you at the 30th anniversary “Dream Season” of the Highlands-Cashiers Chamber Music Festival! Paradise is just a short 2 hour drive from Atlanta.”
Eroica Trio
HIGHLANDS-CASHIERS CHAMBER MUSIC FESTIVAL July 8 - August 14
www.h-cmusicfestival.org
Laura Ardan
(828) 526-9060 • Highlands, NC
William Preucil
fanfare, fiddle, friend
gallery
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Erik Dixon
DIZZYING WORK Orchestra double bassist Michael Kurth (on right), also a composer, discussed May Cause Dizziness, his world premiere fanfare honoring Robert Spano’s 10th anniversary, with ASO Insider and Program Note Annotator Ken Meltzer prior to its performance last month.
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2 VOILÀ! Partnering with WXIA-TV and its Random Acts of Kindness program, the Orchestra welcomed Miranda Cantrell, a local student and violinist, to Atlanta Symphony Hall for an open rehearsal, a “meet-andgreet” with Robert Spano, and a lesson from Concertmaster David Coucheron.
Jeff Roffman
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Erik Dixon
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58 EncoreAtlanta.com
WELCOME BACK! The eminent conductor Roberto Abbado, a longtime friend of the Orchestra, returned to lead a program of Haydn and Brahms, with guest pianist Peter Serkin in Bartok’s Piano Concerto No. 3.
SUNDAY, MAY 22 at 7 PM Join friends of UNICEF to experience our organization’s global influence on the lives of children without leaving Atlanta. Interactive exhibits. Heavy hors d’oeuvres and cocktails. Wishing well. CO-CHAIRS
John Terracino Vern Yip, UNICEF Ambassador The Lenox Square Luxury Wing
3393 Peachtree Road Northeast, Atlanta (mall entrance between Neiman Marcus and Lenox Square Grill)
Individual tickets start at $250. Proceeds will support UNICEF’s work in over 150 countries. Reservations (404) 881-2700 ext. 208
unicefusa.org/experience Portions of the showcase will remain viewable within the Lenox Square Luxury Wing through May 31.
FIRST BAG FREE ON EVERY DELTA FLIGHT. THE GOLD DELTA SKYMILES ® CREDIT CARD.
DELTA .COM/FIR STBAGFREE Benefit is limited to Basic Cardmembers (not Additional Cardmembers) with the Gold, Platinum, or Reserve Delta SkyMiles Credit Cards. Reservation must include the Basic Cardmember’s SkyMiles number. Fee waiver also available for passengers traveling in the same reservation as the Basic Cardmember. Maximum nine waivers per reservation. New Cardmembers and Cardmembers upgrading from another Delta SkyMiles Credit Card product will be eligible for the checked baggage fee waiver benefit after receiving their Card from American Express. Benefit available only on Delta and Delta Connection® carrier flight segments. Waiver does not apply to overweight or oversized bags. Additional terms, conditions and restrictions may apply. See delta.com/firstbagfree for details.